#Bhojpuri Singers

[savedaughtersworld]

Shilpi Raj is a Bihar-born Indian Bhojpuri singer, actress, and media personality. She has done many popular album tracks in Bhojpuri. She has also worked with famous Bhojpuri artists like Pawan Singh and Arvind Akela. Her Bhojpuri tunes continue to set the stage on fire and have won the hearts of her fans.

[journalistdharm]

बिहार की लोकप्रिय गायिका प्रिया मलिक का सम्मान किया ऑल इंडियन सिने वर्कर्स एसोसिएशन ( AICWA ) के राष्ट्रीय अध्यक्ष सुरेश श्यामलाल गुप्ता जी ने । बताते चलें कि प्रिया मलिक का गया हुआ गाना "आज मिथिला नगरिया निहाल सखिया" बहुत ही लोकप्रिय हो रहा है। प्रिया मलिक ने अपने इस मैथिली गाने से बिहार को एक नई पहचान दिलाई है। उनका यह गाया हुआ गाना बिहार सहित पूरे भारत में काफी धूम मचा रहा है और लोग इसे काफी पसंद कर रहे हैं यहां तक कि इनके गाए हुए गाने मॉडलिंग शो में भी बज रहे हैं जिस पर लोग अपना परफॉर्मेंस दे रहे हैं। साथ ही में प्रिया मल्लिक के बारे में बता दूं कि वह सिर्फ मैथिली ही नहीं गा रही बल्कि वह पूरे भारत में परफॉर्मेंस दे रही हैं यहां तक कि वे बॉलीवुड के लिए भी गाने रिकॉर्ड कर रही हैं जिसको लेकर के श्री श्याम लाल गुप्ता जी जो की ऑल इंडियन सिने वर्कर्स एसोसिएशन के राष्ट्रीय अध्यक्ष हैं उन्होंने उनको सम्मान दिया है। #PriyaMalik #Singer #Bihar #Maithili #AICWA #All_Indian_Cine_Workers_Association #SureshShyamlalGupta #Bollywood #FilmIndustry #IndianCinema #Artist #IndianFilmIndustry #TSeries #Tollywood #Bhojpuri #maithaabduljalil #madhubani #madhubanipainting #nepal #sitamarhi #jayakishori #shreeram #nihal #mithalanchal #aicwabiharjharkhand #dp #dharmprakashrudra #dharm #dharma #brahmakumaris @priyamallickofficial https://www.instagram.com/p/Cn68NhrJxYj/?igshid=NGJjMDIxMWI=

[doyoulikethissong-poll]

Poornima - Channe Ke Khet Mein 1994

Anjaam (Consequence) is a 1994 Indian Hindi-language psychological thriller film directed by Rahul Rawail. It stars Madhuri Dixit and Shah Rukh Khan in lead roles with an ensemble supporting cast. The film's music was composed by Anand-Milind, with lyrics written by Sameer. The film is about a woman facing the brunt of her obsessive stalker. It also focuses on the atrocities committed against women. At the 40th Filmfare Awards, Anjaam won Khan the Best Villain award for his performance. Madhuri Dixit repeated the iconic dance moves for the song in the 2022 Netflix series The Fame Game when her character meets some fans dancing to it.

Poornima Shrestha was the first successful child singer in Hindi films, and became one of the most prolific female playback singers in Bollywood during the 1990s. She was one of the top-ten selling 1990s artists with her album Mera Dil Bole Piya Piya. Poornima has sung in many languages including Bengali, Nepali, Marathi, Bhojpuri, Punjabi, Gujarati, Oriya, Rajasthani, Assamese, Haryanvi, Garhwali and Arabic. Apart from films, she has sung numerous songs in genres such as Baal Geet, Bhavgeet, Bhajan, Ghazal, Chutney and Indipop.

"Channe Ke Khet Mein" received a total of 67,7% yes votes!

[syrodigital]

A New Bhojpuri Movie song by Famous Singer- Antra Singh Priyanka & Rinku Ojha's Song High Voltage Low Battery.

