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alwaysfirst · 2 years ago

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India to begin campaign against South Africa at U19 Women's T20 World Cup

Sep 16, 2022 16:12 IST Dubai , September 16 (AF): Fixtures for the inaugural ICC Under-19 Women's T20 World Cup to be held in South Africa were announced on Friday. The tournament will take place from January 14 to 29, 2023 in South Africa. Placed in Group D India will take on Scotland, South Africa and the United Arab Emirates (UAE) in the group stage. India will face South Africa in their opening match of the tournament on January 14. The Women in Blue will next lock horns with UAE on January 16 and Scotland on January 18. The historical event will showcase the future stars of the game with 16 teams travelling to South Africa to compete in 41 matches from January 14 to 29, 2023 in Benoni and Potchefstroom. The 16 participating teams which include the very best U19 female players in the world comprise 11 Full ICC Members and five Associates. The top three teams from each group will progress to the Super Six League stage, where teams from Group A will play against Group D and Group B will compete against Group C. Indonesia and Rwanda are the two first-time participants in an ICC World Cup event. While Indonesia beat Papua New Guinea to win the East Asia-Pacific group in July, Rwanda became the final team to qualify for the event after beating Tanzania on September 12. Four matches will take place each day with Australia playing Bangladesh on an opening day, followed by South Africa taking on India at the Main Oval in Willowmoore Park in Benoni while UAE will go up against Scotland, followed by Sri Lanka v USA at the B Oval. The semi-finals will be played on January 27, at JB Marks Oval in Potchefstroom, with the final taking place at the same location on January 29. "The ICC U19 Women's T20 World Cup is the ultimate finishing school for future female stars of our game and to have 16 teams heading to South Africa for the inaugural event is incredibly exciting for the development of women's cricket which is a strategic priority for the ICC," ICC Head of Events, Chris Tetley said in an official statement released by ICC. "We are looking forward to seeing the kind of success stories emerge from this event that we have enjoyed in the Men's U19s over the years and it's fantastic to welcome ICC event debutants Indonesia and Rwanda to the world stage," Tetley added. "We are delighted that South Africa will be hosting this event as well as the senior ICC Women's T20 World Cup shortly thereafter and we wish all the teams the very best in their preparations for the tournament and to Cricket South Africa in organising the event," he said. Cricket South Africa (CSA) CEO, Pholetsi Moseki said: "CSA is thrilled to be hosting two very exciting ICC women's events in the coming months, but for us as an organisation, the inaugural ICC U19 Women's T20 World Cup holds a special place in our hearts. As a nation, we hold women and the significant and vital roles that they play in our society in high esteem, and to that end, we are incredibly proud to be hosting the very first global T20 event of its kind for young women of this age group." "This falls in line with CSA's vision to make cricket a truly national sport of winners and accessible to all, not just in South Africa and Africa, but around the world. The fixtures and matchups are going to make for exciting viewing, and we look forward to record-breaking and life-changing results," Moseki said. (AF) Read the full article

#india women southafrica t20 dubai alwaysfirst alwaysfirstnews

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sistamagza · 3 years ago

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SA Helpline Numbers For Victims Of Gender-Based Violence

New Post has been published on https://sistamag.co.za/sa-helpline-numbers-for-victims-of-gender-based-violence/

SA Helpline Numbers For Victims Of Gender-Based Violence

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Being a woman in South Africa today is a lot. South Africa has one of the highest rates of violence against women and girls in the world. Given the figures, in 2018 alone, President Cyril Ramaphosa said, 2 700 women in the country and more than 1 000 children died at the hands of men.

Below are SA Helpline Numbers For Victims Of Gender-Based Violence.

National helpline numbers

National GBV Helpline 0800 150 150 LifeLine South Africa 0861 322 322 AIDS Helpline 0800 012 322 National Counselling Line 0861 322 322 Childline South Africa 0800 055 555 South African Police Service 10111 Legal Aid 0800 110 110

Other useful contacts

AIDS Consortium 011 403 0265 Crime Stop 086 001 0111 Human Rights Commission 011 877 3600 Lifeline Sexual Health Line 086 132 2322 Love Life 080 012 1900 Marie Stopes South Africa 080 011 7785 People Opposing Women Abuse 011 642 4345 Rape Crisis 021 447 9762 Tears Foundation (free SMS helpline) *134*7355# Suicide Help 080 056 7567 The South African Depression and Anxiety Group 080 021 2223 Toll Free Crisis Line 086 157 4747

Thuthuzela Care Centres

Thuthuzela Care Centres are one-stop facilities where a rape survivor receives medical, psychosocial and legal support. They have been introduced as a critical part of South Africa’s anti-rape strategy, aiming to reduce secondary victimisation, improve conviction rates and reduce the cycle time for finalisation of cases.

