#BTW this is about his speed and senses and having expertise he's not supposed to have

[jessicanjpa]

I wonder how many patients Carlisle has lost knowing he could have saved them, if only nobody had been watching. I wonder how many times he's spoken to grieving families and lied through his teeth when he said he'd "done everything he could."

... and I wonder how each of those losses has burned him.

[howtotrainyouragents]

Things I Noticed in the Hamilton Film

Soooo, I was supposed to have posted this last year when the film first dropped, and I forgot...

Anywayyyy, things that were new, from the album, or was obvious to everyone but me. This is literally just me listing details I loved for my own keepsake later on

I hope this film’s success (and the play’s hopeful continued success on stage), shows that Broadway plays can and should be filmed for everyone 

Lin Manuel Miranda is a brilliant writer, scriptwriter, musician, rapper, singer, and a genuinely lovely person, but I think my favorite part about him is his acting. He has such a pure naturalness and sincerity in his acting. He nails microexpressions/gestures and sometimes I forget that he’s acting

E.g., Lin’s devastation after Washington kicks him out 

There’s some songs I wondered what their purpose was, but watching it I understood. For example, Story of Tonight sets up the purpose of the revolution. Like, My Shot is Hamilton’s ‘I want’ song, but Story of Tonight is all of the revolutionaries ‘I want’ song, and that’s why it comes up again for Laurens and Hamilton at their ends

Samuel Seabury’s acting was gold

In Right Hand Man the way the backup stage/cast lights up as they sing ‘not throwing away my shot” and Hamilton agrees to work for Washington

The fact that Helpless ends with “You’ll be a new man” because Hamilton is still so obsessed with his own ascendency  

HOLY FUCK RENEE ELISE GOLDSBERRY

They way they start Satisfied, it’s like Angelica doesn’t know the true extent of her devastation until she gives her toast and says “satisfied”. Like, she knows what she’s done but she’s still thinks this is fine and this is for the best, and it’s not until this moment that the weight of it fully hits her. By the end of it, it’s like she’s barely holding it together for this toast

Towards the end of the song, Eliza kisses her cheek and Renee’s expression is like she’s about fall apart in that very moment from the sheer overwhelming joy and pain

So in Helpless when their talking about letters, Peggy does a cute random shimmy while handing Eliza the letter. But then in Satisfied we see that she’s doing the shimmy to the beat of Satisfied, meaning that she knows how Angelica feels and knows about the love triangle 

I’m trying really hard not to scream about the rewind of all the dance and action in Satisfaction but please know I am internally screaming about this forever. 

Almost forgot, Burr and Hamilton were friends at one point. Burr shows up for his wedding to wish him well :(

I wasn’t gonna scream that much here, but LESLIE ODOM JR. 

Leslie’s smile- amused and scoffing disbelief- when singing about Hamilton in Wait for it

Speaking of Wait for it, the way the whole cast is waiting on stage and the balconies as Burr sings. and the way the dancers shift to Hamilton’s direction when Burr talks about him 

Also the lighting creates boxes on the stages, like Burr is trapped. But then this reappears in Your Obedient Servant 

I never knew the lyrics were “This is commonplace, 'specially 'tween recruits” and not “’tween corps” in Ten Duel Commandments...makes more sense

I think there’s 10 people in that line up in Ten Commandments 

The way Stay Alive conflicts Hamilton’s precious notions of sacrifice, and forces him to shift his focus from dying to legacy

The mimic of the bullet in Stay Alive 

The way that Eliza is also so excited about the war and the scholars in The Schuyler Sisters and that excitement goes away after she has the actual risk of losing someone she loves because of the war 

Who’s the choreographer because DAMN (btw it’s Andy Blankenbuehler) 

Also the dancers lifting up other dancers for whole bars? Incredible

The way women are interwoven into the story of the war, singing the chorus and setting the scene and rejoicing with the soldiers at the end 

The fucking red lighting in Yorktown. Also, the shot in the song’s pause is one of the best shots in musical history. 

The fact that ‘black and white soldiers wonder alike if this really means freedom’ ‘not yet’ is a commentary on slavery and the line is said by Washington 

The brilliant way What Comes Next undercuts the gravitas of Yorktown . 

Also, King George loses more and more of his costume and moves around more as the show goes on. Also, blue lighting with “I’m feeling blue” hahaha

Lafayette and Hercules getting the same letter about Laurens + Hamilton’s sobbing. And Laurens’ singing ‘there will be more of us’, referring to the future generations who will fight and win abolition. 

