#Artist Training Grounds
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toacoy · 1 year ago
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ATG 9 Vs Circuit: Day 30 Draw a pony graduating / Draw a pony making their dreams come true.
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thus the end of the challenge
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harleneap · 1 year ago
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ATG 2023 Day 21: Draw a pony staying up late / Draw a pony kept in the dark.
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flutterluv · 5 months ago
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Artist Training Ground Day 18 - Draw a pony taking the heat / Draw a pony chilling out.
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nyegher · 2 months ago
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I was accused of being a rarijack shipper at comic con for some reason
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glimmette · 6 months ago
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NATG XIV - Day 6
Prompt: Draw a pony learning the ropes / Draw a pony offering a pearl of wisdom.
"But I can drive my crafting scooter just fine! What's wrong with a bus?" - Izzy
(A rather loose interpretation of the second prompt, since I had trouble coming up with good ideas for either one. The only other pony I could think of who would write this would be Sprout's mom, Phyllis (pre-magic, of course.))
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circuitmane · 5 months ago
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Day 19: Draw a pony finding peace with themselves
I always like to imagine Diamond Tiara finding peace with herself as she got older and more mature.
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mariocki · 4 months ago
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Thirty Minute Theatre: Not Counting the Savages (BBC, 1972)
"I didn't look round, of course, but when I went round to tidy the other side of the grave, I... became aware of a man standing up against the wire fence. At first I thought that he'd caught his handkerchief or something white on it, and then I realised what it was."
"What?"
"He was exposing himself. Exposing himself to me."
"Well, you've seen one before."
"But I was... I was terribly upset. You can't know how distressed I was! I still am."
"Why? You're an old woman. Why should you be upset? It was play-acting. You're an old woman."
#thirty minute theatre#not counting the savages#b.s. johnson#single play#1972#mike newell#hugh burden#brenda bruce#william hoyland#fiona walker#of all the drama anthologies to come out of the 60s and 70s (arguably the golden age of the form) Thirty Minute Theatre was perhaps the#most experimental; its short format lent itself to producing less safe material by untested writers‚ and it was described as a kind of#training ground for young scriptwriters who might then advance to more respectable productions. it's also perhaps the worst served in terms#of archive holdings: of the 291 episodes broadcast between 1965 and 1973‚ some 241 are missing‚ considered forever lost in the great yellow#skip of discarded tv material. so it's something rather special to have one of the comparatively rare survivors made available for viewing#even if (as in this case) the circumstances of its survival have rendered it quite a sad looking specimen. Savages exists thanks to an off#air recording made on its first (and probably only) broadcast in 1972; home video was an extremely rare and costly thing then‚ and not as#technologically advanced as it would become‚ but a copy of this play survived in the effects of its author‚ the great postmodern novelist#BS Johnson. it's rough looking‚ a slightly faded black and white tape (it would have transmitted in crisp colour) and bears some#significant damage in places as well as a persistent humming on the soundtrack. but it is a miracle. it is a surviving piece of work from#a hugely significant artist who made precious few works before his untimely death. the play itself is a challenging one‚ an enigmatic but#sometimes frustratingly opaque piece about a family filled with resentments and hatreds that are never explained. Burden (whose casting#apparently deeply upset Johnson‚ who felt him entirely wrong for the role‚ and led to a rift between writer and director Newell) is what#we might call our protagonist‚ a husband and father who has somehow earned the enmity of his children and whose own strange behaviour (he#eats nearly constantly through the play‚ in a quite unpleasant manner; he's also needlessly dismissive of his wife's anguish over an#encounter with a flasher) alienates the viewer. there are subtle seeds planted of possible abuse in the children's history and of financial#disagreements in the present‚ but Johnson denies us a clear context for the attitudes and behaviours of his characters and in doing so#produces a work that is as uncomfortable as it is fascinating. a final reveal that Burden is also a skilled and humane surgeon only muddies#the waters further‚ challenging our view of the grotesque figure we've seen casually fencing with his family members (who are themselves#none too sympathetic figures). this was Johnson's penultimate work for tv before he sadly took his own life. what pure joy that it exists
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melody-everbelle · 1 year ago
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https://www.deviantart.com/alyssaricepony/art/MLP-You-Make-My-Dreams-Come-True-NATG-Day-30-971194045
NATG Day 30: Draw a pony graduating / Draw a pony making their dreams come true.
