#Big John´s Rock N´Roll Circus

[you-just-said-that]

Big John´s Rock N´Roll Circus - Lady (Put the Light on Me) 1974

노엘 콘서트 때, 노엘 기다리면서 흘러나왔던 노래들 가운데 하나. 노엘 콘서트 때 등장 전에 노래 흘러나오는 거, 선곡 진짜 누가 하냐. 노엘인가? 아주 칭찬해. SHAZAM 어플로 그때 마음에 들어 찾아놓고 잊고 있었네.

[steamworksandshadows]

Extremely Large Pile of Halloween Music Recs, 2020 Update!

(Reorganized a bit, and with a whole bunch more songs.)

Classical

Come Little Children - Erutan (ethereal classical)

Transylvanian Lullaby - Erutan (ethereal classical)

Transylvanian Lullaby - City of Prague Philharmonic Orchestra (orchestral classical)

A History of Horror (album) - City of Prague Philharmonic Orchestra 

Double Trouble - City of Prague Philharmonic Orchestra (classical)

Carnival of the Animals: Aquarium - Camille Saint-Saens (eerie classical)

Danse Macabre - Camille Saint Saens (dark classical ballet)

Uranus, the Magician - Gustav Holst (orchestral classical)

The Sorcerer’s Apprentice - Paul Dukas (orchestral classical)

Night on Bald Mountain - Modest Mussorgsky (orchestral classical about witches)

In the Hall of the Mountain King - Edvard Grieg (classical)

Dies Irae - Mozart (threatening choral/orchestral classical)

Don Giovanni, a cenar teco - Mozart (growly baritone/bass opera - the bit where Don Giovanni gets dragged to hell, both in the supernatural religious sense and in the modern internet slang sense)

Toccata and Fugue in D Minor - Bach (classical pipe organ)

String Quartet No. 8 in C Minor (III) - Shostakovich (classical string quartet)

Dance of the Knights - Sergei Prokofiev (classical)

Flowering Vines - Unwoman (ominous cello waltz)

The Carny of Mr Dark - Deathwatch Beetle Repairman (goth pipe organ)

Castlevania organ medley - Ulla Olsson (pipe organ)

This Is Halloween - Vitamin String Quartet (classical string quartet)

Vitamin String Quartet Performs The Nightmare Before Christmas (album)

The Vampire Masquerade - Peter Gundry (classical)

Waltz of the Bone King - Peter Gundry (classical)

Masquerade Suite: Waltz - Aram Khatchaturian (dark classical waltz)

The Comedians, Op. 26: Waltz - Kabalevsky (uneasy classical waltz)

Grim Grinning Ghosts - Myuu (instrumental piano)

Rock, alternative, rockabilly

Haunted - Ashcan Orchid (folk rock)

The Last Steampunk Waltz - Ghostfire (rock waltz)

Bad Moon Rising - Rasputina (cello metal)

In the Hall of the Mountain King - Apocalyptica (metal cello)

Get Your Kicks on Route 666 - Exdevils (metal)

Shoot The Zombies - Andrew Huang / Songs To Wear Pants To (sing-along folk)

Something Wicked That Way Went - Vernian Process (circus rock)

Dark Carnivale - Frenchy and the Punk (indie rock)

Come Alive (War Of The Roses) - Janelle Monae (rock)

Gallows - Coco Rosie (goth indie/alternative)

My Favorite Things - Youn Sun Nah (creepy vocal)

Annabel Lee - Psyche Corporation (electronic alternative)

The Devil Wears a Suit - Kate Miller-Heidke (alternative)

Toxic - Yael Naim (neo-folk)

Crazy For You - Venus de Vilo (indie rock)

Witchy Woman - The Eagles (classic rock)

Goodnight Moon - Shivaree (alternative)

Bela Lugosi’s Dead - Nouvelle Vague (alternative)

Bloodletting (The Vampire Song) - Concrete Blonde (alternative)

Tombstone - Suzanne Vega (alternative)

Off With Your Head - Mz Ann Thropik (alternative)

Poison Apple - Charlene Kaye (rock)

This Is The Night - Harry Potter soundtrack (rock)

Look Out Young Son - Grand Ole Party (rock)

Painkiller - Birdeatsbaby (rock)

Haunted - Frantic Flintstones (rockabilly)

Freaked Out and Psyched Out - Frantic Flintstones (album)

Zombie Riot - Batmobile (rockabilly)

Alice in psycholand - Nekromantix (rockabilly)

She’s My Witch - The Radiacs (rockabilly)

Werewolf - Southern Culture on the Skids (rockabilly)

Human Fly - The Cramps (rockabilly)

Munster Beat! - Martinibomb and The Coconut Monkeyrocket (‘60s pop remix?)

Circus punk, dark cabaret

Charmed, I’m Sure - Circus Contraption (dark circus cabaret)

We’re All Mad - Circus Contraption (dark circus cabaret)

Pink Elephants on Parade - Circus Contraption (dark cabaret)

The Last Waltz - The Magnificent Seven (dark cabaret waltz)

Tango de la Muerte - The Magnificent Seven (rock tango)

Bloody Bones - Beats Antique (dark circus waltz)

Monster Tango - Mucca Pazza (circus punk marching band)

Rumanian Dance No. 1 - Mucca Pazza (circus punk marching band)

Mr. Spider Goes Home to Spiderland - Mucca Pazza (circus punk marching band)

The Trouble - Birdeatsbaby (dark cabaret)

Theatre Noir - Robyn Cage (dark cabaret) (music video)

Jekyll and Hyde - Theoretics (hip-hop)

Lament for a Toy Factory - Dr. Steel (circus rock)

Bogeyman Boogie - Dr. Steel (circus rock)

Circus Apocalypse - Vermillion Lies (dark cabaret)

When You’re Evil - Voltaire (dark cabaret)

BRAINS! - Voltaire (dark cabaret)

Careless Whisper (cover) - Unwoman (electronic cabaret)

Katrinah Josephina - Universal Hall Pass (a capella)

Buried in Water - Dead Man’s Bones (dark waltz)

Metropolitan Waltz - Orpheum Bell (folk waltz)

The Buccaneers’ Waltz - GurdyBird (electronic folk?)

Black Waltz - Amber Asylum (electronic circus thing)

Creepy Clown Symphony - Myuu (self-explanatory)

Americana, bluegrass, blues, soul, funk

In Hell I’ll Be In Good Company - The Dead South (Americana)

Stranger - The Devil Makes Three (Americana)

First and Last Waltz - Nickel Creek (Americana)

Ghosts of Mississippi - The Steeldrivers (bluegrass)

7 Devils - The Goddamn Gallows (bluegrass, rock)

Old devils - William Elliot Whitmore (bluegrass)

Death Come Creeping - Stefan Grossman (bluegrass)

The Devil Wears a Suit and Tie - Colter Wall (Americana)

Shankill Butchers - Sarah Jarosz (Americana)

Hellhound - Shawn James (acoustic blues)

Voodoo Woman - Koko Taylor (blues)

Your Hoodoo Man - Studebaker John & The Hawks (blues)

Voodoo - The Neville Brothers (New Orleans soul)

Voodoo - Jo Jo Zep & The Falcons (soul, funk)

The Witch Queen of New Orleans - Redbone (funk)

I Put a Spell on You - Screamin’ Jay Hawkins (rock ‘n roll)

Jazz, swing

In the Hall of the Mountain King - Duke Ellington (jazz)

I Put a Spell on You - Nina Simone (slow jazz)

I Put a Spell on You - Morgan James (slow jazz)

Old Devil Moon - Frank Sinatra (jazz)

Black Magic Woman - Janice Hagan and Kenny Vehkavaara (jazz)

I’d Rather Be Burned As A Witch - Eartha Kitt (jazz)

Thriller (1930s Jazz Cover) ft. Wayne Brady - Postmodern Jukebox (swing) (alternate link)

The Devil With The Devil - Larry Clinton Orchestra (swing)

Swingin’ at the Seance - Glenn Miller (big band swing)

Spooks - Louis Armstrong (swing)

The Headless Horseman - Bing Crosby (swing)

Skeleton Jangle - Dan Levinson’s Roof Garden Jass Band (swing)

Resurrection Waltz - Lee Presson and the Nails (big band waltz)

Spooky - Puppini Sisters (Andrews Sisters-style swing)

Headless Horseman - Kay Starr (swing)

Hell (Remastered 2016) - Squirrel Nut Zippers (swing)

Ghost of Stephen Foster - Squirrel Nut Zippers (swing)

Memphis Exorcism (Remastered 2016) - Squirrel Nut Zippers (swing)

Boogie Man - Lee Presson and the Nails (swing)

Rattlin’ Bones - Preservation Hall Jazz Band (New Orleans swing)

Save My Soul - Big Bad Voodoo Daddy (New Orleans swing)

Skeletons in the Closet - Louis Armstrong (swing)

Skeletons in the Closet - The Moon-Rays (swing)

The Mack - Beat Circus (swing - doesn’t seem very Halloween at first, until the tuba player gets murdered in the middle of the song. I swear it makes sense.)

Balrog Boogie - Diablo Swing Orchestra (swing)

Voodoo Mon Amour - Diablo Swing Orchestra (swing)

The House Is Haunted - Casa Loma Orchestra (swing)

Skeleton Jangle - Viva La Rocca (swing)

Two Little Men in a Flying Saucer - Ella Fitzgerald (swing)

Grim Grinning Ghosts - The Dapper Dans (barbershop)

Grim Grinning Ghosts - The Dapper Dans (in person) (barbershop)

Halloween Medley - The Cadaver Dans (barbershop)

Pop

Full Moon Tonight - Silvastone feat. Bellsaint (pop)

Demons - Hayley Kiyoko (pop)

Season of the Witch - Lana del Rey (pop)

A Little Wicked - Valerie Broussard (pop)

Halloween - Aqua (pop)

Sweet Dreams (Are Made Of This) - violin/cello/bass cover - Simply Three (electronic pop)

Shoot The Zombies (Pink Fluffy Unicorns Remix) - Andrew Huang (happy pop)

I Put a Spell on You (no movie dialogue) - Winifred Sanderson (pop musical)

Electro-swing

Fear & Delight - The Correspondents (electro-swing)

Midnight - Caravan Palace (electro-swing) (alternate link)

Midnight - Swingrowers (different electro-swing)

Old House - Dirty Honkers (electro-swing)

Devil’s Samba - Sim Gretina (Latin-flavored electro-swing)

Devil’s Got My Soul - Victor and the Bully (rock/electro-swing)

Cuphead: Railroad Wrath (Electro-Swing Remix) - The Musical Ghost (electro-swing)

Cuphead: One Hell of a Time (Electro-Swing Remix) - The Musical Ghost (electro-swing)

Bendy and the Ink Machine: The Devil’s Swing - Fandroid (electro-swing)

Bendy and the Ink Machine: The Devil’s Swing (Glitch-Swing Remix) - The Musical Ghost (glitch-swing)

Undertale: Spider Dance (Glitch-Swing Remix) - The Musical Ghost (glitch-swing)

Undertale: Spider Dance (Sim Gretina Remix) - Sim Gretina (funk/glitch/chiptune)

Luigi’s Mansion (Remix) - Qumu Music (chiptune, electro-swing)

Undertale: Ghost Fight & Dummy (Peggy Suave Swing Remix) - Sim Gretina (electro-swing)

Electronica, EDM

Backstreet Bones: Everycorpse - Sim Gretina (uhhh…spoopy Halloween EDM remix of Backstreet Boys? If you click on nothing else, click on this one. It’s very worth it, I promise.)

Macabre Rotting Girl Feat. Kathy-chan - Sim Gretina (adorable electro)

Sim Gretina feat. Kathy chan: Let The Monsters Free (µThunder Remix) - µThunder (EDM) 

Ghost in the Machine - PrototypeRaptor (complextro)

Spooky Tune - PrototypeRaptor (complextro)

Nullifcation [Underground] (Legend of Zelda remix) - PrototypeRaptor (grimy EDM)

Grim Grinning Ghost (Remix) - The Living Tombstone (EDM)

Undertale: Megalovania (Sim Gretina Remix) - Sim Gretina (EDM)

Undertale: Spooktune (Sim Gretina Remix) - Sim Gretina (EDM)

Spooky Scary Skeletons (Remix) - The Living Tombstone (EDM)

Warren Zevon: Werewolves of London (Daheen Rmx) - Daheen (psytrance)

Interlude: Limbo - Yoshimasu Kamiya (ambient horror)

Bloodstone - Amon Tobin (atmospheric glitch)

Volk - Thom Yorke (ambient horror)

The Horror - RJD2 (instrumental hip-hop)

Crybaby - Drum & Lace (indescribable brooding atmospheric)

The Kid Who Drowned At Summer Camp - Hot Sugar (instrumental hip-hop)

The Darkest Evening of the Year - Emancipator (downtempo)

Halloween Funtime REMIXMONSTRousMASHup - Pretty Lights (EDM)

HALLOWEEN Theme Song (DJ Deville Trap Remix) - DJ Deville (trap)

The Oogie Boogie (Man) - Duke Skellington (glitch-hop)

Stranger Things Theme Song (Michael Jobity & The Foreign Machine Remix) - Michael Jobity, The Foreign Machine (synthwave - my personal favorite remix of this theme)

Stranger Things Theme Song (C418 REMIX) - C418 (synthwave)

Stranger Things (Louis Futon Flip) - Louis Futon (chillstep)

Stranger Things Theme (Slicey Remix) - Slicey (trap)

Stranger Things - Theme Song (Oscar Wylde Trap Remix) - Oscar Wylde (trap)

Ghostbusters (Kill Paris Remix) - Kill Paris (EDM, future funk - by far my favorite remix of the Ghostbusters theme)

The Ghostbusters Theme (Remix) - The Living Tombstone (EDM)

Ghostbusters Remix - Matheo (EDM)

Ghostbusters Remix - Fat Noize (dubstep)

Lady Gaga: Monster (Starfuckers Remix) - Starfuckers (EDM)

Lady Gaga: Monster (Chew Fu Remix) - Chew Fu (electro-house)

Michael Jackson: Thriller (James Egbert Remix) - James Egbert (electro-house)

Michael Jackson - Thriller [The Reflex Halloween Disco Edit] - The Reflex (moody, indescribable IDM(?))

Beetlejuice (Dubstep Mix) - Figure (dubstep)

The Addams Family (Figure Remix) - Figure (dubstep)

Hedwig’s Theme (KE KRA’s Trap Remix) - KE KRA (trap)

Stress - Justice (French electronic…something)

Things I thought were funny

Werewolf Bar Mitzvah - 30 Rock (parody novelty record)

A Hard Days Night of the Living Dead - The Zombeatles (zombie rock)

Schüttel deinen Speck - Peter Fox (witches’ dance video) (the track by itself)

In the Hall of the Mountain King - Portsmouth Sinfonia (experimental orchestra from the ‘70s - google them, you absolutely will not regret it)

Gangnam Busters - FAROFF (Ghostbusters/Gangnam Style mashup - annoyingly, it works far better than you think it will)

[mickmarstookmyheart]

Mrs Mars

Pairing: Mick Mars X Reader

A 'Trust' story. You can still read it if you haven't read the trilogy. If you are interested check at the Masterlist in my bio. The only thing you need to know is that Zoe is (Y/N)'s daughter and John is her abusive ex.

Summary: wedding, some Guns N Roses moments, fluff, and anger...in a nutshell

(4400 WORDS! Wtf)

“So what do you think?” You asked from Heather and Sharise. You had already tried at least five wedding dresses but you unsure about each of them.

“It looks stunning, darling.” Sharise said. She wasn’t really helpful, she was just busy about her nails and was looking for dresses for herself.

“I’m sure Mick will love it. Tell me what do you like about this dress? Why would you choose this over the previous ones!” Heather was a bit different. She helped you organize everything and gave you advice since she already had a wedding with Tommy. You meet with her and Sharise at a gathering where everybody was present. The band, Sharise, Heather, Tommy’s parents and sister, Athena. Also Vince’s children Elizabeth and Neil along of course with Zoe. This was the day when Mick proposed properly.

Throwback

“On a scale of one to ten how bad it would be us getting married?” Mick asked with a smirk. Always with his scales. You felt tears running down your cheek while looking down at Mick.

“Off to charts.” You said earning a gasp from him and everyone. “Let’s do it.” You were sure you could hear the rocks rolling down from everyone’s heart. Mick stood up and kissed you passionately.“

Throwback end

This thought was the only thing that helped you through this whole circus. Neither Mick nor you wanted a big wedding just a small gathering, but since everybody nagged you, you agreed. With John you didn’t have one, you just signed the papers and that was all. Now you know it was just because he wanted to have you as property.

"Well, I like the laces and neck. I think it will be the one. You smiled and sighed when you heard the doorbell rang. You turned and saw Vince with Zoe, Lizzie, and Neil along with Tommy. Tommy put Zoe down and she immediately started to run to you. You bent down as much as the dress let and hugged her.

"Hey, what are you doing here?” You asked and wiped the ice cream which remained on her lips with a tissue.

“We were eating nearby and we thought we might hop in to see our girls.” Vince said while sitting down beside Sharise.

“Wow, Aunt (Y/N), you look like a real princess.” Elizabeth said wide-eyed.

“Cause she is.” Zoe stated crossing her little arms proudly.

“Aww, thank you, loves.” You hugged both of them. “So, boys?” You put one of your hands on your hips.

“You are beautiful.” Vince said. Sharise was eyeing him jealously. You didn’t understand her because you were the one who gonna have a wedding soon with another man. Needless to say, Vince had already proposed to her.

“T-Bone?”

“I think it perfectly fits your body. And the color is perfect.” He said like a pro.

“Heather, what did you do to him?”

“Nothing.” She laughed before Tommy kissed her playfully.

“Then, I guess this is the one.” You admired the dress in the mirror.

“Are you ready to go?” You asked holding the large and heavy dress in your hand.

“Umm, (Y/N), can you watch over Neil and Elizabeth a bit? Sharise wants to look around here. We will go and pick them up soon, I promise.” He winked and kissed your cheek when you nodded.

“Of course, Vinnie. The three of them like to play together in the garden. Go and spend some time with her.”

“You are the best.”

“Zoe, Liz, Neil! Come here.” They ran to you giggling.

“Yes, Auntie?”

“Your dad has some programs in the afternoon so we are going on an adventure. What do you think? Are you ready, pirates?” They all cheered and were growling like pirates. “Then come to the ship and conquer the pool at our place! Heather, Tommy you coming?”

“Aye, aye, Captain.” Tommy saluted and helped you bring the dress and put it in the back.

∆

“Look, mates! There is the enemy. The old grumpy Captain Blackhair.” Neil said holding a stick in his hand. He was pointing at Mick. The children including Tommy, Heather, and you were hiding behind the trees nearby the pool. It wasn’t your intention to involve him, but it was Neil’s idea so let’s be it.

“It is said that he eats children for lunch.” Tommy said spookily. Heather and you shared a 'are you serious?’ look. “Can we let him do that?” Tommy asked the children who were eager to combat the enemy.

“NO!” They held their sticks in the air screaming and invaded poor Mick. He opened his eyes for the noise and sat up. You and Heather were walking side by side approaching them to tell the children to spare Captain Blackhair’s life. You snickered when Lizzie poke Mick in the belly with her stick and Mick fell in the chair dramatically.

“Oh my! Why? Why I had to die in such circumstances?” And he always says you are the drama queen.

“Cause you eat children!” Zoe yelled giggling.

“Really? And who is saying that?” She pointed at Tommy who was a bit frightened and was walking backward. Mick narrowed his eyes.

“You are stabbed, remember, Captain Blackhair?” You threatened him to save Tommy from him. “I was about to tell them to spare your life but if you are looking at me like that, I won’t.”

“I want revenge!!” Mick coughed playfully and finally leaned back in the chair.

“Hurray!! Let’s go back to our ship and celebrate the victory!” Zoe shouted Tommy picked up Zoe on his shoulders. Lizzie jumped on Neil’s back and they jumped in the pool. They managed to splash water on you, luckily you were wearing a swimsuit so it was no problem, well for Mick…he was soaking wet and you and Heather couldn’t take it back anymore. You both burst into laughing making Mick roll his eyes.

“See? That’s why you should wear something more appropriate for summer.”

“Oh really?” He said while standing up. No way he would pick you up and drop you in the water right? That was your last thought when he began chasing you and push you in the pool. He was laughing at you but when you coughed his smile stopped. “Are you okay?” He asked bending down at the side of the pool. 

“That wasn’t nice, Mick.” Tommy said and with that, he pushed him in the pool. Your heart stopped fearing he might hurt his back or something. Of course, Tommy didn’t know about his condition so he didn’t hurt Mick intentionally.

“Well, that wasn’t nice either, Tommy.” You glared at the drummer. When Mick came up from underwater he coughed.

“You are a dead man, drummer.”

“Are you okay?” You asked him looking into his eyes. Mick knew what you meant. He nodded and kissed your cheek to calm you down. “Come, help me!” Mick held his hand up and Tommy took it, and then Mick pulled his hand strongly making Tommy fell in the water. “Now, I’m okay.” He said proudly seeing Tommy coughing, too.

“Okay, I deserved it.” Tommy admitted after he could breathe again.

∆

“You still wanna do this?” Mick asked while you were laying in bed.

“And you are sure you are okay? I could still murder, Lee if you want.”

“I have already told you a thousand times that I have no problem so don’t change the subject.” You turned to him and supported yourself on your elbows.

“Mick, there is nothing I’m sure more than this. I mean, we can finally connect our lives officially, I guess. And I think (Y/N) Mars sounds good.” You were grinning at him and finally earning him a half-smile.

“It sure does.” Mick said before pulling you in a hug.

The day has come. Sooner than you expected. After you two woke up Mick went to the place the wedding will take place, though you stayed in the house and waited for your parents. Your parents lived far away, more particularly on another continent. You hardly spoke to them, you had a big fight with your mom when you left them. You were nervous, you were biting your lip and stomping your feet.

You faked a smile when the taxi stopped in front of the house. You grinned when you saw your dad. You liked him the most and he was the one you could rely on when you were a child.

“Hello, darling.” Your dad greeted and hugged you tightly. “Oh my, you have grown so much.”

“Hi, dad. Well, you, too.” You laughed rubbing his belly.

“Hey, it’s your mother’s fault. She is always in the kitchen and experimenting with food.”

“And you always sacrifice yourself? What a hero.” He placed his hand on your shoulder.

“I missed you, kiddo.”

“I missed you, too.” Your mother was standing on the pavement and was looking at the house. She didn’t look satisfied.

“Hi, mom.” You murmured.

“This house is much smaller than you had with John.” She was obsessed with him, from time to time you were sure she liked him as his own son. You hummed from the statement. You were disappointed, but not surprised. She walked beside you and went into the house without any greeting. You and your dad exchanged a look. He gave you an encouraging smile and patted your back. Cool.

“Coffee or tea?” You asked when the sat down on the couch in the living room.

“I would die for an espresso. Thanks, darling.” Your dad said looking around in the room.

“Still two spoon of sugar with no milk?”

“As always.”

“Mom?” She didn’t answer anything.

“Come on, Grace. You promised that you would behave.” Your father said.

“Okay, no thanks.” She mumbled and rolled his eyes.

When you were ready with the coffee you sat down in the armchair when you heard a noise. You turned your head towards the noise.

“Zoe, how many times do I have to say no running on the stairs?” You scolded your daughter.

“But, mommy look what I drew.” She handed you a piece of paper. You and she were on the art in your dresses you will soon wear. “Mommy, who are they?” She asked hiding behind your back.

“Honey, this is grandpa and grandma. Go greet them.”

“What a big girl you have grown. I haven’t seen you years.” They met Zoe once when she was baptized when she was a few weeks old. He smiled down at her and held his hand for her to shake which she took happily and shook it.

“Hello, grandpa.” She said before she hugged him. When they drifted she went to your mother. She was smiling. It was almost impossible to earn a real smile form her. The only person managed that was John and now, Zoe. She took the child on her knees.

“And how is dad, little one?” She asked her granddaughter.

“He is at the hotel. Where the wedding will be.” She said smiling. She was eagerly awaiting it, she always talked about it. You glanced at your mother who wasn’t happy. You guessed she didn’t want to hear Zoe but you saw something in her eyes, she was about to say something.

∆

“You okay, Mick?” Vince asked him, waiting in one of the rooms of the building. The guitarist was walking around and couldn’t settle himself down.

“Yeah.” He murmured looking in the mirror. Tommy and Nikki were bothering with their bowties. They didn’t manage. After all, they were wasted, cause they were just clumsy. Mick and you threatened them if they dare to drink or do drugs, you will kick their asses.

“Oh come on, man! You look ridiculous. It’s not even straight.”

“Well, just like you, Sixx.” He snickered.

“Can you please shut the fuck up?” Mick snapped. They stopped laughing and walked to him.

“Just calm down, Mick. Everything is gonna be okay. Trust me.” Nikki winked.

“I wouldn’t trust you with my bottle of vodka.” He looked at him. “But thanks. I appreciate it. And sorry for being more grumpy than usual.”

“What is on your mind?”

“Just the future, you know. About (Y/N).”

“What is wrong with her?”

“With her?” He scoffed. “Rather with me. I’m not sure I could make her as happy as she wants.” He sat down and placed his face in his palms.

“Stop talking like that. You made her the happiest person alive. That asshole, Jonas or I can’t even remember his name, just caused her a trauma for the fuck’s sake. Before you broke up and after you met again, I just saw her joyful and grateful whenever you are around. And I think she has a good effect on you. Well, she bares your moody behavior and capable of living under one roof with you.” Vince laughed. Mick just threw a magazine to the singer.

“He is right, dude.” Tommy spoke up. “She is the coolest girlfriend you ever had. Tho I couldn’t recall anyone of your exes.”

“She is happy, Mick. And you are, too. You love each other and there is nothing more to explain. Right?” Nikki patted his back.

“I hope you are right.”

∆

“Are you ready, honey?” You asked Zoe who was holding a basket full of petals. She nodded nervously but you could see the joy in her eyes. “Then if you are ready we can go.” You said. You took a shaky breath and took your dad’s arm.

“And you, are you ready?” Your dad asked smiling down at you.

“Yeah.”

“Then just remember that you are beautiful and gorgeous.”

When the door opened you gulped. Everybody stood up and was watching you. You were smiling at everyone you recognized even at Axl and the guys in the last row. They gave you a thumb up and was making stupid faces to cheer you up. When Mick saw you, he forgot to breathe. You were breathtakingly beautiful. He felt tears in his eyes from happiness. When you got closer you saw how handsome the boys were along with Doc. When your dad handed you to Mick he gripped your hand and whispered in your ear.

“You are beautiful.”

“Look who is talking.” You said gazing him.

∆

“You can kiss the bride.” The priest announced happily. Mick turned to you, took your hand, and kissed you like he never did. You hugged his neck as the bouquet let you. After you parted your lips you two were smiling from ear-to-ear. That was the moment you were waiting. He let one of your hands go and started to run down the aisle. All the guests were clapping and cheering the couple.

“Okay, girls. Gather together!” You shouted to throw the bouquet to see who is gonna marry next. When you threw it, all the girls screaming. You turned around and saw that a black-haired girl caught it whom you didn’t know.

“Vanity, for real?” Nikki pouted pulling his hair.

“You know her, Sixx?” You asked him when Vanity approached him and she kissed the bassist. “So you know her alright.” You laughed and headed to Mick.

“Hey.” He murmured pulling you in a hug. The best place to ever be. You didn’t want to break from his embrace. That was the only place you ever felt this safe and happy. You sighed when you heard someone calling for him.

“Hi, big bro.” A girl, you assumed Mick’s sister was standing beside you smiling.

“Hello, Susie.” Mick never spoke about his family. He mentioned his sister, but you had never met her yet. Mick hugged her and he was truly happy he was finally able to see his sister.

“And you must be (Y/N).” Her face was still shining, you couldn’t imagine how she and Mick are even related. “It’s so nice to meet you. Oh, how dumb I am. I’m Susie. This thing’s little sister.” She joked gesturing to Mick who just rolled his eyes.

“I'm glad, too.” You said.

“Mickey, I’m sorry our parents aren’t here. I tried to convince them but you know how they are.” She murmured petting Mick’s back.

“No problem, Susie. I know you tried. And the only important thing that you are here. Now if you excuse me, I have to talk to some guests.” Mick lowered his head and put his hands in his pockets. He looked annoyed, disappointed, and sad at the same time.

“You will be okay?” You called after him.

“Yeah, don’t worry. Love you.”

