#Because I feel like I was older?

[thepurplewombat]

I'm currently watching a YouTuber react to episodes of Buffy. The first one was Once More with Feeling because her reaction popped up after I watched a bunch of its songs in a row, and I was like 'hey I wonder how she reacted to earlier episodes' and now I'm kind of hooked.

Anyway at the moment she is Not Having A Good Time and I am forcibly reminded of being twelve and trying to act Normal around my family after watching the episode where Jenny dies.

[ninjautizm]

ATE AND LEFT NO CRUMBS !! THE RGB SIBLINGS ARE CANON!! ❤️💚🩵

[egophiliac]

Since book 7 part 5 (the part where we meet Meleanor/Maleanor 👀) is coming to EN this month, i would love to see your take on lilia’s proposal to meleanor! i mean they were like little kids right? it couldn’t have been that serious…i think the only reason she even brought it up again is because she could tell lilia still genuinely loved her…(even if he didn’t realize it himself?) but, oh well! Let’s think about silly childhood shenanigans to numb the pain! ^_^ (orz)

oh shit?! get ready for a doozy guys, it's comiiiiiing ᕕ( ᐛ )ᕗ

I chickened out of posting the whole thing (look, I get VERY carried away when it comes to these wacky kids and their Tragedy), but I do believe that it probably ended with Lilia getting embarrassed and just shoving the first thing he sees into his mouth to try and cover for it.

(we're just lucky it wasn't a frog this time)

[emo-batboy]

A Wild Battinson (Social Media AU)

Part 43 (Masterlist)

(Part 44)

Me, to myself: I just think the series was better when I posted several times a week because the pacing felt more natural, and it translates better when people binge it.

Also Me, holding two jobs and a bat: If you try to post once a day again, I will disconnect your head from your shoulders—

@bruciemilf guess who’s back

Anyways, folks! :D So I'm thinking of a new upload schedule where I spend a bit preparing the next ten or so parts then post it all in two weeks? I think that would be fun (and much better for my creative process.)

I’ll be posting the next part very soon :) But it's going to be drastically different from what I've done before. Let’s see if anyone can guess why.

Yada yada don’t die LOVE Y’ALL

[karvviie]

i am so normal about them

[aingeal98]

Something about older Jason looking at the child version of himself, the innocent victim, and feeling the need to defend and avenge him the way no one else will. They'll call him reckless and try to pin the blame for his death on some unique failure of his personality, the problem isn't Robin the problem is he was just a bad fit for Robin! And then older Jason coming back to life and spits on their twisted grief. Fuck you, that innocent child deserved more. You took his memory and ruined it to make yourselves feel better. If no one will give him justice then Jason will take it himself no matter who he has to kill to get there. It's the only way he can move forward.

Something about older Cass looking at this child version of herself, this innocent who has no idea what she was doing when she was tricked into killing, and finding her irredeemable. She will forgive everyone for everything if they need a second chance but she cannot forgive that innocent child. She spends ten years wanting that child to die for their sin, a standard she holds no one else to. And in the end she does have to die. She can never forgive that child until the price has been paid and the guilty, tormented, suicidal mess of a girl is dead and never coming back. Only then can Cass live on. Only then can she smile without feeling the weight of her kill on her back. If no one will give that child the justice they deserve then she will have to do it herself. It's the only way she can move forward.

[methoughtsphantom]

Danny adopts Jason and Dan kills the Joker au

Danny adopts Jason not because of the pit but because he sees how hard the guy goes after the Joker. At first Danny thinks nothing of it, but then Jason gets all the core vibes typical of wanting to avenge something. that would be fine except Jason is a bby ghost and the thing he wants to avenge is his own’s death. It’s a feeling Danny almost didn’t have to struggle with, being that a portal killed him (except it was the reason he immediately went to have beef with anyone that crossed the portal. They were essentially aided with the device that killed him and that made him feel… threatened? Frostbite didn’t explain it all that well) so yeah here’s Danny having a bit of a heart attack because the Red Hood is actively seeking to be in the same room as his murderer which baby ghosts are not allowed to what the fuck. He personally won’t do it, (cause he’s never killed someone) but he’s not above asking his older brother Dan to do it.

