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awardseason · 4 years ago

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1st Critics’ Choice Super Awards — Film Winners

Critics’ Choice Super Awards are a Critics Choice Awards special event honoring the most popular, fan-obsessed genres including Superhero, Science Fiction/Fantasy, Horror, Action and Animation.

BEST ACTION MOVIE Bad Boys For Life (Sony) Da 5 Bloods (Netflix) — WINNER Extraction (Netflix) Greyhound (Apple TV+) The Hunt (Universal) Mulan (Disney+) The Outpost (Screen Media) Tenet (Warner Bros.)

BEST ACTOR IN AN ACTION MOVIE Tom Hanks – Greyhound (Apple TV+) Chris Hemsworth – Extraction (Netflix) Caleb Landry Jones – The Outpost (Screen Media) Delroy Lindo – Da 5 Bloods (Netflix) — WINNER Will Smith – Bad Boys For Life (Sony) John David Washington – Tenet (Warner Bros)

BEST ACTRESS IN AN ACTION MOVIE Betty Gilpin – The Hunt (Universal) — WINNER Yifei Liu – Mulan (Disney+) Blake Lively – The Rhythm Section (Paramount) Iliza Shlesinger – Spenser Confidential (Netflix) Hilary Swank – The Hunt (Universal)

BEST ANIMATED MOVIE Onward (Disney+) Over the Moon (Netflix) A Shaun the Sheep Movie: Farmageddon (Netflix) Soul (Disney+) — WINNER The Willoughbys (Netflix) Wolfwalkers (Apple / GKIDS)

BEST VOICE ACTOR IN AN ANIMATED MOVIE Jamie Foxx – Soul (Disney+) — WINNER Will Forte – The Willoughbys (Netflix) Tom Holland – Onward (Disney+) John Krasinski – Animal Crackers (Netflix) Chris Pratt – Onward (Disney+) Sam Rockwell – The One and Only Ivan (Disney+)

BEST VOICE ACTRESS IN AN ANIMATED MOVIE Tina Fey – Soul (Disney+) — WINNER Honor Kneafsey – Wolfwalkers (Apple / GKIDS) Maya Rudolph – The Willoughbys (Netflix) Phillipa Soo – Over the Moon (Netflix) Octavia Spencer – Onward (Disney+) Eva Whittaker – Wolfwalkers (Apple / GKIDS)

BEST SUPERHERO MOVIE* Birds of Prey (Warner Bros.) The Old Guard (Netflix) — WINNER Secret Society of Second-Born Royals (Disney+) Sonic The Hedgehog (Paramount) Superman: Man of Tomorrow (Warner Bros. Animation)

BEST ACTOR IN A SUPERHERO MOVIE* Skylar Astin – Secret Society of Second-Born Royals (Disney+) Jim Carrey – Sonic The Hedgehog (Paramount) Chiwetel Ejiofor – The Old Guard (Netflix) Ewan McGregor – Birds of Prey (Warner Bros.) — WINNER Ben Schwartz – Sonic The Hedgehog (Paramount)

BEST ACTRESS IN A SUPERHERO MOVIE* Kiki Layne – The Old Guard (Netflix) Peyton Elizabeth Lee – Secret Society of Second-Born Royals (Disney+) Margot Robbie – Birds of Prey (Warner Bros) — WINNER Jurnee Smollett – Birds of Prey (Warner Bros) Charlize Theron – The Old Guard (Netflix)

BEST HORROR MOVIE Freaky (Universal) The Invisible Man (Universal) — WINNER Relic (IFC Films) The Rental (IFC Films) Sputnik (IFC Films)

BEST ACTOR IN A HORROR MOVIE Ṣọpẹ Dìrísù – His House (Netflix) Pyotr Fyodorov – Sputnik (IFC Films) Michiel Huisman – The Other Lamb (IFC Films) Dan Stevens – The Rental (IFC Films) Vince Vaughn – Freaky (Universal) — WINNER

BEST ACTRESS IN A HORROR MOVIE Haley Bennett – Swallow (IFC Films) Angela Bettis – 12 Hour Shift (Magnet Releasing) Elisabeth Moss – The Invisible Man (Universal) — WINNER Kathryn Newton – Freaky (Universal) Sheila Vand – The Rental (IFC Films)

