#Art Students League of New York

[tgsclassics]

When notable paperback cover artist Jack Faragasso was an ambitious young student at the prestigious Art Students League of New York, he hired Bettie Page as a reference model. This is one of his pictures from 1952. Faragasso would go on to paint hundreds of covers, and ultimately teach art at the League.

[tgsclassics]

When notable paperback cover artist Jack Faragasso was an ambitious young student at the prestigious Art Students League of New York, he hired Bettie Page as a reference model. This is one of his pictures from 1952. Faragasso would go on to paint hundreds of covers, and ultimately teach art at the League.

Bettie Page Standing # 428 Photographed by Jack Faragasso

[newyorkthegoldenage]

Old Man Prohibition had been hanged and burned many times over the previous 14 years, but the day before the 18th Amendment was officially repealed, December 4, 1933, women at the Art Students League put him into a coffin. A procession along Fifth Avenue followed. No word on whether they actually buried him.

Photo: Associated Press

[clarabowlover]

Anita Ekberg

For The New York Art Student's League

Annual Costume Ball (1955)

[argoscity]

ULTIMATE SUPERGIRL READING GUIDE

since i've been asked a few times in the past for various reading guides for kara, i thought i'd compile them all into one post for the sake of convenience!

this guide has reading orders for supergirl comics in PRE-CRISIS (1959-1985), POST-CRISIS (2004-2011), NEW 52 (2011-2016), REBIRTH (2016-2021), and INFINITE FRONTIER (2021-present).

if you have any questions at all don't be afraid to shoot me an ask!

for each section bolded comics are required, italicized comics are recommended, and everything else is optional!

[PRE-CRISIS]

ORIGIN AND MIDVALE ERA (NOTE: you'll have to flip to the back of each issue to get to kara's section!) action comics (1938) #252, 258, 267, 276, 278-282, 285, 295, 309-310, 313, 317

STANHOPE COLLEGE action comics (1938) #318, 366-368, 372, 374 world’s finest (1941) #169 adventure comics (1938) #381, 386, 391, 395, 397

K-SFTV REPORTER — SAN FRANCISCO adventure comics (1938) #406-407, 410-415, 419-424

VANDYRE UNIVERSITY supergirl (1974) #1-10

STUDENT ADVISOR — FLORIDA (NOTE: every member of the superfamily has a story in the superman family (1974), so you'll have to flip through to find kara's section!) the superman family (1974) #165, 168, 171, 174, 177, 180, 182 justice league of america (1960) #132-134 the superman family #183, 184-186, 187-189, 191-193, 194, 196-198, 199, 200, 201-202, 203, 204-205, 206-207

ACTRESS — NEW YORK the superman family (1974) 208-210, 211-214, 215-216, 217, 218 superman (1939) #373 (second story titled “an eye (and ear) on the world!”) detective comics (1937) #508-510 the superman family #219-222

THE GREAT DARKNESS SAGA (i recommend this storyline in it's entirety, but kara only appears in the last issue!) legion of superheroes (1980) #290-294

LAKE SHORE UNIVERSITY supergirl (1982) #1-12 (cw: nazi imagery in the brief interlude in #12)  supergirl (1982) #13-15 (cw: antisemitism, nazi imagery, depictions of the holocaust.) supergirl (1982) #16-23

LAST APPEARANCES AND DEATH legion of super-heroes (1980) #300-303 dc comics presents (1978) #28 tales of the legion of super-heroes (1984) #314-315 crisis on infinite earths (1985) #4-7

BONUS POST-COIE APPEARANCES christmas with the super-heroes (1988) #2 (last story titled “should auld acquaintance be forgot”) supergirl (1996) #49, 75-80 solo (2004) #1 (third story titled “young love”) convergence: adventures of superman (2015) #1-2

[POST-CRISIS]

ORIGIN superman/batman (2003) #8-13  (or you can watch superman/batman: apocalypse (2010) instead which I recommend! the art is a lot more tasteful and it's a very faithful adaptation of the comic so you won’t be missing out on anything.)