Danny: think of it as a favor I’m asking of u

Dan: it’s murder, that way surpasses a favor

Danny: 🥺 i’ll buy u a donut

Dan:

Dan: make it a half a dozen and you’re on

[puppetmaster13u]

Prompt 81

Danny blinked at the small children Ellie was holding the hand of, looking quite proud of herself. The small children- between ten and twelve so somewhere similar to Ellie’s age- who both practically stank of magic and Gods. 

He took a deep breath, pinching the bridge of his nose even as Dan cackled while opening the door more to let them inside. “Alright, what’s your name, kids?”

“B-billy…um, Billy Batson...” “‘m Percy! Percy Jackson.” 

“Nice to meet you two- any idea where in your family you have a god or two, because one of you definitely smells like Zeus and I’m pretty sure Poseidon and I am not dealing with either of my half-brothers.” 

[bonefall]

Big question cause I’m so mad about how they were used: any ideas on changing Berryheart and Curlfeather from this book?

I have ONE controversial opinion and you must allow me this;

Curlfeather not apologizing to Frostdawn kinda rocks as an idea.

Obviously it reads as insulting because of how they gave Berryheart a Tom the Wifebeater ass Redemption Death in this book, and the general way that they've not approached her with the nuance she deserves is frustrating. I agree.

But hold my hand and walk with me. Imagine Curlfeather, mauled and bloody before the daughter she died saving. Frostpaw's gone through so much fixing the damage she caused, furious at the state her mother's in, the mess she made of RiverClan, all the suffering everyone's gone through... and Curlfeather says,

"I don't regret anything."

"Really? REALLY? I go through all of that, I come ALL this way, and you won't even give me a rotten little sorry?"

She doesn't give her mother a chance to respond, lashing her tail towards the grimmace that hangs off the side of her shredded cheek, "You're not sorry for how you lead to yourself looking like THAT?"

Frostpaw shoves her scarred throat foward, "You're not sorry for THIS?"

She claws dig into the sodden black earth of the Dark Forest, "You're not sorry you're HERE?"

Curlfeather is quiet, her remaining eye stoic like a stone. Frostpaw begs furiously, "NOTHING?"

"I will vow on our blood that I will not lie to you anymore," the demon's tone is soft and honest, "and I hope that means more than the insincere apology I could offer you otherwise."

Just when it feels like Frostpaw has so much anger that her body can't handle it, pain stuffs itself inside her in equal measure. Her stomach is sick with love, throat choked with affection. It takes her a minute to form the word,

"Why?"

"When my father, Reedwhisker, was taken by the Kin, I saw how they broke him. His uncle, Stonefur, did not buckle under Tigerstar. My grandmother Mistyfoot quietly rescued the Clan from his accomplice, Leopardstar, while Mistystar willingly worked alongside a vicious impostor."

Now that Frostpaw is the one who's waiting quietly, Curlfeather's voice flutters hopefully, "I was willing to do anything to restore my Clan to greatness," the specter pads foward, touching her nose to her daughter's trembling forehead, "except sacrifice you."

She didn't expect to feel the harsh sting of her daughter's paw smacking her across the nose. She reels back.

"You don't get it! It's not about YOU! It's about everyone you hurt! Dont try to pretend it was all worth it, you didn't make anything great, you just broke it!"

"I had to break it so it could be set back stronger. I gave you the chance for the power, and now you are making it better than it was."

"That was in spite of you! You told me to trust no cat and I had to unlearn that!"

"I saved you when I could have escaped with my life."

"From a situation you caused in the first place!"

"It was a warrior's death!"

There is a silence that settles over them. Curlfeather is snarling in offense. Frostpaw looks, again, at her mother's fatal wounds, the defensive stance. She's reminded of how the cats of other cultures don't always see scars as rewards for a fight survived-- just reminders of pain you've gone through.

"...it was a warrior's death," she agrees, gently, watching tattered hackles smoothen out, "...and now you're dead, while I'm still alive."

The emotion in Curlfeather's face is solemn, but otherwise incomprehensible to her daughter. The expression on Frostpaw's is equally unreadable to her mother. This is the only thing they will ever understand about each other-- that there is an irreconcilable difference between them, steeper than the divide between sky and earth.

The last words the demon speaks to her daughter are, "I love you."

It's only years later that Frostdawn can say, "I love you too."