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longreads · 26 days ago
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How Concerned Citizens Drove a Neo-Nazi Out of Rural Maine
Christopher Pohlhaus planned to build a fascist training compound in the woods of rural Maine. The local journalists, veterans, lumberjacks, and policymakers weren't having it.
Pohlhaus, 37, is a former U.S. marine, an itinerant tattoo artist, and a hardcore white-supremacist influencer. He is loud and hostile, and proud to be both. His voice is pitched surprisingly high, and he has a slight Southern drawl. He has a large body and small bald head; a blue-black tattoo crawls up the right side of his face, from his chin to his forehead. Over the years, Pohlhaus has collected thousands of social media followers, who know him by his nickname: Hammer.
Hammer had been living in Texas for a few years when, in March 2022, he bought the land in Maine. He told his followers that he was going to use it to build a haven, operational center, and training ground for white supremacists.
Check out our excerpt of The Atavist’s latest blockbuster story. 
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nasa · 4 months ago
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Athletes Go for the Gold with NASA Spinoffs
NASA technology tends to find its way into the sporting world more often than you’d expect. Fitness is important to the space program because astronauts must undergo the extreme g-forces of getting into space and endure the long-term effects of weightlessness on the human body. The agency’s engineering expertise also means that items like shoes and swimsuits can be improved with NASA know-how.
As the 2024 Olympics are in full swing in Paris, here are some of the many NASA-derived technologies that have helped competitive athletes train for the games and made sure they’re properly equipped to win.
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The LZR Racer reduces skin friction drag by covering more skin than traditional swimsuits. Multiple pieces of the water-resistant and extremely lightweight LZR Pulse fabric connect at ultrasonically welded seams and incorporate extremely low-profile zippers to keep viscous drag to a minimum.
Swimsuits That Don’t Drag
When the swimsuit manufacturer Speedo wanted its LZR Racer suit to have as little drag as possible, the company turned to the experts at Langley Research Center to test its materials and design. The end result was that the new suit reduced drag by 24 percent compared to the prior generation of Speedo racing suit and broke 13 world records in 2008. While the original LZR Racer is no longer used in competition due to the advantage it gave wearers, its legacy lives on in derivatives still produced to this day.
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Trilion Quality Systems worked with NASA’s Glenn Research Center to adapt existing stereo photogrammetry software to work with high-speed cameras. Now the company sells the package widely, and it is used to analyze stress and strain in everything from knee implants to running shoes and more.
High-Speed Cameras for High-Speed Shoes
After space shuttle Columbia, investigators needed to see how materials reacted during recreation tests with high-speed cameras, which involved working with industry to create a system that could analyze footage filmed at 30,000 frames per second. Engineers at Adidas used this system to analyze the behavior of Olympic marathoners' feet as they hit the ground and adjusted the design of the company’s high-performance footwear based on these observations.
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Martial artist Barry French holds an Impax Body Shield while former European middle-weight kickboxing champion Daryl Tyler delivers an explosive jump side kick; the force of the impact is registered precisely and shown on the display panel of the electronic box French is wearing on his belt.
One-Thousandth-of-an-Inch Punch
In the 1980s, Olympic martial artists needed a way to measure the impact of their strikes to improve training for competition. Impulse Technology reached out to Glenn Research Center to create the Impax sensor, an ultra-thin film sensor which creates a small amount of voltage when struck. The more force applied, the more voltage it generates, enabling a computerized display to show how powerful a punch or kick was.
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Astronaut Sunita Williams poses while using the Interim Resistive Exercise Device on the ISS. The cylinders at the base of each side house the SpiraFlex FlexPacks that inventor Paul Francis honed under NASA contracts. They would go on to power the Bowflex Revolution and other commercial exercise equipment.