KARA WITH THE LEGION OF SUPER-HEROES supergirl and the legion of super-heroes (2006) #16-36

LOEB AND KELLY HELL ERA supergirl (2005) #1-5, 9-10, 19 (you don’t have to read any of this since it gets retconned anyway, but if you’re interested in kara’s early characterization, the beginnings of her friendship with cassie sandsmark, or her difficulty fitting in on earth then you’re welcome to read what i’ve provided.)

KELLEY PUCKETT ERA Amazons Attack! teen titans (2003) #47-48  amazons attack! (2007) #3  supergirl (2005) #20  amazons attack! (2007) #4  teen titans (2003) #49

supergirl (2005) #21-22  teen titans (2003) #50, 51-55  supergirl (2005) #25-33

Superman: Brainiac  action comics (1938) #866-870

GATES AND IGLE HEAVEN ERA supergirl (2005) #34

New Krypton (new krypton is one of my favorite events and i recommend it in its entirety, but for the sake of brevity I’ll only be listing the issues relevant to kara.) superman: new krypton special #1  superman (1939) #681  adventure comics special featuring guardian #1  action comics (1938) #871  supergirl (2005) #35  superman (1939) #682  action comics (1938) #872  supergirl (2005) #36  superman (1939) #683  action comics (1938) #873

teen titans (2003) #66  supergirl (2005) #37-42

Friends and Fugitives superman: secret Files 2009 #1  supergirl (2005) #43  action comics (1938) #881  supergirl (2005) #45  action comics (1938) #882  supergirl (2005) #46-47

supergirl (2005) annual 1, #48-50

Last Stand of New Krypton  adventure comics (2009) #8  superman: last stand of new krypton #1  supergirl (2005) #51  superman (1938) #698  adventure comics (2009) #9  superman: last stand of new krypton #2  adventure comics (2009) #10  supergirl (2005) #52  superman (1938) #699  superman: last stand of new krypton #3 superman: war of the supermen (2010) #0, 1-4 

supergirl (2005) #53-57, annual 2, 58-59

END OF SUPERGIRL VOL 5 supergirl (2005) #60-64 supergirl (2005) #65-67

[THE NEW 52]

ORIGIN and SUPERGIRL VS THE WORLDKILLERS supergirl (2011) #1-7

SUPERGIRL and SILVER BANSHEE supergirl (2011) #8-11

SUPERGIRL and SUPERBOY superboy (2011) #6

SANCTUARY supergirl (2011) #12, 0, 13

H’EL ON EARTH superman (2011) #13 supergirl (2011) #14 superman (2011) #14 superboy (2011) #15 supergirl (2011) #15 superboy (2011) #16 superboy (2011) Annual #1 supergirl (2011) #16 superman (2011) #16 superboy (2011) #17 supergirl (2011) #17 superman (2011) #17

SUPERGIRL and POWERGIRL supergirl (2011) #18-20

CYBORG SUPERMAN supergirl (2011) #21-23 action comics (2011) #23.1 supergirl (2011) #24

KRYPTON RETURNS action comics (2011) annual #2 superboy (2011) #25 supergirl (2011) #25 superman (2011) #25

SUPERGIRL VS LOBO supergirl (2011) #26-27

RED DAUGHTER OF KRYPTON supergirl (2011) #28-29 red lanterns (2011) #28-29 supergirl (2011) #30 red lanterns (2011) #30 supergirl (2011) #31 red lanterns (2011) #31-32 supergirl (2011) #32-33

SUPERMAN: DOOMED (this is a whole storyline but I'll only be listing the issues that kara appears in!) superman/wonder woman (2013) #9 action comics (2011) #33 supergirl (2011) #34 superman: doomed (2014) #2 action comics (2011) #35 supergirl (2011) #35

FUTURES END supergirl: futures end (2014) #1

JUSTICE LEAGUE UNITED justice league united (2014) #1-5 justice league united (2014) annual #1 justice league united (2014) #6-10

CRUCIBLE supergirl (2011) #36-40

FINAL DAYS OF SUPERMAN (kara only appears in the issues i've italicized and bolded, but i put all the relevant issues if you wanted to read the full storyline!) superman (2011) #51 batman/superman (2013) #31 action comics (2011) #51 superman/wonder woman (2013) #28 batman/superman (2013) #32 action comics (2011) #52 superman/wonder woman (2013) #29 superman (2011) #52

