#Bought like 2 things of Craig tucker only
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caracolcondiarrea · 4 months ago
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Couldn’t fulfill a promise I made my 9y/o me of buying the Link and Marin notebook from the Nintendo store in Japan. There were not there. I think that after 5 years they decided to stop making them or something 💔
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It was this beautiful notebook. But I didn’t see it. If anybody knows where I can buy it online PLEASE TELL
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pekejscatbed · 1 year ago
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Take my Lungs (2/4) | Craig x Kenny
Info/Warnings:
high school AU, profanity, Kenny uses he/she, Kyle uses they/them, Wendyl uses he/him, Marjorine uses she/her
1/4 | 2/4 | 3/4 | 4/4
south park masterlist
———
When Kenny wakes up in her bed, she almost doesn't remember what happened the day before. Almost. But, as usual, the images come flashing through her mind like lightning; he takes a minute to process, unmoving as he waits for the dizziness to fade and the creeping feeling in his throat to disperse.
"Fuck." He whispers once he comes back to his bearings, the memories now fresh in his head. "Can't believe Tucker remembers and my own damn friends don't."
(Kenny blinks away the stinging feeling in her eyes as she gets ready for the day.)
———
When Kenny arrives at school, she's surprised to find out Craig didn't get detention, after all, but instead a day of out of school suspension. Though she is a bit disappointed- she had been waiting all night to confront the other, wanting to know how Craig knew she was immortal and for how long; how long had he known and never said anything?
Guess I'll swing by Tweak Bros after work and see if he's there with the others.
"Hey, Kenny!" Stan pulls her out of her thoughts, greeting her when she arrives at her locker, Kyle and Eric standing next to him (Stan and Kyle had to be at school early for football practice and student council, respectfully, often driving to school together in the car Mr. Broflovski bought for Kyle on their sixteenth birthday and Erics mom drove him to school now, leaving Kenny the only one of the group to still ride the bus (which he only does in the morning, carpooling with Tweek in the afternoon, as their respective jobs at the local movie theatre and Tweak Bros Coffee sit right next to each other)).
"Hey, guys!" Kenny replies with a half-fake smile, still a bit bummed that he'll have to wait to speak to Craig again. "What's up?"
(Now that the 'kids' are in high school and aren't really kids anymore, rather hormone ridden teens, things have changed- for everyone, not just Kenny and his friends.
For starters, Kenny is genderfluid, meaning that somedays, he's a boy, while others she's a girl, or sometimes both or even neither; her pronouns change from day-to-day, sometimes week-to-week or longer, maybe shorter. To keep others from getting confused, she wears dog tags around her neck (she couldn't thank Marjorine enough when she gave them to her): pink for when she's a girl, blue for when he's a boy, and yellow for when their neither (yeah, the colors together represent the pansexual flag, hinting at Kenny's sexuality). And somedays, like today, he wears two or even all three tags. His orange parka has even changed to an orange hoodie now! Or sometimes a black dress, or even a skirt, given to her by Wendyl after he came out as transgender (today Kenny wears a black skirt with her hoodie, along with the pink and blue dog tags).
As for the other 'boys', Kyle isn't one. They came out as agender a while ago and now use they/them pronouns. As for their sexuality, they prefer to be unlabeled- which is totally okay! Their wardrobe is pretty much the same though, with an added skirt or two, gifted by Stan in an attempt to be supportive of his friends' gender, or lack thereof.
Speaking of Stan, he's bi now, having come to the conclusion after Wendyl (before his transition) broke up with him and Stan realized he had a crush on one too many male actors- and someone from school, though he refuses to speak on it (even to Kyle!).
Moving onto Eric... well, Cartman is Cartman. He doesn't confirm nor deny any label that may get pushed upon him, rather doing his own thing and being who he wants, when he wants (whether genuine or just another charade, no one knows))
"Stan and Kehl are being totally gay again!" Cartman whines in response to Kenny's questions, purposefully mispronouncing Kyle's name. Again. "They should just fuck already and get it over with!"
"Who says we haven't?" Kyle shoots back with a glare.
"What! When?!"
"But we haven't- yeah, when?!"
Kyle turns to Stan. "Just go with it! It'll shut him up."
"Nah, I'd know you if ya did." Kenny looks between the two of them and squints. "And ya haven't."
"How would you know?!"
The bell rings and Kenny only grins, saluting his friends before turning around and booking it to class, for once thankful that they all have different classes for first period.
Saved by the bell. Heh.
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blesspastacraig · 6 years ago
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Sixteen (SP Drabble Bomb Day 1 - Decade)
Here’s my offering for the @spdrabblebomb prompt decade!
Predominantly Craig focused but there’s some light Creek.
