#Black Rust Prevention Paint

[trywonderx]

Benefits of rust cleaner spray - Trywonderx

 Trywonderx is an eco-friendly rust cleaner spray that quickly and easily removes corrosion, rust, oxidation and grime from metal surfaces and helps to maintain the integrity of your precious items for a long period of time. Its powerful formula will save you money, energy and time while eliminating hard-to-remove rust stains on hard surfaces with minimal effort. Trywonderx will provide your surfaces with a new and clean finish that won’t degrade in harsh environments. you will save time and money while preventing your items from damage and corrosion due to rust buildup.

What are the benefits of using rust cleaner spray?

Here are some potential benefits of using a rust cleaner spray:

Restores Appearance: Rust can make metal surfaces look unsightly  can help restore the appearance of the metal by removing the rust.

Prevents Further Damage: Rust can weaken metal and cause further damage over time. By using a rust cleaner spray, you can prevent further damage and extend the lifespan of the metal.

Improves Performance: Rust can interfere with the performance of metal parts and machinery. By removing the rust with a rust cleaner spray, you can improve the performance of the metal and machinery.

Saves Time and Money: Rust can be difficult and time-consuming to remove manually, especially for larger or more intricate metal surfaces. Using a rust cleaner can save time and money by quickly and easily removing the rust.

Protects Against Rust: Some rust cleaners contain protective coatings that can help prevent future rust and corrosion, providing long-term protection for the metal surface.

Overall, using a rust cleaner can help restore the appearance, prevent further damage, improve performance, save time and money, and protect against future rust and corrosion.

Is Rust cleaner spray safe to use?

It depends on the specific Rust cleaner and its intended use. Rust cleaner typically contains chemicals that can be harmful if not used properly, so it's important to follow the instructions and safety precautions listed on the product label.

Some Rust cleaners are designed for use on metal surfaces and may not be safe to use on other materials. It's important to read the product label carefully to ensure that the spray is appropriate for the surface you're cleaning.

If you have any concerns about the safety of a specific Rust cleaner you should contact the manufacturer or consult with a professional before using it. Additionally, you should always wear gloves and protective eyewear when using any type of cleaning product to minimize the risk of exposure to harmful chemicals.

How do rust cleaner sprays work?

Many rust cleaners contain an acid, such as phosphoric acid, that reacts with the rust to break it down into a soluble form that can be easily wiped away. Other rust cleaners may contain solvents or surfactants that help to dissolve or loosen the rust, making it easier to remove.

When using a rust cleaner, it's important to follow the instructions carefully, and to wear protective gloves and eye protection, as the chemicals in the cleaner can be harmful if they come into contact with your skin or eyes. It's also important to use the cleaner in a well-ventilated area to avoid inhaling any fumes.

Conclusion:

In conclusion, trywonderx is an eco-friendly rust cleaner that quickly and easily removes corrosion, rust, oxidation and grime from metal surfaces. If you have a need for a quick and easy rust cleaning solution, trywonderx is the perfect choice!

Contact - info@trywonderx.com

Phone Number: 020 - 2606 1530Location: Suprabha Corporate House, 373, Somwar Peth, Pune - 411 001, India

[foodandfolklore]

Kitchen Witch Essentials

I want to preference this by saying your priorities of tools for your craft will vary as you get more experienced. If you get more into baking, you may choose to invest in a kitchen mixer. If your path goes more down drinks, you might want to get a French press. This list is for those starting out or looking to maintain general witchy cooking. Nothing on this list is mandatory, so don't feel like you need to go spend money just because it's on this list.

This list will also assume you have general kitchen stuff, like pots, pans, and knives. You may not have everything, but you have enough to cook.

Wooden Spoon

If for whatever reason you don't have a wooden spoon, and you want to do kitchen magic, I strongly recommend you go and get one. You can get them at any store that sells Kitchen Utensils, including the dollar store.

For some kitchen witches, the wooden spoon is like a magic wand. Allowing the witch to direct energy. Personally, I just enjoy using natural materials whenever I can. Also, it's just such a useful tool to have when cooking. You can stir your food on stove top, and since it's made of wood you don't need to worry about damaging non stick surfaces. If you're boiling pasta, stirring with a wooden spoon helps get rid of the foam overboil. You can also just leave the spoon over the pot to prevent pasta water overboiling. Baking bread? Flip the spoon around and use the handle to bring the dough together.

Some people choose to add sigils or other symbols onto their witchy spoons. If you decide to do this, please do not use paint or stain, as this can come off while cooking. Unless this will be a display only spoon, of course. Safest way is to laser burn a design. Check etsy for custom spoons.

Herbs/Spices you know the properties of

I'm sure you already have some non perishable Herbs or Spices in your pantry or spice rack. Black Pepper, Garlic powder, Cinnamon, Paprika, that kind of thing. I want you to pick one and deep dive into the history of that Herb/Spice. What it's been used for in the past, what are some common magical properties and associations; what do YOU associate with it. Write down the magical association, like protection, banish negativity, prosperity, ect. Start with one, work your way up to three. If you have trouble memorizing, keep a little cheat sheet near by.

Now when you add these seasonings, you know what energies you can add/attract with your food.

Mortar and Pestle

If you already have another way to grind spices, like a coffee grinder, this does not need to be a priority. And if you have arm or shoulder issues, I don't recommend using. The main benefit to using a mortar and pestle is the crushing style of grinding tends to release more aroma and flavor then the cutting style of a coffee grinder. If you plan to just use for dry spices, you won't need a very big or fancy one. 20 dollars should get you something small and solid.

Make sure you are getting one made of stone. I tried a wooden one and it's garbage. I use it to hold messy spoons. There are also metal ones, and while I've never tried one, I encourage caution. I worry about long term use stripping whatever coating is stopping it from rusting.

Jars

Glass Jars are so great to have in the kitchen. Leftover sauce? Put it in a jar. Suddenly made a jam? We got jars to put it in. Meal prep overnight oats? Jars are here for you! They're just great for storage. And you don't need to buy them. Lots of things come in jars; just give them a hot soapy soak, scrap the label off, wash and reuse. If you prefer mason jars, I recommend washing the lids by hand. The lids aren't meant to be reused for jarring, so they rust fairly quickly after a few washes. You can buy replacement lids, however.

Plastic Containers

Jars are great, but things get a little dicey when you want to put stuff in the freezer. Water likes to make sure everyone knows it's cold by puffing up bigger; like look at me, I'm freezing here! Which means, there's a chance your glass jar can shatter.

But freezing food is the best way to preserve food since you don't need to add anything like extra salt or sugar. So get some freezer safe containers. I love making batches of broth and stock, and freeze it for later. Or if we have a lot of leftovers, I'll freeze enough for a dinner another week, incase I don't have enough spoons to make dinner one evening. And don't worry, you can wash and reuse plastic containers too.

I'll also freeze food I notice is starting to go weird. If I buy a huge bag of baby spinach, but can't get through it all, I'll transfer it to a freezer bag. Adding frozen spinach to food as it cooks is one of the easiest ways to up your nutrients. You can also freeze other vegetables, just make sure you cut them up first.

Crock Pot/Slow Cooker

Every Witch Needs a Cauldron, and these are Electric Cauldrons. Prices vary mainly based on the size you want. There are different brands, different colors; you can even get some in the theme of your favorite fandom. But they all have the same 3 core settings: High, Low, and keep warm.

Slow cookers are....well, slow. Which is great for certain kinds of food that need to sit for a long time, like meats. But it's also great for Kitchen Witches with a lot going on. Non witches will "Set it and forget it" but it's a good idea to stir every once in a while. Which is where the magic comes in. So, if you're a scatter brained Witch, Like me, or have ADHD and have trouble focusing, an electric cauldron might be for you. Throw everything together in 15 minutes, then give it love and attention when you remember. Normally that happens when you start to smell the food.

Again, this is my preference. Some Kitchen Witches I know prefer to identify a specific pot as their cauldron. Some went and got an actual full size, cast iron cauldron; which is amazing but not feasible for most. I grew up using a slow cooker, so I'm very comfortable around one. But if it's not your thing; that's fine. Maybe your cauldron will be a rice cooker or a Boston Shaker.

[mlmxreader]

The Devil of Haddonfield | Kim "Horangi" Hong-jin x m!reader

『••✎••』

↳ ❝ I am the shadow where there once was light (murdered!horangi x vengeant!m!reader) - @satan-incarnate-666 ❞

: ̗̀➛ When you're forced to watch the man you love die in front of your very eyes, there's only one way that you can really deal with the grief.

: ̗̀➛ swearing, major character death, blood/death, gore, graphic depictions of murder, mutilation, gun violence

•───────────────★•♛•★──────────────•

The thirty-first of October, you and Horangi were sent to a small village in some rural area where fuck knew what would happen, to go against some fucking stupid group who decided that they were worth more than the entirety of Kortac put together; the cunts put up an awfully good fight, but it wasn’t until you were both cornered in a desolate house’s kitchen, that you would forever hate the day.

It was some English prick, he had Horangi pinned against the counter while two of the others pinned you down and kept you secure and prevented you from getting free; they made you watch as the first bastard stabbed Horangi over and over and over with a kitchen knife.

You would never forget the sight of the blood on the floor, so thick and so dark that it almost looked black; you would never forget the sounds of him struggling to get his last words out, choking and close to vomiting.

You would never forget when they left you both there to die, laughing as they walked away; his blood on your hands when you tried to revive him, begging and pleading with tears in your eyes for him to come back.

Telling him over and over that he had to come back, he was going to take you to see his parents next month like he always did. You were going to announce that you were getting married at last, knowing how much his mother and father had begged him to propose. 

You would never forget the name of that village, and nor would you ever forget the name of those awful fucking bastards who had taken everything from you.

Haddonfield.

Fifteen months later, after being forced to see a psychiatrist by König, you returned to that very house; Horangi was standing by the kitchen counter, arms folded across his chest and his ankles crossed.

He looked just as beautiful as the day you had lost him; his deep brown eyes were covered in a dull white sheen, and you could see the stab wounds leaking through his shirt as he cleared his throat and pointed over to the kitchen knife.

Dull and rusted, it was still painted so delicately with his blood, and when you looked over at it, he cleared his throat and tried to speak. It was a mangled and choking mess, each syllable causing blood to spew from his lips; but you could at least make out a few of the words.

“You need to get revenge,” he had struggled to stay. “Otherwise I can’t move beyond this kitchen.”

“How do I know you’re real?” You asked softly, approaching him and making a move to hold his hand.

It was cold, almost as if it were hollow wood, and damp from the blood; but you knew the feeling of skin on yours, so you sighed, shaking your head.

“Don’t apologise,” Horangi coughed out, shaking his head at you before gently gripping your chin with his forefinger and thumb, forcing you to look at him. “You couldn’t save me.”

