#Bendarious

[flintoaster]

GUYS

[somebucky]

My biggest pet peeve about the internet: no one is allowed to have their own opinion. You must conform to modern society or die.

Examples of my hot takes people disagree with on the internet.

I think good relationships and good friendships start with self-awareness and communication. If you cannot accept your own wrong-doings or realize that a friendship/relationship is not one-sided then it will probably end poorly because it takes two people to interact and not communicating your needs/wants/hopes effectively makes it less likely the relationship will work in a positive way.

Taylor swift's music became less interesting to me after the Fearless album.

I never liked Ariana Grande's music. It sounds like whiney mumbling.

I think books should be enjoyed and cherished no matter the genre. And they dont need frivelous things like "chapter titles, synopsises, numbers on spines, indexes, maps, or table of contents. Sometimes a good book is good without these things. It takes a writer. Anyone can become an author. It takes a writer to really make the pages come to life.

I think the Olympic Class Ocean Liners of the White Star Line is cursed. Because The Britannic sunk, the Titanic sunk, and the Olympic had several collisions and was retired and scraped for metal at the end.

I think anyone can be an educator in a school but it takes effort to be a teacher. To be a teacher is to inspire students to learn and to care for students intentionally by communicating subjects in multiple ways and helping them to understand. To be an educator is to expect students to grasp what you cannot communicate with minimal help to no help.

I also think Degrassi Next Class messed up by recasting Alex Steele as Tori and not keeping her as Craig Manning's younger sister Angie. Because the whole Degrassi TV franchise brings back original characters and their kids or siblings. Joey, Snake, and Spike were all on Degrassi Junior High. Then Degrassi the Next Generation was about Spike's daughter Emma, and her friends and Joeys kids/adoptive kids Angie and Craig. Then Degrassi developed into the younger siblings of the Next Generation like Ali Bendari, and Claire Edwards. Then Degrassi Next Class has some of those people still but they didnt introduce anyone with ties to older characters or anything. Alex Steele's character couldve been perfect for that.

I could go on but I'll stop myself with those examples. Because those are just some of the arguments I've gotten on the subject of lately.

[tamerashry]

Ahl Masr Hospital - Our missed ones from Tamer Ashry on Vimeo.

Ahl Masr Foundation - مؤسسة أهل مصر Synergy Advertising Chairman: Tamer Mursi CEO: Hassan Kamal HR Director: Heba Sadat Chief Creative Officer: Mohamed Nassef Creative Director: Sam Khafagy Senior Copywriter: Abdelrhman Fahmy Art Director: Mariam Al Soso Art Director: Bassem A. Sattar Senior Graphic Designer: Omnia Hesham Copywriter: Nabil Samy Calligraphy: AbdelRahman M. Ali Agency Producer: Mohamed Sherif Assistant Agency Producer: Nour Elghazawy 2nd. Assistant Agency Producer: Amr Etman Chief Business Development Officer: Mohamed Aboul Enein Account Manager: Rowan Z. Abdelhamid Senior Account Executive: Amr Mursi Director: Tamer Ashry DOP: Mohamed Tarek Deraz Production Designer: Hend Haider Stylist: Raghda Helal Music & Sound Design: Halawanymusic Studios - Moustapha El Halawany Singer: Rana Haggag Mohamed Production House: Hama Film Productions Executive Producer: Hesham Soliman Head of Production: Ahmed Sobhy Production Manager: Islam Maghawri Producer: Amira El Sharkawi Line Producer: Mahmoud ElDesouky Assistant Producer: Mohamed Ashraf Location Manager: Sayid Aly Post Producer: Nancy Hamdy 1st. Assistant Director: Sherif Ashour 2nd. Assistant Director: Donia A. Salah 3rd. Assistant Director: Nada Hady Assistant Production Designer: Nada Abdel Maguid - Nada Mounir Assistant Stylist: Mostafa Cheetos Sound Engineer: Ahmed Adnan Focus Puller: Mohamed Saber Gaffer: Eshta - Ali Salim Grip: Sameh Gamal Freefly: Ahmed Lababedy Video Assist: Wael El-Sayed Casting: Challenge Casting Agency VFX & Post Production: The Barber Shop Managing Director: Osama Bendary Editor: Ahmed Tarabily Colorist: Mahmoud Ali Photographer: Sameh Elsebaay

[harvestheart]

Bendari woman from Hormozagan province, Iran.