[REBIRTH]

KARA IN NATIONAL CITY supergirl: rebirth #1

supergirl (2016) #1-8 batgirl (2016) annual 1 supergirl #9-12

supergirl (2016) annual 1supergirl #13-20

world's finest: batwoman and supergirl #1-2

ROGOL ZAAR and THE SINS OF THE CIRCLE the man of steel #1-2, 3-6 supergirl #21-33, #34-36

LEVIATHAN and BATMAN WHO LAUGHS superman: leviathan rising special #1 supergirl #34-36 supergirl (2016) annual 2 supergirl #37-42

HOUSE OF KENT action comics (2016) #1022-1023 action comics (2016) #1024-1028

FUTURE STATE superman of metropolis (2021) #1-2 kara zor el, superwoman (2021) #1-2

[INFINITE FRONTIER]

action comics 2021 annual

WOMAN OF TOMORROW supergirl: woman of tomorrow (2021) #1-8

WORLD'S FINEST batman/superman: world's finest (2022) #2-6, 8, 12

A WORLD WITHOUT CLARK KENT and RED MOON (kara is featured in the back-up story! if you want the full context of this plot i recommend reading the full warworld arc in action comics [action comics #1030-1046, superman: warworld apocalypse #1]!) action comics (2016) #1044-1046, 1047-1049

DAWN OF DC action comics (2016) #1051-1053, 1055-1056 superman (2023) #1-3 power girl special #1 steelworks (2023) #1-3

KNIGHT TERRORS knight terrors: superman (2023) #1-2

DAWN OF DC (continued) action comics: doomsday special (2023) superman (2023) #7 hawkgirl (2023) #4 supergirl special (2023)

NEW WORLDS [this arc starts on action comics #1057—kara doesn't appear in that issue but I recommend reading it for context!] action comics (2016) #1058-1060 action comics 2023 annual

JOURNEY TO FERIMBIA powergirl (2023) #5, 6-7

HOUSE OF BRAINIAC action comics (2016) #1064 superman (2023) #13 action comics (2016) #1065 superman (2023) #14 action comics (2016) #1066 superman (2023) #15

UNIVERSE END action comics (2016) #1070-1081

MISCELLANEOUS RECENT APPEARANCES: superwoman special #1 superman (2023) #21

[womblegrinch]

Norman Rockwell (1894-1978) - Nude art drawing

Charcoal on paper. Executed in 1912.

24.9 x 19 inches, 63.2 x 48.3 cm. Estimate: US$10,000-15,000.

Sold Bonhams, New York, 1 May 2024 for US$10,240 incl B.P.

After leaving school at 14, Rockwell attended Chase Art School, then the National Academy of Design onto the Art Students League of New York, where this was drawn, under the tutelage of George Bridgman (1864-1943).

[mybeingthere]

Margot Glass grew up in New York City, and studied art at The Art Students' League, Brown University, Rhode Island School of Design, and Fashion Institute of Technology. Her work explores the ephemeral through still life, nature and botany. She currently lives and works in Western Massachusetts.

[canvasmirror]

Ellen Emmet Rand (American, 1875 - 1941) • Self-Portrait • 1927

Ellen Emmet Rand was a painter and illustrator. She specialized in portraits, painting over 500 works during her career including portraits of President Franklin D. Roosevelt, artist Augustus Saint-Gaudens, and her cousins Henry James and William James. Rand studied at the Cowles Art School in Boston and the Art Students League in New York City and produced illustrations for Vogue Magazine and Harper's Weekly before traveling to England and then France to study with sculptor Frederick William MacMonnies. The William Benton Museum of Art at the University of Connecticut owns the largest collection of her painted works and the University of Connecticut, as well as the Archives of American Art within the Smithsonian Institution both have collections of her papers, photographs, and drawings.

[camisoledadparis]

THIS DAY IN GAY HISTORY

based on: The White Crane Institute's 'Gay Wisdom', Gay Birthdays, Gay For Today, Famous GLBT, glbt-Gay Encylopedia, Today in Gay History, Wikipedia, and more … December 17

Paul Cadmus - portrait by Luigi Lucioni

1904 – Paul Cadmus (d.1999), American painter, is best known for the satiric innocence of his frequently censored paintings of burly men in skin-tight clothes and curvaceous women in provocative poses, but he also created works that celebrate same-sex domesticity.

