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dustedmagazine · 7 years ago

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Dust Volume 3, No. 18

Sleigh Bells

It’s our last Dust of the year, and as usual, writers have ferreted out the music that interests them, release dates, genre classifications and commercial viability be damned (though we did hit up Sleigh Bells this time, just to mess with you). The result is an intriguing mix of ambient sounds, countrified covers, cave recordings, classic jazz, border crossing ethnic experiments and fuzzy, mope-y indie rock. Jennifer Kelly, Bill Meyer, Ian Mathers, Derek Taylor and Justin Cober-Lake contributed this time. Happy holidays and see you next year.

Alessandro Cortini—Avanti (Point of Departure)

Alessandro Cortini plays keyboards with Nine Inch Nails, but that fact will do very little to prepare you for this brooding memory palace of an ambient album, constructed of heaving, shifting, drones of EMS Synthi AKS and snippets from home movies shot in Cortini’s Italian childhood. A sense of loss pervades these slow-paced compositions, as vast cathedral tones surge than slowly fade to silence, a la William Baskinski’s Disintegration Loops, while conversations drift in from other times, other rooms. All seven tracks are named with verbs – “Iniziare” (to start), Perdonare” (to forgive), “Aspettare” (to wait), “Perdere” (to lose) — but the action, such as it is, seems to take place largely in Cortini’s head. The chatter of women, the clink of silverware, that opens “Aspettare” gives way to a pulsing, glowing abstraction, the church-organ-ish drones of “Perdere” open up mournful, pensive landscapes of internal reverie. Odd, personal and rather lovely.

Jennifer Kelly

Robert Ellis and Courtney Hartman — Dear John (Refuge Foundation for the Arts)

Guitarists Robert Ellis and Courtney Hartman discovered a mutual love for the music of John Hartford, and this connection led to the 10-track tribute album Dear John. Hartford was best known for his “Gentle on My Mind” (included here along with more obscure numbers), but he was also a bit of an oddity, performing at times like a one-man band and digging through traditional American folk and bluegrass even while turning in banjo-y versions of popular songs from other genres, an approach that put him at the front of the developing new grass sound. Ellis and Hartman take a more straightforward look at his music. The album mostly stays subdued; the duo seek to find the subtlety and the heart of this music. Often, as on the closing of “Gentle on My Mind,” they let their playing do the heavy work. Hartford's lyrics still have a resonance, but the treat of the tribute is as much in hearing these two artists weave their guitars (and their vocals) together as it is in revisiting Hartford's writing. The pair's love for the music comes through, and there's a pleasure in hearing them ease into the tunes. The joy comes out in the uptempo numbers like “Howard Hughes Blues” and “Up on the Hill Where They Do the Boogie,” which also show off Hartford's wit. Ellis and Hartman have paid classy and respectful tribute to an influence while keeping a commitment to their own artistry.

Justin Cober-Lake

Fovea Hex — The Salt Garden II (Headphone Dust)

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Clodagh Simonds has been making music for a long time (look around and you can find her on the odd Thin Lizzy or Mike Oldfield record), but at this point most of her music has been released under the name of Fovea Hex, attracting plaudits from Brian Eno (who provides backing vocals here) and David Lynch, among others. Absent that context you might be hard pressed to tell when exactly Fovea Hex is coming from; Simonds’ voice is high and pure and clear, the music a blending of acoustic and electronic that attains a kind of smooth, vatic timelessness. Every element feels precisely placed and oddly haunting, no less here than on the first Salt Garden EP from 2016. Although the records aren’t actually that similar, at times The Salt Garden II feels like an emotional or psychological descendant of the immense stillness of Mark Hollis’ eponymous solo effort (even though this is, ultimately, much more “active” music). The effect is spellbinding, whether it’s the massed voices at the end of “All Those Signs” or patient cello drones opening “You Were There.” This is special stuff.

Ian Mathers

Haptic—Ten Years Under the Earth (Unfathomless)

ten years under the earth by Haptic

Haptic is not in a hurry. Three years separate this CD from the last recording by Adam Sonderberg, Joseph Clayton Mills and Steven Hess. During that time the trio has played live fairly often, although that rate might decrease now that Mills has moved from Illinois to Arizona. This recording, which documents an encounter with Louisville-based percussionist and field recorder Tim Barnes, recalls the trio’s formational impetus, which was for its members to have an outlet for live performance and collaboration with other musicians. But it didn’t go down in front of an audience. Rather, the morning after a concert at Barnes’ venue Dreamland (RIP), they accompanied him to a cave in the nearby hills.