Weight Training Without the Weight
Astronauts spending long periods of time in space needed a way to maintain muscle mass without the effect of gravity, but lifting free weights doesn’t work when you’re practically weightless. An exercise machine that uses elastic resistance to provide the same benefits as weightlifting went to the space station in the year 2000. That resistance technology was commercialized into the Bowflex Revolution home exercise equipment shortly afterwards.
Want to learn more about technologies made for space and used on Earth? Check out NASA Spinoff to find products and services that wouldn’t exist without space exploration.   
Make sure to follow us on Tumblr for your regular dose of space!
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toacoy · 1 year ago
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ATG 9 Vs Circuit: Day 29 Draw as many previous prompts in a single picture as you can / Draw a pony scrambling
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It did it again
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aldryrththerainbowheart · 7 months ago
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Medieval knight!Jason Todd who's a long-lost son of the Wayne earldom. He took up a crusade when he was younger but was believed to be dead. Only to reveal himself several years later during the swordsmanship tournament hosted by Wayne family. Just as Dick was lying in the sand coughing up blood next to his discarded sword, his unknown challenger took off his scarlet helmet and the entire court erupted in chaos.
That was years ago now. Since then, Sir Todd made amends with his family, but they are by no means close. Jason managed to gain a title and a fief on his own, independent of his family and he takes no small pride in that. These days he and his merry group of loyal warriors take up mercenary work and guardianship if the person has enough coin.
When the local baron hired him to be a personal guard for his daughter, Jason was sure that would be an easy job for a good amount of gold. The red knight soon found out that being your bodyguard is not as easy as he thought. You were quite the escape artist. Whenever a banquet or an audience was too boring for your liking, you simply vanished, and Jason had to search for you high and low to drag you back. It made him grind his jaw and caused his temper to flare more than once.
You were thrilled and appalled that someone spoke to you so crassly and brazenly. Other soldiers your father assigned to you treated you with the utmost respect and gave up after a few months. Not the red knight. He proved himself to be just as stubborn as you, if not more. At this point, it wasn't about money anymore. He just couldn't stand the thought of some spoiled daughter of a noble getting the better of him. Jason had no qualms about throwing you over his shoulder and carrying you back to the castle, while the plate of his armor dug uncomfortably into your stomach.
After six months of this, Jason was fed up with your nonsense and was ready to collect his gold and disappear for good. You were hiding from the baroness, some nonsense about dress fitting or a dance lesson. Jason was just returning from the training grounds when he saw you sitting on the ground near the barn, playing with a fresh litter of kittens. You knew the cat and the kittens well, and judging how other animals treated you it wasn't your first time there. You met his gaze and winked at him, placing a finger to your lips. Your first shared secret.
After that day, your personal guard Jason somehow became your partner in crime. He looked the other way sometimes or followed in a safe distance. You fascinated him, and somehow, before he even knew it, he started to fall for you. He wanted to deny it. Jason reminded himself time and time again why it was a horrible idea. However, he couldn't keep himself from falling more and more for you.
Another day, another one of your daring escapes. This time was, different, though. You took some of your belongings and your horse while leaving a letter to say your goodbyes. Jason did not care for exploring the feelings of absolute horror that grasped his heart at the thought of you disappearing from his life. He immediately set out to search for you. You couldn't escape too far and he knew where to go. He knew you better than anyone.
When he caught up with you, you were residing in a tavern in a small cozy village near the edge of your father's land. You were always annoyed and scathing whenever he came to bring you back home, but this time, you were just sad, almost tearful. Jason demanded an explanation for your unusual disappearance, and the one he received almost made him shatter the pitcher in his hand. The courting season was swiftly approaching.
He knew of your fear and unwillingness to get pawned off for alliance and title. He was also aware that your parents were adamant in marrying you off before grow out of marrigable age.
Which is why your loyal guardian made you an offer. You stay in the village for its upcoming festival, relishing in last days of freedom without responsibility, before returning home. This offer served not only you, but Jason as well. He wanted to revel in your presence before returning to your old life where he was the knight and you were the noble.
In hinsight, he should've realized that was a mistake, because in these last few days he became aware of how smitten he'd become. It was all too easy to forget his duties when you were pretending to be a simple village girl.