Province Thuthuzela Care Centre Contact Number Eastern Cape Bizana TCC St Patrick’s Hospital, Bizana 039 251 0236 Butterworth TCC Butterworth Hospital, Butterworth 047 491 2506 Dora Nginza TCC Dora Nginza Hospital, Port Elizabeth 041 406 4111 Libode TCC St Barnabas Hospital, Nyandeni Region 047 568 6274 Grey Hospital TCC Grey Hospital, King William’s Town 043 643 3300 Lusikisiki TCC St Elizabeth Hospital, Lusikisiki 039 253 5000 Mdantsane TCC Cecilia Makiwane Hospital, East London 043 761 2023 Mthatha TCC Mthatha General Hospital, Mthatha 047 502 4000 Taylor Bequest TCC Taylor Bequest Hospital, Matatiele 039 737 3107 Free State Bongani TCC Health Complex (Old Provincial Hospital) Long Road Street, Welkom 057 355 4106 Metsimaholo TCC Metsimaholo District Hospital, 8 Langenhoven Street, Sasolburg 016 973 3997 Phekolong TCC Phekolong Hospital 2117 Riemland Road Bohlokong, Bethlehem 058 304 3023 Tshepong TCC National District Hospital, Roth Avenue, Willows, Bloemfontein 051 448 6023 Gauteng Baragwanath/Nthabiseng TCC Chris Hani Bara Hospital, Chris Hani Road, Diepkloof 011 933 1206 Kopanong TCC Kopanong Hospital, Duncanville, Vereeniging 016 428 5959 Laudium TCC Laudium Hospital & Community Health Centre 012 374 3710 Lenasia TCC Lenasia Hospital, Lenasia South, Johannesburg 011 211 0632 Mamelodi TCC Mamelodi Day Hospital 012 841 8413 Masakhane TCC Tembisa Hospital, Tembisa 011 923 2180 Sinakekelwe TCC Natalspruit Hospital 011 909 5832 KwaZulu-Natal Edendale TCC Edendale Hospital, Pietermaritzburg 033 395 4325 Madadeni TCC Madadeni Hospital, Newcastle 034 328 8000 Empangeni TCC Ngwelezana Hospital, Empangeni 035 901 7000 Phoenix TCC Mahatma Gandhi Memorial Hospital 031 502 1719 Port Shepstone TCC Port Shepstone Regional Hospital, Port Shepstone 039 688 6021 RK Khan TCC RK Khan Hospital, Westcliffe 031 459 6000 Stanger TCC Stanger Provincial Hospital, Stanger 032 437 6000 Umlazi TCC Prince Mshiyeni Memorial Hospital, Umlazi 031 907 8496 Limpopo Groblersdal TCC Groblersdal Hospital, Groblersdal 013 262 3024 Mangkweng TCC Mangkweng Hospital, Polokwane 015 286 1000 Mokopane TCC Mokopane Hospital, Mokopane 015 483 4000 Musina TCC Musina Hospital, Musina 072 287 5263 Nkhensani TCC Nkhensani Hospital, Giyani 015 812 0227 Seshego TCC Seshego Hospital, Seshego 015 223 0483 Tshilidzini TCC Tshilidzini Hospital, Thohoyandou 015 964 3257 Mpumalanga Ermelo TCC Ermelo Hospital, Ermelo 017 811 2031 Themba TCC Themba Hospital, Kabokweni 013 796 9623 Tonga TCC Tonga Hospital, Nkomazi 013 780 9231 Witbank TCC Witbank Hospital, Witbank 013 653 2208 Northern Cape De Aar TCC Central Karoo Hospital, De Aar 053 631 2123 Galeshewe TCC Galeshewe Day Hospital, Kimberley 053 830 8900 Kuruman TCC Kuruman Hospital, Kuruman 073 334 3208 Springbok TCC Van Niekerk Hospital, Springbok 027 712 1551 North West Job Shimankane Tabane TCC Job Shimankana Tabane Hospital Cnr Heystek & Bosch Street, Rustenburg 014 590 5474 Klerksdorp TCC Klerksdorp Hospital, Benji Oliphant Road Jouberton, Klerksdorp 018 465 2828 Mafikeng TCC Mafikeng Provincial Hospital, Lichtenburg Road, Mafikeng 018 383 7001 Potchefstroom TCC Potchefstroom Hospital Cnr Botha & Chris Hani Street, Potchefstroom 018 293 4659 Western Cape George TCC George Provincial Hospital, Davidson Road, Glen Barrie, George 044 873 4858 Heideveld TCC Heideveld Community Health Clinic, Heideveld, Cape Town 021 699 0474 Karl Bremer TCC Karl Bremer Hospital Cnr Mike Pienaar Boulevard & Frans Conradie Avenue, Belville 021 948 0861 Khayelitsha TCC Khayelitsha Hospital, Lwandle Road, Site B, Khayelitsha 021 360 4570 Worcester TCC Worcester Hospital, Murray Street, Worcester 023 348 1294 Wesfleur TCC Wesfleur Hospital, Wesfleur Circle, Atlantis 021 571 8043