Just a story about Craig and all his Stripes throughout the years.
On ao3: https://archiveofourown.org/works/14765684/chapters/34146584
Drabble Track - Sixteen - Lucy Camp
I Don't Wanna Be Sixteen Again I’m Just Nostalgic
Craig has been a keen owner of Guinea pigs since age eight. He used to hang around the pet store while his mother ran errands a couple of stores down. He’d place his chubby little hands on the glass and peer in at them as they waddled around the cage going about their day. He wanted one more than he wanted the new season of Red Racer on DVD or maybe, even more than he wanted a telescope, to look up at the stars.
But his Parents said no, both to the Guinea pig and the telescope. They said that he was too young to be responsible for either of them. That didn’t stop him from asking, though. He begged almost every day for a year, and on his eighth birthday, his tired parents finally gave in.
He woke up to find a small cage in the middle of their living room with a tiny, squeaking fluffball inside. An all-black baby with only a singular white stripe across its nose. Craig was almost too scared to pick the baby up: what if he broke it? He remembered the instructions from one of the books on Guinea pig care he read religiously, in an effort to try and convince his parents that he was responsible enough to take care of one. He gently picked up the baby, making sure all four legs and its bottom were supported before he nestled it to his chest.
“Is it a boy or a girl?” He asked.
It is, in fact, a girl. Craig and his family find that out for sure when Craig peers into her cage one day to see Stripe (Craig wasn’t very creative with names), and two smaller Stripes wheeking up at him for breakfast.
Craig has to cover his mouth to stop himself from shrieking with excitement. (Loud noises scare Guinea pigs, one of the many things he recently learnt about them.)
He goes bounding down the stairs from his bedroom into the kitchen to where his mother’s packing their school lunches for the day.
“Stripe had babies, Mom!” It’s the most animated Craig’s sounded in a good while. Well, probably since he got Stripe, at the very least.
“She what?”
“She had two babies! Look!” Craig excitedly grabs her hand with his own little one and tugs. Laura Tucker obliges, bewildered that her son’s Guinea pig has somehow managed to multiply.
(When they call the pet shop they got Stripe from, they get a bored teenager who tells them that it’s hard to tell when a Guinea pig is pregnant. Thomas and Laura know there’s no way they can take Stripe back for a refund now. Craig is attached.)
That afternoon, Craig borrows a book about caring for Guinea Pig babies at the library. He decides to name the babies “Stripe #2” and “Stripe #3”, and his parents give up on any idea of giving them away.
All three (all girls, by some kind of freak of nature) die suddenly and together not long after Craig has turned ten. Craig strongly suspects foul play, but he can’t prove it. His parents blame it on the temperature, but Craig doesn’t buy it.
All he can do is try not to cry about it in front of his friends, lest they label him a crybaby like Clyde. According to all the books he immersed himself in after becoming a Guinea pig owner, two years isn’t a particularly long life for a Guinea pig, and that makes him very sad. For all he could see, they were just happy, furry goofballs who had never done anything wrong in their short lives.
Why did his pets have to die? Why couldn’t it have been someone else’s, someone who didn’t care as much? Or why couldn’t they at least have been older? It doesn’t feel right or fair.
Despite the fact that Craig called him a crybaby countless times, Clyde still comes over and helps him make drawings to mark their graves. Clyde later takes those drawings and gets them laminated for Craig, so they’ll still be there after the rain.
Craig doesn’t call Clyde a crybaby again after that.
Craig starts dating Tweek before deciding to get a new Guinea pig. He hadn’t meant to; they’re only ten and have no idea what they’re doing, but it seems to make everyone around them happy. Tweek’s not so bad himself, not really, it’s nice to be spending so much time with someone he genuinely likes and doesn’t feel like he needs to impress all the time. Craig discovers that’s one upside to dating Tweek instead of girls. Girls seem to have these expectations of him that he could never hope to meet. He’s supposed to not play in the dirt? No way! At least Tweek is there, playing in the muck with him, which is much more fun in his opinion.
Tweek knows Craig is sad about Stripe and her babies. So sad that he hasn’t even thrown away their cage or any of their toys. Craig is pretty sure that his parents aren’t going to let him have another one anyway. Tweek is nice to him about it, though. He takes Craig to the movies, and offers him his leftover fries when they go to McDonalds afterwards. He holds his hand a lot, which is more helpful than Craig expected.
When they head past the pet store, Tweek stops, and they both end up hovering out front for a few crucial seconds. “Can we look?” Tweek asks, and Craig shrugs.
Tweek wants to look at Guinea pigs. Craig tries not to fall in love with a particular tricolour—one with a white stripe across their nose.