Successfully Digital Distribution on all Major Music Streaming Platforms with Caller Tune

#musicdistribution #syrodigitalmusicdistribution

[stackumbrellayamini]

Top 10 Hottest Bhojpuri Actresses of 2023

Top 10 Hottest Bhojpuri Actresses of 2023

India is a diverse country, and so is its film industry. There is a film industry in every region of India, based on language and culture. Punjabi, Tamil, Telugu, Bhojpuri, and Bengali are a few examples.

While discussing the Bhojpuri movie industry, Bhojpuri beauties are constantly discussed. The Bhojpuri film industry has several attractive actresses. With perfect body and beauty, these actresses are no less than any Bollywood actress. Let’s have a look at these sexy Bhojpuri actresses. Also, look at these top 10 most attractive Tamil actresses of 2023.

Table of Contents

Top 10 sexy Bhojpuri actresses  of 2023

1. Monalisa

2. Aamrapali Dubey

3. Kajal Raghwani

4. Akshara Singh

5. Rani Chatterjee

6. Namrita Malla

7. Nidhi Jha

8. Anjana Singh

9. Seema Singh

10. Mani Bhattacharya

Top 10 sexy Bhojpuri actresses  of 2023

1. Monalisa

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Antara Biswa is also known by the name Monalisa. She ranks among the sexy Bhojpuri actresses. Monalisa began appearing on television in 2016 when she appeared on Big Boss.

She has also made films in Hindi, Bengali, Telugu, Tamil, and Bengali, in addition to Bhojpuri. She also has a large Instagram following of fans.

2. Aamrapali Dubey

Aamrapali Dubey is an Indian actress who has appeared in many Bhojpuri films. Along with that, she has also done serials like Rehna hai Teri Palkon Ki Chhaon Mein, Saath Phere, Maayka, and Mera Naam Kregi Roshan. This Bhojpuri beauty is among the sexiest Bhojpuri actress.

3. Kajal Raghwani

This 32-year-old Bhojpuri actress has acted in many Bhojpuri films. She has also won the Bhojpuri best actress people choice award in 2016. Kajal has a fan following of 3.3 million on Instagram.

4. Akshara Singh

Akshara Singh is one of the highest-paid actresses in Bhojpuri cinema. Her beauty and charm are what make her fan’s heads turn. She started her career in 2016 and now she works as an actress, singer, dancer, and Tv presenter.

5. Rani Chatterjee

Born in 1976, Rani Chatterjee’s real name is Sabiha Shaikh. She is among the sexy bhojpuri actresses. Rani has appeared in many Bhojpuri movies and a web show named Mastram. Along with being a popular Indian actress, this Bhojpuri beauty is also a great dancer.

6. Namrita Malla

Namrita Malla is a Bhojpuri actress known for her fiery looks and amazing body. She has acted in many Bhojpuri films. Namrita was born in Mumbai, Maharashtra, and then shifted toward Bhojpuri cinema. This beautiful Bhojpuri diva is also an Instagram star.

7. Nidhi Jha

You must have known her from the popular serials, Balika Vadhu, Aahat, Sapne Suhane Ladakpan Ke, Addalat, crime petrol, Savdhan India, and many more. Along with being a popular tv actress Nidhi Jha is also a known face in Bhojpuri cinema too. She has acted and many Bhojpuri films and is also among the sexy Bhojpuri actresses.

8. Anjana Singh

Anjana Singh is a typical Bhojpuri beauty and a famous name in Bhojpuri cinema. Her movies and acting skills are what is admired by the fans most. This 32-year-old actress was born and brought up in Lakhnow, Uttar Pradesh.

9. Seema Singh

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Seema Singh is a great dancer and actress. She has appeared in more than 500 Bhojpuri movies. People also know this gorgeous diva as the ‘ item queen’ of Bhojpuri cinema. Her moves and dancing skills never fail to amaze her fans.

10. Mani Bhattacharya

Mani Bhattacharya is a beautiful and talented Bhojpuri actress. She has acted in many Bhojpuri and Bengali films.  Mani has made her Bhojpuri film debut with ‘ Zila Champaran’.  She is among the hottest Bhojpuri actress.

[trendingnews19]

Last Updated:December 29, 2024, 09:52 ISTThe singer also claimed that she has been receiving threats after the incident. Bhojpuri Singer Devi present at an event to commemorate the birth centenary of former Prime Minister Atal Bihari Vajpayee. (Photo: Facebook)Bhojpuri folk singer Devi was allegedly stopped from singing ‘Raghupati Raghav’ bhajan at a recent event in Bihar. The event was to commemorate the birth centenary of former Prime Minister Atal Bihari Vajpayee and was attended by several BJP leaders. However, during the show, Devi’s performance was reportedly interrupted. It has been alleged that the singer was stopped from singing the bhajan after some people from the audience objected to ‘Ishwar Allah Tero Naam’ lyrics.Sharing what exactly happened at the event, Devi told news agency ANI, “I am shocked. I was singing a bhajan, a favourite one of Mahatma Gandhi. Big leaders of the BJP including (Bihar) dy CM Vijay Sinha and Ashwini Chaubey were there. A few people of ‘Hindu Putra Sangathan’ started the ruckus when the line ‘ishwar allah tero naam’ came. The on-stage leaders couldn’t figure out how to manage the situation and a few of them came to me and asked to apologise so that the situation could be brought under control."“Ishwar-Allah Tero Naam"On December 25, the ‘Main Atal Rahoonga’ event was organized in Patna, where most of the BJP ministers and leaders were invited. During the event, folk singer Devi sang “Raghupati Raghav Raja Ram," which led to some people creating a ruckus and chanting… pic.twitter.com/zjHA9Zv85Y— Vishal Kanojia (@Vishal0700) December 26, 2024The singer claimed that she has also been receiving threats after the incident and asked the relevant authorities to look into the issue on priority.#WATCH | Bhojpuri folk singer Devi was allegedly forced to stop singing Mahatma Gandhi’s bhajan, ‘Raghupati Raghava Raja Ram’ at an event organised by the BJP to commemorate the 100th birth anniversary of former prime minister Atal Bihari Vajpayee in Patna on December 25.In… pic.twitter.com/DQDrcEJ9dt— ANI (@ANI) December 28, 2024“I apologised as I didn’t want the situation to deteriorate as I had also received ‘Atal Vishisht Samman’ from the deputy CM there. Now, I think that strict action must be taken against those people who created chaos there… I am receiving threats as well. it’s a disrespect to women. Such a mean act on the birth anniversary of Atal Bihari Vajpayee who kept all the communities together, is shameful… The party should take action against such people. I thank all the people who came in support of me," she added.More details about the incident are awaited.News movies Bhojpuri Singer Stopped From Singing 'Raghupati Raghav', Forced To Apologise: 'I Am Shocked' atOptions = 'key' : '6c396458fda3ada2fbfcbb375349ce34', 'format' : 'iframe', 'height' : 60, 'width' : 468, 'params' : ;

[sharpbharat]

Bhojpuri singer - भोजपुरी सिनेमा में अश्लील गानों का दौर, डीजे हिमांशु मिश्रा का चौंकाने वाला खुलासा

जमशेदपुर: भोजपुरी सिनेमा, जो कभी अपने सांस्कृतिक और पारिवारिक गानों के लिए जाना जाता था, आजकल अक्सर अपने अश्लील गानों को लेकर चर्चा में रहता है. लेकिन ऐसा क्यों हुआ? और ये दौर कब और कैसे शुरू हुआ? इस पर मशहूर डीजे और ग्रुवनेक्स के फाउंडर हिमांशु मिश्रा ने अपनी राय रखी, जो हर किसी को सोचने पर मजबूर कर देती है.“हर गाना लोगों की डिमांड पर नहीं होता अश्लील – हिमांशु मिश्रा, जो डीजे आर्टिस्ट के तौर पर…

[beatverse1]

Strategies for Success: Learning from Top Indian Musicians

In the ever-evolving landscape of the Indian music industry, certain artists have not only emerged as icons but have also paved the way for others with their innovative strategies and resilient career moves. By examining the careers of Jaspinder Narula, Mano, Kalpana Patowary, Vijay Yesudas, and Naresh Iyer, we can glean a multitude of approaches that lead to success in this competitive field.

Building a Unique Brand Identity

Each of these artists has a unique voice and style, which they have meticulously crafted over years. For instance, Jaspinder Narula’s ability to infuse traditional Punjabi music with contemporary beats has made her a beloved figure in Bollywood. This blending of styles has not only broadened her appeal but also set her apart from her contemporaries.