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diaspora9ja · 4 years ago

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Second, Qeshile-Star as a warrior destroy Cobras – The Citizen

Rudi Second was an unlikely hero with the ball when the Warriors received their Momentum One-Day Cup up and operating with an 81-time demolition of the Cape Cobras Six Gun Grill by way of the Duckworth / Lewis methodology within the bio-safe setting (BSE) . on Wednesday in Senwes Park in Potchefstroom.

In a match that was decreased to 44 overs per facet after a rain interruption in the beginning of the competitors, the Jap Cape franchise scored 226 for six after shedding the throw and getting used first to hit.

Sinethemba Qeshile scored the primary hit with 64 of 74 balls (6 fours) whereas Matthew Breetzke scored 55 of 71 balls (8 fours) with the second scoring a helpful 43.

In response, the Cobras have been shot out for a tragic 148 in 40 overs, incomes a bonus level within the course of, when the Warriors rebounded from shedding to the Imperial Lions of their opening recreation.

ALSO READ: Proteas on the hind foot after the dangerous day within the area reward initiative to Pakistan

Second, normally a wicketkeeper, his breaks took him the highest three for 20 of his profession whereas Glenton Stuurman (3/26) and Jon-Jon Smuts (3/28) received three wickets every.

Each groups went into the sport to get better from the opening losses in Pool B and to take care of their prospects for subsequent week’s play-offs.

It was Warriors who made the early race regardless of an 11th Due to Breetzke and Second concerning the interruption of the rain earlier than Proteas batsman Qeshile gave them an explosive end.

Ziyaad Abrahams (2/32), Onke Nyaku (2/44) and Imran Manack (2/56) every administered two gates.

It was then as much as the Cobras, who in 2020/21 had not but gained a single recreation in all codecs.

ALSO READ: Decide Yacoob resigns as Chairman of the CSA Interim Board

They received off to an honest begin, nonetheless, reaching 62 for 2 over the 17 yearsth over, however Second’s Spin managed to knock prime scorer Tony de Zorzi off the sphere for 30 – a wicket that proved key in context.

Jonathan Hen tried his finest at 27, however the pair have been the one batsman to surpass 20 when the remainder of the workforce fought.

They then fell from 92 for 3 to 110 for six when Smuts landed an essential double. Stuurman and Second then wrapped the tail for a decisive five-point victory.

The Warriors might be again in motion on Thursday once they play the Lions within the fourth match of the pool.

For extra information, obtain the Citizen’s app for iOS and Android.

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a-hguesthousepotchefstroom · 5 months ago

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vsplusonline · 5 years ago

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Cricket was a gentleman's game, no more now: Kapil Dev again asks boards to take strict against U19 players

New Post has been published on https://apzweb.com/cricket-was-a-gentlemans-game-no-more-now-kapil-dev-again-asks-boards-to-take-strict-against-u19-players/

Cricket was a gentleman's game, no more now: Kapil Dev again asks boards to take strict against U19 players

India’s World Cup-winning captain Kapil Dev again approved his disappointment on the unruly behaviours of India and Bangladesh Under-19 players after the World Cup final and asked the boards to take a strict action to stop such mistakes to happen again.