Your vision began to blur, something wet and warm on your face as you stared at him. “I love you so much, Hong-jin, you know that, don’t you?”

He cracked a smile, his teeth orange from the stains as he nodded. “I’ll always haunt you.”

“Really?”

“Always,” he croaked out, daring to press his forehead to the side of your neck. Blood spilling onto your shoulder, and although you could feel the cold and wet presence, you couldn’t bring yourself to care.

“I’ll make this right,” you told him softly, rubbing his back gently. “I promise. I will get those fucking cunts for what they did to you.”

“That’s-” a violent cough, wet and spluttering. “That’s my boy.”

You let go of him, grabbing the knife and stuffing it into the pocket of your dark blue coveralls; it was Horangi’s idea to do it, but you found an old mask hidden in the cupboard.

White all over, and almost a rubbery texture. It smelled of old damp and long gone cleaning products, almost sickly, but you knew that if you were going to do it, you had to make sure that you were wearing a mask. At least then, you wouldn’t get any blood on your face. 

But every step of the way, Horangi followed; when you arrived at König’s home, he was there. He opened the door for you, and directed you on where to go to find the man in charge.

So tall, his feet hung off of the edge of his bed, his bare chest rising and falling. With a whisper, Horangi pointed at his throat.

“Make it quick,” he instructed. 

You spared a single look at him, then shook your head; you straddled the giant’s lap, careful not to wake him and thankful that he was a heavy sleeper, before you pressed the tip of the knife against the inside of his ear.

You took a deep breath, and forced it in before retracting it; panicked, he woke, and tried to fight you off, but you easily steadied your grip on the knife, and jammed it between his eyes before pulling it left and tracing the shape of his face all the way around.

With a soft grunt, you pulled off the skin, leaving most of his face red and raw; muscle throbbing. He kept trying to fight, until you smashed the knife into his scalp, and pressed down until you felt the pillow beneath his head; blood smeared everywhere, splattering and spluttering and spilling.

But you couldn’t bring it in yourself to care, taking chunks of flesh from his skull until he stopped moving and stopped breathing and struggling so much. You turned to Horangi, raising your brows slightly.

He nodded slowly. “That’s one.”

You rummaged through his work files in his office until you found them; Task Force One Four One and their partner. You clenched your jaw, laying the file out as you glared at it; with bloodied fingertips, you took note of every name, and every address.

Simon Riley. John Mactavish. John Price. Kyle Garrick. Kate Laswell.

“Which one?” You hissed out.

Horangi stood beside you, his hand heavy on your shoulder as he pointed to one picture. “Him.”

You nodded, scowling as you stuffed the pictures into your pocket. “Fucking cunts.”

“Hey,” he cleared his throat, blood splattering onto your mask. “I’m with you, alright?”

You put your hand on his, flashing him a quick and small smile. “I know, I know.”

You went back to the bedroom, picking up the discarded slap of facial flesh, and huffed before carelessly tossing it out of the window. The wet slap against the pavement was loud, but you couldn’t find it in yourself to care; he had sent you and Horangi there, he had caused Horangi’s demise.

He was the first one on the list for a reason.

Garrick was next.

You knew that he wasn’t there at the time, you could only recognise him as the sniper on the far roof that you had passed; he wasn’t there.

He didn’t aid in Horangi’s death; so you were gentle when you snuck up behind him and wrapped the phone cord around his neck, keeping his back close to your chest as you whispered in his ear.

“You’re not the one I want,” you told him. “This is just to make sure.”

“And what about him?” Garrick choked out, pointing at Horangi.

“This is for him,” you murmured, waiting until he relaxed to let him go. You looked at Horangi again, raising your brows slightly. “Good?”

Horangi nodded. “Should be - strangulation isn’t as quick, but I’ll know soon.”

You nodded curtly, clearing your throat as you pulled out one of the pictures from your pocket. “This one next… the captain… one of the cunts that held me down.”

Horangi hummed, standing next to you and smiling for a second. “He’s just your type.”

You glared at him, scoffing. “Hey, you’re lucky, pretty boy.”

“How’d you figure?”

“I also like ‘em when they’re drop dead gorgeous.”

Rolling his eyes, he groaned softly, trying not to smile.

With each kill, each step closer to revenge, he was slowly starting to feel himself fade away; his hands were getting more and more transparent, and although he was trying to hide it, it was getting more difficult for him to feel you against him.

He knew all too well that his time would run out when you  got your revenge for him. He knew all too well that his time with you was running short, even if he had promised that he would always haunt you. He hoped that the afterlife would be kind enough to let him stay at your side, even if there would come a time when only you would be able to see him.

Even still, he helped you to clean your mask before you went into the Captain's home; his touch was just as soft and tender as ever, deft fingers against the coarse rubber.

Horangi hoped that you did not think any less of him, he hoped that you would not scorn his name once you had achieved your goal. Still, as cold as his lips were, he pulled up your mask, and leaned in so that he could gently press his lips to yours, holding the back of your neck like he always used to.

“I promise,” you whispered. “I will not rest until they've all paid for what they did to you.”

Horangi frowned, nodding slowly as his icy fingertip gently traced your bottom lip. “I know, my beloved.”

“Just four more,” you murmured. “Just four more, then we're done.”

“Of course,” he agreed. “Just Price, Soap, Ghost and Laswell.”

“Price next,” you told him with a curt nod. “But… stay here. Please?”

“Sarajevo?” He whispered.

But you shook your head, clenching your jaw. “Appel Quay… this one… it's for me.”

Horangi swallowed thickly, but sat himself down on the grass nearby as he dared to crack a broken smile. “If you need me there, just say my name three times in the mirror.”

You nodded, bending down to kiss his forehead softly; you felt like you were going to fall through him, but steadied yourself and smoothed out your clothes before heading to the house.

The stupid cunt left his back door unlocked, and when you saw the dog sleeping on the kitchen floor, you knew why. You didn't want to hurt it. But you had to get to Price.

So you sighed, and opened the door; the dog ran out, giving you time to slip inside and close the door behind you. You locked it before creeping up the stairs, ensuring that your mask would not fall off.

He slept soundly in his bed, mouth open and drool seeping onto his pillow. You took a look around, and then gently closed the bedroom door before turning on the light, folding your arms across your chest.

“Wakey wakey, Pricey wicey,” you sang softly.

Stirring, Price groaned and grumbled before he slowly started to rise. He immediately grabbed the gun from under his pillow, aiming it at you.

“Oh, I wouldn't do that if I were you,” you tutted, shaking your head.

Price narrowed his eyes, chewing at his lip. “What the fuck are you doing here?! Who are you?!”

You shrugged, leaning against the door. “I am the shadow where there once was light… I am the cruel hand of the night… I am your reckoning.”

“What the fuck are you talking about?!”

Slowly, you took a few steps forward. “Fifteen months ago. You held me down as your men stabbed my husband to death. His name was Hong-jin. Kim Hong-jin. He was the best man in the world, a dogshit gambler but the best man I've ever known. He loved me. I loved him… you and your man, Soap, held me down. You made me watch as that big cunt stabbed him! You made me fucking watch! You forced me to fucking watch as my family died!”

Price sat there, stone faced and cold, still keeping his gun aimed on you. If he felt anything, he wasn't showing it. “I followed orders.”

“Bullshit!” You screamed, pulling out your knife and brandishing it so eagerly. “Fucking bullshit! You fucking laughed! His name was fucking Hong-jin! He had a husband! He was loved! You sadistic cunts laughed when he died!”

He clenched his jaw. “I followed orders.”

“Oh, fuck off!” You pointed the knife at him. “You never gave a shit about orders! His fucking name was Hong-jin, and you will fucking remember it! He was human! Flesh and blood!”

Price didn't feel like wasting time. He cocked the hammer, and pulled the trigger.

You stumbled back, looking at the hole in your shoulder, then scoffed as you looked at him, shaking your head; Price shot again, but you kept going, raising the knife up before bringing it down against the side of his neck with as much force as you could muster.

Fear in his wide eyes, he choked out a mangled prayer, staring up at you as you brought the knife down again and again and again until his head rolled onto the floor. But you didn't stop, grabbing the discarded head and squeezing it as tightly as you could until you heard the bones crack loudly.

You grabbed the back of it, and in a sharp fog of rage, you brought his face to the wall; teeth shattered and fell to the ground, his nose became mangled and nearly falling off.

But you didn't stop, you couldn't - until you felt a hand against your shoulder, and a soft whisper break through your screams.

“It's alright. He's dead.”

You dropped the head, turning to Horangi with wide and wet eyes before crashing into him; he was so cold, yet he didn't feel entirely solid like he used to. Like he was fading away slowly. You sniffled, your face buried against his almost transparent neck.

“He laughed!” You howled. “He laughed when you died!”

“I know,” Horangi said softly, going to touch you but sighing when his fingertips gently stuck through your coveralls. “It's alright.”

You sighed. “I'm so sorry I didn't save you…”

Horangi couldn't even bring himself to speak, a sharp sting in his throat made him able to only choke on his words as he sniffled and nodded slowly.

He could feel himself fade a little more when you broke away, wiping the tears from your eyes before clearing your throat and nodding to yourself.

“Soap next.”

“Alright.”

Horangi didn't leave your side, even when you told him to wait outside while you dealt with Soap, he didn't obey; he stuck close, hiding behind the corner slightly while you pinned Soap to the floor and screamed in his face.

The man was terrified. Looking to Horangi for mercy but knowing that he would never get any; his nose was bloodied, his lips torn off and discarded nearby.

Horangi only watched, there for you and only you.

You dug your fingers into his cheeks, grabbing the flesh as hard as you could before you tugged it clean away; Soap cried out, trying to defend himself and push you away, but it was of no use.

You grabbed the knife, and stuck it into his gums, pulling it down so that the flesh and his teeth tore away; he started to choke when one became lodged in his throat. His face went pale as he looked at Horangi yet again.

But he would never help. After everything that the 141 had done to him and to you, Horangi could never bring himself to be sympathetic to them. They were malicious murderers, little else.

They had ruined yours and Horangi's chances of being a family, of being together.

You sunk the knife into Soap's neck, slowly dragging it down and breaking bone and muscle without care until you reached the waistband of his trousers; you sunk the knife in further, tracing his stomach before tossing the knife aside and sticking your hands in.

Blood and organs squelched as you keenly tossed them out, letting them hit the floor with wet slaps each time as you worked your way up. When you got to his heart, you grinned, and stuffed it into his mouth.

“Guess you weren't heartless after all.”

Two left. Horangi could feel himself being pulled away from you, knowing that time was almost up.