[novorehere]

Fellow non-sexual vore enjoyers in their mid-twenties and older… are you out there…

[morganbritton132]

Oh geez this might be a double ask because my phone glitched out when I tried to send previously BUT just wanted to say that I love ur Steve has older siblings au

I also need to say that I shamelessly combined that au with ur post about Tommy knowing Steve the best. Just picturing Steve’s sibs zoning out when his mom lists what he can’t eat because they assume she’s just being difficult. Flash forward a few years and they accidentally poison Steve with like peanut butter cookies and are realllly lucky that Tommy was staying over that weekend and knows he’s allergic.

anyways thx for all ur writing!

I only got this ask once so we’re good! The Steve Has Older Siblings AU has kinda been on hold for a bit because Dustin is either the easiest or the hardest character to write and right now, he’s being difficult for me.

BUT! I love this.

I’m going to change it around a bit because I’m on this kick right now where Steve is allergic to aspirin. Also, with the way that Steve’s mom is written for this AU, she is negligent but protective of her son. I don’t think she’d allow peanut butter in the house if Steve was allergic.

She wouldn’t allow aspirin either but Richard insists that it’s the only thing that cures a migraine (hangover), and Steve’s eight. He doesn’t even like taking his Flintstone vitamins so she’s not concerned about him getting in the medicine cabinet.

It’s not common that Tommy stays over at Steve’s when they’re sick.

Typically his mom watches them at their house but she had to go wake up his grandma (“That doesn’t make any sense. Why can’t she set an alarm clock?”/”I dunno, Steve. That’s what Mommy said. She had to go to Granny’s wake.”) so Mrs. Harrington was babysitting them.

Mrs. Harrington isn’t very good at taking care of them. Tommy wouldn’t tell Steve that because it’ll make him sad, but his mom kinda sucks at this. She doesn’t even give them popsicles for their sore throats or kiss their foreheads to check their temperature. She just disappears for long periods of time to yell into the phone.

Tommy’s kinda happy when she has to go into the office because he thinks Claire might look after them, but she’s apparently studying in her room so Steve’s brothers are doing it.

Tommy secretly likes this better because Jason and Richie are very nice to him, and they tell him that he’s cooler than Steve. No one has ever said that before! Not even Carol and they got married under the jungle gym.

Tommy likes hanging out with them even if he feels icky today.

He is standing in the kitchen next to Steve, watching Richie cut a little orange pill in half with a knife. Richie keeps muttering under his breath about running out of the ‘liquid S H I T.’ Tommy thinks it’s funny that he said a bad word, but can’t laugh about it because he can see the bottle that the pill came out of and –

“I don’t think we take that,” He voices but Richie brushes him off. He says it’s like candy. Tommy has brothers too, so he knows that sometimes you gotta give in or they’ll rub your face into the carpet until you get rugburn, but, “I know but… but what if only I take it?”

“You take half,” Richie tells him. “Stevie over here takes the other half and then we’re right as rain. It reduces fever.”

“Yeah,” Jason adds from behind them. “So your brain doesn’t leak out your ears.”

Tommy looks over at Steve but he isn’t fully awake so there’s not much of a reaction there. Plus, he’s not a very good reader so Tommy’s not sure if he even knows what the bottle says. He tries again, ignoring Jason, “That’s not what Mrs. Harrington gave us earlier.”

“Yeah, I know. This is better.”

“Steve can’t take that,” Tommy tries again after he crunches the medicine between his teeth. He sticks out his tongue so Richie can see that it’s gone, and then adds, “Mommy gave that to him once and it made him really sick.”

“It did?” Steve croaks, snatching his hand back when Richie tries to hand him the pill. Richie tries to force the pill into his mouth but Steve presses his lips together. It makes his brother swear and gesture to Jason, and then Steve is snatched off his feet with a hand pinching his nose shut.

He struggles and Tommy wants to help but he – he also wants Richie and Jason to like him so, he doesn’t help. Steve gasps for breath and the pill goes in…and Steve is fine. He’s angry and out of breath, and his nose is still stuffy so he still kinda sounds like a frog but he’s not.. he’s not blue like last time.

Tommy thinks, oh. He thinks, cool.

