#Arthur Winograd

[hellocanticle]

Schoenberg, Reclaiming a Legacy in Sound

A landmark set of recordings of Schoenberg’s chamber music for strings The Juilliard Quartet, founded in 1946 by composer William Schuman (1910-1992) is a highly respected and justly lauded ensemble. This fine CD set includes two complete cycles of Arnold Schoenberg’s String Quartets. It also includes the composer’s too little known String Trio of 1945 and a ravishing string sextet version of…

[aschenblumen]

Arnold Schoenberg, Pierrot lunaire. Melodrama for recitation and chamber orchestra, op. 21. Sobre los poemas de Albert Giraud. Arthur Winograd, director

[romanlightman001]

Glinka "Wizard's March" ('Russlan and Ludmilla') - Arthur Winograd conducts

[italianaradio]

Bob Odenkirk: 10 cose che non sai sull’attore

Nuovo post su italianaradio https://www.italianaradio.it/index.php/bob-odenkirk-10-cose-che-non-sai-sullattore/

Bob Odenkirk: 10 cose che non sai sull’attore

Bob Odenkirk: 10 cose che non sai sull’attore

Bob Odenkirk: 10 cose che non sai sull’attore

Nel giro di pochi anni, Bob Odenkirk è diventato uno degli attori più apprezzati, quotati e richiesti di Hollywood. Talmente brillante in Breaking Bad con il suo Saul Goodman da ottenere uno spin-off tutto dedicato a lui. Odenkirk ha avuto inoltre modo di provare ulteriormente il suo talento e la sua versatilità partecipando a celebri film di importanti autori, ottenendo in più occasioni prestigiosi riconoscimenti da parte della critica.

Ecco 10 cose che non sai su Bob Odenkirk.

Bob Odenkirk: i suoi film e le serie TV

1. Ha recitato in film da Oscar. I primi, marginali, ruoli di Odenkirk al cinema furono per film come Fusi di testa 2 – Waynestock (1993), Il rompiscatole (1996) e Monkeybone (2001). Inizia ad ottenere maggior popolarità soltano nel 2013, nel momento in cui grazie al suo ruolo nella serie Breaking Bad, ottiene delle parti in film come The Spectacular Now (2013), Nebraska (2013), Boulevard (2014), The Disaster Artist (2017), The Post (2017), Non succede, ma se succede… (2019), Piccole donne (2019) e Dolemite Is My Name (2019).

2. È celebre per i suoi ruoli televisivi. Dopo aver recitato per anni in celebri serie TV, tra cui How I Met Your Mother (2008-2011), Odenkirk si consacra grazie al ruolo di Saul Goodman nella serie Breaking Bad (2009-2013), dove recita accanto a Bryan Cranston. Successivamente recita nella prima stagione di Fargo (2014) e dal 2015 ha il ruolo di protagonista nella serie spin-off Better Call Saul, dove riprende il personaggio che lo ha reso celebre. Nel 2019 è invece tra i protagonisti della serie Undone.

3. Ha ricoperto il ruolo di produttore. Particolarmente affezionato alla serie Better Call Saul, Odenkirk ha svolto il ruolo di produttore per tutti gli episodi fino ad ora girati. Ha inoltre partecipato alla produzione delle serie Undone, Bob and David (2015) e The Birthday Boys (2013-2014).

Bob Odenkirk ha recitato in How I Met Your Mother

4. Ha interpretato un personaggio di rilievo. Nel corso della serie How I Met Your Mother, l’attore si è fatto apprezzare nel ruolo di Arthur Hobbs, il capo di Marshall, interpretato da Jason Segel, alla Goliath National Bank. Questi era costantemente in contrasto con il personaggio di Segel, per via del suo cinismo e del suo menefreghismo nei confronti di ciò che non riguardasse la banca.

Bob Odenkirk in Breaking Bad

5. Stava per rinunciare al ruolo. Quando gli fu proposto il ruolo dell’avvocato Saul Goodman in Breaking Bad, Odenkirk parlò con l’ideatore Vince Gilligan che non si sentiva adatto a ricoprire il ruolo di un ebreo, non essendolo lui. Gilligan gli rivelò tuttavia che quello non era il vero nome dell’avvocato, il quale si fingeva ebreo come strategia per attirare più clienti.