The cave has been put to various uses over the past century and a half, and it is fitted with lamps and electricity. Still, what you hear over the CD’s single 45 minute-long track is not so much a performance as the sounding of an environment. Using microphones, a shortwave radio, a few percussion instruments and the rocks on the floor, the four men tested the space’s properties. Objects boom and echo, droplets smack and splatter and a fuzzy whoosh makes you wonder where water ends and untunable static begins. The vibrations of a bowed cymbal spread and morph, turning quasi-electronic and then fading away. Bell-strikes fade like sonar pings. Nothing is rushed, and the piece’s patient unfolding allows the listener to forget the origin of what they are hearing and sink into the sound itself.

Bill Meyer

Cat Hope — Ephemeral Rivers: Chamber Works (hat[now]ART)

Australian composer/flautist Cat Hope’s Ephemeral Rivers contains a survey of five chamber works recorded between 2011 and 2015. Familiar acoustic instruments converge with electronic elements in singular combinations both complementary and oppositional. On the 21-minute “Dynamic Architecture” bassist Mark Cauvin approaches his instrument flat with three bows, one strung with guitar string instead of customary horsehair, alongside an audio track funneled into the body of the bull fiddle by transducer affixed under the fingerboard. The results are a series of striated drones that are at once mesmerizing, fine-grained and self-sustaining. “Miss Fortune” mixes the unlikely assemblage of viola, cello, piano and cymbals with AM radio static for an exercise in measured glissandi and ambient textures. Each of the pieces draws on very specific catalysts that are mostly extra-musical in origin, most strikingly “Cruel and Usual”, which comments on the exponential increase in the usage of solitary confinement as a means of prisoner pacification. Standard string quartet joins a perimeter of four bass amplifiers in the sculpture of a soundscape both disconcerting and trenchant. Hope succeeds in each meticulously-realized exponent through a plenary unification of score and musician(s).

Derek Taylor

Leeann Ledgerwood — Renewal (Steeplechase)

Confirmation of Leeann Ledgerwood’s latitude of musical intelligence is as immediate as a glance at the tray-card of Renewal, which lists a program of material encompassing Miles Davis, Jimmy Rowles and Paul Hindemith alongside a pair of her own compositions. The pianist has been in the professional game for nearly four decades after getting an auspicious start in partnership with bassist Red Mitchell. All these years later she’s still keeping quick company. Bassist Ron McClure and drummer Billy Hart bring their best in the service of their unstinting employer. Hart’s vital solo on the foray through the Harry Warren ode to optimism “Summernite” is the first of several and McClure favors palpable feel over distracting displays of digital dexterity. “All Blues” is all fun with the leader launching from the seesawing vamp only to switch gears and open space for McClure’s striding pizzicato line. Hart keeps a percolating beat around the edges and three players manage to make a tune that’s been covered to the point of ubiquity seem zestfully fresh. Adding an earnest outside seal of approval, pianist peer Richie Beirach submits his share of encomiums by way of warmly-written liner essay.

Derek Taylor

Maneka—Is You Is (Exploding in Sound)

Is You Is by MANEKA

Devin McKnight’s main gig is playing mathy, complicated guitars in Speedy Ortiz. For Maneka, he plays guitar, everything else and sings, with occasional help from Fern Mayo’s Katie Capri, Butter the Children’s Jordyn Blakley, Dirty Dishes’ Alex Molini, Two Inch Astronaut’s Sam Rosenberg and, on the final track, his parents. Where Speedy Ortiz navigates tricky corners and tight, unexpected maneuvers, Maneka is blown-out guitar-fuzzed bliss, the dandelion fluff indeterminate roar of MBV cut with Dinosaur’s disconsolate tumult. “Tiger Baby (with Jordyn Blakley)” stretches out like taffy, vocals half buried under slanting, sloughing piles of guitar feedback, like Sonic Youth if they’d just woken up from a particularly nice dream. “Dracula,” one of the Katie Capri cuts, is meatier, big crashes of guitar wrapped in blurry blankets. In “Parents Outro,” the senior McNights chat about past brushes with racial discrimination, then mom calls out journalists who say there are no more guitar heroes. “I know one,” she says. Me, too.

