#Bhiku Mhatre

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Bhiku Mhatre| Mamata preparing for war? NSG raids Sandeshkhali, Mamata r...

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Manoj Bajpayee Top Movies

Manoj Bajpayee, an Indian actor, has made a big impact in movies. He was born on April 23, 1969, in Bihar, India. He struggled at first in Bollywood, but then he got famous for his role in the movie "Satya" in 1998. Bajpayee is known for playing all kinds of roles, from big blockbuster movies to smaller, independent films. One of his best-known roles was in "Gangs of Wasseypur" in 2012. People loved his performance as Sardar Khan in that movie. He has worked with many famous directors and acted in movies like "Omkara" and "Special 26." Bajpayee also started acting in web series, like "The Family Man," which people really enjoy. Not only does Bajpayee act, but he also produces movies. One of his produced films is "Missing," which came out in 2018. Bajpayee's acting is admired by many because he can play so many different kinds of characters. He works hard and takes his roles seriously, which is why he's one of the best actors in India. Manoj Bajpayee Top Movies: Must Watch Movies List! "Satya" (1998) Release Year: 1998 IMDb Rating: 8.2 Description: A gritty crime drama directed by Ram Gopal Varma, portraying the menacing gangster Bhiku Mhatre, played brilliantly by Manoj Bajpayee. Star Cast: Manoj Bajpayee, Urmila Matondkar, Shefali Shah Director: Ram Gopal Varma Awards: National Film Award for Best Supporting Actor Fun Fact: The iconic dialogue "Mumbai ka king kaun? Bhiku Mhatre!" became legendary. Some unknown facts about Satya Movie Actor Danny Boyle watched "Satya" to understand the Mumbai underworld before making his Oscar-winning film "Slumdog Millionaire." The film initially planned to have no songs, but eventually added music by Gulzar and Vishal Bhardwaj. "Satya" was a hit at the box office, earning 15 crores in India and 19 crores worldwide. The character Bhiku Mhatre was based on a real Mumbai gangster named Bhiku Mhatre. Manoj Bajpayee's acting as Bhiku was really good. Many actors in the movie were new or not well-known before. The director chose actors who looked like the characters they played, making the movie feel real. "Satya" didn't follow the usual Bollywood style. It told the story in a different way, showing more realistic violence and events. The movie won a lot of awards, including six Filmfare Awards. People really liked it and it changed how Hindi movies were made. Because "Satya" was so popular, two sequels were made. They were called "Company" and "D." The movie also inspired other filmmakers to make movies about real-life crime stories. "Shool" (1999) Release Year: 1999 IMDb Rating: 7.7 Description: Manoj Bajpayee plays a righteous police officer fighting corruption in a small town in this hard-hitting drama. Star Cast: Manoj Bajpayee, Raveena Tandon, Sayaji Shinde Director: Eeshwar Nivas Awards: Filmfare Critics Award for Best Actor Fun Fact: Bajpayee's intense performance garnered critical acclaim. Some unknown facts about Shool Movie The film had a moderate budget of 5 crores but earned a decent 2 crores on its first day, indicating a good opening at the box office. The song "Main Aayi Hoon UP Bihar Lootne" became a chartbuster and gained immense popularity, contributing to the film's success. Shool received critical acclaim and was honored with the National Award for Best Feature Film in Hindi, highlighting its quality and impact. The casting change of Raveena Tandon replacing Nandita Das showcases the dynamic nature of the film industry and the decision-making process in choosing actors. The presence of actors like Rajpal Yadav and Nawazuddin Siddiqui in small roles indicates their early struggles in the industry before gaining recognition. The storyline of "Shool" was inspired by real-life events and incidents of corruption and police brutality in the Indian state of Bihar. The film's narrative drew heavily from the socio-political landscape of Bihar during the late 1990s. "Gangs of Wasseypur - Part 1" (2012) Release Year: 2012 IMDb Rating: 8.2 Description: An epic crime saga directed by Anurag Kashyap, where Bajpayee portrays Sardar Khan, a vengeful gangster in the coal mafia of Wasseypur. Star Cast: Manoj Bajpayee, Richa Chadha, Nawazuddin Siddiqui Director: Anurag Kashyap Fun Fact: Manoj Bajpayee's character, Sardar Khan, is one of his most memorable roles. Some unknown facts about Gangs of Wasseypur movie The film's storyline is loosely based on the coal mafia of Dhanbad, Jharkhand, and the conflicts between rival families that spanned several decades. The shooting for "Gangs of Wasseypur - Part 1" lasted for over 90 days, with many scenes filmed on location in Wasseypur, Bihar, and other parts of Jharkhand. Director Anurag Kashyap adopted a non-linear narrative style for the film, weaving together multiple storylines and characters across different timelines, which added depth and complexity to the storytelling. The film boasts an ensemble cast featuring over 300 characters, each with their own unique background and storyline, contributing to the rich tapestry of the narrative. The dialogues in the film were written in a mix of Hindi, Bhojpuri, and Urdu, reflecting the linguistic diversity of the region and adding authenticity to the characters and setting. "Gangs of Wasseypur - Part 1" premiered at the 65th Cannes Film Festival in 2012, where it received a standing ovation from the audience, marking a significant milestone for Indian cinema on the global stage. The film's gritty portrayal of violence, politics, and revenge garnered widespread acclaim from critics and audiences alike, sparking discussions about the state of organized crime and governance in India. It has since attained cult status among cinephiles worldwide. "Aligarh" (2015) Release Year: 2015 IMDb Rating: 7.7 Description: In Aligarh, Bajpayee portrays the real-life character of Dr. Shrinivas Ramchandra Siras, a homosexual professor fighting for his rights. Star Cast: Manoj Bajpayee, Rajkummar Rao Director: Hansal Mehta Awards: National Film Award for Best Actor Fun Fact: The film sensitively addresses issues of discrimination and privacy. Some unknown facts about Aligarh movie "Aligarh" (2016) is based on the life of Dr. Shrinivas Ramchandra Siras, a professor at Aligarh Muslim University who faced discrimination due to his homosexuality. The film sensitively addresses the taboo subject of homosexuality in Indian society and received critical acclaim for its portrayal of Dr. Siras' plight and broader themes of discrimination and privacy rights. Manoj Bajpayee's portrayal of Dr. Siras and Rajkummar Rao's performance as a journalist investigating his case were praised by critics and audiences alike. "Aligarh" faced controversy upon its release from conservative groups objecting to its portrayal of homosexuality. However, it earned support from the LGBTQ+ community and advocacy groups for its sensitive handling of the subject. During filming, the cast and crew faced challenges in shooting certain scenes due to the sensitive nature of the subject matter but worked together with professionalism to authentically bring Dr. Siras' story to the screen. The film played a significant role in raising awareness about LGBTQ+ rights in India and sparking conversations about acceptance and inclusivity in society, leaving a lasting impact on viewers and Indian cinema. "Pinjar" (2003) Release Year: 2003 IMDb Rating: 8.1 Description: In this emotional drama, Bajpayee plays Rashid, a man caught in the turmoil of the India-Pakistan partition. Star Cast: Manoj Bajpayee, Urmila Matondkar, Sanjay Suri Director: Chandraprakash Dwivedi Fun Fact: Bajpayee's poignant performance adds depth to this heart-wrenching tale. Some unknown facts about Pinjar movie "Pinjar" (2003) is based on Amrita Pritam's novel and tells the story of Puro, a Hindu girl abducted by a Muslim man during the Partition of India in 1947. The film was shot on location in Punjab, India, to capture the authenticity of the Partition era, with meticulous attention to period settings and details. Stellar performances by Urmila Matondkar, Manoj Bajpayee, and Sanjay Suri earned critical acclaim, particularly Urmila's portrayal of Puro. "Pinjar" addresses the sensitive subject of Partition-related atrocities and the plight of abducted women, sparking controversy among some groups for its portrayal of Muslims. The film's soundtrack, composed by Uttam Singh, features soulful melodies like "Chand Si Mehbooba" and "Ya Rabba" that resonated with audiences. "Raajneeti" (2010) Release Year: 2010 IMDb Rating: 7.1 Description: Raajneeti is a political drama where Bajpayee plays a crucial role in a story of power, manipulation, and betrayal. Star Cast: Manoj Bajpayee, Ajay Devgn, Ranbir Kapoor, Katrina Kaif Director: Prakash Jha Fun Fact: The film's complex narrative showcases Bajpayee's versatility as an actor. Some unknown facts about Raajneeti movie "Raajneeti" (2010) draws heavily from the Indian epic, the Mahabharata, and is loosely inspired by the political landscape of Bihar. The film faced controversies over its portrayal of Sonia Gandhi by Katrina Kaif. "Raajneeti" features an ensemble cast including Ranbir Kapoor, Katrina Kaif, Ajay Devgn, Arjun Rampal, and Nana Patekar, among others. Behind-the-scenes, there were reports of tensions, particularly between lead actors Ranbir Kapoor and Katrina Kaif. This tension was also seen during movie promotions. Despite controversies and drama, "Raajneeti" was a commercial success, praised for its gripping storyline and stellar performances. The film remains significant in Indian cinema, known for its exploration of political themes and memorable characters. "Bhonsle" (2018) Release Year: 2018 IMDb Rating: 7.2 Description: In Bhonsle, Bajpayee plays a retired police officer who forms an unlikely friendship with a migrant girl, reflecting on themes of isolation and belonging. Star Cast: Manoj Bajpayee, Santosh Juvekar Director: Devashish Makhija Fun Fact: This indie gem received critical acclaim for its thought-provoking narrative. Some unknown facts about Bhonsle movie "Bhonsle" (2018) is a Hindi film portraying an old Mumbai police officer named Bhonsle. The movie received critical acclaim, especially for Manoj Bajpayee's portrayal of Bhonsle. It had a limited release, initially showcased at film festivals and later in select theaters in India. Set in the Mumbai slums, the film provides a realistic depiction of everyday struggles. Manoj Bajpayee's dedication to the role involved extensive preparation and immersion into the character. Despite its limited release, "Bhonsle" left a lasting impact with its powerful storytelling and performances. "Special 26" (2013) Release Year: 2013 IMDb Rating: 8.0 Description: Bajpayee plays a CBI officer in this heist thriller where a group of con artists poses as government officials to conduct raids. Star Cast: Manoj Bajpayee, Akshay Kumar, Anupam Kher Director: Neeraj Pandey Fun Fact: The film is inspired by real-life heists in India. Some unknown facts about Special 26 movie "Special 26" (2013) is a Hindi film based on real-life heists conducted by a group of con artists in the 1980s. The film stars Akshay Kumar, Anupam Kher, Manoj Bajpayee, and Jimmy Sheirgill in lead roles, with their performances receiving widespread acclaim. Set in the 1980s, the film captures the essence of the era with authentic costumes, props, and set designs. "Aks" (2001) Release Year: 2001 IMDb Rating: 6.1 Description: Aks is a supernatural thriller where Bajpayee's character battles his own evil doppelganger. Star Cast: Manoj Bajpayee, Amitabh Bachchan, Raveena Tandon Director: Rakeysh Omprakash Mehra Fun Fact: Bajpayee's portrayal of the dual role was praised for its intensity. Some unknown facts about Aks movie The film received critical acclaim for the performances of lead actors Amitabh Bachchan and Manoj Bajpayee. Known for its suspenseful plot, "Aks" keeps the audience engaged with its mysterious storyline. Upon release, "Aks" received mixed reviews from critics, with some praising its innovative storytelling while others had reservations about certain plot aspects. Despite initial mixed reviews, "Aks" has gained a cult following for its unique storyline and standout performances. "Bandit Queen" (1994) Release Year: 1994 IMDb Rating: 7.6 Description: In this biographical drama, Bajpayee plays the role of Man Singh, a supporting character in the life of the infamous Phoolan Devi. Star Cast: Seema Biswas, Manoj Bajpayee Director: Shekhar Kapur Awards: National Film Award for Best Feature Film Fun Fact: Bandit Queen was Bajpayee's breakthrough film, and his performance was a sign of things to come. Some unknown facts about Bandit Queen movie "Bandit Queen" (1994) is a biographical film based on the life of Phoolan Devi, a notorious Indian outlaw turned politician. The film stirred controversy upon release due to its explicit portrayal of violence, sexual abuse, and exploitation faced by Phoolan Devi. Despite the controversies, "Bandit Queen" received critical acclaim for its raw and powerful storytelling and Seema Biswas's exceptional performance in the lead role. Phoolan Devi herself was involved in the making of the film, providing insights into her life and experiences to add authenticity to the portrayal. The production of "Bandit Queen" faced numerous challenges, including financial constraints and legal issues, but director Shekhar Kapur's determination helped overcome these obstacles. The film left a lasting impact on Indian cinema and is considered a landmark for its bold portrayal of a complex and controversial figure in Indian history. Manoj Bajpayee's cinematic journey is a testament to his incredible talent and dedication. These ten films represent just a fraction of his illustrious career, leaving us eager to see what he has in store for the future of Indian cinema. Read the full article