6. Ha ideato il look del personaggio. Durante un’intervista, l’attore ha dichiarato di essere lui l’ideatore della buffa acconciatura di capelli di Saul Goodman. Odenkirk propose l’idea a Gilligan, il quale trovò che aggiungeva particolarità ad un personaggio che avrebbe dovuto continuamente dare l’impressione di nascondere qualcosa.

Bob Odenkirk in Undone

7. Ha partecipato alla rivoluzionaria serie Amazon. Nel 2019 l’attore ha partecipato alla serie Amazon Prime Undone, interpretando Jacob Winograd, padre della protagonista interpretata dall’attrice Rosa Salazar. Odenkirk si è dichiarato entusiasta di poter partecipare alla prima serie televisiva in assoluto girata con la tecnica del rotoscope, che permette di raggiungere risultati visivamente sbalorditivi.

Bob Odenkirk in Piccole donne

8. Ha interpretato il padre delle protagoniste. Nel film Piccole donne, scritto e diretto da Greta Gerwig, l’attore interpreta il ruolo del padre delle giovani protagonista. Il suo personaggio ha in realtà un breve minutaggio nel film, poiché per lo più del tempo è lontano da casa, impegnato nella guerra.

Bob Odenkirk in The Post

9. Ha recitato nel film di Steven Spielberg. Nel film The Post, candidato all’Oscar, Odenkirk ricopre il ruolo di Ban Bagdikian, assistente redattore al Post, il quale riesce ad ottenere i documenti che daranno origine al celebre scandalo. Nel film l’attore recita insieme a Tom Hanks e Meryl Streep.

Bob Odenkirk: età e altezza

10. Bob Odenkirk è nato a Naperville, nell’Illinois, Stati Uniti, il 22 ottobre 1962. L’attore è alto complessivamente 175 centimetri.

Fonte: IMDb

  Cinefilos.it – Da chi il cinema lo ama.

Bob Odenkirk: 10 cose che non sai sull’attore

Nel giro di pochi anni, Bob Odenkirk è diventato uno degli attori più apprezzati, quotati e richiesti di Hollywood. Talmente brillante in Breaking Bad con il suo Saul Goodman da ottenere uno spin-off tutto dedicato a lui. Odenkirk ha avuto inoltre modo di provare ulteriormente il suo talento e la sua versatilità partecipando a celebri […]

Cinefilos.it – Da chi il cinema lo ama.

Gianmaria Cataldo

[ratusalim]

Early milestones in AI

The first AI programs

The earliest successful AI program was written in 1951 by Christopher Strachey, later director of the Programming Research Group at the University of Oxford. Strachey’s checkers (draughts) program ran on the Ferranti Mark I computer at the University of Manchester, England. By the summer of 1952 this program could play a complete game of checkers at a reasonable speed.

Information about the earliest successful demonstration of machine learning was published in 1952. Shopper, written by Anthony Oettinger at the University of Cambridge, ran on the EDSAC computer. Shopper’s simulated world was a mall of eight shops. When instructed to purchase an item, Shopper would search for it, visiting shops at random until the item was found. While searching, Shopper would memorize a few of the items stocked in each shop visited (just as a human shopper might). The next time Shopper was sent out for the same item, or for some other item that it had already located, it would go to the right shop straight away. This simple form of learning, as is pointed out in the introductory section What is intelligence?, is called rote learning.

The first AI program to run in the United States also was a checkers program, written in 1952 by Arthur Samuel for the prototype of the IBM 701. Samuel took over the essentials of Strachey’s checkers program and over a period of years considerably extended it. In 1955 he added features that enabled the program to learn from experience. Samuel included mechanisms for both rote learning and generalization, enhancements that eventually led to his program’s winning one game against a former Connecticut checkers champion in 1962.

