#Bernhard von Schneider

[mimmixerenard]

Using my free time to draw portraits of guys I like (the palettes come from this lovely blog)

Palette used for Linz

Palette used for Ferner

Palette used for Schneider

[angelboydream]

CARHARTT WIP // Working On Society from Vincent Boehringer on Vimeo.

fed up with the discrimination they face in everyday life, three young people rebel against it in their very own way. the situations seem to be taken randomly from their lives, and yet they reveal parts of their personal background and socialisation. the young woman in the public swimming pool, the waiter in the restaurant, the boy with his father - each takes a small step towards overcoming injustice with a personal gesture and at the same time a great character development.

starring rabea lüthi / maximilian zschiesche / nicolas sidiropulos / andrea leonetti / sebastian schäfer / sophie urbain

written by daniel theobald & vincent boehringer

production company / filmakademie baden-württemberg producer / britt abrecht & bernhard strobel director / vincent boehringer 1st ad / tobit kochanek 2nd ad / joshua neubert dp / larius kieninger 1st ac / adrian huber 2nd ac / aljoscha wuzella gaffer / hannes hölz electricians / anian krone & daniel huss art department / franziska kabutke styling / laila eby make up / thi hake soundmixer & sound design / jonathan rösch edit / lucas cantera motion design / julia schneider score / julian klincewicz (tuckered out - lukasz) colorist / jonny thorpe (glassworks london)

extras marlen anstett / hannah dorothée / kevin boampong / tony couchi / luigina fallico / arthur stoklossa

special thanks valerie braun / gwenola heck / sophia dillmann / marie von hardenberg / tommy dobrowski / oona eberle / ivana vukasovic / s ec studio

© filmakademie baden-württemberg 2021

[nokzeit]

Auf dem Weg in eine neue Aera

Auf dem Weg in eine neue Aera (Foto: Liane Merkle) Waldauerbach. (lm) Eigentlich war die politische Sommerpause noch nicht vorbei, doch der Ortschaftsrat von Schloßau/Waldauerbach war bereits voller Tatendrang und die konstituierende Ortschaftsratssitzung ebnete den Weg in eine neue Aera. Nachdem die Mitglieder des bisherigen Rates festgestellt hatten, dass für die neu gewählten Räte keinerlei Hinderungsgründe vorliegen, bewältigten Ortsvorsteherin Tanja Schneider und Stellvertreterin Hella Kizmann den sehr emotionalen TOP „Verabschiedung ausscheidender Ortschaftsräte. Emotional, weil Rolf Balles fünf Jahre, Berno Allgaier sagenhafte 25 Jahre und Tanja Schneider 15 Jahre – davon zunächst als stellvertretende und seit 2009 als Ortsvorsteherin – engagiert, tatkräftig und immer zu Gunsten der Schloßauer und Waldauerbacher mit und in diesem ehrenamtlichen Gremium zusammengearbeitet hatten. Mit der Dankesurkunde der Gemeinde Mudau und einem Präsent wurde den scheidenden Ortschaftsräten gedankt. Darüber hinaus war es Tanja Schneider wichtig, auch die Treue der verbleibenden Räte hervorzuheben. So gehören Jens Müller seit fünf Jahren, Hella Kizmann seit zehn Jahren, Bernhard Grimm seit 15 Jahren, Ronald Schwab seit unglaublichen 35 Jahren und Ulrich Benig seit sagenhaften 44 Jahren dem Ortschaftsgremium an. Abonnieren Sie kostenlos unseren NOKZEIT-KANAL auf Whatsapp. Zusammen habe man sehr viel erreicht, auf das man stolz sein könne. Hella Kizmann erinnerte an die sagenhafte 750 Jahr-Feier, die tollen Seniorennachmittage und das Motivationsgeschick der Ortsvorsteherin. Nachdem die neu gewählte Räte Iris Enders, Meike Friedel und Julian Grimm ihre Plätze eingenommen hatten und der neue Ortschaftsrat verpflichtet worden war, schritt man mit der geheimen Wahl von Ortsvorsteher und Stellvertreter zur ersten Amtshandlung. Einstimmig fielen die Voten auf Wiederwahl der bereits bewährten und rührigen Ortsvorsteherin Tanja Schneider und auf Bernhard Grimm als Stellvertreter. Tanja Schneider zeigte sich überaus erfreut über den stark angestiegenen weiblichen Anteil und über die gute Struktur bezüglich Alter und Berufen. Nach der positiven Behandlung eines Bauantrags, informierte Tanja Schneider noch über die Baustellen der NetzeBW beim Kindergarten und der Schule, der Firma Mackmull im Burggewann, die immer noch anstehenden Reparaturarbeiten an der Straßenbeleuchtung Waldauerbach und die Vollsperrung Richtung Gaimühle mit Umleitung durch Schloßau bevor man zur Begrüßungsfeier des neuen Gremiums mit einem Dank für deren Bereitschaft, Verantwortung zu übernehmen, ins Gasthaus Hirsch aufbrach. Lesen Sie den ganzen Artikel