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Ram Gopal Varma’s iconic gangster epic Satya, which released on 3 July, 25 years ago was a turning point in Manoj Bajpayee’s career. His portrayal of Bhiku Mhatre was visceral and raw, wounded and kinetic. The story doing the rounds for many years is that Manoj was offered the title role in Satya played by J D Chakravarthy.

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There’s a lot of Satya in Ajinkya Rahane, and a bit of Satya in the Indian dressing room too

There’s a lot of Satya in Ajinkya Rahane, and a bit of Satya in the Indian dressing room too

India’s greatest Test triumph in Australia last month shares more than a mere thread with Bollywood’s iconic gangster film of 1998, Satya. Common to the two epic sagas is the deadpan protagonist with glassy eyes, a heavy beard and cleverly-concealed ruthlessness. There’s a lot of Satya in Rahane, and a bit of Satya in the Indian dressing room too. The uncanny mirroring of the two casts of…

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मनोज बाजपेयी बोले- आज जो भी हूं 'भीखू महात्रे' के कारण हूं

मनोज बाजपेयी बोले- आज जो भी हूं ‘भीखू महात्रे’ के कारण हूं

बॉलिवुड के बेहद टैलेंटेड ऐक्टर माने जाने वाले मनोज बाजपेयी को पहली सफलता साल 1998 में राम गोपल वर्मा के डायरेक्शन में बनी फिल्म ‘सत्या‘ के भीखू महात्रे के किरदार के कारण मिली थी। इस किरदार को निभाने के बाद मनोज बाजपेयी लोगों की नजर में चढ़ गए और उन्होंने एक के बाद एक बेहतरीन फिल्में देनी शुरू कर दीं। अपने इस किरदार के बारे में बात करते हुए मनोज ने कहा, ‘सत्या को केवल एक गैंगस्टर मूवी की तरह याद…

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★ ‘There's a certain comfort level...': Filmmaker Mahesh Manjrekar on working with Salman Khan in Antim!

Nov 8. 2021 

Mahesh Manjrekar wears many hats — he is a director, actor, screenwriter and producer. Manjrekar turned the spotlight on him with his performance in the 2002 multi-starrer, Kante. He later expanded his horizon and turned antagonist in South films like Arrambam (2013) and Okkadunnadu (2007). But, he is more popular as the director of critically-acclaimed movies like "Vaastav: The Reality" (1999), National Award-winning "Astitva" (2000) and the Amitabh Bachchan starrer "Viruddh... Family Comes First" (2005).

Manjrekar, who is currently seen as the host of the Marathi version of the reality show, Bigg Boss, is gearing up for the release of his much-anticipated movie, Antim — The Final Truth. The movie is an official remake of the Marathi blockbuster, Mulshi Pattern. It stars Salman Khan as a Sikh cop and Aayush Sharma as a gangster. The original featured National Award-winning Marathi actor, Upendra Limaye’s and Om Bhutkar as the cop and the gangster.

Speaking about the movie for which Manjrekar has also written the screenplay, he said, “Salman had bought the rights of the film long back; I came on board late. The director who was supposed to helm the film is a close friend of mine. But, unfortunately, he couldn't do the film and then Salman came to me with the movie. The cop role in the Marathi film was an important one. And since Salman was to play Upendra's character, I had to make some tweaks. I’m happy because I wanted to bring about a change in his image and surprise the audience.

