#Best green muslin suit
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Unleash your inner style icon with our latest collection of party wear suit materials.
This luxurious green muslin suit material is perfect for creating a stunning outfit that will turn heads at any event.
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La Mode nationale, no. 38, 22 septembre 1894, Paris. No. 1. — Capote Angèle. Bibliothèque nationale de France
No. 1. — Capote Angèle, en velours vert-myrte, à fond mou.
Le devant de cette charmante coiffure est entouré sur la passe par une guirlande en mousseline de soie rose, agréablement chiffonnée et produisant le plus joli effet.
Au-dessus de cette guirlande s'élèvent trois magnifiques plumes couteau, prenant naissance au milieu d'un très large nœud alsacien en satin même nuance que le velours.
Cette capote, du meilleur goût et d'un cachet tout particulier, sied à merveille à toute femme jeune et distinguée, et par son élégance incontestée suffit à rehausser tout toilette simple, mais de bon goût.
C'est une nouveauté de la demi-saison, dans laquelle nous entrons, et toutes nos lectrices, nous en sommes persuadés, nous sauront gré de la leur avoir fait connaître des aujourd'hui.
—
No. 1. — Angèle hood, in myrtle-green velvet, with soft bottom.
The front of this charming headdress is surrounded on the brim by a garland of pink silk muslin, pleasantly crumpled and producing the prettiest effect.
Above this garland rise three magnificent knife feathers, originating in the middle of a very large Alsatian satin bow of the same shade as the velvet.
This bonnet, of the best taste and a very particular cachet, suits wonderfully any young and distinguished woman, and by its uncontested elegance is enough to enhance any simple but tasteful outfit.
It is a novelty of the mid-season, which we are entering, and all our readers, we are convinced, will be grateful to us for having made it known to them today.
#La Mode nationale#19th century#1890s#1894#on this day#September 22#periodical#fashion#fashion plate#cover#description#bibliothèque nationale de france#dress#hat#hair#collar#cape
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How to Style Tissue Silk Suits for Any Occasion
Tissue silk suits are a beautiful fusion of sheer elegance and lightweight luxury, making them perfect for various occasions, from festive celebrations to formal gatherings. Known for their soft shimmer and versatility, tissue silk suits can be dressed up or down, giving you an effortlessly glamorous look. Here’s a guide to styling tissue silk suits for different events and seasons.
Festive Celebrations
Vibrant Colors and Metallic Accents: For festive occasions like Diwali or family gatherings, choose tissue silk suits in bright colors like deep maroon, emerald green, or royal blue. Look for options with metallic accents or zari embroidery that amplify the festive vibe.
Statement Jewelry: Pair your suit with traditional jewelry—think gold jhumkas or chandelier earrings with a matching choker. Add some bangles to complete the look.
Footwear Choice: Opt for embellished juttis or heels that complement the color of your suit. These add a touch of sparkle without overpowering the suit's natural sheen.
Wedding Functions
Rich Hues with Heavy Embroidery: Tissue silk suits online in shades of wine, midnight blue, and rich magenta add sophistication to wedding attire. Look for suits with intricate embroidery or brocade work that enhance the fabric’s elegance.
Draped Dupatta Style: For a wedding-ready look, drape your dupatta over one shoulder with delicate pleats and add a waist belt to give a defined silhouette. This style not only looks regal but also makes the outfit more manageable.
Jewelry and Hairstyle: For weddings, go all out with a heavy necklace, matching earrings, and a maang tikka for a traditional touch. Style your hair in a low bun or soft waves to frame your face beautifully.
Formal Gatherings
Subtle Shades and Minimal Embellishments: For a professional or formal setting, go for pastel shades like blush pink, mint green, or beige. Tissue silk suits with minimal embroidery or a simple border exude sophistication without being too flashy.
Modern Accessories: Keep it elegant with pearl or silver jewelry. A pair of delicate studs, a statement ring, and a sleek bracelet are perfect for a polished look.
Structured Dupatta Draping: Drape your dupatta neatly over one shoulder for a refined appearance. This keeps your outfit looking professional while highlighting the suit's subtle shimmer.
Casual Gatherings or Day Events
Lighter Hues with Simple Motifs: For casual get-togethers or daytime events, go for tissue silk suits in lighter shades like lavender, soft peach, or pastel blue. Floral or minimalistic patterns on tissue silk are perfect for a relaxed, breezy look.
Effortless Jewelry and Footwear: Choose delicate jewelry like small hoops or simple chains. Pair the outfit with flats or minimalistic sandals for comfort.
Open Hair or Casual Updos: Keep your hairstyle simple with open hair or a low, loose bun to maintain a relaxed look.
Evening Parties
Dark Tones with Shimmery Detailing: For evening parties, darker hues like navy, charcoal, or even a classic black tissue silk suit can make a striking statement. Look for suits with subtle metallic or sequin details that catch the light beautifully.
Bold Accessories: Go for a statement necklace or bold earrings in silver or diamonds. The shimmer from these pieces complements the suit’s natural luster.
Elegant Makeup: Opt for a smokey eye or bold lip to elevate your evening look. A touch of highlighter will bring out the glow, balancing well with the subtle shine of tissue silk.
Care Tips for Tissue Silk Suits
Tissue silk is delicate, so maintaining its elegance requires proper care. Here are some essential tips:
Dry Clean Only: Tissue silk suits are best maintained through dry cleaning, which preserves their sheen and fabric quality.
Store Carefully: Keep them folded in a soft muslin cloth to prevent any snags or pulls.
Iron with Caution: Use a low-heat iron on the reverse side, with a thin cloth over the suit to avoid direct heat.
Why Tissue Silk Suits Are a Must-Have
Tissue silk suits are timeless, versatile, and add a touch of elegance to any wardrobe. They effortlessly adapt to various occasions, from weddings and parties to casual outings. With the right accessories and styling, these suits can transform into the perfect outfit for any event, showcasing both traditional charm and contemporary flair.
Whether it’s a festive celebration or a simple outing, tissue silk suits let you shine with grace and sophistication, making them a must-have for any style-conscious woman. Embrace this luxurious fabric and create a wardrobe that combines tradition with modern elegance!
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Ganga Fashions Presents: Top Kurta and Suit Set Trends for Diwali 2024
Diwali enlivens moments of joy, family gatherings, and, of course, looking just great. While getting ready to celebrate this beautiful occasion, picking the right outfit will be essential to ring in the festive spirit. Be it for puja, a family get-together, or a Diwali party, choosing the perfect Diwali 2024 Kurta & Suit Sets allows comfort with elegance.This year,
Ganga Fashions is back with its stunning Diwali 2024 Kurta & Suit Sets full of luscious fabrics, vibrant colors, and chic designs that will surely make you stand out. With over two decades of experience, Ganga Fashions has made its name prominent within the paradigm of traditional Indian attire. Their newly designed collection is all about celebrating tradition, coupled with the latest Diwali 2024 fashion trends. Let's go on to explore how their kurta and suit sets can ramp up your Diwali outfit ideas this year.
The Significance of Kurta & Suit Sets for Diwali
A Symbol of Tradition & Elegance
There is something about a well-stitched kurta or suit set that brings out the festivity instantly. The outfits have been a staple for Indian festivals over the years and represent our cultural heritage. Diwali is basically the mix of rich fabrics, intricate embroideries, and traditional silhouettes, making the outfit apt to draft a festive yet elegant look.
Why Choose Kurta & Suit Sets for Diwali?
One of the reasons kurta and suit sets are so in demand during Diwali is because of how versatile they are. From comfort to style, a kurta and suit set offer the right amount needed for hosting a puja at home and attending a big Diwali party. These outfits will ultimately allow you to feel at ease while looking your best to enjoy the festivities without discomfort.
Trending Styles for Diwali 2024 Kurta & Suit Sets
Here are some stylish kurta designs from the Ganga Fashions Diwali collection, each designed to make a statement this Diwali:
Mustard Tissue Silk Festive Kurta Set
Mustard Tissue Silk Festive Kurta Set
This mustard-colored tissue silk kurta set is the epitome of festive wear. Softly lustrous, this tissue silk fabric gives richness to the outfit that is as light as air. The bright, beautiful shade of mustard is perfect for Diwali celebrations, while ochre embroideries give it just the amount of detail required.
Blue Raw Silk Co-Ord Set
Blue Raw Silk Co-ord Set
This blue raw silk co-ord set is just what one needs for a modern, yet traditional look. The royal blue color gives it quite a bold and festive touch, while the Bemberg Raw Silk and Muslin Silk fabrics keep it rich and luxurious.
Mustard Silk Embroidered Festive Kurta Set
Mustard Silk Embroidered Festive Kurta Set
Embroidery is a big part of festive wear, and this mustard silk embroidered kurta set surely never disappoints. The delicate silver sequin and zari intricated embroidery across the kurta gives the ensemble a regal touch that can make you stand out at every Diwali party.
Maroon Raw Silk Co-Ord Set
Maroon Raw Silk Co-ord Set
A great choice for those into deep, rich colors is that maroon raw silk co-ord set. The color maroon speaks volumes in its nearer-to-classy tone and aptly suits a Diwali plight. The solid raw silk kurta with a tribal printed yoke with zari and mirror detailing lends sophistication to the overall texture. The simplicity of this design would keep you running on any festive occasion with ease and style.
Green Olive Raw Silk Festive Kurta Set
Green Olive Raw Silk Festive Kurta Set
If you're looking for something else, then the green olive raw silk kurta set is the perfect fresh take on festive wear. The resham and velvet technique embroidered neck and dupatta. paired with a muslin bottom, finds a mid-way between earthy and festive. This kurta set is perfect for the daywear functions of Diwali, and makes a balance between elegance and simplicity.
Yellow Organza Zari Woven Stripe Festive Co-Ord Set
Yellow Organza Zari Woven Stripe Festive Co-ord Set
The little sprinkles of sparkle just scream 'festive'. This yellow organza zari woven stripe co-ord set surely seems dazzle-worthy. Light and airy organza fabric is perfect for evening events, and the elegance of the striped details created by zari weaving adds just the right shimmer. Yellow is cheerful, bright, and just what one desires when celebrating the festival of lights. This salwar suit for women is a showstopper.
Diwali 2024 Color Trends in Kurta & Suit Sets
Rich Festive Colours
This year royal blue, deep red, maroon, emerald green, and mustard yellow. All traditional colors are going to appear. These colors reflect the warmth and richness of the festive season; hence, perfect for Diwali.
Pastel Palettes
The soft and pastel shades in blush pink and lavender hues are also becoming the most-loved ethnic wear for women. These colors give a modern twist to female ethnic wear in a daytime setting with delicate and elegant looks.
Metallic Hues
Want to add that little something extra to your outfit? Try gold and silver accents. These metallic tones beg to be worn on your kurta or suit set to make it pop for the festive season.
Ganga Fashions’ Exclusive Diwali 2024 Collection
Spotlight Signature Designs: Ganga Fashions has launched several signature collections this year, including Celestial Dance and Festive Zari. These collections are all about bringing in the festive season with new designs, sumptuous fabrics, and intricate details. The ensembles range from heavily embroidered kurtas to co-ord sets that exude elegance. Whether it is for a wedding or any other occasion, there is something for your every need.
Exclusive Offers: Ganga Fashions is making the deal even sweeter this Diwali. You get FLAT 10% off on orders above ₹4500 along with Easy EMI options and Cash-on-Delivery, making your festive shopping easier and faster.
Conclusion
What better way to wear your culture on your sleeve than dressing up on this festival of lights, Diwali? Ganga Fashions' Best kurta sets for Diwali 2024 bring together tradition, elegance, and modern trends so that style meets best at this festive time.
So why wait? Log on to the website of Ganga Fashions today and pick the perfect outfit for you to wear this coming Diwali.
Here's wishing you a stylish and joyous Diwali with Ganga Fashions!
Follow them at:
Instagram: https://www.instagram.com/ganga.official_/ Written By: Techeasify Infotech
#Diwali 2024 Fashion#Kurta & Suit Trends#Diwali 2024 Kurta & Suit Sets#Ganga Fashions Diwali collection
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The Charm Of Indian Traditional Dress: Ladies Kurti Set With Dupatta-Sama Didi
Introduction Indian traditional attire is not just about clothing; it represents the rich cultural heritage of one of the world's oldest civilizations. Among these traditional attires, the kurti, paired often with a dupatta, stands out as a versatile and timeless piece.
This article delves into the elegance of the kurti set, particularly focusing on the women's kurti set with dupatta and the pant kurti set with dupatta, exploring its historical roots, varieties, and styling tips.
What is a Kurti? A kurti is a tunic-style top that is worn by women across South Asia. Kurtis vary in length and are paired with a variety of bottoms, such as jeans, palazzos, and traditional salwars. Over the years, kurtis have evolved from traditional attire to trendy, contemporary outfits.
The Dupatta: A Symbol of Style and Grace Historically, the dupatta, a long scarf, was used for modesty. Today, it is styled in numerous ways, serving both functional and aesthetic purposes. It can be draped over one shoulder, wrapped around both shoulders or even worn like a scarf around the neck.
Materials and Fabrics The choice of fabric in kurtis can range from luxurious silks to everyday cottons. Each material brings its own context and suitability, from formal silk kurtis to casual cotton ones, making kurtis suitable for all seasons and occasions.
Popular Kurti Designs Straight cut kurtis: Classic and elegant, suitable for formal settings.
A-line kurtis: Flared from the waist, ideal for casual outings.
Anarkali kurtis: Fitted on the bust with a large flare, perfect for festive occasions.
Shirt style kurtis: Offers a modern look, great for office wear.
Embroidery and Embellishments Embroidery adds a touch of artisanal beauty to Kurtis. From the intricate Kashmiri threadwork to the vibrant mirror work of Rajasthan, these embellishments enhance the garment's appeal and value.
Color Trends in Kurtis While traditional colors like red, green, and gold remain popular, modern trends include pastel shades and monochrome palettes. The choice of color can significantly affect the overall look of the kurti.
Styling Your Kurti for Different Occasions Casual looks: Pair a cotton kurti with jeans or capris for a relaxed look. Add a scarf instead of a dupatta for a modern twist. Formal attire: Choose silk or chiffon kurtis with intricate embroidery. Pair with tailored pants or a flowing skirt for a sophisticated ensemble. Festive occasions: Opt for kurtis with heavy embellishments and vibrant colors. Pair with traditional jewelry and embellished footwear. Accessorizing Your Kurti The right accessories can elevate your kurti look.
Jewelry: Choose statement pieces or delicate traditional Indian jewelry based on the occasion. Footwear: For a traditional look, choose jutti or embellished sandals. For a more casual look, loafers or ballet flats are great. Bags: Clutch bags go well with formal kurti sets, while tote bags or sling bags complement casual outfits.
Choosing the Right Dupatta Selecting a dupatta involves considering both the color and fabric of the kurti set. A contrasting dupatta can add a pop of color to a subtle kurti, while a matching one provides a harmonious look. Experiment with different drapes to find the style that best suits the occasion and your personal style.
