#BookSelf Speakers

[romantycznosc-44]

Tips from fellow OCD haver that you may or may not find helpful (sorry for my bad english im not a native speaker):

💜 Worst thing you can do is doing what your thoughts want you to do. Think of your ocd as addiction. Drug addict will never get better if they keep taking drugs. Similary you won't get better with your ocd if you keep doing your compulsion/ruminations. I know its hard not to give in to your thoughts, but ultimetly quality of your life will be much much better after you do that. 💜 Don't treat your intrusive thoughts like you your treat real life problems. For example if you had thoughts like "im evil person, i want cause harm to others", you shouldn't debating whether or not you are bad person or look for evidence to back up this claims. Think of them as illusions, they look real but they aren't. No matter how scary this thoughts are, THEY ARE NOT REAL. They just illusions made to trick your mind to give them time and energy. Trying to find solution for this thoughts is like running away from imaginary monster. When your ocd tell you that you are monster, you should remember that is just trick of your mind, NOT SOMETHING YOU SHOULD WORRY ABOUT. 💜 Don't be affraid to feel uncertain. Living with uncertainity can be very stressfull, but seeking reassurence just to feel "right" is form of compulsion and it only deepens your illness. Instead don't do anything with this thoughts. At first you will feel stress but after some time it will stop. 💜 When your ocd tell you not to do something that you want to do, DO IT ANYWAY. Do it even when you feel nervous or scared because of your ocd. DON'T try to convince your illness that is it safe. Your ocd will always find contrargument to your clames. Its like going swimming, cold water will bother you at beging, but later it will stop. When your brain see that you are safe while doing it, you intrusive thoughts will stop. You just have to do it. (The same when you don't want to do something, but your ocd makes you do it) 💜 Shifting your focus is a key. Don't try just don't think about your intrusive thoughts. My psychologist calls it "pink bear effect". The more you try not to think about pink bear, the more you will think about it. Instead try shift your focus to something else. Do something that you like, something that pulls you in. Listening to music while doing this also helps. If you don't have time for this type of stuff, you can focus on your surroudings. Count how many books are on bookself, leaf on plant or tiles on floor. You can also think about something you like. Make headcannons about your favorite characters, do top 10 list of your favorite song, anything that makes you happy. You can't think and think at same time, so talking with someone can be very helpfull. If don't have anyone to talk to, you can try reading something outloud. This topic is very subjective, so you should find things that work for you. Keep on trying and you eventualy find something. 💜 AND MOST IMPORTANTLY: be kind to yourself. Everyone has bad day, it doesn't mean you are weak. Ocd is serious matter, living with it is not easy, you are extremely strong that you still here. Don't blame yourself for doing your compulsion. Fight might be hard, but your happyness is worth fighting for. You are great warior and treat yourself like one. Give yourself lot of praise for what you went thru. Take care of yourself, give yourself nice things and love yourself. 💜💜 Ocd is not a death sentence. You can live a great life despite this. YOU CAN DO THIS. I BELIEVE IN YOU. 💜💜

[annychristine831]

Best Bookshelf Speakers

Bookshelf speakers are one of many factors that you consider, like TV, desk, curtains, and more while planning to design the interior of your home office, bedroom, shop, etc. These speakers play a vital role in the completion of your interior design. They are average in size and acquire small space to get placed. The can be placed on stands, table, bookshelf, desk, and several other small-spaced places.

If we talk about the sound quality of bookshelf speakers, they produce excellent sound quality with good bass and treble. They are available in the market in various sizes and models, depending upon your budget and available space for them.

Here we will discuss some of the best bookshelf speakers.

Edifier R1280DB

The Edifier R1280DB is one of the most powerful, popular, and versatile pairs of bookshelf speakers. They are designed primarily to use with desktop PCs. It comes with Bluetooth connectivity, which allows you to access the speakers without the hassle of wires. It has 4” bass and 13mm tweeters. It produces a great sound and is a pair of low-budget speakers.