”The filmmaker believes a role is successful only when the audience remembers the actor by the character's name. “For instance, Gabbar Singh (Sholay) or Bhiku Mhatre (Satya)... The audience always remembers these characters when one says Amjad Khan or Manoj Bajpayee respectively. They gained more popularity than the actors when the movies were released. And the actors also crave this. So, I want people to walk out of the theatre thinking about Rajveer Singh (Salman's character in Antim). We had to change our outlook towards this role. It is also a risk because when it comes to commercial films, the audience expects the hero to behave in a certain way. But times are changing and the audience is accepting actors in different roles,” Manjrekar shares.

Salman and Manjrekar have acted together in movies like "Wanted" (2009), "Dabangg" (2010), "Ready" (2011) and "Dabangg 3" (2019). Talking about working with Salman again and for the first time with Aayush, Manjrekar says, “There's a certain comfort level between Salman and me. We have known each other for a long time and share a great rapport. So, directing him was easy. I am not awed or intimidated by Salman like some people are. For me, he is a friend. I have known Aayush since I have met him a few times at Salman's place. I could notice his involvement, his anxiousness and excitement. Aayush is exceptional in the film; he is a good actor and has given a fantastic performance. I have used the excitement and eagerness he has in real-life for reel.”

So, will there be an Antim sequel? “There's nothing on that front as of now. But like they say, never say never!” Manjrekar is quick to respond. The action drama, which releases in theatres worldwide on November 26, is billed as a "gripping tale of two powerful men" with polar opposite ideologies.

[jobgujnews]

First of Many: Manoj Bajpayee revisits Bandit Queen

Written by Mimansa Shekhar | New Delhi | Published: March 11, 2020 3:31:33 am

Manoj Bajpayee played dacoit Maann Singh in 1994 film Bandit Queen.

From Bhiku Mhatre to Sardar Khan and professor Siras to Srikanth Tiwari, Manoj Bajpayee has been instrumental in moulding the audience’s preference for content-driven films.…

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21 Years of Satya. (03/07/1998)

Satya is a crime film, produced and directed by Ram Gopal Varma; written by Saurabh Shukla and Anurag Kashyap. It stars J. D. Chakravarthy, Manoj Bajpayee, Urmila Matondkar, Saurabh Shukla and Shefali Shah in lead roles. It is the first of Varma’s Gangster trilogy about organized crime in India. The film follows Satya (Chakravarthy), an immigrant who comes to Mumbai looking for a job, befriends Bhiku Mhatre (Bajpayee) and is drawn into the Mumbai underworld.

Varma initially planned to make an action film but decided to make a film focusing on felony after meeting some criminals. He hired Kashyap and Shukla to write the film and opted to use lesser-known actors. The soundtrack and score were composed by Vishal Bhardwaj and Sandeep Chowta, respectively, while the lyrics were written by Gulzar. Its early cinematography was done by Gerard Hooper, who was replaced by Mazhar Kamran.

Satya was released on 3 July 1998 to critical acclaim, particularly for its realistic depiction of the Indian underworld.

Satya has attained cult status and is considered one of the best examples of Indian cinema by a number of critics and scholars. It inspired several sequels like Company (2002) and D (2005), and a direct sequel, Satya 2 (2013).

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There was a Time When Right in Front of Me Media Turned Away Their Cameras: Manoj Bajpayee

There was a Time When Right in Front of Me Media Turned Away Their Cameras: Manoj Bajpayee

The first time the actor managed to captivate the audience was in 1998 with the dialogue, “Mumbai ka king kaun? Bhiku Mhatre!” It has been almost 23 years since Satya, and Manoj Bajpayee’s presence on celluloid has been strengthened with a plethora of diverse performances, most of which have managed to attain cult status. The seasoned actor has adapted himself well to the changing times and made…

[9327005315]

Bhiku Mhatre| Mamata preparing for war? NSG raids Sandeshkhali, Mamata r...

[cinemapremi]