You peroused the stalls, gawking at everything you saw and chatting his ear off. He watched you trying to eat the commoner food with your bare hands, hilariously failing. When they arrived in the square where the dance was held, you haven't hesitated before grabbing his hand and pulling him for a dance. Jason wanted to protest, but your bright smile convinced him. He twirled you amongst the townsfolk before he noticed familiar faces heading your way. The baron's soldiers, no doubt they were looking for you.
Quicker than you could react, Jason pulled you into a darkened corner, covering your body with his, pressing your lips together. He kissed you until he knew the guards were gone. He pulled away to apologize but before he could say anything you grabbed him by the lapels of his cloak and pressed your lips together again. You kissed him with sweetness and desperation that stole breath from his lungs, and Jason had no choice but to melt into you. He wrapped his arms around you, pressing you impossibly close to him, your hands slipped from his cheeks to his hair.
He indulged little longer before letting voice of reason win, pulling away. Jason reminded you that you shouldn't be doing this, reminded you of your respective postitions. You didn't listened, instead, you uttered words Jason both wished and dreaded to hear.
You loved him.
He asked of you to never say these words to him again, and without another word he took your hand and led you back home as he tried to ignore your quiet sobs.
Despite your promises, he catches you trying to climb out over one of the garden walls during your courting ball. Jason wanted to strangle you, not that he enjoyed watching you dance with all those idiot nobles while all he wanted to do was to take you and carry you somewhere where there only be the two of you. This can't go on much longer, he has to end things tonight. Jason takes on a quest, to slay creatures in the southern forest. Surely you'll understand eventually...that the distance is good for both of you.
Months go by, and the pain the red knight felt when leaving you felt bearable. The other soldiers in his unit were curious as to why the infamous red knight left such prestigious position. Some speculated it was because the position was too peaceful and the dead son of Wayne was hungry for blood. If only they knew the true reason he left, but it was for the better. No one needs to know. One day, a messenger arrived, bearing a letter that stated there was an attack on the baron's family. The baron and his wife were badly injured and you were missing.
How was this possible?! You were supposed to be safe here! Without missing even a single second, Jason rode his horse tirelessly to the city. He will find you, and whoever took you will pay for every scratch he finds on you with their life. When he rescues you from your kidnappers, you're barely conscious. Gently, he pics up your weakened body and carefully carries you over the dead bodies lying everywhere. When he brings you back home, as he always done, he is adamant to never leave your side, no matter what takes. With heart full of determination, he asks, no, demands your hand in marriage. His name, his fief, his sword and his hearth, all of it is yours.
The baron is wise enough to give Sir Jason his blessings. After all, who's better for his daughter than a man who is able to set the world ablaze to safe her?
Art: Crown; Katerina Kirillova
Tags: @thinkingofausername, @fir3flytv, @ivysangel, @cherrrysstuff, @xxgoblin-dumplingxx, @mostly-imagines , @applejuicebegood
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flutterluv · 6 months ago
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Artist Training Ground Day 12 - Draw a pony exploring a place lost to legend / Draw a pony off the beaten path.
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chaotic-mystery · 3 months ago
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PROFESSOR’S PET
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Pairing: Art Professor!Joel AU x Teacher Assistant!f!reader.
Summary: Professor Miller wants you to teach the class tomorrow morning & you need help being less nervous. What if he’s the reason you’re nervous, though?
Content Warnings: SMUT 18+ only! MDNI. Age gap but not specified, power imbalance (professor x TA, reader stutters when nervous, academic weapon, teasing, fingering, one (1) pair of panties ripped to shreds, oral (f receiving), spitting, pussy slaps, praise kink, name calling (good girl, sweetheart, baby, smart girl), dirty talk, talking you through it, spanking, condescending a little bit, cum eating, face riding, nasty freaky kisses to share your cum, no use of y/n.
Authors Note: Good morning, babies! This is for @studioghibelli & their fantastic writing challenge. This moodboard was absolutely brilliant. As someone who did not go to college & can’t retain information well, I tried to research as much as I could about art so I hope I did it justice! 🩵 || wc: 2.6k || beta’d by @wannab-urs <333 ily sm gin ||
“You want me to do what?”