Everything is fine for fifteen minutes and then Tommy is yelling out the door of Steve’s bedroom that they need help. Steve is breathing weird and – “and, I – I think he’s going to die!”

A lot of stuff happens at once. Claire leaves her room, Jason and Richie come up the stairs, and they all start yelling and blaming each other. No one really jumps into action until Tommy bursts into tears. Then it’s movement and car rides, and Tommy is sitting in the waiting room at the hospital without shoes on.

He doesn’t know how long they’ve been sitting there when Mr. and Mrs. Harrington rush into the room. The only thing he does know is that he’s never seen anybody look as angry as Mrs. Harrington did when she sees them.

She looks like she’s going to yell at them but Mr. Harrington grabs her by the arm and drags her to the reception desk. They disappear behind the white double doors that Steve went through.

It only makes Tommy cry harder.

[anemonet]

pro tip: you can always put the bugs in little outfits :thumbsup:

[littlecrittereli]

Doodle suggestions? Gotcha The crew in some comfy PJs because WHY DON'T THEY HAVE ANYYYYY

I was just going to do a quick doodle but I ended up liking it so much I made it into a full out drawing um...

They are having a silly game night :)

[genericpuff]

say sike right now, she's actually going back to The Doctor Pepper Show-

Like, this is just "What if The Doctor Pepper Show and LO had a baby?" Because at this point it's very clear Rachel only knows how to write from inside her own head, which is full of unresolved salt towards her childhood and medical fetish shit. The imagery in the first panel is very LO, and the imagery in the second is literally The Doctor Foxglove Show-

Evidently she's been reskinning the same shit for years-

Listen, I've been, for the most part, keeping my lips sealed on a lot of Rachel's old projects and what I've dug up on her previous works, for a few reasons:

1.) We were all cringe on the Internet at some point in time and a lot of these older works, such as Freak Scene Surgery and The Doctor Pepper Show, would have been from when she was in her late teens / early 20's. I'm not here to judge Rachel's personal preferences or whatever kind of fetishes she's into. It's totally normal, expected even, for a lot of creators to have older works they're trying to bury or disconnect themselves from because it's simply not them anymore.

2.) Ultimately I've been focused on discussion around Lore Olympus and Rachel as she currently operates as a creator, so I don't want to go digging up her old skeletons as any sort of "gotcha" towards LO today. Ultimately a lot of these works don't have anything to really 'do' with LO as it exists today.

That said, the reason I'm bringing it up now is because these new series... are bridging that gap that I've been avoiding for ages now. The gap that's filled with skeletons of Rachel's past that she's trying to both disconnect herself from but now fall back on with LO come and gone. It almost goes to show that her being a one-note pony goes back since far before LO - these are literally the only ideas she's able to come up with at this point, and it's painfully obvious in how both these new "graphic novel pitches" are pretty much the exact same and could apply to the same character, and that character may as well just be Persephone, i.e. Rachel, all over again.

Like, I'm calling it now, Patients in the Dark is just gonna be more "moms are bad" rhetoric, and Eleanor's Deathbed is gonna be Hades and Persephone, but replace Hades with some death god and Persephone with a training mortician, which is basically also still just Foxglove training to be a doctor, and Icy Shaw bragging about fondling corpses.

If anything, now that Webtoons is no longer carrying her around on their shoulders, this is gonna be Rachel's moment of "put up or shut up". She can either actually put in an active effort to write something that's decent, or she can flounder under the weight of her own tired mediocrity that's been knocking at her door for years now. As much as she's using her labels that were bought for her to sell these books which aren't even in real development yet-

-Webtoons isn't gonna be there to buy her Eisners forever. This is entirely on her and the imprint that Webtoons shoved her into. Her process is still the same, she's learned nothing from the experience of making LO, she's just got the money and awards now and is trying to run with it, but all she has are the same tired pitch lines that she's been using for decades now and just so happened to work with LO because LO had both Webtoons and the appeal of it being a Greek myth "retelling" to carry it into fame.