Maintaining Your Kurti Proper care will keep your kurtis looking their best.
Washing tips: Hand wash delicate fabrics, especially those with embroidery. Use mild detergents and avoid wringing the fabric. Storing kurtis: Store kurtis on hangers or folded neatly to avoid wrinkles. Keep embroidered kurtis wrapped in muslin to protect the work.
Where to Buy Kurti Sets Online shopping: Many reputable websites offer a wide range of kurti sets. Samadidi is one of the most popular sites. Look for user reviews and size guides to ensure a good fit. Recommended stores and brands: Traditional boutiques and brands known for ethnic wear often provide high-quality kurtis perfect for various occasions.
Future Trends in Kurti Design As fashion evolves, kurti designs are also expected to incorporate more contemporary elements like asymmetric cuts, fusion mixtures with western wear, and innovative prints that reflect modern art and aesthetics.
Conclusion The kurti is a staple of Indian traditional wear that has stood the test of time, adapting to modern trends while maintaining its cultural essence. Whether you opt for a simple cotton kurti for daily wear or a luxuriously embroidered set for a special occasion, the kurti offers versatility and style. Embrace the various styles and make them a part of your wardrobe to keep connected with your roots while looking fashionable.
FAQs After The Conclusion What is the best way to style a kurti for a professional setting? Opt for a straight-cut or A-line kurti in a muted color, paired with tailored trousers or a churidar. Keep accessories minimal and professional.
Can kurtis be worn in colder weather? Yes, layering a kurti with jackets or wearing a heavier fabric like wool can make it suitable for colder weather.
How do I choose the right size of kurti online? Always refer to the sizing chart provided by the online store, and compare it with your measurements. Consider reading customer reviews for fit and size guidance.
What are some must-have kurtis for a versatile wardrobe? Include a mix of fabrics like cotton for casual wear and silk for formal occasions. Include both light and dark colors, as well as some printed and some solid kurtis.
How can I make a simple kurti look more festive? Accessorize with bold jewelry, a vibrant dupatta, and traditional footwear. Adding a belt or a brooch can also enhance the festiveness of the outfit.
Source URL: https://www.nairaland.com/8071179/charm-indian-traditional-dress-exploring
#Indian traditional dress#women kurti set with dupatta#pant kurti set with dupatta#kurti dupatta set for women#suit for women#Sama didi#Sama garments
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An wi her
Were no one that watcher’s housemaid were black hair had to dine? And then, Sir, I said, upon the eye pours of odour slanted her lot, half- naked as any sing, than before
the sea, resting roar, now to snow: the grew to woo, supplied inside to Haleakala Crater. And in the scroll, and, leaving leads; and I with pain disguysing dies, or in the
shattered syllable, and neuer since broken by Time’s fev’rous cavalier, but things, for that hinder social mill we gazed upon all the niche a squall her, here the moonlight so
much these let flye: she wept them. The sea, the ship creak’d, the old and all that he had perfection’s strongly parts entyre, in which the storm the things that Urne. Not the dam ready make, deuoure
they who suffer thing else but cruelty, or peril past to be expert in its supplied: and you thrown in the great office of might glow, after the foreigne and read in for
a kiss’s strength one with adamant chaff for ever, how blanch’d from the turn, sole-though fled away, and, stands so wanton’d rounding, when clasps a spires of my young girl’s blouse and clearned hall
long since breaker-beauty, all the second wasted you, whose reluctant nature lends such those pryde, whereof ye little still it grew thy fair the boats; and in me without, my only
cunning such worlds rich. So sorrows longer hopes and is eternall persist in sail, that tenderest religious and green, like a question. Hammer clinking him more we none,
your bright alone, but found. He made your selfe like God, one another secret sweet in tune, thou madest Life in my lyfes Leach doe ye proud hart, This weakness, but none vs can
it suit a cadaver. And cried, for it I came, all that rises an April days, which we called Devil’s Elbow on the mought it boundary of the Soul till slip, even they han
great hope was help! Which a stupid see till I attend, let my poor flowery main, and graces and highest steel bosom swell on double I t’abide than my own,—a hollow
the heart. An’ wi’ her lying on the air but with the keeps the garment foundation made. And so, thus they bene to meet, who plead for looke, and travel, ennui, love, nor lose
thou dost bear, because the meadows downe, as holy season which now hauing prayse and fed by life could not so; but scorn of her freshness of the snowy-banded if her hurt doth diuide
bliss to returneth ouer all the crevice peer’d his look she said, and roll, and Madeline below their beauty is best apothecary’s house; nor is set on one quickly, waking
as thing, still reueale, all curious ymage of my love, and stood, but love, gold, and every looks at will be, thou art lyttle moon was quiet as Florian, cursing Cyril
and shake, my soul exults, and honour and hardy fight well to feede, they woke the blossoms, which beats of muslin, into tears, who would. And one is the earth light flow’d hour ere log,
and all we will, till find a still people are dangerous thine; they brook the coolness fitteth vs; leaue the beds were lies; I feel that sets on live thee to mee: no, no, no, my
Deare, this said to it by birth is dumb; but I should not knows not a learn, but soon as those pryde depraues each others not even now astonishment. Than in compare: that to her.
#poetry#automatically generated text#Patrick Mooney#Markov chains#Markov chain length: 6#166 texts#ballad
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Step into the World of Ethnic Indian Tradition with Fashion Dream
Even After The Immense Popularity Of Western Wear, Ethnic Wear Is Still Quite Popular In India. Women Of All Ages Still Love Wearing Their Sarees, Salwar Suits, Kurtis And Lehenga Cholis For Special Events And Festive Celebrations. Though Traditional Designs Have Made Way For Indo-Western Ones, Indians Still See Ethnic Wear As An Important Part Of Their Wardrobe.
At Fashion Dream, We Understand This And Bring A Collection Of Ethnic Wear Options That Have Seen Immense Popularity From Across The Country. Here Are Some Of Our Styles Which Have Seen Immense Popularity-
Rama Poly Muslin Digital Printed Readymade Straight Kurti
For An Elegant And Professional Look, Nothing Beats A Well-Fitting Kurti In Ethnic Wear. This One’s Designed With A Simple Digital Print In The Rama Colour That You Can Pair With Any Leggings Or Bottoms. This Kurti Is Available In All Sizes That Suit All Body Shapes. So The Next Time You Want To Get Ready Quickly For The Office, This One’s Surely Going To Save Your Day.
Poly Muslin Digital Printed Straight Readymade Kurti
A Blue Kurti Never Fails To Impress. Whether You Have To Go For An Important Interview Or A Casual Lunch Date, You Can Always Style This Blue Kurti In Various Ways For A Gorgeous Appeal. Wear It With Leggings, Jeggings Or Even Your Jeans, Throw In Some Delicate Jewellery And Keep Your Hair Open For An Elegant Appeal.
Boys Mustard A Line Kurta With Pyjama Set
Whether It’s A Festive Occasion, A Party Or Even A Visit To Your Family Elders, Dressing Up Your Little One In Ethnic Wear For Boys Can Get You Loads Of Compliments. This One’s Designed With Simple Patola Print That Goes Well With The Mustard Kurta And Maroon Pyjama Set. The Next Time You Shop For Your Own Dresses, Add This To Your Cart For Your Little One.
Boys Teal Blue A-Line Regular Fit Kurta With Pyjama Set
This Designer Boys' Kurta Set Comes With A Minimalist Design That Works Anywhere. It Comes With A White Pyjama You Can Dress Up Your Son In For A Close Relative’s Wedding, A Festive Celebration Or Even A Party. Pair This Up With Some Simple Mojdis For The Best Results.
Light Green Batik Print Rayon Saree With Unstitched Blouse
Even Though Contemporary Designs Have Ruled The Roost In Saree Styles Lately, Traditional Motif-Based Sarees Will Always Remain Popular. This Batik Print Saree Is Designed To Elevate Your Personality, It Does Not Matter If You Have A Petite Body Or A Slightly Curvy One. With This, You Can Experiment With Your Choice Of Accessories And Jewellery As Per The Occasion. When It Comes To An Economical Style Solution, This Saree Is What You Need.
Red Bandhani Print Rayon Saree With Unstitched Blouse
There Is A Reason Why Women Of All Ages Still Love The Bandhani Print. Though It Has Been Around For Centuries, Its Simple Design Has Mesmerized Women Of All Ages For Centuries. This One Has Been Designed With Some Contemporary Design Cues To Make Room For Enhanced Versatility And Adaptability. You Can Always Add To This Look With The Right Jewellery For Any Special Occasion.
Green Bandhani Print Cotton Saree With Unstitched Blouse
Classical Designs Are Still Quite Popular With Women Of All Ages. This Bandhni Print Saree Has Been Designed For You To Wear To The Office And For Everyday Use. It Comes With A Slightly Off-Beat Take On The Traditional Bandhni Design, Allowing Women Of All Ages And Body Shapes To Wear It With Pride. You Can Always Accessorize The Look As Per Your Choice.
Women's Plus Size Light Green Dola Silk Jacquard Work Kurta Set With Dupatta
If You Are Looking For A Daily Wear Kurta Set, This One’s Designed Especially For You. This One Comes With A Unique Jacquard Design That Blends Seamlessly With The Light Dola Silk Kurti And Dupatta Set. You Can Wear This To Your Office Or For Any Special Occasion While Maintaining An Alluring Look.
Girls Green Taffeta Foil Printed Fit And Flared Maxi Dress
You Cannot Underestimate The Power Of Simple Designs. This Dress Comes With A Taffeta Foil Print On A Green Background That Gives Any Little Girl An Elegant Look. Its Ankle-Length Hemline Is Designed For Complete Elegance And Magnificence, Allowing Your Daughter To Run, Jump And Play Around At Any Event With Pride. Complete The Look With Some Simple Earrings Or Bracelets.
Girls Dola Silk Maxi Length Flared Foil Printed Dress
A Flared Dress Can Make Any Plain Jane Into A Cinderella. This Dress Is Designed To Do Just That, With Its Light Foil Print And Cold Shoulder Neck. Dress Up Your Little Doll In This Outfit For Any Party, Celebration Or Festival, And Let Her Get Her Share Of Compliments. You Can Never Go Wrong With A Printed Dress For Girls Under 12.
In the end Indians Are Unique When It Comes To Embracing Fashion. Unlike Other Developing Countries, We Don’t Blindly Ape The West, But We’ve Created A Harmonious Blend Of Traditional Ethnic Wear And Contemporary Design Trends.
At Fashion Dream, We Understand Our Customers' Unique Trends And Preferences. We’ve Seen Immense Demand For Many Of Our Styles Exactly For This Reason. Sometimes, We Aren’t Even Able To Fulfil The Demand.
If The Designs You Chose Have Been Sold Out, Don’t Fret. Keep Following Us On Social Media And We’ll Let You Know Of All The Latest Re-Stocks And Fresh Designs We Offer From Time To Time. See You Soon!
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Little Women, Louisa May Alcott
Chapters 9-10
IX.
MEG GOES TO VANITY FAIR.
"I do think it was the most fortunate thing in the world that those children should have the measles just now," said Meg, one April day, as she stood packing the "go abroady" trunk in her room, surrounded by her sisters.
"And so nice of Annie Moffat not to forget her promise. A whole fortnight of fun will be regularly splendid," replied Jo, looking like a windmill, as she folded skirts with her long arms.
105 "And such lovely weather; I'm so glad of that," added Beth, tidily sorting neck and hair ribbons in her best box, lent for the great occasion.
"I wish I was going to have a fine time, and wear all these nice things," said Amy, with her mouth full of pins, as she artistically replenished her sister's cushion.
"I wish you were all going; but, as you can't, I shall keep my adventures to tell you when I come back. I'm sure it's the least I can do, when you have been so kind, lending me things, and helping me get ready," said Meg, glancing round the room at the very simple outfit, which seemed nearly perfect in their eyes.
"What did mother give you out of the treasure-box?" asked Amy, who had not been present at the opening of a certain cedar chest, in which Mrs. March kept a few relics of past splendor, as gifts for her girls when the proper time came.
"A pair of silk stockings, that pretty carved fan, and a lovely blue sash. I wanted the violet silk; but there isn't time to make it over, so I must be contented with my old tarlatan."
"It will look nicely over my new muslin skirt, and the sash will set it off beautifully. I wish I hadn't smashed my coral bracelet, for you might have had it," said Jo, who loved to give and lend, but whose possessions were usually too dilapidated to be of much use.
"There is a lovely old-fashioned pearl set in the treasure-box; but mother said real flowers were the prettiest ornament for a young girl, and Laurie promised to send me all I want," replied Meg. "Now, let me see; there's my new gray walking-suit—just curl up the feather in my hat, Beth,—then my poplin, for Sunday, and the small party,—it looks heavy for spring, doesn't it? The violet silk would be so nice; oh, dear!"
"Never mind; you've got the tarlatan for the big party, and you always look like an angel in white," said Amy, brooding over the little store of finery in which her soul delighted.
"It isn't low-necked, and it doesn't sweep enough, but it will have to do. My blue house-dress looks so well, turned and freshly trimmed, that I feel as if I'd got a new one. My silk sacque isn't a bit the fashion, and my bonnet doesn't look like Sallie's; I didn't 106 like to say anything, but I was sadly disappointed in my umbrella. I told mother black, with a white handle, but she forgot, and bought a green one, with a yellowish handle. It's strong and neat, so I ought not to complain, but I know I shall feel ashamed of it beside Annie's silk one with a gold top," sighed Meg, surveying the little umbrella with great disfavor.
"Change it," advised Jo.
"I won't be so silly, or hurt Marmee's feelings, when she took so much pains to get my things. It's a nonsensical notion of mine, and I'm not going to give up to it. My silk stockings and two pairs of new gloves are my comfort. You are a dear, to lend me yours, Jo. I feel so rich, and sort of elegant, with two new pairs, and the old ones cleaned up for common;" and Meg took a refreshing peep at her glove-box.
"Annie Moffat has blue and pink bows on her night-caps; would you put some on mine?" she asked, as Beth brought up a pile of snowy muslins, fresh from Hannah's hands.
"No, I wouldn't; for the smart caps won't match the plain gowns, without any trimming on them. Poor folks shouldn't rig," said Jo decidedly.
"I wonder if I shall ever be happy enough to have real lace on my clothes, and bows on my caps?" said Meg impatiently.
"You said the other day that you'd be perfectly happy if you could only go to Annie Moffat's," observed Beth, in her quiet way.
"So I did! Well, I am happy, and I won't fret; but it does seem as if the more one gets the more one wants, doesn't it? There, now, the trays are ready, and everything in but my ball-dress, which I shall leave for mother to pack," said Meg, cheering up, as she glanced from the half-filled trunk to the many-times pressed and mended white tarlatan, which she called her "ball-dress," with an important air.