It came out more as an exclamation rather than a question but you didn’t care at the moment.
He couldn’t have been serious.
“I want you to teach the class tomorrow about your two favorite artists. That’s all I’m askin’” Professor Miller says, stuffing his papers back into the desk drawer for the night.
“B-but you know I don’t talk well in front of them, I constantly stutter and they don’t respond well to me yet, I-”
“Do you need me to help you with the lesson plan for tomorrow? I can come over and help you write down some notes on what you want to talk about, but I need you to get more comfortable around them. We have a long school year ahead of us, and it’s not going to work if you’re afraid to speak up here.”
He was annoyed having to explain his reasoning, but he was right. Even if you didn’t want to hear you were doing a terrible job as a teacher's assistant. Scratching your head and turning so he can’t see the look of shame on your face, Joel shuffles towards you and hands you your coat off the coat rack.
“It’ll be fine. All you need is a push and you’ll do great. Hurry before we miss the train.”
You nod and take your coat to put it on, the tan fabric becoming darker as you step outside and rain starts to pelt off it. Mr. Miller sighs and hoists his briefcase above his head and takes his other hand to the side of him searching for yours until he finds it and grabs it, guiding you through the raindrops until you get under the stone archway to take a brief moment for the rain to calm down.
“Can’t believe I’ve had you as a TA for almost two years now and have never once seen where you live or even know about you outside of this place.” His finger wags slowly behind his head, indicating he was referring to the school.
“I don’t really like to talk about myself, but my parents made a really good name for themselves. I was put through all the good schools they could toss their money at. I was supposed to go to school to be a lawyer, but I wasn’t interested in the slightest. I told my mom I wanted to study visual arts and she wasn’t too surprised, said I always had an eye for that sort of thing. I want to become a professor here one day but for now I just want to learn everything I can, ya know?” You smile at the ground as you think about teaching here someday and hope it doesn’t come off as dorky.
He’s so much older than you and probably knows so much between art and life. You could only hope to have as much knowledge as him when you become a professor.
“I think that’s amazing honestly. I hope to one day see you as a professor here whenever you feel like you’re ready.”
His grin eases your nerves, and you hear the train coming, taking his hand once more to run to the train stop. Your shoes squeak against the vinyl flooring of the moving cabin until you get to a seat by the foggy window, plopping your bag right next to you with Joel sitting across the small white table that was tattered from all the use.
The train ride to your town wasn’t too long and Joel read almost the entire time, asking you every now and then if you were okay. Once you catch a taxi to take you home, it drops you off right at the black iron gates. He steps out of the sleek black car and is a little taken aback by the size of your house.
“What’s the matter? I told you they had money.” You giggle and push the buzzer on the stone post to the left of you, telling them to let you inside. Almost instantly, the gates push open and you walk along the pebble drive, flinging your book bag over your shoulder as he follows a few steps behind you, taking in the beauty that is your house.
Once you get inside and introduce him to the small group of staff working, they tell you your parents went out for the evening to some charity event and there’s food in the fridge if you were hungry.
The nerves about teaching tomorrow overrode the feeling of being hungry, but you still offered Joel anything he could’ve wanted. He settles with water, and you leave him in the study where he’s content with gazing at the walls covered in full bookshelves about any and everything.
You come back in and shut the rosewood pocket doors quietly, careful not to disturb him from the current book in his hand about astronomy. The way his fingers grazed over the corners of the pages made your stomach tingle just a little bit, the dim lighting from the chandelier glowing a soft yellow on his face as he was entranced by the contents.
Get it together, he’s off limits, you tell yourself.
There was no ring on his finger and he always talked about his lonely weekends, but still. You were his teacher's assistant.
You clear your throat and set his water down on the desk before you turn on the green bankers lamp sitting at the edge of the table. Joel closes the red leather book and looks up at you, noticing the water, and he puts the book back where he found it.
“Thank you.” He raises the glass to you before taking a sip, the muscles in his neck contracting as he swallows, and it brings that same feeling as before that you felt in your stomach.