Born in New York City on December 17, 1904 into a family of commercial artists, Cadmus studied at the National Academy of Design and the Arts Students League. He lived in Europe from 1931 to 1933, where he traveled with artist Jared French and where he produced his first mature canvases.

In the 1930s, Cadmus became the center of a circle of gay men who were prominent within the arts in New York City. This circle included his brother-in-law, Lincoln Kirstein, who helped found the American School of Ballet, and the photographer George Platt Lynes, for whom Cadmus frequently modeled.

In the 1930s, Cadmus used caricature, satire, and innuendo to veil the homoeroticism of his subjects, which radically pushed at the boundaries of acceptability. Cadmus's 1933 painting The Fleet's In! was selected for inclusion in a show at the Corcoran Gallery of Art in Washington, and in 1934 it placed him at the center of a public controversy.

The Fleet's In

Like many of his early works, the painting is ostensibly heterosexual in its depiction of sailors flirting with young women, who may be prostitutes, but it nevertheless manages to suggest a homosexual exchange between a well-dressed civilian, who sports a red tie, a widely recognized signal of homosexuality from the turn of the twentieth century, and a sailor to whom he offers a cigarette.

The painting's homoerotic subtext led to its removal after the opening of the exhibition. Frequently cited as one of the earliest incidents of government censorship, the removal of the painting was almost certainly motivated by homophobia.

Cadmus's painting Coney Island (1935) also became the subject of controversy. Its portrayal of local residents engaged in provocative (heterosexual) antics enraged Brooklyn realtors, who threatened to file a civil suit against the Whitney Museum of American Art.

Similarly, his commission for the Port Washington post office was also scandalous and was cancelled: the mural he produced, Pocahontas and John Smith (1938), so emphasizes the buttocks and genitals of the Native Americans that it obscures the subject, which is the rescue of John Smith.As a result of Cadmus's notoriety, his 1937 exhibition at Midtown Galleries in New York attracted more than 7,000 visitors.

Other early works of particular interest for their homoeroticism are YMCA Locker Room (1933), Shore Leave (1933), and Greenwich Village Cafeteria (1934). Like The Fleet's In!, these works also document homosexual cruising and seduction.

In Cadmus's paintings, significant exchanges of glances signal sexual longing and availability, often in the very midst of mundane activities. His work documents the surreptitious cruising rituals of an urban, gay male subculture in the 1930s.

Cadmus's painting What I Believe (1947-1948) was inspired by E.M. Forster's essay of the same name, in which the novelist expresses his faith in personal relations and his concept of a spiritual aristocracy "of the sensitive, the considerate, and the plucky. Its members are to be found in all nations and classes, and all through the ages, and there is a secret understanding between them when they meet. They represent the true human condition, the one permanent victory of our queer race over cruelty and chaos."

What I Believe

Cadmus's allegorical painting, which depicts such figures as Forster and Christopher Isherwood in Socratic poses, makes clear his intellectual allegiance to the humanism that Forster depicted as gravely threatened by fascism.

In still other later works, such as The Bath (1951) and The Haircut (1986), Cadmus explores the joys of his long-term relationship with his partner and model, Jon Andersson. These paintings are particularly touching in their illustration of an entirely ordinary but rarely depicted subject: the domesticity of a same-sex couple.

Although he stopped painting towards the end of his life, Cadmus continued to draw at his home in Weston, Connecticut, particularly portraits and figure studies of Andersson, his favorite model and companion of 35 years.

Cadmus died on December 12, 1999, five days shy of his 95th birthday.

Tony Tavarossi and bike

1933 – Homo-masculine proto-leatherman Tony Tavarossi (d.1981) was a native San Franciscan who was as important to gay liberation history in San Francisco as his contemporary, the drag-queen politician José Sarria.

He came out at the age of twelve under the tables (literally) in the curtained booths of the South China Café at l8th and Castro streets. He nick-named himself "Tony"; his birth name was Elloyd Tavarossi.