Manoj Bajpayee Top Movies

Manoj Bajpayee, an Indian actor, has made a big impact in movies. He was born on April 23, 1969, in Bihar, India. He struggled at first in Bollywood, but then he got famous for his role in the movie "Satya" in 1998. Bajpayee is known for playing all kinds of roles, from big blockbuster movies to smaller, independent films. One of his best-known roles was in "Gangs of Wasseypur" in 2012. People loved his performance as Sardar Khan in that movie. He has worked with many famous directors and acted in movies like "Omkara" and "Special 26." Bajpayee also started acting in web series, like "The Family Man," which people really enjoy. Not only does Bajpayee act, but he also produces movies. One of his produced films is "Missing," which came out in 2018. Bajpayee's acting is admired by many because he can play so many different kinds of characters. He works hard and takes his roles seriously, which is why he's one of the best actors in India. Manoj Bajpayee Top Movies: Must Watch Movies List! "Satya" (1998) Release Year: 1998 IMDb Rating: 8.2 Description: A gritty crime drama directed by Ram Gopal Varma, portraying the menacing gangster Bhiku Mhatre, played brilliantly by Manoj Bajpayee. Star Cast: Manoj Bajpayee, Urmila Matondkar, Shefali Shah Director: Ram Gopal Varma Awards: National Film Award for Best Supporting Actor Fun Fact: The iconic dialogue "Mumbai ka king kaun? Bhiku Mhatre!" became legendary. Some unknown facts about Satya Movie Actor Danny Boyle watched "Satya" to understand the Mumbai underworld before making his Oscar-winning film "Slumdog Millionaire." The film initially planned to have no songs, but eventually added music by Gulzar and Vishal Bhardwaj. "Satya" was a hit at the box office, earning 15 crores in India and 19 crores worldwide. The character Bhiku Mhatre was based on a real Mumbai gangster named Bhiku Mhatre. Manoj Bajpayee's acting as Bhiku was really good. Many actors in the movie were new or not well-known before. The director chose actors who looked like the characters they played, making the movie feel real. "Satya" didn't follow the usual Bollywood style. It told the story in a different way, showing more realistic violence and events. The movie won a lot of awards, including six Filmfare Awards. People really liked it and it changed how Hindi movies were made. Because "Satya" was so popular, two sequels were made. They were called "Company" and "D." The movie also inspired other filmmakers to make movies about real-life crime stories. "Shool" (1999) Release Year: 1999 IMDb Rating: 7.7 Description: Manoj Bajpayee plays a righteous police officer fighting corruption in a small town in this hard-hitting drama. Star Cast: Manoj Bajpayee, Raveena Tandon, Sayaji Shinde Director: Eeshwar Nivas Awards: Filmfare Critics Award for Best Actor Fun Fact: Bajpayee's intense performance garnered critical acclaim. Some unknown facts about Shool Movie The film had a moderate budget of 5 crores but earned a decent 2 crores on its first day, indicating a good opening at the box office. The song "Main Aayi Hoon UP Bihar Lootne" became a chartbuster and gained immense popularity, contributing to the film's success. Shool received critical acclaim and was honored with the National Award for Best Feature Film in Hindi, highlighting its quality and impact. The casting change of Raveena Tandon replacing Nandita Das showcases the dynamic nature of the film industry and the decision-making process in choosing actors. The presence of actors like Rajpal Yadav and Nawazuddin Siddiqui in small roles indicates their early struggles in the industry before gaining recognition. The storyline of "Shool" was inspired by real-life events and incidents of corruption and police brutality in the Indian state of Bihar. The film's narrative drew heavily from the socio-political landscape of Bihar during the late 1990s. "Gangs of Wasseypur - Part 1" (2012) Release Year: 2012 IMDb Rating: 8.2 Description: An epic crime saga directed by Anurag Kashyap, where Bajpayee portrays Sardar Khan, a vengeful gangster in the coal mafia of Wasseypur. Star Cast: Manoj Bajpayee, Richa Chadha, Nawazuddin Siddiqui Director: Anurag Kashyap Fun Fact: Manoj Bajpayee's character, Sardar Khan, is one of his most memorable roles. Some unknown facts about Gangs of Wasseypur movie The film's storyline is loosely based on the coal mafia of Dhanbad, Jharkhand, and the conflicts between rival families that spanned several decades. The shooting for "Gangs of Wasseypur - Part 1" lasted for over 90 days, with many scenes filmed on location in Wasseypur, Bihar, and other parts of Jharkhand. Director Anurag Kashyap adopted a non-linear narrative style for the film, weaving together multiple storylines and characters across different timelines, which added depth and complexity to the storytelling. The film boasts an ensemble cast featuring over 300 characters, each with their own unique background and storyline, contributing to the rich tapestry of the narrative. The dialogues in the film were written in a mix of Hindi, Bhojpuri, and Urdu, reflecting the linguistic diversity of the region and adding authenticity to the characters and setting. "Gangs of Wasseypur - Part 1" premiered at the 65th Cannes Film Festival in 2012, where it received a standing ovation from the audience, marking a significant milestone for Indian cinema on the global stage. The film's gritty portrayal of violence, politics, and revenge garnered widespread acclaim from critics and audiences alike, sparking discussions about the state of organized crime and governance in India. It has since attained cult status among cinephiles worldwide. "Aligarh" (2015) Release Year: 2015 IMDb Rating: 7.7 Description: In Aligarh, Bajpayee portrays the real-life character of Dr. Shrinivas Ramchandra Siras, a homosexual professor fighting for his rights. Star Cast: Manoj Bajpayee, Rajkummar Rao Director: Hansal Mehta Awards: National Film Award for Best Actor Fun Fact: The film sensitively addresses issues of discrimination and privacy. Some unknown facts about Aligarh movie "Aligarh" (2016) is based on the life of Dr. Shrinivas Ramchandra Siras, a professor at Aligarh Muslim University who faced discrimination due to his homosexuality. The film sensitively addresses the taboo subject of homosexuality in Indian society and received critical acclaim for its portrayal of Dr. Siras' plight and broader themes of discrimination and privacy rights. Manoj Bajpayee's portrayal of Dr. Siras and Rajkummar Rao's performance as a journalist investigating his case were praised by critics and audiences alike. "Aligarh" faced controversy upon its release from conservative groups objecting to its portrayal of homosexuality. However, it earned support from the LGBTQ+ community and advocacy groups for its sensitive handling of the subject. During filming, the cast and crew faced challenges in shooting certain scenes due to the sensitive nature of the subject matter but worked together with professionalism to authentically bring Dr. Siras' story to the screen. The film played a significant role in raising awareness about LGBTQ+ rights in India and sparking conversations about acceptance and inclusivity in society, leaving a lasting impact on viewers and Indian cinema. "Pinjar" (2003) Release Year: 2003 IMDb Rating: 8.1 Description: In this emotional drama, Bajpayee plays Rashid, a man caught in the turmoil of the India-Pakistan partition. Star Cast: Manoj Bajpayee, Urmila Matondkar, Sanjay Suri Director: Chandraprakash Dwivedi Fun Fact: Bajpayee's poignant performance adds depth to this heart-wrenching tale. Some unknown facts about Pinjar movie "Pinjar" (2003) is based on Amrita Pritam's novel and tells the story of Puro, a Hindu girl abducted by a Muslim man during the Partition of India in 1947. The film was shot on location in Punjab, India, to capture the authenticity of the Partition era, with meticulous attention to period settings and details. Stellar performances by Urmila Matondkar, Manoj Bajpayee, and Sanjay Suri earned critical acclaim, particularly Urmila's portrayal of Puro. "Pinjar" addresses the sensitive subject of Partition-related atrocities and the plight of abducted women, sparking controversy among some groups for its portrayal of Muslims. The film's soundtrack, composed by Uttam Singh, features soulful melodies like "Chand Si Mehbooba" and "Ya Rabba" that resonated with audiences. "Raajneeti" (2010) Release Year: 2010 IMDb Rating: 7.1 Description: Raajneeti is a political drama where Bajpayee plays a crucial role in a story of power, manipulation, and betrayal. Star Cast: Manoj Bajpayee, Ajay Devgn, Ranbir Kapoor, Katrina Kaif Director: Prakash Jha Fun Fact: The film's complex narrative showcases Bajpayee's versatility as an actor. Some unknown facts about Raajneeti movie "Raajneeti" (2010) draws heavily from the Indian epic, the Mahabharata, and is loosely inspired by the political landscape of Bihar. The film faced controversies over its portrayal of Sonia Gandhi by Katrina Kaif. "Raajneeti" features an ensemble cast including Ranbir Kapoor, Katrina Kaif, Ajay Devgn, Arjun Rampal, and Nana Patekar, among others. Behind-the-scenes, there were reports of tensions, particularly between lead actors Ranbir Kapoor and Katrina Kaif. This tension was also seen during movie promotions. Despite controversies and drama, "Raajneeti" was a commercial success, praised for its gripping storyline and stellar performances. The film remains significant in Indian cinema, known for its exploration of political themes and memorable characters. "Bhonsle" (2018) Release Year: 2018 IMDb Rating: 7.2 Description: In Bhonsle, Bajpayee plays a retired police officer who forms an unlikely friendship with a migrant girl, reflecting on themes of isolation and belonging. Star Cast: Manoj Bajpayee, Santosh Juvekar Director: Devashish Makhija Fun Fact: This indie gem received critical acclaim for its thought-provoking narrative. Some unknown facts about Bhonsle movie "Bhonsle" (2018) is a Hindi film portraying an old Mumbai police officer named Bhonsle. The movie received critical acclaim, especially for Manoj Bajpayee's portrayal of Bhonsle. It had a limited release, initially showcased at film festivals and later in select theaters in India. Set in the Mumbai slums, the film provides a realistic depiction of everyday struggles. Manoj Bajpayee's dedication to the role involved extensive preparation and immersion into the character. Despite its limited release, "Bhonsle" left a lasting impact with its powerful storytelling and performances. "Special 26" (2013) Release Year: 2013 IMDb Rating: 8.0 Description: Bajpayee plays a CBI officer in this heist thriller where a group of con artists poses as government officials to conduct raids. Star Cast: Manoj Bajpayee, Akshay Kumar, Anupam Kher Director: Neeraj Pandey Fun Fact: The film is inspired by real-life heists in India. Some unknown facts about Special 26 movie "Special 26" (2013) is a Hindi film based on real-life heists conducted by a group of con artists in the 1980s. The film stars Akshay Kumar, Anupam Kher, Manoj Bajpayee, and Jimmy Sheirgill in lead roles, with their performances receiving widespread acclaim. Set in the 1980s, the film captures the essence of the era with authentic costumes, props, and set designs. "Aks" (2001) Release Year: 2001 IMDb Rating: 6.1 Description: Aks is a supernatural thriller where Bajpayee's character battles his own evil doppelganger. Star Cast: Manoj Bajpayee, Amitabh Bachchan, Raveena Tandon Director: Rakeysh Omprakash Mehra Fun Fact: Bajpayee's portrayal of the dual role was praised for its intensity. Some unknown facts about Aks movie The film received critical acclaim for the performances of lead actors Amitabh Bachchan and Manoj Bajpayee. Known for its suspenseful plot, "Aks" keeps the audience engaged with its mysterious storyline. Upon release, "Aks" received mixed reviews from critics, with some praising its innovative storytelling while others had reservations about certain plot aspects. Despite initial mixed reviews, "Aks" has gained a cult following for its unique storyline and standout performances. "Bandit Queen" (1994) Release Year: 1994 IMDb Rating: 7.6 Description: In this biographical drama, Bajpayee plays the role of Man Singh, a supporting character in the life of the infamous Phoolan Devi. Star Cast: Seema Biswas, Manoj Bajpayee Director: Shekhar Kapur Awards: National Film Award for Best Feature Film Fun Fact: Bandit Queen was Bajpayee's breakthrough film, and his performance was a sign of things to come. Some unknown facts about Bandit Queen movie "Bandit Queen" (1994) is a biographical film based on the life of Phoolan Devi, a notorious Indian outlaw turned politician. The film stirred controversy upon release due to its explicit portrayal of violence, sexual abuse, and exploitation faced by Phoolan Devi. Despite the controversies, "Bandit Queen" received critical acclaim for its raw and powerful storytelling and Seema Biswas's exceptional performance in the lead role. Phoolan Devi herself was involved in the making of the film, providing insights into her life and experiences to add authenticity to the portrayal. The production of "Bandit Queen" faced numerous challenges, including financial constraints and legal issues, but director Shekhar Kapur's determination helped overcome these obstacles. The film left a lasting impact on Indian cinema and is considered a landmark for its bold portrayal of a complex and controversial figure in Indian history. Manoj Bajpayee's cinematic journey is a testament to his incredible talent and dedication. These ten films represent just a fraction of his illustrious career, leaving us eager to see what he has in store for the future of Indian cinema. Read the full article

[khabrisala]

10 Bollywood gangster movies to watch in your lifetime

10 Bollywood gangster movies to watch in your lifetime

Written by Shaikh Ayaz | Mumbai | Published: May 1, 2020 9:35:26 am

Take a look at our pick of all-time top 10 Hindi gangsta line-up.