The next day was fine, and Meg departed, in style, for a fortnight of novelty and pleasure. Mrs. March had consented to the visit rather reluctantly, fearing that Margaret would come back more discontented than she went. But she had begged so hard, and Sallie had promised to take good care of her, and a little pleasure seemed 107 so delightful after a winter of irksome work, that the mother yielded, and the daughter went to take her first taste of fashionable life.
The Moffats were very fashionable, and simple Meg was rather daunted, at first, by the splendor of the house and the elegance of its occupants. But they were kindly people, in spite of the frivolous life they led, and soon put their guest at her ease. Perhaps Meg felt, without understanding why, that they were not particularly cultivated or intelligent people, and that all their gilding could not quite conceal the ordinary material of which they were made. It certainly was agreeable to fare sumptuously, drive in a fine carriage, wear her best frock every day, and do nothing but enjoy herself. It suited her exactly; and soon she began to imitate the manners and conversation of those about her; to put on little airs and graces, use French phrases, crimp her hair, take in her dresses, and talk about the fashions as well as she could. The more she saw of Annie Moffat's pretty things, the more she envied her, and sighed to be rich. Home now looked bare and dismal as she thought of it, work grew harder than ever, and she felt that she was a very destitute and much-injured girl, in spite of the new gloves and silk stockings.
She had not much time for repining, however, for the three young girls were busily employed in "having a good time." They shopped, walked, rode, and called all day; went to theatres and operas, or frolicked at home in the evening; for Annie had many friends, and knew how to entertain them. Her older sisters were very fine young ladies, and one was engaged, which was extremely interesting and romantic, Meg thought. Mr. Moffat was a fat, jolly old gentleman, who knew her father; and Mrs. Moffat, a fat, jolly old lady, who took as great a fancy to Meg as her daughter had done. Every one petted her; and "Daisy," as they called her, was in a fair way to have her head turned.
When the evening for the "small party" came, she found that the poplin wouldn't do at all, for the other girls were putting on thin dresses, and making themselves very fine indeed; so out came the tarlatan, looking older, limper, and shabbier than ever beside Sallie's crisp new one. Meg saw the girls glance at it and then at one another, and her cheeks began to burn, for, with all her gentleness, she 108 was very proud. No one said a word about it, but Sallie offered to dress her hair, and Annie to tie her sash, and Belle, the engaged sister, praised her white arms; but in their kindness Meg saw only pity for her poverty, and her heart felt very heavy as she stood by herself, while the others laughed, chattered, and flew about like gauzy butterflies. The hard, bitter feeling was getting pretty bad, when the maid brought in a box of flowers. Before she could speak, Annie had the cover off, and all were exclaiming at the lovely roses, heath, and fern within.
"It's for Belle, of course; George always sends her some, but these are altogether ravishing," cried Annie, with a great sniff.
"They are for Miss March, the man said. And here's a note," put in the maid, holding it to Meg.
"What fun! Who are they from? Didn't know you had a lover," cried the girls, fluttering about Meg in a high state of curiosity and surprise.
"The note is from mother, and the flowers from Laurie," said Meg simply, yet much gratified that he had not forgotten her.
"Oh, indeed!" said Annie, with a funny look, as Meg slipped the note into her pocket, as a sort of talisman against envy, vanity, and false pride; for the few loving words had done her good, and the flowers cheered her up by their beauty.
Feeling almost happy again, she laid by a few ferns and roses for herself, and quickly made up the rest in dainty bouquets for the breasts, hair, or skirts of her friends, offering them so prettily that Clara, the elder sister, told her she was "the sweetest little thing she ever saw;" and they looked quite charmed with her small attention. Somehow the kind act finished her despondency; and when all the rest went to show themselves to Mrs. Moffat, she saw a happy, bright-eyed face in the mirror, as she laid her ferns against her rippling hair, and fastened the roses in the dress that didn't strike her as so very shabby now.
She enjoyed herself very much that evening, for she danced to her heart's content; every one was very kind, and she had three compliments. Annie made her sing, and some one said she had a remarkably fine voice; Major Lincoln asked who "the fresh little girl, with 109 the beautiful eyes," was; and Mr. Moffat insisted on dancing with her, because she "didn't dawdle, but had some spring in her," as he gracefully expressed it. So, altogether, she had a very nice time, till she overheard a bit of a conversation, which disturbed her extremely. She was sitting just inside the conservatory, waiting for her partner to bring her an ice, when she heard a voice ask, on the other side of the flowery wall,—
"How old is he?"
"Sixteen or seventeen, I should say," replied another voice.
"It would be a grand thing for one of those girls, wouldn't it? Sallie says they are very intimate now, and the old man quite dotes on them."
"Mrs M. has made her plans, I dare say, and will play her cards well, early as it is. The girl evidently doesn't think of it yet," said Mrs. Moffat.
"She told that fib about her mamma, as if she did know, and colored up when the flowers came, quite prettily. Poor thing! she'd be so nice if she was only got up in style. Do you think she'd be offended if we offered to lend her a dress for Thursday?" asked another voice.
"She's proud, but I don't believe she'd mind, for that dowdy tarlatan is all she has got. She may tear it to-night, and that will be a good excuse for offering a decent one."
"We'll see. I shall ask young Laurence, as a compliment to her, and we'll have fun about it afterward."
Here Meg's partner appeared, to find her looking much flushed and rather agitated. She was proud, and her pride was useful just then, for it helped her hide her mortification, anger, and disgust at what she had just heard; for, innocent and unsuspicious as she was, she could not help understanding the gossip of her friends. She tried to forget it, but could not, and kept repeating to herself, "Mrs. M. has made her plans," "that fib about her mamma," and "dowdy tarlatan," till she was ready to cry, and rush home to tell her troubles and ask for advice. As that was impossible, she did her best to seem gay; and, being rather excited, she succeeded so well that no one dreamed what an effort she was making. She was very glad when it was all over, and she was quiet in her bed, where she could think and wonder 110 and fume till her head ached and her hot cheeks were cooled by a few natural tears. Those foolish, yet well-meant words, had opened a new world to Meg, and much disturbed the peace of the old one, in which, till now, she had lived as happily as a child. Her innocent friendship with Laurie was spoilt by the silly speeches she had overheard; her faith in her mother was a little shaken by the worldly plans attributed to her by Mrs. Moffat, who judged others by herself; and the sensible resolution to be contented with the simple wardrobe which suited a poor man's daughter, was weakened by the unnecessary pity of girls who thought a shabby dress one of the greatest calamities under heaven.
Poor Meg had a restless night, and got up heavy-eyed, unhappy, half resentful toward her friends, and half ashamed of herself for not speaking out frankly, and setting everything right. Everybody dawdled 111 that morning, and it was noon before the girls found energy enough even to take up their worsted work. Something in the manner of her friends struck Meg at once; they treated her with more respect, she thought; took quite a tender interest in what she said, and looked at her with eyes that plainly betrayed curiosity. All this surprised and flattered her, though she did not understand it till Miss Belle looked up from her writing, and said, with a sentimental air,—
"Daisy, dear, I've sent an invitation to your friend, Mr. Laurence, for Thursday. We should like to know him, and it's only a proper compliment to you."
Meg colored, but a mischievous fancy to tease the girls made her reply demurely,—
"You are very kind, but I'm afraid he won't come."
"Why not, chérie?" asked Miss Belle.
"He's too old."
"My child, what do you mean? What is his age, I beg to know!" cried Miss Clara.
"Nearly seventy, I believe," answered Meg, counting stitches, to hide the merriment in her eyes.
"You sly creature! Of course we meant the young man," exclaimed Miss Belle, laughing.
"There isn't any; Laurie is only a little boy," and Meg laughed also at the queer look which the sisters exchanged as she thus described her supposed lover.
"About your age," Nan said.
"Nearer my sister Jo's; I am seventeen in August," returned Meg, tossing her head.
"It's very nice of him to send you flowers, isn't it?" said Annie, looking wise about nothing.
"Yes, he often does, to all of us; for their house is full, and we are so fond of them. My mother and old Mr. Laurence are friends, you know, so it is quite natural that we children should play together;" and Meg hoped they would say no more.
"It's evident Daisy isn't out yet," said Miss Clara to Belle, with a nod.
112 "Quite a pastoral state of innocence all round," returned Miss Belle, with a shrug.
"I'm going out to get some little matters for my girls; can I do anything for you, young ladies?" asked Mrs. Moffat, lumbering in, like an elephant, in silk and lace.
"No, thank you, ma'am," replied Sallie. "I've got my new pink silk for Thursday, and don't want a thing."
"Nor I,—" began Meg, but stopped, because it occurred to her that she did want several things, and could not have them.
"What shall you wear?" asked Sallie.
"My old white one again, if I can mend it fit to be seen; it got sadly torn last night," said Meg, trying to speak quite easily, but feeling very uncomfortable.
"Why don't you send home for another?" said Sallie, who was not an observing young lady.
"I haven't got any other." It cost Meg an effort to say that, but Sallie did not see it, and exclaimed, in amiable surprise,—
"Only that? How funny—" She did not finish her speech, for Belle shook her head at her, and broke in, saying kindly,—
"Not at all; where is the use of having a lot of dresses when she isn't out? There's no need of sending home, Daisy, even if you had a dozen, for I've got a sweet blue silk laid away, which I've outgrown, and you shall wear it, to please me, won't you, dear?"
"You are very kind, but I don't mind my old dress, if you don't; it does well enough for a little girl like me," said Meg.
"Now do let me please myself by dressing you up in style. I admire to do it, and you'd be a regular little beauty, with a touch here and there. I sha'n't let any one see you till you are done, and then we'll burst upon them like Cinderella and her godmother, going to the ball," said Belle, in her persuasive tone.
Meg couldn't refuse the offer so kindly made, for a desire to see if she would be "a little beauty" after touching up, caused her to accept, and forget all her former uncomfortable feelings towards the Moffats.
On the Thursday evening, Belle shut herself up with her maid; and, between them, they turned Meg into a fine lady. They crimped 113 and curled her hair, they polished her neck and arms with some fragrant powder, touched her lips with coralline salve, to make them redder, and Hortense would have added "a soupçon of rouge," if Meg had not rebelled. They laced her into a sky-blue dress, which was so tight she could hardly breathe, and so low in the neck that modest Meg blushed at herself in the mirror. A set of silver filagree was added, bracelets, necklace, brooch, and even ear-rings, for Hortense tied them on, with a bit of pink silk, which did not show. A cluster of tea-rosebuds at the bosom, and a ruche, reconciled Meg to the display of her pretty white shoulders, and a pair of high-heeled blue silk boots satisfied the last wish of her heart. A laced handkerchief, a plumy fan, and a bouquet in a silver holder finished her off; and Miss Belle surveyed her with the satisfaction of a little girl with a newly dressed doll.
"Mademoiselle is charmante, très jolie, is she not?" cried Hortense, clasping her hands in an affected rapture.
"Come and show yourself," said Miss Belle, leading the way to the room where the others were waiting.
As Meg went rustling after, with her long skirts trailing, her ear-rings tinkling, her curls waving, and her heart beating, she felt as if her "fun" had really begun at last, for the mirror had plainly told her that she was "a little beauty." Her friends repeated the pleasing phrase enthusiastically; and, for several minutes, she stood, like the jackdaw in the fable, enjoying her borrowed plumes, while the rest chattered like a party of magpies.
"While I dress, do you drill her, Nan, in the management of her skirt, and those French heels, or she will trip herself up. Take your silver butterfly, and catch up that long curl on the left side of her head, Clara, and don't any of you disturb the charming work of my hands," said Belle, as she hurried away, looking well pleased with her success.
"I'm afraid to go down, I feel so queer and stiff and half-dressed," said Meg to Sallie, as the bell rang, and Mrs. Moffat sent to ask the young ladies to appear at once.
"You don't look a bit like yourself, but you are very nice. I'm nowhere beside you, for Belle has heaps of taste, and you're quite 114 French, I assure you. Let your flowers hang; don't be so careful of them, and be sure you don't trip," returned Sallie, trying not to care that Meg was prettier than herself.
Keeping that warning carefully in mind, Margaret got safely down stairs, and sailed into the drawing-rooms, where the Moffats and a few early guests were assembled. She very soon discovered that there is a charm about fine clothes which attracts a certain class of people, and secures their respect. Several young ladies, who had taken no notice of her before, were very affectionate all of a sudden; several young gentlemen, who had only stared at her at the other party, now not only stared, but asked to be introduced, and said all manner of foolish but agreeable things to her; and several old ladies, who sat on sofas, and criticised the rest of the party, inquired who she was, with an air of interest. She heard Mrs. Moffat reply to one of them,—
115 "Daisy March—father a colonel in the army—one of our first families, but reverses of fortune, you know; intimate friends of the Laurences; sweet creature, I assure you; my Ned is quite wild about her."
"Dear me!" said the old lady, putting up her glass for another observation of Meg, who tried to look as if she had not heard, and been rather shocked at Mrs. Moffat's fibs.
The "queer feeling" did not pass away, but she imagined herself acting the new part of fine lady, and so got on pretty well, though the tight dress gave her a side-ache, the train kept getting under her feet, and she was in constant fear lest her ear-rings should fly off, and get lost or broken. She was flirting her fan and laughing at the feeble jokes of a young gentleman who tried to be witty, when she suddenly stopped laughing and looked confused; for, just opposite, she saw Laurie. He was staring at her with undisguised surprise, and disapproval also, she thought; for, though he bowed and smiled, yet something in his honest eyes made her blush, and wish she had her old dress on. To complete her confusion, she saw Belle nudge Annie, and both glance from her to Laurie, who, she was happy to see, looked unusually boyish and shy.
"Silly creatures, to put such thoughts into my head! I won't care for it, or let it change me a bit," thought Meg, and rustled across the room to shake hands with her friend.
"I'm glad you came, I was afraid you wouldn't," she said, with her most grown-up air.
"Jo wanted me to come, and tell her how you looked, so I did;" answered Laurie, without turning his eyes upon her, though he half smiled at her maternal tone.
"What shall you tell her?" asked Meg, full of curiosity to know his opinion of her, yet feeling ill at ease with him, for the first time.
"I shall say I didn't know you; for you look so grown-up, and unlike yourself, I'm quite afraid of you," he said, fumbling at his glove-button.
"How absurd of you! The girls dressed me up for fun, and I rather like it. Wouldn't Jo stare if she saw me?" said Meg, bent on making him say whether he thought her improved or not.
116 "Yes, I think she would," returned Laurie gravely.
"Don't you like me so?" asked Meg.
"No, I don't," was the blunt reply.
"Why not?" in an anxious tone.
He glanced at her frizzled head, bare shoulders, and fantastically trimmed dress, with an expression that abashed her more than his answer, which had not a particle of his usual politeness about it.
"I don't like fuss and feathers."
That was altogether too much from a lad younger than herself; and Meg walked away, saying petulantly,—
"You are the rudest boy I ever saw."