He was a “walking oral historian” who in his own personal history set in motion a “domino effect” in gay liberation history:

Tony Tavarossi founded San Francisco’s first bike bar or leather bar, the Why Not? (1960), where he was himself arrested for propositioning an undercover cop, thus closing the Why Not? in a raid that was a rehearsal for the police raid on the Tay-Bush lnn (1961) which emboldened Chuck Arnett to hire Tony in opening the legendary Tool Box bar (1961) which, as a symbol of masculine mutiny, fortified the gay resolve to found the Tavern Guild (1962) to protect gay citizens from harassment by the San Francisco Police Department.

Tony Tavarossi said later that the gay bar scene in 1966 was a riot led by a mixed crowd of Levis-wearing leathermen, straight-trade hustlers (many of them ex-Gls from World War II and Korea), and tough drag queens.

He died of AIDS ]u1y 12, 1981, two days after the epic fire that destroyed the Barracks baths on Folsom Street, putting an end to the turbulent 1970s.

1939 – James Booker was a New Orleans rhythm and blues keyboardist born in New Orleans, Louisiana, United States. Booker's unique style combined rhythm and blues with jazz standards. Musician Dr. John described Booker as "the best black, gay, one-eyed junkie piano genius New Orleans has ever produced." Flamboyant in personality, he was known as "the Black Liberace."

Booker was the son and grandson of Baptist ministers, both of whom played the piano. He spent most of his childhood on the Mississippi Gulf Coast, where his father was a church pastor. Booker received a saxophone as a gift from his mother, but he was more interested in the keyboard. He played the organ in his father's churches.

After returning to New Orleans in his early adolescence, Booker attended the Xavier Academy Preparatory School. He learned some elements of his keyboard style from Tuts Washington and Edward Frank. Booker was highly skilled in classical music and played music by Bach and Chopin, among other composers. He also mastered and memorized solos by Erroll Garner and Liberace. His performances combined elements of stride, blues, gospel and Latin piano styles.

Booker made his recording debut in 1954 on the Imperial Records label, with "Doin' the Hambone" and "Thinkin' 'Bout My Baby", produced by Dave Bartholomew. This led to some session work with Fats Domino, Smiley Lewis, and Lloyd Price.

In 1958, Arthur Rubinstein performed a concert in New Orleans. Afterwards, eighteen-year-old Booker was introduced to the concert pianist and played several tunes for him. Rubinstein was astonished, saying "I could never play that ... never at that tempo" During this period, Booker also became known for his flamboyant personality among his peers.

After recording a few other singles, he enrolled as an undergraduate in Southern University's music department. In 1960, Booker's "Gonzo" reached number 43 on the United States (U.S.) record chart of Billboard magazine and number 3 on the R&B record chart. Following "Gonzo", Booker released some moderately successful singles. In the 1960s, he started using illicit drugs, and in 1970 served a brief sentence in Angola Prison for drug possession. At the time, Professor Longhair and Ray Charles were among his important musical influences.

As Booker became more familiar to law enforcement in New Orleans due to his illicit drug use, he formed a relationship with District Attorney Harry Connick Sr., who was occasionally Booker's legal counsel. Connick would discuss law with Booker during his visits to the Connick home and made an arrangement with the musician whereby a prison sentence would be nullified in exchange for piano lessons for Connick Sr.'s son Harry Connick Jr.Booker recorded a number of albums while touring Europe in 1977, including New Orleans Piano Wizard: Live!, which was recorded at his performance at the "Boogie Woogie and Ragtime Piano Contest" in Zurich, Switzerland – the album won the Grand Prix du Disque. He also played at the Nice and Montreux Jazz Festivals in 1978 and recorded a session for the BBC during this time. Fourteen years later, a recording entitled Let's Make A Better World! –made in Leipzig during this period– became the last record to be produced in the former East Germany.

In a 2013 interview, filmmaker Lily Keber, who directed a documentary on Booker, provided her perspective on Booker's warm reception in European nations such as Germany and France:

Well, the racism wasn't there, the homophobia wasn't there –as much. Even the drug use was a little more tolerated. But really I think that Booker felt he was being taken seriously in Europe, and it made him think of himself differently and improved the quality of his music. He needed the energy of the audience to feed off.