I'm gonna go into a bit of a tangent here, but it's been weighing on my mind since I found out this news and have been discussing it with pals within the ULO circle. Rachel once said in an interview that she wanted to use her platform to raise awareness of issues regarding sexual assault, mental health, and "the patriarchy":

"Who do you know that hasn’t been sexually assaulted? The number is depressingly low, right? Why is that? There is no short answer or an easy fix. I have a platform. I can tell a story that will hopefully educate and help others feel acknowledged and vindicated." - Rachel Smythe, Interview with Gossamer Rainbow

"...obviously I'm very feminist, and that sort of stuff really matters to me, um, the best way to approach this question is… I began, the pilot was written in sort of mid-2017, and I think what I wanted, what I wanted to achieve, and I don't even know… probably in 5 years time I don't know how I'm going to feel about this but I'm taking the risk, I really wanted to write a story where, uh…this female character goes through these things and I think what I wanted to do, what I wanted to achieve, was like a really common, I can't speak for like, men, but I can definitely speak for like, you know, if you're sitting in a group of your female friends and you're like "Hey! Who's been sexually assaulted?" … The response is going to be really depressing… Most female people that you know have probably experienced sexual assault to, on one level or another, and I'm like, for me I'm like "Why is that? Why?" And is it because there is a lack of information, lack of education, like what is it? And I'm lucky enough to have a platform and I'm like, if I could just provide some information in story format, would that help? Is this what I can contribute? So I feel like, especially, when writing sexual assault in media often it's… it's a way for the main male character to be, like, uplifted to hero-ness by, usually like, violence is the way to fix the problem, and that's not the approach that I want to take… um, I think [sighs], oh god, sorry I've lost my train of thought, [sighs], yeah, I think a lot of the time in movies when they, like, show rapists or something it's generally someone who's jumped out from behind the tree at a lady in a park and it's not really how it is like 90% of the time [laughs], so I just wanted to make something realistic where people could at it and be, like, "hey, nagging someone into sex isn't cool" or like removing all of their opportunities to say no isn't cool, or for someone to look at it, and just like feel validation, this is me trying, trying my best to make a difference with the platform that I have, and yeah, this is my roundabout answer for it" - Rachel Smythe, Interview with The Comic Source

And yet not once has Rachel actually used her platform for good outside of herself. She just asks the question, "Sexual assault?" and then writes off the answer "yes, it's bad!" and it especially shows in LO where the resolution to the one plotline she kept around to draw in readers was "assaulters are sent to the timeout corner!" Sure, it works for the readers who are simply seeking validation that their experiences aren't unique to themselves, but is it actually doing any real work to talk about the systems in place that leads to people like Apollo being created? Is it doing anything to address purity culture as it exists and the double standards that exist for women who are navigating sexual relationships? Is it doing anything to take the discussion outside of the narrative and put it into action through support of women's shelters, charities, mental health support for men, etc.? Not really. Like many of Rachel's ideas throughout LO, she simply goes, "Men, amirite?" and the answer is "yeah men suck!" and nothing more. The answer to the entire SA plotline is "rape is bad, don't do it" when anyone who could even relate to that conclusion in the first place already knows that.

Ultimately the activism she claims she's trying to do doesn't actually service the issue at hand - it just services herself and her own insecurities, her own unresolved trauma, her own need for validation through Eisners and merch sales. She asks the question, "Who hasn't been assaulted?" so that when she responds to the women who come forward and relate to Persephone, it's with the intent of getting them to read LO and buy her merchandise. She winds up making herself the center of other people's experiences, even ones that she cannot relate to. At BEST her attempts to "use her platform" as a means of starting discussion around ongoing societal issues like the patriarchy and sexual assault towards women is about as effective as Bell #LetsTalk, it's purely performative, self-profiting, and offers nothing of real tangibility.

If she just wants to write her own self-empowering personal works, that would be fine. Plenty of creators do it. Art is, at its core, self-expression. But it's extremely telling that she's built a platform off her self-expression, and twisted it into what she believes to be "activism" and "feminism", so that she can continue to profit off it in her future works such as this, which, again, are just reskins of her previous projects which were largely centered around the fetishizing of abuse towards women.

I don't want to claim that this is what it is, but... how much of the "feminism" in LO is done purely through the lens of victimizing women? Why is there more effort put into torturing female characters like Hera, and Demeter, and Minthe, and even Persephone to a certain degree, than there is into actually addressing the larger issue that she's claiming she wants to shed light on and resolving her questions with actionable answers?