Feeling very much ruffled, she went and stood at a quiet window, to cool her cheeks, for the tight dress gave her an uncomfortably brilliant color. As she stood there, Major Lincoln passed by; and, a minute after, she heard him saying to his mother,—
"They are making a fool of that little girl; I wanted you to see her, but they have spoilt her entirely; she's nothing but a doll, to-night."
"Oh, dear!" sighed Meg; "I wish I'd been sensible, and worn my own things; then I should not have disgusted other people, or felt so uncomfortable and ashamed myself."
She leaned her forehead on the cool pane, and stood half hidden by the curtains, never minding that her favorite waltz had begun, till some one touched her; and, turning, she saw Laurie, looking penitent, as he said, with his very best bow, and his hand out,—
"Please forgive my rudeness, and come and dance with me."
"I'm afraid it will be too disagreeable to you," said Meg, trying to look offended, and failing entirely.
"Not a bit of it; I'm dying to do it. Come, I'll be good; I don't like your gown, but I do think you are—just splendid;" and he waved his hands, as if words failed to express his admiration.
Meg smiled and relented, and whispered, as they stood waiting to catch the time,—
"Take care my skirt don't trip you up; it's the plague of my life, and I was a goose to wear it."
"Pin it round your neck, and then it will be useful," said Laurie, 117 looking down at the little blue boots, which he evidently approved of.
Away they went, fleetly and gracefully; for, having practised at home, they were well matched, and the blithe young couple were a pleasant sight to see, as they twirled merrily round and round, feeling more friendly than ever after their small tiff.
"Laurie, I want you to do me a favor; will you?" said Meg, as he stood fanning her, when her breath gave out, which it did very soon, though she would not own why.
"Won't I!" said Laurie, with alacrity.
"Please don't tell them at home about my dress to-night. They won't understand the joke, and it will worry mother."
"Then why did you do it?" said Laurie's eyes, so plainly that Meg hastily added,—
"I shall tell them, myself, all about it, and ''fess' to mother how silly I've been. But I'd rather do it myself; so you'll not tell, will you?"
"I give you my word I won't; only what shall I say when they ask me?"
"Just say I looked pretty well, and was having a good time."
"I'll say the first, with all my heart; but how about the other? You don't look as if you were having a good time; are you?" and Laurie looked at her with an expression which made her answer, in a whisper,—
"No; not just now. Don't think I'm horrid; I only wanted a little fun, but this sort doesn't pay, I find, and I'm getting tired of it."
"Here comes Ned Moffat; what does he want?" said Laurie, knitting his black brows, as if he did not regard his young host in the light of a pleasant addition to the party.
"He put his name down for three dances, and I suppose he's coming for them. What a bore!" said Meg, assuming a languid air, which amused Laurie immensely.
He did not speak to her again till supper-time, when he saw her drinking champagne with Ned and his friend Fisher, who were behaving "like a pair of fools," as Laurie said to himself, for he felt 118 a brotherly sort of right to watch over the Marches, and fight their battles whenever a defender was needed.
"You'll have a splitting headache to-morrow, if you drink much of that. I wouldn't Meg; your mother doesn't like it, you know," he whispered, leaning over her chair, as Ned turned to refill her glass, and Fisher stooped to pick up her fan.
"I'm not Meg, to-night; I'm 'a doll,' who does all sorts of crazy things. To-morrow I shall put away my 'fuss and feathers,' and be desperately good again," she answered, with an affected little laugh.
119 "Wish to-morrow was here, then," muttered Laurie, walking off, ill-pleased at the change he saw in her.
Meg danced and flirted, chattered and giggled, as the other girls did; after supper she undertook the German, and blundered through it, nearly upsetting her partner with her long skirt, and romping in a way that scandalized Laurie, who looked on and meditated a lecture. But he got no chance to deliver it, for Meg kept away from him till he came to say good-night.
"Remember!" she said, trying to smile, for the splitting headache had already begun.
"Silence à la mort," replied Laurie, with a melodramatic flourish, as he went away.
This little bit of by-play excited Annie's curiosity; but Meg was too tired for gossip, and went to bed, feeling as if she had been to a masquerade, and hadn't enjoyed herself as much as she expected. She was sick all the next day, and on Saturday went home, quite used up with her fortnight's fun, and feeling that she had "sat in the lap of luxury" long enough.
"It does seem pleasant to be quiet, and not have company manners on all the time. Home is a nice place, though it isn't splendid," said Meg, looking about her with a restful expression, as she sat with her mother and Jo on the Sunday evening.
"I'm glad to hear you say so, dear, for I was afraid home would seem dull and poor to you, after your fine quarters," replied her mother, who had given her many anxious looks that day; for motherly eyes are quick to see any change in children's faces.
Meg had told her adventures gayly, and said over and over what a charming time she had had; but something still seemed to weigh upon her spirits, and, when the younger girls were gone to bed, she sat thoughtfully staring at the fire, saying little, and looking worried. As the clock struck nine, and Jo proposed bed, Meg suddenly left her chair, and, taking Beth's stool, leaned her elbows on her mother's knee, saying bravely,—
"Marmee, I want to ''fess.'"
"I thought so; what is it, dear?"
"Shall I go away?" asked Jo discreetly.
120 "Of course not; don't I always tell you everything? I was ashamed to speak of it before the children, but I want you to know all the dreadful things I did at the Moffat's."
"We are prepared," said Mrs. March, smiling, but looking a little anxious.
"I told you they dressed me up, but I didn't tell you that they powdered and squeezed and frizzled, and made me look like a fashion-plate. Laurie thought I wasn't proper; I know he did, though he didn't say so, and one man called me 'a doll.' I knew it was silly, but they flattered me, and said I was a beauty, and quantities of nonsense, so I let them make a fool of me."
"Is that all?" asked Jo, as Mrs. March looked silently at the downcast face of her pretty daughter, and could not find it in her heart to blame her little follies.
"No; I drank champagne and romped and tried to flirt, and was altogether abominable," said Meg self-reproachfully.
"There is something more, I think;" and Mrs. March smoothed the soft cheek, which suddenly grew rosy, as Meg answered slowly,—
"Yes; it's very silly, but I want to tell it, because I hate to have people say and think such things about us and Laurie."
Then she told the various bits of gossip she had heard at the Moffats; and, as she spoke, Jo saw her mother fold her lips tightly, as if ill pleased that such ideas should be put into Meg's innocent mind.
"Well, if that isn't the greatest rubbish I ever heard," cried Jo indignantly. "Why didn't you pop out and tell them so, on the spot?"
"I couldn't, it was so embarrassing for me. I couldn't help hearing, at first, and then I was so angry and ashamed, I didn't remember that I ought to go away."
"Just wait till I see Annie Moffat, and I'll show you how to settle such ridiculous stuff. The idea of having 'plans,' and being kind to Laurie, because he's rich, and may marry us by and by! Won't he shout, when I tell him what those silly things say about us poor children?" and Jo laughed, as if, on second thoughts, the thing struck her as a good joke.
121 "If you tell Laurie, I'll never forgive you! She mustn't, must she, mother?" said Meg, looking distressed.
"No; never repeat that foolish gossip, and forget it as soon as you can," said Mrs. March gravely. "I was very unwise to let you go among people of whom I know so little,—kind, I dare say, but worldly, ill-bred, and full of these vulgar ideas about young people. I am more sorry than I can express for the mischief this visit may have done you, Meg."
"Don't be sorry, I won't let it hurt me; I'll forget all the bad, and remember only the good; for I did enjoy a great deal, and thank you very much for letting me go. I'll not be sentimental or dissatisfied, mother; I know I'm a silly little girl, and I'll stay with you till I'm fit to take care of myself. But it is nice to be praised and admired, and I can't help saying I like it," said Meg, looking half ashamed of the confession.
"That is perfectly natural, and quite harmless, if the liking does not become a passion, and lead one to do foolish or unmaidenly things. Learn to know and value the praise which is worth having, and to excite the admiration of excellent people by being modest as well as pretty, Meg."
Margaret sat thinking a moment, while Jo stood with her hands behind her, looking both interested and a little perplexed; for it was a new thing to see Meg blushing and talking about admiration, lovers, and things of that sort; and Jo felt as if, during that fortnight, her sister had grown up amazingly, and was drifting away from her into a world where she could not follow.
"Mother, do you have 'plans,' as Mrs. Moffat said?" asked Meg bashfully.
"Yes, my dear, I have a great many; all mothers do, but mine differ somewhat from Mrs. Moffat's, I suspect. I will tell you some of them, for the time has come when a word may set this romantic little head and heart of yours right, on a very serious subject. You are young, Meg, but not too young to understand me; and mothers' lips are the fittest to speak of such things to girls like you. Jo, your turn will come in time, perhaps, so listen to my 'plans,' and help me carry them out, if they are good."
122 Jo went and sat on one arm of the chair, looking as if she thought they were about to join in some very solemn affair. Holding a hand of each, and watching the two young faces wistfully, Mrs. March said, in her serious yet cheery way,—
"I want my daughters to be beautiful, accomplished, and good; to be admired, loved, and respected; to have a happy youth, to be well and wisely married, and to lead useful, pleasant lives, with as little care and sorrow to try them as God sees fit to send. To be loved and chosen by a good man is the best and sweetest thing which can happen to a woman; and I sincerely hope my girls may know this beautiful experience. It is natural to think of it, Meg; right to hope and wait for it, and wise to prepare for it; so that, when the 123 happy time comes, you may feel ready for the duties and worthy of the joy. My dear girls, I am ambitious for you, but not to have you make a dash in the world,—marry rich men merely because they are rich, or have splendid houses, which are not homes because love is wanting. Money is a needful and precious thing,—and, when well used, a noble thing,—but I never want you to think it is the first or only prize to strive for. I'd rather see you poor men's wives, if you were happy, beloved, contented, than queens on thrones, without self-respect and peace."
"Poor girls don't stand any chance, Belle says, unless they put themselves forward," sighed Meg.
"Then we'll be old maids," said Jo stoutly.
"Right, Jo; better be happy old maids than unhappy wives, or unmaidenly girls, running about to find husbands," said Mrs. March decidedly. "Don't be troubled, Meg; poverty seldom daunts a sincere lover. Some of the best and most honored women I know were poor girls, but so love-worthy that they were not allowed to be old maids. Leave these things to time; make this home happy, so that you may be fit for homes of your own, if they are offered you, and contented here if they are not. One thing remember, my girls: mother is always ready to be your confidant, father to be your friend; and both of us trust and hope that our daughters, whether married or single, will be the pride and comfort of our lives."
"We will, Marmee, we will!" cried both, with all their hearts, as she bade them good-night.
X.
THE P. C. AND P. O.
As spring came on, a new set of amusements became the fashion, and the lengthening days gave long afternoons for work and play of all sorts. The garden had to be put in order, and each sister had a quarter of the little plot to do what she liked with. Hannah used to say, "I'd know which each of them gardings belonged to, ef I see 'em in Chiny;" and so she might, for the girls' tastes differed as much as their characters. Meg's had roses and heliotrope, myrtle, and a little orange-tree in it. Jo's bed was never alike two seasons, for she was always trying experiments; this year it was to be a plantation of sun-flowers, the seeds of which cheerful and aspiring plant were to feed "Aunt Cockle-top" and her family of chicks. Beth had old-fashioned, fragrant flowers in her garden,—sweet peas and mignonette, larkspur, pinks, pansies, and southernwood, with chickweed for the bird, and catnip for the pussies. Amy had a bower in hers,—rather small and earwiggy, but very pretty to look at,—with honeysuckles and morning-glories hanging their colored horns and bells in graceful wreaths all over it; tall, white lilies, delicate ferns, and as many brilliant, picturesque plants as would consent to blossom there.
Gardening, walks, rows on the river, and flower-hunts employed the fine days; and for rainy ones, they had house diversions,—some old, some new,—all more or less original. One of these was the "P. C."; for, as secret societies were the fashion, it was thought proper to have one; and, as all of the girls admired Dickens, they called themselves the Pickwick Club. With a few interruptions, they had kept this up for a year, and met every Saturday evening in the big garret, on which occasions the ceremonies were as follows: Three chairs were arranged in a row before a table, on which was a lamp, also four white badges, with a big "P. C." in different colors on each, 125 and the weekly newspaper, called "The Pickwick Portfolio," to which all contributed something; while Jo, who revelled in pens and ink, was the editor. At seven o'clock, the four members ascended to the club-room, tied their badges round their heads, and took their seats with great solemnity. Meg, as the eldest, was Samuel Pickwick; Jo, being of a literary turn, Augustus Snodgrass; Beth, because she was round and rosy, Tracy Tupman, and Amy, who was always trying to do what she couldn't, was Nathaniel Winkle. Pickwick, the president, read the paper, which was filled with original tales, poetry, local news, funny advertisements, and hints, in which they good-naturedly reminded each other of their faults and short-comings.
On one occasion, Mr. Pickwick put on a pair of spectacles without any glasses, rapped upon the table, hemmed, and, having stared hard at Mr. Snodgrass, who was tilting back in his chair, till he arranged himself properly, began to read:—
126
"The Pickwick Portfolio."
MAY 20, 18—
Poet's Corner.
ANNIVERSARY ODE.
Again we meet to celebrate
With badge and solemn rite,
Our fifty-second anniversary,
In Pickwick Hall, to-night.
We all are here in perfect health,
None gone from our small band;
Again we see each well-known face,
And press each friendly hand.
Our Pickwick, always at his post,
With reverence we greet,
As, spectacles on nose, he reads
Our well-filled weekly sheet.
Although he suffers from a cold,
We joy to hear him speak,
For words of wisdom from him fall,
In spite of croak or squeak.
Old six-foot Snodgrass looms on high,
With elephantine grace,
And beams upon the company,
With brown and jovial face.
Poetic fire lights up his eye,
He struggles 'gainst his lot.
Behold ambition on his brow,
And on his nose a blot!
Next our peaceful Tupman comes,
So rosy, plump, and sweet.
Who chokes with laughter at the puns,
And tumbles off his seat.
Prim little Winkle too is here,
With every hair in place,
A model of propriety,
Though he hates to wash his face.
The year is gone, we still unite
To joke and laugh and read,
And tread the path of literature
That doth to glory lead.
Long may our paper prosper well,
Our club unbroken be,
And coming years their blessings pour
On the useful, gay "P. C."
A. Snodgrass.
THE MASKED MARRIAGE.
A TALE OF VENICE.
Gondola after gondola swept up to the marble steps, and left its lovely load to swell the brilliant throng that filled the stately halls of Count de Adelon. Knights and ladies, elves and pages, monks and flower-girls, all mingled gayly in the dance. Sweet voices and rich melody filled the air; and so with mirth and music the masquerade went on.
127 "Has your Highness seen the Lady Viola to-night?" asked a gallant troubadour of the fairy queen who floated down the hall upon his arm.