“Don’t worry. He will be okay. He did this all the time when we were children. He is a tough man.” Susie tried to cheer you up. Now you understood why he never told you about his childhood. “Come, let’s drink champagne and talk. Or you don’t want to?”

“Oh, I would happily like to. Thanks, Susie.”

∆

“So you didn’t even see each other for 4 years?” She asked playing with the straw in her glass.

“No. But I was the stupid one. He didn’t do anything, I just misunderstood things.” You chuckled.

“I see. Well, I’m blissful your paths crossed again somehow. I appreciate that you have for him. He deserves it more than ever. And you are truly a jackpot.”

“Thanks.” You smiled taking a sip from your drink.

“But tell me about the others! Did Steven and Duff were sitting in the last row during the ceremony?” So she was into rock music.

“Yeah, but I didn’t know who invited them. Hey, do you want to meet them? I see that you are crazy about them.”

“Really?” She gasped.

“I can introduce to them. Come, let’s go find them. They must be somewhere near booze.” You snickered pulling Susie after you. “There they go.” They were standing in a circle with Zoe in the middle.

“Hey, (Y/N). Congratulations!” Steven said.

“Thanks, Steven. Anyway, what are you doing? You are summoning some demon or what?” You asked crossing your arms.

“No. We are just playing.” Axl said picking Zoe up making your daughter giggle.

“If you say so. By the way, guys this is Susie. She is Mick’s sister.” You put your hand on her back pushing closer to them.

“Hi. Omg, I can’t believe I can finally meet you. You guys are awesome. I have already listened to your album for a thousand times.” She said playing with her hair.

“Nice to meet you, Susie. And thanks.” Steven held his hand toward her which she took gladly.

“No way you are his sister. That man looks like a vampire. But you…you are shining so bright.” Axl stated. “Does that have any meaning?” He chuckled rubbing the back of his head with his free hand. Susie’s face was crimson and you were she would melt soon.

“Um, anyway? You are not supposed to play soon?” You asked.

“No, why should we?” Slash inquired.

“Then why are you here?”

“Tommy invited us.”

“He did?” You narrowed your eyes seeing Zoe hiding her face from you. “Zoe, you don’t have anything to say?”

“Okay, just stop looking at me like that. I told Uncle Tommy to invite them. I liked their music and they are so kind and funny.” She giggled seeing Duff making stupid faces.

“Is it true, sweetie?” Axl asked the girl in his arms. She nodded shyly. 

“See, (Y/N), your daughter at least has some good taste. You go and hang with your Mötley Guys.” He pouted playfully. You showed your middle finger to him.

“(Y/N), is that a way a bride should behave?” Your mother said. You sighed knowing she would do some drama soon. She was looking at the band in disgust. “I see you never grown out from your rocker era.”

“No, and I’m proud to be one. These guys who gathered here today as well as Mick’s bandmates are good people. We are like a family. We might not know a lot of things about each other but at least they don’t hit their wives or abusing them like those bastards in the offices.” You said feeling the rage coming out. Izzy and Steven gulped hearing those words.

“Good that you are bringing up your husband or what. He will leave you at the moment he sees a pretty woman on the tours as he already did once.”

“That’s not even what happened!” You screamed. “And don’t dare to say a wrong word about him. He is such a better person than you could ever be. Mother.” You spit the last word.

“I say what I want, young lady. And you even made your daughter call him also her father? What a mother you are?” She didn’t even flinch.

“Hey, madam, she is the best mother I have ever met. She looks after her daughter the way you may never do to her. She always put aside her happiness to make Zoe happier. She is even willing to meet that bastard just to Zoe could see her dad! What is that if not caring?” Axl said. How does he know about this? Maybe Zoe told him.

“Thanks, Axl. It means so much to me.” You said turning back to him. You didn’t see your mother coming closer next to you. When you turned back to her she slapped you. You gasped and held your face.

“Don’t ever say such things to your mother or let anyone do that again.” She said.

“Crazy bitch. I’m sorry (Y/N). I didn’t mean that. Or did I?” Izzy spoke up. 

“How could you lay a hand on her? Even if you are her mother. Even in front of her daughter.”

“Don’t tell me what to do. You are no one.” She told Izzy.

“And you stop talking to them like this You are no one. You are not my mother anymore. Not that you were in the past.” You got the courage to tell her what you think of her.

“You didn’t mean that.”

“Didn’t I? Get out of my wedding. Hell, get the fuck out of my life. Act like you never had a daughter and granddaughter.” With that, you left her and headed towards a restroom to clean yourself up.

“(Y/N), wait!” Susie called after you. “Where are you going?”

“Just the restroom. I will be right back.” You faked a smile. Luckily, this little chat was away from the guests so just a few people saw that. On the way, you met a few of them but you managed to keep a smile. When you opened the restroom door of your hotel room you bumped into Mick.

“Mick? What are you doing here?”

“I can ask the same. Did you cry?” He ran his fingers on your wet cheek.

“Just from happiness.” You sniffed.

“What happened?” He helped you to the bed and sat down with you in his lap.

“My mother. That happened. She was insulting me, but that part didn’t bother me cause I got used it to by now.”

“Then, what’s wrong baby girl?”

“He started telling rude things to the guys from Guns N Roses. And then I got fed up and told her to get out of my life and forget that she even had a daughter.” You played with your dress. You also left out the slapping part, anyway, he will know soon from the guys. “Gosh, I’m so embarrassing.” You said while wiping away your tears.

“You are not embarrassing. Luckily, I haven’t met her, but your dad seemed kind. And don’t worry, she will cause no trouble if she did get out. And I’m sorry I wasn’t there.” He placed a kiss on your cheek.

“And you? What were you doing here?”

“Just needed some space and time.”

“Your parents?” You asked feeling sorry for not being with him.

“Yeah.”

“I’m sorry. I didn’t know.”

“What about if forget about families who suck and finally enjoy our wedding which supposed to be about us?!”

“I would love that.” You giggled.

∆

“That girl right there. She fucking slapped me!” Vince said in the microphone. He almost fell from the little stage he was standing on, he was so drunk. You hid behind your hands and also Mick’s hair. He was laughing at you. Betrayal. “But don’t worry, it didn’t hurt that bad. And we are okay now. She is the most badass mother I know and the great aunt for my children. Thanks (Y/N), and happy marriage with Mick.” He held his glass up and drank from it. You were surprised that he didn’t call Mick an old man or vampire. You also held your booze and nodded at him thanking his wonderful speech.

∆

“(Y/N), you are the best sister and friend that I have ever had. So thanks for existing and congratulations.” Tommy said grinning. Well, that’s what you call topic in a nutshell.

“Asshole, and what I am? A fucking potato?” Athena yelled making Tommy running down from the stage.

∆

“Congratulations to (Y/N) and Mick. I’m glad you finally found the love of your life,” He glanced at Vanity.“with whom you can share all your problems and who will help you through everything. She is a girl you can rely on, Mick. Have a nice marriage full of love and passion.” You felt the tears in your eyes and wiped it immediately. Nikki could be so empathetic sometimes.

∆

“So you liked it?” Mick asked you during your dance. You rested your head on his chest while he placed his chin on the top of your head smelling the scent of your hair.

“Yeah, but I wouldn’t do it again.” You laughed. Mick chuckled and span you around.

Tag: @leatherandheels

More adventures to come with this crazy family so stay tuned!

[washdayradionetwork]

EDITOR'S NOTE: In the summer of 2017, I answered the 30-Day Music Challenge on this blog. I'll be reupping the best of those posts from time to time, starting with this one.

23. A song that you think everybody should listen to.

You've probably heard them all -- done badly on some vocal competition show. Let's get the ones you've probably heard, in their original versions, out of the way. Then, I'll tell you about one I think you probably haven't heard, but should.

Ready? Here goes:

Blue Moon Of Kentucky, Bill Monroe

Man Of Constant Sorrow, The Stanley Brothers

Hoochie Coochie Man, Muddy Waters

Smokestack Lightning, Howlin' Wolf

Boom Boom, John Lee Hooker

Hound Dog, Big Mama Thornton

Jailhouse Rock, Elvis Presley

Johnny B. Goode, Chuck Berry

Satisfaction, The Rolling Stones

Dancing In the Streets, Martha and the Vandellas

Good Vibrations, The Beach Boys

R-E-S-P-E-C-T, Aretha Franklin

Bridge Over Troubled Water, Simon and Garfunkel

Let It Be, The Beatles

I Heard It Through the Grapevine, Marvin Gaye

You've Got A Friend, Carole King

Won't Get Fooled Again, The Who

Good Times, Chic

We Will Rock You/We Are the Champions, Queen

New York State Of Mind, Billy Joel

Billie Jean, Michael Jackson

Welcome To the Jungle, Guns 'n Roses

I Still Haven't Found What I'm Looking For, U2

You can keep "Stairway To Heaven". Bruce Springsteen isn't as universal as East Coast rock critucs think he is. Sheryl Crow's "Safe and Sound" should be on this list.

What about the one you may not have heard yet?

It lacks the obvious universality of the others. In these days of niche marketing, and identity politics on both sides of the fence, there are those who would actively hate it, making all kinds of assumptions about the women singing it and What They Really Mean. The sad thing is, everybody's been through this.

You might not see it at first, couched as it is in metaphor. Why on God's green earth are these singers rooting for the downfall -- perhaps even the physical death -- of a lone circus performer, even as they remember, with great fondness, her youth and her youthful genius?

The girl's story is not a happy one:

Well, some guy broke her heart and her heart it did ache

So she went to the tent and the lady of the snakes

Who gave her a potion and she drank it in

After that her heart never ached again

After that her heart never ached again.

Still, they can't wait for her to flop:

Yeah, one of these nights, the old girl's goin' down.

On and on they sing the girl's story, shedding their hearts' blood in the verses, then chanting that woeful, prophetic chorus.

By the time they get to the coda, they're singing at the tops of their lungs. And the word they are singing is "Hallelujah" -- literally "Praise God".

Louder and louder they stretch it and shape it -- an arrow, a battering ram, a boulder arcing through the air. With every volley they crush and crumble stone walls three feet thick. Everything must go in this battle -- everything phony, self-insulating, and self-congratulatory.

As the battle winds down, the singers' voices get softer, slower, more hesitant, and more than a little afraid of what they've done as they gaze down from their lofty perch in the stands at the tiny, crumpled thing on the floor below.

Is it the "old girl", or simply her old self?

The final "Hallelujah" feels like the best funeral oration they could give -- elegiac, with the tiniest flicker of hope.

Of peace.

This is Patty Griffin and Emmylou Harris with "Trapeze".

[workingclassdan]

All albums I listened to in 2017

1. David Bowie - No Plan (ep) 2. Ryan Adams - Prisoner 3. Gone is Gone - Echolocation * 4. The xx - I See You 5. The Flaming Lips - Oczy Mldy 6. Cloud Nothings - Life Without Sound 7. Japandroids - Near to the Wild Heart of Life 8. Foxygen - Hang 9. Ty Segall - Ty Segall 10. Camp Cope / Cayetana - Split EP 11. Cuddle Magic - Ashes/Axis 12. Hand Habits - Wildly Idle 13. Son Volt - Notes of Blue 14. Sun Kil Moon - Common as Light… (notable for shitness) 15. PVT - New Spirit 16. Steve Vai - Modern Primitive 17. Dirty Projectors - ST   (little bubble) 18. Middle Kids - EP 19. Father John Misty - Pure Comedy 20. The Waifs - Ironbark 21. Bruce Springsteen - (Odds & Rarities) 22. Thundercat - Drunk 23. Animal Collective - The Painters EP  (kinda bonkers) 24. Los Campesinos - Sick Scenes 25. Grandaddy - Last Place  (lost machine) 26. Methyl Ethel - Everything is Forgotten 27. Kingswood - After Hours, Close to Dawn 28. Holy Holy - Paint 29. Vagabon - Infinite Worlds 30. Spoon - Hot Thoughts  (do i have to talk you into it 31. Brian Eno - Reflection 32. The Shins - Heartworms 33. Laura Marling - Semper Femina * 34. Rolling Blackouts Coastal Fever - The French Press EP * 35. Temples - Volcano 36. Roy Buchanan - Telemaster Live in 75 37. Real Estate - In Mind 38. Depeche Mode - Spirit * 39. Mastodon - Emperor of Sand * 40. Drake - More Life  (Passionfruit) 41. Ben Wright Smith - The Great Divorce 42. Sleepmakeswaves- Made of Breath Only - (hailstones) 43. Aimee Mann - Mental Illness 44. Jesus and Mary Chain - Damage and Joy 45. Steel Panther - Lower the Bar 46. Evyltyde - Rising 47. Spiral Stairs - Doris and the Daggers 48. Julia Holter - In the Same Room * 49. Boss Hog - Brood X 50. British Sea Power - Let the Dancers Inherit the Party 51. Anjou - Epithymia 52. The Melker Project Remix 53. New Pornographers - Whiteout Conditions 54. Future Islands - The Far Field 55. Craig Finn - We All Want the Same Thing 56. Smith Street Band - More Scared of You Than You Are of Me 57. Cold War Kids - La Divine 58. Clark - Death Peak 59. The Black Angels - Death Song 60. Arca - Arca 61. Luke Howard - ? 62. Kendrick Lamar - DAMN. 63. Prince - ep 64. Incubus - 8 65. Amy Shark - Night Thinker ep 66. Mew - Visuals 67. Gorillaz - Humanz 68. Ryan Adams (b-sides) - 69. Tim Rogers - An Actor Repairs * 70. Feist - Pleasure 71. Bill Baird - Easy Machines 72. Bill Baird - Baby Blue Abyss 73. Thurston Moore - Rock n Roll Conciousness 74. Colin Stetson - All This I Do For Glory 75. Bob Dylan - Triplicate 76. Pond - The Weather 77. Alice Coltrane - The Ecstatic Music of Alice Coltrane 78. San Cisco - The Water 79. Doug Tuttle - Peace Potato 80. Big Walnuts Yonder 81. Perfume Genius - No Shape 82. Penguin Cafe - 83. Mac Demarco 84. Afghan Whigs - In Spades 85. At the Drive-In - interalia 86. Slowdive - Slowdive - falling ashes 87. Dead Letter Circus - The Endless Mile - Lines 88. Nick Murphy - Missing Link ep 89. Bob’s Burgers - s/t 90. Fleet Foxes - The Crack-Up 91. BNQT - Volume 1 92. Do Make Say Think - Stubborn Persistent Illusions 93. The Beatles - Sgt Pepper's 94. Dan Auerbach - Waiting on a Song 95. Ben Ottewell - A Man Apart 96. Bernard Fanning - Brutal Dawn 97. Roger Waters - Is This the Life We Really Want 98. Underground Lovers - Staring at You Staring At Me 99. Elder - Reflections of a Floating World 100. Half Waif - form/a ep 101. The Kills - Echo Home non-electric ep 102. Bleachers - Gone Now 103. Amber Coffman - City of No Reply 104. Marika Hackman - I’m Not Your Man * 105. Husky - Punchbuzz 106. U2 - (some bootleg of latest tour) 107. Alt-J - Relaxer  (3WW) 108. Beach Fossils - Somersault 109. Mount Eerie - A Crow Looked at Me 110. London Grammar - Truth is a Beautiful Thing 111. Lindsay Buckingham/Christine McVie - 112. Phoenix - Ti Amo 113. Sufjan Stevens, Bryce Dessner, Nico Muhly, James McAlister - Planetarium 114. Big Thief - Capacity Mythological Beauty 115. Kirin J Callinan - Bravado 116. The Magpie Salute - The Magpie Salute (Live) 117. Portugal. The Man - Woodstock 118. Lorde - Melodrama * 119. Royal Blood - How Did We Get So Dark? 120. Ride - Weather Diaries 121. Cigarettes After Sex - s/t 122. King Gizzard and the Lizard Wizard - Flying Microtonal Banana 123. Jeff Tweedy - Together at Last 124. Tara Jane O’Neil - s/t 125. Baby Driver soundtrack 126. UNKLE - The Road pt1 127. Silicon Valley soundtrack 128. Haim - Something to Tell You 129. Broken Social Scene - Hug of Thunder 130. Jay-Z - 4:44 131. Tex, Don & Charlie - You Don’t Know Lonely 132. Oh Wonder - Ultralife 133. Radiohead - OKNOTOK 134. Waxahatchee - Out in the Storm 135. U2 (live Vancouver) 136. Japanese Breakfast - Soft Sounds from Another Planet 137. DJ Shadow - The Mountain Will Fall 138. Vera Blue - Perennial 139. Lana Del Rey - Lust for Life 140. Nine Inch Nails - Add Violence ep * 141. Singles soundtrack deluxe 142. Arcade Fire - Everything Now 143. Boris - Dear 144. Perera Elsewhere - All of This 145. Manchester Orchestra - A Black Mile to the Surface 146. The Murlocs - Old Locomotive 147. Dan Sultan - Killer  (fire under foot, kingdom) 148. Fountaineer - Greater City, Greater Love 149. Benjamin Gibbard - Bandwagonesque 150. Juanita Stein - America 151. Saskwatch - Manual Override 152. Kid Koala with Emiliana Torrini - Music to Draw To: Satellite 153. David Rawlings - Poor David’s Almanac 154. Damian Cowell's Disco Machine - Get Yer Dag On! 155. Jen cloher - s/t 156. Queens of the Stone Age - Villains * 157. Paul Kelly - Life is Fine I smell trouble 158. Davey Lane - I’m Gonna Burn Out Bright 159. Mogwai - Every Country’s Sun 160. Alvvays - Antisocialites 161. Ben Frost - The Centre Cannot Hold 162. Grizzly Bear - Painted Ruins 163. Iron and Wine - Beast Epic call it dreaming 164. Gang of Youths - Go Farther in Lightness 165. Gold Class - Drum 166. King Gizzard and Mild High Club - Sketches of Brunswick East 167. Steven Wilson - To the Bone 168. The Preatures - Girlhood 169. Filthy Friends - Invitation 170. The War on Drugs - A Deeper Understanding 171. Chris Forsyth and the Solar Motel - Dreaming in the Non-Dream 172. LCD Soundsystem - American Dream 173. Cloud Control - Zone rainbow city 174. Liars - TFCF 175. Neil Finn - Out of Silence 176. Deerhoof - Mountain Moves 177. Jake Bugg - hearts That Strain 178. Gordi - Reservoir 179. Meg Mac - Low Blows 180. The National - Sleep Well Beast 181. Beaches - Second of Spring 182. Chad Vangaalen - Light Information 183. Nothing But Thieves - 184. Foo Fighters - Concrete and Gold 185. Tori Amos - Native Invader 186. The Belligerents - Science Fiction (Sorry to Say) 187. Rostam - Half-Light 188. Hope Sandoval and the Warm Inventions - Until the Hunter 189. Ariel Pink - Dedicated to Bobby Jameson 190. Davey Lane - Back/Here/Forward 191. Lisa Mitchell - When they Play That Song ep 192. Tired Lion - Dumb Days 193. Mastodon - Cold Dark Place ep 194. Godspeed You! Black Emperor - Luciferian Towers 195. Lee Ronaldo - Electric Trim 196. Neil Young - Hitchhiker 197. The Killers - Wonderful Wonderful 198. Hyla - Osaka 199. Trent Reznor & Atticus Ross - The Vietnam War 200. Moses Sumney - Aromanticism 201. British India - Forgetting the Future 202. Matt Cameron - Cavedweller 203. Hammock - Mysterium 204. Ben Frost - Threshold of Faith 205. Philip Selway - Let Me Go 206. Prophets of Rage - s/t 207. Phoebe Bridgers - Starnger in the Alps 208. Pearl Jam - Let’s Play Two 209. Wolf Alice - Visions of a Life 210. Torres - Three Futures 211. Ibeyi - Ash 212. Wolf Parade - Cry Cry Cry 213. Liam Gallagher - As You Were 214. Andrew Bird - Echolocations: River 215. Bladerunner 2049 soundtrack 216. The Horrors - V 217. St Vincent - Masseduction 218. Kurt Vile & Courtney Barnett - A Lotta Sea Lice 219. Beck - Colors 220. Robert Plant - Carry Fire 221. Alex Lahey - I Love You Like a Brother 222. Destroyer - Ken. 223. William Patrick Corgan - wpc 224. Custard - The Common Touch 225. Love Migrate - Somewhere, Over the Mangroves 226. Protomartyr - Relatives in Descent 227. Polish Club - Alright Already 228. Ecca Vandal - s/t 229. Grooms - Infinity Caller 230. Lean Year - s/t 231. Kevin Devine - Instigator 232. King Krule - The Ooz 233. Portico Quartet - Art in the Age of Automation 234. Weezer - Pacific Daydream 235. Hans Zimmer et al (Blue Planet ll soundtrack) 236. Fever Ray - Plunge 237. Julien Baker - Turn Out the Lights 238. Jim Lawrie - Slacker of the Year 239. REM - Automatic for the People (25th Anniversary) 240. Angel Olsen - Phases 241. Stranger Things 2 (Kyle Dixon & Michael Stein) 242. Nathaniel Rateliff and the Night Sweats - Live at Red Rocks 243. Tame Impala - Currents (deluxe) 244. King Gizzard and the Lizard Wizard - Polygondwanaland 245. Sharon Jones - Soul of a Woman 246. Bjork - Utopia * 247. Aldous Harding - Party 248. David Gilmour - Live at Pompeii 249. Queen - News of the World (deluxe) 250. Stella Donnelly - Thrush Metal ep 251. U2 - Songs of Experience 252. Noel Gallagher’s High Flying Birds - Who Built the Moon? 253. Taylor Swift - Reputation 254. Kamasi Washington - Harmony of Difference 255. Wand - Plum 256. Weaves - Wide Open 257. Mavis Staples - If All I Was Was Black 258. Neil Young and Promise of the Real - The Visitor 259. Pony Face - Deja Vu 260. The Orbweavers - Deep Leads

Stray tracks: Hans Zimmer & Radiohead Lisa Hannigan - Oh! You Pretty Things Jarvis Cocker & Chilli Gonzalez Jack Whiter Glen Hansard (2) John Butler Trio Ryan Adams - back in your head Brian Eno & Kevin Shields Tropical Fuck Storm (2)

2016 catchups:

Ryley Walker & Charles Rumback Alex Isenberg Lisa Hannigan Margaret Glaspy Catfish and the Bottlemen Badbadnotgood 1 Mile North Chris Forsyth Peep Tempel Tash Sultana Rogue Wave Damien Jurado Love Migrate - Luke Howard Kaleo

[daggerzine]

NOTES FROM THE UNDERGROUND: Nick Adams from M.I.A. tells us after the fact about the band’s history.

I think it must have been the Summer of 1985 when my pal Bill, who had been turning me on to a lot of music at the time, handed me a cassette with the new MIA record on it, Notes From the Underground. I loved it immediately. It was similar to a lot of the hardcore I had been listening to, but ….different. Darker, moodier but still just as melodic and hard hitting. I ended up finding their previous record, Murder in a Foreign Place (from 1984) and loved that one as well. I then was really blown away by what would be the band’s last record, 1987’s After the Fact, a gorgeous melodic masterpiece (Flipside Records).  I ended up seeing the band once in the 80’s at City Gardens in Trenton, NJ where they put on a terrific set and then….that was it. I never heard about the band again and had heard they’d broken up. In 2001 the Alternative Tentacles label released Lost Boys, a compilation of the band’s early material and then I’d heard the sad news that vocalist/guitarist Mike Conley had died in early 2008.

Fast forward to earlier this year when I’d gotten an email from James Agren at Darla Records stating that he was going to be reissuing two of the band’s records, Notes From…. And After the Fact (he’d said he got interested in the band again after I’d posted a song on Facebook earlier in the year). One of us, (probably James) suggested that I interview guitarist Nick Adams who is a working musicians/photographer now living in Utah. I jumped at the chance and Nick was more than happy to answer any questions I threw his way. Gracious all the way through. Thanks so much to James for helping set up the interview (and for the reissues) and especially to Nick. Read on and find out about the early days of Las Vegas and So Cal hardcore….

The early daze.....

 Where were you and raised in Las Vegas? If so were your parents in the casino business?

I was raised by a single mother (kind of a punk thing to do in the 60s!), and she was a high school teacher. Growing up in Vegas the casinos, even the slot machines in grocery stores, were no big deal to me, just a part of life that was around me but not interesting. On my street I think most of the parents were not involved in the gaming industry, they were Nevada Test Site workers, accountants, car dealers, etc. When I left Vegas in 1980 it had maybe 200,000 residents, now it is ten times that, and the gaming industry is bigger than ever, so a lot of the people I know, people I went to school with, are involved in it. But it’s also like any other city, there are teachers, doctors, lawyers, beggars, thieves, everything.

 Do you remember the first record you ever bought?

Meet the Beatles in early 1967. I was five.

 When did you first pick up an instrument? Was it a guitar?

I first got a toy drum kit, but that was not popular around the house. Soon after I got a guitar, a small Decca classical acoustic, I think I was 7 or 8. But I didn’t really get serious until I got into high school.

 How did the punk rock bug bite you? Was it early on? Was there much of a scene in Vegas?

We were a bit culturally isolated in Vegas, and it was before the internet so ideas and movements traveled much more slowly. I was always into rock music – Beatles, Stones, Kinks, Zeppelin, Elton John (my first concert in ‘75), stuff that got played on the radio, and I would stretch a little with what I saw in Circus Magazine or Creem. They had photos and stories about Bowie and Iggy Pop, along with the stuff I was more familiar with. I remember seeing a photo of Iggy probably right after Raw Power came out, that freaky one where he has long straight white hair, white pants and no shirt, screaming at the camera. Later I bought it, took me a while to wrap my head around it. I remember when the Sex Pistols were touring the U.S. in ‘78, I was barely 16, and it was on the TV national news, my mom said, “I don’t care WHAT you do, just don’t get mixed up in that punk rock.” Heh, heh. I heard that album and was blown away, instant fan.

Nick tearing it up in Guerneville, CA.  (photo by Rhoda Rohnstock) 

 How/when did you meet Mike Conley?

Mike was an instigator. He was a few years older than me, really scrappy with a lot of street smarts (which I never had). He was the guy you wanted by your side in a fight. He was always scheming, thinking, and bringing people together. He was industrious. He became a great songwriter and musician through sheer force of will. I was 18, out of high school and in the process of dropping out of my first semester of college. Paul (M.I.A. bassist) and I were in a band together that was loud and loose, somewhere in between rock and punk, and we rented a room over an office building in a real seedy part of town. Other bands rented rooms there too. One evening we were practicing and heard a knock, it was Mike, he wanted to find out who it was that had the coolest sounding amp in town (it was my 77 Marshall JMP 100w half stack, crunchy and louder than shit). He invited me over to hear his band, The Swell. They had gone all out decorating their rehearsal space, painting a floor-to-ceiling Union Jack on one wall, and hanging cool fliers and posters everywhere. That alone made a big first impression. Mike played bass, Chris Moon (who was in the very first Vegas punk band, Bad Habits, with Vegas legend Eric Hill) was on drums, Todd Sampson was on vocals (Todd looked just like Johnny Rotten, and was pretty menacing for a 16-year-old kid), and a guy named Jim on guitar. They were looking to replace him, or at least his amp. So Mike asked if I would sit in one night. It was really fun, I was hooked. I joined when they asked.

 Tell us about the beginnings of M.I.A. At what point did you leave Vegas for Southern California?

Shortly after I started playing with The Swell, we decided to change our name to M.I.A. We rehearsed a lot and played a party or two, not really much. But being in a punk band and dropping out college made things difficult for me at home. When a musician friend invited me to room with him in San Diego, I took the opportunity and moved there and M.I.A. broke up. I had only been there about two weeks when my friend got an offer to play in a band somewhere up in LA, so I ended up being poor and alone in San Diego. A few miserable months later I got a call from Mike – he and Chris had moved to Newport Beach, and he said, “Hey, why don’t you come live with us.” So I did. We started going to the Cuckoo’s Nest whenever we could and up to LA for some big shows, and we started playing again, only Todd was still 16 and couldn’t move out from Vegas. We tried out some singers (Mike was still on bass) when finally Mike said he would sing and we’d look for a bass player. I called Paul, I knew he was a great bass player and musician, and convinced him to move to OC with us, and that was the band that recorded Last Rites. This all happened within about 6 months of my moving from Vegas, and really it turned out great because I don’t think as a band we would’ve ever moved to California together, we had never talked about it, though Chris says he and Mike did. The OC and LA scenes down there were so influential and I feel lucky to have been a part of them, as well as part of the nascent Las Vegas scene.