Jennifer Kelly

Sleigh Bells — Kid Kruschev (Torn Clean)

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After releasing a record three days after the election that, accidentally or presciently, channeled a lot of the chaos and fury to come in 2017, you could forgive Sleigh Bells for taking the actual year off. But no, a year later here they are with just under 22 minutes of new music, which for some bands would qualify as a single or EP but for this band (with their most sprawling release clocking in at a whopping 46 minutes) it does feel appropriate to call a mini-LP. It covers a lot of ground, from the despairing guitar thrash of the opening “Blue Trash Mattress Fire” to the dense boom bap of “Panic Drills” or the full on acoustic balladry of “Florida Thunderstorm.” Derek Miller is still wrestling with sobriety, the death of his father and politics, and he and Alexis Krauss still make it the most natural thing in the world that she’s the one who sings from his perspective. Especially on devastating closer “And Saints,” a synthetically nocturnal, darkly sweeping song about the state of depression where even the delivery guy starts asking if you’re ok. It never erupts, just sounds like an unresolved problem sung through by Krauss with an ache in her voice like a bruise, and it’s one of the more powerful things they’ve done.

Ian Mathers

Strange Ranger—Daymoon (Tiny Engines)

Daymoon by Strange Ranger

Strange Ranger, now out of Portland, OR, but with roots in Montana, makes a sleepy kind of indie racket, vocals stretched out high and thin over a hard strummed guitars and bashing drum fills. Nothing is polished. Nothing runs straight when it could meander through fog banks of indeterminant sound. Melodies shade in and out of tune. Yet, even so, there’s a dreamy emotional heft, a beautiful narcotized ache to these songs that might remind you of fellow NW-slow-corers Carissa is Weird. “Hydration is Key” winds the wheeze of melancholic organ through thickets of jangle, its vocal line a cirrus cloud tracing of tunefulness, far, far away. “The Most Perfect Gold of the Century” channels some slack Neil Young guitar blues a la the more recent MV + EE material, but slowed way down, so that every line seems lost in its own daydream. This is the kind of record that sounds slight the first time, but gains on you, listen by listen.

Jennifer Kelly

Suns of Arqa — Revenge of the Mozabites (Corbett Vs. Dempsey)

Revenge of the Mozabites by SUNS OF ARQA

The Mozabites are a Berber ethnic group who inhabit an expanse of Saharan desert in Algeria. Just what Revenge of the Mozabites has to do with them is a matter for conjecture, but you can be sure that it’s part of a bigger picture. Suns Of Arqa has been combining musical styles from around the globe since 1979, with sitarist Michael Wadada the sole constant in a membership that counts about 200 past, current and recurrent people. Early on the Suns were aligned with Adrian Sherwood of On-U Sound, and his fingerprints are all over their first long player, which has just been reissued on CD by long-time fan John Corbett’s Corbett Vs. Dempsey label. Celtic fiddles, Indian drones, flamenco guitar and reggae rhythms meet in a zone bounded by the throbbing walls of a dub-happy sound system, and while the stylistic combinations seem audacious even from a remove of nearly four decades, it’s Sherwood’s ability to make the air pulse like a living organism that makes this album so strong.

Bill Meyer

Thollem / Mazurek — Blind Curves and Box Canyons (Relative Pitch)

In the minds of many, Rob Mazurek is a Chicagoan. While he came to musical maturity in the city, he’s spent more time away than around in the past 20 years, and he’s currently based in Marfa, Texas. The desert artist’s community is no doubt good for many things, but you have to look a bit harder to find improvising peers, which may explain why he has forged a relationship with Thollem McDonas. The keyboardist, who dropped his last name for professional purposes not so long ago, lives in New Mexico and headed down to Marfa for this first time encounter, which took place at the closing of a showing of Mazurek’s visual art. Plugged in and spontaneous the two men engage in a dimension more commonly associated with Sun Ra’s small group encounters from the 1970s. Mazurek chants, plays synthesizer and cornet and samples his horn, and Thollem runs his electric piano through a bank of analog effects. They often sound like they are calling to each other across a space far vaster than the confines of the Marfa Book Co., but they bridge that space quite successfully, whipping up great whorls of voltage-charged sound.

Bill Meyer

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rivertree-blog1 · 7 years ago