Bandari woman from Hormozagan province, Iran

[minageo]

يا قاتلي ولها احييتني تيها كل الاغاني سدى ان لم تكن فيها

جراح حبك تذكار على جسدي ان كان لي فيك خير لا تداويها

و نار حبك في روحي مقدسة ما اكثر الدمع لكن ليس يطفيها

خذني اليك و شكلني و كن صفتي احق انت بروحي ان تسميها

Listen to يا قاتلي _ فايا يونان by Ahmeđ Benđary #np on #SoundCloud

https://soundcloud.com/ahmed-bendary-605320827/zqlvoqgkccbv

[kikiismailmakeup]

View this post on Instagram

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#makeupbykiki for the egyptian beauty #Rouby 💕💕💕 #روبي @therubyegy Song by @elissazkh for @telecom.egypt ad @Dy nergy.tamermursi Hassan kamal Mohamed Aboul Enein Mohamed nassef Mohamed Sherif Sam Khafagy Mahmoud Amin Khalil Magdy Amr mursi Rowan Zaki Director: @marwanwhamed DOP: @taimourtaimour Art Director: Mohamed Attia Stylist: @nadaadelt Photographer @mahmoudabdelsalamm Production house: (TEAM WORK) Executive producer: Bendary Benz Producer: Khaled El Ghandour Director of production: Khaled Galab 1st AD: Marwan Ehab Abdel-Moniem Assistant Director: Ahmed emad Hana Mahmoud Tarek Arafa Focus pullers: Aly Assar Omar El Badrawy Line producer: Hossam Hamdy Assistant producers: Doaa Manssor Ali Bahr Production manager: Mohamed Saeed Khattab Production: Hadi Hamed Ibrahim Omar Sultan sultan Ehab Ahmed Omar Loutfi Mostafa Gamal Elsayed Serag Fire Assistant Art Director: Hamza Taha Farah Morsy Casting Director: Mohamed Elgendy Casting Agency: Target Mahgoub Abdalaziz Target Omar Seven The mighty Gaffer: Desha Light Assistant Gaffer: Amr Honda Grip: Ahmed Baskota Camera: Yasser Zanita Ayman Baskouta Mohamed Molto Video Assist: Haitham Elsayed Abd el Razak Sabry Ruby's Hair: @ashour_201__hair_styilst POST PRODUCTION HOUSE (AROMA) Tamer Mortada Editor: Ahmed Hafez Aroma senior producer: Osama Bendary Assistant Editor: Yasmine Younis Post production house: (CIRCLE) Mohamed Noussier Colorist: M Sami Nassar Seniour Producer: Nada Ali Producer: Samar Hegazy #makeup #makeupartist #beauty #fashion #egypt #egyptian #actress #singer #model #lebanon #saudi #middleeast #legend #beautyicon #jeddah #uae #dubai #emirates #dxb #star (at Hurghada) https://www.instagram.com/p/B0QPPjvheGc/?igshid=al1gqg0i1o6h

[re-7ab-4]

Listen to الحقيقه _ أصاله by Ahmeđ Benđary #np on #SoundCloud

https://soundcloud.com/ahmed-bendary-241057215/qazlkf10asnz

💙

[fineartblog2021-22]

Cecilia Vicuña - 23/03/22

This week’s Wednesday lecture was a Youtube recording about artist Cecilia Vicuna by speaker Heather Bendari who is a lecturer in visual art. Cecilia Vicuna is an artist, poet, filmmaker and activist whose work looks into ecological destruction and human rights. Vicuna has her work shown in the Tate Modern, MoMa, and The Guggenheim Museum as well as many other solo shows. In this Youtube recording, speaker Heather discusses when she went to two of Vicuna’s solo shows, one in Brooklyn which she described as “majestic” and the other in the Lehmann Maupin Gallery in New York, which she said was a more intimate show. Both these shows featured her “Quipu” pieces. From looking more into Quipus, they are tally cords which are knotted and used as a recording device by many South Americans. Each cord had a different number of clustered knots which was a way of conveying numeric information. In Vicuna’s installations, they hang from the ceiling in what seems to be a forest. Speaker Heather described seeing this installation in the Lehmann Maupin Gallery as “strong, sensitive, feminist and undeniably powerful” which brought tears to everyone’s eyes. 

After Heather finished her talk, Vicuna took to the stage in a graceful and gentle manner and began singing in Spanish, to me it seemed very spiritual and like a part of her culture. She seems so immersed in her art and almost as if it takes over her life, which is really interesting to see. She told stories of her childhood and life, and how she moved from Chile to America and her experiences with that, including racism, which inspired a lot of her artwork and poetry, as well as her path to becoming a feminist and activist. Vicuna spoke of a feminist rally, and how she had never seen a rally of naked women standing up for what they believed in before, and how much this has inspired all of her work. A big part of her talk was about a rally that happened in Chile on March 8th 2019, in which women marched with a red hand print over their mouths to symbolise rape and how women often aren’t allowed to have a voice. Vicuna said how the images from this march made her tremble with terror and joy at the same time, joy at the fact that women are standing up for themselves and what is right, and terror as Chile has a reputation of having some of the most violent femicide campaigns in the world. 

I really enjoyed this Youtube recording and hearing Cecilia Vicuna speak in such a way that should be inspirational to any woman. Her art and poetry is in my opinion really beautiful and tells a story of her awakening as a feminist and the struggles she herself has been through and what she has seen other women from her home country of Chile go through. In many ways, Cecilia Vicuna reminded me of artist Yoko Ono, her singing and expressiveness and the way in which she speaks so intelligently of issues that are important to her. Overall I found Vicuna very inspirational and will definitely be referencing her during my work that is related to feminist matters.

[ueber-den-daechern-referenzen]

Höhenrausch . RieplRiepl Architekten . 2009 . Linz .

Der Höhenrausch wurde vom österreichischen Büro RieplRiepl Architekten im Jahre 2009 in der Altstadt von Linz gebaut und gilt seit seiner Eröffnung als ein einzigartiges Kultur-Highlight in Oberösterreich, das jährlich im Sommer BesucherInnen in 6-stelliger Zahl auf die Dächer der Innenstadt lockt.

Es handelt sich um eine dynamische Parcoursstruktur durch die Kunsträumen im OÖ Kulturquartier hinauf bis zur Spitze des Aussichtsturms mit Panoramablick; von den historischen Dachböden über Stege, Wege und Brücken auf die Passage Linz, durch die Ursulinenkirche und bis zum Parkhaus-Deck. Ein kleiner newyorker High Line in Linz, durch den stillgelegte, abgelegene oder unzugängliche städtische Orte aus ungewohnter Perspektive erlebt und genutzt werden können.

Der Höhenrausch verknüpft die Ausstellungsräumen und die Dachlandschaft vom OÖ Kulturquartiersmuseum, an deren Schnittstellen die KünstlerInnen mit ihren ortspezifisch ausgerichteten Interventionen Wahrnehmungsgrenzen brechen und uns mit ungewohnten Sehweisen konfrontieren. Die sinnliche Mischung der Kunstansätze macht den Höhenrausch darüber hinaus zu einem einmaligen Kulturvermittlungsprojekt. Die BesucherInnen werden auf dem Rundweg spielerisch mit internationaler Gegenwartskunst konfrontiert, die sie nicht nur mit distanziertem Blick betrachten können, sondern auch aktiv körperlich erleben und in diesem Sinn ganzheitlich aufnehmen können. Damit werden sowohl Vorurteile gegenüber der Kunst abgebaut als auch Ausschließungsmechanismen durchbrochen.

Das Erlebnisraum Voestalpine Open Space gilt als Epizentrum des Höhenrauschs. Diese offene Struktur, mit den Maßen von 42 m Länge, 15 m Breite und 9 m Höhe, hängt 25 m über den Boden und besteht aus 120 Tonnen Stahl. Das Hochregallagerprojekt schwebt quasi in der Luft und liegt nur auf zwei bestehenden Gebäuden, das OK und das Parkdeck, auf. Der Voestalpine Open Space ist sowohl eine Bühne für außergewöhnliche kulturelle Projekte und künstlerische Aktionen als auch eine multifunktionale Landmark: von unten ein elegant schwebender Stahlkörper, beim Rundgang ein beeindruckender, offener Innenraum, vom Parkdeck aus wie ein Amphitheater, von oben wie eine Aussichtsplattform.