Booker died aged 43 on November 8, 1983, while seated in a wheelchair in the emergency room at New Orleans' Charity Hospital, waiting to receive medical attention. The cause of death, as cited in the Orleans Parish Coroner's Death Certificate, was renal failure related to chronic abuse of heroin and alcohol.

Cashman with Paul Cottingham

1950 – Michael Cashman, born in London, is a British former actor, and a Labour politician. He has been a Member of the European Parliament for the West Midlands constituency since 1999.

As a child actor he was cast in the role of Oliver Twist in the original run of Lionel Bart's musical Oliver!, but he is possibly best known for his role as Colin Russell in BBC TV's EastEnders - a character remembered for being a participant in the first gay kiss in a British soap opera. He also appeared in the ITV drama serial The Sandbaggers and the Doctor Who story "Time-Flight".

Cashman was a founder of Stonewall, an Honorary Associate of the National Secular Society and a Patron of The Food Chain, a London-based HIV charity.He is a trenchant critic of discrimination against minorities within the European Union. He is leading a cross-party coalition to tackle the rise in homophobia throughout Europe. He has in the past supported the gay pride march in Warsaw, which he attended. He is also the President of the European Parliament's Intergroup on gay and lesbian issues.

In 2007 he was awarded an honorary doctorate from the University of Staffordshire for his human rights work.

In line with current guidelines the European Parliament paid his domestic partner, Paul Cottingham, £30,000 per annum for his work as Cashman's "Accounts Manager, Personnel Manager and Payroll Administrator". Cashman registered a civil partnership with Paul Cottingham, his partner for 31 years, on 11 March 2006.

In March 2011 Cottingham was diagnosed with a very rare cancer, angiosarcoma, and he died on 23 October 2014 in the Royal Marsden Hospital, London. He was cremated in a humanist service at the City of London Cemetery on 7 November 2014.

Cashman was appointed Commander of the Order of the British Empire (CBE) in the 2013 New Year Honours for public and political service.

On 23 September 2014 he was created a Life Peer taking the title Baron Cashman, of Limehouse in the London Borough of Tower Hamlets, which is also his birthplace.

1959 – Gregg Araki is an American independent filmmaker. He is involved in New Queer Cinema.

Araki made his directorial debut in 1987 with Three Bewildered People in the Night. With a budget of only $5,000 and using a stationary camera, he told the story of a romance between a video artist, her sweet-heart and her gay friend.

Two years later, Araki made a name for himself on the festival circuit with The Long Weekend (O' Despair). Produced, directed, written, photographed and edited by Araki (for his own Desperate Pictures Company), this very small-scale Big Chill derivation involved a group of recent college graduates brooding over their futures during one woozy, boozy evening.

He followed this up in 1992 with The Living End, a road movie about two HIV-positive men whose paths cross one fateful day and the tumultuous relationship which ensues. Premiering at the Sundance Film Festival, the film was nominated for the Grand Jury Prize.

Araki's next three films comprised his "Teenage Apocalypse Trilogy."

Totally Fucked Up (1993) (Totally F***ed Up in publicity) chronicled the dysfunctional lives of six gay adolescent people who have formed a family unit and struggle to get along with each other and with life in the face of various major obstacles.

The Doom Generation (1995) was a black comedy brimming with graphic violence, cultural symbolism and relentless eroticism. While largely trashed by critics, the piece won a measure of respect in a number of circles and is available on DVD and VHS in both rated and unrated versions due to several sex scenes as well as the violent climax.

Araki's next venture was the ill-fated MTV series This Is How the World Ends (2000), which was meant to have a budget of $1.5 million. The network only gave him $700,000 and hoped to find partners to finance the difference. Araki offered to make the pilot episode for $700,000, and MTV took him up on it, but after the pilot was shot it was not picked up for broadcast.

Nowhere (1997) was described by its director as "A Beverly Hills, 90210 episode on acid". It centered around a group of bored, alienated adolescent people in Los Angeles during a typical day of kinky sex, drugs, and the requisite wild party.