Former India captain Kapil Dev (Reuters Image)

HIGHLIGHTS

Who’s saying cricket is a gentleman’s game? Kapil Dev

You should give more blame to the captain, manager and the people who were sitting outside: Kapil Dev

An ugly brawl broke between the two sides after Bangladesh won their maiden U19 World Cup

Legendary Kapil Dev on Thursday termed the unsavoury incident involving budding Indian and Bangladeshi players after the recent ICC U-19 World Cup as “horrible”, saying cricket is no more a “gentleman’s game”.

The 1983 World Cup-winning India captain urged the BCCI to take strong action against erring cricketers to set an example.

“Who’s saying cricket is a gentleman’s game? It’s not the gentleman’s game, it was!” said Kapil, who also relived the memories of the 1983 World Cup triumph which India won under his leadership.

Two Indians — Akash Singh and Ravi Bishnoi — and three Bangladeshi players — Md Towhid Hridoy, Shamim Hossain and Rakibul Hasan — were found guilty of breaching the ICC Code of Conduct after a few players from both the sides nearly came to blows after Bangladesh beat India by three wickets to win their maiden U-19 World Cup title.

“What happened between those young people I think it was horrible. The cricket boards should take hard steps today so that tomorrow these type of mistakes do not happen,” Kapil said at an event, referring to the ugly post-match scenes in the U-19 World Cup final held last Sunday at Potchefstroom in South Africa.

“You lost the match, you have no right to go back to the ground and fight with anybody. Come back. You should give more blame to the captain, manager and the people who were sitting outside. Sometimes, if you are an 18-year-old boy, he doesn’t understand. But if you’re a manager, that’s your responsibility to take care of the situation,” he added.

Some of the Bangaladeshi players got carried away with their celebration after their historic win over India in the final.

While their captain Akbar Ali apologised for the “unfortunate incident”, his Indian counterpart Priyam Garg felt the episode should not have happened.

For sports news, updates, live scores and cricket fixtures, log on to indiatoday.in/sports. Like us on Facebook or follow us on Twitter for Sports news, scores and updates.

Get real-time alerts and all the news on your phone with the all-new India Today app. Download from

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caveartfair · 6 years ago

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8 Artists Pushing the Limits of Digital Effects and VR

Artists have long been the pioneers of the digital realm, pushing its technological, aesthetic, and critical potential. While the net art of the 1990s was the first to fully embrace and popularize “new media” in an art context, digital image-making hails back to earlier artists like Lynn Hershman Leeson, who, in the late 1980s, transferred the critical concerns of video art into a digital reality.

Today, digital image-making is found increasingly everywhere, from advertising and gaming to Hollywood cinema, while the internet, once a subcultural and peripheral space, has become a global connecting condition of humanity. While still considered a marginal technology to most, virtual reality (VR) is rapidly entering everyday life, be it through shopping, entertainment, communication, or education.

While the virtual sphere is a place for radical social and political imagination—challenging how we perceive the constraints and limits of the physical world—it also increasingly implies the surveillance and control of people, bodies, and places. Art offers a way to articulate this complexity as it’s still being understood.

Below, we feature eight artists who address the ambiguous status of the digital image today—a time where the digital is fully enmeshed in all aspects of life, fusing the real and the virtual, the human and the inhuman, the body and the screen.

Cecile B. Evans

Hyperlinks or It Didn't Happen, 2014. Cécile B. Evans Barbara Seiler

Workspace_Haku, 2014. Cécile B. Evans Musée d'Art Moderne de la Ville de Paris

Amos' World. Episode One, 2017. Cécile B. Evans Art Night London

The London-based artist Cecile B. Evans brings traditionally humanist themes such as love, memory, and consciousness to a speculative, technology-driven near-future, where wetware, software, and hardware commingle. Her ambitious video projects examine subjectivity and agency in the digital sphere, proposing the hybridity of organic and technological life.

Evans’s 2014 animated video Hyperlinks or it Didn’t Happen compares the obsolescence of digital life forms, such as spambots, render ghosts, and holograms with that of human life through an animated avatar of the late actor Philip Seymour Hoffman—a figure that has since been joined by a range of other virtual characters who appear in her artworks.

Since then, Evans’s ambitious architectural video installations such as What the Heart Wants (2016), as well as the trilogy “Amos’ World” (2017–19), have fused spectacular digital animation with live-action video, stop-motion sequences, and found footage, depicting complex and fantastical virtual universes where the politics of technology are repeatedly un-done and re-considered.