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The poems inspired by patients and staff at St Martin's hospital Canterbury The St Martin’s Poems Poems inspired by the patients and staff at St Martin’s Canterbury. Angel Oh! My love! Did you feel the zephyr Given by the movement Of your Angel’s wings? I swear just for a moment It was there From Heaven To Bless us two. Performance Pink hair. White shoes. Mingus in the summer night air. The sound of the tenor sax And the dance of an angel. Oh! And another singing God boogies I swear the members of the band Became one body that night. Trade “Trade” “Who with?” “Trade” “Where?” “Trade” “What?” “Trade love” “Give me music music Moody food of us That trade in love!” Note: The Swahili word for music and dance is the same. Judgement The holy righteous self Pours critical scorn On those that disagree. Just give a little tenderness Beneath your honesty Oh! We’re all so right But do the maths We end up with war Try a little finesse Give me some tenderness Beneath your honesty. Kindness Love is kindness If you want money Don’t be kind. Money leaves you With an empty soul If making money Is your only goal. So give a little kindness But don’t always expect it in return For empty souls have empty hearts Money can’t buy love Good livin’ is good lovin’ If you love correctly Money will follow you. Money Money You’re the cruellist it alive I’ve never known anyone So cold hearted As you. You make kindness your slave You pretend you’re happy The penniless love And the penniless are happy. Gentlemen Men respond To your Woman woman woman Look don’t touch Your Woman woman woman In her eye You will see All you need to know Then respond Kindly Like a gentleman Live lovin’ in the moment. Woman I’m the fantasist around here You can see I fancy myself What is a brother meant to do If he’s left on the shelf? All is left to do Is to be kind and dream Can’t I adore you From this distant star My Goddess woman? Ladies Hold my hand lightly And close your eyes And show me a meadow Over the five bar gate Into the meadow Where the breeze Whips the grass We’ll lie lady lie In this life We won’t die Look at those wild flowers Red, white, yellow and blue Amid the green, green grass This is very much you! Kiss me not Don’t kiss me Your soft lips On my neck Are too much! I will find my hands finding Your love purse And that’s no place For these gentle fingers So don’t kiss me My fantasy is strong enough Fold me in your arms instead And leave me to my cuff. Soldier Man Soldier man There is no plan I’ll help you over this thing It’d help if you sing “Can’t buy me love Money can’t buy me love Just give a little free kindness And free peace and lovin’��

#Love Schizophrenia Depression Joy Kindness Peace Meadows

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irinache · 8 years ago

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Can you name the painters by two of their most important works? quizz