Following a short hiatus, Araki returned with the critically acclaimed Mysterious Skin (2004) based on a novel by Scott Heim, which tells the story of a teenage hustler and a withdrawn young man obsessed with alien abductions, and how they both deal with the sexual abuse they suffered from their Little League coach when they were children.

Araki self-identified as gay until 1997, when he entered a relationship with actress Kathleen Robertson, whom he directed in Nowhere. The relationship ended in 1999. Araki has since mainly dated men. He now identifies as bisexual.

1968 – Fabrice Neaud, born in La Rochelle, France, is a French comics artist. He got his baccalaureate in literature (option graphic arts) in 1986. He studied philosophy during two years. Then he entered an art school and studied there four years. In 1991 he quit the school. For four years he had been looking for a job, making a living on various works.

He is a co-founder of the Ego comme X association. In 1994, the first number of the Ego comme X magazine was released. In it, Fabrice Neaud published his first works. It was the beginning of his Journal (which is a diary in comics), an ambitious autobiographical project. The first volume of the Journal was released in 1996. It got a prize Alph'art (best work by a young artist) in Angoulême in 1997.

From an entry in his Journal

Fabrice Neaud keeps on drawing his Journal. Three more volumes have been published between 1998 and 2002. He published also many short stories in Ego comme X, Bananas and other magazines. Some of his works have been translated into Italian and Spanish. A reviewer notes, "But Neaud isn't a simple diarist: he's also an artist concerned with various problems of our society, including homophobia and gay life in small towns." His works have been the subject of academic papers.

2007 The Parliament of Hungary gives the same rights to registered partners as to spouses with some exceptions: adoption, IVF access, surrogacy, and taking a surname.

[life-imitates-art-far-more]

Maria Oakey Dewing (1845-1927) "A Bed of Poppies" (1909) Oil on canvas Located in the Addison Gallery of American Art, Andover, Massachusetts, United States Maria Oakey Dewing (1845-1927) was an American painter known for her depiction of flowers. Her work was inspired by John La Farge and her love of gardening. She also made figure drawings and was a founding member of the Art Students League of New York. Dewing won bronze medals for two of her works at world expositions. She was married to the artist Thomas Dewing.

[austinkleon]

Adolph Dehn, The Great God Pan (1940)

Over at the Philadelphia Museum of Art site you can see the multiple layers of this screen print by Adolph Dehn of some nuns painting the god Pan. Pretty great.

This lithograph is also great:

I'd never heard of Dehn's work before — he was a friend of the great Wanda Gág, whose book Millions of Cats I read to my kids “millions and billions and trillions” of times.

He did a lot of nun pieces:

Here's a biography of Dehn from The Smithsonian:

Dehn's satirical prints of European and New York scenes were the product of an unconventional Minnesota upbringing and an iconoclastic eye. The son of a feminist, socialist mother and an atheist, anarchist father, he was not destined for a quiet life. He studied at the Minneapolis Art Institute and the Art Students League in New York, after which he was imprisoned as a conscientious objector during World War I. On his release Dehn took odd jobs and made his way to Europe, where his work as a magazine illustrator supported him and his Russian immigrant wife in their travels. While in Europe Dehn was a critical observer of the social scene, especially in Vienna and Berlin, and a light-hearted painter of park scenes and landscapes. In 1930, after his return from Europe, his work, on both European and New York subjects, was shown at the Weyhe Gallery in New York City. The critical response was good, but sales were only moderate. In the mid-1930s, Dehn began to paint watercolor landscapes, which proved immensely popular. As a result, new commercial opportunities opened, including travels through the United States, Mexico, and Venezuela. His fame led to offers to teach and then to work for the Navy during World War II. Throughout the forties, fifties, and sixties, Dehn and his wife traveled around the world, doing commercial work and lithography. His work became less satirical and more fanciful, and he experimented with new graphic techniques. He died of a heart attack in 1968 while planning new trips, beginning a book, and organizing a retrospective.

See more of his (non-nun) work here.

[newyorkthegoldenage]

Guests at the annual Art Students League Ball, 1950s.

Photo: MCNY/Gothamist

[mightyflamethrower]

The president of Houghton University on Monday called for an end to biological males participating in female sports, saying it defies nature and blurs the fundamental distinction between the sexes.