Evolutionary computing

Samuel’s checkers program was also notable for being one of the first efforts at evolutionary computing. (His program “evolved” by pitting a modified copy against the current best version of his program, with the winner becoming the new standard.) Evolutionary computing typically involves the use of some automatic method of generating and evaluating successive “generations” of a program, until a highly proficient solution evolves.

A leading proponent of evolutionary computing, John Holland, also wrote test software for the prototype of the IBM 701 computer. In particular, he helped design a neural-network “virtual” rat that could be trained to navigate through a maze. This work convinced Holland of the efficacy of the bottom-up approach. While continuing to consult for IBM, Holland moved to the University of Michigan in 1952 to pursue a doctorate in mathematics. He soon switched, however, to a new interdisciplinary program in computers and information processing (later known as communications science) created by Arthur Burks, one of the builders of ENIAC and its successor EDVAC. In his 1959 dissertation, for most likely the world’s first computer science Ph.D., Holland proposed a new type of computer—a multiprocessor computer—that would assign each artificial neuron in a network to a separate processor. (In 1985 Daniel Hillis solved the engineering difficulties to build the first such computer, the 65,536-processor Thinking Machines Corporation supercomputer.)

Holland joined the faculty at Michigan after graduation and over the next four decades directed much of the research into methods of automating evolutionary computing, a process now known by the term genetic algorithms. Systems implemented in Holland’s laboratory included a chess program, models of single-cell biological organisms, and a classifier system for controlling a simulated gas-pipeline network. Genetic algorithms are no longer restricted to “academic” demonstrations, however; in one important practical application, a genetic algorithm cooperates with a witness to a crime in order to generate a portrait of the criminal.

Logical reasoning and problem solving

The ability to reason logically is an important aspect of intelligence and has always been a major focus of AI research. An important landmark in this area was a theorem-proving program written in 1955–56 by Allen Newell and J. Clifford Shaw of the RAND Corporation and Herbert Simon of the Carnegie Mellon University. The Logic Theorist, as the program became known, was designed to prove theorems from Principia Mathematica (1910–13), a three-volume work by the British philosopher-mathematicians Alfred North Whitehead and Bertrand Russell. In one instance, a proof devised by the program was more elegant than the proof given in the books.

Newell, Simon, and Shaw went on to write a more powerful program, the General Problem Solver, or GPS. The first version of GPS ran in 1957, and work continued on the project for about a decade. GPS could solve an impressive variety of puzzles using a trial and error approach. However, one criticism of GPS, and similar programs that lack any learning capability, is that the program’s intelligence is entirely secondhand, coming from whatever information the programmer explicitly includes.

English dialogue

Two of the best-known early AI programs, Eliza and Parry, gave an eerie semblance of intelligent conversation. (Details of both were first published in 1966.) Eliza, written by Joseph Weizenbaum of MIT’s AI Laboratory, simulated a human therapist. Parry, written by Stanford University psychiatrist Kenneth Colby, simulated a human paranoiac. Psychiatrists who were asked to decide whether they were communicating with Parry or a human paranoiac were often unable to tell. Nevertheless, neither Parry nor Eliza could reasonably be described as intelligent. Parry’s contributions to the conversation were canned—constructed in advance by the programmer and stored away in the computer’s memory. Eliza, too, relied on canned sentences and simple programming tricks.

AI programming languages

In the course of their work on the Logic Theorist and GPS, Newell, Simon, and Shaw developed their Information Processing Language (IPL), a computer language tailored for AI programming. At the heart of IPL was a highly flexible data structure that they called a list. A list is simply an ordered sequence of items of data. Some or all of the items in a list may themselves be lists. This scheme leads to richly branching structures.

In 1960 John McCarthy combined elements of IPL with the lambda calculus (a formal mathematical-logical system) to produce the programming language LISP (List Processor), which remains the principal language for AI work in the United States. (The lambda calculus itself was invented in 1936 by the Princeton logician Alonzo Church while he was investigating the abstract Entscheidungsproblem, or “decision problem,” for predicate logic—the same problem that Turing had been attacking when he invented the universal Turing machine.)