Years Painter Famous Work 1881-1973 Les Desmoiselles d'Avignon / Guernica c.1267-1337 Scrovegni Chapel 1452-1519 Mona Lisa / The Last Supper 1839-1906 Rideau, Cruchon et Compotier / Mont Sainte-Victoire 1606-1669 The Night Watch / Anatomy Lesson of Dr. Nicolaes Tulp 1599-1660 Las Meninas 1866-1944 Der Blaue Reiter / On White II 1840-1926 Water Lillies / Impression, Sunrise 1571-1610 Cardsharps / Calling of St. Matthew 1775-1881 Rain, Steam and Speed - The Great Western Railway 1390-1441 Arnolfini Wedding / Ghent Altarpiece 1471-1528 Apocalypse Woodcuts / Knight, Death and the Devil 1912-1956 No. 5 / Blue Poles 1475-1564 David / Sistine Chapel Ceiling 1848-1903 Yellow Christ / Where Do We Come From? What Are We Where Are We Going? 1746-1828 Third of May, 1808 / Disasters of War 1853-1890 Starry Night / The Potato Eaters 1832-1883 Luncheon on the Grass / Olympia 1903-1970 Seagram Murals / White Center (Yellow, Pink and Lavender on Rose) 1869-1954 Woman With a Hat / The Plum Blossoms 1483-1520 School of Athens / The Parnassus 1960-1988 Profit I / Untitled Graffiti 1863-1944 The Scream / The Sick Child 1872-1944 Broadway Boogie Woogie / Composition with Red, Yellow and Blue 1416-1492 Flagellation of Christ / Brera Madonna 1577-1640 The Fall of Man / Massacre of the Innocents 1928-1987 Campbell's Soup Cans / Exploding Plastic Inevitable 1893-1983 Dona i Ocell / The Tilled Field 1401-1428 Expulsion from the Garden of Eden, Tribute Money / Holy Trinity 1887-1985I, and the Village / Stained Glass Works 1819-1877A Burial at Ornans / The Origin of the World c.1476-1576 Venus D'Urbino / Assumption of the Virgin 1594-1665 Rape of the Sabine Women / Et in Arcade Ego 1904-1997 Woman III / Easter Monday YearsPainterFamous Work 1879-1940 Twittering Machine / Fish Magic 1909-1992 Study for a Self Portrait - Triptych / Three Studies for Figures at the Base of a Crucifixion 1862-1918 The Kiss / Danae 1798-1863 Liberty Leading the People / Massacre at Chios 1397-1475 Saint George and the Dragon / Funerary Monument to Sir John Hawkwood 1757-1827 The Ghost of a Flea / The Song of Los 1878-1935 Black Square / White On White 1431-1506 St. Sebastian / Lamentation Over the Dead Christ 1632-1675 Girl With a Pearl Earring / View of Delft 1541-1614 View of Toledo / The Burial of the Count of Orgaz 1774-1840 Wanderer Above the Sea of Fog / The Abbey in the Oakwood 1836-1910 The Gulf Stream / The Bathers 1887-1968 Nude Descending a Staircase No.2 / Etant Donnes 1478-1510 The Tempest / Sleeping Venus 1907-1954 Self Portrait - Time Flies / Mi Nacimiento 1497-1543 The Ambassadors / Portrait of Erasmus of Rotterdam 1834-1917 New Orleans Cotton Exchange / The Absinthe Drinker 1387-1455 Day of Judgment / Transfiguration 1859-1891 Sunday Afternoon of the Island of La Grande Jatte / Bathers at Asnieres 1684-1721 Embarkation for Cythera / L'Enseigne de Gersaint 1904-1989 Persistence of Memory / Swans Reflecting Elephants 1891-1976 Europe After the Rain II / Men Shall Know Nothing of This 1518-1594 The Siege of Asola / The Last Supper born 1930- Flags / Targets 1445-1510 Birth of Venus / Primavera born 1937- The Joiners / A Bigger Splash 1882-1916 Unique Forms of Continuity In Space / The Street Enters the House 1480-1524 Landscape with Charon Crossing Styx / Landscape with St. Christopher c.1255-1318 Measta with Twenty Angels and Nineteen Saints / Rucellai Madonna 1399-1464 The Descent From the Cross / Adoration of the Magi 1776-1837 The Hay Wain / Dedham Vale 1748-1825 The Death of Marat / Oath of the Horatii 1905-1948 Landscape in the Manner of Cezanne / Nighttime, Enigma, Nostalgia 1450-1516 Garden of Earthly Delights / The Temptation of St. Anthony YearsPainterFamous Work 1528-1569 Landscape with the Fall of Icarus / The Peasant Wedding 1284-1344 The Annunciation with St. Margaret and St. Asano / S. Caterina Polyptych 1826-1900 The Heart of the Andes / Aurora Borealis 1882-1967 Nighthawks / Chop Suey 1899-1968 Spatial Concept / Luce Spaziale 1880-1916 The Fate of the Animals / Fighting Forms 1841-1919 Luncheon of the Boating Party / Girl With a Watering Can 1856-1921 Arrangement in Grey and Black - The Artists' Mother / Old Battersea Bridge 1791-1824 The Raft of the Medusa / The Charging Chasseur 1697-1764 A Rake's Progress / Marriage a-la-Mode 1796-1875 Souvenir de Mortefontaine / Ville d'Avray 1882-1963 Woman With a Guitar / Fruitdish and Glass 1435-1949 Advent and Triumph of Christ / Earthly Vanity and Divine Salvation born 1932 -Acht Grau / Baader-Meinhof 1884-1920 Madame Pompadoure / Jeanne Humberterne in Red Shawl 1593-1652 The Fortune Teller / Hurdy-Gurdy Player 1597-1654 Judith Slaying Holofernes / Susanna and the Elders 1814-1875 Angelus / The Gleaners c.1240-1302 The Madonna of St. Francis / Virgin and Child 1860-1949 Entry of Christ Into Brussels / The Vile Vivisectors 1898-1967 The Son of Man / Time Transfixed 1598-1664 Altar Piece of St. Thomas Aquinas / Death of St. Bonaventure 1890-1941 Proun / Wolkenbugel (Horizontal Skyscrapers) 1890-1918 Portrait of Wally / Self Portrait: 1912 1828-1882A Vision of Flammetta / The Blessed Damozel c.1580-1666 Gipsy Girl / Laughing Cavalier 1600-1682 Landscape with Mechants (The Shipwreck) / Marriage of Isaac and Rebekah 1923-1997 Ohh...Alright... / Whaam! 1887-1986 No.13 Special - Charcoal on Paper / Ram's Head White Hollyhock and Little Hills 1826-1898 Oedipus and the Sphinx / Athenians with the Minotaur 1888-1978 The Disquieting Muses / Enigma of the Hour 1881-1955 The Disks / The City 1780-1867 La Grande Odalisque / The Turkish Bath

#quizz #History of Fine Art #Fine Art #task

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madeinpop · 8 years ago

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Made In PoP > eventi Rock in Veneto > settimana dal 19 al 25 Gennaio 2017 > stagione 14

Ciao Ciao Made-In-PoPpers, se mai avessi qualcosa di interessante da dire, lo trovate qui sotto, come ogni settimana. LoRIS & CHECcO

«Sostenete la Musica, Andate ai Concerti»