Diversification of Skills

Mano’s journey in the Tamil and Telugu music scenes exemplifies the power of versatility. Not just a singer, Mano has worked as a voice actor, producer, and music director, showcasing that diversifying one’s skill set can significantly enhance career longevity and relevance in the music industry.

Leveraging Regional Popularity

Kalpana Patowary has leveraged her expertise in folk and traditional music to carve a niche in the Bhojpuri music industry before transitioning to mainstream Hindi music. Her strategic embrace of regional languages has endeared her to a broad audience base, demonstrating the effectiveness of connecting deeply with specific demographic segments.

Strategic Collaborations

Vijay Yesudas has not shied away from collaborations that have propelled his visibility across various music platforms. Collaborating with other artists not only diversifies one’s musical portfolio but also taps into the fan bases of those artists, effectively multiplying reach.

Constant Innovation

Naresh Iyer’s journey underscores the importance of constant innovation. By continuously experimenting with different musical styles and embracing new technologies and platforms, Naresh has kept his music fresh and relevant, attracting younger audiences continually.

Engaging with Fans

Engagement with fans has taken a front seat with the advent of social media. These artists have used platforms like Instagram, Twitter, and YouTube to maintain a direct line of communication with their fans, share behind-the-scenes content, and build a community around their music. This ongoing engagement has not only sustained interest in their careers but also built a loyal fanbase that supports all their musical endeavors.

Adapting to Digital Changes

In the digital era, adaptability is key. These musicians have adeptly navigated the shift from traditional record sales to streaming platforms, utilizing digital marketing strategies to maximize their online presence and ensure their music reaches a global audience.

Conclusion

The paths of Jaspinder Narula, Mano, Kalpana Patowary, Vijay Yesudas, and Naresh Iyer offer invaluable lessons on resilience, adaptability, and strategic innovation. By studying their strategies, upcoming musicians can gain insights into creating a sustainable and successful career in the challenging yet rewarding world of music.

[delivermytuneo6]

Regional Music: The Unseen Growth Driver in the Future of Indian Music Industry

The Indian music industry, long dominated by Bollywood and mainstream Hindi music, is undergoing a seismic shift. A powerful yet often overlooked factor in this transformation is the burgeoning popularity of regional music. With India’s diverse linguistic and cultural landscape, regional music is emerging as a significant growth driver, reshaping the industry’s dynamics. This article delves into the reasons behind this trend, the opportunities it presents, and what the future holds for regional music in the Indian music industry.

The Rise of Regional Music

India is home to 22 official languages and hundreds of dialects, each with its own rich musical tradition. In the past, regional music often took a backseat to Bollywood and other mainstream genres. However, the digital revolution has democratized access to music, giving regional artists and audiences a platform to connect.

Streaming platforms like Spotify, Gaana, and JioSaavn have significantly contributed to this shift by curating playlists in regional languages like Tamil, Punjabi, Telugu, Marathi, and Bhojpuri. Platforms dedicated to regional content, such as Hoichoi for Bengali music and Hungama Music, also play a pivotal role in promoting local music.

According to recent industry reports, regional music consumption has grown by more than 50% in the past three years, with Tamil, Punjabi, and Telugu music leading the charge. This trend is further fueled by an increasing sense of regional pride among listeners and the accessibility of high-quality production tools for artists.

Why Regional Music is Thriving

Several factors contribute to the rising popularity of regional music:

Digital Accessibility The advent of affordable smartphones and inexpensive data plans has brought millions of Indians online. Regional audiences, particularly from Tier 2 and Tier 3 cities, now have access to streaming services and social media platforms, where they can discover and share music in their native languages.

Vernacular Content Preference Research shows that audiences are more likely to engage with content in their native language. This is especially true for rural and semi-urban areas, where vernacular music resonates more deeply than Hindi or English songs.

Local Cultural Identity As globalization grows, so does the counter-trend of embracing local identities. Regional music provides a sense of belonging and nostalgia, offering listeners a connection to their roots.

Collaborations with Film Industries South Indian cinema industries like Tollywood (Telugu) and Kollywood (Tamil) have long produced chart-topping music. Songs from regional movies often gain nationwide popularity, further spotlighting regional talent.