He knew that his time was slowly running out, that soon enough, he would leave you for good and would have to suffer the consequences of wandering the afterlife without you; without the one man that he couldn’t have lived without.

It brought a sharp sting to his chest, and he nearly doubled over every time he thought about it; yet he had to remain strong for you - there were only two left. Just two to go, that was all. Only two.

Ghost. Simon Riley. He had just gotten out of visiting Gaz in the hospital, who by some miracle, had survived been strangled with a phone cord. It had been by sheer dumb luck that Gaz had been found by his next door neighbour, and that they had dialled 999 in time.

He was stable, although the doctors made it all too clear that he would be in no shape to go anywhere for at least six weeks. He had to recover, his larynx was all but destroyed.

Ghost felt good about the chances, though, glad that Gaz had survived more than anything.

Yet, when he got to the car park, something didn't feel right. He frowned as he looked around, examining the car park with expertise; he had visited Gaz every day since the attack, he had apologised so many times to Gaz’s mother and father that he felt like his voice would run out if he did it even one more time.

He had never felt like that in the car park before, watching the ambulance men standing at the exit smoking cigarettes and chatting for a moment, wondering if they had stolen a look at him and had judged the scars that littered his face; he shrugged it off, shaking his head as he made his way to his car.

A hand laid on his shoulder as he went to grab the door, and instinctively, he turned around and forced his elbow into whoever was behind him; yet nothing moved. He wondered if he had imagined it, he hadn’t exactly slept well since Gaz was attacked.

But when he turned around, and looked into those eyes, he clenched his jaw.

There was a darkness within them, concealed by the white rubber mask, and Ghost knew that he was staring into the eyes of evil itself; he didn’t waste time, trying to grab your arm but grunting when you twisted his and smashed it against the car door - a loud crack, Ghost took a split second to look at how his bone protrude through his skin, orange and sticky.

He took a swing with his other arm, but you grabbed his fist, and forced it through the car window with ease; glass pushed beneath his fingernails, and made him growl under his breath as he seethed.

He tried to kick, but you were too quick for him, and pinned him to the ground; Ghost struggled, putting up his hands and trying not to show any sign of weakness when the knife easily pushed through his flesh and forced bits of glass to slice into his face.

Opening up old scars. You pressed the knife to his throat, and leaned over. 

“You.”

“Who the fuck are you?!” Ghost hissed out, trying to squirm free. 

“You took everything from me,” you growled, slowly removing the mask and tossing it aside. Ghost’s eyes went wide as he swallowed thickly. “You remember me? Do you remember how you and your teammates made me watch as you fucking murdered my husband?!”

Ghost nodded slowly. “Yes.”

“You took everything from me,” you could feel your eyes become wet, your vision going slightly blurry. “You took the man I loved from me… there is nothing left. No reason, no conscience, no understanding of life or death. Good or evil. Right or wrong…”

Ghost looked into your eyes, and clenched his jaw when he realised; within your eyes, within the irises and the colour of them, were the darkest eyes he had ever seen, concealed like the worst secret in the world. The Devil’s eyes. There was no point in trying to reach you, in trying to reason with you; living behind your eyes was purely and simply… evil. 

“You’re the Devil.”

You shrugged, glaring at him. “I went back to Haddonfield… because of you. Because you fucking took everything from me - and you weren’t ready for me. But it’s your funeral, Lieutenant Riley.”

Ghost looked around, hoping to find some way of getting out from underneath you, but when he spotted Horangi, his mouth fell open, and he shook his head. “He’s not even fucking dead!”

You shook your head, having hear enough; you brought the knife up, and shoved it through his eye; you pulled it back, wiping it on his shoulder as he yowled, and then stuffed it into his chest over and over and over until you could feel the concrete beneath him, until you could feel a hand on your shoulder. 

“It’s done,” Horangi told you softly. “Come on.”

“But he killed you,” you whimpered, your bottom lip trembling. “I have to make sure he doesn’t fucking come back!”

“He won’t,” he reassured with a short shake of his head. “I can feel it, he won’t.”

You were reluctant, but you still allowed Horangi to direct you to Laswell’s house; she was home alone, her wife was out on business, and you managed to sneak up on her while she was smoking a cigarette on the patio.

You slit her throat, and gently sat her down on the patio chair before leaving again.

She didn’t need to be tormented, she didn’t need to be reminded of what the one four one had done and the cruel and despicable ways of which they had treated Horangi; you made sure that it was quick.

Even still, when you went back to Haddonfield, you held onto Horangi’s hand tightly, sobbing as you watched him slowly fade before your eyes.

“Do you have to go?”

He nodded, swallowing thickly. “I’ll come back - I’m always gonna haunt you, I promise.”

“But-”

“You’ll be alright,” he told you reassuringly, even though his throat stung and he felt as if he was going to be sick. “I won’t be gone for very long.”

“Wait,” you pleaded, tugging at his hand even though you could hardly feel it in your own anymore. “Please. Just one more day… please…”

“I wish we could have one more day,” he said gently, going to pull you into a hug and trying to act as if it didn’t physically hurt when his arm simply fell through you. “I would give anything to have just one more day.”

“Then don’t go!” You whined, shaking your head as snot covered your nostrils and tears streamed down your face, both dripping onto the floor between your feet. “Please!”

“You did everything right,” Horangi smiled as he bit down on his bottom lip to prevent it from quivering. “I love you, and I always will. I won’t be gone for very long. I promise. I will be back for you.”

“I love you,” you sobbed. “I really do, Hong-jin, I fucking love you and I’m… I’m sorry I couldn’t save you.”

He shook his head, and although he knew that you couldn’t feel it and that his hands were slowly losing their strength, he tried to give your hand a quick squeeze. “You did save me.”

[fractured-shield]

wip excerpt tag

coming here from the open tag by @coffeewritesfiction and bringing back a bit of my short piece "Crimson Stone and Aureate Scales" which is technically a wip because it still needs to be adapted into my actual book in a few more chapters. and i'll be leaving this as an open tag as well, since I don't really have much of a writing social circle yet

They’ll look to us for protection. What reassurance do they find in a hired vanguard, whose only purpose is to die first, and have them follow?

The wooden back of the bench was worn smooth from use, worm-eaten and dry rotted in places. Still, it was mostly protected from the elements despite the window panes broken from their arched frames, opening the serene hall to the chill wind and the years of fallen leaves blown in and slowly turning to dust. The once-polished stone interior, muted fawn and ivory, painted the lone occupant in stark relief: a somber and straight-backed figure, pallid and dark-clad, wearing a few pieces of plate armor over black cloth and leather. He folded his hands in his lap, eyes unfocused somewhere in the middle distance.

Another gust of wind set the leaves in motion again, swirling into eddies and shallow drifts. The joints of his armor clicked together softly as he leaned forward, elbows braced against the pale and time-worn wood—birch, like the dancing leaves, and just as much a ghost of former life. The rigid set of his shoulders, achingly tight, seemed odd for a man sitting alone in the sun-dappled serenity of an abandoned sanctuary.

A few strands of hair—worn long and untied, brown shot through with faint silver—caught in the wind as well and slipped across armored shoulders to flutter against his face. He couldn’t bring himself to be annoyed at the sensation, or hardly to notice it at all. He bowed his head further towards his arms, brow furrowed, still deep in wounding contemplation.

If there was anything to be done, we would have done it two hundred years ago or more. What strength are we supposed to find now, to prevent another city turned to ruin—

His eyes fell on an ornament of stone at the front of the room: a muted, rust-tinted red. It was a stand designed to hold a book, but its angled surface was empty and its heavy chain hung loose and broken, the tome it last held long since stolen.

—or great strongholds abandoned…if there were any left to forsake.

He adjusted his posture slightly. The armor had never been comfortable, and his knee had begun to twinge again, an old injury acting up after hours in the saddle.

No, that isn’t fair. It isn’t so hopeless as that. I promised her I’d have more faith than that.

“It hardly feels fair to call it faith, does it?” He spoke the last part aloud before he’d realized it.

“What was that?”

He started at the unexpected voice, clear and childlike, cutting through the near-silence like the timid footsteps that accompanied it.

“Nothing,” he answered, trying to temper his expression into something less gloomy as the girl approached. She slid along the bench to sit next to him, putting one foot up and then immediately changing her mind after a quick glance around. It was a holy place, forgotten though it was, and maybe that mattered to her. She sat on her hands awkwardly.

“I never thought you prayed to the gods much, papa. …Or did that change, while I was away? I mean, I guess five years is longer for me than for you but—I don’t mean anything by it, I just thought I’d ask if, I don’t know—”

He leaned lightly against her shoulder, interrupting her nervous rambling. “No, I…it didn’t change. I don’t.”

[lesmislettersdaily]

One Mother Meets Another Mother

Volume 1: Fantine; Book 4: To Confide Is Sometimes To Deliver Into A Person's Power; Chapter 1: One Mother Meets Another Mother

There was, at Montfermeil, near Paris, during the first quarter of this century, a sort of cook-shop which no longer exists. This cook-shop was kept by some people named Thénardier, husband and wife. It was situated in Boulanger Lane. Over the door there was a board nailed flat against the wall. Upon this board was painted something which resembled a man carrying another man on his back, the latter wearing the big gilt epaulettes of a general, with large silver stars; red spots represented blood; the rest of the picture consisted of smoke, and probably represented a battle. Below ran this inscription: AT THE SIGN OF SERGEANT OF WATERLOO (Au Sargent de Waterloo).

Nothing is more common than a cart or a truck at the door of a hostelry. Nevertheless, the vehicle, or, to speak more accurately, the fragment of a vehicle, which encumbered the street in front of the cook-shop of the Sergeant of Waterloo, one evening in the spring of 1818, would certainly have attracted, by its mass, the attention of any painter who had passed that way.

It was the fore-carriage of one of those trucks which are used in wooded tracts of country, and which serve to transport thick planks and the trunks of trees. This fore-carriage was composed of a massive iron axle-tree with a pivot, into which was fitted a heavy shaft, and which was supported by two huge wheels. The whole thing was compact, overwhelming, and misshapen. It seemed like the gun-carriage of an enormous cannon. The ruts of the road had bestowed on the wheels, the fellies, the hub, the axle, and the shaft, a layer of mud, a hideous yellowish daubing hue, tolerably like that with which people are fond of ornamenting cathedrals. The wood was disappearing under mud, and the iron beneath rust. Under the axle-tree hung, like drapery, a huge chain, worthy of some Goliath of a convict. This chain suggested, not the beams, which it was its office to transport, but the mastodons and mammoths which it might have served to harness; it had the air of the galleys, but of cyclopean and superhuman galleys, and it seemed to have been detached from some monster. Homer would have bound Polyphemus with it, and Shakespeare, Caliban.