Klipsch R-51PM

Klipsch R-51PM is another powerful pair of bookshelf speakers. It also comes with Bluetooth technology. It produces a great sound because of the R-51PM, which is responsible for vibrant sounds in small rooms. It is easy to set up and delivers a fantastic, reliable performance. They are also very attractive and include a lot of features.

Goldwood AA321B

The Goldwood AA321B speakers are very simple, sleek, and compact. It comes with a traditional amplifier and 2.5” polypropylene woofers. It produces a sweet sound, and its frequency response is 150Hz-20KHz. These speakers do not come with Bluetooth connectivity and rely on the wiring system.

Edifier R1280T

Edifier R1280T speakers are another great bookshelf speakers used mainly in laptops and desktops. They are also convenient for all those devices having a 3.5mm headphone jack. It can connect up to two devices simultaneously without toggling between the switches. They are made up of high-quality MDF wood. It is also worth the price and has a great design.

Sonos One SL

Sonos One SL is another fantastic speaker in the world of wireless speakers. It comes with a great room-filling sound. It also has a compact design to place it even over a small place. It has another ability to pair with iPhone, iPad and can play the music by asking Siri. You can also connect different Sonos speakers placed in different rooms for better home theatre-type sound effects by using the Wi-Fi connectivity. It also possesses solid bass and clean sound.

Polk Audio T15

Polk Audio T15 speakers are beautiful in design and available in the market at a low-price. They are famous for their natural, well-balanced sound and massive bass. They are capable enough to fill a small-size room with great sound quality. They allow you many setup options because they are compatible with most of the home theatres and AV receivers. They possess heavy bass and are versatile speakers with a solid build.

After exploring the details of some of the best bookshelf speakers, we have concluded that there are several bookshelf speakers and all have their quality, features, and price. Each pair is excellent for you, but Sonos One SL is one of the best bookshelf speakers and if you are planning to purchase a bookshelf speaker, then it might be the best option for you.

I’m Anny. I’m a social media manager living in USA. I am a fan of technology, design, and music. I’m also interested in fitness and movies.

Source: Best Bookshelf Speakers

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[techaddictsuk]

A look at the Edifier R1850DB Bookshelf Speakers

A look at the Edifier R1850DB Bookshelf Speakers - A look at a well price and attractive pair of bookself speakers featuring Bluetooth

Some top-notch bookshelf speakers from Edifier right here. Featuring:

DIGITAL / ANALOG INPUTS – RCA/Aux for PC, turntables, etc; Optical/Coaxial for lossless connection; Bluetooth for convenience

BLUETOOTH V4.0 – Latest wireless technology for playing from phones, tablets or laptops TREBLE/BASS CONTROL, SUB-LINE OUT: Adjust bass, treble, volume and toggle inputs on rear panel. Need a…

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Shenzhen Eyin Technology Co.,Ltd Bookself Speaker (2AQPG-BT106)

http://dlvr.it/Qgtlfs

[vidiashopnet]

Cambridge Azur 340 – Giải Pháp Cho Phòng Nhỏ

Sản phẩm của Cambridge Audio, hãng chuyên sản xuất các thiết bị về nghe nhìn được đánh giá cao về chất lượng và giá cả cũng tương đối phù hợp với người chơi ở Việt nam. Chúng tôi chọn ra bộ đôi đầu phát và ampli nhỏ nhất 340A SE / 340C để phối ghép, thử nghiệm và giới thiệu đến bạn đọc.

Đây được xem như một giải pháp tốt, đáng tham khảo cho những ai thích dàn máy rời để nghe nhạc trong các phòng cá nhân có diện tích nhỏ và vừa.

  Ampli Azur 340A SE

Cambridge Audio 340A SE là phiên bản đặc biệt ( Special Edition), nâng cấp từ ampli 340A bằng một số cải tiến mạch điện và linh kiện bên trong.

Về cơ bản, mặt ngoài của ampli không khác gì so với 340A, cũng được bố trí các nút chỉnh như treble, bass, balance và volume. Các phím chọn ngõ vào được bố trí bên phải, đặc biệt có phím Tape In để chọn khi ampil được kết nối ngõ ra của các đầu ghi băng từ, nhằm kiểm soát tức thì mức tín hiệu đầu ra của băng từ vừa mới được ghi.