Tossing off his recent mob conquests and flushed with newfound political success, Bhiku Mhatre (Manoj Bajpayee) climbs up on a cliff overlooking the vast jungle that makes up…

[pendokonyastra]

Kami tidak membuat Film Satya, Satya membuat dirinya sendiri

Saya bertemu Ram Gopal Varma pada suasana yang sangat Ram Gopal Varma dan di tempat yang juga sangat Ram Gopal Varma. Ini hari minggu, dan hujan menghantam dinding kaca besar ruangannya di Company, kantornya, istana kesenangannya yang mana patung bulldog dan bunglon terduduk di lantai. Ada gambar hitam putih Amitabh Bachchan tengah menghirup teh dari cangkir di Sarkar, perempuan telanjang menunggangi singa, Steven Spielberg, Bruce Lee.

20 tahun yang lalu, Satya, film gangster Varma yang bertempat di Mumbai yang basah kuyup, dirilis pada hari yang sama – 3 Juli. Sebuah film yang dibuat dari usus dengan hasil kenabian, itu menandai awal sub-genre baru dengan penggambaran komikal hitam yang brutal dan otentik dari perut Mumbai. Ini adalah aliran sesat, namun juga laris secara komersial, diingat dengan kegemaran karena berbagai alasan: karena 'meluncurkan' bakat indie seperti Anurag Kashyap, Manoj Bajpayee dan Saurabh Shukla. Skor pembunuh Sandeep Chowta. Bhiku Mhatre dari Bajpayee, yang berada di garis pantai dengan dialog ikonik ‘Mumbai ka king kaun?’.

Varma, tentu saja, bukan pembuat film yang dulu — film demi film, dalam beberapa tahun terakhir, membenarkan kejatuhannya dari anugerah; eksesnya telah menjadi lebih baik dari keahliannya. Tetapi ia sedang ingin berbicara, senang mengingat kembali tentang salah satu film terbaiknya, menemukan kekurangan di dalamnya, dan — bagian yang paling ia sukai — hanyut ke dalam kisah gangster Bombay. Kutipan yang diedit:

 Bagaimana tanggapan awal terhadap film? Apakah Anda mengharapkan jenis keberhasilan yang didapatnya?

Pada hari pertama, dibutuhkan pembukaan 30 persen. Bharat bhai (Shah, produser) memanggil saya dan berkata, "Ramu, gambar ka membuka thik nahi hai, abhi dekhna hai kya hota hai". Saya ingat saya berada di kantor Boney Kapoor dan bertanya kepadanya apakah dia bisa mengetahui dari distributornya bagaimana film itu dilakukan. Dia berbicara dengan seseorang di Indore, yang mengatakan 'Lupakan, itu sudah hilang'. Kemudian pada Sabtu malam, Bharat bhai memanggilku lagi. Dia berkata, "Ramu, gambar teater utregi nahi se." Pada Sabtu malam, film itu berjalan untuk Rs 100 dalam warna hitam, dan berlari selama 30 minggu di teater Eros di Mumbai. Itu dilakukan dengan baik terutama di Maharashtra, Andhra Pradesh, Bangalore, Delhi, sepenuhnya dari mulut ke mulut. Orang-orang keluar dari bioskop dengan mulut terbuka; reaksinya tidak seperti ‘Ini film yang bagus dan layak, Anda harus melihatnya.’ Itu lebih seperti ‘Arey tu dekh na, Anda harus benar-benar melihatnya.’

Tidak ada yang melihat film seperti itu. Dan industri selalu ingin melihat film sebagai perbandingan. Saat tidak ada patokan untuk film seperti Satya, tidak ada pemeran, tidak ada hiburan, apa pun yang mereka pikirkan format komersial biasa, menjadi sangat sulit bagi mereka untuk memperkirakan bagaimana hal itu akan diterima. Saya baru saja keluar dari Daud, yang ternyata gagal besar, dan saya ingat memberi tahu Anurag (Kashyap), untuk memulai dengan Satya segera karena begitu Daud melepaskan dan menjatuhkan mereka tidak akan membiarkan saya membuat ini. Jadi kami mulai sedikit sebelum Daud keluar.

Satya sukses karena khalayak ramai, terutama di sirkuit Maharashtra, bukan khalayak kelas. Ada banyak hal yang belum pernah mereka dengar atau lihat sebelumnya dalam film Hindi arus utama, sesuatu yang sederhana seperti kata 'Chutiya'. Orang-orang dapat mengaitkannya, khususnya wilayah Mumbai karena dunia mafia adalah hal yang sangat populer pada saat itu.

Suatu kali, saya sedang berdiri di luar teater, dan seorang pria meletakkan tangannya di atas saya dan berkata, "Hum logo ke upar acchi picture banaya hai tu". 'Logo hum' adalah intinya; dia mengakui bahwa dia adalah seorang gangster, dan fakta bahwa dia meletakkan tangannya di pundakku, dengan otoritas itu ... Banyak polisi benar-benar mengira aku sangat terlibat dengan dunia hitam. Paramvir Singh, seorang perwira yang sangat terkenal, memberi tahu saya bahwa saya harus memiliki akses ke beberapa orang yang sangat, sangat di dalam diri orang, jika tidak, mustahil bagi film mana pun untuk mencapai realisme semacam ini.

Anda telah membuat film-film kejahatan yang sukses yang berbasis di Mumbai seperti Company (2002) dan Sarkar (2005). Bagaimana ketertarikan Anda dengan dunia hitam dimulai?

Saya ingat pertama kali saya mendengar kata D-Company. Diberitahu kepada saya oleh seorang sales boy di toko grosir kaset ini di Grant Road. Saya dulu menjalankan perpustakaan video di Hyderabad. Saya dulu datang ke sini untuk membeli kaset. Ini sekitar '86 -87, dan selama beberapa kali saya mengunjungi, dia membawa saya ke Caesar Palace Hotel di Bandra, yang dimiliki oleh Mahesh dan Arvind Dholakia, tokoh besar dunia hitam pada saat itu. Dia mengatakan kepada saya bahwa tempat ini milik orang-orang yang menentang D-Company nya Dawood Ibrahim.

Saya selalu terpesona oleh sisi gelap orang. Sebelumnya saya ingat samar-samar mendengar beberapa penyelundup bernama Haji Mastan ketika Amitabh Bachchan’s Deewaar keluar. Caesar Palace pada dasarnya adalah sebuah pick up joint; Saya bisa melihat suasananya, dan orang-orang nongkrong di sana. Saya terpesona dengan semuanya - dan beberapa tahun kemudian kedua bersaudara itu terbunuh karena perseteruan dengan Chhota Rajan. Mumbai selalu membuat saya terpesona dengan kemiskinan ekstrim, mobil super kaya, mahal ... Saya dulu melihat bangunan Shethia, begitu kotor, tangga tampak seperti akan jatuh kapan saja. Anda masuk dan ini sangat mewah. Ada rahasia di dalam rahasia dan tidak ada yang tahu apa yang sedang terjadi.

Saya benar-benar tinggal di Mumbai ketika saya mengarahkan Rangeela (1995). Setelah '93 ledakan terjadi bahwa mafia benar-benar menuju ke garis depan, menjadi bahan diskusi bagi semua orang. Karena keterlibatan D-Company dengan ledakan, sepanjang pembuatan Rangeela, pikiranku lebih di dunia hitam.

Saat itulah Anda berpikir untuk membuat Satya?