Sowohl der Voestalpine Open Space als auch der Höhenrausch in seiner Gesamtheit versuchen die Grenze zwischen Innen- und Außenbereich zu brechen. Der größe OÖ Kulturquartier ist ein Ensemble von separaten Einrichtungen (Ursulinenkirche, Kunstsammlung Land OÖ, OÖ Kunstverein, OK Offenes Kulturhaus usw.), die vom Höhenrauschsparcours als Einheit verbunden werden. Der Hohenrauschsweg durchquert Ausstellungshallen, besetzt ungenutzten Raum auf dem Parkplatzsdach, wird zur Brücke und durchstößt den Baukörper des Kirchturms, bevor er weiter zum Aussichtsturm aufsteigt. Diese Struktur ist frei: Sie windet sich flexibel wie eine Schlange durch die geschlossenen und offenen Räume des Komplexes und ignoriert dabei jegliche funktionale Trennung und architektonische Barriere. Diese äußerst komplexe Struktur schafft unerwartete Bereiche, die es dem Besucher ermöglichen, den Raum aus einer neuen Perspektive wahrzunehmen.

Der Höhenrausch ist ein Beispiel für eine dynamische und versatile Architektur, die in der Lage ist, räumliche und physikalische Grenzen zu überwinden und die menschliche Sinneswahrnehmung herauszufordern.

Quellen:

https://www.voestalpine.com/blog/de/verantwortung/voestalpine-open-space-einzigartiger-kunstraum-hoch-uber-linz/

https://derkultur.blog/2021/05/30/hohenrausch-linz-2021/

https://www.tips.at/nachrichten/linz/kultur/533223-ein-letztes-mal-den-hoehenrausch-geniessen-wie-im-paradies-ueber-den-linzer-daechern

http://www.ooekulturquartier.at/kultureinrichtungen/

https://ooe.orf.at/stories/3125742/

https://www.diepresse.com/1418614/30-meter-holzturm-linzer-hohenrausch3-startet

Farida Bendary und Carlotta Pedemonte

[flintoaster]

Two years ago vs today 🥺😭

[hamzahsaman]

We are all born free & equal - Director’s cut from Ahmad Bendary on Vimeo.

Client : Ministry of communications and information technology Agency/production : Naj Pictures Creative director : Ghada Atef Voice over : Essam Saif

Director : Ahmad Bendary Dop : Muhammed Daoud Editor : Salem Derbas Art-director : Asem Sharaf El-din Stylist : Yasmin Ali El Din Music producer : Mohamed Nassef 1st AD : Abdelwahab Shawky 2nd AD : Reham Elsayed 3rd AD : Marwan Elsaghier Focus puller : Ahmed Tarek Bayoumi

Naj Pictures: Executive producer : Mohamed Hamed Line producer : Samer Samir Production Manger : Younes Mohamed

Post house : New black - Manolis Ibrahim Colorist : Charbel Mouawad VFX : Sami Aly Managing director : Diaa Al Jayeh Post Producer : Yasmin Ashraf El Essawy Sound Design: Raheem Sameh

Presidency of Egypt media center: Project manager : Eslam Abdel-Hakim Media center content manager : Tamer Ramzy

[tamerashry]

وزارة الصحة والسكان المصرية - 100 مليون صحة from Tamer Ashry on Vimeo.