Why was that fore-carriage of a truck in that place in the street? In the first place, to encumber the street; next, in order that it might finish the process of rusting. There is a throng of institutions in the old social order, which one comes across in this fashion as one walks about outdoors, and which have no other reasons for existence than the above.

The centre of the chain swung very near the ground in the middle, and in the loop, as in the rope of a swing, there were seated and grouped, on that particular evening, in exquisite interlacement, two little girls; one about two years and a half old, the other, eighteen months; the younger in the arms of the other. A handkerchief, cleverly knotted about them, prevented their falling out. A mother had caught sight of that frightful chain, and had said, “Come! there’s a plaything for my children.”

The two children, who were dressed prettily and with some elegance, were radiant with pleasure; one would have said that they were two roses amid old iron; their eyes were a triumph; their fresh cheeks were full of laughter. One had chestnut hair; the other, brown. Their innocent faces were two delighted surprises; a blossoming shrub which grew near wafted to the passers-by perfumes which seemed to emanate from them; the child of eighteen months displayed her pretty little bare stomach with the chaste indecency of childhood. Above and around these two delicate heads, all made of happiness and steeped in light, the gigantic fore-carriage, black with rust, almost terrible, all entangled in curves and wild angles, rose in a vault, like the entrance of a cavern. A few paces apart, crouching down upon the threshold of the hostelry, the mother, not a very prepossessing woman, by the way, though touching at that moment, was swinging the two children by means of a long cord, watching them carefully, for fear of accidents, with that animal and celestial expression which is peculiar to maternity. At every backward and forward swing the hideous links emitted a strident sound, which resembled a cry of rage; the little girls were in ecstasies; the setting sun mingled in this joy, and nothing could be more charming than this caprice of chance which had made of a chain of Titans the swing of cherubim.

As she rocked her little ones, the mother hummed in a discordant voice a romance then celebrated:—

“It must be, said a warrior.”

Her song, and the contemplation of her daughters, prevented her hearing and seeing what was going on in the street.

In the meantime, some one had approached her, as she was beginning the first couplet of the romance, and suddenly she heard a voice saying very near her ear:—

“You have two beautiful children there, Madame.”

“To the fair and tender Imogene—”

replied the mother, continuing her romance; then she turned her head.

A woman stood before her, a few paces distant. This woman also had a child, which she carried in her arms.

She was carrying, in addition, a large carpet-bag, which seemed very heavy.

This woman’s child was one of the most divine creatures that it is possible to behold. It was a girl, two or three years of age. She could have entered into competition with the two other little ones, so far as the coquetry of her dress was concerned; she wore a cap of fine linen, ribbons on her bodice, and Valenciennes lace on her cap. The folds of her skirt were raised so as to permit a view of her white, firm, and dimpled leg. She was admirably rosy and healthy. The little beauty inspired a desire to take a bite from the apples of her cheeks. Of her eyes nothing could be known, except that they must be very large, and that they had magnificent lashes. She was asleep.

She slept with that slumber of absolute confidence peculiar to her age. The arms of mothers are made of tenderness; in them children sleep profoundly.

As for the mother, her appearance was sad and poverty-stricken. She was dressed like a working-woman who is inclined to turn into a peasant again. She was young. Was she handsome? Perhaps; but in that attire it was not apparent. Her hair, a golden lock of which had escaped, seemed very thick, but was severely concealed beneath an ugly, tight, close, nun-like cap, tied under the chin. A smile displays beautiful teeth when one has them; but she did not smile. Her eyes did not seem to have been dry for a very long time. She was pale; she had a very weary and rather sickly appearance. She gazed upon her daughter asleep in her arms with the air peculiar to a mother who has nursed her own child. A large blue handkerchief, such as the Invalides use, was folded into a fichu, and concealed her figure clumsily. Her hands were sunburnt and all dotted with freckles, her forefinger was hardened and lacerated with the needle; she wore a cloak of coarse brown woollen stuff, a linen gown, and coarse shoes. It was Fantine.

It was Fantine, but difficult to recognize. Nevertheless, on scrutinizing her attentively, it was evident that she still retained her beauty. A melancholy fold, which resembled the beginning of irony, wrinkled her right cheek. As for her toilette, that aerial toilette of muslin and ribbons, which seemed made of mirth, of folly, and of music, full of bells, and perfumed with lilacs had vanished like that beautiful and dazzling hoar-frost which is mistaken for diamonds in the sunlight; it melts and leaves the branch quite black.

Ten months had elapsed since the “pretty farce.”

What had taken place during those ten months? It can be divined.

After abandonment, straightened circumstances. Fantine had immediately lost sight of Favourite, Zéphine and Dahlia; the bond once broken on the side of the men, it was loosed between the women; they would have been greatly astonished had any one told them a fortnight later, that they had been friends; there no longer existed any reason for such a thing. Fantine had remained alone. The father of her child gone,—alas! such ruptures are irrevocable,—she found herself absolutely isolated, minus the habit of work and plus the taste for pleasure. Drawn away by her liaison with Tholomyès to disdain the pretty trade which she knew, she had neglected to keep her market open; it was now closed to her. She had no resource. Fantine barely knew how to read, and did not know how to write; in her childhood she had only been taught to sign her name; she had a public letter-writer indite an epistle to Tholomyès, then a second, then a third. Tholomyès replied to none of them. Fantine heard the gossips say, as they looked at her child: “Who takes those children seriously! One only shrugs one’s shoulders over such children!” Then she thought of Tholomyès, who had shrugged his shoulders over his child, and who did not take that innocent being seriously; and her heart grew gloomy toward that man. But what was she to do?

She no longer knew to whom to apply. She had committed a fault, but the foundation of her nature, as will be remembered, was modesty and virtue. She was vaguely conscious that she was on the verge of falling into distress, and of gliding into a worse state. Courage was necessary; she possessed it, and held herself firm. The idea of returning to her native town of M. sur M. occurred to her. There, some one might possibly know her and give her work; yes, but it would be necessary to conceal her fault. In a confused way she perceived the necessity of a separation which would be more painful than the first one. Her heart contracted, but she took her resolution. Fantine, as we shall see, had the fierce bravery of life. She had already valiantly renounced finery, had dressed herself in linen, and had put all her silks, all her ornaments, all her ribbons, and all her laces on her daughter, the only vanity which was left to her, and a holy one it was. She sold all that she had, which produced for her two hundred francs; her little debts paid, she had only about eighty francs left. At the age of twenty-two, on a beautiful spring morning, she quitted Paris, bearing her child on her back. Any one who had seen these two pass would have had pity on them. This woman had, in all the world, nothing but her child, and the child had, in all the world, no one but this woman. Fantine had nursed her child, and this had tired her chest, and she coughed a little.

We shall have no further occasion to speak of M. Félix Tholomyès. Let us confine ourselves to saying, that, twenty years later, under King Louis Philippe, he was a great provincial lawyer, wealthy and influential, a wise elector, and a very severe juryman; he was still a man of pleasure.

Towards the middle of the day, after having, from time to time, for the sake of resting herself, travelled, for three or four sous a league, in what was then known as the Petites Voitures des Environs de Paris, the “little suburban coach service,” Fantine found herself at Montfermeil, in the alley Boulanger.

As she passed the Thénardier hostelry, the two little girls, blissful in the monster swing, had dazzled her in a manner, and she had halted in front of that vision of joy.

Charms exist. These two little girls were a charm to this mother.

She gazed at them in much emotion. The presence of angels is an announcement of Paradise. She thought that, above this inn, she beheld the mysterious HERE of Providence. These two little creatures were evidently happy. She gazed at them, she admired them, in such emotion that at the moment when their mother was recovering her breath between two couplets of her song, she could not refrain from addressing to her the remark which we have just read:—

“You have two pretty children, Madame.”

The most ferocious creatures are disarmed by caresses bestowed on their young.

The mother raised her head and thanked her, and bade the wayfarer sit down on the bench at the door, she herself being seated on the threshold. The two women began to chat.

“My name is Madame Thénardier,” said the mother of the two little girls. “We keep this inn.”

Then, her mind still running on her romance, she resumed humming between her teeth:—

“It must be so; I am a knight,

And I am off to Palestine.”

This Madame Thénardier was a sandy-complexioned woman, thin and angular—the type of the soldier’s wife in all its unpleasantness; and what was odd, with a languishing air, which she owed to her perusal of romances. She was a simpering, but masculine creature. Old romances produce that effect when rubbed against the imagination of cook-shop woman. She was still young; she was barely thirty. If this crouching woman had stood upright, her lofty stature and her frame of a perambulating colossus suitable for fairs, might have frightened the traveller at the outset, troubled her confidence, and disturbed what caused what we have to relate to vanish. A person who is seated instead of standing erect—destinies hang upon such a thing as that.

The traveller told her story, with slight modifications.

That she was a working-woman; that her husband was dead; that her work in Paris had failed her, and that she was on her way to seek it elsewhere, in her own native parts; that she had left Paris that morning on foot; that, as she was carrying her child, and felt fatigued, she had got into the Villemomble coach when she met it; that from Villemomble she had come to Montfermeil on foot; that the little one had walked a little, but not much, because she was so young, and that she had been obliged to take her up, and the jewel had fallen asleep.

At this word she bestowed on her daughter a passionate kiss, which woke her. The child opened her eyes, great blue eyes like her mother’s, and looked at—what? Nothing; with that serious and sometimes severe air of little children, which is a mystery of their luminous innocence in the presence of our twilight of virtue. One would say that they feel themselves to be angels, and that they know us to be men. Then the child began to laugh; and although the mother held fast to her, she slipped to the ground with the unconquerable energy of a little being which wished to run. All at once she caught sight of the two others in the swing, stopped short, and put out her tongue, in sign of admiration.

Mother Thénardier released her daughters, made them descend from the swing, and said:—

“Now amuse yourselves, all three of you.”

Children become acquainted quickly at that age, and at the expiration of a minute the little Thénardiers were playing with the newcomer at making holes in the ground, which was an immense pleasure.

The newcomer was very gay; the goodness of the mother is written in the gayety of the child; she had seized a scrap of wood which served her for a shovel, and energetically dug a cavity big enough for a fly. The grave-digger’s business becomes a subject for laughter when performed by a child.

The two women pursued their chat.

“What is your little one’s name?”

“Cosette.”

For Cosette, read Euphrasie. The child’s name was Euphrasie. But out of Euphrasie the mother had made Cosette by that sweet and graceful instinct of mothers and of the populace which changes Josepha into Pepita, and Françoise into Sillette. It is a sort of derivative which disarranges and disconcerts the whole science of etymologists. We have known a grandmother who succeeded in turning Theodore into Gnon.

“How old is she?”

“She is going on three.”

“That is the age of my eldest.”

In the meantime, the three little girls were grouped in an attitude of profound anxiety and blissfulness; an event had happened; a big worm had emerged from the ground, and they were afraid; and they were in ecstasies over it.

Their radiant brows touched each other; one would have said that there were three heads in one aureole.

“How easily children get acquainted at once!” exclaimed Mother Thénardier; “one would swear that they were three sisters!”

This remark was probably the spark which the other mother had been waiting for. She seized the Thénardier’s hand, looked at her fixedly, and said:—

“Will you keep my child for me?”

The Thénardier made one of those movements of surprise which signify neither assent nor refusal.

Cosette’s mother continued:—

“You see, I cannot take my daughter to the country. My work will not permit it. With a child one can find no situation. People are ridiculous in the country. It was the good God who caused me to pass your inn. When I caught sight of your little ones, so pretty, so clean, and so happy, it overwhelmed me. I said: ‘Here is a good mother. That is just the thing; that will make three sisters.’ And then, it will not be long before I return. Will you keep my child for me?”

“I must see about it,” replied the Thénardier.

“I will give you six francs a month.”

Here a man’s voice called from the depths of the cook-shop:—

“Not for less than seven francs. And six months paid in advance.”

“Six times seven makes forty-two,” said the Thénardier.

“I will give it,” said the mother.

“And fifteen francs in addition for preliminary expenses,” added the man’s voice.

“Total, fifty-seven francs,” said Madame Thénardier. And she hummed vaguely, with these figures:—

“It must be, said a warrior.”

“I will pay it,” said the mother. “I have eighty francs. I shall have enough left to reach the country, by travelling on foot. I shall earn money there, and as soon as I have a little I will return for my darling.”

The man’s voice resumed:—

“The little one has an outfit?”

“That is my husband,” said the Thénardier.

“Of course she has an outfit, the poor treasure.—I understood perfectly that it was your husband.—And a beautiful outfit, too! a senseless outfit, everything by the dozen, and silk gowns like a lady. It is here, in my carpet-bag.”

“You must hand it over,” struck in the man’s voice again.

“Of course I shall give it to you,” said the mother. “It would be very queer if I were to leave my daughter quite naked!”

The master’s face appeared.

“That’s good,” said he.

The bargain was concluded. The mother passed the night at the inn, gave up her money and left her child, fastened her carpet-bag once more, now reduced in volume by the removal of the outfit, and light henceforth and set out on the following morning, intending to return soon. People arrange such departures tranquilly; but they are despairs!

A neighbor of the Thénardiers met this mother as she was setting out, and came back with the remark:—

“I have just seen a woman crying in the street so that it was enough to rend your heart.”

When Cosette’s mother had taken her departure, the man said to the woman:—

“That will serve to pay my note for one hundred and ten francs which falls due to-morrow; I lacked fifty francs. Do you know that I should have had a bailiff and a protest after me? You played the mouse-trap nicely with your young ones.”

“Without suspecting it,” said the woman.

[atplblog]

Price: [price_with_discount] (as of [price_update_date] - Details) [ad_1] Features: Portable high-pressure bicycle pump Family car electric bicycle pedal pump The size of the pump is about the same as that of a mobile phone, and the weight is approximately equal to the weight of two mobile phones. It takes up less space and is more convenient to carry without burden. Aluminum alloy barrel, beautiful, long service life, strong and compressive Non-slip large pedals, the uneven surface of the pedals is not only beautiful but also non-slip. It prevents sliding when the pedals are inflated, and it is more stable and easy to inhale. The high-definition barometer intuitively displays the real-time pressure data without inflating the tires British, French and American three-purpose gas nozzles to meet more requirements Specification: Material: Aluminum Alloy Color: Black Silver Size: Tube Diameter 5cm Base Length 13cm Distance from Pedal to Ground 27cm Pedal Length 5.5cm Air Belt Length 40cm Length After Storage 17cm Weight: 398g Air pressure: 90-100PSI Package List: 1 x Inflator Note: 1.Please allow 1-2cm measuring deviation due to manual measurement. 2.Due to the different monitor and light effect, the actual color of the item might be slight different from the color shown on the pictures. Please Understand, Thanks! 🚲 Unique design: Foot Activated Design with Pressure Gauge,max 160 PSI / 11 Bar pressure gauge, prevents accidental tire blowouts.fast pumping and time saving. 🚲 Multifunctional Valves: PRESTA & SCHRADER COMPATIBLE - the dual pump head has both Presta and Schrader valves for all kinds of bikes; sports ball needle and inflation cone included. 🚲 Durable and Stable: High-strength Aluminium alloy inner and outer barrel. Smooth surface. No paint stripping, no rusting, more wear-resistant.Durable quality to use longer and save money. 🚲 Delicate and Lightweight: Only about 400g,Easy to carry around. the bike pump is small enough to easily fit in your bike bag too.anywhere and anytime. 🚲 Wide application: such as road bike, mountain bike. Also fit electric vehicles, motorcycles and any inflatable balls toys. [ad_2]

[fabteccars]

Get Silver & Black Car Covers Call Us:+91 97113 93973

If you’re looking to protect your vehicle from harsh elements and keep it in top condition, silver and black car covers are an excellent choice. These high-quality car covers offer a unique blend of style, functionality, and protection that makes them stand out. Designed with a striking silver and black color scheme, these covers by Fabtec Company are not only visually appealing but also serve essential protective functions that can help preserve your car’s finish, interior, and overall condition.

Why Choose Silver and Black Car Covers?

Silver and black car covers are specially designed with both practicality and aesthetics in mind. The silver side typically faces outward, and the black side faces the car, each color serving a distinct purpose. The silver layer is crafted to reflect sunlight and reduce heat buildup, which can cause paint fading and damage to interior components. The black underside, on the other hand, is soft and non-abrasive, ensuring that it won’t scratch or damage your car's paint.

The dual-color design by Fabtec does not just look good but also enhances the car cover's performance in various conditions, making it suitable for both outdoor and indoor use. The silver exterior reflects UV rays and helps keep the vehicle cool in sunny conditions, while the soft black interior protects against scratches and ensures a snug fit against your car’s surface.

Key Benefits of Silver and Black Car Covers

UV and Heat Protection: Sun exposure can take a toll on a vehicle, causing the paint to fade and the interior to overheat. The silver outer layer of these covers is designed to reflect sunlight and minimize UV damage, helping to keep your car looking new and preserving the condition of your dashboard, seats, and electronics. This is particularly useful if you park your car outside frequently or live in a sunny climate.

Protection from Dust and Dirt: Dust, pollen, and debris can accumulate on a parked car, leading to a dull appearance and potentially causing scratches when you wash it. A silver and black car cover acts as a shield, keeping dust off your vehicle and reducing the need for frequent cleaning. This is especially beneficial for those who park their cars outdoors or in dusty areas.

Weather Resistance: These covers are designed to withstand various weather conditions, including rain and snow. The silver layer is typically water-resistant, providing a barrier against moisture. This keeps rain, snow, and dew from directly contacting your vehicle's surface, reducing the risk of rust and corrosion. Additionally, these covers are often breathable, allowing moisture and condensation to escape, which helps prevent mold and mildew growth.

Scratch Prevention: The soft black underside of the cover is designed to be gentle on your car’s finish. This layer provides a cushion between the cover and the vehicle, preventing scratches caused by dirt particles or accidental bumps. This feature is especially useful for high-value or luxury cars where maintaining a pristine paint job is crucial.

Indoor and Outdoor Versatility: Silver and black car covers are versatile enough for both indoor and outdoor use. They’re easy to install and remove, making them convenient for daily use. Whether you need to protect your car from dust in the garage or harsh weather outside, these covers offer a flexible solution that fits various scenarios.

Added Security: Many silver and black car covers come with attachment features that help secure the cover, making it harder to remove or tamper with. This can be a small but effective deterrent to theft, as it adds an extra step for anyone attempting to access your vehicle.

Choosing the Right Size and Fit

When selecting a silver and black car cover, it’s important to choose the correct size. These covers are available in various sizes to fit different types of vehicles, including sedans, SUVs, and trucks. A well-fitting cover provides maximum protection and ensures that all sides of the car are properly shielded.

Final Thoughts

Silver and black car covers are an ideal choice for those who want to keep their vehicle in top condition while adding a touch of style. With their UV protection, water resistance, and scratch-prevention features, these covers provide reliable protection and peace of mind. Whether you park your car indoors or outdoors, choosing silver and black car cover is a smart investment that helps protect your vehicle and prolong its lifespan. To get more information, visit https://www.fabtec.co.in/product-category/car-body-covers/silver-black-car-body-covers/.

[mad4detailing]

Car Detailing Products You Didn’t Know Your Vehicle Needed.

Your car is more than just a mode of transportation—it’s an investment, a reflection of your personality, and sometimes even your second home. While regular cleaning and maintenance are essential, there are some hidden gems in the world of car detailing products that can truly transform the way your vehicle looks and feels. Let’s dive into the must-have products that you probably didn’t know your car needed!

1. Clay Bars: The Secret to a Silky-Smooth Finish

Think your car's paint is clean after a wash? Think again. Microscopic contaminants like industrial fallout, tree sap, and road tar cling stubbornly to the surface. A clay bar removes these impurities, leaving your car’s paint ultra-smooth and ready for waxing. It’s like giving your car a facial!

2. Iron Fallout Removers: For That Deep Clean You Can’t See

Did you know tiny metal particles can embed themselves in your car's paint and wheels? These particles cause rust spots over time. Iron fallout removers dissolve these contaminants, protecting your car from hidden damage. It’s a game-changer for maintaining that showroom shine.

3. Ceramic Spray Coatings: Ultimate Protection in Minutes

Tired of waxing your car every few weeks? Ceramic spray coatings offer long-lasting protection against dirt, UV rays, and water spots. Unlike traditional wax, these sprays are easy to apply and provide a hydrophobic finish that makes water bead off effortlessly.

4. All-Purpose Cleaners: The Jack-of-All-Trades Product

From dashboards to door panels and even carpets, an all-purpose cleaner is your go-to for tackling grime and stains. It saves time and money by replacing multiple specialized products, while still delivering sparkling results.

5. Tire Dressing: Bring Back the Black

Dull tires can ruin the overall look of your car. A high-quality tire dressing not only restores the rich black color but also adds a protective layer to prevent cracking and fading. It’s like makeup for your tires—subtle but effective.

6. Microfiber Towels: More Than Just a Fancy Rag

Using an old t-shirt or a random cloth to clean your car? Stop right there. Microfiber towels are specifically designed to trap dirt and dust without scratching your car’s surfaces. Invest in a good set, and you’ll never go back to regular rags.

7. Leather Conditioners: Keep Your Seats Luxurious

If you have leather seats, a leather conditioner is a must. It prevents cracking, fading, and drying out, while keeping your seats soft and supple. Your car’s interior deserves just as much love as the exterior!

8. Glass Sealants: Clear Vision, Always

Ever struggle with rainwater smearing across your windshield? Glass sealants create a protective barrier that repels water, ensuring clear visibility during rainy drives. A bonus? It also makes cleaning bug splatters and dirt much easier.

9. Engine Bay Cleaners: Don’t Ignore What’s Under the Hood

Your engine bay might not be on display, but keeping it clean improves its longevity and efficiency. Engine bay cleaners help remove grease and grime without damaging sensitive components. It’s like a spa day for your car’s heart.

10. Odor Neutralizers: A Breath of Fresh Air

Air fresheners mask odors, but odor neutralizers eliminate them at the source. From spilled coffee to gym bag smells, these products ensure your car’s cabin always smells fresh and inviting.

Conclusion

Your car works hard to keep up with your lifestyle—why not treat it to the best care possible? These underrated car detailing products not only enhance your vehicle’s appearance but also extend its life. Whether you're a car enthusiast or just someone who wants their ride looking its best, adding these products to your arsenal will make a world of difference.

[superiorexotic24]

Common Car Paint Problems in Miami and How a Paint and Body Shop Can Fix Them

Living in Miami means your car is exposed to unique environmental factors that can lead to various paint-related problems. The combination of hot sun, high humidity, salt air from the ocean, and frequent thunderstorms can be tough on your car’s exterior. As a result, common paint issues such as fading, chipping, oxidation, and rust are more likely to occur. Fortunately, a reputable paint and body shop like Superior Exotics Color & Paint can help address these issues and restore your car’s appearance. In this article, we’ll explore the most common car paint problems in Miami and how a professional paint and body shop can fix them.

1. Fading and Sun Damage

Miami’s intense sun can be brutal on your Car Painting Miami, causing it to fade over time. UV rays can break down the molecular structure of the paint, leading to a dull, lifeless finish. The exterior may start to lose its vibrant color, especially on darker shades like black, blue, and red.

How a Paint and Body Shop Can Fix It:

A professional paint and body shop can restore your car’s shine by reapplying a fresh coat of paint. For minor fading, polishing and buffing techniques may be sufficient to bring back some of the original luster. For more severe fading, a complete repaint with high-quality UV-protective paint can restore the car to its former glory. A clear coat with UV protection is also often applied to prevent further sun damage.

2. Oxidation

Oxidation occurs when the paint’s protective clear coat breaks down over time, causing the surface to appear chalky, dull, and rough. It is often seen in cars that have been exposed to the sun and harsh environmental conditions, like the ones in Miami. The breakdown of the clear coat exposes the base paint layer to the elements, causing oxidation.

How a Paint and Body Shop Can Fix It:

To correct oxidation, a professional polishing and buffing process is often necessary to remove the top layer of oxidized paint and restore the original surface. If the oxidation is extensive, the clear coat may need to be entirely stripped off, followed by a reapplication of a fresh coat of paint and clear coat to protect the new layer. A paint and body shop can provide expert restoration to eliminate the chalky finish and restore your car’s smooth, glossy look.

3. Chips and Scratches

Whether from road debris, parking lot incidents, or careless handling, chips and scratches are a common problem for car owners in Miami. The sand and salt from the beach, along with the congestion of urban driving, can leave your car’s paint vulnerable to nicks and scratches. These imperfections not only detract from the car’s appearance but can also lead to further damage if left untreated, as water and dirt can penetrate the exposed areas.

How a Paint and Body Shop Can Fix It:

For small chips and scratches, a touch-up paint service can be performed, where the damaged area is carefully filled in with color-matching paint. If the damage is more extensive, a professional repair may involve sanding down the affected area, priming, and repainting to seamlessly blend the repair with the original paint. The area is then finished with a fresh clear coat to ensure a smooth, glossy surface that protects against future damage.

4. Rust

Miami’s salty air from the ocean, combined with high humidity, makes rust a common problem for cars in the area. Rust typically forms on areas of the car that are exposed to the elements, such as the wheel wells, undercarriage, and lower body panels. Once rust starts to form, it can spread rapidly, causing significant damage to the body of the car.

How a Paint and Body Shop Can Fix It:

Dealing with rust requires immediate attention to prevent further damage. A paint and body shop will begin by removing the rust through sanding or media blasting, depending on the severity. After removing the rust, they will repair the affected areas by filling in holes with body filler and then smoothing the surface. Once the surface is smooth, a new coat of paint and protective clear coat is applied to prevent the rust from returning. In more severe cases, metal panels may need to be replaced before painting to ensure a proper repair.

5. Swirl Marks and Scratches from Improper Washing

Swirl marks and light scratches are often the result of improper washing or drying techniques, such as using abrasive towels or cleaning products that aren’t suitable for car paint. These marks are especially noticeable on darker-colored cars, where they can create an unsightly haze or pattern on the surface.

How a Paint and Body Shop Can Fix It:

A Car Painting Miami shop can repair swirl marks by performing a multi-stage polishing process to remove the fine scratches and restore the smoothness of the paint. In some cases, a clear coat correction may be required to ensure the surface is completely smooth. By using high-quality tools and techniques, the shop can restore your car’s surface to a glossy, flawless finish.

6. Water Spots and Mineral Stains

In Miami, the frequent rain showers, combined with high humidity, can lead to the formation of water spots on your car’s paint. These spots are caused when water droplets dry on the surface and leave mineral deposits behind. Over time, these mineral deposits can etch into the paint, leaving permanent marks.

How a Paint and Body Shop Can Fix It:

A paint and body shop can remove water spots using a special detailing process that involves polishing the surface to break down the mineral deposits. In more severe cases, the area may need to be wet-sanded and repainted to remove the stains. To prevent future water spots, a protective coating, such as ceramic coating or wax, is often recommended to create a hydrophobic layer that repels water.

7. Peeling Paint

Peeling paint is a common issue, especially if the car has been subjected to extreme weather conditions or if the original paint job wasn’t applied properly. The paint may begin to peel away from the surface, creating an uneven and unattractive finish. Miami’s heat and humidity can exacerbate this problem, particularly if the paint wasn’t properly sealed with a protective clear coat.

How a Paint and Body Shop Can Fix It:

To fix peeling paint, a professional paint and body shop will need to strip the affected areas, smooth the surface, and then reapply fresh paint. The process often includes sanding the area to remove the loose paint, priming the surface, and applying a new layer of paint followed by a clear coat for protection. This process ensures the paint bonds properly with the surface and provides long-lasting protection against further peeling.

8. Dull or Faded Finish from Environmental Contaminants

In addition to sun damage, Miami’s environment is full of pollutants, such as tree sap, bird droppings, and road tar, which can all cause the car’s paint to look dull over time. These contaminants can damage the paint’s finish if not properly cleaned off and protected.

How a Paint and Body Shop Can Fix It:

A paint and body shop can restore your car’s finish by deep cleaning and polishing the surface to remove environmental contaminants. For stubborn contaminants, a clay bar treatment may be used to lift the dirt without damaging the Car Painting Miami. After cleaning and polishing, a protective layer of wax or ceramic coating can be applied to prevent future contamination and keep your paint looking fresh.

Conclusion

Miami’s hot and humid climate, combined with exposure to the ocean breeze and frequent storms, can cause a variety of paint issues for your vehicle. Whether it’s fading, oxidation, chips, or rust, a professional paint and body shop like Superior Exotics Color & Paint can help address these common problems and restore your car’s appearance. By using expert techniques and high-quality materials, a paint and body shop can fix any paint issue, ensuring your car looks great and is protected from further damage. Regular maintenance, such as waxing, polishing, and applying protective coatings, can also help keep your car’s paint in top condition, even in Miami’s challenging environment. If you’re facing any of these common paint problems, don’t hesitate to contact Superior Exotics Color & Paint to schedule a consultation and get your car looking as good as new.

[alfredofernandez0032]

A Guide to Choosing the Right Aluminum Fence for Your Miami Home

When it comes to fencing options for Miami homeowners, aluminum fences are an excellent choice, offering a blend of security, aesthetics, and durability. Unlike wood or chain link fences, an aluminum fence is low-maintenance and versatile, ideal for the city’s humid, coastal climate. This guide will walk you through the essential factors to consider when selecting the perfect aluminum fence Miami solution for your property.

1. Why Choose an Aluminum Fence?

Aluminum fences have become popular for a variety of reasons, especially in coastal cities like Miami. First, they resist corrosion and rust, which is crucial given the salty air. Aluminum is also incredibly durable and can withstand high winds, making it ideal for Miami’s occasional tropical storms. Beyond practicality, an aluminum fence adds a modern, clean look to your property, increasing curb appeal while providing a strong boundary.

2. Selecting the Right Style

Aluminum fencing comes in various styles, from flat-top to spear-top and everything in between. Each design has a distinct look and purpose:

Flat-Top Styles: For a modern, streamlined look, flat-top aluminum fences offer clean lines and unobstructed views, which work well with contemporary home designs.

Spear-Top Designs: If security is your primary concern, spear-top styles deter potential intruders while adding an elegant touch.

3. Choose the Right Height

Choosing the right height for your aluminum fence will depend on its intended use. For purely decorative purposes or boundary delineation, a shorter fence (3 to 4 feet) may suffice. However, for privacy or security, you may want a taller fence (5 to 6 feet) to prevent easy access.

4. Decide on Coating and Color

One of the great benefits of aluminum fencing is the variety of colors and finishes available. Standard colors include black, bronze, white, and green, allowing you to choose one that complements your home’s exterior. Powder-coated finishes not only enhance the fence’s appearance but also improve its resistance to weathering and fading.

5. Installation and Maintenance Tips

A key advantage of aluminum fence Miami solutions is their low-maintenance nature. Unlike wood, which may require frequent painting or sealing, aluminum fences only need occasional cleaning with soap and water. Additionally, if installed correctly by professionals, aluminum fences can withstand years of weather exposure without significant wear and tear.

6. Enhancing Security with Aluminum Fencing

If security is a primary reason for choosing a fence, aluminum is an ideal choice due to its strength. You can add locking mechanisms or automatic gates for added convenience and security. Since aluminum is not easily climbable and is resistant to bending or breaking, it provides a reliable security barrier for your property.

7. Working with Professionals

Installing an aluminum fence requires precision to ensure stability and longevity. Hiring a professional fencing company ensures that your fence is installed to withstand Miami’s weather while meeting your design and security needs. They can help you navigate any local regulations or permits that may be required.

[repelprotect]

6 Common Household Pests in Nairobi That Could Be Living in Your Home

Living in Nairobi's vibrant environment comes with its unique challenges, and household pests are one of them. Many homeowners might be surprised to learn that their homes could be harboring unwanted guests. Understanding these common pests is the first step toward maintaining a healthy, pest-free home. Here are six prevalent household pests you should know about:

1.       German Cockroaches These resilient insects are perhaps the most common household pests in Nairobi homes. Unlike their larger cousins, German cockroaches are smaller but reproduce much faster. They particularly love warm, humid environments like kitchens and bathrooms. Look out for:

·         Small, light brown to tan insects about 1.5 cm long

·         Creatures scurrying away when you turn on lights

·         Dark droppings that resemble coffee grounds

·         A musty odor in kitchen cabinets or behind appliances

Pest Control in Nairobi

House Rats and Mice Nairobi's urban environment provides perfect conditions for rodents to thrive. These pests are not just a nuisance; they can cause significant damage to your property and pose serious health risks. Watch for:

·         Scratching sounds in walls or ceilings, especially at night

·         Small, dark droppings in corners or along walls

·         Gnaw marks on food packages or wooden structures

·         Greasy marks along walls and floorboards where they frequently travel

Bedbugs With increased global travel and second-hand furniture trade, bedbugs have become increasingly common in Nairobi homes. These nocturnal feeders can be particularly distressing because they feed on human blood. Signs include:

·         Small, itchy red bites, often in a line or cluster

·         Tiny blood stains on bedsheets

·         Dark spots on mattresses or furniture (bedbug droppings)

·         Small, rust-colored insects in mattress seams or furniture joints

Sugar Ants These tiny invaders are attracted to sweet and sticky substances in your kitchen. While they don't pose direct health risks, they can contaminate food and become a persistent nuisance. Look for:

·         Trails of tiny black or brown ants in your kitchen

·         Ants around food storage areas or spills

·         Small ant nests in wall voids or under kitchen cabinets

·         Increased ant activity during warm weather

Pest Control in Nairobi

Termites Nairobi's climate creates perfect conditions for termite colonies to thrive. These silent destroyers can cause extensive structural damage before being detected. Watch out for:

Mud tubes on exterior walls

Hollow-sounding wooden structures

Damaged or bubbling paint

Discarded wings near windows or doors

Visible wood damage with a honeycomb pattern

House Flies While common, house flies are more than just an annoyance. They can spread numerous diseases by contaminating food and surfaces. Be aware of:

Increased fly activity around garbage areas

Clusters of flies near windows

Small, dark spots where flies rest (fly specks)

Maggots in organic waste or garbage

Prevention Tips:

Maintaining a pest-free home requires ongoing vigilance and proper preventive measures:

Seal entry points around your home, including small cracks and gaps

Keep your kitchen clean and store food in airtight containers

Fix water leaks promptly to reduce moisture that attracts pests

Regular cleaning and decluttering to eliminate hiding spots

Proper garbage management and disposal

Regular inspection of second-hand furniture before bringing it home

When to Seek Professional Help:

While some minor pest issues can be handled with DIY methods, certain signs indicate it's time to call professionals:

Persistent pest problems despite preventive measures

Signs of multiple pest types

Structural damage

Health concerns for family members

Large infestations

Pest Control in Nairobi

Understanding these common household pests is crucial for every Nairobi homeowner. Early detection and professional intervention can prevent these unwanted guests from becoming a serious problem. Regular inspection of your home and maintaining good hygiene practices are your first line of defense against these common pests.

Remember, seeing one or two pests usually indicates a larger population hiding within your home. If you notice any of these signs, it's essential to act promptly to protect your home and family's well-being.

Contact Repel Pest Management for a thorough inspection and effective, safe pest control solutions tailored to your Nairobi home.

[trywonderx]

What are the painting methods to prevent iron from rusting? - Trywonderx

At Trywonderx, we specialize in providing painting methods to prevent iron from rusting. We have extensive knowledge and experience when it comes to the Painting Iron to Prevent Rusting and the prevention of rusting over time. Our products and services are always of the highest quality and our commitment to providing a lasting solution to iron rust is something that has made us an industry leader. We are proud of the service we provide and guarantee the best results for our customers every time.

One of the most common methods to prevent iron from rusting is to apply a coating of paint. The paint creates a physical barrier between the iron and the surrounding air and moisture, preventing the iron from coming into contact with oxygen and water, which are necessary for the rusting process to occur.

There are different types of paint that can be used for this purpose, such as oil-based paints, epoxy paints, and zinc-rich paints. Each type has its advantages and disadvantages, and the choice will depend on the specific needs of the application.

Other Painting Iron to Prevent Rusting  methods that can help prevent rusting include using a primer before applying the paint, as this can provide additional protection against moisture. Additionally, regular maintenance and touch-ups to the paint coating can help ensure its longevity and effectiveness in preventing rust.

It's worth noting that while Painting Iron to Prevent Rusting  is an effective method for preventing rust, it's not always a permanent solution. Over time, paint coatings can wear down or become damaged, which can allow moisture and oxygen to reach the iron and lead to rusting. Therefore, it's important to monitor the condition of painted surfaces and perform maintenance as necessary to ensure their continued protection.

How to apply: Technique tips and tricks

Applying paint to prevent rust requires careful preparation and application techniques to ensure the coating is effective and long-lasting. Here are some tips and tricks for applying paint to prevent rust:

Surface preparation: Before applying any paint, it's important to prepare the surface by removing any existing rust, dirt, oil, or other contaminants that may prevent the paint from adhering properly. This can be done using a wire brush, sandpaper, or a chemical rust remover. Once the surface is clean, dry, and free of debris, it's ready for painting.

Choose the right paint: There are different types of paint available for preventing rust, and it's important to choose the right one for the specific application. Oil-based paints are commonly used for outdoor surfaces, while epoxy and zinc-rich paints are often used in harsher environments or for industrial applications. Consult with a paint supplier or expert if you're unsure which type of paint is best for your needs.

Apply a primer: Applying a primer before the paint can help improve the adhesion and longevity of the paint coating. The primer can also provide additional protection against moisture and rust. Choose a primer that's compatible with the paint you're using and apply it according to the manufacturer's instructions.

Apply the paint: When applying the paint, use a brush, roller, or spray gun, depending on the size and shape of the surface. Apply thin, even coats, and allow each coat to dry completely before applying the next. This will help ensure that the paint coating is uniform and provides complete coverage.

Touch-ups and maintenance: Even with the best preparation and application techniques, paint coatings can become damaged over time. Regular maintenance and touch-ups can help prolong the life of the paint and prevent rust from forming. Keep an eye out for any areas where the paint has chipped or worn away and apply a fresh coat of paint as necessary.

By following these tips and tricks, you can help ensure that your painted surfaces remain rust-free and protected for years to come.

Conclusion:

In conclusion,we would like to remind readers that proper Painting Iron to Prevent Rusting  methods can help prevent rust and keep your iron looking its best. Contact Trywonderx today to learn more about our painting services!

Contact - info@trywonderx.com

Phone Number: 020 - 2606 1530Location: Suprabha Corporate House, 373, Somwar Peth, Pune - 411 001, India

[nsdetailandwrap]

How to Prepare Your Vehicle for a Detail and Wrap Service

Professional wraps transform vehicles into one-of-a-kind works of art. They can include carbon fiber, matte black, chrome, brushed metal, camouflage or other designs to reflect your personal style or promote your business.

Before wrapping, technicians thoroughly wash and inspect the vehicle. Any scratches, dents, rust or damage must be repaired before the detail and wrap service is applied.

Paint Preparation

Painting can provide a great look to any vehicle, and is ideal for those looking for long-term aesthetics. However, paint jobs take a lot of time for surface preparation and dry time. This can leave the vehicle in the shop for a week or more.

In comparison, a wrap can be applied in about a day or two. This is because the first step of a wrap involves cleaning and examining the vehicle for any existing damage or rust that could hinder the application process.

This is a crucial part of any painting job, and must be taken seriously to ensure the results are superior. This includes washing, sanding, and fixing any damaged surfaces before applying primer. This process establishes the foundation of the paint, promoting improved adhesion throughout and durability. A poorly prepared surface will not only cause premature peeling, but may result in a mediocre finish overall. This is why it is important to choose a qualified professional for the job.

Vinyl Preparation

The surface where you’ll be applying the vinyl needs to be thoroughly cleaned and dry. Start by washing it with mild soap and water. Rinse it well and allow it to completely dry before scheduling your vinyl installation. You should also make sure that the area is free of debris and that any loose items have been tied or secured. Once the surface is clean, wipe it down with a cloth soaked in isopropyl alcohol. Let the alcohol evaporate completely before continuing. This step is especially helpful on textured surfaces and can help the vinyl adhere better. It will also reduce the risk of bubbles after application.

Sealant Preparation

Sealants are a great option for those looking for a higher-gloss finish with added durability. They are also easy to apply for any level detailer, as compared to waxes that require much more skill.

Surface preparation is an essential step for any sealant application. It's important to ensure that the surfaces are clean and free of contaminants that may inhibit adhesion. Dirt, dust, adsorbent oil, cement slurry and rust are common contaminants found in building joints and must be removed thoroughly.

Using the right tools to remove these contaminants is important. Avoid abrasive brushes or sponges as they can scratch the vehicle's finish, causing damage that can lead to premature failure. It's also critical to blot the wrapped surfaces instead of rubbing them, as this creates friction and can cause the wrap to lift. Once the surface is clean, it should be allowed to air dry in a shaded area. This prevents water spots and heat damage to the wrap.

Installation

The wrapping process is intricate and varies from vehicle to vehicle. Technicians use heat guns and squeegees to ensure a smooth finish. Some installers apply primer or sealants to enhance adhesion on challenging surfaces. -Surface Preparation: Vehicles must be impeccably clean to ensure proper wrap adhesion. Washes should be gentle with a top-down approach to avoid lifting edges or damaging paint beneath the wrap.

-Even the smallest of mistakes can detract from a wrap's appearance and durability. Attention to detail is vital, including removing air bubbles, wrinkling, misaligned panels, and seams that are not perfectly aligned.

When choosing a wrap shop, consider its reputation and experience. Look for reviews and ratings on Yelp, Google, Facebook, and other social media sites. Check out a wrap shop's portfolio of past work to assess the quality of its workmanship. Ask a potential wrap installer about their experience with different products and application techniques. The more knowledgeable a wrap technician is, the better the outcome of your project.

[kmbtpvtltd]

Supplier of Puddle Flanges in Jharkhand

Keshar Bhawani Metal & Tubes Pvt Ltd is a Manufacturer, Stockiest, and Supplier of Puddle Flanges in Jharkhand, India.

Our Manufacturing Unit is in Ahmedabad, Gujarat, India.

“Puddle Flanges” is a specific type of plumbing or construction component used to create a watertight seal where pipes or conduits pass through walls, floors, or other structures.