[gunnarsohn]

Sachsen und Thüringen: Stürmische Zeiten – mit kühlem Kopf und klarer Hand ans Werk

Zu den jüngsten Landtagswahlen in Sachsen und Thüringen ließe sich in Anlehnung an Wolf Schneider sagen: Die Zeichen stehen auf Sturm, aber ein Blick in die Geschichte zeigt, dass solche Wetterlagen nicht neu sind. Wir erinnern uns an die glorreichen Zeiten von Kurt Biedenkopf und Bernhard Vogel, die in den 1990er Jahren mit ruhiger Hand und klarem Kurs ihre Länder durch schwierige Gewässer…

[heartgrooooove]

merkatz is love, merkatz is life

[zaasaar]

[boredweirdostuff1313]

[logh-icebergs]

Episode 18: The Lippstadt Conspiracy

April 797/488. Now that Reinhard’s pick for Kaiser has taken the throne, the oppositional Braunschweig and Littenheim assemble a motley crew of disgruntled nobles to overthrow him and take down Reinhard in the process. Obviously, this goes poorly for them. Before that happens, Hilda takes the initiative to arrange an alliance with Reinhard, firmly positioning herself as the only remotely intelligent noble not already in his admiralty. Braunschweig appoints veteran admiral Merkatz to lead his anti-Reinhard charge; Ferner (unsuccessfully) takes matters into his own hands; and Reinhard, having gotten the jump on Braunschweig, struts around extremely pleased with himself. Annerose, meanwhile, gazes sadly at nothing in particular, and I think Reuental and Mittermeyer are too busy arresting treasonous nobles to go on a date. Oh well.

A few episodes ago, Rebecca introduced some of the less prominent—though still important—characters in the Alliance. Well, the time has come to do the same for the Empire! Episode 18 has some politically important plot stuff, and finally (finally!) properly introduces Hilda, but in terms of hidden meaning below the surface, there’s not much to speak of. So without further ado, I present to you a Who’s Who of some of the Empire’s many side characters (and Hilda)!

Hildegard von Mariendorf

I’ve mentioned Hilda a couple times before, but there wasn’t really any reason to until now, beyond the fact that she’s my favorite character and I love her. Now, we get to spend some much-anticipated quality time with the galaxy’s best and brightest lesbian. I’ll get more into the queerness of Hilda later on, when it’s discussed more directly; for now, let’s take our cue from the show and focus on what she does rather than who she is.

Hilda is the smartest person in every room, especially when that room is a bar full of Imperial aristocrats.

When we first meet Hilda in episode 18, she’s eavesdropping on a bunch of nobles gossiping in a bar about who they plan to support in the upcoming battle for supremacy between Reinhard and Braunschweig et al. Hilda, of course, has already made up her mind, which we see in a flashback to a very recent conversation she had with her father on the subject.

Unlike all the other dads in LoGH, Hilda’s dad, Franz von Mariendorf, is not a piece of shit. He takes his daughter seriously, respects her political opinions, and has no qualms about ceding his family power to her.

