#Austrian Cinema

[phantomladyoverparis]

Iris (1971), dir. Maria Lassnig

[fashionlandscapeblog]

Outer Space (1999) - dir. Peter Tscherkassky

[celluloidrainbow]

GROẞE FREIHEIT (2021) dir. Sebastian Meise In post-war Germany, liberation by the Allies does not mean freedom for all. Hans experiences repeated imprisonment under paragraph 175 of the penal code, which criminalizes homosexuality and systematically destroys his desire for freedom. Over the decades, he develops an unlikely bond with his cellmate Viktor, a convicted murderer. What starts as revulsion grows into affection. (link in title)

[scholarofgloom]

[uspiria]

The Ancestress (1919) dir. Jakob Fleck, Luise Fleck

[escapingpurgatory]

just finished watching slumming (2006) here's some screenshots from the film

[maggiecheungs]

It’s as though part of you has died…

Vicky Krieps as Empress Elisabeth of Austria in CORSAGE (2022) dir. Marie Kreutzer

[cinemaobscura]

Fear | Angst (1983) dir. Gerald Kargl

[minayuri]

Walter Rilla + Violin

Hoheit tanzt Walzer (1926) Der Springer von Pontresina (1934)

[phantomladyoverparis]

Palmistry (1973), dir. Maria Lassnig

[fashionlandscapeblog]

Copy Shop (2001) - dir. Virgil Widrich (He's like the Maya Deren of our time. Watch it here)

[celluloidrainbow]

FLAMING EARS (1992) dir. Ursula Pürrer & Dietmar Schipek & A. Hans Scheirl It’s the year 2700 in the fictional burned-out city of Asche, and the lives of three women are about to collide: comic-book artist Spy, sexed-up pyromaniac Volley, and reptile-obsessed alien Nun. (link in title)

[scholarofgloom]

[uspiria]

The Ancestress (1919) dir. Jakob Fleck, Luise Fleck

[lairreparablefugadeltiempo]

Museum Hours (Jem Cohen, 2012)

[cressida-jayoungr]

One Dress a Day Challenge

February: Coeli's Monochrome Picks

1 April 2000 / Hilde Krahl as the President of the Global Union

This character is also listed in some places as the "North American President." Here she's wearing her best futuristic fashion--a 1950s idea of what people might be wearing in the year 2000, although perhaps a bit tongue-in-cheek since the film is a political satire.