BEST SCIENCE FICTION/FANTASY MOVIE Love and Monsters (Paramount) Palm Springs (Hulu and NEON) — WINNER Possessor (NEON) Synchronic (Well Go USA) The Vast of Night (Amazon Studios)

BEST ACTOR IN A SCIENCE FICTION/FANTASY MOVIE Christopher Abbott – Possessor (NEON) Jake Horowitz – The Vast of Night (Amazon Studios) Anthony Mackie – Synchronic (Well Go USA) Andy Samberg – Palm Springs (Hulu and NEON) — WINNER J.K. Simmons – Palm Springs (Hulu and NEON)

BEST ACTRESS IN A SCIENCE FICTION/FANTASY MOVIE Ally Ioannides – Synchronic (Well Go USA) Katherine Langford – Spontaneous (Paramount) Sierra McCormick – The Vast of Night (Amazon Studios) Cristin Milioti – Palm Springs (Hulu and NEON) — WINNER Andrea Riseborough – Possessor (NEON)

BEST VILLAIN IN A MOVIE Jim Carrey – Sonic The Hedgehog (Paramount) — WINNER Kathryn Newton – Freaky (Universal) Martin Short and Jane Krakowski – The Willoughbys (Netflix) J.K. Simmons – Palm Springs (Hulu and NEON) Hilary Swank – The Hunt (Universal)

*Superhero categories also include Comic Book and Video Game Inspired Movies

#critics choice super awards #super awards #super awards 2021 #winners

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aion-rsa · 4 years ago

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Upcoming Horror Movies in October 2020: Theaters, Streaming, and VOD

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October is here, which means it’s the time of the season for getting scared. With Halloween gradually becoming a month-long celebration over the past few years — even if the coronavirus has put a damper on many activities such as trick-or-treating — one thing we can always look forward to during these 31 days is a deluge of horror movies old and new, whether via streaming, cable network marathons or even fleeting theatrical releases.

Horror is already a reliable genre both at the box office (under normal circumstances) and in the digital space, so it’s no surprise that even in these compromised times, scary movies are coming at us hard and fast in October. Below is a round-up of fresh horror releases arriving either at your local multiplex (and we urge you to keep the risks of going to the theater in mind) or right in your living room. Ironically, even in decidedly unnerving times, scary movies can still be a hell of a lot of fun.

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Shudder

Scare Me

Available on Shudder on October 1

The October genre onslaught gets underway right at the sound of the starting gun with this Shudder original. Josh Ruben writes, directs and stars as Fred, a frustrated copywriter who retreats to an isolated cabin to write a novel and meets a successful horror author named Fanny (Aya Cash) while out jogging. She challenges him to a scary storytelling contest, and the spooky games begin. Ruben makes his feature directorial debut on what is billed as a “metafictional horror comedy” with social underpinnings.

Magnet Releasing

12 Hour Shift

Out on VOD and in theaters on October 2 (US only, UK TBA)

We reviewed this dark-as-pitch comedy at September’s Fantasia Festival and enjoyed its macabre humor immensely. Angela Bettis (May) stars as a night nurse in a Texas hospital running a side business in organ harvesting with her supervisor and her dumb-as-rocks cousin. Grisly mayhem and gooey twists ensue, with Bettis delivering a fantastic deadpan performance at the center of it. Writer/director Brea Grant allows herself a few self-indulgent moments, but overall this is a lot of fun.

Neon

Possessor

Out in theaters on October 2 (US only, UK TBA)

Eight years after his debut, 2012’s Antiviral, Brandon Cronenberg again proves why he could be a natural heir apparent to his father David’s body horror crown. Andrea Riseborough (Mandy) stars as Tasya Vos, an assassin who is employed to take out high-level corporate clients by implanting her mind in the brain of someone close to the target. But Tasya’s increasing instability might threaten her latest mission. Jennifer Jason Leigh and Christopher Abbott co-star in this grisly tale of murder, vengeance and violation that does not pull any punches.

Saban Films

Death of Me

Out in theaters, on VOD and digital October 2 (US), VOD November 23 (UK)

Darren Lynn Bousman (Saw II – IV) directs Maggie Q (Fantasy Island) and Luke Hemsworth (Westworld) as Christine and Neil, a couple who awaken hungover during an island vacation with no memory of the previous night. But things take a turn for the bizarre when footage on Neil’s camera apparently shows him murdering Christine. Bousman’s stint with the Saw franchise makes him perfect to helm this sort of horror mystery — which will no doubt take some mind-bending twists and turns before it’s over.