The logic programming language PROLOG (Programmation en Logique) was conceived by Alain Colmerauer at the University of Aix-Marseille, France, where the language was first implemented in 1973. PROLOG was further developed by the logician Robert Kowalski, a member of the AI group at the University of Edinburgh. This language makes use of a powerful theorem-proving technique known as resolution, invented in 1963 at the U.S. Atomic Energy Commission’s Argonne National Laboratory in Illinois by the British logician Alan Robinson. PROLOG can determine whether or not a given statement follows logically from other given statements. For example, given the statements “All logicians are rational” and “Robinson is a logician,” a PROLOG program responds in the affirmative to the query “Robinson is rational?” PROLOG is widely used for AI work, especially in Europe and Japan.

Researchers at the Institute for New Generation Computer Technology in Tokyo have used PROLOG as the basis for sophisticated logic programming languages. Known as fifth-generation languages, these are in use on nonnumerical parallel computers developed at the Institute.

Other recent work includes the development of languages for reasoning about time-dependent data such as “the account was paid yesterday.” These languages are based on tense logic, which permits statements to be located in the flow of time. (Tense logic was invented in 1953 by the philosopher Arthur Prior at the University of Canterbury, Christchurch, New Zealand.)

Microworld programs

To cope with the bewildering complexity of the real world, scientists often ignore less relevant details; for instance, physicists often ignore friction and elasticity in their models. In 1970 Marvin Minsky and Seymour Papert of the MIT AI Laboratory proposed that likewise AI research should focus on developing programs capable of intelligent behaviour in simpler artificial environments known as microworlds. Much research has focused on the so-called blocks world, which consists of coloured blocks of various shapes and sizes arrayed on a flat surface.

An early success of the microworld approach was SHRDLU, written by Terry Winograd of MIT. (Details of the program were published in 1972.) SHRDLU controlled a robot arm that operated above a flat surface strewn with play blocks. Both the arm and the blocks were virtual. SHRDLU would respond to commands typed in natural English, such as “Will you please stack up both of the red blocks and either a green cube or a pyramid.” The program could also answer questions about its own actions.Although SHRDLU was initially hailed as a major breakthrough, Winograd soon announced that the program was, in fact, a dead end. The techniques pioneered in the program proved unsuitable for application in wider, more interesting worlds. Moreover, the appearance that SHRDLU gave of understanding the blocks microworld, and English statements concerning it, was in fact an illusion. SHRDLU had no idea what a green block was.

Another product of the microworld approach was Shakey, a mobile robot developed at the Stanford Research Institute by Bertram Raphael, Nils Nilsson, and others during the period 1968–72. The robot occupied a specially built microworld consisting of walls, doorways, and a few simply shaped wooden blocks. Each wall had a carefully painted baseboard to enable the robot to “see” where the wall met the floor (a simplification of reality that is typical of the microworld approach). Shakey had about a dozen basic abilities, such as TURN, PUSH, and CLIMB-RAMP.

Critics pointed out the highly simplified nature of Shakey’s environment and emphasized that, despite these simplifications, Shakey operated excruciatingly slowly; a series of actions that a human could plan out and execute in minutes took Shakey days.

The greatest success of the microworld approach is a type of program known as an expert system, described in the next section.

[earlrmerrill]

Violinist Robert Mann, 97, Founder Of Juilliard String Quartet

"Conceived in 1946, the Juilliard quartet gave its first official performance the next year. Besides Mr. Mann, the original roster included the second violinist Robert Koff, the violist Raphael Hillyer and the cellist Arthur Winograd. Mr. Mann - for decades the quartet's de facto spokesman, institutional memory and 'resident spark plug,' as the Chicago Tribune called him in 1997 - remained with the ensemble for 51 years."