Nonstop: 

Burr’s disgust while Hamilton rants. Hamilton’s pouting then childish glee at the beginning 

Burr stays at the bottom of the staircase after Hamilton climbs it. Also, Jefferson descends the staircase after Hamilton ascends it, indicating their statuses

The refrain of “How does a....” shows up in Nonstop as Burr’s “How do you write...” (other characters sing their own personal refrains but Burr sings this), and it’s like this ongoing, jealous, incredulous questioning of how Hamilton became so successful, and part of the answer of how he did it is that he doesn’t stop writing and working.

Regardless of which sister he ended up with, love was never gonna be enough for Hamilton

The way Daveed Diggs jumps and dances and dives across the stage in just about every song he’s in. The man truly deserved the Emmy 

Jefferson’s being surrounded by his slaves because he sucks 

Hamilton’s costume goes from white --> brown-->blue-->green-->black and someone with more color scheme expertise needs to dissect this for me please

The fact that even Burr peaces out when it comes to the affair, like, nope, this is too messed up even for me

An in-universe explanation as to why the Ten Duel Commandments and Phillip’s count is the same is that Hamilton’s killing (metaphorically and literally) in order to stay alive is a part of their family’s DNA.

Anthony Ramos is phenomenal at playing 9 years old then having to switch to 19

The fact that Phillip was probably so determined to defend his father is that this is after the Reynolds Pamphlet and everyone was humiliating and scorning Hamilton

The Room Where it Happened

Hamilton is like an apparation to him, and Burr is both scared and begging the ghost to reveal the truth

The fact that this song is a plot song and a ‘i want’ song and a villain song all at once. Also, the song picks up speed to signal the shift from historical recounting to ‘i want’ song

They replay the beginning where Jefferson/Madison call for Hamilton

Jefferson being the one to ask “Don’t you remember Lafayette”, and there’s like a slight change in his demeanor that’s more Lafayette then Jefferson 

Burr, Madison, and Jefferson discreetly talking to each other in Washington on Your Side representing their nefarious schedming. Also, Daveed Diggs keeps Jefferson’s limp even without the cane. Also Madison is angry at Hamiilton when he says “the bill of rights, which I wrote!” 

One Last Time: 

How perfectly the Bible verse reflects Washington’s opinion of legacy. The younger men are obsessed with preserving their own memories in history, but for Washington, his legacy would be that everyone would be safe and at peace. 

Washington’s practically crying at the end 

Hamilton asking Washington here to teach him how to say goodbye because Hamilton genuinely doesn’t know how: people left him before he could ever say goodbye 

We Know: Jefferson’s pure WTF face when he says “my God...”. In this reaidng, Burr definitely threatened him (I didn’t always intepret that way when listening). But Hamilton’s still an idiot. 

Hurricane: Once again, Lin’s facial expressions. The way the the chorus stands around and watches him. But also the freaking brilliant way that the dancers mimic the hurricane, and Burr and Maria are the only other people in the hurricane with Hamilton. But at the end, it’s just Hamilton and the desk 

Reynolds Pamphlet: The way Washington can’t even look at him, but Angelica gets in his face to yell at him. Also, Jefferson hands a pamphlet to the conductor 

This reading, Phillippa Soo sings Burn with so much rage and fury and that is pretty much my favorite part of this entire film

Hamilton’s face at “Alexander, did you know?”

The fact that Angelica narrates Uptown because it’s too intimate for Burr or anyone else to narrate. Eliza’s changing facial expressions as she slowly lets him in. The way Hamilton just completely breaks down and sobs

The Election of 1800: 

Jefferson shaking his head when Madison suggests Hamilton

Burr’s falseness is hilarious. He hands Hamilton a pamphlet. 

Jefferson’s look of resignation when Hamilton is making his decision, then starts dancing around when he’s won

The close-up of Burr’s face falling when he realizes who Hamilton has voted for 

The whole “runner-up becomes VP” thing made me think about if we could have had Hillary Clinton as VP, and I made myself sad. 

Your Obedient Servant: I always saw this song as a reflection of the custom, but I never fully appreciated how it reflects their relationship: their relationship has completely disintegrated, but their working to maintain this false appearance of friendship/civility that no longer has a place in their relationship. 

Also, Burr’s increasingly incensed and it does not help that Hamilton sends like a 12-page letter and the dancer even teases Burr

The guy who gives Hamilton Burr’s duel challenge plays Charles Lee. Karma 

The World Was Wide Enough

Burr’s POV then Hamilton’s POV, like this story has become less and less about Hamilton and he is no longer in control of who’s telling his story

The shot of Eliza walking away and in her wake, it’s Burr shooting 

Burr’s alone in the stage, finally realizing the world (aka the stage) was wide enough for the both of them, but it’s too late. Also, in part foreshadowing his own future: that he had the world before him regardless of Hamilton, but he was completely ruined after this duel

I definitely cried at ‘the orphanage’. Also I interpret the gasp at the end as her breaking fourth wall and seeing the audience and realizing that Hamilton’s legacy has continued even to today.