“Do you like that one?” Tweek asks him. “I want to get you -nnn- one you like.”
“You want to get me what?” Craig frowns. There’s no way his Mom will just let him bring home another Guinea pig.
“I’ve been saving up… you seemed so -ah- sad. Your Mom and Dad said I could. As long as I got a boy.”
“Oh,” Craig says, dumbly. “I like that one, yeah.”
He doesn’t say thank you in words—but in the way he holds Tweek’s hand the whole way home.
Craig comes home with his first boy Guinea pig in a cardboard box. There won’t be any surprise babies this time, but Craig is sure both he and Tweek can be enough to entertain Stripe #4.
Stripe #4 passes when Craig and Tweek are teenagers. Just on the cusp of making their relationship more real, more genuine. Not just two little kids play-dating because that’s what they saw their parents do. At least Craig has had the label ‘gay’ slapped on him since he was ten, so he doesn’t feel so weird about wanting to kiss Tweek for real.
Craig has braces, and Tweek is a little chubby around the middle, but Craig figures at least they can go through their awkward stage together.
The vet suspects cancer, which is very common in rodents, and Craig is inclined to agree. Tweek promises over and over that it was nothing Craig did and that even the best care can’t prevent something like cancer. Craig still feels guilty anyway. Tweek bought Stripe #4 for him, and Craig hasn’t kept him alive very long at all. Five years is a good run, but this Stripe had only gotten to have four.
Craig makes Stripe #4 a marker for his grave in woodwork, and Tweek lovingly bedazzles it. They add it to the Guinea pig cemetery in Laura’s flower beds and sit in silence as a tribute. Craig rests his head on Tweek’s shoulder, and Tweek holds him close so that any nosy neighbors won’t see him cry.
When they decide to get Stripe #5 (there’s no discussion on what he will be named), they go together. They also pay together, half and half - it feels weirdly adult. Craig feels like it’s a commitment even if they’re only fifteen and clueless. Their only condition is that they have to get a boy again: Craig’s parents are still scarred from the surprise baby debacle and will not chance a girl ever again.
“That one looks like he has hat hair!” Tweek exclaims, pointing to a small boy with black and white fur, a white stripe along his nose, and an impressive-looking crest. Craig doesn’t correct him regarding the crest, and instead laughs along with him.
“He looks small,” Craig says. “Do you think he’s okay?”
“I think he’ll be just fine if someone who really -hnn- cares takes him home with them,” Tweek replies, knowingly. After nearly five years together, Tweek can read him like a damn book, and Craig has a love-hate relationship with that fact.
“Okay then,” Craig says. “I want him then, if you do?”
Tweek does, although he argues on the way home that they should have named him Pepe Le Pew.
At eighteen, ten years after he set his eyes on Stripe #1 in all her glory, Craig and Tweek have a huge decision to make. Sure, applying for colleges and choosing your future is super hard, but for Craig the most agonising part is deciding what to do with Stripe #5. He’s three years old, and as far as Craig can tell, he’s perfectly healthy and thriving. He’s doubled in size since they first brought him home as a tiny runt who could fit nicely in Craig’s palm. They could take him along, but that would mean they’d have to find a pet-friendly apartment. Living on campus would also be completely ruled out. It narrows their accommodation options by a lot.
Craig thinks maybe it might be better if they leave him behind. Craig and Tweek could always come back to visit him during their holidays - Craig’s bedroom in South Park is all he really knows, and Craig isn’t sure that it would be kind to move him somewhere else potentially hours away.
When Tricia offers to take him, Craig breathes a secret sigh of relief.
He feels, in an odd way, he’s passing the baton to her. Maybe she’ll become as avid a Guinea pig lover as him. Maybe in the future, Craig and Tweek will get another Guinea pig once they’ve finished college and have a place all their own.
That doesn’t mean Craig still doesn’t shed a tear as he and Tweek bundle their things into Tweek’s hand-me-down car. Tweek holds his hand over the console as they drive away, without their beloved Stripe #5.
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kisathemistress · 7 years ago
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Some South Park Headcanons I have
(Because I’m falling for the series again!)
The four main characters:
Kyle Broflovski: 
His personality makes it almost impossible for him to let things go, if it means making someone (other than Cartman) upset or sad. He just want as many people as possible to be happy around him, because if they aren’t he feels like he has failed them. 
This comes from his strict upbringing his parents gave him and from studying/knowing everything (including religious various beliefs) thus he lives his life by the golden rule: “Do not do unto others, that you do not want done to you.”
He believes highly in karma as well, especially the Wiccan belief of karma. Where if you do something kind you will be rewarded with 3 times the kindness, but if you do something hurtful you will be punished with 3 times the misfortune.