► evento Made In PoP ◄ ▲ SABATO 21 GENNAIO 2017 ▲ ▲ SPAZIO AEREO via delle Industrie 27 MARGHERA (Ve) in collaborazione con BENICIO Live Gigs e FREAKOUT Club Bologna organizzano, in questa serata, il live di una delle più importanti band del pianeta, i CHROME , seminale band americana postpunk industrial cosmic rock http://www.helioschrome.com in apertura ci saranno la più importante band psych italica del momento, i "fioetti" NEW CANDYS, dopo i live djset CHECcO MERDeZ (Made In PoP). https://www.facebook.com/events/253548321727007/

► La SETTIMANA ◄

► GIOVEDÌ 19 GENNAIO 2017 ▲ VECCHIA CENEDA Osteria via del Fante 37 VITTORIO Veneto (Tv) riprende l'attività live con la LOCANDA de' BARDI gipsy/latin/swing. ▲ JACK the RIPPER pub via Nuova 9 RONCÀ (Vr) stasera torna qui Lorenzo, ambasciatore mondiale della musica surf con la sua creatura i SURFER JOE.

► VENERDÌ 20 GENNAIO 2017 ▲ LABORATORIO Culturale I’M via Brustolon 3 ABANO Terme (Pd) serata tutta al femminile con la cantautrice patavina LUBJAN e il trio dell'alto vicentino KALAHYSTER composto da Astrid Miss Chain, Elli DeMon e Giusi Pesenti, powerpop/indie/folk per loro. ▲ Circolo QUADRO piazza F.Facchetti 18 CITTADELLA (Pd) serata Soviet Dischi con due band sul palco, ospiti da Lecco SWEET'n'DIVINE post/punk/rock e i local heroes The JUNCTION indie/pop/punk + djset. ▲ FISHMARKET via Frà Paolo Sarpi 37 PADOVA serata rock con gli interessanti CAPOBRANCO alt/funk/rock prima e dopo RAH-GOO djset. ▲ BISTROCK Pub via Rometta 13 San MARTINO di Lupari (Pd) salirà sul palco Alessandro RAGAZZO giovanissimo cantautore, chittarista e compositore. ▲ RICKY’s Pub via Commerciale 12 ABBAZIA PISANI di Villa del Conte (Pd) con il loro boogie rock'n'roll saranno qui i romagnoli SMALL JACKETS. ▲ MAME Club via Frà Paolo Sarpi 48 PADOVA concerto per i JOE FOLK D quintetto folk mescolato ad altri generi a seguire WetHot Rookies sudoso djset. ▲ OUTSIDER Pub via San Cassiano 72 QUINTO di Treviso (Tv) si esibirà qui il quintetto acustico jazz-funky GLI STELLARI con la partecipazione di Furio (Ska-J). ▲ AI BILIARDI calle dello Spezier 1253 Canareggio VENEZIA torna nuovamente in laguna il progetto ARDECORE del cantautore folk blues romano Giampaolo Felici. ▲ MORION Laboratorio Occupato salizada S.Francesco della Vigna Castello VENEZIA ospite il PEACE DIOUF Trio con il groove del chitarrista senegalese. ▲ Presidio NO DAL MOLIN via Ponte Marchese VICENZA in occasione dei diec'anni della concessione della base, si fa festa "antagonista" con i grandissimi ASSALTI FRONTALI. ▲ BOCCIODROMO via A.Rossi 198 VICENZA festa per la presentazione disco degli idoli locali MISTONOCINO, in apertura i CLOSING PARADE. ▲ Bar ROMA Art & Cafè via Roma 28 LONIGO (Vi) stoner night con i live delle potenti band RUDHEN (Tv/classic stoner) e i mitici ROSàRIO (Pd/sludge/stoner). ▲ LUCA's Bar via Jolanda 122 STROPPARI di Tezze sul Brenta (Vi) dalle 20 serata sushi e live per i bluesmen Marco PANDOLFI e Federico PATARNELLO. ▲ BROTHERS the Bar via Olimpia GREZZANA (Vr) coinvolgente funky blues con la MORBLUS Band. ▲ IL BLOCCO Music Hall via Monte Pastello 4 San GIOVANNI LUPATOTO (Vr) oscurità industrial con i local HYPNOCODE e i pavesi KUADRA in giro a presentare il loro recente disco. ▲ IL TRENTA feelgood bar via XXX Maggio 21 PESCHIERA del Garda (Vr) folk nordico con tinte progressive in acustico per i GALAVERNA. ▲ MALACARNE BarAssociazione via S.Vitale 14 VERONA apocalyptic folk music per gli URALI band dell'etichetta ToLoseLaTrack. ▲ Colorificio KROEN via Pacinotti 19 Zai VERONA serata in collaborazione a Wunderbar con le sperimentazioni di Toni Cutrone aka MAI MAI MAI (Boring Machines) e Leila Gharib aka SEQUOYAH TIGER (Morr Music). ▲ PEDROTTI Caffè via XX Settembre 4 VERONA performace live per MACCHINAMORBIDA che presenta il nuovo ep "Molteni".