So, give me two of your favorite art pieces and the artist with some facts about them. You don’t have to start from their birth or anything.”
He pinches his slacks right on the thighs to hike them up just a little before he sits down in the wooden chair at the head of the table, his hands on the back of his head as his fingers interlock against his skull.
Focus.
You pace back and forth at the other end of the table, Joel’s eyes on you intently as you fiddle with your fingers, running through the list of artists you tend to gravitate towards.
“I got it. Botticelli.”
“Nice choice. Why him?”
You continue to walk back and forth and sort out which facts about him and his artwork you love to tell people they wouldn’t normally know.
“I love the painting Birth of Venus but um- it’s not technically her birth story, it’s m-more like the story continued after her birth; when she steps off her shell and onto the island of Cyprus. S-she’s being blown onto…” you take a deep breath in and put your head in your hands.
“I’m sorry, Joel.”
You turn away from him and look out the window trying to compose yourself.
“Just take your time, I’ve got all night, kid.”
Turning to face him, he’s sitting straight up now and you can tell he’s listening to every word coming out of your mouth. His dark jacket is tight on his arms and it’s just enough to show the outline of his muscles.
“She’s being blown onto shore by the spring winds which is Zephyr, who is accompanied by his wife, Chloris, who’s also blowing Venus’ shell to shore. Her pose was most likely inspired by an ancient marble statue in the Medici’s collection, which we refer to as the Medici Venus, the first ever nude female sculpture in classical art.”
You manage to recite all of that without stuttering this time and he grins proudly.
“I knew you could do it. Good job. Now, what I want you to do is write down bullet points on this note card with a keyword that’ll spark your mind and draw the facts out of you fluently.”
Your cheeks warm at first and then your brows furrow at his instructions.
“What do you mean, professor?”
“Come here, I’ll show you.”
He scoots his chair back enough so you can stand to the side of him and watch as he scribbles down some words on the lined piece of paper. The red ink flows effortlessly and he pushes it to you, pointing at what he did.
“It’s just a keyword that’ll spark your brain to talk about it. If you write down everything you’re gonna say, it sounds like a robot trying to read it. This way, you won’t get overwhelmed by everything you wanna say and you can sound effortless.”
You nod as the gears in your head turn, the idea making perfect sense now. Reaching out to grab another note card, you bend over to write on it, starting at the top. You feel Joel’s hand on the small of your back very lightly as he watches you write, the pen in your hand moving faster than he’s ever seen.
“The next one is gonna be the technique he used for the painting.”
You write the word ‘technique’ shakily, trying to breathe manually.
“What about his technique?” Joel asks, his hand not moving from your back.
“H-he um, he used the tempera technique, it’s when you d-dilute a raw egg with water and mix watered down p-pigment with it and um-um paint with it.” Your words get breathy and all at once you stand straight up, clearing your throat once more.
“You’re still pretty nervous. Is it me? Am I making you nervous?” The condescending tone in Professor Miller's voice makes the hair on the back of your neck stand up, feeling like you’ve been called out.
“Partially, maybe.” You admit and turn away from him but you don’t move from next to him.
He runs his hand over his scruff and smirks slyly.
“Do you trust me?”
Without hesitation you nod yes.
“Turn around for me.” Joel’s hands grip your hips and spin you around in your spot.
“Now read your little note card for me. Come on, you’ve got this, smart girl.”
That was all you had to hear to make your stomach flip and arousal flood your body. Smart girl.
His hands never leave your hips as he holds you still, subconsciously rubbing the fabric of your skirt on the waistband while you read your notes. You manage to get through half of them before you stutter out and stop again.
“Again, from the top.” He says softly, still holding onto you. Just as you begin to speak, you feel yourself being guided backwards and you don’t stop talking, going with the flow of things.
For the purpose of learning, right?
Joel puts you right against his thighs, his head peeking over the side of your arm to see what bullet point you were on.
“Keep going, you’re doing such a good job.” He whispers as he rubs your back gently.