 Anything notable happen during the recording of any of your records? Do you still listen to them these days?

Our first demo was made in 1981 with a $300 donation from friends. We wanted to record something that maybe Rodney Bingenheimer might play on his Rodney on the ROQ show, you know, decent sound quality. We walked into a local studio at the beach, JEL, and said we wanted to record 9 songs and walk out with a finished tape. Bill Trousdale was the engineer, he said, “no way, you might get two.” So using eight tracks we blasted through nine songs, and mixed seven before we ran out of money (if you listen too carefully you can tell that the last two songs on Last Rites were mixed by someone else). We played it for a friend, Bad Otis Link, and he said he could get us a show in Reno. So we got a show in Reno with 7 Seconds and The Wrecks! How lucky is that? From that show our demo tape wound up in the hands of folks at Maximum Rock n Roll, Bomp and Smoke 7, and suddenly we were on records.

Murder In A Foreign Place was made in the same studio with a larger budget (plus a new drummer, Larry Pearson, that Mike recruited), and a solid record deal from Alternative Tentacles, which was cool. It was a distribution deal, which meant that we handled all of the recording, artwork, album cover jacket printing, mastering and album pressing ourselves, and the finished product got drop-shipped to AT for distribution. I did a lot of the footwork myself with our financier, Jon Shines. It was a great learning experience and very true to the DIY ethic of the time. Biafra and AT have always been great to us.

Notes From the Underground took us in a moody direction, I think reflecting some conflict in the band, helped along by the darker post-punk tones of 1985. It has some great songs on it, though, and has us exploring some different sounds with Thom Wilson producing. One of his favorite songs from the session was Write Myself A Letter and he put a little extra time into it, and it turned into a slightly psychedelic jangle. My favorite song from that album is Shadows, one that Mike and I wrote from an idea he had. It was a great live song back in the day and I still love to play it. I’ve been listening to Notes a lot lately because we are working on the reissue, and there is a lot of really great stuff going on there.

 The lost boys. 

Did you do much touring back then? Overseas? I’m guessing you played with every notable So. Cal punk band?

Never made it overseas. We did a lot of small regional tours – you could hit a few cities over a few days, so we’d do Vegas-Phoenix-Tucson-San Diego, or Reno-Sacramento-San Francisco-Santa Cruz-Santa Barbara. That helped us get a decent regional following. Sometimes we would do these regional tours with other bands, like TSOL, Circle Jerks, Angry Samoans or Dead Kennedys. Sometimes we would take our Vegas pals, Subterfuge, or double bill with other great bands like Decry or Mad Parade. I remember watching Ron Emory (TSOL) at soundchecks, I would always try to be there because he would pull out some great Hendrix riffs or blues stuff. His technique was inspiring. Ron has so much depth as a player, he’s one of my heroes. We did another one of these regional tours in Northern California with Dead Kennedys and Butthole Surfers, that was amazing. I was glad we didn’t have to go on after the Butthole Surfers, their show was insane at that time. There were so many great bands back then, and we got to play with many of them. We played a bunch of the big Goldenvoice shows in and around L.A. too.

When Murder in A Foreign Place came out in the spring of 1984 we had friends at Goldenvoice and they were starting to book national tours, so we did a three month summer tour of the US and Canada, booked by Jim Guerinot and Mike Vraney, both legendary guys. Only trouble was, the punk scene was still very young in many areas of the country – sometimes we would pull up to the venue and find it boarded up, or sometimes a whole string of shows would be canceled. We’d have to buy paper city maps and look for phone booths to make calls and hope to catch someone, there was no voicemail. It was a very rough tour, but we had loads of fun and when we came home we were battle-hardened and road tight, we were a kick-ass live band by the end of that tour.

We did another US tour just before recording Notes From the Underground. A tour had been booked for Social Distortion and they had to back out, so it was given to us. It was a winter tour, so it had different challenges, but we hit a lot of cities we hadn’t been to on our first tour. I loved being on tour. M.I.A. did one last national tour supporting After the Fact in 1987.

How did M.I.A. end?

It ended with infighting and disagreement, like bands usually end. Shortly after recording Notes From the Underground things came to a head and I walked away. Mike was angry at me, I was angry at him. But one thing about Mike, any kind of adversity like that just made him try harder. He brought M.I.A. back with a vengeance and made M.I.A.’s 4th album, After the Fact with Chris Moon (the drummer on Last Rites), Mark Arnold and Frank Daly (both would later form the great OC band Big Drill Car). He came to me and asked me to record a guitar part, he said he wanted something noisy and atonal with whammy bar dives like I did in Used to Know Me from the Murder album. I was actually a little annoyed but he insisted. I’m so glad he did – that is what opens the album, and it serves as a kind of meaningful transition from the old band to the new, and to what Mike would go on to do later. A lot of the lyrics on that album are very personal to me because I feel like Mike is singing about us, our conflict, the bitterness, the feelings of betrayal. There is a lot of me on that album even though I didn’t participate in making it, save for that intro. It took me a while to come to terms with it, and now I love it – it is a great album, and Frank and Mark were really good on it, as was Chris. Mike really grew as a songwriter, but he also held a lot of control in the band. After this version of M.I.A. toured, Frank and Mark wanted to be more involved in songwriting, so they left to form Big Drill Car. After M.I.A. Mike made a couple of great bands, Naked Soul and Jigsaw, there are videos online if you search for them.

 Tell us about a few of the bands you were in post-M.I.A.  (Arab and the Suburban Turbans?)

Arab and the Suburban Turbans was kind of a way for some of us to explore different musical influences. It had varying membership over the years, but the core was Arab (Love Canal), Jeff Newlin, Bob Gnarly (Plain Wrap), Dallas Don Burnet (Plain Wrap, later Lutefisk), Raggs Adams and me. We played some traditional blues and soul covers, plus we turned some punk into blues and we also had a few stellar originals. We recorded Black Flag’s Nervous Breakdown, which was selected for a Flipside Vinyl Fanzine compilation, but the person who owned the publishing had a beef with the record label (not Flipside) and would not allow it. But we played some great shows with the likes of Jane’s Addiction and Thelonius Monster, and we actually got accepted into the Long Beach Blues Festival, quite a mean feat. They were bummed because we ended up being more punk than they imagined and kind of crashed the mellow vibe. We had a great crowd response though!

I was in another band in 1989-90 called Flatbed with Bob Thomson (Big Drill Car) on bass and Miles Gillette (El Groupo Sexo, Fluf) on drums. Kinda grungy, I guess. Those two were the best musicians I have ever played with. I played in several other projects with notable players (Don Burnet, Sean Greaves, Mark Stern, Bad Otis, Chuck Biscuits) but nothing that stuck.

 Tell us about the M.I.A. reunion? I’m guessing Mike’s death is still a shock to you all.

Mike’s death was so unexpected, it was a huge shock. He had worked so hard to build a really cool bar in Costa Mesa, the Avalon. He had so many friends, so many people that loved him. He just had that great kind of personality -- gregarious, friendly, thoughtful. He helped people, and they were and still are, after nearly ten years, very loyal to him. So his death was a huge loss for many people. I was astonished at the number of people who came to his memorial on the beach, it was amazing. I was standing there dumbfounded when this guy walked up in a suit wearing reflective aviators walked up and said, “Are you Nick Adams?” It was Jello Biafra. Hadn’t seen him in over 20 years, I couldn’t believe he made the effort to be there.

As it turned out, Mike’s girlfriend and kids were left in a bad way financially from his death, so we were approached to do a fundraising reunion. Joe Sib (SideOneDummy Records) helped set it up, and worked with Jim Guerinot (Time Bomb Records) to get Social Distortion on the bill. They played an amazing acoustic set. Also on the bill were Cadillac Tramps, and tributes to two of Mike’s later bands, Jigsaw and Naked Soul. It was a stellar night for sure. As for M.I.A., we had our original Vegas singer Todd Sampson do vocals, supplemented with Kevin Seconds on a few songs and Jello Biafra on a few more. We also got to play a few Dead Kennedys songs, which was unreal! Biafra was so cool, he let us pick the Dead Kennedys songs we wanted to do.

We continued to play a few shows with Todd on vocals, but then he died of heat stroke after a show in Vegas in 2011. That sucked. Now we play as a three piece with me handling most of the vocals, Paul doing a few. It’s actually a good band, and though we can never replace Mike’s energy, voice and creativity, I think that it is the best compromise that stays true to the band. In other words, we’re not trying to replace Mike, we are just trying to stay true to the music and let people hear it. We got a great reception at Punk Rock Bowling in 2016.

“Want our autographs?” 

..and tying in to the above question, how about the upcoming reissues on Darla? How did that come about? Did you know James?

I’m very excited to get the last two M.I.A. records re-released. They need to be heard! I met James Agren (Darla Records) in the summer of ‘83 or ‘84 I think. We were roommates for a bit at the beach with a mutual friend. A while back he contacted me on social media about the possibility of re-releasing Notes From the Underground and After the Fact. Since I knew him from way back and I could tell he was really professional (plus he was persistent!), I agreed. I’m so glad to have the opportunity to work with James, he has great attention to detail and is treating these two albums with the utmost respect. It’s a very personal relationship, even though we are hundreds of miles away. I can’t say enough good things about James. The remastered tracks (by Mark Alan Miller at Sonelab) sound amazing, exceeding the original releases in my opinion – a lot more depth and nuance, you can hear each instrument with more clarity. And there are some bonus tracks too.

 Who are some of your favorite current bands or musicians?

I’m all over the map, and not super current. Back in ‘82 I fell in love with the Birthday Party and Tom Waits (Waits inspired the song Murder In A Foreign Place) and have been a fan ever since. Saw Nick Cave perform last month, it was great. I saw the Damned on their most recent tour – twice! – and that was amazing. Iron and Wine, Black Keys, Jack White, Off!, Paul Westerberg. Things have changed so much in terms of how we get exposed to new music and how it is delivered that it is pretty overwhelming sometimes. Add to that the sheer volume of music that has been long out of print coming back. It’s a great time to be a music listener! But also, with the ubiquity of technology and how quickly information spreads, I wonder if anything like the punk scene we experienced could ever emerge again.

 Please tell us about your career as a photographer.

After M.I.A. I went back to school and earned a degree in Anthropology from U.C. Berkeley, graduated in ‘93. I was planning to go to grad school when I got into photography by accident. I had a job at a cabinet shop that I was not cut out for, so I applied at the local newspaper for a menial desk job in the photo department. I was in the right place, right time; within a year I was a full time staff photographer. It was great, I got to shoot every day, learning photography while getting paid for it! Being a photojournalist was interesting and fun, but also very hard and sometimes difficult work. I photographed presidents and senators, but also tragedies, homeless people, city council meetings and kids at the fair. Around 2004 I started my own business, and I’m still doing it – mostly portraits and magazine work nowadays.

 Care to tell us your top 10 desert island discs?

In no particular order (and if you asked me next week it would likely be different):

           The Damned – Strawberries

           Bowie – Hunky Dory

           The Germs – (GI)

           Stooges – Funhouse

           Rolling Stones – Beggar’s Banquet

           Tom Waits – Bad As Me

           The Birthday Party – Prayers On Fire

           Gun Club – Fire of Love

           Velvet Underground – Velvet Underground

           Roy Orbison – Greatest Hits

           Radiohead – Amnesiac

 The lost boys- part 2. 

 BONUS QUESTION- Do you have a favorite of the M.I.A. records?

Though I love the raw, stripped down sound of Last Rites, and the fan favorite seems to be Murder In A Foreign Place (which I love), right now I would have to go with Notes From the Underground. It’s not as even as Murder, but it has some stellar moments and it moves me.

 BONUS QUESTION TWO- Did you ever meet Genocide’s Bobby Ebz? He’s sort of a NJ legend (I’m originally from NJ).

No, we never met any of the Genocide guys. I’d like to!

www.darlarecords.com 

www.miaband.com 

Catching air.   (photo by Rhoda Rohnstock)

[mrjeremydylan]

My Favorite Album #209 -#BeatlesMonth - TV legend Ken Levine on 50 years of 'Sgt Pepper's Lonely Hearts Club Band'

All of June we are celebrating the Fab Four with #BeatlesMonth, indulging my favorite past time - talking about the Beatles - with guests old and new, and revisiting some favorite episodes from the past three and a half years of podcasts.

Today we are celebrating 50 years of Sgt Pepper’s Lonely Hearts Club Band with TV legend Ken Levine - writer, producer and director on iconic shows from M*A*S*H to Cheers to Frasier, co-creator of Almost Perfect and Big Wave Dave's, I could go on... He's also a baseball announcer, author, my favorite blogger and host of his own podcast Hollywood and Levine.

Ken's masterful storytelling is at the fore in this episode as he lays out how he discovered the Beatles as a teenager in 1964, his doomed scheme to meet the band in California, his encounters with John Lennon and Ringo Starr, why he chose not to see the Beatles live, and what it was like to work in a record store when Sgt Pepper was unleashed on the world. We talk about how his feelings about the record have and haven't changed through the years, and why it's the one album he will never get sick of listening to.

Listen in the player above or download the episode by clicking here.

Subscribe to the podcast in iTunes here or in other podcasting apps by copying/pasting our RSS feed - http://myfavoritealbum.libsyn.com/rss My Favorite Album is a podcast unpacking the great works of pop music. Each episode features a different songwriter or musician discussing their favorite album of all time - their history with it, the making of the album, individual songs and the album’s influence on their own music. Jeremy Dylan is a filmmaker, journalist and photographer from Sydney, Australia who has worked in the music industry since 2007. He directed the the feature music documentary Jim Lauderdale: The King of Broken Hearts (out now!) and the feature film Benjamin Sniddlegrass and the Cauldron of Penguins, in addition to many commercials and music videos.

If you’ve got any feedback or suggestions, drop us a line at myfavoritealbumpodcast@gmail.com.

LINKS

- Ken Levine on Twitter, his blog By Ken Levine and his podcast Hollywood and Levine.

- Buy the amazing new rerelease of ‘Sgt Pepper’s Lonely Hearts Club Band’ here.

- Jeremy Dylan’s website, Twitter, Instagram and Facebook page.

- Like the podcast on Facebook here.

- If you dig the show, please leave a rating or review of the show on iTunes here.

CHECK OUT OUR OTHER EPISODES

208. All Our Exes Live In Texas on Rufus Wainwright ‘Want’ (2004) 207. Eilish Gilligan on Counting Crows ‘August and Everthing After’ (1993) 206. Katie Brianna on Rilo Kiley ‘Under the Blacklight’ (2007) 205. Pegi Young on her biggest influences, from Janis to Joni, Clapton to the Dead 204. Margaret Glaspy on Bjork ‘Vespertine’ (2001) 203. Iluka on Marvin Gaye ‘What’s Going On’ (1971) 202. Veronica Milsom (triple J) on The Shins ‘Wincing the Night Away’ (2007) 201. Charles Esten on Bruce Springsteen ‘Born to Run’ (1975) 200. What’s Your Favorite Aussie Music? with Benmont Tench, Duglas T Stewart, Natalie Prass, Sam Palladio and Jeff Greenstein 199. Showrunner Jeff Lieber on Gregory Alan Isakov ‘The Weatherman’ and how music fuels his writing process 198. Jack Colwell on Tori Amos ‘Boys for Pele’ (1996) 197. Benmont Tench on playing with Bob Dylan, Jenny Lewis and Ryan Adams and the worst advice he’s received 196. Ella Thompson (Dorsal Fins, GL) on Renee Geyer ‘Moving On’ 195. The Shires on Lady Antebellum ‘Own the Night’ (2011) 194. Duglas T Stewart (BMX Bandits) on Beach Boys ‘Love You’ (1977) 193. Dan Soder on Queens of the Stone Age ‘Like Clockwork’ (2013) 192. Kingswood on The Beatles ‘Magical Mystery Tour’ (1967) 191. Comedian Becky Lucas on Michael Jackson ‘Bad’ (1987) 190. PVT on Brian Eno ‘Another Green World’ (1975) 189. Middle Kids on My Brightest Diamond ‘Bring Me The Workhorse’ (2006) 188. The Bitter Script Reader on Tom Hanks ‘That Thing You Do’ (1996) 187. Carly Rae Jepsen ‘Emotion’ (2015) with CRJ Dream Team Roundtable 186. Sarah Belkner on Peter Gabriel ‘So’ (1986) 185. Mark Hart (Crowded House, Supertramp) on XTC ‘Drums and Wires’ (1979) 184. Emma Swift on Marianne Faithfull ‘Broken English’ (1974) 183. Owen Rabbit on Kate Bush ‘Hounds of Love’ (1985) 182. Robyn Hitchcock on Bob Dylan ‘Blonde on Blonde’ (1966) 181. Dave Mudie (Courtney Barnett) on Nirvana ‘Nevermind’ (1991) 180. Brian Koppelman on Bruce Springsteen ‘Nebraska’ (1982) 179. Nicholas Allbrook (POND) on OutKast ‘The Love Below’ (2003) 178. 2016 in Review: What the hell? ft Jeff Greenstein, Rob Draper & Cookin on 3 Burners, Melody Pool, Lisa Mitchell, Emma Swift, Brian Koppelman, Mark Hart (Crowded House), Davey Lane and Alex Lahey 177. Harper Simon on The Beatles ‘White Album’ (1968) 176. Andrew P Street on Models ‘Pleasure of Your Company’ (1983) 175. Matt Farley (Motern Media) on why The Beach Boys ‘Love You’ is better than ‘Pet Sounds’ 174. Lisa Mitchell on Regina Spektor ‘Begin to Hope’ (2006) and her favorite albums of 2016 173. Peter Bibby on Sleep ‘Dopesmoker’ (2003) 172. Slate’s Jack Hamilton on Stevie Wonder ‘Innervisions’ (1973) 171. Showrunner Blake Masters on Drive-By Truckers ‘The Dirty South’ (2004) 170. Taylor Goldsmith (Dawes) on on their new album ‘We’re All Gonna Die’, loving LA and the albums that inspire him 169. Sadler Vaden on The Rolling Stones ‘Goats Head Soup’ (1973) 168. Guy Clark biographer Tamara Saviano on ‘Dublin Blues’, Guy’s songwriting process and his musical legacy 167. What does Trump mean for music? 166. A Tribute to Sir George Martin, The Fifth Beatle with Davey Lane and Brett Wolfie 165. John Oates on Joni Mitchell ‘Blue’ (1971) 164. Jimmy Vivino on the birth of the Max Weinberg 7, his relationship with Conan O’Brien, country music and the future of rock’n’roll 163. DJ Alix Brown on Transformer (1972) by Lou Reed 162. Taylor Locke on Doolittle (1989) by the Pixies, the album that inspired 90s alt-rock 161. Harts on Around the World in a Day (1985) by Prince and jamming with Prince at Paisley Park 160. Mark McKinnon (The Circus) on Kristofferson and programming the President’s iPod 159. Alan Brough on A Walk Across the Rooftops (1984) by The Blue Nile 158. Peter Cooper on Pretty Close to the Truth (1994) and why we need Americana music 157. Will Colvin (Hedge Fund) on One of the Boys by Katy Perry (2008) 156. 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Imogen Clark on Heartbreaker by Ryan Adams 139. Jesse Thorn on Fresh by Sly and the Family Stone 138. Stephen Tobolowsky on The Rise and Fall of Ziggy Stardust and the Spiders from Mars by David Bowie 137. Ben Blacker on Blood and Chocolate on Elvis Costello & the Attractions 136. Jonny Fritz on West by Lucinda Williams 135. Adam Busch on A River Ain’t Too Much to Love by Smog 134. Kelsea Ballerini on Blue Neighbourhood by Troye Sivan 133. Natalie Prass on Presenting Dionne Warwick 132. Josh Pyke on Badmotorfinger by Soundgarden 131. Kip Moore on Born to Run by Bruce Springsteen 130. Koi Child on Voodoo by D’Angelo 129. The Cadillac Three on Wildflowers by Tom Petty 128. Julian McCullough on Appetite for Destruction by Guns n Roses 127. Danny Clinch on Greetings from Ashbury Park NJ by Bruce Springsteen 126. Sam Palladio (Nashville) on October Road by James Taylor 125. Steve Mandel on Blood and Chocolate by Elvis Costello 124. Brian Koppelman on The History of the Eagles 123. Benmont Tench on Beggars Banquet by the Rolling Stones 122. Jimmy Vivino (Basic Cable Band) on Super Session by Al Kooper, Mike Bloomfield and Stephen Stills 121. Holiday Sidewinder on Pat Garrett & Billy the Kid by Bob Dylan 120. Ben Blacker on Aladdin Sane by David Bowie 119. EZTV on The Toms by The Toms 118. Jess Ribeiro on Transformer by Lou Reed 117. Whitney Rose on Keith Whitley Greatest Hits 116. Best Albums of 2015 with Danny Yau ft. Jason Isbell, Dan Kelly, Shane Nicholson, Tim Rogers, Will Hoge and Julien Barbagallo (Tame Impala) 115. Phil Spector’s A Christmas Gift For You with Jaime Lewis 114. Xmas Music ft. Kristian Bush, Lee Brice, Corb Lund and Tim Byron 113. Sam Outlaw on Pieces of the Sky by Emmylou Harris 112. Jason Isbell on Sticky Fingers by the Rolling Stones 111. Ash Naylor (Even) on Houses of the Holy by Led Zeppelin 110. Burke Reid (Gerling) on Dirty by Sonic Youth 109. Lance Ferguson (The Bamboos) on Kind of Blue by Miles Davis 108. 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Shane Nicholson on 52nd St by Billy Joel 86 - Tired Lion on Takk… by Sigur Ros 85 - Whispering Bob Harris on Forever Changes by Love 84 - Jake Stone (Bluejuice) on Ben Folds Five by Ben Folds Five 83 - Pete Thomas (Elvis Costello and the Imposters) on Are You Experienced? by the Jimi Hendrix Experience 82 - Dom Alessio on OK Computer by Radiohead 81 - Anthony Albanese MP on The Good Son by Nick Cave and the Bad Seeds 80 - John Waters on Electric Ladyland by The Jimi Hendrix Experience 79 - Jim DeRogatis (Sound Opinions) on Clouds Taste Metallic by The Flaming Lips 78 - Montaigne on The Haunted Man by Bat for Lashes 77 - Guy Pratt (Pink Floyd) on Quadrophenia by The Who 76 - Homer Steinweiss (Dap Kings) on Inspiration Information by Shuggie Otis 75 - Best of 2015 (So Far) ft. Danny Yau, Montaigne, Harts, Joelistics, Rose Elinor Dougall and Burke Reid 74 - Matt Farley (Motern Media) on RAM by Paul McCartney BONUS - Neil Finn on The Beatles, Neil Young, David Bowie and Radiohead 73 - Grace Farriss (Burn Antares) on All Things Must Pass by George Harrison 72 - Katie Noonan on Blue by Joni Mitchell 71 - Harts on Band of Gypsys by Jimi Hendrix 70 - Tim Rogers (You Am I) on Bring the Family by John Hiatt 69 - Mark Seymour (Hunters and Collectors) on The Ghost of Tom Joad by Bruce Springsteen 68 - Jeremy Neale on Graceland by Paul Simon 67 - Joelistics on Graceland by Paul Simon 66 - Brian Nankervis (RocKwiz) on Astral Weeks by Van Morrison 65 - ILUKA on Pastel Blues by Nina Simone 64 - Rose Elinor Dougall on Tender Buttons by Broadcast 63 - Sarah McLeod (The Superjesus) on Siamese Dream by The Smashing Pumpkins 62 - Keyone Starr on The Miseducation of Lauryn Hill 61 - Chase Bryant on Defying Gravity by Keith Urban 60 - Brian Koppelman on Southeastern by Jason Isbell 59 - Michael Carpenter on The Beatles White Album Side 4 58 - Pete Kilroy (Hey Geronimo) on The Beatles White Album Side 3 57 - Mark Wells on The Beatles White Album Side 2 56 - Jeff Greenstein on Colossal Youth by Young Marble Giants 55 - Laura Bell Bundy on Shania Twain, Otis Redding and Bright Eyes 54 - Jake Clemons on Surfacing by Sarah McLachlan 53 - Kristian Bush (Sugarland) on The Joshua Tree by U2 52 - Kevin Bennett (The Flood) on Willis Alan Ramsey by Willis Alan Ramsey 51 - Lee Brice on Unorthodox Jukebox by Bruno Mars 50 - Davey Lane (You Am I) on the White Album (Side 1) by The Beatles 49 - Joe Camilleri on The Rolling Stones by The Rolling Stones 48 - Russell Morris on The Rolling Stones by The Rolling Stones 47 - Mike Rudd (Spectrum) on England’s Newest Hitmakers by The Rolling Stones 46 - Henry Wagons on Harvest by Neil Young 45 - Megan Washington on Poses by Rufus Wainwright 44 - Andrew Hansen (The Chaser) on Armchair Theatre by Jeff Lynne 43 - She Rex on BlakRoc by The Black Keys 42 - Catherine Britt on Living with Ghosts by Patty Griffin 41 - Robyn Hitchcock on Plastic Ono Band by John Lennon 40 - Gideon Bensen (The Preatures) on Transformer by Lou Reed 39 - Harry Hookey on Blood on the Tracks by Bob Dylan 38 - Rob Draper on Faith by George Michael 37 - Best of 2014 ft. Danny Yau, Andrew Hansen, Gideon Bensen (The Preatures) and Mike Carr 36 - Doug Pettibone on Wrecking Ball by Emmylou Harris 35 - Ross Ryan on Late for the Sky by Jackson Browne 34 - Michael Carpenter on Hard Promises by Tom Petty & the Heartbreakers 33 - Davey Lane (You Am I) on Jesus of Cool by Nick Lowe 32 - Zane Carney on Smokin’ at the Half Note by Wes Montgomery 31 - Tony Buchen on Sgt Pepper’s Lonely Hearts Club Band by The Beatles 30 - Simon Relf (The Tambourine Girls) on On the Beach by Neil Young 29 - Peter Cooper on In Search of a Song by Tom T Hall 28 - Thelma Plum on Stolen Apples by Paul Kelly 27 - James House on Rubber Soul by the Beatles 26 - Ella Hooper on Let England Shake by PJ Harvey 25 - Abbey Road Special 24 - Alyssa Bonagura on Room for Squares by John Mayer 23 - Luke Davison (The Preatures) on Green Onions by Booker T and the MGs 22 - Neil Finn on Hunky Dory by David Bowie and In Rainbows by Radiohead 21 - Neil Finn on Beatles for Sale by the Beatles and After the Goldrush by Neil Young 20 - Morgan Evans on Diorama by Silverchair 19 - Emma Swift on Car Wheels On A Gravel Road by Lucinda Williams 18 - Danny Yau on Hourly Daily by You Am I 17 - J Robert Youngtown and Jon Auer (The Posies) on Hi Fi Way by You Am I 16 - Lester the Fierce on Hounds of Love by Kate Bush 15 - Luke Davison on Green Onions by Booker T and the MGs 14 - Jeff Cripps on Wheels of Fire by Cream 13 - Mark Holden on Blue by Joni Mitchell (Part 2) 12 - Mark Holden on Blue by Joni Mitchell (Part 1) 11 - Gossling on O by Damien Rice 10 - Matt Fell on Temple of Low Men by Crowded House 9 - Pete Thomas on Are You Experienced? by Jimi Hendrix (Part 2) 8 - Pete Thomas on Are You Experienced? by Jimi Hendrix (Part 1) 7 - Sam Hawksley on A Few Small Repairs by Shawn Colvin 6 - Jim Lauderdale on Grievous Angel by Gram Parsons 5 - Mark Moffatt on Blues Breakers by John Mayall and Eric Clapton 4 - Darren Carr on Ten Easy Pieces by Jimmy Webb 3 - Mark Wells on Revolver by The Beatles 2 - Mike Carr on Arrival by ABBA 1 - Rob Draper on Highway 61 Revisited by Bob Dylan

[beardcore-blog]

Andrew W.K. (7)

SYDNEY BIG DAY OUT 2011

BIG DAY OUT 2011 FEATURING: TOOL, RAMMSTEIN, IGGY AND THE STOOGES, M.I.A, JOHN BUTLER TRIO, GRINDERMAN, WOLFMOTHER, LCD SOUNDSYSTEM, BLOODY BEETROOTS DEATH CREW 77, CRYSTAL CASTLES, LUPE FIASCO, PRIMAL SCREAM SCREAMADELICA LIVE, DEFTONES, BLISS N ESO, ANGUS & JULIA STONE, PLAN B, PNAU, DIE ANTWOORD, EDWARD SHARPE & THE MAGNETIC ZEROS, BOOKA SHADE DJs, ANDREW W.K., THE JIM JONES REVUE, BIRDS OF TOKYO, LITTLE RED, GYROSCOPE, VITALIC, CSS, RATATAT, AIRBOURNE, DEAD LETTER CIRCUS, BLUE KING BROWN, THE NAKED & FAMOUS, OPERATOR PLEASE, CHILDREN COLLIDE, GYPSY AND THE CAT, WILL STYLES, LOWRIDER, SAMPOLOGY, KIDS OF 88, KID KENOBI & MC SHURESHOCK.