Epic Pictures

The Curse of Audrey Earnshaw

Out in theaters October 2, on VOD and digital October 6 (US), VOD November 16 (UK)

Folk horror is one of our favorite subgenres, which is why The Curse of Audrey Earnshaw immediately caught our eye. Writer/director Thomas Robert Lee has apparently set out to capture that sweet spot of religious paranoia, occult folklore and supernatural terror as a young woman and her mother are suspected of witchcraft when an unknown pestilence descends on their remote Protestant town. The film world premiered to strong reviews earlier this month at Fantasia Fest 2020.

Amazon Prime

Welcome to the Blumhouse

Available on Amazon Prime on October 6/October 13

Leave it to terror factory Blumhouse to give you more horror than you can handle. The mini-studio is developing a slate of genre entries that it will premiere on Amazon Prime, with four of them making their debut this month. Black Box and The Lie launch on October 6, while Nocturne and Evil Eye turn up on October 13. All four look promising, so we’ll see if this is the start of a whole new anthology franchise for producer Jason Blum and his team.

Hulu

Books of Blood

Available on Hulu on October 7 (US Only, UK TBA)

Inspired by author Clive Barker’s groundbreaking 1984 collection of short stories, this anthology film from writer/director Brannon Braga (FlashForward) features three mostly original stories (one is loosely based on the tale that kicked off Barker’s collection, “Book of Blood”). All three tales weave in and out of each other, incorporating both human depravity and supernatural malignancy even if they’re not right out of Barker’s text. Britt Robertson (Tomorrowland) and Anna Friel (Pushing Daisies) lead the cast.

Saint Maud

Out in theaters on October 9 (UK only, US TBA)

This feature debut from Brit director Rose Glass is an absolute tour de force which ran the festival circuit in 2019 and was initially planned for release in the Spring. Morfydd Clark plays Maud, a pious young nurse who believes she talks directly to God and who thinks her mission is to save the soul of former dancer Amanda (Jennifer Elhe) who is dying. Body, mind and soul are in conflict in this haunting and terrifying elevated horror which boasts terrific performances and has picked up many plaudits on its long road to release. We’ve seen it and we loved it, check out our five star review.

Orion Classics

The Wolf of Snow Hollow

Out on VOD and in theaters on October 9 (US only, UK TBA)

Like Scare Me, this is mostly another one-man-band type of movie, this time from writer, director and star Jim Cummings (Thunder Road). He plays John Marshall, a small-town sheriff and recovering alcoholic who faces a series of gruesome murders that keep occurring on the full moon and seem to be the work of a werewolf. But werewolves don’t exist — or do they? The film is also notable for being the final screen appearance of the late, legendary Robert Forster (Jackie Brown).

Carmilla

Out in theaters on October 16 and VOD from October 19 (UK only)

This reimagining of the Sheridan de Fanu classic vampire story is a coming of age tale which sees a young girl (Hannah Rae) brought up in isolation and beginning to explore her sexuality become enchanted by the mysterious stranger (Devrim Lingnau) who enters her life after a carriage crash. From writer-director Emily Harris, this adaption strips back the supernatural elements and focuses more on a forbidden love made harder by Lara’s strict governess (Jessica Raine).

The Other Lamb

In theaters and on MUBI on October 16 (UK only)

An all female cult headed up by a solitary male leader is the setting for this horror starring Raffey Cassidy as a young woman raised from birth in this strange sect. All of the women in the group are either ‘wives’ or ‘daughters’ of Michiel Huisman’s Shepard and Selah (Cassidy) is about to transition between the two. A coming of age story set against a rural backdrop, this is the English language debut of Polish director Małgorzata Szumowska – released in America in the Spring it’s now coming to the UK via MUBI.

Paramount

Love and Monsters

Available on digital and VOD on October 16 (US only, UK TBA)

Originally titled Monster Problems, this project has been in development since freakin’ 2012, with Shawn Levy (Stranger Things) producing it all along. Dylan O’Brien (The Maze Runner) stars as Joel, who has been living underground with the rest of humanity for seven years after an event called the Monsterpocalypse. With giant creatures roaming the land, Joel starts out on an 80-mile quest to reunite with his high school girlfriend (Iron Fist’s Jessica Henwick). The movie bounced around several release dates this year before Paramount Pictures settled on a VOD arrival.