The uniquely positive nature of Hilda’s relationship with her dad, like other contrasts and comparisons in the LoGH universe, draws attention to the intentionality of the creative team’s choice to show us so many bad fathers. I’ll be talking about this a LOT more later, so keep it in the back of your mind.

Hilda has (correctly) realized that betting on Reinhard is so safe it can hardly be called a bet, and with her father’s blessing, she arranges to meet with Reinhard himself to discuss terms of a mutually beneficial alliance. Her frankness and obvious political acumen impress Reinhard, who takes an immediate liking to her, accepts her proposal (even agreeing to give it to her in writing, when she pushes him on it), and then leaves to go start the civil war that she predicted.

Did you somehow miss that Hilda is super driven and intense? Her expression here should clear up any remaining doubts.

The most striking aspect of this scene, though, isn’t the political maneuvering—it’s the introduction of the dynamic between Reinhard and Hilda, one of the most interesting relationships in the whole show. Almost right away, Reinhard is caught off guard not by Hilda’s boldness, but by how much he obviously likes her. His invitation for her to dine with him sometime in the future is the first time we’ve ever seen Reinhard take the social initiative with anyone other than Kircheis.

Fun fact, though: The first word that Reinhard ever says to Hilda is actually none other than, you guessed it, “Kircheis.”

As we’ve discussed at length before, relying on heteronormative shortcuts will get you nowhere in LoGH: The mood of this scene, despite containing within it a man and a woman, is as businesslike as Hilda’s uncompromising tone throughout; Reinhard’s interest is, of course, platonic. I love them.

Ernest Mecklinger

As I’ve said, Reinhard/Kircheis and Reuental/Mittermeyer are the two Great Romances of LoGH, so among Reinhard and his admiralty and for the purposes of a queer reading of this show, I’ve been focusing primarily on those four. But the rest of Reinhard’s admiralty is worth talking about too! I’m not going to go through all of them yet, because honestly very few of them make an impression at this point, but I’d like to spotlight a couple (no, not an actual couple, for once) of the more prominent less-prominent admirals who have been adding background color and texture for a while now.

(From “My Conquest.”)

First up, Ernest Mecklinger! Canonically, I think he’s the only one of Reinhard’s admirals who has hobbies beyond “war” and “drinking.” They include: painting, general consumption of the arts, and presumably waxing his mustache. Mecklinger can usually be counted on to be level-headed and generous; he chooses his words carefully, and later on we’ll see scenes in which the only way to describe how he acts is Like A Sweetheart. In the novels, we are told that Mecklinger is nicknamed the “Artist-Admiral” because of how cultured and well-rounded he is.

Fritz Josef Bittenfeld

(From episode 16.)

On the complete opposite end of the spectrum is Bittenfeld, the short-tempered, bombastic commander of the Black Lancers (basically picture the intensity and camaraderie of the Rosen Ritter, except a fleet instead of an infantry unit, and without the long history of defection and betrayal). Bittenfeld has already been the recipient of one slap on the wrist—that would have been a lot more severe if not for Kircheis’s intervention—and frequently gets into trouble for rushing into dangerous situations before he’s fully thought them through, both on and off the battlefield.

Look, I did my best to sum up the differences between Bittenfeld and Mecklinger but I honestly don’t know why I bothered when this one exchange captures them so perfectly.

Anton Ferner

Here to answer the eternal question of “What if Oberstein, but hot?” is Anton Ferner, an Imperial cop who is loyal to whomever he dubs most able to make use of his loyalty. Like Oberstein, Ferner views himself less as someone with ambitions of his own and more as a tool to be wielded by someone more powerful. Also like Oberstein, Ferner has an unsettling air about him, made only slightly less so by the fact that he doesn’t habitually remove his eyeballs (that we know of).

You may remember Ferner from back in episode 9, when he sardonically refused to fire on the suicidally destructive Klopstock because a statue of Rudolph von Goldenbaum stood in his way.