Benar. Saya ingin melakukan sesuatu dengan dunia mafia. Tapi tidak ada cerita, tidak ada judul. Setelah Rangeela selesai, saya membuat Daud dengan Sanjay Dutt. Dia tahu banyak tentang dunia hitam, dan karena masalahnya sendiri dengan semuanya, dia akan memberitahuku contohnya ketika kita bertemu.

Saya ingat novel James Hadley Chase berjudul My Laugh Comes Last. Saya sebenarnya membuat film itu dalam bahasa Telugu, berjudul Antham (1992) –Drohi dalam bahasa Hindi — dibintangi Nagarjuna. Itu adalah kegagalan besar. Saya menyadari kesalahannya dan saya mengambil cerita yang sama dan berhasil masuk ke Satya: seorang gangster yang jatuh cinta dengan seorang gadis, gadis itu tidak tahu bahwa dia adalah seorang gangster, dan dia ingin keluar (dari duna hitam) dan menikahinya, tapi itu terlambat, dan dia mati. Urmila juga ada di film itu.

Saya sedang mengerjakannya ketika saya mendengar sebuah cerita dari seorang teman yang tinggal di Oshiwara pada saat itu. Dia tinggal di lantai 14; sesekali, dia akan bertemu pria di lift yang tinggal di atasnya. Mereka sesekali tersenyum dan menyapa satu sama lain; mereka tidak tahu nama satu sama lain. Tiga tahun kemudian, suatu hari, istrinya memberi tahu dia bahwa polisi datang dan menangkap seseorang dari gedung. Itu datang di surat kabar, dan dia menyadari itu orang yang sama yang dia temui di lift. Dia bahkan tidak tahu detail kejahatan apa yang membuatnya tertangkap. Tapi itulah yang dilakukan Bombay kepada Anda. Anda mungkin tinggal di gedung yang sama, dan Anda mungkin tidak mengenal tetangga Anda. Saya suka itu, dan itulah sudut yang saya ambil. Vidya (Urmila) tidak tahu siapa Satya, dia menganggapnya seperti orang normal yang tinggal di sebelah.

Apa dampak dari pembunuhan Gulshan Kumar terhadap Satya?

Satya tidak terjadi dalam satu bentangan, ada banyak celah. Bahkan saya tidak tahu apa yang sebenarnya ingin saya buat. Ketika Gulshan Kumar meninggal, seluruh industri mengalami shock. Kami sedang melakukan tes menembak dan kami harus menghentikannya. Dalam waktu yang sesekali aku mengubah banyak hal di kepalaku tentang bagaimana aku ingin membuat film. Secara teknis, Anda dapat mengatakan kami memulai film setelah kematian Gulshan Kumar.

Saya bertemu dengan seorang pria bernama Ajit Dewani, yang merupakan sekretaris Mandakini (aktris populer 80an-pernah dekat dengan Dawood Ibrahim) saat itu, dan yang terbunuh pada tahun 2004. Dia sendiri bukan bagian dari organisasi kejahatan, tetapi karena koneksi Mandakini dia dulu kenal beberapa di antaranya orang-orang di D-Company. Saya mendapat banyak informasi darinya, termasuk (referensi) karakter Bhiku Mhatre (Manoj Bajpayee).

Biasanya Anda menganggap penjahat mafia sebagai tidak berperasaan dan kejam, tetapi dari cerita Dewani justru terdengar lebih menyenangkan. Misalnya, salah satu dari orang-orang ini ingin memiliki pakora jam 2 malam di tempat terkenal di Bandra, jadi mereka mengetuk pintu mereka dan membuat mereka melayani pakora dengan todongan senjata. Dia bercerita tentang seorang gangster yang terbunuh dan dia pergi menemui saudaranya, yang juga seorang gangster. Saudara laki-laki itu mengutuki mayat itu, "Keparat aku bilang padanya untuk tidak pergi, dia tidak mendengarkan". Dia tidak bisa menerima bahwa kekuatan untuk menyelamatkan saudaranya telah diambil, dan bahwa tidak mendengarkannya menyebabkan kematiannya. Seorang lelaki yang menyalahgunakan jenazah adalah hal yang sangat aneh, yang saya dapatkan di Bhiku Mhatre. Ketika Chandar meninggal, dia berkata, “Mar gaya saale, maine kya kaha tha saale ko?” Ada keliaran tertentu dalam tawa Anda, sorot mata Anda, saya ingin merefleksikannya dalam karakter Bhiku Mhatre.

Suatu ketika ketika saya pergi ke bar dansa tertentu di Borivali untuk berburu lokasi, saya diberi tahu bahwa pemiliknya adalah pria D-Company. Dia berada di penjara selama 6 tahun, dan sekarang dia keluar. Dia sangat mengintimidasi, tetapi setelah 15 menit dia menjadi pria normal. Karena dia tahu aku tahu siapa dia, dia bermain akting, dari situlah aku mengambil karakter Kallu Mama (Saurabh Shukla). Kallu Mama pada dasarnya adalah idiot dalam geng, tetapi ketika pembangun datang, Anda dapat melihat bahwa ia dapat berakting. Dia ingin memainkan kepribadian yang akan berhasil baginya.

Saya bertemu dengan seorang pria di Bara chawl, area Arun Gawli. Saya diberitahu bahwa dia sangat dekat dengan Gawli. Gawli adalah orang yang menakutkan pada saat itu, dan saat itu kami telah mendengar contoh Nattu Bhai, pembangun, yang terbunuh. Tetapi ketika saya bertemu dengan orang ini, itu adalah anti klimaks yang sangat besar — ​​setiap kalimat yang dia katakan seperti "Gawli bhai aata hai hanya ghar pe", "Gawli bhai ne mereko ghar diya". Begitulah cara saya menciptakan Chandar.

Satya dipuji karena perlakuannya yang realistis dan berpasir. Bisakah Anda berbicara tentang estetika film?

Satu-satunya hal yang benar-benar saya sadari adalah bahwa kita harus tetap setia pada apa yang saya dengar dari sumber-sumber ini. Fakta bahwa kami mengambil keputusan untuk menembak di lokasi nyata membuat perbedaan. Misalnya, kami mengambil adegan kematian Gurunarayan di Jembatan Mahim. Hampir tidak ada 3 atau 4 orang, beberapa duta besar, dan kamera Arri 2 yang tidak memiliki lensa mata yang dapat diputar. Para aktor biasanya keluar dari mobil dan berlari, dan juru kamera biasa berlari di belakang mereka. Itu ditembak dalam gaya gerilya yang sangat, dan saya pikir itu adalah rasa urgensi yang menambah banyak realisme.

Jika kami menghabiskan banyak uang dan membuat desain dan lokasi produksi yang tepat, saya ragu filmnya akan sama.

Apakah judul itu merupakan penghormatan kepada Ardh Satya karya Govinda Nihalani, yang menurut Anda merupakan salah satu film yang memengaruhi Anda?

Iya tentu saja. Ada dua alasan. Kedua, nama pacar pertama saya adalah Satya. Saya mencoba untuk membuatnya terkesan. Sebenarnya dia bukan pacar saya, saya dulu mencintainya, dan dia tidak pernah melihat saya, jadi saya hanya ingin mengirim pesan yang melihat seperti apa saya kini.

20 tahun kemudian, apa penilaian Anda terhadap film ini?

Orang-orang bertanya mengapa Bhiku Mhatre lebih terkenal daripada Satya? Alasannya bukan karena akting JD Chakravarty, alasannya adalah bahwa saya memang tidak begitu menjelaskan tentang karakternya. Pikiran pertama saya untuk Satya adalah bahwa itu semacam Howard Roark di dunia hitam, itulah sebabnya penampilan Satya yang tenang dan non-emosional. Tetapi saya mencoba membuat Satya terlihat lebih besar dari kehidupan; garis yang terukur, ekspresi dirancang — ‘Usko bolo woh idhar aye ’, itu seperti lucunya. Dia berdiri di sana tampak seperti zombie ketika Bhiku berkelahi dengan istrinya (Shefali Shah) dan orang yang sama memerah di mobil setelah pembunuhan pertamanya - saya termasuk itu karena saya terbawa oleh anekdot seorang pria yang memerah setelah dia membunuh seseorang. Ada inkonsistensi dalam karakter Satya, terutama di bagian awal. Itu konsisten dalam 25-30 menit terakhir; pada saat itu saya telah menangkap sur dari film, yang saya salin dari My Laugh Comes Last. Jadi saya mendapatkan kejelasan karena beberapa penulis lain (tertawa).