Phía trước cũng có ngõ cắm tai nghe và ngõ vào jack 3 ly là để kết nối với các thiết bị xách tay nhỏ như ipod, iphone cũng như máy nghe nhạc cá nhân.

Tổng cộng ampli 340A SE có đến 6 ngõ vào, th��a sức cho chúng ta kết nối với rất nhiều thiết bị phát trong gia đình như đầu CD, máy chơi nhạc MP3, máy tính. TV và thậm chí cả máy chơi game dạng console .

Dù là model nhỏ nhất trong chuỗi sản phẩm ampli nhưng Cambridge không vì thế mà “ lơ là” trong phần thiết kế mạch cũng như việc chọn các linh kiện.

Phần nguồn của 340A SE có sự nâng cấp đặc biệt bằng các tụ lọc loại lớn và một biến áp hình xuyến, bảo đảm một bộ nguồn ổn định cho phần khuếch đại có công suất 45W mỗi kênh khi đánh với loa 8 Ohm và có khả năng lên đến 55 W mỗi kênh khi ghép với loa 4Ohm.

Đây cũng là lý do tại sao ampli có thiết kế phần Speaker B, tăng cường 2 kênh ra loa khi ta muốn bố trí một đôi nữa ở phòng khác.

Ampli có remote rất đẹp mắt, thiết kế có thể dùng cho toàn dải đầu phát của cambridge Audio. Để dễ bề chọn lựa cho phù hợp với nội thất và tương thích về màu sắc với các vật dụng chug quanh, 340ASE được thiết kế có hai màu, đen và bạc.

Thông số kỹ thuật: 

Ampli Azur 340A SE

Công suất: 45W (8Ohms) / 55W (4Ohms)

Công suất tổng: 360W

Trở kháng thích hợp: 4 – 8 Ohms

Đáp tuyến tần số: (-1dB) 5Hz – 50kHz

Kích thước 70 x 430 x 310mm

Trọng lượng: 6.2kg

Giá tham khảo: 7,400,000 VND

  Đầu phát CD Azur 340C 

Azur 340C chưa phải là một đầu CD đẳng cấp nhưng những gì nó đem lại làm ta có thể yên tâm vì đây là một đầu đọc CD khá “ tử tế”, đủ để cho ta thưởng thức những CD nhạc yêu thích với chất lượng âm thanh xuất sắc.

Vì thiết kế để đi chung với ampli 340ASE nên mặt ngoài nhìn rất đồng bộ với nhau. Thân hình của 340C cũng khá mỏng, dĩ nhiên về bề ngang cũng bằng với 340A.

Ngoài ngõ ra tiếng analog RCA, đầu phát 340C hỗ trợ 2 ngõ ra tín hiệu âm thanh digital, 1 ngõ optical( cáp quang) và 1 ngõ coaxial ( đồng trục), cần thiết cho việc kết nối với ampli reciever qua cổng này.

Bộ chuyển đổi tín hiệu D/A dùng chip hãng Crystal CS 4338 tốc độ 24bit/96kHz, đảm bảo âm thanh trung thực và chính xác cho những người khó tính.

Còn bộ cơ hộc đĩa dùng của hãng TEAC, đây là hãng chuyên về các đầu CD nổi tiếng trước đây cũng như hiện nay bằng cái tên Esoteric khá nổi tiếng với người chơi Việt nam. Nâng đỡ toàn bộ máy là 4 chân có gắn tấm chống rung hiệu quả, giữ cho máy hoạt động êm ái trong suốt quá trình vận hành.

Thông số kỹ thuật: 

Đầu CD Azur 340C

Đáp tuyến tần số: 10Hz – 20KHz

Độ méo hài: 0.006% D/A: 24-bit/96kHz

Ngõ ra digital: Optical và Co-axial

Kích thước :70 x 430 x 320mm

Trọng lượng: 4.6 kg

Giá tham khảo: 6,400,000 VND

Phối ghép và Đánh giá 

Đương nhiên, với mục đích là dùng cho nghe có diện tích phòng nhỏ, hoặc các phòng cá nhân như phòng ngủ, phòng đọc sách nên dòng loa để phối ghép với bộ dàn này ưu tiên cho dòng bookshelf.