Despite being Jewish and claiming his pride with the religion, Kyle doesn’t follow any of the practices most Jewish people do. He willingly eats pork and sometimes attends/helps the local Roman Catholic church (but this could be do to the town only having one church and most of his friends go there.)
Unlike Scott, Kyle’s diabetes isn’t as serious and he can get away with eating something with extra sugars in it without going into diabetic shock. Though he does carry emergency insulin just incase.
Kyle is aromantic and bisexual. He doesn’t know how to react to intimacy or pick up clues that someone likes him “in that way”, he just assumes all positive contact with him is platonic in nature. He has to be directly told that someone is in love with him for him to understand why they are being overly nice to him.
Since he is only an 9/10 year old, he isn’t aware full of his own sexuality, thus acts the way he thinks a “normal boy” should behave. Despite constantly giving away that he isn’t “normal” by his own definition.
Also he still has his pet Elephant, but it has been moved to a Zoo for a breeding program. He goes to visit it him occasionally and is a junior Zookeeper at the park. He’s going to be officially hired to work there part-time once he’s in high school.
Stan Marsh:
He still does drink, but not to the extent that his father does nor does he get blackout drunk anymore. He’s cut back a lot thanks to going to AA, but is struggling with the 12 step program do to his father leaving alcohol in his reach, and offering him alcohol. He’s also the kid that pulls drinks for his friends and for parties, as both his father and uncle Jimbo will buy it for him if he asks.
Stan tries his best to be vegetarian but has no problem with eating meat as long as he doesn’t witness the slaughter and preparation of the animal. (Including fish.) Blood makes him squeamish, and he becomes overly emotional when he sees an animal in distress.
Even though Stan is straight, when he’s drunk he’ll sleep with anybody. Drunk Stan also believes Kyle is his boyfriend and will run to him for comfort. This normally confuses Kyle, especially when Stan rejects everything when he is sober. It part of the reason Wendy decided that she is genderfluid and created Wendyl, thinking it will keep Stan from “wandering” away from her.
Stan is very proud of his gay dog Sparky. He willingly takes him to gay pride parades and events, and voices his support for his dog. 
He still owns that poodle he bought, which he found out was a toy poodle.
If his parents didn’t limit Stan to only 2 dogs, he would have a pack of at least 6, that he’d have follow him everywhere. He instantly can become friends with any dog he meets and feels heartbroken when he can’t take them home.
Stan knows different wolf howls and behaviors, he can almost instantly tell you what a wolf or a dog is trying to tell you. If he ever gets lost in the forest around town. he knows how to find the local wolf/coyote pack to keep himself company.
Out of all the boys, Stan would be the first to go feral if they were abandoned by their parents/society.
Kenny McCormick:
Is literally an Elder God, but only is aware of his immortality. He can’t remember what other powers he has or how to activate them. His real father is Cthulhu, and he hates him.
Kenny cares very deeply for his little sister Karen and older brother Kevin. When he has extra money, he will always buy them something nice. Like a new doll for Karen or powdered doughnuts from the convenience store to share with Kevin, because it’s their favorite treat.
Even though he will do nearly anything for money, he draws the line at eating Hot Rods. (Unless of course eating them would bring his family out of poverty or something...)
Kenny is genderfluid and pansexual. Mostly because he doesn’t care who he sleeps with, especially if their is money involved. Also wearing girl clothing occasionally was at first so he could had it down to Karen, but now he’d proudly admits he does like the look and feel of women’s clothing on him.
He has had pet rats, a pet possum, and raccoon. Currently he’s raising a baby flying squirrel he found abandoned in his yard, and nursing a robin who has a broken wing.
He wants to be a veterinarian when he grows up.
Eric Cartman:
Never thinks things through, and always pays for his schemes one way or another.
Still has a horde of stuffies he keeps in his room and sleeps with. Even having tea parties with them, when his “friends” don’t want to play.
Is an asshole towards Kyle, because he has unrequited feelings for him, but doesn’t want Kyle to know. Most of his plans fall through, because he really doesn’t want to hurt or push Kyle away.
Knows that he should watch his weight and eat better, but subconsciously wants to get diabetes from his obesity so he can be just like Kyle and Scott. He hates that they get special attention to their medical problems at school and thus don’t have to participate in certain exercises in gym.
Cartman is sex repulsed, but is secretly gay. He can’t stand the thought of actually having sex with anyone and believes all intimate contact is rape. 
He once broke up Craig and Tweek when he spotted them kissing at Stark’s Pond, then went on a rant of how Craig was taking advantage of his boyfriend, scaring Tweek into thinking he got all of the STDs.