However, whereas Oberstein has an overarching philanthropic goal that drives his utilitarian machinations, Ferner’s only motivation seems to be the joy he derives from serving someone he has deemed worthy. And here we get to the main difference between Ferner and Oberstein (other than their respective levels of hotness): Ferner can, in fact, feel joy! Or amusement, anyway.

Ferner is constantly smirking when he’s been bested in some way; he absolutely gets off on other people being powerful and talented, but again, we’re not here to kinkshame.

After Ferner ignores Braunschweig’s orders, attempts to assassinate Reinhard on his own, and is summarily defeated, he surrenders to Reinhard and offers him his loyalty. Reinhard, never one to scoff at potential no matter how it ends up in front of him, accepts and, appropriately, gives him to Oberstein as a pet.

I’ll bet you thought I was kidding.

Oberstein and Ferner, the creepiest utilitarian weirdos in the galaxy, have found each other at last! I’m sure they’ll get along great; Ferner, at least, will probably think Oberstein’s removable-eyeball trick is hilarious.  

And we must never ever forget that Ferner, according to Matsuri Okuda’s original character designs, started life as a rejected Reuental concept. Which may explain why I think he’s so beautiful.

Otto von Braunschweig (and Ansbach)

Have you noticed that nobody on Reinhard’s team—not even anyone of noble birth—has that awful George-Washington-style aristocrat hair? Even Mecklinger, who keeps his hair long, doesn’t wear it in a ponytail with an enormous bow. My point is that Braunschweig’s hairstyle, which is hideous, is also a good indicator that he is evil, or at least regressive. And whereas there’s an abundance of nuance when it comes to whether the Empire or the Alliance is morally “better,” everyone can agree on one thing: The Imperial nobles are bad. And Braunschweig, as their leader, is the most bad.

Another way to tell Braunschweig is evil is that he frequently does things like imply that if celebrated admirals don’t do his bidding, he’ll have their young daughters killed.

Braunschweig—who is the late Kaiser Friedrich IV’s son-in-law, by the way—is actually too unambiguously evil to be interesting on his own. The only thing that holds my attention about him beyond the fact that I want to cut off his ponytail is the fact that he is one half of yet another pair of men. And his loyal retainer and counterpart, Ansbach, is in turn only interesting insofar as parallels are set up between his relationship to Braunschweig and Kircheis’s relationship to Reinhard, particularly (so far at least) in episode 9:

Remember this? The similarities between Ansbach and Kircheis’s frenzied searches for Braunschweig and Reinhard, respectively, are too striking to be anything but intentional.

Like I said in my episode 9 post, though, there’s no reason as of yet to think that the relationship between Braunschweig and Ansbach is romantic; even if that’s what the parallels point to, they’re one-sided at this stage, so if Ansbach’s feelings of devotion do cross over into romantic territory, it’s unlikely that they’re reciprocated. Sorry, Ansbach.

Incidentally, Ansbach doesn’t have a last name. Or he doesn’t have a first name. In any case, he only has one name, and it’s Ansbach. Also, if I didn’t hate him so much, I’d be worried about his skin. He looks like he could use several glasses of water, maybe applied directly to his face.

Willibald Joachim von Merkatz (and Schneider)

Merkatz was actually voted the class of 447’s Most Expressive Eyebrows at military academy. Wow!

Merkatz, a very accomplished and grizzled admiral who has been griping about Reinhard and his youth since episode 1, will spend more time in the spotlight later, but I wanted to mention him now for a couple reasons: First of all, his eyebrows are incredible and I can’t stop watching him move them. I honestly don’t know what he’s saying most of the time because I’m too focused on his eyebrows. I’m simultaneously impressed and scared. Second of all, we can go ahead and add Merkatz to the growing stack of (male) characters who are one half of a defined (male) pair.

Merkatz’s counterpart, Bernhard von Schneider, is a young officer who spends most of his screentime in episode 18 with his jaw on the floor while Merkatz explains to him the concept of nuance.

Or maybe he’s just mesmerized by Merkatz’s eyebrows. Same, Schneider. Same.