2010 was one for the record books and a stellar year for BDO.

We not only passed the emotional 100 show mark with a bang, but also staged our biggest shows to the largest and our most respectful audiences of our 18 years of BDO. And so we thank you for your continued support in helping us produce the best and safest event possible for the patrons, the bands and our tireless team.

The more you care: the more we care.

Which brings us to 2011.

2010 is a very hard act to follow, so for 2011 it felt right to turn up the heat musically and visually. And what better way to explain this than to present you with over 40 exceptional acts from home and abroad for the first round alone.

This is by far our biggest and most diverse announcement ever. As well as the many incredible first timers on offer, we are enthusiastically welcoming back several iconic BDO veterans. They are some of the most exciting and uncompromising artists performing live today. We believe this combination of extremes for 2011 will create a spectacular event.

From the heaviest to the sweetest sounds in the world today, this will be a sensory overload not to be missed.

Full tickets details are below, but please remember the policies we’ve built your show on: You’re all VIPs (Very Important Punters). We don’t do elitist or bogus pre-sales: we’re either on sale or we’re not. We have what we believe to be one low ticket price for one high standard for everyone….

And we hope to see you there

Ken and Viv

So, let’s get it rolling…

TOOL

The sky will blacken, the ground will shudder, the earth will open up and BIG DAY OUT will once again tremble in the presence of the awe-inspiring TOOL. “Primal, poignant, poetic and, as always, utterly powerful” (ARTISTdirect, July 2010). Touring Down Under for the first time in four years, vocalist Maynard James Keenan, guitarist Adam Jones, drummer Danny Carey and bassist Justin Chancellor will be fresh from the studio, where they have been slowly crafting a follow-up to 2006’s 10,000 Days. From Lateralus to Stinkfist, you know the music. But, backed by a video and laser light show unlike any other, TOOL live is also “the kind of visual experience you’ll probably never have again” (CHARTattack, August 2009). Unmatched in the world of dark, heavy rock, California’s TOOL have over 20 years scorched themselves a place as “one of the best live bands in history” (ARTISTdirect). Be blinded by their light at BIG DAY OUT 2011. (ALL SHOWS)

RAMMSTEIN

A decade since ruling over BIG DAY OUT with a reign of fire, pyrotechnics, monstrous riffs, wicked humour and industrial savagery, RAMMSTEIN will return this summer to reclaim their sovereign territory. The RAMMSTEIN live experience is “dizzyingly ridiculous”, says the BBC. “Rock is at its best when confrontational, subversive, curiously camp and bold, which is why RAMMSTEIN are currently one of the most important bands in the genre.” Armed with their sixth album, Liebe ist für Alle da, Germany’s infamous techno-metal masters bring nothing less than the greatest show on earth: “RAMMSTEIN are in pulverising form, the crowd are going crazy, the atmosphere is electric and the firebombs launching from the stage are like World War III on apocalypse LSD” (The Quietus, February 2010). Bow down to your kings, BIG DAY OUT 2011, for RAMMSTEIN have returned. (ALL SHOWS)

IGGY AND THE STOOGES

It’s time for a new generation to plug in to the raw power of IGGY AND THE STOOGES at BIG DAY OUT 2011. The band that invented punk rock return with iconic frontman Iggy Pop rejoined by guitarist James Williamson, drummer Scott Asheton, bass player Mike Watt and sax player Steve Mackay. IGGY AND THE STOOGES will be performing songs from their landmark 1973 album Raw Power, and cherry-picking the likes of Fun House, I Wanna Be Your Dog and Down On The Street from their incendiary back catalogue. Kurt Cobain consistently listed Raw Power as his #1 favorite album of all time and Jack White will tell you that Fun House is the best rock and roll album ever made! It’s “the most chaotic and beautiful mess you could ever want” (Boston Herald, September 2010). As Iggy says, “The Stooges and I are cocked and loaded to deliver it live on stage.” And the only place to see IGGY AND THE STOOGES deliver it this summer is at BIG DAY OUT. Don’t be the one to say you missed it. (ALL SHOWS)

M.I.A.

Standing at the front line of mission BIG DAY OUT 2011 is the one-woman shock and awe campaign that is M.I.A. The Sri Lankan-British “singer/rapper/firebrand” (Pitchfork) fearlessly cuts through genre boundaries and lyrical taboos, blazing new ground from the clubs to the streets with powerhouse tracks like Galang, Paper Planes and, from her latest album ///Y/, Born Free and XXXO. On record and on stage, M.I.A. delivers “pure, flashing brilliance, a lightning cognitive connection of word, idea and sound that few do so well” (NME, July 2010). Often controversial, always compelling, M.I.A knows only one way: all guns blazing. Take cover, BIG DAY OUT. (ALL SHOWS)

JOHN BUTLER TRIO

John Butler is undeniably the most successful truly independent artist in Australia. The recent rebirth of his band the JOHN BUTLER TRIO saw two new members join John Butler; Nicky Bomba on drums and Byron Luiters on bass. The title for the trio’s latest album April Uprising is all about a period of change, of evolution and a constantly renewing beginning. April Uprising is John’s most focused, diverse and accessible album to date. Between the epic opening track Revolution and a whispered acoustic coda A Star is Born, dedicated to John’s son, April Uprising is an album that combines the personal, the political and the musically memorable with skill and passion. BIG DAY OUT is very excited to welcome back JOHN BUTLER TRIO. (ALL SHOWS)

GRINDERMAN

BIG DAY OUT is shivering with anticipation as the howling, growling, malevolent rock beast that is GRINDERMAN approaches. GRINDERMAN are Nick Cave, Warren Ellis, Martyn Casey and Jim Sclavunos – Four Bad Seeds on a mission to take us somewhere else entirely. On album No.1 they were equal parts swagger and sexual frustration. On Grinderman 2, they’re simply ravenous and rampaging, “mixing horror and black humour with barely tamed musical malevolence” (The Guardian, September 2010). Fronted by Australia’s unarguable king of intense, intimidating performance, GRINDERMAN are coming to draw out the heathen child in all of us at BIG DAY OUT 2011. (ALL SHOWS)

WOLFMOTHER

Brothers and sisters sound the siren. A new moon has risen and the return of WOLFMOTHER is well and truly upon us. It was a whirlwind journey the band went on with the Wolfmother album, a voyage that resulted in over one million sales, sold out riots disguised as shows the world over, multiple ARIA Awards and a Grammy. In 2009 they regrouped and returned with a thundering 2nd record, Cosmic Egg, which they describe as “the sound of the Wolfmother world being rethunk and cracked wide open, with a sprawling, jubilant galaxy of musical and metaphysical harmony spilling forth”. We couldn’t have put it better ourselves and BIG DAY OUT couldn’t be happier to have them cracking it open again in 2011. (ALL SHOWS)

LCD SOUNDSYSTEM

You thought it was all over, but James Murphy’s genre-mashing LCD SOUNDSYSTEM couldn’t farewell the live arena without one last tilt at BIG DAY OUT 2011. The biggest name in punk-funk for much of the last decade, LCD SOUNDSYSTEM is a “disco-ticking-time-bomb” (OC Weekly) that has done everything – from movie soundtracks to Grammy-nominated albums. Now, after winning raves for third album This is Happening, Murphy is about to flick LCD’s ‘off’ switch. But before he does, LCD SOUNDSYSTEM wanna put some dance, party and soul in your world one last time, via the likes of Drunk Girls, North American Scum and Daft Punk is Playing at My House. And they’ll be bringing “the heavy artillery… “More muscular and frenzied than on record, the LCD seven-piece live line-up avoids the ‘live dance music’ cul-de-sac in favour of a looser, more dynamic sound… Wow” (The List, May 2010). You better believe this is happening – so be sure to get enough LCD SOUNDSYSTEM to last you a lifetime at BIG DAY OUT this summer. (ALL SHOWS)

BLOODY BEETROOTS DEATH CREW 77

BIG DAY OUT has seen the future of dance music, and it goes by the name of BLOODY BEETROOTS DEATH CREW 77. Bob Rifo’s Italian gang may be DJs, prolific producers, masked avengers and remixers extraordinaire, but this summer it will be BLOODY BEETROOTS DEATH CREW 77 invading the Boiler Room. This isn’t just a live set, this is live communal anarchy, an electro punk rave-up that has made BLOODY BEETROOTS DEATH CREW 77 one of the most talked about dance music acts on the planet. Madly energetic, or just plain mad? Whatever the answer, you’ll be showing mad love for BLOODY BEETROOTS DEATH CREW 77 by the time they’re done with BIG DAY OUT 2011. (ALL SHOWS)

CRYSTAL CASTLES

Get ready to get messy with CRYSTAL CASTLES at BIG DAY OUT 2011. Toronto’s electronic experimentalists Ethan Kath and Alice Glass are purveyors of the most frenetic live show on the planet. “It’s a thrillingly anarchic, messy show … all over the place, and all the better for it” (MusicOMH, June 2010). The whispers about CRYSTAL CASTLES began in 2006, a series of limited, lo-fi vinyl singles selling as quickly as they were pressed. Two self-titled albums later, the whisper is a roar. Or maybe that’s just Glass’s “hellish shriek backed by warzone beats and liquid synths”. Shield your ears – CRYSTAL CASTLES will bring the noise at BIG DAY OUT this summer. (AUCKLAND & EAST COAST ONLY)

LUPE FIASCO

If BIG DAY OUT is beamin’, it’s because we’re psyched to be welcoming back hip hop superstar LUPE FIASCO. The MC with the madly energetic, fast-flowin’ live-band show kicked and pushed outta Chicago with two Grammy-nominated albums, Food & Liquor and The Cool. Since last hitting these shores, LUPE has wrapped a new album, Lasers. But where is it? Singles I’m Beamin’ and Shining Down were a tasty tease, yet the album proper remains so damn anticipated that the rapper’s fans have resorted to petitioning his label to have it released. That’s just the kind of passion LUPE FIASCO inspires, and that’s why we’re beamin’ to have him back at BIG DAY OUT 2011. (ALL SHOWS)

PRIMAL SCREAM

20 years after taking the sounds and spirit of the second summer of love and acid house and melding it into one of the greatest albums of the 1990s, British rockers PRIMAL SCREAM will remake history by performing their epoch-defining classic Screamadelica in full at BIG DAY OUT 2011. Two decades on, these songs still sound like the future: Loaded, Movin’ On Up, Higher Than the Sun, Come Together, Don’t Fight it, Feel It. Bobby Gillespie and the band will be joined by gospel singers, horn section, and a field full of memories. Come together to see PRIMAL SCREAM do Screamadelica at BIG DAY OUT. (ALL SHOWS)

DEFTONES

BIG DAY OUT is daring to look deep into the Diamond Eyes of California’s favourite alt-metal sons, DEFTONES. The 2010 release and sixth album, is “a brilliant, invigorating reintroduction” (NME) to Chino Moreno, Stephen Carpenter, Frank Delgado, Abe Cunningham and new bassist Sergio Vega – the men who shook the world a decade ago with the groundbreaking White Pony – still “wield that balance between beauty and brutality better than anyone” (ARTISTdirect, August 2010). So brace yourself for extremes as you prepare to witness the long-awaited return of DEFTONES at BIG DAY OUT 2011. (ALL SHOWS)

BLISS N ESO

Fresh from knocking off Eminem’s six week reign at the top of the ARIA Album Charts, with their fourth album Running on Air Aussie hip hop trio BLISS N ESO are self assuredly demanding your ears when they hit the stage at BIG DAY OUT 2011. This is music made to fill the wide open spaces of BIG DAY OUT: “This is a career defining album; an album by which every new hip-hop release in this country will be judged, and deservedly so” says The Vine, MX added “Running on Air is a rocket that never runs out of fuel.” Hip-hop style stadium singalongs? We think yes. (ALL AUSTRALIAN SHOWS)

ANGUS & JULIA STONE

Australia’s finest duo ANGUS & JULIA STONE have spent the last few years on a remarkable musical journey together and now they bring their lovingly crafted songs to BIG DAY OUT 2011. Their latest album Down the Way was released to critical acclaim mainly due to the subtle shift of gear, represented by a growing confidence in their abilities as artists which has seen the music follow suit. (ALL AUSTRALIAN SHOWS)

PLAN B

BIG DAY OUT is reverting to PLAN B. But Ben Drew is no back-up plan, he’s the recalcitrant renaissance man of British music: rapper, actor, guitarist, storyteller, filmmaker and now chart-topping soul singer. After shocking the nation with his 2006 debut Who Needs Action When You Got Words, PLAN B took a sharp turn with The Defamation of Strickland Banks, a surprising, slick album filled with “stonking tunes” (NME) that trace the rise and fall of a smartly-suited soul singer. But don’t be fooled – this sweet soul morsel has a razor-sharp edge. Quite simply, no one else cuts it like PLAN B, and he’s suiting up for BIG DAY OUT 2011. (ALL SHOWS)

PNAU

As the world now knows, Australia’s electronic / pop crossover pioneers, PNAU did make the big move over two years ago to take up residence in London following on from a life changing moment crossing paths with (and now under the guidance of) the pop maestro himself, Sir Elton John. It’s been three long years since the release of their last spectacular self titled album, with which Messr’s Nick Littlemore and Peter Mayes have been incredibly busy traipsing the world completing album number four in studios in London, Atlanta, New York and Los Angeles, as well as having been involved in array of projects including one half of Empire Of The Sun; production jobs for Groove Armada, Ellie Goulding, Robbie Williams and more. In amongst this worldly action, Nick has been given the auspicious duty of composer and musical director for the famed international production Cirque du Soleil. With the wait now over and the highly anticipated fourth album arriving shortly, it’s time for PNAU to present the next chapter of ‘their brilliant career’ and as such the rumours can be confirmed as PNAU finally return home to Australia in January 2011 for the BIG DAY OUT. (ALL AUSTRALIAN SHOWS)

DIE ANTWOORD

Comin’ straight outta Cape Town to BIG DAY OUT 2011 are South Africa’s interweb-conquering, next level, hip hop heroes DIE ANTWOORD. The hard rhyming Ninja, Yo-Landi Vi$$er and DJ Hi-Tek burst on to the scene with serious gangsta skillz and viral videos for Enter the Ninja and Zef Side, then quickly became the “so zef, so fresh” smash hit of Coachella 2010 – “Pound for pound the most engaging and legitimately surprising act of the weekend,” said the LA Times. Part anarchic art project, part the-future-of-rap, total mystery. Are DIE ANTWOORD for real? Find the answer at BIG DAY OUT this summer. (ALL SHOWS)

EDWARD SHARPE & THE MAGNETIC ZEROS

With their magic tour bus painted all the colours of the rainbow and their fearless leader at the wheel, EDWARD SHARPE & THE MAGNETIC ZEROS are on the road to BIG DAY OUT 2011. The (at least!) ten-strong, Hottest 100-conquering neo-hippie combo from California are putting a skip in the step of the world with smile-inducing songs from the name-making Home to the happy-go-lucky Janglin’ and 40 Day Dream. This is the stuff group singalongs are made of, music to bring people together. As the Denver Post put it: “At an Edward Sharpe show, everybody is family.” So get on board with EDWARD SHARPE & THE MAGNETIC ZEROES – next stop, BIG DAY OUT. You’ll feel right at home. (ALL SHOWS)

BOOKA SHADE DJs

Berlin duo Walter Merziger and Arno Kammermeier are BOOKA SHADE DJs – Get Physical label bosses, producers of immense electronic club music, newly-minted DJs. At BIG DAY OUT 2011, it’s BOOKA SHADE in DJ guise that’ll take to the Boiler Room. A BOOKA SHADE DJs set isn’t just about flinging vinyl onto a turntable – “Bringing together new tracks and new beats and creating something new around it, is more the spirit of our music,” says Kammermeier. It’s also about capturing the feeling of a great party. Grab the feeling and don’t let go with BOOKA SHADE DJs at BIG DAY OUT this summer. (ALL SHOWS)

ANDREW W.K.

When it’s time to party, BIG DAY OUT knows exactly who to consult – the ultimate authority on partying hard, ANDREW W.K. Infamous for his bloody nose, highly regarded for his motivational speaking, famous for his high-life attitude, beloved for his songs like Party Hard, She is Beautiful and It’s Time To Party, New Yorker ANDREW W.K. is coming our way with his full band for the first time ever to create feelings of pure joy, fun, freedom, and possibility. How does he do it? “His fast and hard party anthems whip the crowd into a fist pumping frenzy … ANDREW W.K. takes command of the crowd and bids them to live it up while they can” (mxdwn, September 2010). So, what are you waiting for? It’s time to party. It’s time for ANDREW W.K. to take command at BIG DAY OUT 2011. (ALL SHOWS)

THE JIM JONES REVUE

THE JIM JONES REVUE will be burning the house down at BIG DAY OUT 2011. THE JIM JONES REVUE manifesto is simple, and ferocious: "If you’re going to get on stage,” says guitarist Rupert Orton, “deliver." And that they do, riffing on Little Richard and Jerry Lee Lewis for a rock’n’roll sound that could have come direct from the 1950s, if it wasn’t fused with the so dang wild, loud and loose vibes of The Cramps and The Birthday Party. The Londoners may have only dropped their debut in 2008, but don’t let that fool you – these five punk rock bluesmen have been around. Hot on the heels of their blistering second album, Burning Down Your House, THE JIM JONES REVUE are set to fire up BIG DAY OUT this summer. (ALL SHOWS)

BIRDS OF TOKYO

BIRDS OF TOKYO certainly aren’t the kind of band to do things in halves. Their latest self –titled album was recorded between Sydney, London, Gothenburg and New York; BIRDS OF TOKYO gave themselves the most surreal and inspiring experience possible, knowing that the results of doing so would speak for themselves. This journey into such deeply personal territory has produced BIRDS OF TOKYO’s most meaningful and powerful album yet. Stand up and be counted at BIG DAY OUT 2011 with BIRDS OF TOKYO. (ALL SHOWS)

LITTLE RED

Melbourne’s LITTLE RED have been away a while, growing up, growing down, tasting the sweet and the bittersweet in equal measures, they’ve recently returned with their second album Midnight Remember. Described by The Age as ‘pretty much the best band in Melbourne at the moment’, LITTLE RED and their all-singing, all-dancing live show are set to shake up BIG DAY OUT 2011 with their pure, irrepressible pop, infectious hooks and good times. (ALL AUSTRALIAN SHOWS)

GYROSCOPE

No strangers to the BIG DAY OUT GYROSCOPE is bringing something new to the table this time and it��s not what you would expect. You would be forgiven for thinking that they would stick with what seems like a formula for success. But for something to succeed you don’t need a formula – you need a solid foundation on which everything can be built. And few in music have set a foundation as strong as GYROSCOPE. (ALL AUSTRALIAN SHOWS)

VITALIC.

The temperature gauge is rising as BIG DAY OUT ushers in the artist who ushered in a whole new era of dance music, VITALIC. The man born Pascal Arbez has always been one step ahead of the electro game, his 2005 debut OK Cowboy preceding the rise to worldwide dance-dominance of every other Frenchman with a laptop. In 2009, he re-stamped his authority on the scene with the highly-charged Flashmob. Using big synths, big beats and a big slice of glittery disco as his building blocks, VITALIC creates a sound as pulverising as it is infectious. No messing around – “This guy is incredible” (inthemix, November 2008). Keep up if you can, as VITALIC flashes forward at BIG DAY OUT this summer. (ALL SHOWS)

CSS

Representin’ for São Paulo at BIG DAY OUT 2011 are Brazil’s hot, hot band of the people, CSS. “The physical embodiment of the best party ever” (NME), CSS have shared their unquenchable thirst for good times and all things pop and art via two albums, Cansei de Ser Sexy and Donkey. On the eve of the release of their next blast of post-punk-electro-art-school madness, CSS are back to doing what they do best – creating unbridled joy live on stage, in a set that’s equal parts dance party, urban circus, and out-and-out chaos. As the band’s technicolour frontwoman Lovefoxx would say: get up, get up, get up! Get up, and get your CSS while it’s hot at BIG DAY OUT. (ALL SHOWS)

RATATAT

When BIG DAY OUT is rockin’, RATATAT will come a’knockin’. New York duo Mike Stroud and Evan Mast have been mixing electronics with guitars for the past decade, combining the power of noise and dance, collaborating with Kid Cudi, remixing Bjork, dropping four albums. Songs like Lex, Wild Cats and Seventeen Years have made them completely hip, but it’s when you see RATATAT live on stage – an aural, visual and physical assault of synths, guitar, hypnotic video and boundless energy – that the hype makes perfect sense. If you’re ready to be blown away, you’re ready for RATATAT at BIG DAY OUT 2011. (ALL SHOWS)

AIRBOURNE

AIRBOURNE have been waving the rock and roll flag for Australia both at home and overseas since 2003. AIRBOURNE crank out with all cylinders firing potent, solid and good ol’ fashioned rock and roll. “Basically, we’ve never been about having a specific message; we don’t talk about politics or social injustices in our songs. There are other bands out there to take care of that,” says rowdy lead guitarist and vocalist Joel O‘Keefe. The band’s latest album No Guts, No Glory is a true testament to AIRBOURNE’s way of life: the album is a virtual rock and roll buffet served up this summer at BIG DAY OUT 2011. (ALL SHOWS)

DEAD LETTER CIRCUS

It’s been a few years since DEAD LETTER CIRCUS blasted onto Australian airwaves in 2007, their bombastic yet nuanced take on alternative rock left most observers struggling to process what they were hearing. It was epic, it oozed confidence, it was intense. Fast forward a while and the band then set out to record the follow up to their self-titled EP that started it all. Over an incredible 18 month gestation period, with every deadline pushed, every note analysed, every resource pooled, and every avenue of exploration exhausted, the new album This Is The Warning was born. From one travelling circus to another we make way for DEAD LETTER CIRCUS to come play BIG DAY OUT 2011. (ALL AUSTRALIAN SHOWS)

BLUE KING BROWN

You can put your fist in the air, come just as you are, you can bounce to da beat, rock out up the front row or chill up the back. Hard hitting lyrics and groove delivered in the most accessible way…you’re at BIG DAY OUT 2011 and Australia’s premier urban roots crew BLUE KING BROWN have arrived! Lead by the multi talented, relentless energy of Natalie Pa’apa’a, the band have established themselves as one of Australia’s most engaging live acts. BLUE KING BROWN bringing groove to BIG DAY OUT this summer. (ALL AUSTRALIAN SHOWS)

THE NAKED AND FAMOUS

The meteoric rise of THE NAKED AND FAMOUS has been the biggest story in New Zealand music in 2010. The group had already won over alternative radio ears in their home country with two EPs where a home studio full of industrial strength electronica ideas underpinned some of the most melodic dream pop concocted down under, before they unleashed single Young Blood in May. But were they ready for that song to go straight into the NZ charts at number one, hook them up with NY indie label and blog Neon Gold, hit playlists from Triple J to London’s XFM, win them the prestigious APRA Silver Scroll and make them one of the hottest unsigned properties in the world? Probably not. But their self-produced album, Passive Me Aggressive You, has since appeared and garnered even more praise. Nudity? Not in public. Fame? Most definitely around the corner for these five kids from Auckland. (ALL SHOWS)

OPERATOR PLEASE

Returning to the BIG DAY OUT national tour for their second time OPERATOR PLEASE are well and truly back. This time though, take everything you think you know about OPERATOR PLEASE and put it aside. The Queensland-based band defy all expectations on their second album, Gloves, with the youthful enthusiasm and teenage angst that gave them worldwide recognition making way for a more sophisticated and developed sound. After spending the last few years touring the globe the band bring their pop anthems along for the ride and are set to rock BIG DAY OUT 2011. (ALL AUSTRALIAN SHOWS)

CHILDREN COLLIDE

CHILDREN COLLIDE arrive for BIG DAY OUT 2011 on the back of their powerful new album Theory for Everything. Vocalist and guitarist Johnny Mackay says "Alchemy and chemistry, reason and religion, love and logic. Art and music are so often about tying opposing forces together into a contentious dualism. Contradiction is a big part of what we do." CHILDREN COLLIDE are here. (ALL AUSTRALIAN SHOWS)

GYPSY & THE CAT

There is no gypsy and there is no cat, but there is a GYPSY & THE CAT, an electronic duo who, instead of pumping out house beats and booty-quaking bass lines, pen gorgeous mini epics of forlorn beauty and elegiac romanticism that, you can just tell, are about heartache and solitude, past girlfriends and future loss. Their brand new album Gilgamesh is set for release this summer. In the meantime the lead single Time to Wander has been described as “…dreamy, epic and luscious soft rock, just in time to soundtrack the Summer. Bam” (The Brag). GYPSY & THE CAT bring their summer soundtrack to BIG DAY OUT 2011. (ALL AUSTRALIAN SHOWS)

WILL STYLES

WILL STYLES first discovered “The Rave” when he was 16. At the end of the night he was moshing on the dance floor with his Skid Row t-shirt and torn jeans, whirling 2 flannies above his head, yelling along to Speed Racer. He was hooked. He’s always tried (often spectacularly badly) to play rave in FunkTrust sets, but after taking awhile he’s finally playing rave music every week: like a shitty Nicholas Sparks novel-turned-movie, he’s been re-united with his first love. Will has hosted Radio FunkTrust on Triple J since 2006. Every Friday night you can tune in to him playing super-sweet new records and making fart jokes. WILL STYLES is joined for the BIG DAY OUT shows by MC HAYLEY BOA. She used to sing in one of The Wiggles shows and was reprimanded for incorrectly miming the actions during the Eat a Banana song. Instead of peeling it, she was (quite innocently) fellating the banana to tens of thousands of small children. No one has been able to convince her to re-enact her banana antics on stage yet, but we’re hoping it happens at BIG DAY OUT in 2011. (ALL AUSTRALIAN SHOWS)

LOWRIDER

Bigger. Brighter. Bolder: Just three words to nail the irresistible sound of hot Adelaide quartet LOWRIDER’s sophomore album, Round the World. LOWRIDER have taken their unique blend of soul and funk to the world, forging a reputation along the way as one of the most mesmerising live acts around. Get soulful, get funky, get LOWRIDER on the menu this summer at BIG DAY OUT 2011. (ALL AUSTRALIAN SHOWS)

SAMPOLOGY

SAMPOLOGY is a DJ. And we’re not talking your steak and three vegie solid club set here. He’s a highly accomplished technician on the 1s and 2s, (and sometime 3s) cutting his teeth in the early days as turntablist for a number of live bands including Soma Rasa and the Vinyl Slingers, which saw him first doing BIG DAY OUT at the tender young age of 17. He’s also one of the most consistently brilliant and versatile club Djs who’s not shy of mixing up his styles to suit the show. One week you might find him creating mash-up mayhem in intimate clubs by changing the vibe of the room to some kind of ridiculously wicked house party. The next week you’ll stumble into a bass bin laden club night to find him delivering a fast paced performance, skilfully bringing together endless forms of club music at countless tempos. And he’s bringing the whole swag to BIG DAY OUT in 2011. In the words of Peaches: “Sampology makes me wanna break dance.” We couldn’t have summed up SAMPOLOGY the DJ better ourselves. (ALL AUSTRALIAN SHOWS)

KIDS OF 88

Jordan and Sam were born in 1988. In 2009, they were the toast of the music world with the chart conquering disco sleaze of their platinum selling debut single My House. They followed up with a string of throbbing electro anthems culminating in the release of the insanely catchy, wildly electric journey of 21st century dance pop discovery that is their 2010 debut album Sugarpills. As their recordings and remixes have been filling club dance floors, KIDS OF 88 have since smashed their way around New Zealand and Australia, lighting up clubs and sharing the stage with everyone from the Passion Pit and Scissor Sisters to Cassette Kids while ducking back to their home studio to remix stars like Ke$ha and Cobra Starship. (ALL SHOWS)