Kyle has force Cartman to clean up “Zaron” all by himself before, after Cartman broke too many rules they came up with after the Stick of Truth was thrown in Stark’s Pond. Although, Cartman made Butters do it for him instead, when Kyle went home.
Four other boys:
Tweek Tweak:
Wasn’t aware his parent’s put meth and other drugs in his coffee to test the blends into being their customers addicted, until Craig discovered what Mr. Tweak was doing. Though Tweek is too scared to report his parents, Craig has used it as a threat to get Tweek expensive things, like videogames and new brand named clothes.
Tweek is a wonderful cook and baker. He wants to change the Tweak Bros. Coffee, into a restaurant kind of like Tim Hortons, where they serve both coffee and homemade food. Though he is too scared to ask his father to put in a proper kitchen in the back of the store, for him to use. Instead he has convinced his mother to sell his famous cupcakes, he bakes at home.
Even without the coffee and drugs, Tweek would still have his twitching tick. It only acts up when he is stressed out. When he is calm, it’s barely noticeable.
Before he bought Stripe #4 for Craig, he was terrified of rodents, after he fell in love with Guinea Pigs and occasionally will discuss proper rodent care with Kenny. 
Though now he fears that Craig might eat Stripe one day, do to Guinea Pigs being a delicacy in Peru and not knowing what happened to the other three Guinea Pigs Craig has had before Stripe #4. That’s why Stripe is kept over at his house on weekends and not a Craig’s 24/7.
Tweek has a parrot named “Coffee Crisp”, because it’s his favorite snack and the first words the parrot learned. His parent’s bought Tweek Coffee Crisp, to help keep his paranoia in check. 
Coffee Crisp will repeat goverment conspiracy theories do to that fact Tweek listens to them on the radio in his room at night. Coffee Crisp also knows the name of over 150 different types of coffee related products.
Craig gave Tweek a hand knitted Chullo and shall that matched his own, but in green, for his birthday. Tweek is afraid he will ruin them if he wears them, so he only wore the outfit for a day before permanently hanging it up in his closet.
Tweek was questioning his sexuality, but has always been gay. He was just too paranoid about other things to focus long enough to realize this.
Craig Tucker:
Although he behaves like he doesn’t give a shit about anyone or anything, he cares deeply on the inside for his friends. He believes showing emotion is weakness and prefers to internalize everything.
He has broken down in front of only two people ever in his life. The first being Clyde after Strip #2 had died, and the second being Tweek.
Craig is aware he is adopted and his native homeland is in Peru. He’s half white and half Peruvian native, and was sent to the US for adoption after people started trying to worship him as the Guinea God.
He’s also aware that he is a god and has god-like abilities. He just doesn’t like to use them and prefers to live a “normal” mortal life. He is aware of Kenny being an Elder God and his immortality. He’s willing to teach Kenny how to be responsible with his powers if he ever find out how to use them.
Craig has eaten Cavy and knows how to make traditional Peruvian dishes that use it, do to being a deity in his homeland. He likes it on occasion, but would never eat a Guinea Pig that he intends to keep as a pet and has buried his previous Guinea Pigs in the back garden of his home. He even had little funerals for them where his friends attended.
Craig likes to knit and will spend hours in his room listening to music and knitting. He hides this from his dad, because it’s not a “manly” hobby. Though every christmas he gives his family handmade sweaters, scarves, mittens, and socks, as gifts.
He doesn’t like coffee like Tweek, but his favorite drink is French Vanilla Cappuccinos. Which he has with whipped cream added, do to his sweet tooth.
Craig can’t dance, but tries to at parties and has fun regardless at his failed attempts. It makes Tweek laugh anyway.
Finally like Tweek’s twitching, flipping people off is a tick Craig had developed. Do to internalizing all of his thoughts and feelings, he automatically flips the bird when he feels upset or angry over someone or thing.
Clyde Donovan
Is just as pervy as Kenny, but is straight. 
He has problems with over expressing his emotions and is always crying about something. He uses Craig as his emotional support constantly, and sometimes will sit eating ice cream and watching romance movies alone.
He is embarrassed by his colostomy bag and only his friends (and Mr. Macky) know about it. He has one do to surviving rectal cancer when he was five.
He wants to own his own mexican themed restaurant when he is older or a Taco Bell. He was very disappointed when the government canceled building a giant Taco Bell during the events of the Stick of Truth.
His favorite Raisins girl is Lexus and always request her to be his host when he eats there. He wants to ask her out, but is too scared she will reject him.
When the kids play “The Kingdom of Zaron” now, Clyde remains as a separate third faction and the main “antagonist” of the game, when the humans and elves aren’t fighting each other. He rules over all the kids that want to be “monsters” or non-human or non-elf. Humans and elves can join his side if they proved to be “evil” enough.