So, a puddle flange is designed to prevent leaks and ensure a secure seal around these penetrations to keep out moisture and maintain structural integrity.

Features:

High-Grade Materials: Made from premium-grade materials such as stainless steel, carbon steel, and specialized plastics that offer superior resistance to water and chemical exposure. Precision Engineering: Engineered to exacting standards to ensure a perfect fit around pipes and conduits, providing a secure seal. Corrosion Resistance: Coated or treated to resist corrosion, ensuring long-term performance in harsh environments. Ease of Installation: Designed for straightforward installation with minimal tools required, reducing labor time and costs.

Specification:

Size Chart: 1/2 inch to 48 Inch Pressure Calculation in DIN: 6, 10, 16, 25, 40 Bar / PN6 PN10 PN16 PN25 PN40, PN64 Pressure Rating ANSI: Class 150, 300, 600, 900, 1500, 2500 LBS UNI Standards: 6, 10, 16, 25, 40 Bar JIS Standards: 5, 10, 16 20, 30, 40, 63 K Coating: Zinc Plated, Oil Black Paint, Anti-rust Paint, Yellow Transparent, Cold and Hot Dip Galvanized EN Standards: 6, 10, 16, 25, 40 Bar Most common types of: Threaded, Forged, Screwed, Plate Connect Type/ Flange Face Type: Flat Face, Raised Face, Large Tongue & Groove, and Ring Type Joint, Large Male-Female, Lap-Joint Face, Small Male-Female, Small Tongue, Groove

Applications:

Tanks Floors Manholes & shafts Walls Pools Plumbing & Gas Injection

Keshar Bhawani Metal & Tubes Pvt Ltd is a Supplier of Puddle Flanges in Jharkhand, India including locations Ranchi, Bokaro, Jamshedpur, Dhanbad, Giridih, Hazaribagh, Ramgarh, Hazaribagh, Chirkunda, Mango, Chaibasa, Koderma, Sahibganj, Jhumri Telaiya, Jamtara, Dumka, Gumia, Madhupur, Phusro, and Chakradharpur.

Feel free to contact us for more information and inquiries.

View Product: Click Here

[longlistshort]

"Marilyn Moore, UAW Local 1112, Women’s Committee and Retiree Executive Board, with her General Motors company retirement gold ring on her index finger, (Youngstown Sheet & Tube Co., Lear Seating Corp., 32 years in at GM Lordstown Complex, assembly plant, van plant, metal fab, trim shop), Youngstown, OH, 2019" from “The Last Cruze” 2019

"Frances Turnage, UAW Local 1112, Women’s Committee, holding her 10, 15, and 20 years of service General Motors company anniversary gold bracelets in her dining room, (34 years in at GM Lordstown Complex, paint shop) Youngstown, OH, 2019"  from “The Last Cruze” 2019

LaToya Ruby Frazier: Monuments of Solidarity, currently on view at MoMA, presents several of the photographer’s bodies of work. Documenting her family, her town, and the hardworking people of several communities- she is telling the important stories of people whose lives are often overlooked.

From the museum about the exhibition-

“For this reason, it is incumbent upon me to resist—one photograph at a time, one photo essay at a time, one body of work at a time, one book at a time, one workers’ monument at a time—historical erasure and historical amnesia,” says artist-activist LaToya Ruby Frazier. Born in 1982 in the steel manufacturing town of Braddock, Pennsylvania, Frazier has used photography, text, moving images, and performance to revive and preserve forgotten stories of labor, gender, and race in the postindustrial era. LaToya Ruby Frazier: Monuments of Solidarity surveys the full range of the artist’s practice, highlighting her role as a social advocate and connector of the cultural and working classes in the 21st century.

For this exhibition, Frazier has reimagined her diverse bodies of work as a sequence of original installations that she calls “monuments for workers’ thoughts,” which address the harmful effects of industrialization and deindustrialization, the healthcare inequities facing Black working-class communities in the Rust Belt, the ongoing water crisis in Flint, Michigan, and the impact of the closure of a General Motors plant in Lordstown, Ohio. Monuments of Solidarity celebrates the expressions of creativity, mutual support, and intergenerational collaboration that persist in light of these denials of fundamental labor, human, and civil rights. As a form of Black feminist world-building, these nontraditional “monuments” demand recognition of the crucial role that women and people of color have played and continue to play in histories of labor and the working class.

About The Last Cruze (pictured above) from the museum-

“A monument to the working-class people in this country,” as Frazier has characterized it, The Last Cruze was created in solidarity with the United Auto Workers Locals 1112 and 1714 in Lordstown, Ohio. In 2018 General Motors decided to cease North American production of the Chevrolet Cruze, leading to the “unallocation” and shuttering of the Lordstown assembly plant. Collaborating with Locals 1112 and 1714 members, Frazier made photographs that documented union-led efforts to prevent the closure.

Here more than sixty portraits of white, Black, and Latinx workers as well as images of factory labor are paired with printed excerpts from interviews Frazier conducted. These photographs and texts are displayed on a massive cadmium-red structure that resembles both an assembly line and cathedral buttressing. Framed by walls painted in two blue hues to match General Motors’ logo colors, a film featuring photographs by autoworker and photographer Kasey King follows the very last Cruze coming off the assembly line and the employees whose livelihoods depended on the plant.

“Self-Portrait with Shea and Her Daughter Zion in the Bedroom Mirror, Newton, Mississippi”, from the series “Flint Is Family, Part II”. 2017

“John Frazier, LaToya Ruby Frazier, and Andrew Carnegie”, 2010

This exhibition closes 9/7/24.

[rimsandcaliper]

Caliper Painting Service: Enhance Your Vehicle's Aesthetic and Performance

When it comes to customizing your vehicle, there are countless ways to make it stand out. One of the most effective yet often overlooked methods is caliper painting. Not only does this service add a pop of color to your wheels, but it also helps protect the calipers from rust and corrosion. In this comprehensive guide, we'll delve into what caliper painting is, its benefits, and what you can expect from a professional caliper painting service.

What is Caliper Painting?

Caliper painting is the process of applying a specialized high-temperature paint to the brake calipers of your vehicle. The brake calipers are the components that house your car's brake pads and pistons. Over time, they can become dirty, corroded, or simply dull in appearance. By painting the calipers, you can refresh their look and give your vehicle a more customized, sporty appearance.

Benefits of Caliper Painting

1. Aesthetic Appeal

Caliper painting significantly enhances the visual appeal of your vehicle. Whether you choose a bold red, a sleek black, or a custom color that matches your car's paint, painted calipers make your wheels pop. It's a small detail that can have a big impact on your vehicle's overall look.

2. Rust and Corrosion Protection

Calipers are exposed to harsh conditions, including dirt, moisture, and road salt. Over time, this can lead to rust and corrosion, which can compromise the performance of your braking system. High-quality caliper paint creates a protective barrier against these elements, prolonging the life of your calipers.

3. Increased Resale Value

Customizations like caliper painting can increase your vehicle's resale value. A well-maintained, aesthetically pleasing vehicle is more likely to attract buyers, and painted calipers are an indicator of a car enthusiast who takes pride in their vehicle's upkeep.

4. Heat Resistance

The paint used in caliper painting services is specifically designed to withstand the high temperatures generated by braking. This ensures that the paint won't peel, fade, or chip over time, even under intense driving conditions.

5. Personalization

Caliper painting allows for endless personalization options. You can choose from a wide range of colors, finishes, and even add logos or designs to your calipers. This makes your vehicle uniquely yours and can complement other customizations you may have done.

What to Expect from a Professional Caliper Painting Service

Consultation and Color Selection

The first step in a caliper painting service is a consultation where you'll discuss your color options with a technician. You'll have the opportunity to choose from a variety of colors and finishes, including glossy, matte, metallic, and more. The technician can also offer recommendations based on your vehicle's color and style.

Preparation

Proper preparation is crucial for achieving a flawless finish. The technician will thoroughly clean the calipers to remove dirt, grease, and rust. In some cases, the calipers may need to be sanded or primed to ensure the paint adheres correctly. The surrounding areas, such as the brake discs and pads, will be masked off to prevent any overspray.

Painting Process

Once the calipers are prepped, the painting process begins. Most services use multiple coats of paint to ensure even coverage and durability. The paint is applied using high-quality spray equipment, which allows for a smooth, professional finish. After the base coat is applied, a clear coat is added for extra protection and a glossy finish.

Curing

After the painting is complete, the calipers need to cure. This can involve baking the calipers at a specific temperature to ensure the paint hardens properly. The curing process is essential for the paint's longevity and resistance to heat and wear.

Reassembly and Inspection

Once the calipers have cured, they are reassembled and reinstalled on the vehicle. The technician will perform a thorough inspection to ensure that the paint is flawless and that the calipers are functioning correctly. Any necessary touch-ups will be done at this stage.

Final Touches

Before handing the vehicle back to you, the technician will clean the wheels and perform a final inspection. You'll be given care instructions to ensure your newly painted calipers stay looking fresh for years to come.

Frequently Asked Questions (FAQs)

1. How long does the caliper painting process take?

The process typically takes between 4 to 6 hours, depending on the complexity of the job and the curing time required. Some services may offer same-day completion, while others might require you to leave your vehicle overnight.

2. How long does caliper paint last?

When done professionally, caliper paint can last for several years. The durability of the paint depends on the quality of the materials used, the preparation process, and how well you maintain your vehicle.

3. Can I choose any color for my calipers?

Yes, you can choose from a wide range of colors. Many services offer custom color matching, so you can get a shade that perfectly complements your vehicle's paint.

4. Is caliper painting safe for my vehicle?

Yes, caliper painting is safe when performed by a professional. The paint used is specifically formulated for high temperatures and will not affect the performance of your braking system.

5. Can I paint my calipers myself?

While it's possible to paint your calipers yourself, it's not recommended unless you have experience with automotive painting. Proper preparation and application are crucial for achieving a durable, professional-looking finish.

6. Will caliper paint chip or fade over time?

High-quality caliper paint is designed to resist chipping and fading. However, like any paint, it can wear down over time, especially if exposed to harsh conditions. Regular cleaning and maintenance can help prolong the life of your caliper paint.

7. How should I care for my painted calipers?

To maintain the appearance of your painted calipers, avoid using harsh chemicals or abrasive cleaning tools on them. Wash your wheels regularly with mild soap and water, and avoid driving through deep water or mud whenever possible.

Conclusion

Caliper painting is a simple yet effective way to enhance your vehicle's appearance and protect your brake components. With professional service, you can achieve a flawless, long-lasting finish that reflects your personal style. Whether you're looking to add a subtle touch of color or make a bold statement, caliper painting is a customization option that delivers both aesthetic appeal and practical benefits.