Jon Rafman

Potchefstroom South Africa, 2012. Jon Rafman Feuer/Mesler

Riksveg 890, Finnmark, Norway, 2013, 2013. Jon Rafman Galerie Antoine Ertaskiran

Sculpture Garden (Hedge Maze), 2015. Jon Rafman Arsenal Contemporary

As an aesthetic cybersurfer, Jon Rafman’s techno-ethnographic projects examine the darkest corners of virtual spaces such as Second Life, Google Street View, and YouTube, scavenging for ambiguous and often unsettling images that underline the eeriness of cyberspace. The Montreal-based artist highlights the funny, violent, erotic, and surreal intersections that occur between physical and digital life.

Rafman’s ventures into VR include his 2015 installation at the Zabludowicz Collection, which invited viewers to navigate a dimly lit maze through Oculus Rift goggles, occupied by digital sculptural busts. His much-lauded commission for the 9th Berlin Biennale in 2016 furthered this haptic surrealism with a dystopian, site-specific VR animation in which uncanny physical sculptures of animals swallowing each other come to life, and the balcony on which viewers stand begins to crumble.

For Rafman’s recent commission for the French fashion house Balenciaga, the artist produced a screen-based tunnel that served as a runway, through which models emerged from what seemed like a void of collapsing cyberspheres. Rafman offers no redemption from these unsettling and dystopian media worlds, only a persistent manifestation of how these spaces already engulf human existence.

Jacolby Satterwhite

Alpha, 2013. Jacolby Satterwhite LUNDGREN GALLERY

Domestika (VR Video), 2017. Jacolby Satterwhite LUNDGREN GALLERY

Factory Six, 2015. Jacolby Satterwhite LUNDGREN GALLERY

Cyberspace has always served as an important space for queer minorities, and the hypnotic videoscapes by New York–based artist Jacolby Satterwhite perfectly encapsulate this tradition. A performance artist with superior digital animation skills, Satterwhite produces hallucinatory virtual architectural underworlds occupied by cyberfreaks, leather queens, and other sexual deviants, presented in spectacular, orgy-like parades.

His Blessed Avenue (2018), presented at Gavin Brown’s Enterprise in New York, is the artist’s magnum opus as of yet: a laborious, multi-year production realized through the 3D animation software Maya, allowing for complex modeling, rendering, and simulation using both green-screen and purely digital images. The work is not only a breathtaking testament to queer digital labor, but also a joyful reminder of how all emergent spaces—physical as well as virtual—are ripe for occupation by radically transgressive communities.

Laurie Anderson and Hsin-Chien Huang

The Chalkroom, 2017. Laurie Anderson MASS MoCA

While not usually considered in the canon of digital art, the American filmmaker, composer, poet, and multimedia polymath Laurie Anderson has never been shy of experimenting with emergent media forms. This includes VR, a venture that Anderson commenced in 2016 with renowned Taiwanese new-media artist Hsin-Chien Huang. Their collaboration, La Camera Insabbiata (2017), unfolds as a breathtaking VR environment in which viewers levitate and float freely through a vast eight-room architectural environment, contrasting the mission-based format of many VR experiences.

The piece was awarded “Best VR Experience” at the 74th Venice International Film Festival, and led to the realization of The Chalkroom (2017), currently on permanent view at Mass MOCA in Massachusetts as a part of a larger installation devoted to Anderson’s work. Devoid of any techno-futurist paranoia, The Chalkroom is saturated with breathtaking panoramic vistas and set to the artist’s compelling poetic narratives, encouraging the viewer to meditatively drift through cyberspace.

Sidsel Meineche Hansen

Sidsel Meineche Hansen, DICKGIRL 3D(X) (still), 2016. Courtesy of the artist and Rodeo, London/Piraeus.

VR was embraced by the porn industry before the art world, and in the last decade, the medium has been both lauded and criticized for its potential to revolutionize erotic image-making by partially or fully replacing “real” human bodies. The London-based artist Sidsel Meineche Hansen poignantly tackles the sociopolitical consequences of VR pornography in her research-driven work, drawing connections between the ethics of flesh and digital bodies.

Her 2016 exhibition “Second Sex War,” at Gasworks in London, included the abstracted pornographic CGI animation DICKGIRL 3D(X), featuring EVA v3.0, a royalty-free product sold online by the digital media company TurboSquid. Through EVA, as well as appropriated “genitalia props” sourced from CGI stock image sites, Hansen explores the complex commodity status of 3D bodies in porn, reading it alongside past feminist struggles so as to define a progressive body politic under digital capitalism.