Article source here:Arts Journal

[jazzworldquest-blog]

USA: Jazz Promo Services February 2017 New Releases

Jazz Promo Services February 2017 New Releases

Arthur Lipner – “TWO HANDS, ONE HEART Best Of Arthur Lipner 2 CD Set”

(Malletworks Media)

MUSICIANS: Arthur Lipner-Vibes/Marimba/Educator/Composer

→Street Date: 02/03/2017

Arthur Lipner DVD – “Talking Sticks”

(Living Arts Productions)

MUSICIANS: Arthur Lipner-Vibes/Marimba/Educator/Composer A Documentary by Living Arts Productions Includes interviews with top vibes players and percussionists Gary Burton, Mike Mainieri, Bernard Woma, Vida Chenoweth, Ney Rosauro and others.

→Street Date: 02/03/2017

Chris Rogers – “Voyage Home”

(Art of Life AL1045-2)

MUSICIANS: Chris Rogers: trumpet, keyboards, Michael Brecker: tenor saxophone, Ted Nash: tenor & alto saxophone, Steve Khan: guitar, Xavier Davis: piano ,Jay Anderson: bass, Steve Johns: drums, Roger Rosenberg: baritone saxophone, Art Baron: trombone, Barry Rogers: trombone, Mark Falchook: synthesizer, keyboards, Willie Martinez: congas, percussion

→Street Date: 02/03/2017

Misha Steinhauer – “Dreaming With Eyes Wide Awake”

(self produced)

MUSICIANS: Misha Steinhauer-vocals, Hendrik Meurkens-harmonica & vibes, Glauco Lima-piano, Michal Jaros-bass, Samuel Martinelle-drums 

→Street Date: 02/03/2017

March 2017

Billy Jones – “3’S A Crowd”

(AC Recording AC-49)

MUSICIANS: Billy Jones, drums in a duet setting with East Coast and West Coast players. Acoustical Concepts - John Vanore EAST  COAST SESSIONS: Billy Jones-drums, George Young-Alto Sax, John Vanore-trumpet, Mick Rossi-piano, Tony Micelli-vibraphone, George Genna-piano, Tyrone Brown-bass WEST COAST SESSIONS: Billy Jones-drums, Scotty Wright-vocal, Kenny Stahl-flute, Stu Reynolds-bass clarinet, Gary Meek-tenor sax Note: Not Actual Cover

→Street Date: 03/03/2017

Brad Myers & Michael Sharfe – “Sanguinaria-Hopefulsongs”

(Colloquy Records 13214)

MUSICIANS: Brad Myers - Electric Guitar, Acoustic Guitar, Guitar Bongos (Sanguinaria)  Michael Sharfe - Double Bass, Fretless Electric Bass (Norm’s Ridge), Percussion (Sanguinaria, Great Pumpkin Waltz, and Maria) with special guests Dan Dorff, Jr. - Drums and Cymbals (Norm’s Ridge, In From Somewhere, and Falling Grace) Tom Buckley - Drums and Cymbals (New Moon, Maria, and In Your Own Sweet Way) Marc Wolfley - Percussion (Great Pumpkin Waltz and Maria) Dan Karlsburg - Melodica (Sanguinaria)

→Street Date: 03/03/2017

Doug Munro And La Pompe Attack – “The Harry Warren Songbook”

(GotMusic Records GMR-1004)

MUSICIANS: SESSION NOTES Session #1 June 17, 2016 Musicians: Howard Alden- guitar, Vinny Raniolo- guitar, Doug Munro- guitar, Matt Dwonszyk-bass Songs: Serenade In Blue, Lullaby Of Broadway, Nagasaki (without Howard Alden) Session #2 July 5, 2016 Musicians: Vic Juris- guitar, Vinny Raniolo- guitar, Doug Munro- guitar, Michael Goetz- bass, Andrei Matorin- violin Songs with Vic Juris: The More I See You, September In the Rain, Songs with Andrei Matorin: Chatanooga Choo Choo, Jeepers Creepers, I Only Have Eyes For You Session #3 August 10, 2016 Musicians: Doug Munro- guitar, Ernesto Pugliese- guitar, Michael Goetz- bass, Howie Bujese-violin Songs: Forty Second Street, You Again, At Last, I’ve Got A Gal In Kalamazoo Session #4 August 24, 2016 Musicians: Vinny Raniolo- guitar, Ted Gottsegen- guitar, Doug Munro- guitar, Michael Goetz-bass Songs: We’re In The Money, The Boulevard Of Broken Dreams, You Must Have Been A Beautiful Baby, Blues For Harry