Netflix

Rebecca

Available on Netflix on October 21

Alfred Hitchcock’s 1940 version of the classic Daphne du Maurier novel won Best Picture. Can iconoclastic British filmmaker Ben Wheatley’s new vision of the material do the same? Um…maybe not, but we applaud Wheatley for putting his own stamp on this intensely Gothic story of jealousy and obsession. The cast is aces too, with Armie Hammer as Maxim de Winter, Lily James as the second Mrs. De Winter and, best of all, Kristin Scott Thomas as Mrs. Danvers.

Well Go USA

Synchronic

Out in theaters and on VOD on October 23 (US only, UK TBA)

The indie horror writing, directing and acting team of Justin Benson and Aaron Moorhead, creators of the striking Spring and The Endless, have come up with perhaps their most ambitious film yet in Synchronic. More sci-fi than horror, the movie still has plenty of unnerving touches as it unspools the story of new drug that causes its users to disappear — and sometimes come back dead or mutilated. Anthony Mackie is superb as a paramedic who literally races against time to stop the spread of the drug and save someone close to him. This one comes strongly recommended.

Hulu

Bad Hair

Available on Hulu on October 23 (US), in cinemas on November 27 2020 (UK)

Dear White People writer/director Justin Simien takes a wide left turn into the genre space with his second feature, a horror satire set in 1989. Elle Lorraine plays an ambitious young woman who learns that the hair weave she gets to succeed in the image-obsessed world of music television may have a mind of its own. This looks like bizarre fun, with a sparkling cast that includes Vanessa Williams, Lena Waithe, Laverne Cox, Jay Pharoah, Kelly Rowland, Blair Underwood, James Van Der Beek and Usher.

Blumhouse

The Craft: Legacy

Available on premium VOD on October 28 (US) and in cinemas October 28 (UK)

You can read more here about this long-awaited sequel to/remake of the formative 1996 teen witch movie, but the basics are that this is set in the universe of the first film while essentially retelling and expanding upon its original premise. Cailee Spaeny, Gideon Adlon, Lovie Simone and Zoey Luna star as the quartet of young women who find a book of spells and begin wielding its power. Originally slated for theatrical release, it’s premiering as a PVOD offering just in time for Halloween.

Netflix

His House

Available on Netflix on October 30

Remi Weekes directs this unsettling tale about two South Sudan refugees (Wunmi Mosaku and Sope Dirisu) who escape their war-torn nation but unwittingly bring a supernatural presence with them as they try to resettle in London. Matt Smith (Doctor Who) also stars in the film, which combines real-life and unreal horrors while tackling the continuing geopolitical and social plights of people unwittingly displaced from their homes.

Focus Features

Come Play

Out in theaters on October 30 (US only, UK TBA)

Gillian Jacobs (Community) and John Gallagher Jr. (Westworld) play the parents of a lonely young boy (Azhy Robertson) whose tablet and smartphone are the means by which a mysterious creature attempts to break into our world — unless the boy’s parents can stop it. Will writer/director Jacob Chase go for simple thrills or use the horror genre as a way to comment on young people’s ever-increasing addiction to their screens? And by the way, we’re done here, so get off your screen and go get some fresh air.

Relic

Out in theaters October 30 (UK only)

Dementia is at the heart of this very eerie chiller where three generations of women convene in an old family home which seems to be rotting from the inside. Robyn Nevin, Emily Mortimer and Bella Heathcote star in a slow build drama which delves into the horror of losing your sense of self, as Nevin’s matriarch goes missing for days and can’t remember what happened while her house is filled with odd notes, black mold and snippets of a life slipping away from her grasp. This is the feature debut of Australian-Japanese director Natalie Erika James and it’s a stylish, chilling and confident first feature with a final act that veers into full blown horror. Out already in the States on VOD it has a UK theatrical release in the UK.

The post Upcoming Horror Movies in October 2020: Theaters, Streaming, and VOD appeared first on Den of Geek.

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weekendwarriorblog · 5 years ago

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Weekend Warrior Home Edition – April 3, 2020 – Slay the Dragon, Tape and More

Well, things sure have gone to hell since I last wrote this weekly column that I’ve now been doing in some form or another at one place or other for over nineteen years! For the first time in those 19 years and probably a good 80 or 90 years before that, there were no movies in theaters. In fact, there were no movie theaters. Because of this, the last two weekends have been the first in history with ZERO BOX OFFICE. It’s kind of tough to write a column about the box office and theatrical releases when there are none, n’est ce pas?