KID KENOBI AND MC SHURESHOCK

At the turn of the decade, KID KENOBI AND MC SHURESHOCK first joined forces and by the middle of the 2000s, they were recognized as Australia’s premier MC-DJ tandems, having completed sell-out tours of the UK, USA, Canada, Brazil, China, Switzerland, New Zealand and Singapore. Celebrating a decade of working together since the turn of the millennium, KID KENOBI & MC SHURESHOCK will release their debut EP TEN” on 10.10.10 supported by a very special TEN tour incorporating a retrospective 2000-2010 performance across a whopping 23 dates nationally, and culminating with BIG DAY OUT across Australia in early 2011. (ALL AUSTRALIAN SHOWS)

Posted by Troy Constable Photography™ on 2011-01-27 09:36:50

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[nemesisbinxartifactseries]

Artifact Series C

C. Everett Koop's Scalpel

C. Henry Kempe's Teddy Bear

C.D. Atkins' Orange Juice Jug

C. H. Bennett's Ball of String

C. L. Blood's Bellows

C. S. Lewis' Wardrobe

C. S. Lewis' Writing Pen

C.S.A.: Confederate States of America Film Poster

Cab Calloway’s Zoot Suit

Cabbage Patch Monkey Doll

Cable from the Warsaw Radio Mast

Cai Lun’s Paper

Cain's Stone

Calaveras Skull

Calico Jack's Belt

Calico Jack's Flintlock Pistol

California Gold Rush Mining Pan

Caligula's Battle Armor

Caligula's Sandals *

Calvin Coolidge's Kerosene Lamp

Calvin Graham’s Sailor Suit

Calypso's Conch

Camera from the Ed Sullivan Show

Cameron Todd Willingham's Lighter

Camille Flammarion's Flammarion Engraving

Candles from Jeanne Calment's 100th Birthday Cake

Candle from the Conspirators Camp

Cangjie’s Oracle Bone Script

Canister of Greek Fire

Canister of Inconsolability *

Cannon from the Battle of Narva

Cao Cao’s Beard Brush

Captain Adrian Snow's Gauntlet

Captain Edward John Smith's Hat

Captain Gallagher’s Sword Hilt

Captain Hendrick Goosen's Trawling Net

Captain Joseph White’s Mattress

Caracalla's Bathing Amphora

Caravaggio’s Nativity with St. Francis and St. Lawrence

Caravaggio's The Lute Player *

Carbondale Oppressing Iron *

Cardea's Hinge

Cardinal Richelieu's Table Knife

Caretaker Ribbon *

Carey Loftin's Gloves *

Carl Barks' Animation Cels

Carl Hagenbeck's Circus Wagon

Carl G. Fisher’s Acetylene Headlight

Carl Gustav Hempel's Apple

Carl Jung's Cuckoo Clock

Carl Jung’s Sofa Cushion

Carl Laemmle's Nickelodeon

Carl Linnaeus' Cravat

Carl Linnaeus' Herbarium

Carl Magee’s Parking Meter

Carl McCunn's Driver License

Carl Ray's Paint Brushes

Carl Sagan's Jacket

Carlo Collodi's Bracelet *

Carlo Pellegrini’s Spats

Carlos Arredondo's Hat

Carlos Hathcock's Feather

Carlos Marcello's Favorite Table

Carmen Miranda's Maracas

Carmine Galante’s Cigar

Carnation Flowers from the Carnation Revolution

Carrie Nation’s Hatchet

Carrie White's Prom Dress

Carry-on Bag

Casey Jones' Pocketwatch

Casey Martin's Golf Club

Casey Martin’s Golf Tee

Casimir Pulaski's and Michael Kovats de Fabriczy's Hessian Cavalry Swords

Casimir Zeglen’s Bulletproof Vest

Cask of Amontillado

Caspar Wistar’s Shutters

Cassandra "Elvira" Peterson's '58 Ford Thunderbird

Cassie Chadwick's Pearl Necklace

Cassius Dio's Silver Coins

Castle Crasher Knight's Weapons

Catequil's Clubs

Caterina Sforza's Spine

Catherine de' Medici's Corset

Catherine of Aragon's Wedding Ring

Catherine O'Leary's Cow Bell *

Catherine the Great's Scarf

Catherine the Great's Slippers

Catherine the Great's Washing Board *

"Cats" Vinyl Record

Cattle Skull

Caucasian Eagle Automaton

Caught-in-the-Throat "Laff!" Sign *

Cauldron of Annwn

Cauldron of Rebirth

Cave of the Piasa Bird

Cecil B. DeMille's Riding Crop *

Cecília Meireles' Rose Pen

Cellphone from the Set of Dollhouse

Celtic Red Deer Hide

Ceramic Black Buffalo

Ceramic Figurine Collection

Cernunnos' Torc

Cesar Chavez's Hoe

Cesar Chavez's Trellis

Cesira Ferrani's Atomizer

Chain from St. Mary of Bethlehem Asylum

Chains Used to Topple Saddam Hussein's Statue in Firdos Square

Chair from the Norrmalmstorg Bank Robbery

Chalice of Dionysus

Chalkboard Erasers from the Tanganyika Laughter Epidemic

Champagne Glasses From the SS United States

Chandelier from the Montansier Opera House *

Chandre Oram's Flag

Chang and Eng Bunker's Wedding Rings

Chang Apana's Detective Badge

Charlemagne's Crown

Charlemagne's Stirrup

Charles II of Navarre’s Bandages

Charles II's Croquet Balls *

Charles II's Executioner Axe

Charles VI’s Pillow

Charles Addams' Harpsichord

Charles Algernon Parsons' Gramophone Horn

Charles Angibaud’s Mortar

Charles Babbage's Gears

Charles Babbage's Difference Engine

Charles Baudelaire's Second Volume of Les Fleurs du mal

Charles B. Franklin’s Camshaft

Charles Bell's Rolls of Canvas

Charles Blondin's Tightrope

Charles Blondin's Unitard

Charles the Bold’s Livery Collar

Charles Bourseul’s Telephone

Charles Bowles' Flour Sack

Charles Calvert's Tobacco

Charles Carpenter’s Bazookas

Charles Correll's Amos 'n' Andy Taxi

Charles Coughlin's Collar

Charles Cretors’ Popcorn Cart

Charles Cullen's Scrubs

Charles Darwin’s Magnifying Glass

Charles Darwin's Spyglass

Charles Davenport's Syringe

Charles Dickens' Badminton Racket *

Charles Dickens’ Desk

Charles Dickens' Scotch

Charles Dodgson's Rosary

Charles Douglass’ Laff Box

Charles Édouard Guillaume's Balance Wheel

Charles F. Urschel’s Blindfold

Charles Fort’s Newspaper Clippings

Charles Fort's Umbrella

Charles Francis Hall's Coffee Cup

Charles Goodyear's Synthetic Rubber

Charles Hanson's Rocking Horse *

Charles J. Guiteau’s Revolver

Charles Jeffries' Skeleton Army Cap

Charles Kingsford Smith's Airplane's Undercarriage Leg and Wheel

Charles Knight's Hail Cannon

Charles Lindbergh Jr.’s Baby Rattle

Charles Lyell's Tool Belt

Charles M. Schulz's Pumpkin

Charles Macintosh's Socks

Charles Manson's Metal Guitar Pick

Charles Manson's VW Bus

Charles Martel's Stirrup

Charles Minthorn Murphy’s Bicycle Rollers

Charles Osborne's Water Cup

Charles Page's Cross

Charles Peace's Gold Pocketwatch

Charles Pearson's Tin-Can Telephone

Charles Perrault's Seven-League Boots

Charles Portal's RAF Pin

Charles Ponzi's Money Clip *

Charles Richter and Beno Gutenberg's Paper Roll and Pen

Charles Richter's Fountain Pen and Cap

Charles Simic's Fork

Charles Wells’ Roulette Wheel

Charles Whitman's Sniper Rifle

Charley Parkhurst's Whip

Charlie Chaplin's Bowler Hat

Charlie Chaplin's Cane

Charlotte Corday's Hairbrush

Charlotte Perkins Gilman's Wallpaper

Charlton Heston's Rifle

Charles Whitman's Sniper Rifle

Charred Crane from Greene County Oil Well Fire

Château de Madrid Majolica

Che Guevara's Beret

Chen Si's Motorbike

Chernobyl Three's Lab Coats

Cherry Hill Murder Artifacts

The Chest of Chirizu-kakai-o

Chester Moore Hall's Achromatic Lens *

Chesty Puller's Bullet Shells

Chesty Puller's Five Navy Crosses

Chicago May's Lipstick

Chicago Wheel

Chief Tecumseh's Robes

Chimariko Tribe Shaman Drum

Chi Medallion

Chicago City Key Chain

Chinese Baoding Balls

Chinese Chopsticks

Chinese Doubling Pot

Chinese New Year Good Luck Knot

Chinese New Year Red Envelope

Chinese Orchid *

The Chinese Sandalwood

Ching Ling Foo’s Bowl

Ching Shih's Katana

Chiune Sugihara's Visa Stamp

Choe Bu's Diary

Choe Museon’s Hwacha

Chris Gardner's Parking Tickets

Chris Hadfield's Acoustic Guitar

Christchurch City Cathedral Spire

Christiaan Barnard's Scalpel

Christiaan Huygens' Pendulum

Christiaan Huygens' Prism

Christian Doppler's Tie

Christian Mortensen's Thread and Needle

Christina the Astonishing's Thurible

Christine Chubbuck's Pearl Necklace

Christine Skubish's Toy Blocks

Christmas Lights from the Rockefeller Tree

Christmas Pyramid

Christmas Truce Submarine Ornament *

Christopher Columbus' Brooch *

Christopher Lee's Bowtie

Christopher Lee's Copy of The Lord of the Rings

Christopher Müller’s Gold Tooth

Christopher Reeve's Superman Cape

Christopher Robin Milne's Sketchpad

Chōchin-obake

Choe Bu's Diary

Chōjun Miyagi's Gi Belt

Chowchilla Kidnapping School Bus

Chromatic Bermuda Kite

Chrysippus' Wine Bottle

Chuck Jones' Glasses

Chucky Doll

Chuck Yeager's Favourite Record *

Chuck Yeager's Flight Helmet

Chun-Kwai Seducing Vase *

Chung Ling Soo's Plate

Chunk of the Chelyabinsk Meteor

Church of St. Pancras' Altar Cross

Chyren's Rapier

Cinderella's Carriage

Cinderella's Glass Knife *

Cine-Kodak 8 Model 25 Camera

Cintamani Stone

Circe's Wand

Cirque du Soleil Leotard

Civil War Snare Drums

Clap-board from Thriller

Clara Barton's Gloves *

Clarence Birdseye's Food Freezer

Clarence Birdseye's Heat Pump

Clarence Saunders’ Turnstile

Clark Gable's Grooming Kit *

Clark Wiley's Cage

Claude Alexander Conlin’s Crystal Ball

Claude Alexander Conlin's Thought Control Turban *

Claude Louis Berthollet's Snuff Box

Claude Shannon's Chess Board

Claus von Stauffenberg’s Plastic Explosive

Claus von Stauffenberg's Suitcase

Clay Models From Corpse Bride

Clement Moore's Pen

Clementine's Ballcap

Cleopatra's Perfume Jar

Cleopatra's Preserved Asp *

Cleve Hall's Airbrush

Clever Hans’s Horseshoes

Clint Malarchuk's Blood-Stained Jersey

Clipped Wings of Pegasus

Clock Face and Hands from the Original Big Ben

Closet Door

Clothing Folding Laundry Hamper

Clyde Barrow's B.A.R. Machine Gun

Clyde W. Tombaugh's Photographic Plates

Coclé Cat

Coconut Husks from Monty Python and the Holy Grail

Coco Chanel's Handbag

Code of Hammurabi Tablet

Cold Feet Shoes

Cold War Air Raid Siren

Cole MacGrath's Amp

Cole MacGrath's Courier Jacket

Collection of Jimmy MacDonald's Sound Effect Devices

Colonel Sanders' Suit

Colossus Computer Vacuum Tubes

The Colt used by Clement Vallandigham

Columbia Space Shuttle

Combustable Figgy Pudding

The Comfy Chair

Complete Encyclopedia Brittanica, Circa 1966 *

Confucius' Flip-Flops *

Confucius' Lantern

Congo the Chimpanzee's Paint Brushes

Connor Kenway's Tomahawk

Conrad Haas’ Nozzle

Conrad Reed's Gold Nuggets

Consoling Valentine's Day Chocolates

Constance of Penafiel's Throne

Constantine the Great's Crucifix *

Constricting Yo-Yo

Conversation-Stopping Robot

Convincing Dreidels (canon)

Constantin Stanislavski's Eyeglasses

"Cookie Thieves Beware" Cookie Jar

Cookware from the Iron Chef Set

Copper Bowls of Life and Death *

Copper Roof Panel from the Plaza Hotel

Copy of E.T. the Extra-Terrestrial from the Alamogordo Landfill

Coraline Jones' Doll

Corbels from the Church of St Mary and St David

The Cordwaining Shoebox

Cornelis Drebbel’s Micro-Telescope

Cornelis Drebbel's Oar

Corner of Moses Stone Tablet *

Corrupted Zalgo Computers

Corsican Brother's Vest *

Corn Popper

Corvo Attano's Gas Mask

Customer Service Cell Phone *

The Cottingley Fairies

Cotton Club Matchbox

Cotton Swab from the Phantom of Heilbronn

Count of St. Germain's Ring *

Cover of the Book of Kells

Covered Wagon

Craig Jackson's Watch

Craig Shergold’s Greeting Cards

Cranston's Police Blotter

Crazy Horse's Tomahawk

Creighton Abrams' Hat

Cretan Labyrinth Archway

Cristofori's Piano Keyboard

Cross Brace from the LZ 129 Hindenburg

Crown Devon Honey Pot Preserves Jar

Crown of Minos

Crown Prince Sado's Sandals

Crowns of Peter and Ines

Crying Heart Piano

Cryogenic Gas Heater

Crystal Skull

Crystalline Diamond Necklace *

Ctesibius' Water Clock

Cuchulainn's Post

The Cudgel in the Sack

Cuevas de los Cristales Selenite Sample

Cupid's Arrows

Currier & Ives Advent Calendar *

Curtis Ebbesmeyer’s Friendly Floatees Bath Toys

Cutthroat Kitchen's Hatchet

Currency Changing Wallet

Cy Young's Baseball

Cybermen Outfits

Cymbal-Banging Monkey

Cynebil of Porththorp's Jawbone and Skull

Cynthia Doll

Cyrill Demian's Accordion

Cyrus Teed's Orrery

Cyrus the Great's Achaemenian Tapestry

[guidetoenjoy-blog]

All The New Albums Coming Out In April 2019

New Post has been published on https://entertainmentguideto.com/awesome/all-the-new-albums-coming-out-in-april-2019/

All The New Albums Coming Out In April 2019

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Keeping track of all the new albums coming out in a devoted month is a big task, but we’re up for it: Below is a comprehensive list of the major releases you are able to look forward to in April. If you’re not trying to potentially miss out on anything, it might be a good notion to keep reading.

Friday, April 5

& More — Ethel Bobcat( D-Tone Victorious/ nicethingsMUSIC) Ages And Ages — Me You They We( Needle and Thread Records) Alma — Have You Seen Her?( PME) Andromo& Iain Howie — Just Stay EP( Rainforest Music) Big Eyes — Streets Of The Lost( Greenway Records) BLACKPINK — Kill This Love EP( YG Entertainment) Bogdan Raczynski — Rave’ Till You Cry( Disciples) Brass Box — The Cathedral( Dune Altar) The Brave — Aura( UNFD) Brooks& Dunn — Reboot( Arista Nashville) Bryce Dessner( of The National) — El Chan( Deutsche Grammophon) bulow — Crystalline EP( Wax Records/ Republic) Callum Easter — Here Or Nowhere( Lost Map Records) Cassia — Replica( Distiller Records) Cherry Pickles — Cherry Pickles Will Harden Your Nipples( PNKSLM Recordings) Christian Loffler — Graal( Prologue)( Ki Records) Circa Waves — What It’s Like Over There?( Prolifica Inc .) Cities Of Mars — The Horologist( Ripple Music) Cocaine Piss — Passionate& Tragic( Hypertension Records) Conjurer — Sigils( 1126252 Records DK2) Crown Of Autumn — Byzantine Horizons( My Kingdom Music) Datura4 — Blessed is The Boogie( Alive Naturalsound Records) David Berkman — Six Of One( Palmetto Records) Don Felder — American Rock’ n’ Roll( BMG Rights Management( US) LLC) The Drums — Brutalism( ANTI -) Evan Greer — She/ Her/ They/ Them( Don Giovanni Records) Flying Fish Cove — At Moonset( Darla Records) Foie Gras — Holy Hell EP( Yellow Year Records) Girl On Grass — Dirty Power( September Gurl Music) Girli — Odd One Out( Virgin EMI Records) GRiZ — Ride Waves( self-released) Gurr — She Says EP( AWAL/ Rough Trade) Hannah Grace — The Bed You Attained EP( Never Fade Records) I Know Leopard — Love Is A Landmine( Ivy League Records) Idlewild — Interview Music( Empty Words) Jackie Venson — JOY( Big Indie Records) Jai Wolf — The Remedy To Loneliness( Mom+ Pop) Jaw — The Ceiling( self-released) Jelly Boy — Everybody Is A Universe EP( Cannibal Hymns) Jimbo Mathus — Incinerator( Big Legal Mess Records) John Vanderslice — The Cedars( Native Cat Recordings) Jonathan Larson — The Jonathan Larson Project( Ghostlight Records) Justin Wright — Music For Staying Warm( First Terrace Records) Kendrick Scott Oracle — A Wall Becomes A Bridge( Blue Note Records) Khalid — Free Spirit( RCA) Khotin — Beautiful You( self-released) Kiefer — Bridges( Stone Throw Records) The Infamous Stringdusters — Rise Sun( Time Tape Records) L’Imperatrice — Matahari( Microqlima) Lady Lamb — Even In The Tremor( Ba Da Bing) Larry “Ratso” Sloman — Stubborn Heart( Lucky Number) Mana — Seven Steps Behind( Hyperdub) Mark de Clive-Lowe — Heritage II( Ropeadope) Matt Maeson — Bank On The Funeral( Neon Gold/ Atlantic Records) Mike Mains& The Branches — When We Were In Love( Tooth and Nail) Molly Turtle — When You’re Ready( Compass Records) Night School — Disappear Here( Graveface Records) Partner — Saturday The 14 th EP( You’ve Changed Records) The Prescriptions — Hollywood Gold( Single Lock Records) Priests — The Seduction Of Kansas( Sister Polygon Records) Pup — Morbid Stuff( Rise Records/ BMG) Reba McEntire — Stronger Than The Truth( Big Machine) Rescue Ranger — Divisive( Klonosphere/ Season Of Mist/ Cargo Records UK) Rod Melancon — Pinkville( Blue Elan Records) Rose Elinor Dougall — A New Illusion( Vermillion) Rose Of The West — Rose Of The West( Communicating Vessels) Rozi Plain( of This is The Kit) — What A Boost( Memphis Industry) Sara Bareilles — Amidst The Chaos( Epic Records) Savoir Adore — Full Bloom( Nettwerk Records) Sego — Sego Sucks( Roll Call Records) Shana Cleveland — Night Of The Worm Moon( Hardly Art) Sharkmuffin — Gamma Gardening EP( Exploding In Sound Records) Spoony Bard — Old Friends( self-released) The Suitcase Junket — Mean Dog, Trampoline( Signature Sounds) Swimming Bell — Wild Sight( Adventure Records) Tayla Parx — We Require To Talk( Atlantic Records) Tyler Ramsey( of Band Of Horses) — For The Morning( Fantasy) Uncle Meg — Butterfly EP( Yellow Year Records) Weyes Blood — Titanic Rising( Sub Pop) Whispering Sons — Image( self-released) Yarrow — A Mild Circus EP( Get Better Records)

Friday, April 12

Aaron Lewis — State I’m In( Valory Music) ALL TVVINS — Just To Exist( Faction Records) All Your Sisters — Trust Ruins( The Flenser) Anderson. Paak — Ventura( Aftermath Entertainment) Astrid — Fall, Stand, Dance( AED Records) Band Of Skulls — Love Is All You Love( So Recordings) Bar Of Gold — Shelters( Equal Vision Records) Beat Music — Beat Music! Beat Music! Beat Music!( Motema Music) Bibio — Ribbons( Warp) Big Business — The Beast You Are( Joyful Noise Recordings) Big Search — Slow Fascination( 30 th Century Records) Black Flower — Future Flora( Sdban Records) Broken Social Scene — Let’s Try The After — Vol 2 EP( Arts& Crafts Records) Bruce Hornsby — Absolute Zero( Zappo Productions/ Thirty Tigers) BTS — Map Of The Soul: Persona( Big Hit Entertainment) The Budos Band — V( Daptone) The Chemical Brothers — No Geography( Astralwerks) The Cradle — The Glare Of Success( NNA Tapes) Cris Jacobs — Color Where You Are( Blue Rose Music) Damien Jurado — In The Shape Of A Storm( Mama Bird Recording Co .) Eli “Paperboy” Reed — 99 Penny Dreams( self-released) Emily Reo — Merely You Can Insure It( Carpark Records) Eric Reed — Everybody Gets The Blues( Smoke Sessions Records) Escort — City Life( Escort Records) Fontaines D.C. — Dogrel( Partisan Records) Glen Hansard — The Wild Willing( ANTI- Records) Run Cosmic — Sideways In Time( Kozmik Artifactz) Gretchen Pleuss — Daughter Of The Broader Skies( Sun Pedal Recordings) Jess Ribeiro — Love Hate( Barely Garmented Records/ Remote Control Records) John Paul White( of The Civil Wars) — The Hurting Kind( Single Lock Records) Junodream — Terrible Things That Could Happen EP( self-released) Khalid — Free Spirit( RCA) The Leisure Society — Arrivals& Departures( run Drain Records) Lloyd — Black Haze( Flipside Recordings) Lowly — Hifalutin() LSD( Sia, Diplo, and Labrinth) — Labrinth, Sia& Diplo Present … LSD( Columbia) Melby — VCR( Rama Lama Records) Melissa Etheridge — The Medicine Show( Concord Records) MONKEY3 — Sphere( Napalm Records) Native Harrow — Happier Now( Different Time Records) NUMENOREAN — Adore( Season of Mist) Odonis Odonis — Reaction EP( Felte) Pixel Grip — Heavy Handed( Feeltrip Records) Reese McHenry — No Dados( Suah Sounds) Shovels& Rope — By Blood( Dualtone) Sophie Auster — Next Time( BMG Music) Tellavision — Add Land( Faux) Theories — Vessel( Corpse Flower Records) Thomas Henley — Epoque EP( Pan European Recording) Through The Noise — Dualism( Eclipse Records) Yours Truly — Afterglow EP( UNFD) Zvi — Deer Pink( Nefarious Industries)

Friday, April 19

Angelique Kidjo — Celia( Verve/ Universal Music France) Ann My Dice — Thorn EP( Profane Records) Anna Tivel — The Question( Fluff& Gravy Records) Beauty Queen — Out Of Touch EP( Sleep Well Records) Bells Atlas — The Mystic( Tender Loving Empire) Bernard Fowler( of Rolling Stones) — Inside Out( Eagle Records) Cage The Elephant — Social Cues( RCA Records) Countless Goodbyes — Cycles( Inverse Records) The Cringe — Everywhere You’ve Never Been( Silver Lining Music) Daniel Norgren — Wooh Dang( Superpuma Records) Diane Coffee — Internet Arms( Polyvinyl Records) Drugdealer — Raw Honey( Mexican Summer) Faith Eliott — Impossible Bodies( OK Pal) Fat White Family — Serfs Up!( Domino Records) Field Medic — Fade Into The Dawn( Run For Cover Records) Flaural — Postponement( Staycation Records) Gus Dapperton — Where Polly People Go To Read( AWAL) Heart Attack — Fake Blood( You Did This/ Triple Crown Records) Heather Woods Broderick — Invitation( Western Vinyl) Heavy As Texas — Heavy As Texas( Crunchy Western Records) The Hot Sardines — Welcome Home, Bon Voyage( Eleven Records) Jade Bird — Jade Bird( Glassnote Records) JOHNNYSWIM — Moonlight( BMG Rights Management( US) LLC) Jonatha Brooke — Imposter EP( Bad Dog Records) Kelsey Lu — Blood( Columbia Records) Kinbrae — Landforms( Truant Recordings) Lizzo — Cuz I Love You( Nice Life/ Atlantic) Lovers Leap — Lovers Leap EP( Moon Loof Recordings) Loyle Carner — Not Waving But Drowning( AMF Records) Maren Celest — I Insured The Sun( Candor Arts) Mark Peters — New Routes Out Of Innerland( Sonic Cathedral) Mitch Woods — A Tip Of The Hat To Fats( Blind Pig Records) The O’Jays — The Last Word( SC1/ S-Curve) Pamplemousse — High Strung( A Tant Rever du Roi) Peggy Gou — Moment EP( Gudu Records) Polly Gibbons — All I Can Do( Resonance Records) Raffi — Motivational Songs( Troubadour Music/ Universal Music Canada) Russ Tolman — Goodbye El Dorado( Lost) Sabbath Assembly — A Letter Of Red( Svart Records) Sad Planets( Patrick Carney and John Petkovic) — Akron( Tee Pee Records) Sarah Mary Chadwick — The Queen Who Stole The Sky( Rice Is Nice Records) Seaway — Fresh Produce( Pure Noise Records) Shotgun Sawyer — Bury The Hatchet( Ripple Music) Stealing Sheep — Big Wows( Heavenly Recordings) Tech N9ne — N9NA( Strange Music) The Tallest Man on Earth — I Love You. It’s A Fever Dream.( River/ Birds Records) TR/ST — The Destroyer — 1( Grouch) Tripsitter — The Other Side Of Sadness( Prosthetic Records) Wand — Chuckling Matter( Drag City) Wargirl — Wargirl( Clouds Hill) Yes We Mystic — Ten Seated Figures( DevilDuck Records) Your Heart Breaks — Drone Butch Blues( SofaBurn)

Friday, April 26

AJR — Neotheater( Warner Bros. Records) Alan Parsons — The Secret( Frontiers) Aldous Harding — Designer( 4AD) Amon Tobin — Fear In A Handful Of Dust( Nomark) Aries — Juramento Mantarraya( K. Records) Bailen — Thrilled To Be Here( Fantasy Records) Bear’s Den — So That You Might Hear Me( Rounder Records) Black Zone Magick Chant — Voyage Sacrifice( Shelter Press) Catfish And The Bottlemen — The Balance( Island Records) Chelou — Out Of Sight( Concrete Dog) Claude Fontaine — Claude Fontaine( Innovative Leisure) Craig Finn( of The Holy Steady) — I Require A New War( Partisan Records) The Cranberries — In The Aim( BMG) The Damned Things — High Crimes( Nuclear Blast) Danko Jones — A Rock Supreme( M-Theory Audio) Delsbo Beach Club — A Burger In Akersberga EP( Rama Lama) DJ Nate — Take Off Mode( Planet Mu) Dub Trio — The Shape Of Dub To Come( New Damage Records) Ezra Collective — You Can’t Steal My Joy( Enter The Jungle) Foxygen — Find Other People( Jagjaguwar) George Benson — Walking To New Orleans( Provogue Records) The Get ahead — Deepest Illuminate( Jullian Records) Guide By Voices — Warp And Woof( Rockathon Records) Hannah Cohen — Welcome Home( Bella Union) Hembree — House On Fire( Thirty Tigers) Hillsong United — People( Hillsong) In The Valley Below — The Pink Chateau( Bright Antenna Records) JJ Cale — Remain Around( Because Music) Jackie Mendoza — LuvHz EP( Luminelle) Josefin Ohrn+ The Liberation — Sacred Dreams( Rocket Recordings) Josh Ritter — Fever Breaks( Pytheas Recordings/ Thirty Tigers) Justin Moore — Late Nights And Longnecks( Walkie Talkie Records) Kelly Finnigan — The Tales People Tell( Colemine Records) Kevin Morby — Oh My God( Dead Ocean) Kiefer Sutherland — Reckless& Me( BMG) King Gizzard& The Lizard Wizard — Fishing For Fishies( ATO/ Fightless Records) Lamb — The Secret Of Letting Go( Cooking Vinyl) Local Natives — Violet Street( Loma Vista Recordings) Lonely Robot — Under Stars( Inside Out) Lord Dying — Mysterium Tremendum( Entertainment One) Maddie& Tae — One Heart To Another EP( Dot Records) Marina — LOVE+ FEAR( Atlantic) Marissa Nadler And Stephen Brodsky — Droneflower( Sacred Bones) The Mountain Goats — In League With Dragons( Merge Records) Nancy Kelly — Remembering Mark Murphy( Subcat Records) New Years Day — Unbreakable( RED Music) Nick Murphy( fka Chet Faker) — Run Fast Sleep Naked( Downtown/ Future Classic/ Opulent) Nils Lofgren — Blue With Lou( Cattle Track Road Records) OLSSON — Tropical Cologne( Universal Sweden) Otoboke Beaver — Itekoma Hits!( Damnably) Rodrigo y Gabriela — Mettavolution( ATO Records) Peakes — Absent In Person EP( Practise Music) Peter Doherty& The Puta Madres — Peter Doherty& The Puta Madres( City Slang) The Pilgrim — Walking Into The Forest( Heavy Psych Sounds) Pure Bathing Culture — Night Pass( Infinite Companion) Radical Face — Therapy EP( Bear Machine) Sid Le Rock — Scenic Route( Hafendisko) SOAK — Grim Town( Rough Trade Records) Spotlights — Love& Decay( Ipecac) The Story Changes — To Hell With This Delicate Equation( Magnaphone Records) Sublime With Rome — Blessings( 5 Music/ RED MUSIC) SUNN O ))) — Life Metal( Southern Lord) Teen Daze — Bioluminescence( FLORA) Tiny Fighter — Tell Me EP( Bay Terrace Records) Trade Wind — Certain Freedoms( Other People Records) Walker Lukens — Adult( Modern Outsider) The Well — Death And Consolation( RidingEasy Records) Winnetka Bowling League — Cloudy With A Chance Of Sun EP( RCA Records) Your Heart Breaks — Drone Butch Blues( SofaBurn)

Read more: uproxx.com

[sensitivefern]

‘Most mushroom poisonings happen to the mushroom hunter who relies on myths’... the cap on a mushroom is called a pileus, named after hats worn by some ancient Romans...