→Street Date: 03/03/2017

HOWARD JOHNSON & GRAVITY – “Testimony”

(Tuscarora Records 17001)

MUSICIANS: HOWARD JOHNSON & GRAVITY “Testimony” (Tuscarora Records 17001) Street Date: March 3, 2017 Howard Johnson - Tuba; Velvet Brown - Tuba; Dave Bargeron - Tuba; Earl McIntyre - Tuba; Joseph Daley - Tuba; Bob Stewart - Tuba; Carlton Holmes - Piano; Melissa Slocum - Bass; Buddy Williams - Drums) Special Guests: Nedra Johnson Vocal (track 2); Joe Exley – CC Tuba (tracks 1, 5, 6, 7, 8); Background Vocals, (track 2) CJ Wright, Butch Watson, and Mem Nahdar

→Street Date: 03/03/2017

The Larry Newcomb Quartet Featuring BUCKY PIZZARELLI – “LIVING TRIBUTE”

(Essential Messenger)

MUSICIANS: Bucky Pizzarelli, acoustic archtop guitar (Tracks #1, 2, 4, 6, 7, 8 and 10), Larry Newcomb, electric archtop guitar, Leigh Jonaitis, vocals (Tracks #1 and #3), Eric Olsen, piano, Dmitri Kolesnik, bass, Jimmy Madision, drums Note: Not Actual Cover

→Street Date: 03/03/2017

Luke Sellick – “Alchemist”

(Cellar Live: CL092916)

MUSICIANS: Luke Sellick — double bass & compositions, Jimmy Greene — tenor saxophone [2,4,6], Jordan Pettay — alto saxophone [1,3,5,7,9], Benny Benack III — trumpet [1,3,5,9], Mat Jodrell — trumpet [2,7], Adam Birnbaum — piano, Andrew Renfroe — guitar, Kush Abadey — drums [2,4,6,7,8], Jimmy Macbride — drums [1,3,5,9], Andrew Gutauskas — bass clarinet [1]

→Street Date: 03/08/2017 January 2017 Recap

Bob Porter – “Soul Jazz”(XLIBRIS ISBN-10: 1524547867)

New Book Soul Jazz is a history of jazz and its reception in the black community in the period from the end of World War II until the end of the Vietnam War. Previous histories reflect the perspective of an integrated America, yet the United States was a segregated country in 1945. The black audience had a very different take on the music and that is the perception explored in Soul Jazz ISBN-13: 978-1524547868

Brian Kastan – “Roll The Dice On Life Featuring Miles Griffith”

(Brian Kastan Records 1001)

MUSICIANS: Brian Kastan- guitar, Miles Griffith-vocals, Steve Rust-Bass, Peter O'Brien-Drums

→Street Date: 01/01/2017

Brent Gallaher – “Moving Forward”

(V&B Records GAL-B-0003)

MUSICIANS: Brent Gallaher-tenor saxophone, Alex Pope Norris-trumpet and flugelhorn (except track 3), Dan Karlsberg-piano, Aaron Jacobs-bass, Anthony Lee-drums

→Street Date: 01/06/2017

Carol Liebowitz / Nick Lyons – “First Set”

(Line Art Records LA1002)

MUSICIANS: Carol Liebowitz – piano, Nick Lyons - alto saxophone

→Street Date: 01/06/2017

Carol Robbins – “Taylor Street”

(Jazzcats-109)

MUSICIANS: Carol Robbins: Harp, Billy Childs: Piano/Fender Rhodes, Bob Sheppard: sax/clarinet, Larry Koonse: Guitar, Curtis Taylor: Trumpet, Darek Oles: bass, Gary Novak: Drums, Ben Shepherd: electric bass