Clyde has worn women's clothing for fun before. He likes flowy skirts and dresses. He wants to go to prom one day in a dress and maybe convince his future wife to let him wear the bride’s gown to their wedding.
Whenever he hears that Tweek is having a “backing meltdown” he gets excited, since Tweek makes too much and usually shares by giving him three boxes of baking. He hides this from his dad who want him to be careful of his weight.
Token Black:
Likes to buy expensive things for Nicole and his friends. He has no idea the value of money and genuinely gets confused when his friend say they or their parents can’t afford something.
Kenny McCormick creeps him out, and he thinks his family just chooses to live in a garbage dump. Though he does get along with Karen McCormick and had bought her lunch a few times, since he thinks it’s cruel for her parents to not give her money or food for school.
He is the second person Clyde will run to when he is upset, though unlike Craig, he dosen’t really know how to react or comfort Clyde. He normally just stands there with Clyde crying in his shoulder, awkwardly patting his back saying “there, there...” until Clyde feels better.
Contrary to belief (and Cartman) Token doesn’t like listening to Beyonce or hip hop type music. He actually likes listening to old folk music and polkas. 
Weird Al Yankovic is his favorite entertainer and “Just Eat it” is his favorite song by him.
Token sometimes says racist things against his white friends by accident. After which he profusely apologizes if he catches himself or someone calls him out on it.
He rather play chess than play football or basketball.
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aion-rsa · 5 years ago
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The Golden Compass Movie: What Went Wrong?
https://ift.tt/2L6qYDc
Now that His Dark Materials is a TV show, we look back at what went wrong with the Golden Compass movie.
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With His Dark Materials currently making waves on HBO, we're taking the time to look back at what went wrong the last time someone tried to adapt Philip Pullman's beloved trilogy of fantasy novels to the screen in the 2007 flop The Golden Compass. 
Pullman's His Dark Materials was much praised for its rich, imaginative fantasy world, nuanced and ambiguous characters, and powerful anti-religious themes. Critically acclaimed, award-laden bestsellers with a young heroine in the form of Lyra Bellacqua, the trilogy seemed an obvious choice to follow Harry Potter and Lord of The Rings and become a blockbuster movie series.   New Line bought the rights after bringing Lord of The Rings to the screen, hoping for a similar success. The two stories are very different high fantasies, however, and The Golden Compass contains concepts less familiar to audiences than wizards, monsters, and swordplay. His Dark Materials was also occasionally categorized in shops as a children's book, unlike Lord of The Rings.
Further reading: His Dark Materials Season 2 Already Greenlit
This is an important factor when it comes to the adaptation. Say something is for children and for a lot of people you automatically impose limitations on what it can be. Consider how many times "for kids" is used as a derogatory term, even if that means you have to ignore the sheer abundance of brilliant stories that match that description.
It's self-perpetuating in many ways. So long as products for children have an air of complacency and simplicity their superiors will be tarred with the same brush, lending children's films a reputation that means some creators feel they don't have to try so hard.
The Golden Compass is one of those movies that taints other children's films by virtue of being compromised by an adult's idea of what children can cope with. With its unique aspects neutered, it becomes an anemic dirge at times, with exposition as subtle as a Michael Bay in the face. One character literally flies in just to explain a plot point before immediately leaving again.
further reading: His Dark Materials' Serafina Pekkala & The Witches Explained
Derek Jacobi almost salvages lines such as: "If we can save our children from the corrupting influence of Dust…" but ultimately can't do anything to stop it sounding like a line from Brass Eye. Christopher Lee is brought in to say a new line by New Line, whose own dust-strewn fingers are all over the final edit and some of the casting. Ian McKellen was also brought on board to have a fight with Lovejoy, but like the rest of the film it was a bloodless affair.   With Rogue One writer Chris Weitz both writing and directing, you'd be forgiven for thinking he should take the bulk of the blame, especially when he chose not to use a draft by renowned playwright (and Star Wars prequels dialogue polisher, yes, I know) Tom Stoppard. Weitz, having co-wrote and directed About a Boy, seemed a sensible choice after producing a seemingly light film punctuated by moments of melancholy and darkness, and got the job after making an unsolicited pitch.
further reading: His Dark Materials' Major Differences From The Golden Compass Book
Daniel Craig was cast well, as were Nicole Kidman and Sam Elliott. The child actors are occasionally guilty of being child actors, though it feels harsh to criticize them at all when their dialogue has the ring of a production enclave asking: "But are we sure people will get that Lyra's feisty and intelligent?"