Các sản phẩm được phối ghép thử với bộ 340ASE và 340C gồm có C 603, C 403 của hãng loa Jamo, ngoài ra có tham khảo thêm model 685 của B&W và RX2 của Monitor Audio.

Nhìn chung, đâu là cặp đôi tương đối “dễ tính”, có thể phối ghép tốt với hàu hết các dòng loa thông dụng trên thị trường.

Chất âm mà bộ dàn này tạo ra được đánh giá là trung thực và khá chi tiết. Với mức volume vừa phải, chúng ta có thể thưởng thức độ chính xác của các dải tần trung và cao.

Âm bass không thật mạnh, nhưng nguyên do còn ở chõ kích thứoc loa bookself và thêm nữa đó không phải là tiêu chí của việc chọn lựa bộ dàn cho phòng cá nhân.

Cũng có thể khắc phục nhược điểm thiếu lực bass bằng cách đặt loa gần tường, hoặc thậm chí có thể kết nối với loa sub, nếu ai đó muốn âm bass phải thật sự “ đậm đà”.

Nhìn chung, đối với những ai đang tìm một dàn máy để bố trí cho các phòng nhỏ, thích “ cơ cấu” gọn nhẹ nhưng lại không thích loại dàn mini “tất cả trong một” , thì bộ đôi ampli, đầu phát 340 của Cambridge Audio là một trong những giải pháp đáng xem xét. Nó đem lại một chất âm khá tốt với một mức giá vừa túi tiền.

  Nguồn: http://ift.tt/2ko3kIW

Bài viết Cambridge Azur 340 – Giải Pháp Cho Phòng Nhỏ có nguồn tại Thiết Bị Karaoke, Xem Phim, Nghe Nhạc Số 1 Tại TPHCM.

[nofomoartworld]

Hyperallergic: Intertextual Depth in Susan Howe’s Debths

Debths, the title of Susan Howe’s newest collection of poems, is borrowed from a word in James Joyce’s Finnegans Wake:

              Childlinen scarf to encourage his obsequies where he’d

              check their debths in that mormon’s thames, be questing

               and handsetl, hop, step and a deepend, with his births

              in their toiling moil,

 The word, like many of those which Howe has used throughout her long and productive career as a poet and artist, is a combine that suggests to the poetic ear several words simultaneously: depths, debts, and death in the toiling moil, the deep turmoil of which Joyce writes.

In her eloquent “Foreword” to this work, the poet hints at some of these overlaying depths and debts, including her childhood experiences at the Little Sir Echo Camp for Girls, where she was marooned by her parents and took part in campfire stories and private readings.

Howe, always the experimental Brahmin, creates a poetic space in which figures such as Nathaniel Hawthorne and Herman Melville rub shoulders with Henry James and the lesser-known William Austin. The English fairy tale, Tom Tit Tot is interlaid within collages with Browning’s “Childe Roland to the Dark Tower Came,” Coleridge’s Collected Letters, Ovid’s Metamorphoses, and Spinoza’s Ethics. In Debths, Bing Crosby sings to Titian. The author’s Irish heritage and early exposure to writing and theater (her mother, Mary Manning, was a playwright, novelist and critic, who helped to found Poets’ Theater later in Cambridge) and her Cambridge, Massachusetts, upbringing (her father Mark DeWolfe Howe was a noted professor in the Harvard Law School who wrote on Supreme Court Justice Oliver Wendell Holmes), further contextualize these works.

The book also pays tribute to one of Howe’s first poetic loves, W. B. Yeats, and acknowledges her lifelong relationship with the Gardner Museum in Boston, where she spent a month as artist-in-residence. These influences are overlain with her admiration for artist Paul Thek (1933-1988) and his 2010-2011 retrospective, Diver, curated by Elisabeth Sussman and Lynn Zelevansky at the Whitney Museum’s former Madison Avenue location.