Ian Cheng

Metis Suns, 2014. Ian Cheng Standard (OSLO)

Emissary Forks at Perfection Map, 2015. Ian Cheng Pilar Corrias Gallery

Emissary Forks at Perfection, 2015. Ian Cheng Pilar Corrias Gallery

In his career, New York–based artist Ian Cheng has continuously pushed technological limits in order to examine the potential of digital imaging and VR. His biggest work to date is his “Emissary” trilogy (2015–17), a series of live simulation videos based on a video game engine that enables the game to predict and react to its own scenarios, such as climate change or war.

By assigning a certain set of behaviors and properties to virtual objects and characters—some ripped from video games, others self-produced—Cheng’s simulations quite literally form a life of their own through the work’s own feedback. While evoking the cartoon-like appearance of gaming landscapes, his work touches on fundamental questions about human consciousness, existence, and survival—anxieties that are often acted out through digital animation and gaming more generally.

But by creating closed virtual systems, where the viewer is reduced to mere onlooker of a self-generating dramaturgy, Cheng shifts away from an anthropocentric perspective of the virtual, and shows, with humor and wit, how machines should increasingly be understood as narrative-producing and cognizant entities in their own right. And by extending his artistic presentation into online gaming spaces such as Twitch, Cheng connects his digital art practice with broader digital communities, whose efforts to advance an appreciation of the cybersphere remain equally important.

Kate Cooper

RIGGED, 2014. Kate Cooper "Kate Cooper: Rigged" at KW Institute for Contemporary Art, Berlin (2015)

In a time of virtual influencers such as Miquela and Shudu, who quite literally lease their CGI bodies to brands for sponsored content, the division between subject, object, and body is rapidly blurring. With acute technical ability in CGI rendering, the London- and Amsterdam-based artist Kate Cooper explores how the ethics and politics of digital bodies—such as those found in advertising, video games, and on social media—echo that of human ones, and asks how we might learn tactics of resistance against systems of oppression through virtual agents.

Cooper’s 2014 series “Rigged” features a series of CGI-rendered women in a sterile virtual studio space, seemingly anticipating—but never actually commencing—any narrative as such. The work has since become a seminal work to the “post-internet” art canon, and has toured a plethora of museum shows. In Cooper’s 2018 commission for the Stedelijk Museum in Amsterdam, we encounter another female computer-generated avatar, this time wearing a translucent suit continuously inflating and deflating. As the avatar begins to get sick, bruise, and bleed, Cooper confronts us with how we perceive digital bodies as beyond mortality, and thus beyond care—and with a subtle radicalism, she speculates how we might learn political refusal from our digital counterparts.

from Artsy News

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mp3lyricsstuff · 5 years ago

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Kapil Dev on Under-19 World Cup Final Brawl

Mumbai: Legendary Kapil Dev on Thursday termed the unsavoury incident involving budding Indian and Bangladeshi gamers after the current ICC U-19 World Cup as “horrible”, saying cricket isn’t any extra a “gentleman’s game”.

The 1983 World Cup-winning India captain urged the BCCI to take robust motion in opposition to erring cricketers to set an instance.

“Who’s saying cricket is a gentleman’s game? It’s not the gentleman’s game, it was!” mentioned Kapil, who additionally relived the reminiscences of the 1983 World Cup triumph which India received beneath his management.

Two Indians — Akash Singh and Ravi Bishnoi — and three Bangladeshi gamers — Md Towhid Hridoy, Shamim Hossain and Rakibul Hasan — had been discovered responsible of breaching the ICC Code of Conduct after a couple of gamers from each the perimeters practically got here to blows after Bangladesh beat India by three wickets to win their maiden U-19 World Cup title.

“What happened between those young people I think it was horrible. The cricket boards should take hard steps today so that tomorrow these type of mistakes do not happen,” Kapil mentioned at an occasion, referring to the ugly post-match scenes within the U-19 World Cup remaining held final Sunday at Potchefstroom in South Africa.

Some of the Bangaladeshi gamers received carried away with their celebration after their historic win over India within the remaining.

While their captain Akbar Ali apologised for the “unfortunate incident”, his Indian counterpart Priyam Garg felt the episode mustn’t have occurred.

The post Kapil Dev on Under-19 World Cup Final Brawl appeared first on News.

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