"Yes; is she not lovely, though so sad! Her dress is well chosen, too, for in a week she weds Count Antonio, whom she passionately hates."
"By my faith, I envy him. Yonder he comes, arrayed like a bridegroom, except the black mask. When that is off we shall see how he regards the fair maid whose heart he cannot win, though her stern father bestows her hand," returned the troubadour.
"'Tis whispered that she loves the young English artist who haunts her steps, and is spurned by the old count," said the lady, as they joined the dance.
The revel was at its height when a priest appeared, and, withdrawing the young pair to an alcove hung with purple velvet, he motioned them to kneel. Instant silence fell upon the gay throng; and not a sound, but the dash of fountains or the rustle of orange-groves sleeping in the moonlight, broke the hush, as Count de Adelon spoke thus:—
"My lords and ladies, pardon the ruse by which I have gathered you here to witness the marriage of my daughter. Father, we wait your services."
All eyes turned toward the bridal party, and a low murmur of amazement went through the throng, for neither bride nor groom removed their masks. Curiosity and wonder possessed all hearts, but respect restrained all tongues till the holy rite was over. Then the eager spectators gathered round the count, demanding an explanation.
"Gladly would I give it if I could; but I only know that it was the whim of my timid Viola, and I yielded to it. Now, my children, let the play end. Unmask, and receive my blessing."
But neither bent the knee; for the young bridegroom replied, in a tone that startled all listeners, as the mask fell, disclosing the noble face of Ferdinand Devereux, the artist lover; and, leaning on the breast where now flashed the star of an English earl, was the lovely Viola, radiant with joy and beauty.
"My lord, you scornfully bade me claim your daughter when I could boast as high a name and vast a fortune as the Count Antonio. I can do more; for even your ambitious soul cannot refuse the Earl of Devereux and De Vere, when he gives his ancient name and boundless wealth in return for the beloved hand of this fair lady, now my wife."
The count stood like one changed to stone; and, turning to the bewildered crowd, Ferdinand added, with a gay smile of triumph, "To you, my gallant friends, I can only wish that your wooing may prosper as mine has done; and that you may all win as fair a bride as I have, by this masked marriage."
S. Pickwick.
Why is the P. C. like the Tower of Babel? It is full of unruly members.
THE HISTORY OF A SQUASH.
Once upon a time a farmer planted a little seed in his garden, and after a while it sprouted and became a vine, and bore many squashes. One day in October, when they were ripe, he picked one and took it to market. A grocer-man bought and put it in his shop. That same morning, a little girl, in a brown hat and blue dress, with a round face and snub nose, went and bought it for her mother. She lugged it home, cut it up, and boiled it in the big pot; mashed some of it, with salt and butter, for dinner; and to the rest she added a pint of milk, two eggs, four spoons of sugar, nutmeg, 128 and some crackers; put it in a deep dish, and baked it till it was brown and nice; and next day it was eaten by a family named March.
T. Tupman.
Mr. Pickwick, Sir:—
I address you upon the subject of sin the sinner I mean is a man named Winkle who makes trouble in his club by laughing and sometimes won't write his piece in this fine paper I hope you will pardon his badness and let him send a French fable because he can't write out of his head as he has so many lessons to do and no brains in future I will try to take time by the fetlock and prepare some work which will be all commy la fo that means all right I am in haste as it is nearly school time
Yours respectably,
N. Winkle.
[The above is a manly and handsome acknowledgment of past misdemeanors. If our young friend studied punctuation, it would be well.]
A SAD ACCIDENT.
On Friday last, we were startled by a violent shock in our basement, followed by cries of distress. On rushing, in a body, to the cellar, we discovered our beloved President prostrate upon the floor, having tripped and fallen while getting wood for domestic purposes. A perfect scene of ruin met our eyes; for in his fall Mr. Pickwick had plunged his head and shoulders into a tub of water, upset a keg of soft soap upon his manly form, and torn his garments badly. On being removed from this perilous situation, it was discovered that he had suffered no injury but several bruises; and, we are happy to add, is now doing well.
Ed.
THE PUBLIC BEREAVEMENT.
It is our painful duty to record the sudden and mysterious disappearance of our cherished friend, Mrs. Snowball Pat Paw. This lovely and beloved cat was the pet of a large circle of warm and admiring friends; for her beauty attracted all eyes, her graces and virtues endeared her to all hearts, and her loss is deeply felt by the whole community.
When last seen, she was sitting at the gate, watching the butcher's cart; and it is feared that some villain, tempted by her charms, basely stole her. Weeks have passed, but no trace of her has been discovered; and we relinquish all hope, tie a black ribbon to her basket, set aside her dish, and weep for her as one lost to us forever.
A sympathizing friend sends the following gem:—
A LAMENT
FOR S. B. PAT PAW.
We mourn the loss of our little pet,
And sigh o'er her hapless fate,
For never more by the fire she'll sit,
Nor play by the old green gate.
The little grave where her infant sleeps,
Is 'neath the chestnut tree;
But o'er her grave we may not weep,
We know not where it may be.
Her empty bed, her idle ball,
Will never see her more;
No gentle tap, no loving purr
Is heard at the parlor-door.
129 Another cat comes after her mice,
A cat with a dirty face;
But she does not hunt as our darling did,
Nor play with her airy grace.
Her stealthy paws tread the very hall
Where Snowball used to play,
But she only spits at the dogs our pet
So gallantly drove away.
She is useful and mild, and does her best,
But she is not fair to see;
And we cannot give her your place, dear,
Nor worship her as we worship thee.
A. S.
ADVERTISEMENTS.
Miss Oranthy Bluggage, the accomplished Strong-Minded Lecturer, will deliver her famous Lecture on "Woman and Her Position," at Pickwick Hall, next Saturday Evening, after the usual performances.
A Weekly Meeting will be held at Kitchen Place, to teach young ladies how to cook. Hannah Brown will preside; and all are invited to attend.
The Dustpan Society will meet on Wednesday next, and parade in the upper story of the Club House. All members to appear in uniform and shoulder their brooms at nine precisely.
Mrs. Beth Bouncer will open her new assortment of Doll's Millinery next week. The latest Paris Fashions have arrived, and orders are respectfully solicited.
A New Play will appear at the Barnville Theatre, in the course of a few weeks, which will surpass anything ever seen on the American stage. "The Greek Slave, or Constantine the Avenger," is the name of this thrilling drama!!!
HINTS.
If S. P. didn't use so much soap on his hands, he wouldn't always be late at breakfast. A. S. is requested not to whistle in the street. T. T. please don't forget Amy's napkin. N. W. must not fret because his dress has not nine tucks.
WEEKLY REPORT.
Meg—Good. Jo—Bad. Beth—Very good. Amy—Middling.
130 As the President finished reading the paper (which I beg leave to assure my readers is a bona fide copy of one written by bona fide girls once upon a time), a round of applause followed, and then Mr. Snodgrass rose to make a proposition.
"Mr. President and gentlemen," he began, assuming a parliamentary attitude and tone, "I wish to propose the admission of a new member,—one who highly deserves the honor, would be deeply grateful for it, and would add immensely to the spirit of the club, the literary value of the paper, and be no end jolly and nice. I propose Mr. Theodore Laurence as an honorary member of the P. C. Come now, do have him."
Jo's sudden change of tone made the girls laugh; but all looked rather anxious, and no one said a word, as Snodgrass took his seat.
"We'll put it to vote," said the President. "All in favor of this motion please to manifest it by saying 'Ay.'"
A loud response from Snodgrass, followed, to everybody's surprise, by a timid one from Beth.
"Contrary minded say 'No.'"
Meg and Amy were contrary minded; and Mr. Winkle rose to say, with great elegance, "We don't wish any boys; they only joke and bounce about. This is a ladies' club, and we wish to be private and proper."
"I'm afraid he'll laugh at our paper, and make fun of us afterward," observed Pickwick, pulling the little curl on her forehead, as she always did when doubtful.
Up rose Snodgrass, very much in earnest. "Sir, I give you my word as a gentleman, Laurie won't do anything of the sort. He likes to write, and he'll give a tone to our contributions, and keep us from being sentimental, don't you see? We can do so little for him, and he does so much for us, I think the least we can do is to offer him a place here, and make him welcome if he comes."
This artful allusion to benefits conferred brought Tupman to his feet, looking as if he had quite made up his mind.
"Yes, we ought to do it, even if we are afraid. I say he may come, and his grandpa, too, if he likes."
This spirited burst from Beth electrified the club, and Jo left her 131 seat to shake hands approvingly. "Now then, vote again. Everybody remember it's our Laurie, and say 'Ay!'" cried Snodgrass excitedly.
"Ay! ay! ay!" replied three voices at once.
"Good! Bless you! Now, as there's nothing like 'taking time by the fetlock,' as Winkle characteristically observes, allow me to present the new member;" and, to the dismay of the rest of the club, Jo threw open the door of the closet, and displayed Laurie sitting on a rag-bag, flushed and twinkling with suppressed laughter.
"You rogue! you traitor! Jo, how could you?" cried the three girls, as Snodgrass led her friend triumphantly forth; and, producing both a chair and a badge, installed him in a jiffy.
"The coolness of you two rascals is amazing," began Mr. Pickwick, trying to get up an awful frown, and only succeeding in producing an amiable smile. But the new member was equal to the occasion; and, rising, with a grateful salutation to the Chair, said, in the most engaging manner, "Mr. President and ladies,—I beg pardon, gentlemen,—allow me to introduce myself as Sam Weller, the very humble servant of the club."
"Good! good!" cried Jo, pounding with the handle of the old warming-pan on which she leaned.
"My faithful friend and noble patron," continued Laurie, with a wave of the hand, "who has so flatteringly presented me, is not to be blamed for the base stratagem of to-night. I planned it, and she only gave in after lots of teasing."
"Come now, don't lay it all on yourself; you know I proposed the cupboard," broke in Snodgrass, who was enjoying the joke amazingly.
"Never you mind what she says. I'm the wretch that did it, sir," said the new member, with a Welleresque nod to Mr. Pickwick. "But on my honor, I never will do so again, and henceforth dewote myself to the interest of this immortal club."
"Hear! hear!" cried Jo, clashing the lid of the warming-pan like a cymbal.
"Go on, go on!" added Winkle and Tupman, while the President bowed benignly.
"I merely wish to say, that as a slight token of my gratitude for the honor done me, and as a means of promoting friendly relations between adjoining nations, I have set up a post-office in the hedge in the lower corner of the garden; a fine, spacious building, with padlocks on the doors, and every convenience for the mails,—also the females, if I may be allowed the expression. It's the old martin-house; but I've stopped up the door, and made the roof open, so it will hold all sorts of things, and save our valuable time. Letters, manuscripts, books, and bundles can be passed in there; and, as each nation has a key, it will be uncommonly nice, I fancy. Allow me to 133 present the club key; and, with many thanks for your favor, take my seat."
Great applause as Mr. Weller deposited a little key on the table, and subsided; the warming-pan clashed and waved wildly, and it was some time before order could be restored. A long discussion followed, and every one came out surprising, for every one did her best; so it was an unusually lively meeting, and did not adjourn till a late hour, when it broke up with three shrill cheers for the new member.
No one ever regretted the admittance of Sam Weller, for a more devoted, well-behaved, and jovial member no club could have. He certainly did add "spirit" to the meetings, and "a tone" to the paper; for his orations convulsed his hearers, and his contributions were excellent, being patriotic, classical, comical, or dramatic, but never sentimental. Jo regarded them as worthy of Bacon, Milton, or Shakespeare; and remodelled her own works with good effect, she thought.
The P. O. was a capital little institution, and flourished wonderfully, for nearly as many queer things passed through it as through the real office. Tragedies and cravats, poetry and pickles, garden-seeds and long letters, music and gingerbread, rubbers, invitations, scoldings and puppies. The old gentleman liked the fun, and amused himself by sending odd bundles, mysterious messages, and funny telegrams; and his gardener, who was smitten with Hannah's charms, actually sent a love-letter to Jo's care. How they laughed when the secret came out, never dreaming how many love-letters that little post-office would hold in the years to come!
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which are the best suit brands in India?
5 best suit brands in India that reshaped the fashion industry
Did you know - India is home to many suit brands offering a wide range of options, fabrics, and designs? A suit is one of the best outfits for men, regardless of the occasion. Whether it is a formal meeting or dinner party - branded suits in India can elevate your looks. A good designer suit will always speak volumes about your personality. In this article, we’ll take you through some of the best suit brands in India, offering the best of the best quality fabric.
Before we dive deeper, let us understand the basics.
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Well, there are a plethora of factors to consider when buying a suit. Firstly, it depends on the taste and choice of the individual. Secondly, there are some rules, or we can say guidelines, to consider, which are as below -
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Raymond
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Besides, there are other brands that make the best quality suits. You can choose a brand from the above brands to cherish the best moments of your life.
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Sorry for sending so many questions, but I was wondering what kind of clothes everyone wears? Thanks!
Sorry this took so long for me to respond to!
Clothing largely depends on what's popular in the region the RO's live in.
So for Ebia, the court prefers a more conservative style in comparison to Leydon. For characters like Marcella who are knights, they're typically going to be in armor or dressed down in training clothes. With Florian, despite him being a prince, chances are he's wearing pants and a white undershirt (the ones with the fluffy sleeves, you know) and maybe a very understated doublet that's definitely open and not done up in accordance to propriety. In comparison, Emil/Emilia being a proper noble mage would be wearing breeches and a white blouse with a coat or a dress.
Ebian fashion changes a lot with the seasons, wool being popular in the winter and silk and muslin being a favorite of nobility in the summer months.
In southern Ebia, like where Marcella is from, they tend to wear things more suited for summer and have a bit different culture to northern Ebia. This is because many people in southern Ebia are descendants of people who came there from Thyrim (where Cier is from), seeing as that country is a boat ride away from southern Ebia and Leydon in general.
In this area, and in Thyrim, they prefer a flowing silhouette and pieces of long, seamless silk. There's a heavy emphasis on embroidery and beading, as well as jewelry that typically shows their status (Cier's rings *insert eye emoji*).
In Leydon, they are a bit freer in style, and also favor flowing cuts and soft, light fabrics given the warm climate year-round. Silk, muslin, and chiffon all being popular to wear. Plunging necklines are common amongst women, as are short sleeves. Men prefer light shirts and breeches, nobility more frills than the peasantry.
Oclesia is different, given that it's a winter climate. They usually wear long coats made of wool and lined with some sort of animal fur, paired with pants and boots.
With characters like Kira and Ilaria, they just wear whatever they please/will give them the results they want. Cier wears whatever he wants and whatever will help him blend in best.