The end result is dialogue telling us that Lyra is special in a film that doesn't always remember to show us the same thing. This is partly down to a studio imposed running time of two hours, cutting around an hour from Weitz' first draft. This came despite Harry Potter being successful with lengthier running times. You'd have thought that the studio who made Lord of The Rings would have more faith. But faith was another issue altogether...
read more: Who is Mrs. Coulter?
Weitz trod lightly around the religious aspects of Pullman's books, but still found himself having to remove even mentions of "sin" from the script, leaving an important part of the story flailing amid woolly and ridiculous euphemisms. He left the project—replaced temporarily by Anand Tucker (Red Riding, Indian Summer), who himself then left over creative differences—before Weitz returned to finish the movie he'd started.
According to Vulture, the faults of the film do not lie with Weitz. He apparently turned in a more faithful draft than Stoppard, whose script was apparently less about Lyra and more about meetings (according to a Philip Pullman interview with The Atlantic, which is well worth a read).
further reading: His Dark Materials TV Series Creator Discusses Religion in the Adaptation
While only a hint of the religious subtext was left in that script, much of what made Weitz’ first draft work was cut to bring down that running time. Actor Tom Courtenay confirmed that his role was drastically reduced in post-production, with the studio editing the full-length version down, removing its original ending and staging reshoots to exposit information now lost.   Ultimately, there were problems as a result of religious pressure and the studio being unwilling to risk wrath (wrath that would probably have descended on them at any rate), but this was far from unsalvageable. What really killed the film off it seems was the drive to get it under two hours, and the ensuing studio-imposed reworking of the movie. In short, it feels more like a bullet point list of things half remembered from the book than an actual film.
And we come back full circle a little here. The change in running time came because of a limited notion of what a children's movie can be, and what a younger audience can cope with. It's even more obvious in hindsight with the raft of young adult adaptations that the audience could have coped with a three-hour long version of The Golden Compass with its bleak finale, had New Line opted to go that way.
further reading: How Prisoner of Azkaban Changed Young Adult Cinema
It's hard to imagine a film in a New Line trilogy ending at a point that leaves the next film with a flapping tendril of leftover story, I know, but that's what happened in 2007: the finale of The Golden Compass was to be left over for the next film in the series, based on the book The Subtle Knife. Obviously, this film never came to pass, and we have two books unfilmed. Is this a bad thing? I'd argue that it is not.
Harry Potter had to leave out a lot of details from the books over its eight films, but His Dark Materials are books that are trying to do different things, richer still in just three novels, and so there's an inevitable loss of nuance even in a good film adaptation. 
read more: What Year is His Dark Materials Set?
There's no need to adapt every single remotely popular story, as if things don't exist until they're moving pictures on a screen, so if there's going to be an exception, it's good that it's something that rewards multiple readings. That uses prose to tell stories more effectively than cutting edge CGI even could.
Meanwhile, at New Line, the additional shoot and post-production on The Golden Compass not only increased the cost of the film, but stopped it from being good enough to recover costs. Indeed, it contributed to a financial situation at New Line that required a surefire hit from one of their properties, and lo: Peter Jackson was brought back onboard, and The Hobbit began to happen.
The decision to make three films certainly paid off in that respect...
Stay up-to-date on all things His Dark Materials here.
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Dec 6, 2019
His Dark Materials
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aion-rsa · 6 years ago
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The Golden Compass Movie: What Went Wrong?
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With His Dark Materials set to become a TV show, we look back at what went wrong with the Golden Compass movie.
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Andrew Blair
Dec 10, 2018
His Dark Materials
With His Dark Materials set to get the TV show adaptation treatment, we're taking the time to look back at what went wrong the last time someone tried to adapt Philip Pullman's beloved trilogy of fantasy novels to the screen in the 2007 flop The Golden Compass. Here's hoping the BBC adaptation avoids these pitfalls...
Pullman's His Dark Materials was much praised for its rich, imaginative fantasy world, nuanced and ambiguous characters, and powerful anti-religious themes. Critically acclaimed, award-laden bestsellers with a young heroine in the form of Lyra Bellacqua, the trilogy seemed an obvious choice to follow Harry Potter and Lord Of The Rings and become a blockbuster movie series.   New Line bought the rights after bringing Lord Of The Rings to the screen, hoping for a similar success. The two stories are very different high fantasies, however, and The Golden Compass contains concepts less familiar to audiences than wizards, monsters, and swordplay. His Dark Materials was also occasionally categorized in shops as a children's book, unlike Lord Of The Rings.
Further reading: His Dark Materials Season 2 Already Greenlit
This is an important factor when it comes to the adaptation. Say something is for children and for a lot of people you automatically impose limitations on what it can be. Consider how many times "for kids" is used as a derogatory term, even if that means you have to ignore the sheer abundance of brilliant stories that match that description.
