#Artist Training Grounds
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toacoy · 2 years ago
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ATG 9 Vs Circuit: Day 30 Draw a pony graduating / Draw a pony making their dreams come true.
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thus the end of the challenge
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harleneap · 2 years ago
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ATG 2023 Day 21: Draw a pony staying up late / Draw a pony kept in the dark.
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flutterluv · 8 months ago
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Artist Training Ground Day 18 - Draw a pony taking the heat / Draw a pony chilling out.
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nyegher · 4 months ago
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I was accused of being a rarijack shipper at comic con for some reason
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glimmette · 8 months ago
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NATG XIV - Day 6
Prompt: Draw a pony learning the ropes / Draw a pony offering a pearl of wisdom.
"But I can drive my crafting scooter just fine! What's wrong with a bus?" - Izzy
(A rather loose interpretation of the second prompt, since I had trouble coming up with good ideas for either one. The only other pony I could think of who would write this would be Sprout's mom, Phyllis (pre-magic, of course.))
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circuitmane · 8 months ago
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Day 19: Draw a pony finding peace with themselves
I always like to imagine Diamond Tiara finding peace with herself as she got older and more mature.
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mariocki · 6 months ago
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Thirty Minute Theatre: Not Counting the Savages (BBC, 1972)
"I didn't look round, of course, but when I went round to tidy the other side of the grave, I... became aware of a man standing up against the wire fence. At first I thought that he'd caught his handkerchief or something white on it, and then I realised what it was."
"What?"
"He was exposing himself. Exposing himself to me."
"Well, you've seen one before."
"But I was... I was terribly upset. You can't know how distressed I was! I still am."
"Why? You're an old woman. Why should you be upset? It was play-acting. You're an old woman."
#thirty minute theatre#not counting the savages#b.s. johnson#single play#1972#mike newell#hugh burden#brenda bruce#william hoyland#fiona walker#of all the drama anthologies to come out of the 60s and 70s (arguably the golden age of the form) Thirty Minute Theatre was perhaps the#most experimental; its short format lent itself to producing less safe material by untested writers‚ and it was described as a kind of#training ground for young scriptwriters who might then advance to more respectable productions. it's also perhaps the worst served in terms#of archive holdings: of the 291 episodes broadcast between 1965 and 1973‚ some 241 are missing‚ considered forever lost in the great yellow#skip of discarded tv material. so it's something rather special to have one of the comparatively rare survivors made available for viewing#even if (as in this case) the circumstances of its survival have rendered it quite a sad looking specimen. Savages exists thanks to an off#air recording made on its first (and probably only) broadcast in 1972; home video was an extremely rare and costly thing then‚ and not as#technologically advanced as it would become‚ but a copy of this play survived in the effects of its author‚ the great postmodern novelist#BS Johnson. it's rough looking‚ a slightly faded black and white tape (it would have transmitted in crisp colour) and bears some#significant damage in places as well as a persistent humming on the soundtrack. but it is a miracle. it is a surviving piece of work from#a hugely significant artist who made precious few works before his untimely death. the play itself is a challenging one‚ an enigmatic but#sometimes frustratingly opaque piece about a family filled with resentments and hatreds that are never explained. Burden (whose casting#apparently deeply upset Johnson‚ who felt him entirely wrong for the role‚ and led to a rift between writer and director Newell) is what#we might call our protagonist‚ a husband and father who has somehow earned the enmity of his children and whose own strange behaviour (he#eats nearly constantly through the play‚ in a quite unpleasant manner; he's also needlessly dismissive of his wife's anguish over an#encounter with a flasher) alienates the viewer. there are subtle seeds planted of possible abuse in the children's history and of financial#disagreements in the present‚ but Johnson denies us a clear context for the attitudes and behaviours of his characters and in doing so#produces a work that is as uncomfortable as it is fascinating. a final reveal that Burden is also a skilled and humane surgeon only muddies#the waters further‚ challenging our view of the grotesque figure we've seen casually fencing with his family members (who are themselves#none too sympathetic figures). this was Johnson's penultimate work for tv before he sadly took his own life. what pure joy that it exists
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melody-everbelle · 2 years ago
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https://www.deviantart.com/alyssaricepony/art/MLP-You-Make-My-Dreams-Come-True-NATG-Day-30-971194045
NATG Day 30: Draw a pony graduating / Draw a pony making their dreams come true.
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longreads · 3 months ago
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How Concerned Citizens Drove a Neo-Nazi Out of Rural Maine
Christopher Pohlhaus planned to build a fascist training compound in the woods of rural Maine. The local journalists, veterans, lumberjacks, and policymakers weren't having it.