► SABATO 21 GENNAIO 2017 ▲ BAHNHOF LIVE via Sant'Antonio 34 MONTAGNANA (Pd) serata ad alto tasso di energia con i giovani INDIAN SUMMER indie nineties e TEMPLE MANTRA surf/psych, e i grandi BEE BEE SEA garage/indie spacca-ginocchia + Artwerp djset. ▲ LABORATORIO Culturale I’M via Brustolon 3 ABANO Terme (Pd) serata con i colori della psychedelia, si parte con i fiorentini PLASTIC MEN gusto sixties garage per loro, poi arriveranno i detroitiani MOONWALKS psychedelia scura dalla motor city. ▲ GRIND HOUSE via Longhin 37 PADOVA rock hard night con i concerti delle band MONEY's BUFFALO FIRE locals e i lombardi SEDDY MELLORY glampunk + djset Chelli e Mario Tio. ▲ ROUTE 66 via MontRicco 44 ABANO Terme (Pd) l'aternative rock post/grunge degli EVERGLADE in concerto. ▲ JUNGLE Records viale Matteotti 31 CONEGLIANO (Tv) ore 18 presentazione disco nel negozio dei dischi per RICHARD B. & the Drop Inside folk/pysch/rock. ▲ Cso DJANGO via D. Monterumici 11 TREVISO rassegna SiSma che festeggiare il primo anno di attività avranno a suonare i VIRGO + INDUSTRIA ONIRICA + DENOISE + DOMINIC inoltre presentazione disco per gli ARE YOU REAL? del roster SiSma. ▲ NASTY BOYS Saloon via Pellicciaio 4 TREVISO il ritorno del rock'n'roll mariachi dei Los TERRIBLES de TIJUANA. ▲ OUTSIDER Pub via San Cassiano 72 QUINTO di Treviso (Tv) a presentare il loro nuovo disco saranno qui i MAD FELLAZ rock/prog/strum/stoner. ▲ GALA via Canova 288 ASOLO (Tv) la fusione tra funk bianco e lo stoner, ecco cosa suoneranno gli HENRY's CELLAR. ▲ AI BILIARDI calle dello Spezier 1253 Canareggio VENEZIA dalle 21 punkrock alla vecchia con il quartetto ferrarese PROBLEMS con loro le glorie locali EDDY URLA. ▲ CHINASKI Music Pub via Cadorna STRETTI di Eraclea (Ve) serata al femminile con le band FLAT FIFTY alt/punk/rock) e BLARING SILENCE (alt/metal/rock). ▲ METRICUBI campiello delle Erbe San Polo 2003 VENEZIA dalle 21 troverete in concerto il grande musicista autodidatta MAURIZIO ABATE (Boring Machines) in paertura il progetto SERVANT SON ovvero Nicola FERLONI. ▲ CONESTOGA Bar via Bacchiglione 17 MESTRE live acustico per il duo folk rock composto dal cantautore MIKE SPINE da Seattle e la polistrumentista BARBARA LUNA. ▲ RE di DENARI Osteria borgo San Gottardo 33 PORTOGRUARO (Ve) doppio live questa sera per VOLVODRIVERS trio alt/stoner/rock e DASIA trio strum/prog/postrock. ▲ ARCADIA Cso via Lago di Tovel 18 SCHIO (Vi) Red Eyes dischi organizza la serata OcchiRossi con protagoniste le band PLASTIC LIGHT FACTORY + FOLKS, STAY HOME e STICKY BRAIN a seguire Sombras djset. ▲ VINILE Disco via Capitan Alessio 92 ROSÀ (Vi) serata flanellosa con i potenti live degli AFA alternative/postgrunge e The BRAIN WASHING MACHINE che presentano il loro secondo album + djset KING Max. ▲ CENTRO STABILE di CULTURA via Leogra SAN VITO di Leguzzano (Vi) grande serata di cantautorato italico con il mitico duo ravennate COMANECI e l'ottimo PIETRO BERSELLI. ▲ LA MESA Nuovo Circolo via L.Da Vinci 54 MONTECCHIO Maggiore (Vi) un mix di post rock, prog, stoner e shoegaze, ecco cosa sono gli SDANG!. ▲ BOCCIODROMO via A.Rossi 198 VICENZA doppietta di band americane via InVogue Records, saranno qui infatti gli HOTEL BOOKS melodic hc e i CONVICTIONS noise hc, in apertura BRIGHT END, WHAT WE LST e SITTING the SUMMER OUT. ▲ Colorificio KROEN via Pacinotti 19 Zai VERONA serata dedicata all'etichetta ToLoseLaTrack con il power trio TIGER! TIGER! SHIT! TIGER! e poi LABRADORS, GRAND TERMINAL (Fr) e ACTION DEAD MOUSE. ▲ Centro AMBIENTALE ARCHEOLOGICO via E.Fermi 10 LEGNAGO (Vr) ore 21 serata organizzata in collaborazione da SoundVito e Kult Giovani con proiezione documentario "GRASS: a Nation's Battle for Life" che sarà musicato live dai MANDELA rock/sperimentale/prog + djset.