It's self-perpetuating in many ways. So long as products for children have an air of complacency and simplicity their superiors will be tarred with the same brush, lending children's films a reputation that means some creators feel they don't have to try so hard.
The Golden Compass is one of those movies that taints other children's films by virtue of being compromised by an adult's idea of what children can cope with. With its unique aspects neutered, it becomes an anemic dirge at times, with exposition as subtle as a Michael Bay in the face. One character literally flies in just to explain a plot point before immediately leaving again.
Derek Jacobi almost salvages lines such as: "If we can save our children from the corrupting influence of dust…" but ultimately can't do anything to stop it sounding like a line from Brass Eye. Christopher Lee is brought in to say a new line by New Line, whose own dust-strewn fingers are all over the final edit and some of the casting. Ian McKellen was also brought on board to have a fight with Lovejoy, but like the rest of the film it was a bloodless affair.   With Rogue One writer Chris Weitz both writing and directing, you'd be forgiven for thinking he should take the bulk of the blame, especially when he chose not to use a draft by renowned playwright (and Star Wars prequels dialogue polisher, yes, I know) Tom Stoppard. Weitz, having co-wrote and directed About a Boy, seemed a sensible choice after producing a seemingly light film punctuated by moments of melancholy and darkness, and got the job after making an unsolicited pitch.
Further reading: Mortal Engines — Everything We Know
Daniel Craig was cast well, as were Nicole Kidman and Sam Elliott. The child actors are occasionally guilty of being child actors, though it feels harsh to criticize them at all when their dialogue has the ring of a production enclave asking: "But are we sure people will get that Lyra's feisty and intelligent?"
The end result is dialogue telling us that Lyra is special in a film that doesn't always remember to show us the same thing. This is partly down to a studio imposed running time of two hours, cutting around an hour from Weitz' first draft. This came despite Harry Potter being successful with lengthier running times. You'd have thought that the studio who made Lord Of The Rings would have more faith. But faith was another issue altogether...
Weitz trod lightly around the religious aspects of Pullman's books, but still found himself having to remove even mentions of "sin" from the script, leaving an important part of the story flailing amid woolly and ridiculous euphemisms. He left the project—replaced temporarily by Anand Tucker (Red Riding, Indian Summer), who himself then left over creative differences—before Weitz returned to finish the movie he'd started.
According to Vulture, the faults of the film do not lie with Weitz. He apparently turned in a more faithful draft than Stoppard, whose script was apparently less about Lyra and more about meetings (according to a Philip Pullman interview with The Atlantic, which is well worth a read).
While only a hint of the religious subtext was left in that script, much of what made Weitz’ first draft work was cut to bring down that running time. Actor Tom Courtenay confirmed that his role was drastically reduced in post-production, with the studio editing the full-length version down, removing its original ending and staging reshoots to exposit information now lost.   Ultimately, there were problems as a result of religious pressure and the studio being unwilling to risk wrath (wrath that would probably have descended on them at any rate), but this was far from unsalvageable. What really killed the film off it seems was the drive to get it under two hours, and the ensuing studio-imposed reworking of the movie. In short, it feels more like a bullet point list of things half remembered from the book than an actual film.
And we come back full circle a little here. The change in running time came because of a limited notion of what a children's movie can be, and what a younger audience can cope with. It's even more obvious in hindsight with the raft of young adult adaptations that the audience could have coped with a three-hour long version of The Golden Compass with its bleak finale, had New Line opted to go that way.
It's hard to imagine a film in a New Line trilogy ending at a point that leaves the next film with a flapping tendril of leftover story, I know, but that's what happened in 2007: the finale of The Golden Compass was to be left over for the next film in the series, based on the book The Subtle Knife. Obviously, this film never came to pass, and we have two books unfilmed. Is this a bad thing? I'd argue that it is not.
Harry Potter had to leave out a lot of details from the books over its eight films, but His Dark Materials are books that are trying to do different things, richer still in just three novels, and so there's an inevitable loss of nuance even in a good film adaptation. 
There's no need to adapt every single remotely popular story, as if things don't exist until they're moving pictures on a screen, so if there's going to be an exception, it's good that it's something that rewards multiple readings. That uses prose to tell stories more effectively than cutting edge CGI even could.
Meanwhile, at New Line, the additional shoot and post-production on The Golden Compass not only increased the cost of the film, but stopped it from being good enough to recover costs. Indeed, it contributed to a financial situation at New Line that required a surefire hit from one of their properties, and lo: Peter Jackson was brought back onboard, and The Hobbit began to happen.
The decision to make three films certainly paid off in that respect...
from Books https://ift.tt/2GaodlC
0 notes