Social Media Amplification Platforms like TikTok (now replaced by Indian apps like Moj and Josh), Instagram Reels, and YouTube Shorts have democratized content creation. Regional songs often go viral, creating stars overnight and bringing regional music into the mainstream consciousness.

Key Players Driving Regional Music

Several artists, composers, and platforms have been instrumental in putting regional music on the map:

Artists: Singers like Sid Sriram (Telugu/Tamil), Gurnam Bhullar (Punjabi), and Avadhoot Gupte (Marathi) have built strong fan bases. Their work blends regional traditions with modern sounds, appealing to a wide demographic.

Platforms: Spotify's regional playlists like "Top Tamil" or "Punjabi 101" have made it easier for users to discover non-Hindi music. YouTube, the most popular platform for music in India, has also amplified regional content through its algorithm-driven recommendations.

Labels and Distributors: Regional music labels such as Lahari Music (Kannada), T-Series Punjabi, and Aditya Music (Telugu) have actively promoted regional songs across digital platforms and collaborated with local artists to produce high-quality content.

Challenges in the Regional Music Landscape

Despite its rapid growth, regional music faces several hurdles:

Funding and Infrastructure Regional artists often lack access to the funding and production infrastructure available to Bollywood counterparts. This limits the scalability of their music.

Piracy Piracy remains a persistent issue in India’s music industry, particularly in regional markets. It deprives artists of fair compensation and affects the overall growth of the industry.

Underrepresentation in National Platforms While regional music has made strides, it is still underrepresented in national award ceremonies, media coverage, and mainstream marketing campaigns.

Language Barrier for National Penetration Although regional music is gaining traction, language differences can limit its appeal to non-native speakers. Efforts to create multilingual versions of songs or promote cross-regional collaborations are still in their infancy.

Opportunities for Growth

The future of regional music in India looks promising, with ample opportunities for growth:

Localized Streaming Services Regional-focused apps like DistroKid India and Reverberation India could emerge as platforms dedicated exclusively to vernacular music.

Brand Partnerships Regional music offers unique branding opportunities. Brands can tap into specific cultural contexts to create hyperlocal marketing campaigns, boosting visibility for artists and their music.

AI-Powered Content Discovery Streaming platforms could leverage AI and machine learning to recommend regional music to a wider audience, breaking language barriers and expanding the reach of local artists.

Cross-Regional Collaborations Collaborative projects between artists from different regions can create a fusion of styles and languages, appealing to a broader demographic.

Global Export of Regional Sounds Just as K-pop has taken the global stage, regional Indian music has the potential to appeal to international audiences. Punjabi music, for instance, has already found a global audience, thanks to its upbeat rhythms and universal appeal.

The Road Ahead

The regional music wave is more than just a trend—it’s a transformation that reflects India’s linguistic and cultural diversity. As streaming platforms continue to grow and artists find new ways to connect with audiences, regional music is poised to become a cornerstone of the Indian music industry.

With the right investment in talent, technology, and marketing, regional music can rival Bollywood in influence and revenue. Its growth will not only diversify the industry but also preserve India’s rich cultural heritage for future generations.

In conclusion, the future of the Indian music industry is bright, and regional music is at the forefront of this evolution. By embracing regional sounds, the industry can achieve new heights while celebrating the nation’s unparalleled diversity.

[musicverse11]

Kalpana Patowary: A Cultural Icon of Assam

Kalpana Patowary, a trailblazer in Indian folk music, has captivated audiences worldwide with her unparalleled talent and devotion to traditional art forms. Hailing from Assam, Kalpana has become a voice for India’s folk heritage, blending authenticity with innovation. Her journey, from a small town to the global stage, is a testament to her unwavering dedication, immense talent, and the cultural richness she represents. This article delves into her life, career, and lasting impact on the music industry.

Early Life and Influences

Born on October 27, 1978, in Sorbhog, Assam, Kalpana Patowary was introduced to music at an early age by her father, Bipin Nath Patowary, a folk singer. Growing up in an environment steeped in the folk traditions of Kamrupiya and Goalporiya music, she developed a deep appreciation for the cultural roots of her homeland.

From the age of four, Kalpana began performing publicly, impressing audiences with her natural flair for music. Her early exposure to the nuances of folk singing laid the foundation for her illustrious career. To further hone her skills, she pursued formal education in music, earning a Sangeet Visharad degree in Indian classical music from Bhatkhande Music Institute University, Lucknow. This rigorous training equipped her with the versatility to explore various musical genres, blending classical precision with folk expressiveness.