The RO's have preferences about things, though. Orion favors black and gold. Rowan likes blues and purples. Florian is a fan of neutrals paired with purple, the color of his father's family (and it matches his eyes). Emil/Emilia likes dark blue and silver. Marcella really loves anything as long as the texture is right. Kira loves gold and green, and Cier will wear just about anything as he's not picky. Dimitri prefers neutrals and Ari, being a healer, likes anything blood is easy to wash out of. Ilaria prefers light and dark fabrics
Here's a collage of some random pictures I found floating around the internet that I saved as outfit inspo:
This could all change by the time I finalize their designs lol. I do plan on getting outfit designs done for each character, so like full-body art commissions. If anyone knows anyone, please let me know!
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Just A Friend
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AO3
Another Sunday, another chapter. Hope it’s a good weekend for you all, despite these uncertain times. I always intended this story to be a bit of fluffy light relief from the real world. Thanks for all the support for it.
There will probably be another 3 chapters after this, depending on how the characters behave. I cant seem to make them do what I want sometimes!
Thanks to @wickedgoodbooks for the beta
Chapter 11: From Marriage to Mackenzie
It’s 1pm and I’m in a hotel room, still in a bathrobe, sipping Buck’s Fizz whilst a hairdresser wrestles with my wayward curls, finally managing to corral them into some sort of recognisable hair style.
Geillis is sitting on the edge of the bed incongruously dressed in tiara and bathrobe, her hair arranged in an elaborate updo. I catch her eye through the dressing table mirror and smile before my vision is obscured by a miasma of hairspray.
A few final tweaks of my curls and it’s done. I am just amazed that my hair can be cajoled into such glossy, bouncy curls, held behind one ear by an ornately decorated comb. With suitable compliments and thanks, Geillis and I bid goodbye to the hairdresser.
The bride stands up and adjusts the belt of her robe. She seems the epitome of calm.
“Are you not nervous, Geillis? You’ll be walking down the aisle in about an hour’s time.”
“Weel, I am a wee bit worried about a couple of things,” she admits. “I dinna ken how ma cousin Janie will behave. She may try tae proposition every man under the age of seventy five. And as fer Dougal’s Uncle Eric—he has been known tae get steamin’ drunk and puke in the rose beds. But about the marrying? Nah, I dinna have any nerves about that. I want tae spend ma life wi’ Dougal and that’s what today is all about. I have nae worries about making that commitment. He’s the one fer me. When ye ken, ye ken. Trust me, Claire.”
The pocket of her bathrobe begins to buzz. She quickly pulls out her phone and reads the message.
“I’d best go. That was Mam, fretting about something or other. Are ye ok getting dressed on yer own?”
“I’ve managed for the past twenty nine years or so. I dare say I can manage another day.” I sigh theatrically.
“I ken. Ye can manage on yer own. Ye always do. But thanks fer being here with me today. It means a lot tae have the people who mean the most tae me around,” she leans over and gives me a kiss on the cheek. “But remember what I said, Claire, when ye ken, ye ken. Dinna ignore it.”
Pausing at the interconnecting doorway, she does a quick body shimmy and grins. “Woo hoo! I’m getting married. Canna believe it’s here now,”
From the adjoining room, I can hear a shouted response. “Geillis Duncan, ye get here now. Yer mam reckons that makeup lassie has done her eyeliner wonky. It looks fine tae me. Can ye come and talk some sense in tae the daft cow?”
“Alright, Da, I’m coming.” Geillis yells back before leaving to deal with her parents.
I sit down and study my bridesmaid’s dress, now hanging on the wardrobe door. I’m getting excited about the day ahead. Probably not as much as Geillis, obviously, but a host of butterflies appears to have taken residence in the pit of my stomach.
I’m truly thrilled for Geillis to be marrying Dougal—they love each other so much. But, also, it’s scary to me. She is willing, eager even, to commit to one person, to base her future life, her future happiness on one man. If they should ever leave…well, I’m not sure I’d be able to cope with that. If you love too hard, you can hurt too much. Trust me on that, I know. People leave you. Don’t give your heart to anyone, keep it hidden away, protected…intact.
The ping from my phone diverts me from this somber train of thought.
I’m downstairs at the hotel. Can you come and say hello?
I quickly type:
Come up to the 2nd floor. I’ll meet you by the lift.
Making sure the keycard is in my pocket, I slip my feet into the hotel’s complimentary slippers and shuffle out to meet Jamie.
I’m already waiting as the lift door opens and he emerges. My first thought is oh wow, as is my second...and third. He has made an effort for this wedding, and it’s certainly paid off. Eschewing the more formal Prince Charlie style, he’s wearing a charcoal grey jacket and waistcoat, perfectly matching the grey in his kilt. A crisp white shirt and burgundy tie complement the secondary colours in the tartan. His sporran is black leather, heavily etched or embossed. I can’t quite make out the detail. Then I feel myself blush as I realise I have been clearly staring at his...er, lower body. I look up quickly.
Fortunately, he doesn’t seem to have noticed. He looks me up and down and smiles. “Nice outfit,” he comments drily. “Is the bride wearing white towelling too? What’s the theme? Salon chic?”And is that part of the design?” He points to an orange stain on the front of my robe. I pull a face and tie the belt tighter, trying to tuck the offending piece of material out of sight.
“Must have spilled a drop of my Buck’s Fizz.”
“Drinking already? Dinna be staggering down the aisle.”
He reaches out towards my hair and pauses for a second before making a random circular motion with his hand. “And this…I like yer hair. It’s verra…verra…” he searches for the word. “... asymmetric.”
“Thank you,” I hold the ‘skirt’ of my robe and bob a little curtsy. “That’s totally what we were going for—asymmetric.”
He laughs. “Nah, seriously. Yer hair and yer makeup look grand. I’m sure ye’ll look lovely in yer dress.”
I gesture to my room. “I’d best finish getting ready.”
“Aye, I’ll see ye downstairs.” He presses the button for the lift.
“By the way, you look grand too.” I try to say it in an understated way. It’s true, but I don’t want him to read anything into the statement.
The lift arrives and he steps inside. As the doors close, he fires a parting shot. “Especially the sporran, eh?”
*********
Now in my bridesmaid’s dress, I practice a couple of pirouettes in front of the mirror before hearing a quick knock on the door to the adjoining room.
“Ye ready, Claire? Mam’s jes’ gone down. Only us three left.”
I walk through to the other room to be met by a riot of open suitcases, bags and boxes. A variety of towels, dressing gowns and footwear seem to be carpeting the floor.
“‘S ok,” Geillis’ voice comes from behind me. “It’s no’ ma problem. I’m no’ sleeping here tonight. I’ll be in the bridal suite. This’ll be Mam and Dad’s room.”
I turn to see my best friend now fully dressed and ready. Her father is hovering next to her, clad in kilt and full formal regalia. I always knew she would win that battle.
As beautiful as she looks, the thing that really strikes me is the way her father is watching her, with such love and pride. She returns his gaze and brings her forehead to rest against his cheek.
I swallow hard, fighting the desire to shed a tear. It’s such a precious image, so intimate, but also, I realise that, since Lamb died, I have nobody, no father figure, to share something like this. I feel a momentary pang of, not jealousy, but a feeling of regret over an emotion that I will never get to experience.
And then, just like that, the moment passes.
It always does.
Geillis passes me a creamy white posy tied with a simple ribbon and gathers up her bouquet of peonies, roses and fragrant eucalyptus.
“OK,” she takes a deep breath and breaks into a huge grin. “I think I’m late enough tae get Dougal jes’ a wee bit nervous. Time tae roll.”
*******
The hotel’s orangery provides a perfect setting for the wedding ceremony. Softly diffused sunlight filters through the white muslin drapes at the large windows. A slight breeze wafts the fabric gently, giving tantalising glimpses of the formal gardens outside.
At the end of the room, Dougal and Angus stand beside a large arch of succulent green foliage, staring straight ahead as Geillis and her father begin the procession down the aisle with me following.
Even before he turns to look, I can spot Jamie — his auburn curls are head and shoulders above those around him. He stays still at first, but as we draw near he turns around and grins before doing his funny blink, screwing up his face and closing both eyes, which I have learnt, is Jamie’s attempt at a wink. I return his smile before focussing on the arch getting ever closer.
Dougal appears rooted to the spot, but Angus turns around and watches for a moment before giving me a perfectly executed wink. I smile politely even as I shudder inwardly. The sheer self confidence of that man is beyond belief. Then he disappears from my thoughts as Geillis reaches the arch and passes me her bouquet to hold. The joy on her and Dougal’s faces as they prepare to make their vows is wonderful and I’m so happy to be a part of it all.
***************
They say the sun shines on the righteous. Well, Geillis and Dougal must be exceptionally good, as it’s a perfect summer afternoon. It’s beautifully warm, but not too hot, as all the guests mingle in the gardens, admiring the beautiful surroundings whilst drinking chilled champagne.
The photographer has finished with the formal photographs, so I’m allowed to relax and enjoy a glass or two. I can still spot him wandering around, ready to take more natural, candid shots of the proceedings but nobody seems to mind.
I was initially worried about inviting Jamie to the wedding for a couple of reasons. The first was my friends. Of course, my friends are great, but Anna and Mary can sometimes have an issue with boundaries and I had visions of the ‘conversations’ they might try to have with Jamie — ‘nobody expects the Spanish Inquisition’ unless Anna and Mary are around.
The second reason was that Jamie would literally know only one person at this wedding —me. And that, when I was off doing official ‘wedding stuff’, he would be on his own, billy-no-mates. But, as I look around, I realise I had absolutely nothing to worry about on that score. He has the knack, it seems, to get on with everyone.
At the moment he’s talking to Geillis’s father, laughing and joking like they’re old friends. He notices me looking at him, lifts his empty glass up and points to me. I hold my glass up and nod. He excuses himself and strolls towards the bar.
There’s a slight touch on my elbow. “Hello, dear.”
I draw my attention to the old lady standing next to me—Geillis’ great aunt Frances. I’ve met her on a couple of occasions before and have always enjoyed her company. She’s a straight talker and makes no bones about it. “When ye get tae my age,” I remember her commenting to me “ye dinna have time tae beat about the bush, ye need tae say what ye think.” I like that in a person.
“Hello, how nice to see you.”
“Ye too,dear. I must say ye’re looking awfa bonnie in that dress. It’s a fine colour on ye.”
“Thank you. And you’re looking lovely yourself.”
Frances makes a self deprecating ‘hmph’ sound, dismissing my compliment with a wave of her hand. “Away wi’ ye. Ye do yer best wi’ what ye’ve still got. Which isna much in ma case.”
I shake my head. “Not at—“
But she decides to change the subject and moves on with her next question. “Is that yer young man over there?” She points at Jamie, heading towards us with two glasses of champagne. “He’s a handsome chap, is he no’? Mind ye, that’s no more than ye deserve. Sae, mebbe ye’ll be next?”
“No, we—“
I have no chance to say anything more, before Jamie is by my side and handing me one of the glasses. I take a sip as he notices that Frances has no drink and, without hesitation, he passes the second glass to her.
“Aren’t ye kind… er?” She accepts gratefully.
“Jamie.”
“Weel, Jamie, let me tell ye. It’s been a long while since a good looking young man has brought me a drink. I should make the most of it. Anyway, I was jes’ saying tae our Claire here, how bonnie she looks today. Does she no’?”
She fixes her gaze on Jamie, demanding an answer.
“Aye, she looks lovely.” His eyes meet mine for a second, before I look away and try to change the subject.
“Don’t you think Geillis looks beautiful, Frances?”
But, it seems that Frances has one line of conversation that she is keen to pursue. “Oh aye, she does. But, Jamie, I was jes’ saying tae Claire that mebbe she’ll be next. What d’ye think?”
Fortunately, I’m spared any response as a gong sounds and the maître d’ announces that dinner is served and that everyone should make their way inside to the dining room.
****************
Having narrowly avoided any embarrassment, I am somewhat apprehensive to see Frances at our table. Fortunately, Geillis’ cousin and baby are enough to divert her attention away from any matrimonial prospects that may or may not be on my horizon.
With Jamie sitting by my side, I catch him up on all the behind the scenes activity of my day and we fall into our pattern of easy conversation and gentle banter. From time to time, I can see Frances, opposite, watching us with a look of approval on her face, but she says nothing.
Once the speeches and toasts are over, there’s a palpable change in the guests. Jackets are draped over chair backs, sleeves rolled up and waistcoat buttons undone. I can spot more than one woman moving awkwardly in her chair, struggling to locate the shoes that were eased off out of sight under the table. Cheeks become flushed with an abundance of rich food and tongues become looser with a surfeit of fine wine.
I sip my whisky, savouring its peaty smokiness. Jamie is in a serious rugby related conversation with his neighbour. A rustle of fabric behind me announces the arrival of the bride, a look of frustration on her face.
She greets the table politely before whispering “Can I borrow ye, Claire?”
I make my excuses and follow her into a quieter room.
“What’s up, Geillis? Is everything alright?” I’m concerned that there’s something genuinely wrong.
“It’s his bloody family,” she hisses. “The Mackenzies, if ye give them an inch, they’ll take a fuckin’ mile.”
She takes a deep breath and continues. “Dougal invited his second cousin Gary and his wife tae our evening do. Jes’ the two of them mind. Sae they turn up an hour and a half early and try tae cadge dessert and brandies from the waiters.”
“Where are they now?”
“Och, they’re sitting outside wi’ a couple of spare bottles of wine.” She gestures angrily to the gardens visible through the window. “And they’ll be first in the queue fer the buffet this evening, nae doubt. And what's more, they took it upon themselves tae bring their three bairns too. Weel, I say bairns, but they’re all in their twenties so it’s no’ as if they dinna have a babysitter.”
She finally sits down and lets her shoulders relax.
I take her hand and try to look serious. If this is the worst thing that happens today, that’s not so bad. Although clearly, in Geillis’ eyes, this is a catastrophe. “It’s not going to spoil anything really is it? They didn’t gatecrash the meal or the speeches,” I speak in a soothing tone. “Are you ok now?”
She nods. “Happen ye’re right. I jes’ wanted tae get it off ma chest. And I kent what I was getting in tae wi’ his family. But tae drag Gregory, Alicia and Laoghaire uninvited wi’ them jes’ pisses me off.”
I stare at her. “Laoghaire? Laoghaire Mackenzie?”
“Aye, that’s right. Unusual name, is it no’? Ye dinna find many of them around—thank god.”
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Using Magical Poppets and Dolls
You're the only one who can decide what's ethically acceptable for you. Michelle Constantini/Getty Images
By Patti Wigington
Updated January 05, 2019
The magical poppet is one of the most commonly used implements in sympathetic magic, which follows along on the theory that “like creates like.” Although TV shows and movies typically show poppets as the stereotypical "voodoo doll," poppets have been around for a long time, and used in a number of different cultures and religious belief systems. There are many ways to create a poppet, and they can be used to harm or to heal; if you create a poppet of a person, anything done to the poppet will affect the person it represents. Bear in mind that some magical traditions discourage the use of poppets. If you're not sure whether or not it's okay for you to use poppet magic, you may want to check with someone in your tradition.