Anyway, keep an eye on these two, and by these two, I mean Merkatz’s eyebrows. I’d also recommend maybe paying attention to Merkatz himself, and Schneider too, because there will be a lot more to say about them down the line.

Stray Tidbits

I really enjoy how ostentatious literally everything to come into contact with the Imperial nobility is; like how are Reinhard and Kircheis's ships less flashy than something? How?

I am being personally victimized by the fact that this guy’s monocle doesn’t actually fall out. 

[kaydeedc]

{06-04-21}

Happy Birthday, Hirakawa Daisuke-san!

He voiced Kokindenju-no-tachi (Touken Ranbu)~

and also Kakyoin Noriaki lerolerolerolero(JoJo's Bizzare Adventure), Ryugazaki Rei (Free!), Hiragi Tsubasa (Starmyu), and Bernhard von Schneider, (The Legend of the Galactic Heroes: Die Neue These Seiran).

[mimmixerenard]

They make sense in my head

Feat. where I got that idea from (aka "at least they interact in canon")

Those screenshots are so old I forgot which eps I took them from

[inspirationinbadthings]

CARHARTT WIP // Working On Society from Vincent Boehringer on Vimeo.

fed up with the discrimination they face in everyday life, three young people rebel against it in their very own way. the situations seem to be taken randomly from their lives, and yet they reveal parts of their personal background and socialisation. the young woman in the public swimming pool, the waiter in the restaurant, the boy with his father - each takes a small step towards overcoming injustice with a personal gesture and at the same time a great character development.

starring rabea lüthi / maximilian zschiesche / nicolas sidiropulos / andrea leonetti / sebastian schäfer / sophie urbain

written by daniel theobald & vincent boehringer

production company / filmakademie baden-württemberg producer / britt abrecht & bernhard strobel director / vincent boehringer 1st ad / tobit kochanek 2nd ad / joshua neubert dp / larius kieninger 1st ac / adrian huber 2nd ac / aljoscha wuzella gaffer / hannes hölz electricians / anian krone & daniel huss art department / franziska kabutke styling / laila eby make up / thi hake soundmixer & sound design / jonathan rösch edit / lucas cantera motion design / julia schneider score / julian klincewicz (tuckered out - lukasz) colorist / jonny thorpe (glassworks london)

extras marlen anstett / hannah dorothée / kevin boampong / tony couchi / luigina fallico / arthur stoklossa

special thanks valerie braun / gwenola heck / sophia dillmann / marie von hardenberg / tommy dobrowski / oona eberle / ivana vukasovic / s ec studio

© filmakademie baden-württemberg 2021

[jlertle]

CARHARTT WIP // Working On Society from Vincent Boehringer on Vimeo.

fed up with the discrimination they face in everyday life, three young people rebel against it in their very own way. the situations seem to be taken randomly from their lives, and yet they reveal parts of their personal background and socialisation. the young woman in the public swimming pool, the waiter in the restaurant, the boy with his father - each takes a small step towards overcoming injustice with a personal gesture and at the same time a great character development.

starring rabea lüthi / maximilian zschiesche / nicolas sidiropulos / andrea leonetti / sebastian schäfer / sophie urbain

written by daniel theobald & vincent boehringer

production company / filmakademie baden-württemberg producer / britt abrecht & bernhard strobel director / vincent boehringer 1st ad / tobit kochanek 2nd ad / joshua neubert dp / larius kieninger 1st ac / adrian huber 2nd ac / aljoscha wuzella gaffer / hannes hölz electricians / anian krone & daniel huss art department / franziska kabutke styling / laila eby make up / thi hake soundmixer & sound design / jonathan rösch edit / lucas cantera motion design / julia schneider score / julian klincewicz (tuckered out - lukasz) colorist / jonny thorpe (glassworks london)

extras marlen anstett / hannah dorothée / kevin boampong / tony couchi / luigina fallico / arthur stoklossa

special thanks valerie braun / gwenola heck / sophia dillmann / marie von hardenberg / tommy dobrowski / oona eberle / ivana vukasovic / s ec studio