A Breakthrough in Bhojpuri Music

Kalpana’s entry into the Bhojpuri music industry marked a turning point in her career. While her Assamese roots deeply influenced her early music, it was Bhojpuri that gave her the platform to showcase her versatility and creativity to a broader audience.

In 2003, her rendition of “Ae Ganesh Ke Papa” brought her widespread acclaim and established her as a leading voice in Bhojpuri music. Her passion for reviving folk traditions became evident as she delved into the age-old Khadi Birha tradition, a genre of Bhojpuri folk that narrates stories through songs. Kalpana not only revived these traditions but also modernized them, making them appealing to a younger generation.

Her dedication to promoting Bhojpuri music internationally earned her the title of the “Bhojpuri Queen”. Through her efforts, Bhojpuri music transcended regional boundaries, reaching audiences across India and beyond.

Musical Contributions Across Genres

What sets Kalpana Patowary apart is her ability to navigate multiple genres and languages. She has sung in over 32 languages, including Assamese, Bhojpuri, Hindi, Marathi, Bengali, and even English, showcasing her versatility as an artist. From soulful folk renditions to energetic Bollywood numbers, Kalpana has proven her mettle time and again.

In Bollywood, her powerful voice resonated in songs like “Gandi Baat” from the movie R… Rajkumar and “O Re Kaharo” from Begum Jaan. These songs not only showcased her ability to adapt to different styles but also highlighted her emotive depth and vocal prowess.

Her collaborations with renowned composers and musicians have further enriched her repertoire. Kalpana’s music is not confined to a single genre; rather, it embodies the diversity and dynamism of India’s musical heritage.

Championing Bhikhari Thakur’s Legacy

One of Kalpana’s most significant contributions to Indian folk music has been her efforts to revive the works of Bhikhari Thakur, often referred to as the “Shakespeare of Bhojpuri literature”. She has dedicated a considerable portion of her career to bringing Thakur’s compositions and narratives to life.

Through her renditions of Thakur’s songs and her efforts to popularize his plays, Kalpana has helped preserve an essential part of Bhojpuri culture. Her work has sparked renewed interest in the literary and musical traditions of this region, inspiring both artists and scholars.

A Global Ambassador for Folk Music

Kalpana Patowary’s commitment to folk music goes beyond performance. She has emerged as a global ambassador for Indian folk traditions, performing at international festivals and collaborating with artists worldwide. Her unique ability to blend folk elements with contemporary styles has garnered her a diverse fan base and critical acclaim.

By bringing regional music to international platforms, Kalpana has elevated the status of Indian folk traditions, proving their relevance in today’s globalized world. Her performances have not only entertained but also educated audiences about the richness and diversity of Indian culture.

Challenges and Triumphs

Kalpana’s journey has not been without challenges. As a woman navigating the male-dominated world of folk music, she faced skepticism and resistance. However, her talent and determination helped her overcome these barriers, earning her the respect and admiration of her peers and audiences alike.

Her success serves as an inspiration to countless aspiring artists, particularly women, encouraging them to pursue their passions and break societal norms.

Legacy and Continuing Impact

Today, Kalpana Patowary is more than just a singer; she is a cultural icon. Her efforts to preserve and promote folk music have left an indelible mark on the Indian music industry. By staying true to her roots while embracing innovation, Kalpana has carved a unique niche for herself.

Her legacy is not just in the songs she has sung but also in the awareness she has created about the importance of cultural preservation. Through her music, Kalpana has reminded us of the power of art to connect people, transcend boundaries, and celebrate diversity.

[subir-astrologer]

MULTIPLE MARRIAGE ASTROLOGY AND KISHORE KUMAR

MULTIPLE MARRIAGE ASTROLOGY AND KISHORE KUMAR Late play back singer Shri Kishore Kumar Ganguly is widely regarded as one of the greatest, most influential and dynamic singers in the history of modern Indian Music.

One of the most popular singer in the Indian subcontinent and he he sang in many other Indian languages, including Bengali, Hindi, Marathi, Assamese, Gujarati, Kannada, Bhojpuri, Malayalam, Odia and Urdu.