وزارة الصحة والسكان المصرية - 100 مليون صحة Featuring: Mohamed Fouad Lyrics: Amir Teima Music Composition: Ehab Abdel Wahed Music Arrangement: Kareem Abdel Wahab Synergy Advertising Chairman: Tamer Mursi CEO: Hassan Kamal HR Director: Heba Sadat Chief Creative Officer: Mohamed Nassef Creative Director: Sam Khafagy Associate Creative Director: Abdel Rahman Fahmy Art Director: Mariam Sabry Senior Graphic Designer: Omnia Hesham Agency Producer: Mohamed Sherif Assistant Agency Producer: Nour El-Ghazawy 2nd. Assistant Agency Producer: Amr Etman Client Service Director: Rasha Samir Senior Account Manager: Nariman Serry Account Manager: Farah Mohamed Atef Account Executive: Yousef Habib Account Executive: Hadeel Saad Director: Tamer Ashry DOP: Mostafa Fahmy Art Director: Marwa Amer Stylist: Ghadir Khaled Production House: Teamwork Productions Executive Producer: Ahmed Bendary Head of Production: Khaled Galab Producer: Noha Habib Line Producer: Nour El-Badrawy Assistant Producer: Heba Habib - Passant Zedan Production Manager: Mohamed Saad - Ahmed Cheetos Production Team: Mahmoud El-Sayed - Mina - Fady - Khaled Russia - Mostafa - Hatem Fayeq - Islam Maro 1st. Assistant Director: Sherif Ashour 2nd. Assistant Director: Donia Salah 3rd. Assistant Director: Yousra Rasheed Camera Man: Bassem Mostafa Focus Puller: Karim Abdel Fatah Sound Engineer: Islam Abdel Salam Gaffer: Ahmed Resha Grip: Hussein Hamdy Video Assist: Wael Sayed Assistant Art Director: Rehab Abdel Rahman - Ahmed Abdelwahab - Passant Isamiel Assistant Stylist: Hams Elnahas - Moaz Hassan - Mariam Fath Allah - Menna Ahmed Assistant Sound Engineer: Mohamed Ali - Islam Orabi Prop master: Gasser Hassan Wardrobe: Refaat Abdel Hakim 2nd. Unit DOP: Omar Hossam Focus Puller: Amr Sherbini Assistant Director: Shady Mahran Post Production: VIVID Studios Editor: Baher Rasheed Colorist: Essam Abdel Salam Post Producer: Sarah Abou Zeid Sound Design and Mix: The Garage sound studio - Hosny Ali VO: Essam Seif

[wierdlexus]

Chillin

Chillin

Chillin

God I know we haven’t talked in a while but help I think bendary cubulbuch is going to kill me

[cibfinals]

Karim Abdel Gawad wins a 5 setter. Who knew.

[4] Karim Abdel Gawad (Egy) 3-2 [8] Mohamed Abouelghar (Egy) 12-10, 11-6, 5-11, 8-11, 12-10 (92m)

“Never in doubt” commented Farah Bendary-Gawad. No, OF COURSE NOT, Karim’s bride never said that. Neither did hid Dad, Mum and Sis, sitting right next to me.

It did start bleeping well for the Baby Face Assassin, better that he probably expected after his poor performance of their match in the group. 7/1, 9/5, and looking light and accurate, thanks also to three errors from Abou. But two stroke and a winner, and we are back at 9/9. The sweat pouring out of Abou is making the court very difficult. A few stoppages will follow the whole match, with the Bullet coming off court to swipe his face bless him.

First game ball, 10/9, and it’s a tin, 10/10. And the Groom manages to salvage that one, 12/10. Crucial.  4 errors each. 7 winners, 1 stroke for Karim, 4 winners 2 strokes for Abou. 18m.

Second game, Karim’s truly flying out there, and it’s 3/0, 5/1, 6/2, 9/3. A big push from Abou, 11/6 in 14m. 7 winners for Karim, 5 for Abou, 1 error each, and difference coming from strokes (3 Karim, 1 Abou).

Things start to go very wrong of the Gawad camp from the third one. More errors coming from Karim, 5, offering a good lead 5/2, 6/3, 7/4, 8/5, and again errors at the end, 11/5 in 12m.

If Karim reduces the errors in the 4th, Abou is the one with the shots, the power, the changes of pace and angles. He is the one that plays better squash, although both are giving it all out there, 3/0, 4/1, 6/3, 8/5.

Karim claws back, the support for Abou is getting louder and louder. 7/8, Karim is so close but it’s the Bullet that makes it to the finishing post, 11/8 in 16 long minutes.

Karim makes more winners in that one, 7, but more errors too 3 for only 1 for Abou, and only 1 stroke for him, against 3 for Abou….

The fifth sees Karim warned once for a dodgy movement 5/2 up. Then a should have been let is given as a stroke as he was warned says the ref. And again, as Karim finally managed to get a match all at 10/8, another stroke for taking the line of his opponent says the ref.

I have to admit, I didn’t see those as they happened, but the video ref was the one deciding on those last two calls. He saw something I completely missed.

Nail bitting rally, another saved match ball, ending at 10/10. A no let confirmed by the video ref, and it’s a third match ball, 11/10.

Ironically, it ends of a tin from Abou, who today was so good and made so few of those, 12/10, in 25m…

[rateaucprofessor]

Amina El Bindary

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