#Artur Barcis

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No End (Bez końca) (1985) Krzysztof Kieślowski

July 31st 2023

[byneddiedingo]

Grażyna Szapołowska and Jerzy Radziwilowicz in No End (Krzysztof Kieslowski, 1985)

Cast: Grażyna Szapołowska, Maria Pakulnis, Aleksander Bardini, Artur Barciś, Danny Webb, Jerzy Radziwilowicz, Krzysztof Krzeminski, Michal Bajor. Screenplay: Krzysztof Kieslowski, Krzysztof Piesiewicz. Cinematography: Jacek Petrycki. Production design: Allan Starski. Film editing: Krystyna Rutkowska. Music: Zbigniew Preisner.  

Krzysztof Kieslowski's No End takes place during the suppression of Solidarity and the imposition of martial law in Poland in 1982, producing the melancholy, despairing tone that pervades the entire film. Kieslowski and his co-screenwriter, Krzysztov Piesiewicz, place the underlying politics in the context of personal loss, the death of the lawyer Antek Zyro (Jerzy Radziwilowicz) and its effect on his wife, Urszula (Grazyna Szapolowska), and child (Krzysztof Krzeminski). Having the dead Antek address the camera at the film's beginning is a bold move, one that threatens to turn the film into a sentimental fable about a love that persists after death. But as we see, the relationship of husband and wife was not an ideal one, and the feeling of guilt that she experiences after his death is potently developed. (I'm not sure it entirely justifies the film's ending, however.) A premature death like Antek's inevitably results in unfinished business, not only in the life of his family but also in the legal case, that of the incarcerated political prisoner Darek Stach (Artur Barcis) he left undefended. The defense of Stach devolves upon Mieczyslaw Labrador (Aleksander Bardini), the aging lawyer who would not have been Antek's choice for the role. Labrador saves Stach from a longer prison term by engineering a compromise with the judge, a move opposed by Labrador's own assistant (Michal Bajor), who still clings to some of the ideals of the suppressed Solidarity movement. The decision makes no one really happy, because Stach, like everyone else in Poland, isn't really free. The interweaving of the Stach case and Urszula's attempts to resume a normal life despite grief and guilt is sensitively handled, with the great help of Krystyna Rutkowska's editing and Zbigniew Preisner's score.

[sundaynightfilms]

Dekalog Four, 1988

[framingtheframe]

A Short Film About Killing. 1988. Krzysztof Kieślowski. Poland.

[audiobookpl]

Mark Twain - Przygody Tomka Sawyera [audiobook PL]

Tomek Sawyer to urwis jak ich mało, a każdy dzień wypełniają mu niesamowite przygody. Pirackie życie na bezludnej wyspie? Poszukiwanie ukrytych dawno temu skarbów? Odkrywanie przerażających jaskiń i pieczar? Tomek nie boi się niczego! Wraz ze swoim najlepszym przyjacielem Huckiem Finnem śmiało stawia czoła każdemu wyzwaniu. A że czasem narazi się swoimi szalonymi wybrykami na gniew cioci? No cóż, nie jego wina, że wzorowych uczniów omija najlepsza zabawa… DANE TECHNICZNE: Wielkość paczki: 442.57 MB Czas trwania: 8h 3m Bitrate: 160 kbps Rodzaj kompresji: zip, 7zip Zawartość uploadu: mp3 Wersja językowa: PL czyta: Artur Barciś Hasło: Brak KLIKNIJ ABY POBRAĆ

[adria-art]

Słoneczni chłopcy, czyli Barciś i Żak znowu w akcji!

[unateoriadegliautori]

no end (1985)

[ozu-teapot]

Escape from the ‘Liberty’ Cinema | Wojciech Marczewski | 1990

Artur Barcis

[pilgrimjim]

Kieslowski’s Decalogue: A Masterpiece of Religious Cinema

Decalogue offers neither clear answers nor divine fixes. Instead, it combs the landscape of doubt and anguish for the elusive traces of a power or presence which we might call grace, or even “God.”

  Pawel (Wojciech Klata), Decalogue 1

If I had to formulate the message of my Decalogue, I’d say, ‘Live carefully, with your eyes open, and try not to cause pain.’

– Krzysztof Kieslowski[i]

The late Krzysztof Kieslowski’s Decalogue (1988), one of cinema’s great religious masterpieces, had its origins in the depressing bleakness of Polish life in the mid-1980s. “Chaos and disorder ruled . . .…

[charlespaolino]

"Oh, Tadeusz! Oh, pal o' mine!"

“Oh, Tadeusz! Oh, pal o’ mine!”

CEZARY ZAK as Karol Krawczyk and ARTUR BARCIS as Tadeusz Norek

My wife and I were staying at a hotel in Warsaw a couple of decades ago when we happened to catch on TV a series called “Miodowe lata,” which, I’m told, means “The Honeymoon Years.” The scenes were in contemporary Warsaw and the series was shot in color, but something about it looked familiar. We’re not conversant in Polish, but when…

[itsdepressionation]

Krótki Film o Milosci (Krzysztof Kieslowski, 1988)

[uhohohno]

Dekalog (1989), dir. Krzysztof Kieslowski || Artur Barciś as the mysterious, nameless presence throughout the film series

[aintgonnabeforgotten]

[unateoriadegliautori]

dekalog - 1 (1989)