He was also a successful actor but got inclined toward singing more and sang many hits which still is still liked by many people thru out the world.

Late Shri Kishore Kumar had 4 marriages in his life and here we are going to learn about multiple marriages as per KP vedic astrology taking his horoscope as a reference.

Late Shri Kishore Kumar’s birth details DOB 04-8-1929 at 16:00 PM in Khandwa, Madhya Pradesh, India.

The plotted horoscope shows Dhanu lagna / Sagittarius ascendant with Saturn in 1st house, rahu in 5th house, Jupiter in 6th house, venus in 7th house, mercury sun n moon in 8th house, mars in 9th house and ketu is in 11th house.

The moon is in pushya nakshatra in kark rashi / moon in cancer sign and its was venus mahadasha at the time of birth.

In order to learn about the marriage, one need to study the 7th cuspal sublord ( as per KP vedic astrology padhatti / system ).

Analysis for 1st marriage of Late Shri Kishore Kumar

The 7th cuspal sublord is venus and its signifying 6,7 and 11th house in the planet level, mars signifying 5,9 and 12th house in the nakshatra level and moon signifying 8th house in the sublord level.

The significance of 6,12 and 8th house shows separation in marriage and he got separated from his 1st wife Smt. Ruma Guha.

Since the 7th cuspal sublord is venus and its in dual sign Gemini / Mithun rashi in 7th house and also signifying 11th house give multiple ( i.e 2nd marriage ) marriage.

He married again to Smt. Madhubala, his 2nd marriage.

Analysis for 2nd marriage of Late Shri Kishore Kumar

The 2nd marriage is studied from 2nd cuspal sublord.

The 2nd cuspal sublord is mercury and its strongly signifying 7,8 and 10th house as it is in own nakshatra in the planet level, mars signifying 5,9 and 12th house in the sublord level and rahu strongly signifying 5,9 and 12th house as its untenanted in the sub sublord level.

Mercury is in conjunction with sun signifying 8 and 9th house in the planet level, mars signifying 7,8 and 10th house in the nakshatra level and ketu signifying 6,7 and 11th house in the sublord level.

The significance of 6,8 and 12th house shows separation in marriage and he got separated from his 2nd wife Smt. Madhubala as she passed away.

Since 2nd cuspal sublord is mercury and its positioned ashlesha nakshatra owned by mercury which itself own dual sign Gemini / Mithun rashi and virgo / kanya rashi, is also signifying 7 and 11th house so he got chance for re-marry for the 3rd time. Sublord mercury and 11th house signification is also capable for giving multiple marriage.

He got married Smt. Yogeeta Bali his 3rd marriage.

Analysis for 3rd marriage of Late Shri Kishore Kumar

The 3rd marriage is studied from 9th cuspal sublord.

The 9th cuspal sublord is Saturn and its signifying 2,3 and 12th house in the planet level, ketu signifying 6,7 and 11th house in the nakshatra level and venus signifying 6,7 and 11th house in the sublord level.

The significance of 6th and 12th house shows separation in marriage and he got separated from his 3rd wife Smt. Yogeeta Bali.

Since Saturn is in a dual sign of Sagittarius / Dhanu rashi and signifying 7 and 11th house gives native an opportunity to marry again.

Analysis for 4th marriage of Late Shri Kishore Kumar

The 4th marriage is studied from the 4th cuspal sublord.

The 4th cuspal sublord is rahu and its strongly signifying 5,9 and 12th house as its untenanted in the planet level, venus signifying 6,7 and 11th house in the nakshatra level and mercury strongly signifying 7,8 and 10th house as it is in own nakshatra in the sublord level.

Mercury is in conjunction with sun signifying 8 and 9th house in the planet level, mars signifying 7,8 and 10th house in the nakshatra level and ketu signifying 6,7 and 11th house in the sublord level.

The 4th cuspal sublord signifying 5,7 and 11th house gave the 4th marriage promised in the horoscope.

There was actually no need to do the 4th marriage analysis as the significations 3rd cuspal sublord already signified the separation as well as re-marriage.

So Late Shri Kishore Kumar got married to Smt. Leena Chandavarkar, his 4th marriage.

It can be said from the 4th marriage analysis that the signification of 6,8 and 12th does not signify healthy marriage relationship. Not going further and sticking to only multiple marriage as per astrology.