© filmakademie baden-württemberg 2021

[artwalktv]

fed up with the discrimination they face in everyday life, three young people rebel against it in their very own way. the situations seem to be taken randomly from their lives, and yet they reveal parts of their personal background and socialisation. the young woman in the public swimming pool, the waiter in the restaurant, the boy with his father - each takes a small step towards overcoming injustice with a personal gesture and at the same time a great character development. starring rabea lüthi / maximilian zschiesche / nicolas sidiropulos / andrea leonetti / sebastian schäfer / sophie urbain written by daniel theobald & vincent boehringer production company / filmakademie baden-württemberg producer / britt abrecht & bernhard strobel director / vincent boehringer 1st ad / tobit kochanek 2nd ad / joshua neubert dp / larius kieninger 1st ac / adrian huber 2nd ac / aljoscha wuzella gaffer / hannes hölz electricians / anian krone & daniel huss art department / franziska kabutke styling / laila eby make up / thi hake soundmixer & sound design / jonathan rösch edit / lucas cantera motion design / julia schneider score / julian klincewicz (tuckered out - lukasz) colorist / jonny thorpe (glassworks london) extras marlen anstett / hannah dorothée / kevin boampong / tony couchi / luigina fallico / arthur stoklossa special thanks valerie braun / gwenola heck / sophia dillmann / marie von hardenberg / tommy dobrowski / oona eberle / ivana vukasovic / s ec studio © filmakademie baden-württemberg 2021

[atelierimpopulaire]

ALEXANDER KLUGE. DAS THEATER DER KINOS  EXHIBITION & PERFORMANCE NIGHT

Alexander Kluge. Theatre of Cinemas

11.02-01.03.2020

All foyers

With contributions by: Chantal Akerman, Lynn Herschman Leeson, Thomas Heise, Tilda Swinton, Jean-Luc Godard, Wang Bing, Ildicó Enyedi, Chen Kaige, Atom Egoyan, Spike Lee, Wong Kar-Wai, Ang Lee, Tom Tykwer, Alexandra Kluge, Madji-da Abdim, Raoul Peck, Christoph Schlingensief, Lilith Stangenberg, Michael Haneke, Li Yang, Donald Sutherland, Vanessa Redgrave, Zhang Yimou, Claude Lanzmann, Richard Linklater, Dan Talbot, Theo Angelopoulos, Bai Ling, Bruno Ganz, Peter Berling, Helge Schneider, Armin Müller-Stahl, Hannelore Hoger, Kaori Momoi, Yu Nan, Shu Qi, Tony Gerber and Jesse Moss, Werner Nekes, Sarah Morris

and a special project by Jonathan Meese

Curated by Atelier Impopulaire

Conceived like a constellation of movements and acts, Das Theater der Kinos is a multi-media exhibition project that aims to explore the dialectic and complex relationship between Alexander Kluge and the seventh art, unfolded on two floors of the Volksbühne theater. If theatron in Greek was the designated space for viewing, offering the possibility to listen, watch and observe, kinema embodied the idea of movement, but also a movement that can bring a change. From the historical collaborations with Christoph Schlingensief to the ongoing monumental webseries The Eye of the Dragonfly, for Alexander Kluge the Volksbühne represents the symbol of a mutant “kinematic theatron” that has challenged the main principles of his oeuvre - simultaneity, polyphony and montage-, contributing to define his artistic politics of time and to change the way we perceive and experience both art forms. Giving the spectator the unique chance to inhabit the common spaces of the theater like waiting rooms, salons, wardrobes and foyers, Das Theater der Kinos traces a personal and somehow surprising history of cinema that works like a  machine à penser.