Ada hal-hal lain yang tidak logis, tetapi berhasil. Misalnya, klimaks ketika Satya pergi untuk membunuh Bhau di perayaan Ganpati Visarjan. Direktur aksi Allan Amin dan saya punya rencana besar — ​​sebuah truk besar dengan Kallu Mama datang dengan warna-warni padanya, beberapa pria menunggu di teras memberi sinyal, dan pria lain yang dekat dengan Bhau. Di menit terakhir aku berkata, “Persetan semua itu. Kita akan mulai dengan close-up kain yang dililitkan di sekitar pisau”. Saya berkata, jika orang-orang yang terhubung dengan kematian Bhiku Mhatre dan mendukung Satya untuk membalas dendam, mereka hanya ingin melihatnya terbunuh, ini bukan tentang caranya. Ini terlihat sangat nyaman bahkan di lokasi - Bhau hanya berdiri di sana menunggu untuk ditusuk ketika terjadi perang geng besar, sedangkan dia jelas tahu bahwa dia akan menjadi sasaran Satya. Jika orang bertanya kepada saya pada saat itu, saya tidak akan punya jawaban. Tapi saya pikir emosi utama Bhau ditikam oleh Satya akan membuat orang lupa logika.

Ada adegan lain yang saya tahu ada sesuatu yang sangat salah, tetapi saya tidak bisa memikirkan alternatif. Ketika Satya pergi dengan Vidya untuk menonton film di teater, Pakiya (Sushant Singh) memberi tahu polisi. Dalam situasi yang realistis, mereka datang dengan pakaian biasa, meminta informan untuk menunjukkan lelaki itu sementara penonton keluar dari teater. Dalam film itu, Inspektur Khandilkar (Aditya Srivastava) datang dan mengumumkan, "Aap ke beech mein ek khatarnaak gangster hai". Orang ini baru saja membunuh komisioner polisi (Paresh Rawal) kota, dia bisa menyandera siapa pun; mengapa polisi melakukan itu? Tapi maksud saya adalah bagaimana Satya bisa melarikan diri tanpa Vidya tahu bahwa dia adalah seorang gangster? Saya mengandalkan itu sebagai faktor operasi, dan orang-orang akan melupakan logika.

Saya pergi dengan teori Hitchcock ketika-drama-dimulai-logika-berakhir. Ketika kami mengambilnya dan mengirimkannya untuk mendapat skor latar belakang ke Sandeep Chowta di Chennai, ia menelepon saya pukul 11 ​​malam dan berkata, 'Ramu, filmnya brilian, tetapi bagian di teater, bagaimana polisi bisa begitu bodoh?' Dia kata semua 7 musisi dengan siapa dia menonton film, merasakan hal yang sama. Saya khawatir itu akan terjadi, dan dia mengatakannya, dan sekarang saya kacau karena saya tidak punya waktu untuk melakukan apa-apa tentang itu. Setelah banyak pertimbangan, saya memutuskan tidak punya pilihan lain. Percayalah pada saya dalam 20 tahun terakhir, tidak ada seorang pun yang memberi tahu saya tentang kesalahan ini kecuali Sandeep Chowta.

Apa reaksi paling berkesan yang Anda dapatkan untuk film ini?

Saya menunjukkan potongan pertama kepada 15 orang dan mereka semua membencinya. Termasuk pamanku sendiri, siapa bilang kalau aku mampu membelinya, bisakah aku tidak merilis film? Orang yang paling dibencinya adalah Manoj Bajpayee. Dia merasa Manoj menyebalkan. Teman adik laki-laki saya, Sanjay Thakur, yang tidak saya kenal selain 'hi-hello' memberi saya catatan tulisan tangan tentang 20 poin yang dia benci dalam film. Dari mereka, saya menganggap 5 sangat serius.

Dia merasa hubungan Satya dengan Bhiku Mhatre benar-benar salah, tidak ada baginya untuk tiba-tiba ingin membalas dendam atas kematian Bhiku. Saat itulah saya menambahkan adegan-adegan ketika dia kembali dari Khandala, di mana Anda dapat melihat kepedulian Bhiku terhadap Satya. Anda perlu melihat hubungan emosional antara dua karakter.

Kedua adalah adegan di mana Satya datang dan memberi tahu Urmila bahwa dia ingin pergi ke Dubai bersamanya. Ketika dia pergi untuk memberi tahu ibunya, dia mendengar suara, pergi ke jendela dan melihat kendaraan polisi dan berlari. Teman saudara laki-lakiku berkata, 'Bajingan ini barusan berkata tidak ada dalam hidupku kecuali kamu ... dan dengan pertanda pertama dia langsung kabur?' Di edit ulang, aku mengambil dekat Satya setelah melihat mobil polisi untuk memasukkan keragu-raguan dan ketidakberdayaan di wajahnya.

 Bagaimana Anda menilai Satya dibandingkan dengan film Anda yang lain?

Ketika saya melihat ke belakang, 90 persen Satya dan Rangeela tampak sempurna. Saya tidak merasakan itu di Company atau Sarkar. Rangeela memiliki struktur yang sangat klasik, hampir saya lepas landas dari The Sound of Music. Saya suka sifat serampangan dan tidak dapat diprediksi dari Satya; tetapi lebih dari segalanya, karakternya yang nampak begitu nyata. Satya didasarkan pada karakter yang berada pada level yang sangat rendah dari hirarki gangster, kelas buruh dalam arti tertentu. Mereka tidak seperti kejahatan terorganisir seperti D-Gang, dan orang-orang seperti Chhota Rajan, Amar Naik, Rama Naik; orang-orang itu sangat, sangat pintar. Saya jadi tahu tentang mereka memposting Satya.

Company dibuat kira-kira 3 tahun setelah Satya, setelah saya bertemu seorang pria bernama Hanif Karawala, yang sangat dekat dengan Dawood Ibrahim. Hal-hal yang dia ceritakan tentang hubungan antara Dawood dan Chhota Rajan adalah dasar utama dari Company. Tetapi hari ini ketika saya menonton ulanng Company, saya sama sekali tidak menyukainya karena informasi yang saya miliki tentang hubungan Dawood dan Chhota Rajan sekarang jauh lebih banyak;  Saya merasa Company jadi film yang sangat palsu.

Apakah ada film gangster India yang Anda sukai setelah Satya?

Saya pikir Gangs of Wasseypur sangat baik; mengejutkan saya di berbagai sisi. Perbedaan antara saya dan Anurag adalah bahwa ia percaya pada karakter yang sangat realistis, dan saya cenderung percaya pada karakter yang lebih besar dari kehidupan. Saya tidak ingin melakukan dialog sebanyak yang biasa digunakan Anurag. Saya suka banyak lucunya, hal-hal yang sangat dirancang.

Bakat Anurag adalah cara Bhiku Mhatre berbicara dalam film, 'Nasik mein uske utama liye goli khaya tha, madarchod.' Bhiku berusaha untuk bekerja keras untuk membunuh Guru Narayan, Anda merasa bersalah membunuh seseorang yang Anda kenal, tetapi Anda ingin untuk meyakinkan diri Anda untuk dapat menembak. Hal-hal ini sangat khusus untuk Anurag.