So here we can see how vedic astrology is so beautiful that one can easily see all the events of 4 marriages happening as per the dictums of KP vedic astrology, analysed as per the dictums.

As I am sticking only to the topic of multiple marriage as per KP vedic astrology with a reference kundali / horoscope of Late Shri Kishore Kumar, I hope the readers will learn from the analysis and find how wonderful is our vedic astrology.

[journalistdharm]

बिहार की लोकप्रिय गायिका प्रिया मलिक का सम्मान किया ऑल इंडियन सिने वर्कर्स एसोसिएशन ( AICWA ) के राष्ट्रीय अध्यक्ष सुरेश श्यामलाल गुप्ता जी ने । बताते चलें कि प्रिया मलिक का गया हुआ गाना "आज मिथिला नगरिया निहाल सखिया" बहुत ही लोकप्रिय हो रहा है। प्रिया मलिक ने अपने इस मैथिली गाने से बिहार को एक नई पहचान दिलाई है। उनका यह गाया हुआ गाना बिहार सहित पूरे भारत में काफी धूम मचा रहा है और लोग इसे काफी पसंद कर रहे हैं यहां तक कि इनके गाए हुए गाने मॉडलिंग शो में भी बज रहे हैं जिस पर लोग अपना परफॉर्मेंस दे रहे हैं। साथ ही में प्रिया मल्लिक के बारे में बता दूं कि वह सिर्फ मैथिली ही नहीं गा रही बल्कि वह पूरे भारत में परफॉर्मेंस दे रही हैं यहां तक कि वे बॉलीवुड के लिए भी गाने रिकॉर्ड कर रही हैं जिसको लेकर के श्री श्याम लाल गुप्ता जी जो की ऑल इंडियन सिने वर्कर्स एसोसिएशन के राष्ट्रीय अध्यक्ष हैं उन्होंने उनको सम्मान दिया है। #PriyaMalik #Singer #Bihar #Maithili #AICWA #All_Indian_Cine_Workers_Association #SureshShyamlalGupta #Bollywood #FilmIndustry #IndianCinema #Artist #IndianFilmIndustry #TSeries #Tollywood #Bhojpuri #maithaabduljalil #madhubani #madhubanipainting #nepal #sitamarhi #jayakishori #shreeram #nihal #mithalanchal #aicwabiharjharkhand #dp #dharmprakashrudra #dharm #dharma #brahmakumaris https://www.instagram.com/p/Cn68NhrJxYj/?igshid=NGJjMDIxMWI=

[lyricsolution-com]

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Abhijeet - Ole Ole 1994

Abhijeet Bhattacharya is an Indian playback singer who primarily sings in Hindi Film Industry. Apart from Hindi, he has also sung in other languages including Bengali, Marathi, Nepali, Tamil, Bhojpuri, Punjabi, Odia and his native language Bengali both in West Bengal and Bangladesh. Abhijeet has sung 6034 songs in more than 1000 films. He was nominated for Forbes Popular 100 Indian Celebrity in the year 2014.

Yeh Dillagi (This Cheerfulness) is a 1994 Indian Hindi-language romantic comedy-drama film directed by Naresh Malhotra and produced by Yash Chopra. Based on the 1954 American film Sabrina, its story revolves on two brothers (Akshay Kumar and Saif Ali Khan) who fall in love with their family driver's daughter, Sapna (Kajol), a successful model. The film released on 6 May 1994, and emerged as a commercial success, grossing ₹10.8 crore against its ₹1.6 crore budget.

At the 40th Filmfare Awards, Yeh Dillagi received 4 nominations – Best Actor (Kumar), Best Actress (Kajol), Best Music Director (Dilip Sen, Sameer Sen) and Best Male Playback Singer (Abhijeet for the song "Ole Ole"). The film's soundtrack album contains seven songs composed by Dilip Sen-Sameer Sen. It became one of the top three best-selling Bollywood soundtrack albums of 1994, with 4.5 million sales. The song "Ole Ole", sung by Abhijeet was a hit at the music charts. "Ole Ole" was remixed for the 2020 film Jawaani Jaaneman.

"Ole Ole" received a total of 68,2% yes votes!

[starbiopic]

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