===

About your neck you will want to wear a silk kerchief. This is to keep out dust, and to prevent your neck from becoming reddened and chapped. It... should be of the best quality. The poorer grades go to pieces soon, and their colors are not fast. Get it big enough. At night you will make a cap of it to sleep in; and if ever you happen to be caught without extra clothes where it is very cold, you will find that the kerchief tied around your middle, and next the skin, will help surprisingly.

A coat is useless absolutely. A sweater is better as far as warmth goes; a waistcoat beats it for pockets. You will not wear it during the day; it wads up too much to be of much use at night. Even your trousers rolled up make a better temporary pillow. Leave it home; and you will neither regret it nor miss it.

[Stewart Edward White, Camp and Trail]

===

Some time before most of [the] reviews had appeared, the most interesting criticism of all had been published. It was printed in The Brooklyn Times of September 29, 1855, and was written by the man who best understood the purposes of the poems and was not unaware of their faults and probable reaction of the public. The author was Walt himself:

‘Very devilish to some, and very divine to some, will appear the poet of these new poems... an attempt, as they are of a naïve, masculine, affectionate, contemplative, sensual, imperious person to cast into literature not only his own grit and arrogance, but his own flesh and form, undraped... the begetter of a new offspring out of literature... preferring always to speak for himself rather than have others speak for him’.

And so he does, and very modestly for a Whitman who from now on proposes to fight the world until it accepts his poems.

[Henry Seidel Canby]

===

Former circus magician Timothy Drew... operated the ‘Moorish American Science Temple’, with fez-clad disciples in Newark, Pittsburgh, Detroit, and Chicago. Drew, who taught that black Americans were actually Moors from Morocco, foresaw ‘the inevitable destruction of the white or European rule, of which the sign from heaven would be a star with a crescent moon’. His movement would become the Nation of Islam.

[1920]

===

This is Exodus, a wholly uncomprehended book. In proof thereof let us quote from one of our professors of ‘Biblical Literature and Religion’. ‘The culminating incidents of the Exodus was the crossing of the Red Sea. That this was accomplished miraculously, is a matter of clear history’. And what is this ‘clear history?’ The Bible, of course, three times over. ‘The record furnishes us with the facts in triplicate narrative’. Therefore it must be true. But to continue: ‘True there is the admission that, up to the present time no direct reference to the Exodus has been found among the Egyptian inscriptions’. And then follows the credulous reason: ‘Such silence causes no surprise; it is the expected silence of a proud and contemptuous people regarding an event of humiliating circumstances’. This represents modern enlightenment concerning Causation, Truth and Reality, and then we wonder what’s wrong with us morally. Morals, like faith, are the evidence of things not seen, namely, consciousness, enlightenment, wisdom. These our spiritual leaders cannot give us, because they haven’t them to give. Our rabbis, priests and ministers are but ‘innocents abroad’ in an occult world. The scriptures are to them as the Egyptian hieroglyphics before the Rosetta Stone.

There is no end to the explanations these apologists find to prove the historicity of Hebrew mythology; they must prove it lest their own house of cards come tumbling down.

[Deceptions and Myths of the Bible]

===

...I returned to Baltimore, and before leaving the Smart Set office gathered up an armful of review books to examine on the train. Among them was a set of proofs from Harcourt, Brace & Company. Ordinarily, I refused to read books in proof, for handling the loose sheets was an unpleasant chore, but this time, on a sudden and aberrant impulse, I took up the sheaf as soon as the train plunged into the Pennsylvania tunnel. By the time it got to Newark I was interested, and by the time it got to Trenton I was fascinated. At Philadelphia I called a Western Union boy and sent a telegram to Nathan. I forget the exact text, but it read substantially: ‘That idiot has written a masterpiece’. The book was Main Street.

[H.L. Mencken, My Life as Author and Editor]

===

❚NASA's Cassini Begins Its Final Mission Before Self-Destruction

Start mixing your Arnold Palmers, it's time for The Masters.

Sweating, Shaking Pharmaceutical CEO Says He Can Stop Profiting Off Opioid Epidemic Anytime He Wants

Global Meat News is another one of those industry newsletters I follow closely.

At 73, Barry Manilow comes out of closet

White supremacist Bannon removed from National Security Council

Wingnut: God Will Curse Children and Grandchildren of Trump Critics

Fascist former Maricopa County, Arizona Sheriff Joe Arpaio’s infamous tent city jail is being shut down by his successor after a commission recommended that it be closed. Arpaio, of course, blames it all on George Soros, presumably because Saul Alinsky is dead and Karl Marx isn’t returning his calls.

This Farthead Wants to Rename the St. Louis Zoo 'The Midwest Abortion Sanctuary City Zoological Park' Can you imagine hating something so much that you think, our only option is to involve the zoo animals? I understand that zoo animals don’t care about politics because they don’t understand them. I also can infer that they wouldn’t care even if they could understand them, because zoo animals are prisoners without rights or the hope of parole. But Missouri State Sen. Bob Ond...

Rose Hamlin, a One-Hit Wonder With ‘Angel Baby,’ Dies at 71 Ms. Hamlin’s group, Rosie and the Originals, had only one Top 40 hit, but it was a memorable one. A bittersweet song of teenage love recorded in a converted airline hangar in 1960, “Angel Baby” reached No. 5 on the Billboard singles chart in January 1961 and remains a mainstay of oldies radio. John Lennon was one of the song’s biggest fans. He recorded it in 1973 at the sessions for his album “Rock ’n’ Roll,” although it was not released until 1986, on the album “Menlove Ave.” His recording begins with a spoken introduction: “This here is one of my all-time favorite songs. Send my love to Rosie, wherever she may be.”

HARRISBURG, Pa. — A Penn State University trustee who said he was “running out of sympathy” for people he described as “so-called victims” of Jerry Sandusky is no longer seeking a second term on the board.

Outing mit 73... Barry Manilow spricht über sein Schwulsein

YouTube is launching a streaming TV service Wednesday. It's one of many — Sling, PlayStation Vue and local cable companies among them. But Google-owned YouTube TV offers several features the others don't. They include a cloud-based DVR with no storage limits, allowing users to record as many shows as they want for later playback. Membership also gives access to original series and movies featured on its other subscription streaming service, YouTube Red. And customers can create up to six accounts on one membership, with up to three streams running at once. A subscription costs $...

Helsingborg in southern Sweden is set to become the home of a museum dedicated to some of the biggest flop products of all time, including the Betamax player, the Harley Davidson perfume and an ill-advised "female" pen.

If a prime minister wants to truly unite a nation – one way not to do it is to cook a pizza with spaghetti topping. This seems to be the lesson that New Zealand’s leader, Bill English, can take away after he dabbled in the kitchen and sprinkled his result on social media this week. On Tuesday night English cooked dinner for his family – a 1980s rural Kiwi classic: tinned spaghetti and pineapple pizza. Later, he posted a series of photos of his home-spun efforts on Facebook. The photographs, blurry and un-retouched, caused a culinary uproar on Facebook and Twitter, with some Kiwis declaring they couldn’t vote for a prime minister who so wantonly bastardised Italian cuisine.

DID YOU KNOW THERE HAS NEVER BEEN A REPORTED DEATH LINKED TO THE OVERDOSING OF MARIJUANA?

Adorable CAT Plays with COW

[beardcore-blog]

IMG_9417

SYDNEY BIG DAY OUT 2011

BIG DAY OUT 2011 FEATURING: TOOL, RAMMSTEIN, IGGY AND THE STOOGES, M.I.A, JOHN BUTLER TRIO, GRINDERMAN, WOLFMOTHER, LCD SOUNDSYSTEM, BLOODY BEETROOTS DEATH CREW 77, CRYSTAL CASTLES, LUPE FIASCO, PRIMAL SCREAM SCREAMADELICA LIVE, DEFTONES, BLISS N ESO, ANGUS & JULIA STONE, PLAN B, PNAU, DIE ANTWOORD, EDWARD SHARPE & THE MAGNETIC ZEROS, BOOKA SHADE DJs, ANDREW W.K., THE JIM JONES REVUE, BIRDS OF TOKYO, LITTLE RED, GYROSCOPE, VITALIC, CSS, RATATAT, AIRBOURNE, DEAD LETTER CIRCUS, BLUE KING BROWN, THE NAKED & FAMOUS, OPERATOR PLEASE, CHILDREN COLLIDE, GYPSY AND THE CAT, WILL STYLES, LOWRIDER, SAMPOLOGY, KIDS OF 88, KID KENOBI & MC SHURESHOCK.

2010 was one for the record books and a stellar year for BDO.

We not only passed the emotional 100 show mark with a bang, but also staged our biggest shows to the largest and our most respectful audiences of our 18 years of BDO. And so we thank you for your continued support in helping us produce the best and safest event possible for the patrons, the bands and our tireless team.

The more you care: the more we care.

Which brings us to 2011.

2010 is a very hard act to follow, so for 2011 it felt right to turn up the heat musically and visually. And what better way to explain this than to present you with over 40 exceptional acts from home and abroad for the first round alone.

This is by far our biggest and most diverse announcement ever. As well as the many incredible first timers on offer, we are enthusiastically welcoming back several iconic BDO veterans. They are some of the most exciting and uncompromising artists performing live today. We believe this combination of extremes for 2011 will create a spectacular event.

From the heaviest to the sweetest sounds in the world today, this will be a sensory overload not to be missed.

Full tickets details are below, but please remember the policies we’ve built your show on: You’re all VIPs (Very Important Punters). We don’t do elitist or bogus pre-sales: we’re either on sale or we’re not. We have what we believe to be one low ticket price for one high standard for everyone….

And we hope to see you there

Ken and Viv

So, let’s get it rolling…

TOOL

The sky will blacken, the ground will shudder, the earth will open up and BIG DAY OUT will once again tremble in the presence of the awe-inspiring TOOL. “Primal, poignant, poetic and, as always, utterly powerful” (ARTISTdirect, July 2010). Touring Down Under for the first time in four years, vocalist Maynard James Keenan, guitarist Adam Jones, drummer Danny Carey and bassist Justin Chancellor will be fresh from the studio, where they have been slowly crafting a follow-up to 2006’s 10,000 Days. From Lateralus to Stinkfist, you know the music. But, backed by a video and laser light show unlike any other, TOOL live is also “the kind of visual experience you’ll probably never have again” (CHARTattack, August 2009). Unmatched in the world of dark, heavy rock, California’s TOOL have over 20 years scorched themselves a place as “one of the best live bands in history” (ARTISTdirect). Be blinded by their light at BIG DAY OUT 2011. (ALL SHOWS)

RAMMSTEIN

A decade since ruling over BIG DAY OUT with a reign of fire, pyrotechnics, monstrous riffs, wicked humour and industrial savagery, RAMMSTEIN will return this summer to reclaim their sovereign territory. The RAMMSTEIN live experience is “dizzyingly ridiculous”, says the BBC. “Rock is at its best when confrontational, subversive, curiously camp and bold, which is why RAMMSTEIN are currently one of the most important bands in the genre.” Armed with their sixth album, Liebe ist für Alle da, Germany’s infamous techno-metal masters bring nothing less than the greatest show on earth: “RAMMSTEIN are in pulverising form, the crowd are going crazy, the atmosphere is electric and the firebombs launching from the stage are like World War III on apocalypse LSD” (The Quietus, February 2010). Bow down to your kings, BIG DAY OUT 2011, for RAMMSTEIN have returned. (ALL SHOWS)

IGGY AND THE STOOGES

It’s time for a new generation to plug in to the raw power of IGGY AND THE STOOGES at BIG DAY OUT 2011. The band that invented punk rock return with iconic frontman Iggy Pop rejoined by guitarist James Williamson, drummer Scott Asheton, bass player Mike Watt and sax player Steve Mackay. IGGY AND THE STOOGES will be performing songs from their landmark 1973 album Raw Power, and cherry-picking the likes of Fun House, I Wanna Be Your Dog and Down On The Street from their incendiary back catalogue. Kurt Cobain consistently listed Raw Power as his #1 favorite album of all time and Jack White will tell you that Fun House is the best rock and roll album ever made! It’s “the most chaotic and beautiful mess you could ever want” (Boston Herald, September 2010). As Iggy says, “The Stooges and I are cocked and loaded to deliver it live on stage.” And the only place to see IGGY AND THE STOOGES deliver it this summer is at BIG DAY OUT. Don’t be the one to say you missed it. (ALL SHOWS)

M.I.A.

Standing at the front line of mission BIG DAY OUT 2011 is the one-woman shock and awe campaign that is M.I.A. The Sri Lankan-British “singer/rapper/firebrand” (Pitchfork) fearlessly cuts through genre boundaries and lyrical taboos, blazing new ground from the clubs to the streets with powerhouse tracks like Galang, Paper Planes and, from her latest album ///Y/, Born Free and XXXO. On record and on stage, M.I.A. delivers “pure, flashing brilliance, a lightning cognitive connection of word, idea and sound that few do so well” (NME, July 2010). Often controversial, always compelling, M.I.A knows only one way: all guns blazing. Take cover, BIG DAY OUT. (ALL SHOWS)

JOHN BUTLER TRIO

John Butler is undeniably the most successful truly independent artist in Australia. The recent rebirth of his band the JOHN BUTLER TRIO saw two new members join John Butler; Nicky Bomba on drums and Byron Luiters on bass. The title for the trio’s latest album April Uprising is all about a period of change, of evolution and a constantly renewing beginning. April Uprising is John’s most focused, diverse and accessible album to date. Between the epic opening track Revolution and a whispered acoustic coda A Star is Born, dedicated to John’s son, April Uprising is an album that combines the personal, the political and the musically memorable with skill and passion. BIG DAY OUT is very excited to welcome back JOHN BUTLER TRIO. (ALL SHOWS)

GRINDERMAN

BIG DAY OUT is shivering with anticipation as the howling, growling, malevolent rock beast that is GRINDERMAN approaches. GRINDERMAN are Nick Cave, Warren Ellis, Martyn Casey and Jim Sclavunos – Four Bad Seeds on a mission to take us somewhere else entirely. On album No.1 they were equal parts swagger and sexual frustration. On Grinderman 2, they’re simply ravenous and rampaging, “mixing horror and black humour with barely tamed musical malevolence” (The Guardian, September 2010). Fronted by Australia’s unarguable king of intense, intimidating performance, GRINDERMAN are coming to draw out the heathen child in all of us at BIG DAY OUT 2011. (ALL SHOWS)

WOLFMOTHER

Brothers and sisters sound the siren. A new moon has risen and the return of WOLFMOTHER is well and truly upon us. It was a whirlwind journey the band went on with the Wolfmother album, a voyage that resulted in over one million sales, sold out riots disguised as shows the world over, multiple ARIA Awards and a Grammy. In 2009 they regrouped and returned with a thundering 2nd record, Cosmic Egg, which they describe as “the sound of the Wolfmother world being rethunk and cracked wide open, with a sprawling, jubilant galaxy of musical and metaphysical harmony spilling forth”. We couldn’t have put it better ourselves and BIG DAY OUT couldn’t be happier to have them cracking it open again in 2011. (ALL SHOWS)

LCD SOUNDSYSTEM

You thought it was all over, but James Murphy’s genre-mashing LCD SOUNDSYSTEM couldn’t farewell the live arena without one last tilt at BIG DAY OUT 2011. The biggest name in punk-funk for much of the last decade, LCD SOUNDSYSTEM is a “disco-ticking-time-bomb” (OC Weekly) that has done everything – from movie soundtracks to Grammy-nominated albums. Now, after winning raves for third album This is Happening, Murphy is about to flick LCD’s ‘off’ switch. But before he does, LCD SOUNDSYSTEM wanna put some dance, party and soul in your world one last time, via the likes of Drunk Girls, North American Scum and Daft Punk is Playing at My House. And they’ll be bringing “the heavy artillery… “More muscular and frenzied than on record, the LCD seven-piece live line-up avoids the ‘live dance music’ cul-de-sac in favour of a looser, more dynamic sound… Wow” (The List, May 2010). You better believe this is happening – so be sure to get enough LCD SOUNDSYSTEM to last you a lifetime at BIG DAY OUT this summer. (ALL SHOWS)

BLOODY BEETROOTS DEATH CREW 77

BIG DAY OUT has seen the future of dance music, and it goes by the name of BLOODY BEETROOTS DEATH CREW 77. Bob Rifo’s Italian gang may be DJs, prolific producers, masked avengers and remixers extraordinaire, but this summer it will be BLOODY BEETROOTS DEATH CREW 77 invading the Boiler Room. This isn’t just a live set, this is live communal anarchy, an electro punk rave-up that has made BLOODY BEETROOTS DEATH CREW 77 one of the most talked about dance music acts on the planet. Madly energetic, or just plain mad? Whatever the answer, you’ll be showing mad love for BLOODY BEETROOTS DEATH CREW 77 by the time they’re done with BIG DAY OUT 2011. (ALL SHOWS)

CRYSTAL CASTLES

Get ready to get messy with CRYSTAL CASTLES at BIG DAY OUT 2011. Toronto’s electronic experimentalists Ethan Kath and Alice Glass are purveyors of the most frenetic live show on the planet. “It’s a thrillingly anarchic, messy show … all over the place, and all the better for it” (MusicOMH, June 2010). The whispers about CRYSTAL CASTLES began in 2006, a series of limited, lo-fi vinyl singles selling as quickly as they were pressed. Two self-titled albums later, the whisper is a roar. Or maybe that’s just Glass’s “hellish shriek backed by warzone beats and liquid synths”. Shield your ears – CRYSTAL CASTLES will bring the noise at BIG DAY OUT this summer. (AUCKLAND & EAST COAST ONLY)

LUPE FIASCO

If BIG DAY OUT is beamin’, it’s because we’re psyched to be welcoming back hip hop superstar LUPE FIASCO. The MC with the madly energetic, fast-flowin’ live-band show kicked and pushed outta Chicago with two Grammy-nominated albums, Food & Liquor and The Cool. Since last hitting these shores, LUPE has wrapped a new album, Lasers. But where is it? Singles I’m Beamin’ and Shining Down were a tasty tease, yet the album proper remains so damn anticipated that the rapper’s fans have resorted to petitioning his label to have it released. That’s just the kind of passion LUPE FIASCO inspires, and that’s why we’re beamin’ to have him back at BIG DAY OUT 2011. (ALL SHOWS)

PRIMAL SCREAM

20 years after taking the sounds and spirit of the second summer of love and acid house and melding it into one of the greatest albums of the 1990s, British rockers PRIMAL SCREAM will remake history by performing their epoch-defining classic Screamadelica in full at BIG DAY OUT 2011. Two decades on, these songs still sound like the future: Loaded, Movin’ On Up, Higher Than the Sun, Come Together, Don’t Fight it, Feel It. Bobby Gillespie and the band will be joined by gospel singers, horn section, and a field full of memories. Come together to see PRIMAL SCREAM do Screamadelica at BIG DAY OUT. (ALL SHOWS)

DEFTONES

BIG DAY OUT is daring to look deep into the Diamond Eyes of California’s favourite alt-metal sons, DEFTONES. The 2010 release and sixth album, is “a brilliant, invigorating reintroduction” (NME) to Chino Moreno, Stephen Carpenter, Frank Delgado, Abe Cunningham and new bassist Sergio Vega – the men who shook the world a decade ago with the groundbreaking White Pony – still “wield that balance between beauty and brutality better than anyone” (ARTISTdirect, August 2010). So brace yourself for extremes as you prepare to witness the long-awaited return of DEFTONES at BIG DAY OUT 2011. (ALL SHOWS)

BLISS N ESO

Fresh from knocking off Eminem’s six week reign at the top of the ARIA Album Charts, with their fourth album Running on Air Aussie hip hop trio BLISS N ESO are self assuredly demanding your ears when they hit the stage at BIG DAY OUT 2011. This is music made to fill the wide open spaces of BIG DAY OUT: “This is a career defining album; an album by which every new hip-hop release in this country will be judged, and deservedly so” says The Vine, MX added “Running on Air is a rocket that never runs out of fuel.” Hip-hop style stadium singalongs? We think yes. (ALL AUSTRALIAN SHOWS)

ANGUS & JULIA STONE

Australia’s finest duo ANGUS & JULIA STONE have spent the last few years on a remarkable musical journey together and now they bring their lovingly crafted songs to BIG DAY OUT 2011. Their latest album Down the Way was released to critical acclaim mainly due to the subtle shift of gear, represented by a growing confidence in their abilities as artists which has seen the music follow suit. (ALL AUSTRALIAN SHOWS)

PLAN B

BIG DAY OUT is reverting to PLAN B. But Ben Drew is no back-up plan, he’s the recalcitrant renaissance man of British music: rapper, actor, guitarist, storyteller, filmmaker and now chart-topping soul singer. After shocking the nation with his 2006 debut Who Needs Action When You Got Words, PLAN B took a sharp turn with The Defamation of Strickland Banks, a surprising, slick album filled with “stonking tunes” (NME) that trace the rise and fall of a smartly-suited soul singer. But don’t be fooled – this sweet soul morsel has a razor-sharp edge. Quite simply, no one else cuts it like PLAN B, and he’s suiting up for BIG DAY OUT 2011. (ALL SHOWS)

PNAU

As the world now knows, Australia’s electronic / pop crossover pioneers, PNAU did make the big move over two years ago to take up residence in London following on from a life changing moment crossing paths with (and now under the guidance of) the pop maestro himself, Sir Elton John. It’s been three long years since the release of their last spectacular self titled album, with which Messr’s Nick Littlemore and Peter Mayes have been incredibly busy traipsing the world completing album number four in studios in London, Atlanta, New York and Los Angeles, as well as having been involved in array of projects including one half of Empire Of The Sun; production jobs for Groove Armada, Ellie Goulding, Robbie Williams and more. In amongst this worldly action, Nick has been given the auspicious duty of composer and musical director for the famed international production Cirque du Soleil. With the wait now over and the highly anticipated fourth album arriving shortly, it’s time for PNAU to present the next chapter of ‘their brilliant career’ and as such the rumours can be confirmed as PNAU finally return home to Australia in January 2011 for the BIG DAY OUT. (ALL AUSTRALIAN SHOWS)

DIE ANTWOORD

Comin’ straight outta Cape Town to BIG DAY OUT 2011 are South Africa’s interweb-conquering, next level, hip hop heroes DIE ANTWOORD. The hard rhyming Ninja, Yo-Landi Vi$$er and DJ Hi-Tek burst on to the scene with serious gangsta skillz and viral videos for Enter the Ninja and Zef Side, then quickly became the “so zef, so fresh” smash hit of Coachella 2010 – “Pound for pound the most engaging and legitimately surprising act of the weekend,” said the LA Times. Part anarchic art project, part the-future-of-rap, total mystery. Are DIE ANTWOORD for real? Find the answer at BIG DAY OUT this summer. (ALL SHOWS)

EDWARD SHARPE & THE MAGNETIC ZEROS

With their magic tour bus painted all the colours of the rainbow and their fearless leader at the wheel, EDWARD SHARPE & THE MAGNETIC ZEROS are on the road to BIG DAY OUT 2011. The (at least!) ten-strong, Hottest 100-conquering neo-hippie combo from California are putting a skip in the step of the world with smile-inducing songs from the name-making Home to the happy-go-lucky Janglin’ and 40 Day Dream. This is the stuff group singalongs are made of, music to bring people together. As the Denver Post put it: “At an Edward Sharpe show, everybody is family.” So get on board with EDWARD SHARPE & THE MAGNETIC ZEROES – next stop, BIG DAY OUT. You’ll feel right at home. (ALL SHOWS)

BOOKA SHADE DJs

Berlin duo Walter Merziger and Arno Kammermeier are BOOKA SHADE DJs – Get Physical label bosses, producers of immense electronic club music, newly-minted DJs. At BIG DAY OUT 2011, it’s BOOKA SHADE in DJ guise that’ll take to the Boiler Room. A BOOKA SHADE DJs set isn’t just about flinging vinyl onto a turntable – “Bringing together new tracks and new beats and creating something new around it, is more the spirit of our music,” says Kammermeier. It’s also about capturing the feeling of a great party. Grab the feeling and don’t let go with BOOKA SHADE DJs at BIG DAY OUT this summer. (ALL SHOWS)

ANDREW W.K.

When it’s time to party, BIG DAY OUT knows exactly who to consult – the ultimate authority on partying hard, ANDREW W.K. Infamous for his bloody nose, highly regarded for his motivational speaking, famous for his high-life attitude, beloved for his songs like Party Hard, She is Beautiful and It’s Time To Party, New Yorker ANDREW W.K. is coming our way with his full band for the first time ever to create feelings of pure joy, fun, freedom, and possibility. How does he do it? “His fast and hard party anthems whip the crowd into a fist pumping frenzy … ANDREW W.K. takes command of the crowd and bids them to live it up while they can” (mxdwn, September 2010). So, what are you waiting for? It’s time to party. It’s time for ANDREW W.K. to take command at BIG DAY OUT 2011. (ALL SHOWS)

THE JIM JONES REVUE

THE JIM JONES REVUE will be burning the house down at BIG DAY OUT 2011. THE JIM JONES REVUE manifesto is simple, and ferocious: "If you’re going to get on stage,” says guitarist Rupert Orton, “deliver." And that they do, riffing on Little Richard and Jerry Lee Lewis for a rock’n’roll sound that could have come direct from the 1950s, if it wasn’t fused with the so dang wild, loud and loose vibes of The Cramps and The Birthday Party. The Londoners may have only dropped their debut in 2008, but don’t let that fool you – these five punk rock bluesmen have been around. Hot on the heels of their blistering second album, Burning Down Your House, THE JIM JONES REVUE are set to fire up BIG DAY OUT this summer. (ALL SHOWS)

BIRDS OF TOKYO

BIRDS OF TOKYO certainly aren’t the kind of band to do things in halves. Their latest self –titled album was recorded between Sydney, London, Gothenburg and New York; BIRDS OF TOKYO gave themselves the most surreal and inspiring experience possible, knowing that the results of doing so would speak for themselves. This journey into such deeply personal territory has produced BIRDS OF TOKYO’s most meaningful and powerful album yet. Stand up and be counted at BIG DAY OUT 2011 with BIRDS OF TOKYO. (ALL SHOWS)

LITTLE RED

Melbourne’s LITTLE RED have been away a while, growing up, growing down, tasting the sweet and the bittersweet in equal measures, they’ve recently returned with their second album Midnight Remember. Described by The Age as ‘pretty much the best band in Melbourne at the moment’, LITTLE RED and their all-singing, all-dancing live show are set to shake up BIG DAY OUT 2011 with their pure, irrepressible pop, infectious hooks and good times. (ALL AUSTRALIAN SHOWS)

GYROSCOPE

No strangers to the BIG DAY OUT GYROSCOPE is bringing something new to the table this time and it’s not what you would expect. You would be forgiven for thinking that they would stick with what seems like a formula for success. But for something to succeed you don’t need a formula – you need a solid foundation on which everything can be built. And few in music have set a foundation as strong as GYROSCOPE. (ALL AUSTRALIAN SHOWS)

VITALIC.