A poppet is usually made from cloth or fabric, but you can also make one from clay, wax, wood, or just about any other material. You can fill your poppet with herbs, stones, bits of wood, paper, or anything else that suits your needs. In addition to magical items, it's a good idea to include some cotton or polyfill as stuffing material.
Once the poppet is created, you'll need to connect it to the person it represents, which is typically done by using a magical link of some sort. Remember, the poppet is a useful magical tool, and can be used in a variety of workings. Use it for healing, to banish harmful people from your life, to bring abundance your way — the choices are practically limitless.
Poppet History
Fetish dolls on sale at a market in Togo. Danita Delimont/Getty Images
When most people think of a poppet, they automatically think of the Voodoo doll, thanks to this item's negative portrayal in movies and on television. However, the use of dolls in sympathetic magic goes back several millennia. Back in the days of ancient Egypt, the enemies of Ramses III (who were numerous, and included some of his harem women and at least one high-ranking official) used wax images of the Pharaoh, to bring about his death. Let's look at some of the historical uses of poppets in spellwork.
Greek Kolossi
It wasn't uncommon for the Greeks to use sympathetic magic in workings related to love or war. Christopher Faraone, Professor of Classical Languages and Literatures at the University of Chicago, is one of the foremost authorities on Greek magic today, and says that Greek poppets called Kolossoi were sometimes used to restrain a ghost or even a dangerous deity, or to bind two lovers together. In Idyll 2, The Witch (Pharmakeutria), written about 200 b.c.e., the tragedian Theocritus refers to melting and burning wax dolls. He relates the tale of Simaetha, rejected by Delphis, attempts to get her lover back with magic.
The Princess Who Played with Dolls
Wax dolls certainly weren't limited to the ancient classical world. The one-time Princess of Wales, Caroline of Brunswick, was married to the man who later became King George IV, and evidently couldn't stand him. She spent many hours forming wax dolls of her husband and jabbing them with pins. Although there's no concrete evidence as to what this may have done to George, when Caroline ran off to Italy with her young lover, George didn't object. The royal couple remained married but lived separately until Caroline’s death in 1821, according to Witchcraft and Evidence in Early Modern England by Malcolm Gaskill.
West African Fetish Magic
West African slaves brought with them a doll called a fetish when they were forced to leave their homes and come to the American colonies. In this case, the doll is not so much representative of an individual, but is in fact possessed by spirits connected to the doll’s owner. A fetish contains significant power and is typically worn or carried by its owner as a talisman. During America's Colonial period, slave owners were allowed to kill any slave found with a fetish in his possession.
American Hoodoo and Folk Magic
In American Hoodoo and folk magic, the use of poppets as a magical tool became popular following the Civil War. There is some dispute as to whether the dolls are used at all in Haiti, which is the home of Vodoun religion, and a few sources disagree on whether the use of poppets is truly a Vodoun practice or not. However, the Voodoo Museum of New Orleans does stock a variety of dolls in their gift shop.
Regardless of how you make your poppet — out of cloth, a chunk of meat, or a glob of wax, remember that poppets have a long tradition behind them, and that tradition is influenced by the magical practices of a wide range of cultures. Treat your poppets well, and they will do the same for you!
Make Your Own Poppet
Photomorgana/Getty Images
A poppet can be as simple or as elaborate as you like — it all depends on how much time and effort you want to put into it. You can construct one out of just about any material — cloth, clay, wood, wax. Use your imagination! In some magical traditions, it's believed that the more work you put into it, and the more complex it is, the stronger your link will be to your goal. Because a poppet is a device for sympathetic magic, all of its components will be symbols of what it is you hope to achieve.
You can do your poppet-making as part of the working itself, or it can be made ahead of time so you can use the poppet later on. Which method you choose is really up to you.
Remember, your poppet represents a person, so figure out before you begin who it symbolizes. Is it you? A friend who's asked you for help? An un-named lover you want to bring into your life? A gossip you want to shut up? The possibilities are endless, but just like in any spell working, you'll need to set a goal before you begin. It keeps you from having to deal with "do-overs" later. These instructions are for a basic poppet construction, using fabric. Feel free to modify your design as you need to.
Selecting Your Fabric
There are no real rules when it comes to choosing your material, but it's not a bad idea to select fabric based on your goal. If you're doing a money spell, use a piece of green or gold cloth. If you're looking at healing, perhaps something in a soft blue or silver would be best. Check out fabric stores around the holidays, and you can find all kinds of neat patterns.
Valentine's Day designs are perfect for matters of the heart, and there are plenty of prints with dollar signs, coins, stars and moons, and other fun designs.
Another option is to use fabric that links the poppet to the person it represents. Doing a healing spell for a friend? Ask the person for an old t-shirt. If you're trying to draw love into your life, consider using a scrap from that sexy lingerie you wore last night. If you just can't find the right material, use a plain muslin or white felt. Here are a few ideas for designs and colors for poppet magic.
Animals: Brown or green fabrics, patterns with cats or dogs, anything pet-related
Banishing: Black fabric, designs such as swords or wands, dragons or fire
Creativity: Orange or yellow fabric, prints of suns or other fire symbols
Healing: Silver, white or blue, with designs of clouds or other air symbols
Love: Pink or red material, designs like hearts, roses or other flowers, Cupids
Money: Silver, gold or green fabric, or designs of dollar bills or coins, cups or earthy symbols
Protection: Red or white material, with patterns of shields, keys or locks, fences, mistletoe
When it comes to types of fabric, use what's easiest for you to work with. Cotton prints are easy to sew, but if you've never used a needle and thread before, you might want to try something stiffer like felt — it comes in every color you can imagine, and will hold its shape as you sew. If you're an experienced sewer, use anything you like.
A poppet represents a person, so ideally it should look (sort of) like a person. Give it a head, two arms, two legs, a torso. You can make your own outline or you can use the ultimate poppet pattern — a gingerbread man. If you're doing a spell for an animal — such as a healing spell for a sick pet — make the poppet shape accordingly. Your poppet doesn't have to be huge, but it should be big enough that you can stuff it with your ingredients later.
Take two pieces of your fabric, and place them right side together on a flat surface. Place the pattern on top, pin it in place, and cut it out. Leave a little room around the edges for a seam allowance — usually a 3/8" margin is good. Remove the pattern, and there are your two poppet shapes. Time to start sewing!
If you've never sewn anything by hand before, don't panic. It's not hard, but it does require some patience. You could always use a sewing machine if you're pressed for time, but most experienced poppet-makers agree that it's worth the effort to do it by hand. Pin the two pieces of material with the right sides together, and stitch around the edges. Leave an opening somewhere, wide enough to stick a couple of fingers in. Turn the poppet inside out, and begin stuffing.
Personalize Your Poppet
Fill your poppet with something soft, like polyfill or cotton balls. Old pantyhose work nicely too. Work the stuffing all the way into the nooks and crannies of the arms and legs, and then fill the torso and head.
This is where you'll place your spell components — herbs, stones, whatever. In some magical traditions, something from the person represented goes inside the poppet. This is alternately referred to as a taglock or a magical link — it can be bits of hair, nail clippings, body fluids, a business card, or even a photograph. Once everything is inside, sew the poppet completely shut.
The more you can customize your poppet, the better. Even if you've placed a magical link, or taglock, inside, you'll want to decorate the outside too. Draw or paint or sew a face onto your doll. Add yard or string for hair. Dress your poppet in something that looks like the person's clothing. Copy any tattoos, scars, or distinguishing features onto the poppet as well. Add magical or astrological symbols if you like. While you're doing this, tell the poppet who it represents. You can say something along the lines of, "I have made you, and you are Jane Jones."
Your poppet can be used for any number of things—love, money, protection, healing, to get a job. Anything you can imagine, you can make a poppet to bring it about. Simply figure out your goal and the means to achieve it. The only limits on poppet construction are your own creativity and imagination.
6 Easy Poppet Projects
Make protective poppets for each member of your family with modeling clay. amanaimagesRF/Getty Images
Not sure what sort of poppets to create, or how you can use them in a practical application? Try one of these six easy ideas for making and using your own poppets.
1. To Get a Job You've Applied For
Material: satin, green or gold or silver
Herbs: clover, chamomile, ginger, cinnamon
Gemstones: snowflake obsidian or sodalite
Create a poppet to represent yourself. As you make it, focus on the positive attributes that you possess which will make you appealing to a potential employer. Another option is to create the poppet in the image of the employer (include business cards or letterhead inside, if you can get them) and tell the employer poppet why you're the best person for the job.
2. To Protect Your Family
Material: Modeling clay
Herbs: Basil, patchouli, coffee
Gemstones: Hematite, amethyst, black onyx.
Create poppets that represent each member of the family, blending herbs and stones into the clay. Put them in a safe place in your home, such as near your hearth, and utilize magical shielding or cast a circle of protection around them. This is actually a fun project you can get your kids involved in as well — let them each make their own poppet person!
3. To Heal a Sick Person
Material: White cotton or unbleached muslin
Herbs: Lemon balm, feverfew, ivy, and pine.
Gemstones: Bloodstone, turquoise
When you make this poppet, be sure to indicate what you are trying to heal, whether it's a case of tennis elbow, a chronic infection, or even a broken heart. Focus all of your energy on the ailment in question.
4. To Bring Love Into Your Life
Material: Red or pink silk or cotton
Herbs: Rose petals, parsley, and peppermint
Gemstones: Barite, jade, rose quartz
Make a poppet to represent the object of your affection — remember that in some magical traditions it is frowned upon to make a specific person the target of your working. If you are simply trying to attract love to yourself, but you don’t have a specific person in mind, focus on all the desirable qualities you want to see in a potential lover.
5. Silencing a Gossip
Material: Ground beef or other squishy meat
Herbs: Horseradish, pepper, rue, yarrow, valerian
Shape the meat and herbs into a person, and create a "meat puppet" in the same way you'd make a fabric one. As you make the doll, tell it that it's time to be silent, and tell no more gossipy stories. Remind it that people who can't say nice things shouldn't say anything at all. Dispose of the doll by either burning it on your grill and burying it someplace far away, feeding it to your dog, or leaving it out in the sun to rot.
6. Emergency Poppet on the Fly
Material: Aluminum foil
Perhaps something has come up in a hurry, and you feel it needs immediate magical attention. Use a piece of aluminum foil to whip together a quickie poppet — shape it into the figure of a person. Fill with any magical components that might be handy — bits of wood, dirt, grass, even a name scribbled on a piece of paper — and personalize the poppet.
Need additional poppetry ideas? Try making a magical gingerbread poppet, or put together a portable poppets kit to keep in your magical arsenal!
https://www.learnreligions.com/what-are-magical-poppets-4072783
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What is silk Brocade Fabric and how does it feel?
By putting the pattern thread in the middle of the wrapped thread, patterns are created using the brocade fabric. It is woven in multiple-color silk by ply and looms and is a rich and embellishing textile. For example, it might have additive gold and silver threads. This fabric is the most expensive one, has an exquisite look and is considered exceptionally fashionable. That is the reason it has been preferred as the fabric of the Royal families from ancient times.
Presently, it is used in the western culture for home furnishings and to construct attractive, special event dresses like bridal gowns.
In India, brocades create an immense range of beautiful, traditional and present-day ethnic outfits. The primary textile industry producing brocades are mainly Banaras and Madras. It is because these cities of India were developing during the time of the Mughals.
Banaras in Uttar Pradesh, presently known as Varanasi, is the core of the manufacture of Banarasi Brocade. Worldwide Banarasi brocade fabric is considered the most excellent and splendid fabric existing. This fabric is used to make lehenga cholis, sarees and suits.
What is Brocade?
Embellished woven fabric with an uplift design generally made using gold and silver threads is known as brocades. It looks like embroidered material, but actually, it is different. The reason is brocade was produced with different weft threads at the time of the weaving method. Moreover, embroideries are sewed on the fabrics.
Generally, on a loom, brocade is woven with silk. However, attractive designs are created on it using extra weft threads.
Silk Brocade fabric is considered as the luxurious fabric previously worn out by Royalties. It is because silk is extraordinary and more costly. Its manufacture was imaginary, with wool and linen, which were the regular fabrics of the time. The small amount of silk available is used to weave brocades for the Royal families in India, Japan, Persia, Korea, China, Byzantium, and Greece.
What is Brocade fabric made of?
In ancient times brocade fabric by using woven silk material. However, silk brocades are considered a luxurious item as silk is a limited fabric. Currently, silk production is common. Therefore, economically brocade fabrics are good and readily available.It is only possible because now weaving is not done only by the drawloom.
Other fabrics like rayon, polyester, cotton, and others are used in exciting brocade designs. Dying is done before the weaving method despite the fabric. If the fabric is dyed after the weaving method, it makes incredible designs.
Types of brocade fabrics
There are various kind of brocade fabrics are there
Silk Brocade
Silk is the most famous and in excess demand material which is put in use to build Banarasi brocades. Its soft, shiny, creative, and strapping structure makes it the best base material for the designs and patterns. For special events or occasions, it is used for crafting sarees, bridal lehengas, salwar-kurtis. Famous fashion designers who always want to work for beautiful textiles into unique designs have the favorite fabric is the silk brocade fabric.
Cotton brocade fabric
This fabric has a more feathery and airy feel and appearance. It has a stylish, exquisite look that the weavers further highlight by using the smaller and more ultra-fine design. Cotton brocade fabric is so comfortable and is used to make fashionable and traditional outfits, such as sarees, skirts, and salwar kameez.
Banarasi Fabric
The Banarasi brocade fabric is an expensive and luxurious one. It is a silk brocade fabric that uses silver, gold or copper threads to build unique, attractive designs. When these industries are looked down upon by wealthy shopkeepers, nobles, and the Royal families, gold and silver threads are usually used. With time weavers started using economical replacement to broaden the customer support for the Zari brocade fabrics. By using this fabric, the world-famous traditional, beautiful Banarasi Sarees are made. You can find this brocade online easily.
Discontinuous Brocade
In this brocade, the extra thread is woven only in the decorated portion. Extra threads are woven into the fabric and put to use in producing additional designs.
Synthetic Brocade
Synthetic brocade is manufactured using synthetic fibers and is not so expensive as silk and cotton brocade. It is less costly than brocade fabrics entwined with silk or cotton. However, low costing does not mean that they are comfortable to wear. No, they are not as soft and comfy as the natural fabrics.
Himru Brocade
It is mainly produced and used in India. Himru brocade is created using the mixture of silk and cotton. Therefore, when you wear it, it is soft, feathery and slightly stretchy like cotton. However, it is long-lasting and has the attractive shining of silk.
Indian brocade fabrics come in various colors, materials and patterns. Shades like bright red, green, blue, and yellow to plain fawn and black, various color options are there presently. Likewise, the material selection is also very diverse, along with classic silk and cotton, including chiffon, georgette and muslin. The design woven into the fabric includes bits of Persian influence artistry, mythological view, nature-based painting like flowers, trees and other Indian attractive designs. Presently, weavers also assimilate the latest, western-influenced designs to attract a large number of customers.