► DOMENICA 22 GENNAIO 2017 ▲ PUNKY REGGAE Pub via Barbarigo 15 LIEDOLO di S.ZENONE degli Ezzelini (Tv) puntualissimi alle 17 con l'aperitivo HC, suoneranno i patavini DOUBLE ME fastcore e i milanesi COUNCIL of RATS old school. ▲ YOKELZ Plan B Pub piazza G.Marconi TREBASELEGHE (Pd) ore 17 puntuali c'è KickTheWeek terzo atto, ospiti le band SDANG post/prog/rock/Brescia e NIET alt/rock/Ferrara. ▲ GOTO STORTO via Villanova 8 TREBASELEGHE (Pd) aperitivo e musica dalle 17:30 con due ottime band HIT-KUNLE tropical rock e GLINCOLTI rock/prog/psych. ▲ LIGHTHOUSE Pub via Noalese Sud 2 NOALE (Ve) aperitivo r'n'r con live per The GOOSE BUMPS rock'n'roll/rockabilly/Milano. ▲ LIBERO PENSIERO via Bartolomei ALANO di Piave (Bl) dalle 18 appuntamento Domeniche Villane con ospiti gli HENRY's CELLAR funk bianco desertico. ▲ AL CASTELLO Bar strada Brussa 501 CAORLE (Ve) da Capota appuntamento all'aperitivo con PORKY's International, dalle 18:00 suoneranno LA DOLCE VITA postpunk/Ud e quindi grandi ospiti da Detroit MOONWALKS space-psych dalle tinte scure, a seguire djset Tommy Gun, PsychoFlower e miss Gio Division. ▲ SPAZIO ZERO via Piave 2 ODERZO (Tv) dalle 18 serata dedicata all'etichetta Ghost Tapes che presenta i live set dei progetti AARO solitario artefice di dark drones e SOUL & VIBE duo di sperimentazione ambientale. ▲ Circolo QUADRO piazza F.Facchetti 18 CITTADELLA (Pd) dalle 19 per le Experimental Sundays saranno ospiti i NEUNAU bergamaschi che danno un suono al ferro ▲ LABORATORIO Culturale I’M via Brustolon 3 ABANO Terme (Pd) dalle 19 rassegna Sunsay Dinner con l'ottima cucina del Lab I'm e il concerto dell' Alessandra PASCALI Trio. ▲ SPAZIO AEREO via delle Industrie 27 MARGHERA (Ve) dalle 19 Power Acoustic Sunday il progetto DTS impro/jazz e poi il delirio cosmico per GARRINCHA FLYING SWING. ▲ DUMP galleria Bailo 7 TREVISO per la serie domemiche jazz ospite il PEACE DIOUF Trio con il groove del chitarrista senegalese.

► LUNEDÌ 23 GENNAIO 2017 ▲ la merla ed i suoi giorni si avvicinano.

► MARTEDÌ 24 GENNAIO 2017 ▲ in caso di bisogno, rompere il vetro… dello schermo.

► MERCOLEDÌ 25 GENNAIO 2017 ▲ SHERWOOD Open Live vicolo Pontecorvo PADOVA dalle 19 aperitivo km zero e dalle 21 live per il duo Roberto Dell'Era (Afterhours/The Winstons/Dellera) e GianLuca De Rubertis (Il Genio). ▲ Club IL GIARDINO via Cao del Prà 82 LUGAGNANO di Sona (Vr) cantautorato da oltreoceano con l'americano JAMIE MICHAELS e l'istrionico canadese BOCEPHUS KING.

• http://shyrec.bandcamp.com/ • https://telegram.me/madeinpop/ • https://www.facebook.com/NewsletterMadeinpop/ • https://www.facebook.com/Shyrec/ • https://www.facebook.com/threeblackbirdsfree/

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