Satya tidak pernah ditulis dalam pengertian itu. Sebagian besar adalah para aktor yang berimprovisasi. Dan berkali-kali, saya meminta Anurag untuk memberi saya adegan pada hari pemotretan. Sebagai contoh, dalam adegan di gedung tempat tembakan kejutan terjadi pada geng Bhiku, saya ingin Anurag menulis sesuatu kepada saya yang akan mengalihkan perhatian penonton karena ketika pembunuhan terjadi itu akan mengejutkan mereka. Dia datang dan menceritakan lelucon tentang Ram aur Shyam— "Ram sab kuch dega toh Shyam kya muft mein lega?". Saya bahkan tidak mendapat lelucon saat memotret. Tapi aku hanya menikmati cara Anurag menceritakan, aku bisa melihat percikan di matanya. Bagi saya konten yang tidak penting untuk naskah, saya menginginkannya sebagai taktik pengalihan ketika peluru akan muncul tiba-tiba. Lihat, ketika sebuah film menjadi kultus, Anda ingin mendengar setiap detail tentang hal itu, tetapi jujur ​​tidak ada di antara kita yang menyadari film itu akan diterima seperti itu. Kami mengambilnya seperti satu film lagi ... ini mengambil bentuknya sendiri ... Kami tidak membuat Satya, itu dibuat sendiri

Sumber Interview https://www.filmcompanion.in/satya-crime-film-ram-gopal-varma-gang-war-gangster-manoj-bajpayee-underworld-daud-bhiku-mhatre-anurag-kashyap-underworld-sanjay-dutt/

[salmankhanholics]

★ Genre films might get a bigger audience if you cast stars, but that's at the expense of not being honest to the film. In Satya, for example in 1997, had Shah Rukh or Salman both played Bhiku Mhatre or Satya's roles, I don't think it would have been the same film. Even if it worked, it might have worked for different reasons since stars work anyway, but, it wouldn't have remained the same film because they'd have looked very different. Both Satya and Bhiku Mhatre looked very believable, I could easily believe these guys lived in the chawls or dirty bylanes, which would've never looked believable had Shah Rukh and Salman played those parts.-Ram Gopal verma

March 17, 2021

[101percentindia]

Why Manoj Bajpayee Is More Than The Awards He Wins

The Manoj I know.

I met him on a warm winter afternoon at a rusty hotel no one cared for, about an hour from Mumbai. A man with droopy shoulders and tired eyes answered my anxious knock on the door of the room he was resting in. “Hi sir!” I squealed with excitement. I was meeting my first and only co-actor till then, Manoj Bajpayee, after almost a year of working on my debut film with him. He looked at me, smiled faintly, unbuttoned his grubby old coat and asked me how I was with his back towards me.

Was this the same man I was shooting with a little less than a year ago? He had aged 20 years in that time, and yet it seemed like time had stood still around him. He sat down the side of the bed, looked back up at me and asked me to join him for lunch.

I couldn’t. I avoided entering his space that afternoon and excused myself soon enough. Truth is that I was intimidated. I was expecting the Manoj Sir who’d always tap you on the back of your shoulder with “Kya haal hai Divya? Sab badhiya?” which followed soon after. This fragile man sitting in front of me however was anything but him.

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Later that evening we were supposed to shoot a scene together in a film named Aligarh. This was my first glimpse into the life and the person who then became Prof. Siras, one of Bajpayee’s biggest achievements as an actor. I learnt a lesson that day, one any novice actor would give her left limb for. Some create the characters they play, others let the characters create them.

Manoj had been living with Siras for months on end. A recluse professor who happened to be homosexual and paid a huge price for it, had taken over Manoj’s very being. Anyone who knew him knew that this was his most difficult journey since that of the impulsive and gritty Bhiku Mhatre. There was no question of anybody playing the part the way he did, and that was a unanimous sentiment once the film was out.

Perhaps why when I heard that Manoj Sir had lost out on the country’s most prestigious film award this year, my heart sank a little. “Love you loads and always. You’re the best,” I immediately sent him a message, letting him know my loyalties were with him, even at the risk of sounding like an immature fan girl. But I couldn’t help it.

Me and Manoj on the sets of Traffic

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I shot for Aligarh for less than a day, but I’ve known Manoj Bajpayee ever since the time I first faced a movie camera. I was a film journalist who almost overnight found herself on a movie set and was expected to play the modest, Maharashtrian wife of an actor I’d grown up watching. I was 14 when Satya released. And 15 years later I was making rotis for Manoj in our very believable little kitchen in a film named Traffic. He was playing a traffic hawaldar, troubled by our teenage daughter’s rebellious behaviour that morning. All I had to do was take the bag of vegetables from him, and make him feel like he was doing fine as a dad.

Take one happened. Take two happened. Before take three, Manoj leans in and says to me, “Just be yourself. Talk like you would talk at home.” Take three happened… and it was locked. Everyone on set clapped and I had my first ever movie scene in the can. I ran into my vanity van and cried my eyes out after that shot. Not because I was nervous, but because I was grateful for a giving co-actor.

It’s not easy to be a selfless actor, and god knows there are only a handful of them in Bollywood. I’ve heard of superstars standing in front of a life-size mirror till the last second of a director calling action. They are not the ones that can be included in this lot. Battling insecurities, failures and countless moments of doubt, one builds oneself up into the pure craft of living the character one was meant to play, and that is what I saw in Manoj. It comes with years of practice and knowing exactly what you are capable of.

He would get into a scene, but never dominate it. He would improvise, but never intimidate the actor with him. I remember being clueless in a montage sequence for a song, where Manoj and I were drying clothes in our little verandah. “What am I supposed to do?” I asked my director. “You don’t worry, he’ll lead,” my director said. We both held two ends of a sari during the shot, and in a split second he pulled me towards him making it the perfect moment a husband and wife would steal before their daughter sees them. I wasn’t expecting it, and he beautifully made my weakness the strength of the scene.

Me playing a reporter and Manoj Bajpayee as Prof. Siras in Aligarh

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A night before I began to shoot for Traffic, I got a call from the editor of the magazine I was working for then. The magazine had shut down and 17 of us had lost our jobs. I had landed a movie, but no way in hell was I ready to let go of my 8-year-long career in journalism. I was distraught. With the phone in one hand, a few pages of my script in the other, I knocked on Manoj’s door. “I’ve lost my job sir,” I said to him. “You have found one, Divya. You have a film you are working in already. Do the other 16 have this? No. Consider yourself blessed,” he said to me. We spent the rest of the evening talking about how every experience in an actor’s life is one that can be used for performance.

He would share his knowledge as graciously as his dabba with the crew. Always the one to reach set before time, he was the favourite of the assistant directors. Here was a man who even as a kid never chose to attract attention. He preferred staying silent, until provoked, and that’s true to date. Here’s a man who barely got his due as an actor in this country, and yet is never going to have an overreaction to it.

He does not have a big PR team building up an image for him. He’s not gunning for international agents to pitch him to Hollywood. It would be rare to see him on social media. But he will speak when he needs to and play his part the way he needs to. He will play the part of a homosexual and defend their rights, despite those in power being against him. It may take many moons to acknowledge a character like Prof. Siras and he knows that.

A few months ago we exchanged a routine, “How’s it going?” on text. “I’m looking for work, sir.” I told him. “So am I” he responded with a smile. That’s Manoj for you. Never making you feel like he’s the achiever, and always making it seem like we are all in it together. A few nights ago, I suggested he write an open letter expressing himself on being excluded from the national awards. His response was “Nahi yaar, ab straight autobiography!” Can’t wait sir. Can’t wait.

Disclaimer: The views expressed in this article are independent views solely of the author(s) expressed in their private capacity and do not in any way represent or reflect the views of 101India.com.

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By Divya Unny Photographs: Aligarh film stills

[bollywoodirect]

20 Years of #Satya. (03/07/1998)

Satya is a 1998 crime film, produced and directed by Ram Gopal Varma; written by Saurabh Shukla and Anurag Kashyap. It stars J. D. Chakravarthy, Manoj Bajpayee, Urmila Matondkar, Shukla and Shefali Shah in lead roles. It is the first of Varma's Gangster trilogy about organized crime in India. The film follows Satya (Chakravarthy), an immigrant who comes to Mumbai looking for a job, befriends Bhiku Mhatre (Bajpayee) and is drawn into the Mumbai underworld.

Varma initially planned to make an action film but decided to make a film focusing on felony after meeting some criminals. He hired Kashyap and Shukla to write the film and opted to use lesser-known actors. The soundtrack and score were composed by Vishal Bhardwaj and Sandeep Chowta, respectively, while the lyrics were written by Gulzar. Its early cinematography was done by Gerard Hooper, who was replaced by Mazhar Kamran. 

Satya was released on 3 July 1998 to critical acclaim, particularly for its realistic depiction of the Indian underworld.

Satya has attained cult status and is considered one of the best examples of Indian cinema by a number of critics and scholars. It inspired several sequels like Company (2002) and D (2005), and a direct sequel, Satya 2 (2013).