OPENING & PERFORMANCE NIGHT

exhibition opening 18.00

Stern Foyer 19.00

Greetings and Introduction with Klaus Dörr (Volksbühne Intendant), Carlo Chatrian (Berlinale Artistic Director), Alexander Kluge

Program No. 1 Roter Salon

Start 18:00

Introduction by Alexander Kluge

Schiffsuntergang mit Mann und Maus. Die robusten Planken der Berliner Volksbühne: Unsinkbar in der Krise. Die Werkstätten am Rosa-Luxemburg-Platz & dieses Theater als Werkstatt überhaupt. Alexander Kluge und Alexander Weil (2018, 91 Min)

19:50 Introduction by Alexander Kluge

20:00 Film program on the occasion of the 75th return of Zero Hour: 1945-2020

Schwarzes Ende, Hybris: 22. Juni 1941 (2019, 3 Min)

Der Gärtner vom Reichsparteitag (2017, 4 Min)

Die legendäre AIDA von Hans Neuenfels an der Frankfurter Oper. Einzig erhaltenes Fragment / „Potlatsch – diachron – kontrovers“. Ballett der Macht - Vom Tanz zum Paradeschritt (2019, 8 Min)

Frühling mit Weißen Fahnen. Filmpremiere (2020, 63 Min)

„Parsifal verlernen!“. Wie kann man etwas verlernen, was man gar nicht kennt? Hommage für für den Bühnenbildner der Volksbühne Jonathan Meese und dessen Komponisten Bernhard Lang (2017, 60 Min) 

Program No. 2 Gruner Salon

Start 19.30

Programm mit Filmen, Performances, Lesungen, Musik und vor allem Filmen. Filmlänge mindestens 120min. Mit Sir Henry, Alexander Kluge und Gästen. Film length minimally 120Min. With Sir Henry, Alexander Kluge, and other guests.

Dinamita. Minutenfilm (1 Min)

Sarastro, Fürst der Vernunft (10 Min)

Es gibt kein richtiges Leben im falschen Hasen (2 Min)

Mehrfachbilder für Einar Schleef. Mit Walfischton. Wagners PARSIFAL / Brechts PUNTILA. Mit Jutta Hoffmann (2 Min)

Ach, wie mörderisch wir lieben. Minutenoper für Sophie Rois (2020, 2 Min) 

Wir Philosophen aus der Rippe Evas (2018, 2 Min)

Deutschlandpremiere:

Auf Messers Schneide: 1929 (mit H.M. Enzensberger, Alfred Edel, Olli Schulz, 2020, 90 Min)

ABSCHLUSS

Closing. As "last-call-audience-rouser" at the end of the program:

Kosmische Musik (2020, 3 Min)

Ich spreche fließend 13 Sprachen (mit Helge Schneider, 2019, 4 Min)

Infra-Struktur Rap (Film-Triptychon aus Angola, 2019, 2 Min)

Das wandernde Lexikon und Was tun, wenn ein Fernostler neben mir hustet (mit Helge Schneider, 2019, 6 Min)

Born in the town of Halberstadt in 1932, Alexander Kluge is one of the leading intellectual voices in Germany today. His huge body of work, which includes film, fiction, social theory, television, and political action on various cultural fronts, can be regarded as a continuation of the Critical Theory of the Frankfurt School and constitutes a unique venture in the cultural history of post-war Germany. The motives, themes, and formal strategies of Kluge’s radical cinéma impur, raise questions on representation and gender, history and memory, theory in its relation to practice, and the ongoing vitality of modernism.

PRODUCED BY VOLKSBÜHNE BERLIN AND BERLINALE

VOLKSBÜHNE, Rosa-Luxemburg-Platz

more on: volksbuehne.berlin

[perureise2017]

„Tragender Brückenpfeiler nach Freiburg“

Deutsche Gemeinde in Lima / Peru feiert 50 Jahre

Die katholische deutsche Gemeinde in Lima / Peru hat mit einem großen Gemeindefest und einem Pontifikalamt mit dem Freiburger Erzbischof Stephan Burger sein 50-jähriges Jubiläum gefeiert. „Die Frohe Botschaft von der Liebe Jesu Christi wird hier in Lima nun seit 50 Jahren auch auf Deutsch verkündet. Das Besondere daran ist, dass sich von hier aus eine Beziehung entwickelt hat, die uns einander nähergebracht hat und uns begleitet“, sagte der Freiburger Erzbischof in seiner Predigt. „Seit mehr als 30 Jahren gehört zu den besonderen Beziehungen auch die Partnerschaft zwischen der Erzdiözese Freiburg und Peru.“ Nach den Worten von Erzbischof Burger erfüllen sich die Größe und Weite des Evangeliums nur in der Gemeinschaft des Glaubens: „In der Gemeinschaft mit ihm und untereinander können wir den Glauben immer wieder neu erleben – auch über Meere und Ländergrenzen hinweg.“

Verdienstmedaille für Deutsche Gemeinde in Lima / Peru

Als Zeichen der tiefen Verbundenheit hat die Erzdiözese Freiburg die Deutsche Gemeinde in Lima mit der deutschen Verdienstmedaille der Peru-Partnerschaft ausgezeichnet. Die Pfarrgemeinderatsvorsitzende Susi Spittler nahm die Auszeichnung aus den Händen des Freiburger Erzbischofs Stephan Burger entgegen, der die besondere Bedeutung der Gemeinde für die Partnerschaft zwischen der Erzdiözese Freiburg und Peru hervorhob: „Sie ist ein tragender Brückenpfeiler nach Freiburg, hier wird die Partnerschaft gelebt und gepflegt. Ich wünsche der deutschen Gemeinde in Peru Gottes Kraft und Segen für die Zukunft.“

Feier im Garten der deutschen Gemeinde in Lima

Bei der anschließenden Feier im Garten der deutschen Gemeinde in Lima gab es die Möglichkeit zum Gespräch und zur Begegnung. Mit großer Freude begrüßten die Gemeindemitglieder ihre ehemaligen Pfarrer Wolfgang Klock, der extra mit Erzbischof Burger aus Deutschland angereist war und Wilfrid Woitschek, der mittlerweile als Pfarrer einer peruanischen Gemeinde nördlich von Lima tätig ist. Das diplomatische Corps in Peru war durch die Botschafter Jörg Ranau (Deutschland), Dr. Andreas Rendl (Österreich) sowie Gábor Kaleta (Ungarn) vertreten. Pfarrer Hans-Jürgen Hoeppke verkörperte die guten Beziehungen zur evangelisch-lutherischen Gemeinde deutscher Sprache in Lima.

50 Jahre Deutsche Gemeinde in Lima

Die katholische deutsche Gemeinde in Lima ist eine von weltweit mehr als 160 deutschsprachigen katholischen Auslandspfarreien. „Durch die Einrichtung dieser Gemeinden sollten Gottesdienste und Seelsorge in deutscher Sprache im Ausland angeboten und gleichzeitig die Integration der deutschen Katholiken im jeweiligen Land gefördert werden“, berichtet der Pfarrer der deutschen Gemeinde in Lima, Tibor Szeles. „Das haben wir gut geschafft. Neue Herausforderungen sind es jetzt, die eigenen Wurzeln zu bewahren und gleichzeitig den Gründungsgeist weiterzutragen.“

Die Kirche San José in Lima war am 12. November 1967 von Weihbischof Mario Cornejo und Pater Bernhard Siebers (MSC) eingeweiht worden. In der Chronik der Kirche heißt es dazu: „Die Kirche war festlich geschmückt. Die Fahnen des Vatikans und Perus wehten am Vorplatz. Pater Josef Mauermann hatte den Namenspatron für die Kirche der deutschsprachigen Kolonie ausgesucht, im Gedenken an San José, den Schutzpatron der Arbeiter. Schließlich war er auch sein eigener Namenspatron.“

Nach der Pensionierung von Pater Mauermann waren die Priester von San José Pater Leopold Wesselmann (zwei Jahre), Heinrich Rosner (vier Jahre), Bernhard Hombach, Wilfrid Woitschek, Karl Pfeiffer (jeweils drei Jahre), Wolfgang Klock (14 Jahre), Bernhard Schneider (fünf Jahre) und seit 2008 der Tibor Szeles. Seit Begründung der Partnerschaft Peru-Freiburg im Jahr 1986 stammen die Pfarrer der deutschen Gemeinde immer aus dem Erzbistum Freiburg.