The temperature gauge is rising as BIG DAY OUT ushers in the artist who ushered in a whole new era of dance music, VITALIC. The man born Pascal Arbez has always been one step ahead of the electro game, his 2005 debut OK Cowboy preceding the rise to worldwide dance-dominance of every other Frenchman with a laptop. In 2009, he re-stamped his authority on the scene with the highly-charged Flashmob. Using big synths, big beats and a big slice of glittery disco as his building blocks, VITALIC creates a sound as pulverising as it is infectious. No messing around – “This guy is incredible” (inthemix, November 2008). Keep up if you can, as VITALIC flashes forward at BIG DAY OUT this summer. (ALL SHOWS)

CSS

Representin’ for São Paulo at BIG DAY OUT 2011 are Brazil’s hot, hot band of the people, CSS. “The physical embodiment of the best party ever” (NME), CSS have shared their unquenchable thirst for good times and all things pop and art via two albums, Cansei de Ser Sexy and Donkey. On the eve of the release of their next blast of post-punk-electro-art-school madness, CSS are back to doing what they do best – creating unbridled joy live on stage, in a set that’s equal parts dance party, urban circus, and out-and-out chaos. As the band’s technicolour frontwoman Lovefoxx would say: get up, get up, get up! Get up, and get your CSS while it’s hot at BIG DAY OUT. (ALL SHOWS)

RATATAT

When BIG DAY OUT is rockin’, RATATAT will come a’knockin’. New York duo Mike Stroud and Evan Mast have been mixing electronics with guitars for the past decade, combining the power of noise and dance, collaborating with Kid Cudi, remixing Bjork, dropping four albums. Songs like Lex, Wild Cats and Seventeen Years have made them completely hip, but it’s when you see RATATAT live on stage – an aural, visual and physical assault of synths, guitar, hypnotic video and boundless energy – that the hype makes perfect sense. If you’re ready to be blown away, you’re ready for RATATAT at BIG DAY OUT 2011. (ALL SHOWS)

AIRBOURNE

AIRBOURNE have been waving the rock and roll flag for Australia both at home and overseas since 2003. AIRBOURNE crank out with all cylinders firing potent, solid and good ol’ fashioned rock and roll. “Basically, we’ve never been about having a specific message; we don’t talk about politics or social injustices in our songs. There are other bands out there to take care of that,” says rowdy lead guitarist and vocalist Joel O‘Keefe. The band’s latest album No Guts, No Glory is a true testament to AIRBOURNE’s way of life: the album is a virtual rock and roll buffet served up this summer at BIG DAY OUT 2011. (ALL SHOWS)

DEAD LETTER CIRCUS

It’s been a few years since DEAD LETTER CIRCUS blasted onto Australian airwaves in 2007, their bombastic yet nuanced take on alternative rock left most observers struggling to process what they were hearing. It was epic, it oozed confidence, it was intense. Fast forward a while and the band then set out to record the follow up to their self-titled EP that started it all. Over an incredible 18 month gestation period, with every deadline pushed, every note analysed, every resource pooled, and every avenue of exploration exhausted, the new album This Is The Warning was born. From one travelling circus to another we make way for DEAD LETTER CIRCUS to come play BIG DAY OUT 2011. (ALL AUSTRALIAN SHOWS)

BLUE KING BROWN

You can put your fist in the air, come just as you are, you can bounce to da beat, rock out up the front row or chill up the back. Hard hitting lyrics and groove delivered in the most accessible way…you’re at BIG DAY OUT 2011 and Australia’s premier urban roots crew BLUE KING BROWN have arrived! Lead by the multi talented, relentless energy of Natalie Pa’apa’a, the band have established themselves as one of Australia’s most engaging live acts. BLUE KING BROWN bringing groove to BIG DAY OUT this summer. (ALL AUSTRALIAN SHOWS)

THE NAKED AND FAMOUS

The meteoric rise of THE NAKED AND FAMOUS has been the biggest story in New Zealand music in 2010. The group had already won over alternative radio ears in their home country with two EPs where a home studio full of industrial strength electronica ideas underpinned some of the most melodic dream pop concocted down under, before they unleashed single Young Blood in May. But were they ready for that song to go straight into the NZ charts at number one, hook them up with NY indie label and blog Neon Gold, hit playlists from Triple J to London’s XFM, win them the prestigious APRA Silver Scroll and make them one of the hottest unsigned properties in the world? Probably not. But their self-produced album, Passive Me Aggressive You, has since appeared and garnered even more praise. Nudity? Not in public. Fame? Most definitely around the corner for these five kids from Auckland. (ALL SHOWS)

OPERATOR PLEASE

Returning to the BIG DAY OUT national tour for their second time OPERATOR PLEASE are well and truly back. This time though, take everything you think you know about OPERATOR PLEASE and put it aside. The Queensland-based band defy all expectations on their second album, Gloves, with the youthful enthusiasm and teenage angst that gave them worldwide recognition making way for a more sophisticated and developed sound. After spending the last few years touring the globe the band bring their pop anthems along for the ride and are set to rock BIG DAY OUT 2011. (ALL AUSTRALIAN SHOWS)

CHILDREN COLLIDE

CHILDREN COLLIDE arrive for BIG DAY OUT 2011 on the back of their powerful new album Theory for Everything. Vocalist and guitarist Johnny Mackay says "Alchemy and chemistry, reason and religion, love and logic. Art and music are so often about tying opposing forces together into a contentious dualism. Contradiction is a big part of what we do." CHILDREN COLLIDE are here. (ALL AUSTRALIAN SHOWS)

GYPSY & THE CAT

There is no gypsy and there is no cat, but there is a GYPSY & THE CAT, an electronic duo who, instead of pumping out house beats and booty-quaking bass lines, pen gorgeous mini epics of forlorn beauty and elegiac romanticism that, you can just tell, are about heartache and solitude, past girlfriends and future loss. Their brand new album Gilgamesh is set for release this summer. In the meantime the lead single Time to Wander has been described as “…dreamy, epic and luscious soft rock, just in time to soundtrack the Summer. Bam” (The Brag). GYPSY & THE CAT bring their summer soundtrack to BIG DAY OUT 2011. (ALL AUSTRALIAN SHOWS)

WILL STYLES

WILL STYLES first discovered “The Rave” when he was 16. At the end of the night he was moshing on the dance floor with his Skid Row t-shirt and torn jeans, whirling 2 flannies above his head, yelling along to Speed Racer. He was hooked. He’s always tried (often spectacularly badly) to play rave in FunkTrust sets, but after taking awhile he’s finally playing rave music every week: like a shitty Nicholas Sparks novel-turned-movie, he’s been re-united with his first love. Will has hosted Radio FunkTrust on Triple J since 2006. Every Friday night you can tune in to him playing super-sweet new records and making fart jokes. WILL STYLES is joined for the BIG DAY OUT shows by MC HAYLEY BOA. She used to sing in one of The Wiggles shows and was reprimanded for incorrectly miming the actions during the Eat a Banana song. Instead of peeling it, she was (quite innocently) fellating the banana to tens of thousands of small children. No one has been able to convince her to re-enact her banana antics on stage yet, but we’re hoping it happens at BIG DAY OUT in 2011. (ALL AUSTRALIAN SHOWS)

LOWRIDER

Bigger. Brighter. Bolder: Just three words to nail the irresistible sound of hot Adelaide quartet LOWRIDER’s sophomore album, Round the World. LOWRIDER have taken their unique blend of soul and funk to the world, forging a reputation along the way as one of the most mesmerising live acts around. Get soulful, get funky, get LOWRIDER on the menu this summer at BIG DAY OUT 2011. (ALL AUSTRALIAN SHOWS)

SAMPOLOGY

SAMPOLOGY is a DJ. And we’re not talking your steak and three vegie solid club set here. He’s a highly accomplished technician on the 1s and 2s, (and sometime 3s) cutting his teeth in the early days as turntablist for a number of live bands including Soma Rasa and the Vinyl Slingers, which saw him first doing BIG DAY OUT at the tender young age of 17. He’s also one of the most consistently brilliant and versatile club Djs who’s not shy of mixing up his styles to suit the show. One week you might find him creating mash-up mayhem in intimate clubs by changing the vibe of the room to some kind of ridiculously wicked house party. The next week you’ll stumble into a bass bin laden club night to find him delivering a fast paced performance, skilfully bringing together endless forms of club music at countless tempos. And he’s bringing the whole swag to BIG DAY OUT in 2011. In the words of Peaches: “Sampology makes me wanna break dance.” We couldn’t have summed up SAMPOLOGY the DJ better ourselves. (ALL AUSTRALIAN SHOWS)

KIDS OF 88

Jordan and Sam were born in 1988. In 2009, they were the toast of the music world with the chart conquering disco sleaze of their platinum selling debut single My House. They followed up with a string of throbbing electro anthems culminating in the release of the insanely catchy, wildly electric journey of 21st century dance pop discovery that is their 2010 debut album Sugarpills. As their recordings and remixes have been filling club dance floors, KIDS OF 88 have since smashed their way around New Zealand and Australia, lighting up clubs and sharing the stage with everyone from the Passion Pit and Scissor Sisters to Cassette Kids while ducking back to their home studio to remix stars like Ke$ha and Cobra Starship. (ALL SHOWS)

KID KENOBI AND MC SHURESHOCK

At the turn of the decade, KID KENOBI AND MC SHURESHOCK first joined forces and by the middle of the 2000s, they were recognized as Australia’s premier MC-DJ tandems, having completed sell-out tours of the UK, USA, Canada, Brazil, China, Switzerland, New Zealand and Singapore. Celebrating a decade of working together since the turn of the millennium, KID KENOBI & MC SHURESHOCK will release their debut EP TEN” on 10.10.10 supported by a very special TEN tour incorporating a retrospective 2000-2010 performance across a whopping 23 dates nationally, and culminating with BIG DAY OUT across Australia in early 2011. (ALL AUSTRALIAN SHOWS)

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SYDNEY BIG DAY OUT 2011

BIG DAY OUT 2011 FEATURING: TOOL, RAMMSTEIN, IGGY AND THE STOOGES, M.I.A, JOHN BUTLER TRIO, GRINDERMAN, WOLFMOTHER, LCD SOUNDSYSTEM, BLOODY BEETROOTS DEATH CREW 77, CRYSTAL CASTLES, LUPE FIASCO, PRIMAL SCREAM SCREAMADELICA LIVE, DEFTONES, BLISS N ESO, ANGUS & JULIA STONE, PLAN B, PNAU, DIE ANTWOORD, EDWARD SHARPE & THE MAGNETIC ZEROS, BOOKA SHADE DJs, ANDREW W.K., THE JIM JONES REVUE, BIRDS OF TOKYO, LITTLE RED, GYROSCOPE, VITALIC, CSS, RATATAT, AIRBOURNE, DEAD LETTER CIRCUS, BLUE KING BROWN, THE NAKED & FAMOUS, OPERATOR PLEASE, CHILDREN COLLIDE, GYPSY AND THE CAT, WILL STYLES, LOWRIDER, SAMPOLOGY, KIDS OF 88, KID KENOBI & MC SHURESHOCK.

2010 was one for the record books and a stellar year for BDO.

We not only passed the emotional 100 show mark with a bang, but also staged our biggest shows to the largest and our most respectful audiences of our 18 years of BDO. And so we thank you for your continued support in helping us produce the best and safest event possible for the patrons, the bands and our tireless team.

The more you care: the more we care.

Which brings us to 2011.

2010 is a very hard act to follow, so for 2011 it felt right to turn up the heat musically and visually. And what better way to explain this than to present you with over 40 exceptional acts from home and abroad for the first round alone.

This is by far our biggest and most diverse announcement ever. As well as the many incredible first timers on offer, we are enthusiastically welcoming back several iconic BDO veterans. They are some of the most exciting and uncompromising artists performing live today. We believe this combination of extremes for 2011 will create a spectacular event.

From the heaviest to the sweetest sounds in the world today, this will be a sensory overload not to be missed.

Full tickets details are below, but please remember the policies we’ve built your show on: You’re all VIPs (Very Important Punters). We don’t do elitist or bogus pre-sales: we’re either on sale or we’re not. We have what we believe to be one low ticket price for one high standard for everyone….

And we hope to see you there

Ken and Viv

So, let’s get it rolling…

TOOL

The sky will blacken, the ground will shudder, the earth will open up and BIG DAY OUT will once again tremble in the presence of the awe-inspiring TOOL. “Primal, poignant, poetic and, as always, utterly powerful” (ARTISTdirect, July 2010). Touring Down Under for the first time in four years, vocalist Maynard James Keenan, guitarist Adam Jones, drummer Danny Carey and bassist Justin Chancellor will be fresh from the studio, where they have been slowly crafting a follow-up to 2006’s 10,000 Days. From Lateralus to Stinkfist, you know the music. But, backed by a video and laser light show unlike any other, TOOL live is also “the kind of visual experience you’ll probably never have again” (CHARTattack, August 2009). Unmatched in the world of dark, heavy rock, California’s TOOL have over 20 years scorched themselves a place as “one of the best live bands in history” (ARTISTdirect). Be blinded by their light at BIG DAY OUT 2011. (ALL SHOWS)

RAMMSTEIN

A decade since ruling over BIG DAY OUT with a reign of fire, pyrotechnics, monstrous riffs, wicked humour and industrial savagery, RAMMSTEIN will return this summer to reclaim their sovereign territory. The RAMMSTEIN live experience is “dizzyingly ridiculous”, says the BBC. “Rock is at its best when confrontational, subversive, curiously camp and bold, which is why RAMMSTEIN are currently one of the most important bands in the genre.” Armed with their sixth album, Liebe ist für Alle da, Germany’s infamous techno-metal masters bring nothing less than the greatest show on earth: “RAMMSTEIN are in pulverising form, the crowd are going crazy, the atmosphere is electric and the firebombs launching from the stage are like World War III on apocalypse LSD” (The Quietus, February 2010). Bow down to your kings, BIG DAY OUT 2011, for RAMMSTEIN have returned. (ALL SHOWS)

IGGY AND THE STOOGES

It’s time for a new generation to plug in to the raw power of IGGY AND THE STOOGES at BIG DAY OUT 2011. The band that invented punk rock return with iconic frontman Iggy Pop rejoined by guitarist James Williamson, drummer Scott Asheton, bass player Mike Watt and sax player Steve Mackay. IGGY AND THE STOOGES will be performing songs from their landmark 1973 album Raw Power, and cherry-picking the likes of Fun House, I Wanna Be Your Dog and Down On The Street from their incendiary back catalogue. Kurt Cobain consistently listed Raw Power as his #1 favorite album of all time and Jack White will tell you that Fun House is the best rock and roll album ever made! It’s “the most chaotic and beautiful mess you could ever want” (Boston Herald, September 2010). As Iggy says, “The Stooges and I are cocked and loaded to deliver it live on stage.” And the only place to see IGGY AND THE STOOGES deliver it this summer is at BIG DAY OUT. Don’t be the one to say you missed it. (ALL SHOWS)

M.I.A.

Standing at the front line of mission BIG DAY OUT 2011 is the one-woman shock and awe campaign that is M.I.A. The Sri Lankan-British “singer/rapper/firebrand” (Pitchfork) fearlessly cuts through genre boundaries and lyrical taboos, blazing new ground from the clubs to the streets with powerhouse tracks like Galang, Paper Planes and, from her latest album ///Y/, Born Free and XXXO. On record and on stage, M.I.A. delivers “pure, flashing brilliance, a lightning cognitive connection of word, idea and sound that few do so well” (NME, July 2010). Often controversial, always compelling, M.I.A knows only one way: all guns blazing. Take cover, BIG DAY OUT. (ALL SHOWS)

JOHN BUTLER TRIO

John Butler is undeniably the most successful truly independent artist in Australia. The recent rebirth of his band the JOHN BUTLER TRIO saw two new members join John Butler; Nicky Bomba on drums and Byron Luiters on bass. The title for the trio’s latest album April Uprising is all about a period of change, of evolution and a constantly renewing beginning. April Uprising is John’s most focused, diverse and accessible album to date. Between the epic opening track Revolution and a whispered acoustic coda A Star is Born, dedicated to John’s son, April Uprising is an album that combines the personal, the political and the musically memorable with skill and passion. BIG DAY OUT is very excited to welcome back JOHN BUTLER TRIO. (ALL SHOWS)

GRINDERMAN

BIG DAY OUT is shivering with anticipation as the howling, growling, malevolent rock beast that is GRINDERMAN approaches. GRINDERMAN are Nick Cave, Warren Ellis, Martyn Casey and Jim Sclavunos – Four Bad Seeds on a mission to take us somewhere else entirely. On album No.1 they were equal parts swagger and sexual frustration. On Grinderman 2, they’re simply ravenous and rampaging, “mixing horror and black humour with barely tamed musical malevolence” (The Guardian, September 2010). Fronted by Australia’s unarguable king of intense, intimidating performance, GRINDERMAN are coming to draw out the heathen child in all of us at BIG DAY OUT 2011. (ALL SHOWS)

WOLFMOTHER

Brothers and sisters sound the siren. A new moon has risen and the return of WOLFMOTHER is well and truly upon us. It was a whirlwind journey the band went on with the Wolfmother album, a voyage that resulted in over one million sales, sold out riots disguised as shows the world over, multiple ARIA Awards and a Grammy. In 2009 they regrouped and returned with a thundering 2nd record, Cosmic Egg, which they describe as “the sound of the Wolfmother world being rethunk and cracked wide open, with a sprawling, jubilant galaxy of musical and metaphysical harmony spilling forth”. We couldn’t have put it better ourselves and BIG DAY OUT couldn’t be happier to have them cracking it open again in 2011. (ALL SHOWS)

LCD SOUNDSYSTEM

You thought it was all over, but James Murphy’s genre-mashing LCD SOUNDSYSTEM couldn’t farewell the live arena without one last tilt at BIG DAY OUT 2011. The biggest name in punk-funk for much of the last decade, LCD SOUNDSYSTEM is a “disco-ticking-time-bomb” (OC Weekly) that has done everything – from movie soundtracks to Grammy-nominated albums. Now, after winning raves for third album This is Happening, Murphy is about to flick LCD’s ‘off’ switch. But before he does, LCD SOUNDSYSTEM wanna put some dance, party and soul in your world one last time, via the likes of Drunk Girls, North American Scum and Daft Punk is Playing at My House. And they’ll be bringing “the heavy artillery… “More muscular and frenzied than on record, the LCD seven-piece live line-up avoids the ‘live dance music’ cul-de-sac in favour of a looser, more dynamic sound… Wow” (The List, May 2010). You better believe this is happening – so be sure to get enough LCD SOUNDSYSTEM to last you a lifetime at BIG DAY OUT this summer. (ALL SHOWS)

BLOODY BEETROOTS DEATH CREW 77

BIG DAY OUT has seen the future of dance music, and it goes by the name of BLOODY BEETROOTS DEATH CREW 77. Bob Rifo’s Italian gang may be DJs, prolific producers, masked avengers and remixers extraordinaire, but this summer it will be BLOODY BEETROOTS DEATH CREW 77 invading the Boiler Room. This isn’t just a live set, this is live communal anarchy, an electro punk rave-up that has made BLOODY BEETROOTS DEATH CREW 77 one of the most talked about dance music acts on the planet. Madly energetic, or just plain mad? Whatever the answer, you’ll be showing mad love for BLOODY BEETROOTS DEATH CREW 77 by the time they’re done with BIG DAY OUT 2011. (ALL SHOWS)

CRYSTAL CASTLES

Get ready to get messy with CRYSTAL CASTLES at BIG DAY OUT 2011. Toronto’s electronic experimentalists Ethan Kath and Alice Glass are purveyors of the most frenetic live show on the planet. “It’s a thrillingly anarchic, messy show … all over the place, and all the better for it” (MusicOMH, June 2010). The whispers about CRYSTAL CASTLES began in 2006, a series of limited, lo-fi vinyl singles selling as quickly as they were pressed. Two self-titled albums later, the whisper is a roar. Or maybe that’s just Glass’s “hellish shriek backed by warzone beats and liquid synths”. Shield your ears – CRYSTAL CASTLES will bring the noise at BIG DAY OUT this summer. (AUCKLAND & EAST COAST ONLY)

LUPE FIASCO

If BIG DAY OUT is beamin’, it’s because we’re psyched to be welcoming back hip hop superstar LUPE FIASCO. The MC with the madly energetic, fast-flowin’ live-band show kicked and pushed outta Chicago with two Grammy-nominated albums, Food & Liquor and The Cool. Since last hitting these shores, LUPE has wrapped a new album, Lasers. But where is it? Singles I’m Beamin’ and Shining Down were a tasty tease, yet the album proper remains so damn anticipated that the rapper’s fans have resorted to petitioning his label to have it released. That’s just the kind of passion LUPE FIASCO inspires, and that’s why we’re beamin’ to have him back at BIG DAY OUT 2011. (ALL SHOWS)

PRIMAL SCREAM

20 years after taking the sounds and spirit of the second summer of love and acid house and melding it into one of the greatest albums of the 1990s, British rockers PRIMAL SCREAM will remake history by performing their epoch-defining classic Screamadelica in full at BIG DAY OUT 2011. Two decades on, these songs still sound like the future: Loaded, Movin’ On Up, Higher Than the Sun, Come Together, Don’t Fight it, Feel It. Bobby Gillespie and the band will be joined by gospel singers, horn section, and a field full of memories. Come together to see PRIMAL SCREAM do Screamadelica at BIG DAY OUT. (ALL SHOWS)

DEFTONES

BIG DAY OUT is daring to look deep into the Diamond Eyes of California’s favourite alt-metal sons, DEFTONES. The 2010 release and sixth album, is “a brilliant, invigorating reintroduction” (NME) to Chino Moreno, Stephen Carpenter, Frank Delgado, Abe Cunningham and new bassist Sergio Vega – the men who shook the world a decade ago with the groundbreaking White Pony – still “wield that balance between beauty and brutality better than anyone” (ARTISTdirect, August 2010). So brace yourself for extremes as you prepare to witness the long-awaited return of DEFTONES at BIG DAY OUT 2011. (ALL SHOWS)

BLISS N ESO

Fresh from knocking off Eminem’s six week reign at the top of the ARIA Album Charts, with their fourth album Running on Air Aussie hip hop trio BLISS N ESO are self assuredly demanding your ears when they hit the stage at BIG DAY OUT 2011. This is music made to fill the wide open spaces of BIG DAY OUT: “This is a career defining album; an album by which every new hip-hop release in this country will be judged, and deservedly so” says The Vine, MX added “Running on Air is a rocket that never runs out of fuel.” Hip-hop style stadium singalongs? We think yes. (ALL AUSTRALIAN SHOWS)

ANGUS & JULIA STONE

Australia’s finest duo ANGUS & JULIA STONE have spent the last few years on a remarkable musical journey together and now they bring their lovingly crafted songs to BIG DAY OUT 2011. Their latest album Down the Way was released to critical acclaim mainly due to the subtle shift of gear, represented by a growing confidence in their abilities as artists which has seen the music follow suit. (ALL AUSTRALIAN SHOWS)

PLAN B

BIG DAY OUT is reverting to PLAN B. But Ben Drew is no back-up plan, he’s the recalcitrant renaissance man of British music: rapper, actor, guitarist, storyteller, filmmaker and now chart-topping soul singer. After shocking the nation with his 2006 debut Who Needs Action When You Got Words, PLAN B took a sharp turn with The Defamation of Strickland Banks, a surprising, slick album filled with “stonking tunes” (NME) that trace the rise and fall of a smartly-suited soul singer. But don’t be fooled – this sweet soul morsel has a razor-sharp edge. Quite simply, no one else cuts it like PLAN B, and he’s suiting up for BIG DAY OUT 2011. (ALL SHOWS)

PNAU

As the world now knows, Australia’s electronic / pop crossover pioneers, PNAU did make the big move over two years ago to take up residence in London following on from a life changing moment crossing paths with (and now under the guidance of) the pop maestro himself, Sir Elton John. It’s been three long years since the release of their last spectacular self titled album, with which Messr’s Nick Littlemore and Peter Mayes have been incredibly busy traipsing the world completing album number four in studios in London, Atlanta, New York and Los Angeles, as well as having been involved in array of projects including one half of Empire Of The Sun; production jobs for Groove Armada, Ellie Goulding, Robbie Williams and more. In amongst this worldly action, Nick has been given the auspicious duty of composer and musical director for the famed international production Cirque du Soleil. With the wait now over and the highly anticipated fourth album arriving shortly, it’s time for PNAU to present the next chapter of ‘their brilliant career’ and as such the rumours can be confirmed as PNAU finally return home to Australia in January 2011 for the BIG DAY OUT. (ALL AUSTRALIAN SHOWS)

DIE ANTWOORD

Comin’ straight outta Cape Town to BIG DAY OUT 2011 are South Africa’s interweb-conquering, next level, hip hop heroes DIE ANTWOORD. The hard rhyming Ninja, Yo-Landi Vi$$er and DJ Hi-Tek burst on to the scene with serious gangsta skillz and viral videos for Enter the Ninja and Zef Side, then quickly became the “so zef, so fresh” smash hit of Coachella 2010 – “Pound for pound the most engaging and legitimately surprising act of the weekend,” said the LA Times. Part anarchic art project, part the-future-of-rap, total mystery. Are DIE ANTWOORD for real? Find the answer at BIG DAY OUT this summer. (ALL SHOWS)

EDWARD SHARPE & THE MAGNETIC ZEROS

With their magic tour bus painted all the colours of the rainbow and their fearless leader at the wheel, EDWARD SHARPE & THE MAGNETIC ZEROS are on the road to BIG DAY OUT 2011. The (at least!) ten-strong, Hottest 100-conquering neo-hippie combo from California are putting a skip in the step of the world with smile-inducing songs from the name-making Home to the happy-go-lucky Janglin’ and 40 Day Dream. This is the stuff group singalongs are made of, music to bring people together. As the Denver Post put it: “At an Edward Sharpe show, everybody is family.” So get on board with EDWARD SHARPE & THE MAGNETIC ZEROES – next stop, BIG DAY OUT. You’ll feel right at home. (ALL SHOWS)

BOOKA SHADE DJs

Berlin duo Walter Merziger and Arno Kammermeier are BOOKA SHADE DJs – Get Physical label bosses, producers of immense electronic club music, newly-minted DJs. At BIG DAY OUT 2011, it’s BOOKA SHADE in DJ guise that’ll take to the Boiler Room. A BOOKA SHADE DJs set isn’t just about flinging vinyl onto a turntable – “Bringing together new tracks and new beats and creating something new around it, is more the spirit of our music,” says Kammermeier. It’s also about capturing the feeling of a great party. Grab the feeling and don’t let go with BOOKA SHADE DJs at BIG DAY OUT this summer. (ALL SHOWS)

ANDREW W.K.