So I’m going to try to evolve for the time being, and we’ll see how that goes. I’m not too thrilled about having to watch movies as screeners, let alone writing about movies that will probably never get a theatrical release, but I’ll try to make the best of it. (Oh, and Disney’s Onward, which opened in theaters less than a month ago will be available ON DISNEY+* tomorrow.) (*corrected)

This week’s “Featured Movie” that you absolutely must see, especially if you’re reading this from one of the “red states” and feel like government just isn’t doing things the way you’d like them to do, is Barak Goodman and Chris Durrance’s political documentary SLAY THE DRAGON (Magnolia). It covers how gerrymandering is being used in census years (like this one) to maintain a Republican majority in local and state government. Goodman’s doc begins in Michael Moore territory of Flint, Michigan and shows how gerrymandering was used to create a Republican majority that led to the town getting water from the nearby Flint River which contaminated the pipes and leaked lead into the system.

The film does a good job explaining gerrymandering in an easy to understand way by following a few specific cases of people fighting against the policies. Counties and voting districts in different states aren’t just a straight grid on a map. Instead, the districts are drawn up to cause an unfair advantage to a party. This was especially true of the REDMAP program instituted in 2008 by the GOP after Barack Obama was elected President to make sure Republicans could dominate Congress as well as politics on a state level.

Much of the film deals with Katie Fahey’s group Citizens United that has decided to take on the politicians with its grassroots campaign to allow the people’s voices and votes to start counting. (One of the programs that grew out of REDMAPping was that thousands of voters were not able to vote since a few states passed a law that ID was required to vote, thereby keeping black and brown voters from the polls.)

Yes, it’s a rather complicated situation but it’s one that people in the primarily liberal states like New York, California and others really need to know about, since it’s why we have a reality TV host as our President right now as well as why we have a Republican Senate that just prevented him from being impeached. All of the bigger politics goes back to the individual state politics and how gerrymandering and REDMAP unfairly sways the vote against those who win on the state level in census years (essentially every ten years including 2020). Originally, this was going to get a theatrical release in March but now it will only be available on digital and On Demand, so you can find out how to see it on the official site.

I also want to give a little extra attention to Deborah Kampmeier’s TAPE (Full Moon Films), which skipped its theatrical release instead to do an interesting “virtual theatrical run,” playing every night On Demand via CrowdCast. It’s available every night at 7pm eastern followed by discussions with the filmmakers and then will be on Digital and VOD on April 10. Again, these are changing times, but this is a haunting and powerful thriller based on true events, starring Anarosa Mudd as a woman trying to catch a sleezy casting agent (Tarek Bishara) who is preying on actresses and one in particular, played by Isabelle Fuhrman (Orphan). Both of their performances are pretty amazing, Mudd playing a shaven-head whistleblower and Fuhrman playing an ambitious young actress who think she’s finally gotten her much-needed break, but finding out there’s a lot darker side to the business than she expected. While a lot of people have raved about The Assistant as a response to #MeToo, this is a much starker and direct look at the abuse of power to take advantage of young women. The movie is not going to be for everybody, because it takes some time before you realize what Mudd’s character (who could just as easily be Rose MacGowan) is up to, but the way how things play out in the film makes it unforgettable. It’s a fantastic new movie from Kampmeier, who famously had an underage Dakota Fanning have a rape scene in her earlier movie, Hounddog.

A movie that was released last week that I didn’t get to write about (but it’s still available On Demand and Digitally, as many movies currently are) is Lorcan Finnegan’s VIVARIUM (Saban Films), starring Jesse Eisenberg and Imogen Poots. It’s a virtual two-hander in which they play a couple who look at a house in a suburban housing complex where every house looks the same. They soon learn that they can’t escape and things get weirder and weirder from there. I can’t say I loved the movie, because it just got weirder and weirder, almost to a fault at times.

Polish filmmaker Malgorzata Szumowska’s THE OTHER LAMB (IFC Midnight) is another movie about a religious cult, this one a group of women that live in a remote forest commune led by a man they call “Shepherd” (played by Michiel Huisman from Game of Thrones and The Haunting of Hill House). It follows a teenager named Selah (Raffey Cassidy) who begins to question her existence when she starts having nightmarish visions. This was okay, but I really have hit my limit in terms of movies about religious cults. They’ve just been overdone.