Debths resounds with such echoes, voices of the past which, do show up in our mirrors as ghosts. As she writes in the very first episode of her series of poems, Titian Air Vent:

             A work of art is a world of signs, at least to the poet’s

             nursery bookself sheltered behind the artist’s ear.

Thek created paintings and sculptures by collaging newspapers and other, often unrecognizable, objects, then painting over them, obscuring some newspaper passages beyond readability, while leaving others alone. This reflects Howe’s own method of creation, cutting away at narrative coherence so that we refocus our attention on language, recreating the poet’s commentary to bring the past as something new and meaningful within our own worlds. As Howe writes of one of Thek’s works:

It’s a manic condition; barbaric conceptions of an “other

self” sawing away our finite future as we approach the

laws which govern clutter; leaving at death to return no

more although fitfully visiting old haunts with the aid of

metal, clay, gauche, glass, glue

Howe is interested in original manuscripts not for the content, but, as she has often remarked, to see the personal expressions of an author as they are composed on the page — or, in many of Emily Dickinson’s works, for example, upon envelopes, cards, and other surfaces. In short, it is what many might describe as the “clutter” that reveals the “old haunts,” the places of most importance in the artists’ lives.

“Tom Tit Tot” — published previously as a separate book by The Grenfell Press, with art by Howe’s daughter, R. H. Quaytman — is based on an English folktale that retells the “Rumpelstiltskin” story. In this telling, a young girl is married off to a king who provides her with lavish dresses and food for eleven months out of the year, but in the twelfth month enslaves her until she daily produces five woven skeins. If she does not succeed, she will be killed. Knowing nothing about weaving, the young wife cries out in horror until she meets up with a horrific being, Tom Tit Tot, who promises to weave the skeins, but will capture her if, after the month, she does not guess his name. The girl becomes increasingly terrified as she cannot come up with the gnome’s name. On the last day, however, the King visits her, sharing a story of having his encounter with an odd creature who wove while singing: “Nimmy nimmy not / Your name’s Tom Tit Tot.” Upon its final visit, the girl is able to name the beast, thus freeing herself from her husband’s threats and the dangers of the creature’s attentions.

By assimilating “Tom Tit Tot” into her work, Howe suggests that survival often lies in one’s attention to detail and ability to perceive what is important amid the clutter of experience, a listening-and-observing process that women throughout time have mastered for their survival.

Little of the “Tom Tit Tot” tale is embedded in Howe’s collages; yet, given

the events of that story, we are forced to perceive each fragmented passage as a kind of epistle upon which our lives depend. The poems that comprise Debths are pithy tales of castles, imprisonment (Uncle Tom’s Cabin collides with passages about castles from which damsels are rescued), and towers “with the bell ringing at / the speaker” who has left the woods. A bit like Stephen Sondheim’s mash-up of fairy tales in his Into the Woods, Howe’s collages embrace a romantically dangerous world where women and children are put into dire distress, but escape nonetheless.

Yet, Howe makes it clear that we cannot truly escape either our destinies or fatalities. As she admits in the poem, “Periscope,” “I sold your shadow for you too // Let’s let bygones be bygones / Dust to dust we barely reach.”

The book’s final section, called “Debths,” is a poetry of death, a series of mostly indiscernible words, which, even when a fragment can be made out — “Death, the TREE OF KNOWLEDGE….” or “upon the frontier of unimaged night,” etc.— speaks of both a spiritual and personal endgame.

Howe has suggested that this may be her last book. Let us hope not. But, nonetheless, we are fortunate to have such a brilliant example of her art to console us. Unlike the poor girl in “Tom Tit Tot,” Howe assertively realizes her extraordinary power as a writer:

Woodslippercounterclatter

I can spin straw by myself

Debths (2017) is published by New Directions and is available from Amazon and other online booksellers.

The post Intertextual Depth in Susan Howe’s Debths appeared first on Hyperallergic.

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