→Street Date: 01/06/2017

Dave Soldier – “The Eighth Hour Of Amduat Featuring Marshall Allen As Sun Ra”

(Mulatta MUL035)

MUSICIANS: Rita Lucarelli, Egyptology and translation of hieroglyphs to Italian, Sahoko Sato Timpone, Mistress of the Boat, Mezzosoprano, Marshall Allen, Sun Ra, saxophone & electronic valve instrument (EVI), Rebecca Cherry, Horus of Fragrance, violin,  Dan Blacksberg, Wepwawet, trombone, Nick Millevoi, Sia, guitar, Michael Winograd, Nehes, C clarinet, Enrique Rivera-Matos, Hu, tuba, Adam Vidiksis, Conductor, Akhmed Manedov, violin, Juana Pinilla Paez, violin, Olivia Gusmano, viola, Carolina Diazgronados, cello, Dani Bash, harp, Anthony di Bartolo, percussion,   Thomas Kolakowski, percussion, Dave Soldier, water bowls, electronics, Thomas Kolakowski, percussion Choir: Chace Simmonds-Frith, Natasha Thweatt, Sophie Laruelle, Xiaoming Tian, Eugene Sirotkine, Alicia Waller, Melinda Learnard, Sahoko Sato Timpone

→Street Date: 01/06/2017

David Wise – “Till They Lay Me Down”

(Self Produced)

MUSICIANS: David Wise-tenor and baritone saxophone, Bruce Forman-guitar, Alex Frank-bass, Jake Reed-drums w/ special guests: Jason Joseph, vocals (track 1); Laura Mace, vocals (track 1); Josh Smith, guitar solo (track 1); Mitchell Cooper, trumpet (tracks 1, 9); Glenn Morrissette, alto sax (track 1); R.W. Enoch, tenor sax (track 1); Amy K. Bormet, keyboard (track 1); Mikala Schmitz, cello (tracks 2, 8); David Wise, vocals (track 8, 9)

→Street Date: 01/06/2017

Laura Dubin Trio – “Live At The Xerox Rochester International Jazz Festival”

(Self Produced)

MUSICIANS: Laura Dubin – piano, Kieran Hanlon – bass, Antonio H. Guerrero – drums

→Street Date: 01/06/2017

Steve Slagle – “Alto Manhattan”

(Panorama Records 006)

MUSICIANS: STEVE SLAGLE: alto saxophone (1-7), flute (8 & 9), JOE LOVANO: tenor saxophone (1 &7), G mezzo soprano (8), LAWRENCE FIELDS: piano, GERALD CANNON: bass, ROMAN DIAZ: congas (1, 8 & 9), BILL STEWART: drums

→Street Date: 01/06/2017

The Sugar Hill Trio – “The Drive”

(Goschart Music)

MUSICIANS: Christian Torkewitz: Tenor Saxophone and Flute, Austin Walker: Drums, Leon Boykins: Bass (tracks 1,2,3,4,5,6,11), Dylan Shamat: Bass (tracks 7,8,9,10)

→Street Date: 01/06/2017

Zarabande – “El Toro”

(AFlo)

MUSICIANS: Alfred Flores El Toro - Marimba and MalletKat, Joe Caploe - Vibraphone and Percussion,Mark Little – Piano, Pete Ojeda – Bass, Dean Macomber - Drums

→Street Date: 01/06/2017

Baron Tymas – “MONTRÉAL”

(tymasmusic: tmdc003)

MUSICIANS: Baron Tymas, guitar, Joshua Rager, piano, Sage Reynolds, acoustic bass and bass guitar, Jim Doxas, drums, Special guests: Jeri Brown, voice on “And Oui”, Charles Ellison, trumpet on “The Laval Syndicate”

→Street Date: 01/09/2017

For Interviews, photos and general Information Contact: Jim Eigo 272 State Route 94 South #1 Warwick, NY 10990-3363 Ph: 845-986-1677 / Fax: 845-986-1699 Cell / text: 917-755-8960 Skype: jazzpromo  jim@jazzpromoservices.com http://ift.tt/1dvRi4z  

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