“Botticelli used the tempera technique, which is when you mix a r-raw egg with water a-and you dilute yo-our pigment with water and mix th-em together.”
His hand ever so slowly moves around the side of your thigh until he’s on the top of it, his thumb dangerously close to the point of no return. Your breaths were getting heavier and you were almost positive he could feel your heart rattling in your body like a caged animal.
“Joel, I-”
“Start it again, and if you stutter I’ll stop.”
His hand dips under your skirt and he nods to your index card, wanting you to restart.
“Well come on, be a good girl for me.” He grunts out and smirks before biting your arm playfully.
You didn’t know how you got here or why he wanted to touch you this way but you weren’t going to stop him. He was a good looking man and god forbid you do something out of your normal routine.
His fingertips dance over your overly excited clit and release some tension for you, and it’s like a key to a gate, your legs spreading more and more with every circle from his middle finger. You continue to talk through his efforts to make you stutter, even when he gets faster and kisses your back.
“Just like that, sweetheart. Next artist, let’s go.” He pushes you up on the desk and splits your legs apart, ripping your panties in two before he takes off his jacket and rolls his shirt sleeves up to his elbows.
“The Swing painted by Jean-Honore Fragonard. It’s said it’s a commission from a man on the court who requested Fragonard to paint him and his younger mistress being pushed on a swing while he watches and admires her-oh my god, Joel, right there, yes, yes.”
His tongue dances against your clit after he spits on it, licking every inch of you just to hear your pretty moans. His hands travel up your abdomen until he gets to your shirt, ripping the buttons apart to see your beautiful breasts. A deep groan against your overly sensitive clit makes your eyes almost roll back into your skull and he slaps your pussy firmly.
“That’s not being a good girl. Did I tell you to stop?”
“No, sir.” You whimper and try to get back on track about the painting you were talking about. His curls tickle against the soft insides of your thighs as he continues, licking feverishly at your clit.
“The brushwork is rapid and it exemplifies the Rococo style of playfulness and elegance” you whimper out and buck against his face, your hand dipping into his hair to tug firmly.
He spanks your ass as he feels your body squirm under him, tugging your legs to rest on his shoulders as he continues to lap up your arousal.
“You’re such a filthy girl, riding your professor's face in your house, naughty naughty girl. Oh, yes, cmon sweetheart, use my mouth.”
You moan his name louder and thank god your sounds are muffled from the rest of the house by all the literature covering the walls. Somehow you finish telling him about the painting and he looks at you as you cry out for more from him, your slick glossing over his mustache.
“Please make me come, Joel. Please, I need you so bad.” You kiss him roughly and try to grab his rock hard bulge but he pulls his hips away and groans loudly on your lips before grinning, going back down to your pussy and moaning against you.
“Come right on my face, right fuckin’ now. Let me taste how sweet you are. I know you can’t handle much more and you don’t wanna disappoint me, right baby?” Joel smirks and flattens his tongue against your clit once more, teasing you and enjoying this just as much as you were.
The burning sensation in your belly starts to spill over and before you can tell him, you grip both edges of the table and come against his face, crying and squirming to get away from him but it only makes Joel pin you down by your wrists and lick harder, tasting every bit you give him.
He licks you clean and kisses his way up your stomach, through the valley of your breasts to your lips, sharing the deliciousness with you. As you come down from your high, the grandfather clock in the corner of the room starts to chime, indicating it was midnight.
“That 7:30 A.M. class is gonna be here before you know it, professor.” You push the damp curls off his forehead and giggle as he stands up tiredly, holding a hand out for you. As you sit up on the table, his hand cups your cheek and kisses you deeply once more.
“You owe me sleep, so much sleep.”
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glimmette · 5 months ago
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NATG XIV - Day 22
Prompt: Draw a pony finding the light at the end of the tunnel / Draw a pony finding a glimmer of hope.
Continued from the day 17 piece. Izzy encounters her friend Sunny, and with it, some color!
Day 17 piece:
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circuitmane · 6 months ago
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Day 6: Draw a pony offering a pearl of wisdom
Well, it didn't say the wisdom was from a pearl, or all that wise. Though I wonder what the princess is thinking
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