Pohlhaus, 37, is a former U.S. marine, an itinerant tattoo artist, and a hardcore white-supremacist influencer. He is loud and hostile, and proud to be both. His voice is pitched surprisingly high, and he has a slight Southern drawl. He has a large body and small bald head; a blue-black tattoo crawls up the right side of his face, from his chin to his forehead. Over the years, Pohlhaus has collected thousands of social media followers, who know him by his nickname: Hammer.
Hammer had been living in Texas for a few years when, in March 2022, he bought the land in Maine. He told his followers that he was going to use it to build a haven, operational center, and training ground for white supremacists.
Check out our excerpt of The Atavist’s latest blockbuster story. 
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nasa · 6 months ago
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Athletes Go for the Gold with NASA Spinoffs
NASA technology tends to find its way into the sporting world more often than you’d expect. Fitness is important to the space program because astronauts must undergo the extreme g-forces of getting into space and endure the long-term effects of weightlessness on the human body. The agency’s engineering expertise also means that items like shoes and swimsuits can be improved with NASA know-how.
As the 2024 Olympics are in full swing in Paris, here are some of the many NASA-derived technologies that have helped competitive athletes train for the games and made sure they’re properly equipped to win.
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The LZR Racer reduces skin friction drag by covering more skin than traditional swimsuits. Multiple pieces of the water-resistant and extremely lightweight LZR Pulse fabric connect at ultrasonically welded seams and incorporate extremely low-profile zippers to keep viscous drag to a minimum.
Swimsuits That Don’t Drag
When the swimsuit manufacturer Speedo wanted its LZR Racer suit to have as little drag as possible, the company turned to the experts at Langley Research Center to test its materials and design. The end result was that the new suit reduced drag by 24 percent compared to the prior generation of Speedo racing suit and broke 13 world records in 2008. While the original LZR Racer is no longer used in competition due to the advantage it gave wearers, its legacy lives on in derivatives still produced to this day.
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Trilion Quality Systems worked with NASA’s Glenn Research Center to adapt existing stereo photogrammetry software to work with high-speed cameras. Now the company sells the package widely, and it is used to analyze stress and strain in everything from knee implants to running shoes and more.
High-Speed Cameras for High-Speed Shoes
After space shuttle Columbia, investigators needed to see how materials reacted during recreation tests with high-speed cameras, which involved working with industry to create a system that could analyze footage filmed at 30,000 frames per second. Engineers at Adidas used this system to analyze the behavior of Olympic marathoners' feet as they hit the ground and adjusted the design of the company’s high-performance footwear based on these observations.
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Martial artist Barry French holds an Impax Body Shield while former European middle-weight kickboxing champion Daryl Tyler delivers an explosive jump side kick; the force of the impact is registered precisely and shown on the display panel of the electronic box French is wearing on his belt.
One-Thousandth-of-an-Inch Punch
In the 1980s, Olympic martial artists needed a way to measure the impact of their strikes to improve training for competition. Impulse Technology reached out to Glenn Research Center to create the Impax sensor, an ultra-thin film sensor which creates a small amount of voltage when struck. The more force applied, the more voltage it generates, enabling a computerized display to show how powerful a punch or kick was.
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Astronaut Sunita Williams poses while using the Interim Resistive Exercise Device on the ISS. The cylinders at the base of each side house the SpiraFlex FlexPacks that inventor Paul Francis honed under NASA contracts. They would go on to power the Bowflex Revolution and other commercial exercise equipment.
Weight Training Without the Weight
Astronauts spending long periods of time in space needed a way to maintain muscle mass without the effect of gravity, but lifting free weights doesn’t work when you’re practically weightless. An exercise machine that uses elastic resistance to provide the same benefits as weightlifting went to the space station in the year 2000. That resistance technology was commercialized into the Bowflex Revolution home exercise equipment shortly afterwards.
Want to learn more about technologies made for space and used on Earth? Check out NASA Spinoff to find products and services that wouldn’t exist without space exploration.   
Make sure to follow us on Tumblr for your regular dose of space!
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toacoy · 2 years ago
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ATG 9 Vs Circuit: Day 29 Draw as many previous prompts in a single picture as you can / Draw a pony scrambling
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It did it again
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accecakes · 5 months ago
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Soap on occasion finds the time to sunbathe on the training grounds! !
I've added a few scrapped sketches that I decided to include. I tried my best to render the sketch, but deep down, I'll always be a sketchy line artist Q_Q
Inspired by this tweet: https://x.com/soapsgoodpup/status/1829257776478212490?s=19
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flutterluv · 8 months ago
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Artist Training Ground Day 12 - Draw a pony exploring a place lost to legend / Draw a pony off the beaten path.
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scented-morker · 30 days ago
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୨୧ Whoops 𓂃 ♥︎
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idol!riki x idol!reader, fem!reader, secret relationship, riki is a little too used to taking care of you… 950 words ft. Mark Lee cameo 🫶
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Award show season in the kpop industry was one of the most fun parts of your job.