Mike Doyle’s rom-com ALMOST LOVE (Vertical) is about a group of middle-aged friends trying to navigate love and relationships with a cast that includes Scott Evans, Kate Walsh, Patricia Clarkson, Augustus Prew and more. Some of the characters are having marital issues, others are dating or getting into early feelings of possible love. It’s a nice distraction from all the serious stuff going on in the world today.

A great music doc now On Demand, digital and other formats (Blu-ray/DVD) is Brent Wilson’s STREETLIGHT HARMONIES (Gravitas), which takes a look at the early doo-wop vocal groups of the ‘50s and ‘60s that predated and formed the basis for Rock & Roll, Rhythm & Blues and other music genres as we know them today. It deals with acts like The Drifters, Little Antony and the Imperials, The Platters, and Frankie Lymon and the Teenagers. It includes interviews with some of the more recent acts influenced by it including En Vogue and N’Sync as well as Brians Wilson and McKnight. I was surprised by how much I enjoyed this despite doo-wop not being my preferred music style. (For the sake of transparency, I helped out with a little bit of publicity on this film.)

Also, Olivier Meyrou’s fly-on-the-wall doc Celebration (1091) is a movie that was commissioned by Yves Saint Laurent’s former lover and business partner, Pierre Bergé, more than ten years ago but was shelved for being too revealing. It was filmed over the course of three years where Laurent was at his most frail and mostly separated from the world as we get a look inside one of the last great haute couture houses. It’s now available On Demand and digitally.

Jon Abrahams directs and co-stars in Clover (Freestyle Digital Media) opposite the great Mark Webber, playing bumbling Irish twins trying to pay off their father’s debt to local mob boss Tony Davolo, played by Chazz Palminteri. Things get more complicated when a teen girl named Clover (Nicole Elizabeth Berger) shows up and the brothers need to protect her from Tony’s “hit-women.” Looks like a fun dark comedy.

Unfortunately, Saban Films didn’t offer advance review screeners of the action sequel, Rogue Warrior: The Hunt (Saban Films), directed by Mike Gunther, but it stars Will Yun Lee. I’m not sure if this is a sequel to 2017’s Rogue Warrior: The Hunt, but I haven’t seen that either. It involves the leader of an elite team of soldiers being captured by terrorists, so his team needs rescue him. Oh, and Stephen Lang (Avatar, Don’t Breathe) is in it, too.

STREAMING AND CABLE

This week’s Netflix offerings include the streaming network’s latest true-crime documentary series, HOW TO FIX A DRUG SCANDAL, directed by Erin Lee Carr (Dirty Money), which covers the 2013 case of Sonja Farak, a crime drug lab specialist who was arrested for tampering with evidence but also accused of using the drugs she was supposed to be testing. (It’s on the service as of this writing.)

Stuber and Good director Michael Dowse helms the action-comedy COFFEE & KAREEM, starring Ed Helms as police officer James Coffee, who begins dating Taraji P. Henson’s Vanessa Manning while her 12-year-old son Kareem (Terrence Little Gardenhigh) plots their break-up. Kareem hires criminal fugitives to kill Coffee but instead ends up getting his whole family targeted, so the two must team up. Also starring Betty Gilpin, RonReaco Lee, Andrew Bachelor and David Alan Grier.

Also on Friday, Disney Plus will stream two Disneynature docs, Dolphin Reef and Elephant, in honor of Earth Day taking place later this month. Previously, one or both of these movies might have been released theatrically but hey, earth is going to hell right now.

Now playing on Hulu is the latest installment of Blumhouse’s “Into the Dark,” Alejandro Brugué’s Pooka Lives, which ties in with “Pooka Day” (no idea what that is) but apparently, Pooka is a fictional creature like “Slender Man” that was created on Creepypasta by a group of friends that goes viral but then manifests into creatures that become real. It stars fan faves Felicia Day, Will Wheaton, Rachel Bloom and more.

Next week, more movies not in theaters!

By the way, if you read this week’s column and have read this far down, feel free to drop me some thoughts at Edward dot Douglas at Gmail dot Com or send me a note on Twitter. I love hearing from readers!

#Movies #Reviews #TheWeekendWarrior SlayTheDragon Streaming VOD #TheWeekendWarrior #Vivarium #SlayTheDragon #Streaming #VOD

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