When it’s time to party, BIG DAY OUT knows exactly who to consult – the ultimate authority on partying hard, ANDREW W.K. Infamous for his bloody nose, highly regarded for his motivational speaking, famous for his high-life attitude, beloved for his songs like Party Hard, She is Beautiful and It’s Time To Party, New Yorker ANDREW W.K. is coming our way with his full band for the first time ever to create feelings of pure joy, fun, freedom, and possibility. How does he do it? “His fast and hard party anthems whip the crowd into a fist pumping frenzy … ANDREW W.K. takes command of the crowd and bids them to live it up while they can” (mxdwn, September 2010). So, what are you waiting for? It’s time to party. It’s time for ANDREW W.K. to take command at BIG DAY OUT 2011. (ALL SHOWS)

THE JIM JONES REVUE

THE JIM JONES REVUE will be burning the house down at BIG DAY OUT 2011. THE JIM JONES REVUE manifesto is simple, and ferocious: "If you’re going to get on stage,” says guitarist Rupert Orton, “deliver." And that they do, riffing on Little Richard and Jerry Lee Lewis for a rock’n’roll sound that could have come direct from the 1950s, if it wasn’t fused with the so dang wild, loud and loose vibes of The Cramps and The Birthday Party. The Londoners may have only dropped their debut in 2008, but don’t let that fool you – these five punk rock bluesmen have been around. Hot on the heels of their blistering second album, Burning Down Your House, THE JIM JONES REVUE are set to fire up BIG DAY OUT this summer. (ALL SHOWS)

BIRDS OF TOKYO

BIRDS OF TOKYO certainly aren’t the kind of band to do things in halves. Their latest self –titled album was recorded between Sydney, London, Gothenburg and New York; BIRDS OF TOKYO gave themselves the most surreal and inspiring experience possible, knowing that the results of doing so would speak for themselves. This journey into such deeply personal territory has produced BIRDS OF TOKYO’s most meaningful and powerful album yet. Stand up and be counted at BIG DAY OUT 2011 with BIRDS OF TOKYO. (ALL SHOWS)

LITTLE RED

Melbourne’s LITTLE RED have been away a while, growing up, growing down, tasting the sweet and the bittersweet in equal measures, they’ve recently returned with their second album Midnight Remember. Described by The Age as ‘pretty much the best band in Melbourne at the moment’, LITTLE RED and their all-singing, all-dancing live show are set to shake up BIG DAY OUT 2011 with their pure, irrepressible pop, infectious hooks and good times. (ALL AUSTRALIAN SHOWS)

GYROSCOPE

No strangers to the BIG DAY OUT GYROSCOPE is bringing something new to the table this time and it’s not what you would expect. You would be forgiven for thinking that they would stick with what seems like a formula for success. But for something to succeed you don’t need a formula – you need a solid foundation on which everything can be built. And few in music have set a foundation as strong as GYROSCOPE. (ALL AUSTRALIAN SHOWS)

VITALIC.

The temperature gauge is rising as BIG DAY OUT ushers in the artist who ushered in a whole new era of dance music, VITALIC. The man born Pascal Arbez has always been one step ahead of the electro game, his 2005 debut OK Cowboy preceding the rise to worldwide dance-dominance of every other Frenchman with a laptop. In 2009, he re-stamped his authority on the scene with the highly-charged Flashmob. Using big synths, big beats and a big slice of glittery disco as his building blocks, VITALIC creates a sound as pulverising as it is infectious. No messing around – “This guy is incredible” (inthemix, November 2008). Keep up if you can, as VITALIC flashes forward at BIG DAY OUT this summer. (ALL SHOWS)

CSS

Representin’ for São Paulo at BIG DAY OUT 2011 are Brazil’s hot, hot band of the people, CSS. “The physical embodiment of the best party ever” (NME), CSS have shared their unquenchable thirst for good times and all things pop and art via two albums, Cansei de Ser Sexy and Donkey. On the eve of the release of their next blast of post-punk-electro-art-school madness, CSS are back to doing what they do best – creating unbridled joy live on stage, in a set that’s equal parts dance party, urban circus, and out-and-out chaos. As the band’s technicolour frontwoman Lovefoxx would say: get up, get up, get up! Get up, and get your CSS while it’s hot at BIG DAY OUT. (ALL SHOWS)

RATATAT

When BIG DAY OUT is rockin’, RATATAT will come a’knockin’. New York duo Mike Stroud and Evan Mast have been mixing electronics with guitars for the past decade, combining the power of noise and dance, collaborating with Kid Cudi, remixing Bjork, dropping four albums. Songs like Lex, Wild Cats and Seventeen Years have made them completely hip, but it’s when you see RATATAT live on stage – an aural, visual and physical assault of synths, guitar, hypnotic video and boundless energy – that the hype makes perfect sense. If you’re ready to be blown away, you’re ready for RATATAT at BIG DAY OUT 2011. (ALL SHOWS)

AIRBOURNE

AIRBOURNE have been waving the rock and roll flag for Australia both at home and overseas since 2003. AIRBOURNE crank out with all cylinders firing potent, solid and good ol’ fashioned rock and roll. “Basically, we’ve never been about having a specific message; we don’t talk about politics or social injustices in our songs. There are other bands out there to take care of that,” says rowdy lead guitarist and vocalist Joel O‘Keefe. The band’s latest album No Guts, No Glory is a true testament to AIRBOURNE’s way of life: the album is a virtual rock and roll buffet served up this summer at BIG DAY OUT 2011. (ALL SHOWS)

DEAD LETTER CIRCUS

It’s been a few years since DEAD LETTER CIRCUS blasted onto Australian airwaves in 2007, their bombastic yet nuanced take on alternative rock left most observers struggling to process what they were hearing. It was epic, it oozed confidence, it was intense. Fast forward a while and the band then set out to record the follow up to their self-titled EP that started it all. Over an incredible 18 month gestation period, with every deadline pushed, every note analysed, every resource pooled, and every avenue of exploration exhausted, the new album This Is The Warning was born. From one travelling circus to another we make way for DEAD LETTER CIRCUS to come play BIG DAY OUT 2011. (ALL AUSTRALIAN SHOWS)

BLUE KING BROWN

You can put your fist in the air, come just as you are, you can bounce to da beat, rock out up the front row or chill up the back. Hard hitting lyrics and groove delivered in the most accessible way…you’re at BIG DAY OUT 2011 and Australia’s premier urban roots crew BLUE KING BROWN have arrived! Lead by the multi talented, relentless energy of Natalie Pa’apa’a, the band have established themselves as one of Australia’s most engaging live acts. BLUE KING BROWN bringing groove to BIG DAY OUT this summer. (ALL AUSTRALIAN SHOWS)

THE NAKED AND FAMOUS

The meteoric rise of THE NAKED AND FAMOUS has been the biggest story in New Zealand music in 2010. The group had already won over alternative radio ears in their home country with two EPs where a home studio full of industrial strength electronica ideas underpinned some of the most melodic dream pop concocted down under, before they unleashed single Young Blood in May. But were they ready for that song to go straight into the NZ charts at number one, hook them up with NY indie label and blog Neon Gold, hit playlists from Triple J to London’s XFM, win them the prestigious APRA Silver Scroll and make them one of the hottest unsigned properties in the world? Probably not. But their self-produced album, Passive Me Aggressive You, has since appeared and garnered even more praise. Nudity? Not in public. Fame? Most definitely around the corner for these five kids from Auckland. (ALL SHOWS)

OPERATOR PLEASE

Returning to the BIG DAY OUT national tour for their second time OPERATOR PLEASE are well and truly back. This time though, take everything you think you know about OPERATOR PLEASE and put it aside. The Queensland-based band defy all expectations on their second album, Gloves, with the youthful enthusiasm and teenage angst that gave them worldwide recognition making way for a more sophisticated and developed sound. After spending the last few years touring the globe the band bring their pop anthems along for the ride and are set to rock BIG DAY OUT 2011. (ALL AUSTRALIAN SHOWS)

CHILDREN COLLIDE

CHILDREN COLLIDE arrive for BIG DAY OUT 2011 on the back of their powerful new album Theory for Everything. Vocalist and guitarist Johnny Mackay says "Alchemy and chemistry, reason and religion, love and logic. Art and music are so often about tying opposing forces together into a contentious dualism. Contradiction is a big part of what we do." CHILDREN COLLIDE are here. (ALL AUSTRALIAN SHOWS)

GYPSY & THE CAT

There is no gypsy and there is no cat, but there is a GYPSY & THE CAT, an electronic duo who, instead of pumping out house beats and booty-quaking bass lines, pen gorgeous mini epics of forlorn beauty and elegiac romanticism that, you can just tell, are about heartache and solitude, past girlfriends and future loss. Their brand new album Gilgamesh is set for release this summer. In the meantime the lead single Time to Wander has been described as “…dreamy, epic and luscious soft rock, just in time to soundtrack the Summer. Bam” (The Brag). GYPSY & THE CAT bring their summer soundtrack to BIG DAY OUT 2011. (ALL AUSTRALIAN SHOWS)

WILL STYLES

WILL STYLES first discovered “The Rave” when he was 16. At the end of the night he was moshing on the dance floor with his Skid Row t-shirt and torn jeans, whirling 2 flannies above his head, yelling along to Speed Racer. He was hooked. He’s always tried (often spectacularly badly) to play rave in FunkTrust sets, but after taking awhile he’s finally playing rave music every week: like a shitty Nicholas Sparks novel-turned-movie, he’s been re-united with his first love. Will has hosted Radio FunkTrust on Triple J since 2006. Every Friday night you can tune in to him playing super-sweet new records and making fart jokes. WILL STYLES is joined for the BIG DAY OUT shows by MC HAYLEY BOA. She used to sing in one of The Wiggles shows and was reprimanded for incorrectly miming the actions during the Eat a Banana song. Instead of peeling it, she was (quite innocently) fellating the banana to tens of thousands of small children. No one has been able to convince her to re-enact her banana antics on stage yet, but we’re hoping it happens at BIG DAY OUT in 2011. (ALL AUSTRALIAN SHOWS)

LOWRIDER

Bigger. Brighter. Bolder: Just three words to nail the irresistible sound of hot Adelaide quartet LOWRIDER’s sophomore album, Round the World. LOWRIDER have taken their unique blend of soul and funk to the world, forging a reputation along the way as one of the most mesmerising live acts around. Get soulful, get funky, get LOWRIDER on the menu this summer at BIG DAY OUT 2011. (ALL AUSTRALIAN SHOWS)

SAMPOLOGY

SAMPOLOGY is a DJ. And we’re not talking your steak and three vegie solid club set here. He’s a highly accomplished technician on the 1s and 2s, (and sometime 3s) cutting his teeth in the early days as turntablist for a number of live bands including Soma Rasa and the Vinyl Slingers, which saw him first doing BIG DAY OUT at the tender young age of 17. He’s also one of the most consistently brilliant and versatile club Djs who’s not shy of mixing up his styles to suit the show. One week you might find him creating mash-up mayhem in intimate clubs by changing the vibe of the room to some kind of ridiculously wicked house party. The next week you’ll stumble into a bass bin laden club night to find him delivering a fast paced performance, skilfully bringing together endless forms of club music at countless tempos. And he’s bringing the whole swag to BIG DAY OUT in 2011. In the words of Peaches: “Sampology makes me wanna break dance.” We couldn’t have summed up SAMPOLOGY the DJ better ourselves. (ALL AUSTRALIAN SHOWS)

KIDS OF 88

Jordan and Sam were born in 1988. In 2009, they were the toast of the music world with the chart conquering disco sleaze of their platinum selling debut single My House. They followed up with a string of throbbing electro anthems culminating in the release of the insanely catchy, wildly electric journey of 21st century dance pop discovery that is their 2010 debut album Sugarpills. As their recordings and remixes have been filling club dance floors, KIDS OF 88 have since smashed their way around New Zealand and Australia, lighting up clubs and sharing the stage with everyone from the Passion Pit and Scissor Sisters to Cassette Kids while ducking back to their home studio to remix stars like Ke$ha and Cobra Starship. (ALL SHOWS)

KID KENOBI AND MC SHURESHOCK

At the turn of the decade, KID KENOBI AND MC SHURESHOCK first joined forces and by the middle of the 2000s, they were recognized as Australia’s premier MC-DJ tandems, having completed sell-out tours of the UK, USA, Canada, Brazil, China, Switzerland, New Zealand and Singapore. Celebrating a decade of working together since the turn of the millennium, KID KENOBI & MC SHURESHOCK will release their debut EP TEN” on 10.10.10 supported by a very special TEN tour incorporating a retrospective 2000-2010 performance across a whopping 23 dates nationally, and culminating with BIG DAY OUT across Australia in early 2011. (ALL AUSTRALIAN SHOWS)

Posted by Troy Constable Photography™ on 2011-01-27 09:39:39

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[mrjeremydylan]

My Favorite Album #194 - Duglas T Stewart (BMX Bandits) on Beach Boys 'Love You' (1977)

We celebrate a milestone today with first ever Scottish guest of the pod. Duglas T Stewart, founder and frontman of indie legends BMX Bandits, joins me to discuss the offbeat magic and beautiful naive emotion of Beach Boys 'Love You', the band's bizarre and compelling 1977 'comeback' album, which saw Brian Wilson and a host of wonky synthesisers create a sonic world completely different to the perfectionism of Pet Sounds.

We talk about how this record showcases Brian Wilson the lyricist, the simple sentiment of tune like 'Solar System', why the unfiltered emotion of the Beach Boys is more authentic than many modern overwrought overearnest bands, the hidden sadness in 'Johnny Carson', Duglas's conversations with Brian Wilson about the record, the BMX Bandits songs most inspired by the album and Big Star's Alex Chilton's love for the record. We also discuss why people who experienced real despair and hardship in life often end up making more positive sounding music.

Plus, I ask Duglas which Scottish movie would make the best name for an Australian band.

Listen in the player above or download the episode by clicking here.

Subscribe to the podcast in iTunes here or in other podcasting apps by copying/pasting our RSS feed - http://myfavoritealbum.libsyn.com/rss My Favorite Album is a podcast unpacking the great works of pop music. Each episode features a different songwriter or musician discussing their favorite album of all time - their history with it, the making of the album, individual songs and the album’s influence on their own music. Jeremy Dylan is a filmmaker, journalist and photographer from Sydney, Australia who has worked in the music industry since 2007. He directed the the feature music documentary Jim Lauderdale: The King of Broken Hearts (out now!) and the feature film Benjamin Sniddlegrass and the Cauldron of Penguins, in addition to many commercials and music videos.

If you’ve got any feedback or suggestions, drop us a line at myfavoritealbumpodcast@gmail.com.

LINKS

- Duglas on Twitter, BMX Bandits on Instagram and iTunes.

- Buy ‘Beach Boys Love You’ here.

- Jeremy Dylan’s website, Twitter, Instagram and Facebook page.

- Like the podcast on Facebook here.

- If you dig the show, please leave a rating or review of the show on iTunes here.

CHECK OUT OUR OTHER EPISODES

193. Dan Soder on Queens of the Stone Age ‘Like Clockwork’ (2013) 192. Kingswood on The Beatles ‘Magical Mystery Tour’ (1967) 191. Comedian Becky Lucas on Michael Jackson ‘Bad’ (1987) 190. PVT on Brian Eno ‘Another Green World’ (1975) 189. Middle Kids on My Brightest Diamond ‘Bring Me The Workhorse’ (2006) 188. The Bitter Script Reader on Tom Hanks ‘That Thing You Do’ (1996) 187. Carly Rae Jepsen ‘Emotion’ (2015) with CRJ Dream Team Roundtable 186. Sarah Belkner on Peter Gabriel ‘So’ (1986) 185. Mark Hart (Crowded House, Supertramp) on XTC ‘Drums and Wires’ (1979) 184. Emma Swift on Marianne Faithfull ‘Broken English’ (1974) 183. Owen Rabbit on Kate Bush ‘Hounds of Love’ (1985) 182. Robyn Hitchcock on Bob Dylan ‘Blonde on Blonde’ (1966) 181. Dave Mudie (Courtney Barnett) on Nirvana ‘Nevermind’ (1991) 180. Brian Koppelman on Bruce Springsteen ‘Nebraska’ (1982) 179. Nicholas Allbrook (POND) on OutKast ‘The Love Below’ (2003) 178. 2016 in Review: What the hell? ft Jeff Greenstein, Rob Draper & Cookin on 3 Burners, Melody Pool, Lisa Mitchell, Emma Swift, Brian Koppelman, Mark Hart (Crowded House), Davey Lane and Alex Lahey 177. Harper Simon on The Beatles ‘White Album’ (1968) 176. Andrew P Street on Models ‘Pleasure of Your Company’ (1983) 175. Matt Farley (Motern Media) on why The Beach Boys ‘Love You’ is better than ‘Pet Sounds’ 174. Lisa Mitchell on Regina Spektor ‘Begin to Hope’ (2006) and her favorite albums of 2016 173. Peter Bibby on Sleep ‘Dopesmoker’ (2003) 172. Slate’s Jack Hamilton on Stevie Wonder ‘Innervisions’ (1973) 171. Showrunner Blake Masters on Drive-By Truckers ‘The Dirty South’ (2004) 170. Taylor Goldsmith (Dawes) on on their new album ‘We’re All Gonna Die’, loving LA and the albums that inspire him 169. Sadler Vaden on The Rolling Stones ‘Goats Head Soup’ (1973) 168. Guy Clark biographer Tamara Saviano on ‘Dublin Blues’, Guy’s songwriting process and his musical legacy 167. What does Trump mean for music? 166. A Tribute to Sir George Martin, The Fifth Beatle with Davey Lane and Brett Wolfie 165. John Oates on Joni Mitchell ‘Blue’ (1971) 164. Jimmy Vivino on the birth of the Max Weinberg 7, his relationship with Conan O’Brien, country music and the future of rock’n’roll 163. DJ Alix Brown on Transformer (1972) by Lou Reed 162. Taylor Locke on Doolittle (1989) by the Pixies, the album that inspired 90s alt-rock 161. Harts on Around the World in a Day (1985) by Prince and jamming with Prince at Paisley Park 160. Mark McKinnon (The Circus) on Kristofferson and programming the President’s iPod 159. Alan Brough on A Walk Across the Rooftops (1984) by The Blue Nile 158. Peter Cooper on Pretty Close to the Truth (1994) and why we need Americana music 157. Will Colvin (Hedge Fund) on One of the Boys by Katy Perry (2008) 156. Julia Jacklin on Extraordinary Machine by Fiona Apple (2005) 155. Japanese Wallpaper on Currents by Tame Impala (2015) 154. Montaigne on her album Glorious Heights (2016) and its inspirations 153. Alex Lahey on Hot Fuss by the Killers (2004) 152. Jack Moffitt (The Preatures) on Physical Graffiti by Led Zeppelin (1975) 151. Mike Bloom on Axis Bold As Love by Jimi Hendrix (1968) 150. Hey Geronimo on Drowning in the Fountain of Youth by Dan Kelly (2006) 149. Mickey Raphael on Teatro by Willie Nelson (1998) 148. Jack Ladder on Suicide by Suicide 147. Rusty Anderson on Hot Rats by Frank Zappa 146. Kenny Aronoff on The Beatles 145. Bob Evans on A Grand Don’t Come for Free by The Streets 144. Chris Hewitt (Empire) on New Adventues in Hi-Fi by REM 143. Dr Warren Zanes on Tom Petty and the Heartbreakers by Tom Petty and the Heartbreakers 142. Dr Mark Kermode (Wittertainment) on Sleep No More by the Comsat Angels 141. Van Dyke Parks on Randy Newman by Randy Newman 140. Imogen Clark on Heartbreaker by Ryan Adams 139. Jesse Thorn on Fresh by Sly and the Family Stone 138. Stephen Tobolowsky on The Rise and Fall of Ziggy Stardust and the Spiders from Mars by David Bowie 137. Ben Blacker on Blood and Chocolate on Elvis Costello & the Attractions 136. Jonny Fritz on West by Lucinda Williams 135. Adam Busch on A River Ain’t Too Much to Love by Smog 134. Kelsea Ballerini on Blue Neighbourhood by Troye Sivan 133. Natalie Prass on Presenting Dionne Warwick 132. Josh Pyke on Badmotorfinger by Soundgarden 131. Kip Moore on Born to Run by Bruce Springsteen 130. Koi Child on Voodoo by D’Angelo 129. The Cadillac Three on Wildflowers by Tom Petty 128. Julian McCullough on Appetite for Destruction by Guns n Roses 127. Danny Clinch on Greetings from Ashbury Park NJ by Bruce Springsteen 126. Sam Palladio (Nashville) on October Road by James Taylor 125. Steve Mandel on Blood and Chocolate by Elvis Costello 124. Brian Koppelman on The History of the Eagles 123. Benmont Tench on Beggars Banquet by the Rolling Stones 122. Jimmy Vivino (Basic Cable Band) on Super Session by Al Kooper, Mike Bloomfield and Stephen Stills 121. Holiday Sidewinder on Pat Garrett & Billy the Kid by Bob Dylan 120. Ben Blacker on Aladdin Sane by David Bowie 119. EZTV on The Toms by The Toms 118. Jess Ribeiro on Transformer by Lou Reed 117. Whitney Rose on Keith Whitley Greatest Hits 116. Best Albums of 2015 with Danny Yau ft. Jason Isbell, Dan Kelly, Shane Nicholson, Tim Rogers, Will Hoge and Julien Barbagallo (Tame Impala) 115. Phil Spector’s A Christmas Gift For You with Jaime Lewis 114. Xmas Music ft. Kristian Bush, Lee Brice, Corb Lund and Tim Byron 113. Sam Outlaw on Pieces of the Sky by Emmylou Harris 112. Jason Isbell on Sticky Fingers by the Rolling Stones 111. Ash Naylor (Even) on Houses of the Holy by Led Zeppelin 110. Burke Reid (Gerling) on Dirty by Sonic Youth 109. Lance Ferguson (The Bamboos) on Kind of Blue by Miles Davis 108. Lindsay ‘The Doctor’ McDougall (Frenzal Rhomb) on Curses! by Future of the Left 107. Julien Barbagallo (Tame Impala) on Chrominance Decoder by April March 106. Melody Pool on Blue by Joni Mitchell 105. Rusty Hopkinson (You Am I) on ‘Nuggets: Original Artyfacts from the First Psychedelic Era’ 104. Jeff Greenstein on A Quick One (Happy Jack) by The Who 103. Dave Cobb on Revolver by the Beatles 102. Justin Melkmann (World War IX) on Coney Island Baby by Lou Reed 101. Kacey Musgraves on John Prine by John Prine 100. Does the album have a future? 99. Corb Lund on Gunfighter Ballads and Trail Songs by Marty Robbins 98. Bad Dreems on Unknown Pleasures by Joy Division 97. Davey Lane (You Am I) on Abbey Road by the Beatles 96. Dan Kelly on There’s A Riot Goin’ On by Sly and the Family Stone 95. Ash Grunwald on Mule Variations by Tom Waits 94. Stella Angelico on The Shangrilas 93. Eves the Behavior on Blue by Joni Mitchell 92. Troy Cassar-Daley on Willie Nelson’s Greatest Hits 91. Lydia Loveless on Pleased to Meet Me by the Replacements 90. Gena Rose Bruce on The Boatman’s Call by Nick Cave 89. Kitty Daisy and Lewis on A Swingin’ Safari by Bert Kaempfert 88. Will Hoge on Modern Sounds in Country & Western Music by Ray Charles 87. Shane Nicholson on 52nd St by Billy Joel 86 - Tired Lion on Takk… by Sigur Ros 85 - Whispering Bob Harris on Forever Changes by Love 84 - Jake Stone (Bluejuice) on Ben Folds Five by Ben Folds Five 83 - Pete Thomas (Elvis Costello and the Imposters) on Are You Experienced? by the Jimi Hendrix Experience 82 - Dom Alessio on OK Computer by Radiohead 81 - Anthony Albanese MP on The Good Son by Nick Cave and the Bad Seeds 80 - John Waters on Electric Ladyland by The Jimi Hendrix Experience 79 - Jim DeRogatis (Sound Opinions) on Clouds Taste Metallic by The Flaming Lips 78 - Montaigne on The Haunted Man by Bat for Lashes 77 - Guy Pratt (Pink Floyd) on Quadrophenia by The Who 76 - Homer Steinweiss (Dap Kings) on Inspiration Information by Shuggie Otis 75 - Best of 2015 (So Far) ft. Danny Yau, Montaigne, Harts, Joelistics, Rose Elinor Dougall and Burke Reid 74 - Matt Farley (Motern Media) on RAM by Paul McCartney BONUS - Neil Finn on The Beatles, Neil Young, David Bowie and Radiohead 73 - Grace Farriss (Burn Antares) on All Things Must Pass by George Harrison 72 - Katie Noonan on Blue by Joni Mitchell 71 - Harts on Band of Gypsys by Jimi Hendrix 70 - Tim Rogers (You Am I) on Bring the Family by John Hiatt 69 - Mark Seymour (Hunters and Collectors) on The Ghost of Tom Joad by Bruce Springsteen 68 - Jeremy Neale on Graceland by Paul Simon 67 - Joelistics on Graceland by Paul Simon 66 - Brian Nankervis (RocKwiz) on Astral Weeks by Van Morrison 65 - ILUKA on Pastel Blues by Nina Simone 64 - Rose Elinor Dougall on Tender Buttons by Broadcast 63 - Sarah McLeod (The Superjesus) on Siamese Dream by The Smashing Pumpkins 62 - Keyone Starr on The Miseducation of Lauryn Hill 61 - Chase Bryant on Defying Gravity by Keith Urban 60 - Brian Koppelman on Southeastern by Jason Isbell 59 - Michael Carpenter on The Beatles White Album Side 4 58 - Pete Kilroy (Hey Geronimo) on The Beatles White Album Side 3 57 - Mark Wells on The Beatles White Album Side 2 56 - Jeff Greenstein on Colossal Youth by Young Marble Giants 55 - Laura Bell Bundy on Shania Twain, Otis Redding and Bright Eyes 54 - Jake Clemons on Surfacing by Sarah McLachlan 53 - Kristian Bush (Sugarland) on The Joshua Tree by U2 52 - Kevin Bennett (The Flood) on Willis Alan Ramsey by Willis Alan Ramsey 51 - Lee Brice on Unorthodox Jukebox by Bruno Mars 50 - Davey Lane (You Am I) on the White Album (Side 1) by The Beatles 49 - Joe Camilleri on The Rolling Stones by The Rolling Stones 48 - Russell Morris on The Rolling Stones by The Rolling Stones 47 - Mike Rudd (Spectrum) on England’s Newest Hitmakers by The Rolling Stones 46 - Henry Wagons on Harvest by Neil Young 45 - Megan Washington on Poses by Rufus Wainwright 44 - Andrew Hansen (The Chaser) on Armchair Theatre by Jeff Lynne 43 - She Rex on BlakRoc by The Black Keys 42 - Catherine Britt on Living with Ghosts by Patty Griffin 41 - Robyn Hitchcock on Plastic Ono Band by John Lennon 40 - Gideon Bensen (The Preatures) on Transformer by Lou Reed 39 - Harry Hookey on Blood on the Tracks by Bob Dylan 38 - Rob Draper on Faith by George Michael 37 - Best of 2014 ft. Danny Yau, Andrew Hansen, Gideon Bensen (The Preatures) and Mike Carr 36 - Doug Pettibone on Wrecking Ball by Emmylou Harris 35 - Ross Ryan on Late for the Sky by Jackson Browne 34 - Michael Carpenter on Hard Promises by Tom Petty & the Heartbreakers 33 - Davey Lane (You Am I) on Jesus of Cool by Nick Lowe 32 - Zane Carney on Smokin’ at the Half Note by Wes Montgomery 31 - Tony Buchen on Sgt Pepper’s Lonely Hearts Club Band by The Beatles 30 - Simon Relf (The Tambourine Girls) on On the Beach by Neil Young 29 - Peter Cooper on In Search of a Song by Tom T Hall 28 - Thelma Plum on Stolen Apples by Paul Kelly 27 - James House on Rubber Soul by the Beatles 26 - Ella Hooper on Let England Shake by PJ Harvey 25 - Abbey Road Special 24 - Alyssa Bonagura on Room for Squares by John Mayer 23 - Luke Davison (The Preatures) on Green Onions by Booker T and the MGs 22 - Neil Finn on Hunky Dory by David Bowie and In Rainbows by Radiohead 21 - Neil Finn on Beatles for Sale by the Beatles and After the Goldrush by Neil Young 20 - Morgan Evans on Diorama by Silverchair 19 - Emma Swift on Car Wheels On A Gravel Road by Lucinda Williams 18 - Danny Yau on Hourly Daily by You Am I 17 - J Robert Youngtown and Jon Auer (The Posies) on Hi Fi Way by You Am I 16 - Lester the Fierce on Hounds of Love by Kate Bush 15 - Luke Davison on Green Onions by Booker T and the MGs 14 - Jeff Cripps on Wheels of Fire by Cream 13 - Mark Holden on Blue by Joni Mitchell (Part 2) 12 - Mark Holden on Blue by Joni Mitchell (Part 1) 11 - Gossling on O by Damien Rice 10 - Matt Fell on Temple of Low Men by Crowded House 9 - Pete Thomas on Are You Experienced? by Jimi Hendrix (Part 2) 8 - Pete Thomas on Are You Experienced? by Jimi Hendrix (Part 1) 7 - Sam Hawksley on A Few Small Repairs by Shawn Colvin 6 - Jim Lauderdale on Grievous Angel by Gram Parsons 5 - Mark Moffatt on Blues Breakers by John Mayall and Eric Clapton 4 - Darren Carr on Ten Easy Pieces by Jimmy Webb 3 - Mark Wells on Revolver by The Beatles 2 - Mike Carr on Arrival by ABBA 1 - Rob Draper on Highway 61 Revisited by Bob Dylan