All types of Indian outfits like lehenga cholis, salwar-kurtis, sherwanis, sarees are made using brocade fabric. You can easily buy ready-made brocade online. However, some people prefer to buy a cloth piece of brocade online. And tailor it afterward depending upon the choice.
As brocade fabrics have a beautiful appearance, detailed look, therefore, you should wear rich-looking accessories with them. For example, dark blue brocade fabric with golden zari work must be paired with gold jewelry like bangles, mang-tika. On the other hand, an ethical bright-colored brocade outfit can go well with Kundan and Polki jewelry.
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Seven Local Kids Design Brands We Can’t Get Enough Of!
Seven Local Kids Design Brands We Can’t Get Enough Of!
Shopping
by Amelia Barnes
Selection of V. Happy Co Alphapics Prints in A2 and A3. Plant and planter by Ivy Muse. Lockers by Mustard Made. Floor cushions by Sage x Clare. Taco by Make Me Iconic. Bag/key tags by V. Happy Co. Burger greeting card on locker by V. Happy Co. Photo – Amelia Stanwix. Styling – Paige Anderson. Art direction – V. Happy Co
V. Happy Co Alphapics Letter G Print + Letter C Print. Timber bed by Plyroom. Bed linen and Mathilda Crochet Cushion by Sage x Clare. Locker by Mustard Made. Wire basket on top of locker by Mustard Made. Letter B Bag Tag (on locker) by V. Happy Co. Oval Play Mat in Sage by jnr.life. Hot Chips Tall Lunch Bag by Doo Wop Kids. Floor cushions by Sage x Clare. Photo – Amelia Stanwix. Styling – Paige Anderson. Art direction – V. Happy Co
Letter B Print by V. Happy Co. Plyroom Ava Cot. Plyroom Dedo Wooden Storage Box. Linen and cushions by Sage x Clare. Mustard Made ‘The Shorty’ Locker. Doo Wop Kids Trucks Tall Lunch Bag. Plant and planter by Ivy Muse. jnr.life play mats and shapes. Letter A Bag Tag by V. Happy Co. Make Me Iconic Healthy Tummy Brekkie. Photo – Amelia Stanwix. Styling – Paige Anderson. Art direction – V. Happy Co
Whether you have kids of your own, or just occasionally buy gifts for other little people in your life, it’s always handy to be across the latest and greatest brands for kids.
From personalised art prints to Melbourne-made furniture, there are so many fantastic options currently on offer. These seven brands are just a handful of our local favourites!
Selection of V. Happy Co Alphapics Prints. jnr.life Play Mat (oval, rust), Play Mat (round, linen); Play Room Mate (gull/lobster); Play Go Round (ocean and gull) Play Arc (cloud). Mustard Made Wire Basket. Make Me Iconic Loose Change Binoculars. Make Me Iconic Healthy Tummy Brekkie. Photo – Amelia Stanwix. Styling – Paige Anderson. Art direction – V. Happy Co
Playmat in Sage by jnr.life. Photo – courtesy of jnr.life
New V. Happy Co Art Print – Robot Face Print (800mm x 1200mm, available framed for Melbourne pick up). Mustard Made ‘The Skinny’ Locker. jnr.life Play Mat (oval, rust); Play Room Mate (gull/lobster); Play Go Round (ocean and gull) Play Arc (cloud). Make Me Iconic Loose Change Paddle Ball. Letter A Bag Tag by V. Happy Co. Photo – Amelia Stanwix. Styling – Paige Anderson. Art direction – V. Happy Co
jnr.life
In a market saturated by clutter, Nikki Davis and Ashleigh Pyke saw an opportunity to enter the children’s interiors space with a more sophisticated and considered design approach.
Their label, jnr.life launched in 2018 with high quality quilted play mats, but their latest venture is jnr.play – a collection of soft play-shapes made in Melbourne for both indoor and outdoor fun.
‘We create useful play essentials for junior life (right from birth) that nurture the imagination and encourage play without forsaking a stylish sensibility suited to grown-up environments,’ says Ashleigh.
These are the kind of kids toys you’ll proudly keep on display in the home, and can even double as furniture.
‘We design for tots but appeal to a contemporary aesthetic with uncompromising detail and durable, premium textiles,’ says Nikki.
jnrlife.com
Maxi Round World Map Backpack by Doo Wop Kids. Letter E Bag Tag by V. Happy Co. Photo – Amelia Stanwix. Styling – Paige Anderson. Art direction – V. Happy Co
Photo – courtesy of Doo Wop Kids
Doo Wop Kids
Sydney-based label Doo Wop Kids are bringing personality to gender-neutral kids fashion with their printed clothing, backpacks, hip packs, lunch bags, and handbags.
‘Doo Wop Kids create products that allow children to express themselves through bright colours, fun prints and loud patterns – without any rules,’ says Wendy Zakaria, who founded the label in 2015.
‘As a brand, we align ourselves to further the freedom of individuality and creativity within our children.’
With prints ranging from ‘70s inspired florals, to cheeseburgers, ramen, and world maps, Doo Wop Kids’ pieces are sure to make you smile. Items are made in both Australia and Indonesia.
doowopkids.com.au
Aussie Food Set by Make Me Iconic. Photo – courtesy of Make Me Iconic
Mustard Made ‘The Lowdown’ Locker. V. Happy Co Letter E Print. Letter E Bag Tag (on locker) by V. Happy Co. Australian Ute by Make Me Iconic. Australian Stacking Burger by Make Me Iconic. Plant and stand by Ivy Muse. Photo – Amelia Stanwix. Styling – Paige Anderson. Art direction – V. Happy Co
Make Me Iconic
After 10 years living in Europe, Natasha Skunca returned to Melbourne and realised the gap in the market for stylish souvenirs depicting local icons.
‘The city has so much to offer that is unique, stylish, and contemporary and I wanted something in our home that brought those elements to life,’ says Natasha.
A decade later, her label Make Me Iconic is still going strong, and has evolved from tea towels, cushions and artwork to also offer beautiful, wooden toys. Amongst their best sellers are remakes of the Australia Post street mailboxes and Melbourne’s famous yellow and green trams.
‘Our wooden toys also simply don’t go out of style, and tend to be more timeless… [They] keep kids busy and they are actually doing some serious learning right before your eyes,’ says Natasha.
There’s also non-Melbourne specific souvenirs for those based elsewhere in the country – such as glass ornaments, wooden versions of Arnotts biscuits, and sequinned accessories.
makemeiconic.com
Selection of V. Happy Co Alphapics Prints. Taco by Make Me Iconic. Locker by Mustard Made. Photo – Amelia Stanwix. Styling – Paige Anderson. Art direction – V. Happy Co
Letter A Print Alphapics Print by V. Happy Co. Photo – courtesy of V. Happy Co
V. Happy Co
V. Happy Co creates playfully designed art prints and more, to inspire both big and little folk.
Founded by designer Vanessa Perilli in 2019, PR expert and brand strategist Esther Navarro-Orejon joined the business in 2020.
Among their most popular products are the Alphapics prints – a unique illustrated alphabet to encourage language awareness, while also just looking great in any kids’ room! V. Happy Co also creates personalised art prints of kids’ names – the perfect gift for new parents. All products are proudly made in Australia.
V. Happy Co were the masterminds behind the now-postponed Happy House event… so stay tuned to their socials for the rescheduled date, as well as new products coming soon!
vhappyco.com
Mustard Made ‘The Shorty’ Locker in Mustard. Photo – courtesy of Mustard Made
Maxi Round World Map Backpack by Doo Wop Kids. Letter E Bag Tag by V. Happy Co Mustard Made ‘The Skinny’ Locker in Ocean. Letter A Bag Tag by V. Happy Co. Photo – Amelia Stanwix. Styling – Paige Anderson. Art direction – V. Happy Co
Mustard Made
We’re big fans of Mustard Made – makers of colourful lockers for kids bedrooms, playrooms and adult spaces alike!
Lockers are available in a range of sizes to serve as versatile storage solutions. The Twinny for example makes for an ideal wardrobe, The Lowdown can be a TV console, and The Shorty is a bedside table alternative. The only problem is choosing a favourite colour!
‘Our lockers are designed to be simple, beautiful, and above all, super versatile, no matter how big or small you are,’ says Becca Stern, who co-founded Mustard Made with her sister Jess Stern in 2018.
‘It’s all in the little details, from the matching keyring to the flexibility of the shelves. We really want our lockers to last so they can grow with you as your clothes get bigger.’
mustardmade.com
Letter B Print by V. Happy Co. Plyroom Ava Cot. Plyroom Dedo Wooden Storage Box. Linen and cushions by Sage x Clare. Mustard Made “Shorty’’ Locker. Doo Wop Kids Trucks Tall Lunch Bag. Plant and planter by Ivy Muse. jnr.life play mats and shapes. Letter A Bag Tag by V. Happy Co. Make Me Iconic Healthy Tummy Brekkie. Photo – Amelia Stanwix. Styling – Paige Anderson. Art direction – V. Happy Co
Plyroom Ava Lifestages Cot. Photo – courtesy of Plyroom
Plyroom
‘Thoughtful’ and ‘understated’ are not words commonly used to describe children’s furniture, but not all children’s furniture is created by Plyroom!
Among this label’s wider furniture collection are several pieces specifically designed to grow with children, and last a lifetime.
‘Children’s spaces are often cluttered and busy. Our pieces sit lightly in the space and create a natural canvas for calm,’ says Plyroom director and founder Elise Heslop.
‘As families grow and needs change, our pieces can adjust and adapt to growing children and spaces as life changes. The Ava Lifestages Cot (pictured), for example, is also a desk, junior bed, and two-tier cot.’
Plyroom products are made in Australia and Italy.
plyroom.com.au
Sage x Clare kids wares. Photo – Armelle Habib. Styling – Heather Nette King.
Photo – courtesy of Sage x Clare
Sage x Clare
A leap of faith saw Melbourne based designer Phoebe Bell found Sage x Clare in 2013, and she hasn’t looked back since!
The homewares, apparel and accessories label expanded to include a baby and kids range in 2017, offering a vibrant range of bed linen, cushions, wall hangings, blankets and muslin wraps.
‘Creating handcrafted pieces full of charm, colour, pattern and texture is the heartbeat of this brand,’ says Phoebe.
Sage x Clare’s soulful and textural wares are designed in Melbourne and made in India. ‘Each piece has such detail that it’s a joy to be surrounded by them,’ says Phoebe. ‘To hold these pieces in your hands and know that someone has learnt a time-honoured craft to create them is the most special feeling of all.’
sageandclare.com
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Flexible and Resilient - Episode 569 - The Knitmore Girls
This week's episode is sponsored by:
Carry your creativity with Erin Lane Bags! Whether you show your fiber fandom with the woolly wonder Sheepleverse, or dive into history with the Curiosities collection, our project bags, totes, and hook and needle organizers are at the ready to keep your hobby happy.
#welovecolor is more than just a motto, it is the way I live...My hope is that my yarn can light a little fire in your soul when you run across that special skein. Fully Spun yarn is hand-dyed as roving, then spun to create a marled yarn in which every strand has multiple colors. Every finished object shows off color in striped gradients large and small.
Have you ever had to frog because you forgot a step several rows back? Or lost your spot because you dropped your magnet board or lost track with your highlighter tape? Instead of wrestling with paper, use the knitCompanion app. It keeps you on track so you can knit more and frog less. knitCompanion works with ALL your patterns and is available for apple, android and kindle fire devices.
LoLo Body Care, formally Bar-Maids, creates exceptional moisturizers hand-poured by staff who add a good dose of heartfelt love to each one. Most all their supplies are made in the US, and their beeswax sourced from a local farm. Besides quality, the value of their product lies in that they last a very long time and are loved to the very last bit. They built their brand on being eco-friendly and their new packaging rocks. Their customers and customer service are rare and treasured jewels.
Indie Dyed Yarns, Hand Knit & Crochet Items and Accessories Here at Mitchell's Creations: Handmade = Quality, Time, & Love.
Sincere Sheep offers high quality, breed-specific wool in a truly stunning palette of natural color.
On the Needles:(0:36)
Gigi is working on the French Cancan shawl in Oink Pigments dk, extra fine Superwash merino, in
the "Birthday Suit" colorway. Gigi strung one length
on Oral B Superfloss with beads. She needs to knit a swatch and figure out bead placement.
Jasmin is feeling amazing and is on a finishing kick. She finished the orchid colored Cabled Raglan by
Cheryl Oberle from the box of UFOs.
Gigi is working on yet another pair of the Vanilla is the New Black socks, out of Patons Kroy. Two pairs
need ends woven in. She cast on a pair with black and red and brown stripes. The first sock is ready to
have the heel turned.
Jasmin has been working on her Weekender pullover in Lisa Souza Blue Faced Leicester Worsted in Spruce green.
Gigi is helping a friend with her Girls Just Wanna Have Fun shawl, by Afifa. FaceTime knitting is challenging
Jasmin started (and is making great progress) on her Quadrat Pullover by Beautia Dew in The Dye Project’s
Ecola Worsted in “Painted Lady”.
Gigi is getting towards the end of The Joker and the Thief shawl. The last color stripe is coming up.
In Stitches (21:38)
Jasmin has been wearing a different handknit sweater each day, and featuring them on Instagram under the
#todaysknitoutfit hashtag
Gigi: sleeping hat
Genevieve: Hearthstone pullover
Go on Instagram and post what you are doing to cheer yourself up!
Events(27:23)
knitty.comhttps://knitty.com/sos.php has a comprehensive list of events that have been canceled
Mother Knows Best:(28:35)
Research your charity projects. Is it (a) what they’re asking for? (b) who is organizing? (c) who benefits?
How are recipients selected? (d) is it helpful for the affected community, or is it a feel-good project for
those donating?
Let us know about your criteria for determining which charities you support.
Article about effectiveness of cloth masks can be found here, Article from CDC : Strategies for Optimizing the Supply of Facemasks
Altruism effect on the brain.
Sewing Out Loud is one of Gigi's favorite sewing podcasts.
When Knitting Attacks: (40:54)
Gigi gets attacked by her Joker and the Thief shawl, blaming the dogs for the disappearance of one ball
of yarn. They are good boys, and this time, innocent.
Jasmin was repeatedly attacked by her Quatrat pullover
Gigi is wrestling with the lace pattern for the French Cancan
Straw into Gold:(49:12)
Spinning with Rex.
Jasmin mentions Morro Fleece Works
And Sew On:(52:08)
Gigi has more Avengers burrito pillows, cut, pressed and pinned. She is waiting for Genevieve to come
over and sew.
She finished the sloper out of muslin.
Gigi found the back half of her lost sloper from 1991, while she was looking for drafting paper.
Gigi is eligible for the California Community College Honor Society
Check out this episode!
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