Dr. Wayne D. Lewis Jr., the sixth president of the private university in upstate New York, detailed his defense of women’s collegiate athletics in a statement noting Houghton is a Christian liberal arts college before qualifying his stance as not a religious one.

Rather, it’s a moral position that it’s simply wrong to allow males to take over girls’ and women’s sports, just as other sports organizations have already made clear.

“Biological males’ participation in women’s athletics is wrong,” wrote Lewis, the first African-American president of the university.

“Most Americans and most of the world know it to be wrong. A fringe agenda under the guise of making school and collegiate athletics more inclusive for transgender people has grown to the place of now unfairly displacing gifted and hardworking female athletes, obliterating the historic achievements and records of female athletes of the past, and threatening to dismantle the opportunities and protections for girls and women in sport trailblazing leaders fought so hard to create and protect.”

“Too many leaders, parents, professional athletes, and people of goodwill have been silent as female athletes are humiliated, silenced, and robbed of hard-earned opportunities. That silence is complicit with the fringe agenda that threatens to dismantle girls’ and women’s athletics.”

To conclude his statement, Lewis looked for broader community support.

“Enough is enough,” he said. “I will not sit by silently as a university president whose female student-athletes step weekly onto tracks, courts, and fields to compete but, in some cases, are forced to do so on playing fields we know to be unfair. I hope you will join me.”

Lewis’s statement comes after the All-Atlantic Regional Championships in track and field, where transgender athlete Sadie Schreiner of Rochester Institute of Technology (RIT) won the women’s 200-meter dash, Fox News notes.

He adds his voice to an issue already dividing a host of sports around the world.

Last month officials of Nassau County, New York, also bucked the liberal establishment of the state after moving to place a ban on men competing as women in the sports facilities the county controls.

County Executive Bruce Blakeman says the ban is intended to protect the integrity of women’s sports, as Breitbart News reported.

“What we are saying here today with our executive order is that if a league or team identifies themselves or advertises themselves to be a girls or women’s league or team, then biological males should not be competing in those leagues,” Blakeman said.

As happy as I am to see this. It is already too little too late. These pretend women athletes have already set new records that will probably never be broken by a real women. Male Victories have been given where females should have earned them. These races can never be re-run.

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student of George Bridgman, The Arts Student League in New York

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First African American in the Great War

Brave men and women from my new book

The young man on the drawing is Bob Scanlon. He was the very first African American, who joined the First World War where he showed extreme bravery. Here, he is drawn by a fellow-volunteer, the artist John Jocob Casey who like Scanlon 'for the duration of the war' joined The French Foreign Legion in Paris on 25 August 1914.

Bob Scanlon - whose real non-artistic name was Bob Lewis - was a talented boxer from Mobile in Alabama and came to Europe in 1907. Most of his boxing career was in France, where he amongst others sparred with the legenday Jack Johnson.

'Jack' Casey was an illustrator and artist from San Francisco. He had studied at the Mark Hopkins Department of Fine Arts of the University of California, the Art Students' League in New York, the Boston Museum and the New York School of Fine Arts. He had frequently exhibited his paintings with success at expositions in America and in Paris at the Salon des Artistes Francais.

Casey was wounded at the Battle of Champagne in 1915 and ended drawing maps for the French Army, and Scanlon  - who otherwise was considered to be born under a lucky star - was wounded at Verdun in 1916 when his famous left hand was hit by a shell case. But they both survived the war.

Bob Scanlon plays a key role in my book: Fighting for the French Foreign Legion.

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Markus Yakovlevich Rothkowitz , “Self-Portrait” (1936),

Oil on canvas, 32 1/4 x 26 inches.

Collection of Christopher Rothko,

© 1998 Kate Rothko Prizel & Christopher Rothko – Adagp, Paris, 2023.

Markus Rothkowitz was born in 1903, in what was then the Russian Empire and what is today Latvia, but 10 years later he emigrated along with his family to the US.

They were from the educated middle class, and Markus was a brilliant youth, leaving Yale University in 1923 and joining the Art Students’ League in New York.

He was naturalized as an American citizen in 1938 and soon changed his name.

For the rest of his life he was Mark Rothko.