You spent hours preparing stages and dance breaks with your group, trying on beautiful dress after beautiful dress, and of course texting your boyfriend Riki for spoilers on his stages.
You: Pleaseeeeee 🙏 I’ll send you a picture of my red carpet dress if you tell me
Riki: you should probably do that anyway 🤭 Jungwon said last show I stared too much but I was just so shocked, you looked so pretty
You: YOU WERE SHOCKED??? DO I NOT NORMALLY LOOK PRETTY???
Riki: Ok crazy I DID NOT SAY THAT
You: blocked.
You were joking around, but you knew exactly what he was talking about. You had noticed him staring when you walked past his group and hadn’t been able to stop your blush even after his leader had smacked him to knock it off.
Your own leader had made up an excuse to yank you back to the makeup artist in an attempt to offset your red face.
Fans absolutely caught the whole thing on camera, and you two were viral for a week.
That was the non fun part of award season— trying to pretend you weren’t completely smitten with the beautiful boy on stage.
Everytime Riki performed you wanted to jump out of your seat and scream your head off.
You were dating the world’s most talented boy and couldn’t even show it… especially since your company had made you go through extra media training to avoid it happening again.
As much as you hated keeping it a secret, you hated to see your boyfriend getting hate even more, so you focused on controlling yourself around the cameras.
When the camera panned to your group during the Enhypen performance on New Years Eve, you calmly smiled and nodded your head to the beat of XO. Your leader gave you a discreet high five as soon as the screen refocused on the boys, and you glowed with pride.
Riki had done well for the most part as well, managing to look like he really liked the song you were performing and not like he was losing his mind over your leather outfit.
Everything was going perfectly smooth until the very end of the show.
You were crammed onto the stage with what seemed like every single idol that has ever debuted.
You bow as you once again bump into one of your seniors, glad when they give you a quick hug and wave off your apology.
It’s almost midnight, and you look around the stage in an attempt to find the rest of your group who you haven’t seen in at least five minutes.
You laugh to yourself when you spot your boyfriend immediately, his head peeking over the rest of the crowd due to his sheer height.
He spots you and raises an eyebrow at you in question, but you don’t even attempt to explain your panicked look, knowing the interaction would get caught and analyzed hundreds of times.
Instead you start walking towards his general direction, making sure to look just enough to the side that people won’t think you’re approaching him.
You hope your group is somewhere near his, thinking your age and popularity were similar enough for the directors to place you beside each other.
There’s music playing over the speakers as you continue looking around for someone you recognize. Idols start dancing around in excitement, and you’re once again jostled as you make your way through the crowd.
A particularly excited Mark Lee accidentally backs up into you, bumping you what feels like halfway across the stage, and you’re fully expecting to hit the ground from the impact.
You internally groan at the videos that are surely going to be everywhere in a few hours, and you try to make sure you don’t accidentally flash anyone when you fall.
But instead of hitting the ground how you were expecting, you find yourself against a familiar body with an arm around your waist.
A gasp leaves your mouth at the feeling, and you don’t even need to turn around to know Riki is behind you.
You quickly untangle yourself from him, turning and bowing deeply to him.
“Thank you for catching me.”
He mirrors your body language, lifting his head to peer into your eyes, his own soft and full of concern.
“Are you okay?”
You nod quickly, standing back up and knowing you’re screwed.
A quick glance behind him shows Jungwon with wide eyes and Heeseung losing his mind laughing at the two of you being horrible relationship hiders.
You bow to them as well, although you make a mental note to yell at Heeseung the next time you see him.
Mark Lee chooses that moment to come up to you with a red face and sheepish smile as he apologizes profusely and Haechan laughs behind him.
You accept it quickly, wanting to get out of the area and horrible situation as soon as possible.
You’re grateful when your leader finally approaches you, looking between you, Mark, and Riki with terrified eyes.
“I’ll explain later.” You whisper as she grabs your arm and the two of you quickly exit towards the other part of the stage.
When you wake up the next day it’s to multiple texts from your manager, two calls from your boyfriend, and a Dispatch article featuring the photo of Riki holding you against him in the middle of the stage.
Whoops.
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glimmette · 8 months ago
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NATG XIV - Day 22
Prompt: Draw a pony finding the light at the end of the tunnel / Draw a pony finding a glimmer of hope.
Continued from the day 17 piece. Izzy encounters her friend Sunny, and with it, some color!
Day 17 piece:
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circuitmane · 8 months ago
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Day 6: Draw a pony offering a pearl of wisdom
Well, it didn't say the wisdom was from a pearl, or all that wise. Though I wonder what the princess is thinking
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