That is the only question I will leave you all with. I am absolutely 100% not planning on touching these works with a ten foot pole, even if they should come to fruition. With the recent realization that she was into artists like Trevor Brown, alongside the fact that we've known for a long time she's into Lolita and there are very clear parallels to draw between it and LO, I think it's safe to say at this point that Rachel's work is not something I want to continue to support even when it's "hate reading". Again, I'm not going to outright accuse her of anything, but I feel like the writing is clearly on the wall here and I'm taking that writing as my warning to steer clear.

I didn't want to discuss the elephant in the room - her older works as they exist in the distant past of the early 2000's - but she's now riding the elephant.

[megamindsupremacy]

So. ive been going through your billy batson tag bc im very normal and super hinged about this kid and you ARE right about Billy growing up the normal way and how that would effect him, but I need us all to consider the opposite: The Magic went "Ah, he's pure of heart bc he is but a lad", and not *letting* him grow up. Billy being immortal but stuck as a kid forever. The realization everyone is going to grow up w/o him. That he is *always* going to be a kid. That could be a very bad time too.

OH MY HEART. you're so right and i'm kissing you on the mouth. okay i need to marinate in this now stand by

so I think it's fairly accepted now that the Wizard chose Billy to be Shazam when he was so young because all of the previous Champions were adults, and that went Badly (see: Black Adam). So obviously, if the adults can do the whole superhero thing, then we should give the role to a kid. But then, to take it a step further: if the adults can't do the superhero thing, then we should make the next Champion stay a kid.

And like, it takes a hot minute for Billy to notice. Say he became CM at 8 - he doesn't know the average rate of growth for a boy. He just thinks he's not getting as tall as quickly as his peers. It's not like there's adult supervision around to go "hello small small child, why are you still small and a child?" I could see him going at least a few years before realizing there might be something wrong. Then it takes him a little bit to figure out what exactly is wrong, and then a little longer to be in denial, before he finally has to come to terms with, yeah, he really is 8 years old for the rest of forever.

I wonder how it affects him, mentally? Because you could go one of two ways: either he stays mentally an 8 year old forever and doesn't mature, although he gains knowledge and experience with time, or he does mentally mature and becomes an adult, just stuck in the body of a child.

For angst reasons, I like the second one, but realistically, the whole reason he's in this mess is because the Wizard wanted someone who was pure of heart to stay pure of heart. Why go through all the trouble to not let him physically age but allow his mind to change? So now we have an eternally "both mentally and physically a child" situation.

I feel like, when you're that young, you can't really... process how devastating that is? He's only a little kid - at that age, you can't even imagine turning 18 yet, much less living out the rest of your life as an adult. He doesn't know what he's lost. So instead of Billy angst, it's outsider POV angst. Everyone is growing old and watching Billy stay the same as always. I imagine he reveals his identity at some point, a while into being Captain Marvel, and they have a Twilight moment of "I'm 8" "....how long have you been 8?" ("no, but actually, we've known you for 12 years, you can't actually be 8. what do you mean 'a wizard did it'."). Everyone is just quietly mourning the person Billy could have become, had he not been chosen to be the Champion of Magic, meanwhile Billy is living out the eternal childhood dream of Superpowers + Adult Body w/o Adult Responsibilities. It's tragic in a way Billy can never comprehend because of what the wizard did to him.

Feel free to add onto this post!

[bogkeep]

since there's an impressionist royal portrait in the zeitgeist right now, do you wanna hear about one of my fav norwegian oil painters........ his name is håkon gullvåg and he's painted portraits of the norwegian king and queen and they look like this

which were pretty controversial at the time (the year 2000), but i was too baby to know anything about it!

(the headline says "UNDIGNIFIED!")

i first heard of him when he was on the news for a completely different controversy around the years 2008/2009 - his exhibition titled 'the holy land'/'terra sancta' which was a series of paintings he had painted in a wild unstoppable rage over the injustices he had seen palestinians suffer. at one of the exhibitions in syra, two of the paintings got removed by the french embassy, and i think never returned to him? i'm finding it surprisingly difficult to hunt down the story without knowing exactly what to look for, but i did dig up this article. i was still a young teen at the time so i didn't know much about the context, but in recent times i've been thinking about these paintings a lot. i'll add the Controversial Paintings under the cut: