#Bengt Ekerot

[haveyouseenthismovie-poll]

[Note: This poll is a re-do of an older poll, as the original poll received less than 2,000 votes.]

[swordofmoonl1ght]

THE SEVENTH SEAL (1957), DIR. INGMAR BERGMAN

[panda-pal]

The Seventh Seal (1957) Directed by Ingmar Bergman

[toraleistripe]

Bengt Ekerot as Death in The Seventh Seal (1957) dir. Ingmar Bergman

[rwpohl]

ansiktet, ingmar bergman 1958

[classicfilmpunk]

The Seventh Seal (1957)

[thetheodispatch]

Det Sjunde Inseglet (1957) dir. Ingmar Bergman

[davidhudson]

Bengt Ekerot, February 8, 1920 – November 26, 1971.

[schlock-luster-video]

Remembering The Seventh Seal star Bengt Ekerot on the anniversary of his death.

[floejlskaersild]

death

[motionpicturelover]

"Det sjunde inseglet" (1957) - Ingmar Bergman

(Eng. title: "The Seventh Seal")

Films I've watched in 2024 (6/95)

[filthydelinquent]

The Seventh Seal - Ingmar Bergman, 1957

[panda-pal]

The Seventh Seal (1957) Directed by Ingmar Bergman

[toraleistripe]

AAAAAAA I FINALLY FOUND ANOTHER BENGT EKEROT MOVIE TO WATCH FKGJKSDJJDHH 😭🥰👏👏👏👏

IDK why, but his movies are nearly IMPOSSIBLE to find!! At least for me they have been, I'm not sure if I'm just not looking in the right places or if they're so hard to find because they're really old foreign films. I have no idea, but I'm excited to watch 'Ansiktet' (or 'The Face' in English) tonight!! The movie is also called 'The Magician' in English, so I'm not sure why it seems to have two titles in English?? Unless I was just missing something while I was doing research 😅

Max von Sydow is also in the film and it's directed by Ingmar Bergman, so it'll be great to see another movie that these three were all a part of.

[nicklloydnow]

“Death as a subject? Is not death the non-subject par excellence? However cheerfully we may chatter about love, there is little to say about death. It leaves us speechless. Once, we are told, in the good old days, in ancient times it was different, Death was more loquacious and affable, was part of society and the family, encounters with him were not avoided, and if he was not a close friend at least he was on familiar terms with mankind. There has been a fundamental change over the last two hundred years. Death has fallen silent and commands our silence, and we are happy to comply; indeed, we preserve a deathly hush. And not because we know nothing about it - that, as everyone knows, is no reason at all to keep one's mouth shut - no, it is simply because death is the spirit of the eternal negative, a spoilsport, literally a killjoy, and we want nothing to do with such characters today.” - Patrick Süskind, ‘On Love and Death’ (2006) [p. 39, 40]