#Areco

[fatbirdpics]

Picazuro pigeon. The necks are really something!

[mary-1-like]

[picturesofvirginmary222]

San Antonio de Areco, AR 5 de abril 2024

[regionlitoral]

La Reja de La Blanqueada. Areco. https://ift.tt/0IJo8rv

[theretirementhome]

What Child Is This?

2023. WHOSE child is this? GET IT THE EFF OUT OF HERE. Jesus Christ. Consider this your invitation to disassociate for 2 hours with every favorite Christmas song I could coherently stuff into one long megamix. All killer, no filler. Here's to 2024 not being such a little dickhead.

https://www.mixcloud.com/jessprice/what-child-is-this/

Image via @weirdchristmas

Tracklist:

Dorothy Remsen - On An Old Christmas Song (Silent Night)

The Crossing - Prelude: Adam

The Swingle Singers - Medley: Deck the Hall with Boughs of Holly / What Child Is This?

Les Petits Chanteurs De La Renaissance - Le Messie Vient De Naitre

The Annapolis Brass Quintet - O Holy Night

Urbie Green - Ave Maria

Anne Phillips Choir - Touro Louro Louro

Roberto Perera & Juan Areco - Joy

High Spirits, Past And Present-Youth Of Holy Spirit Parish - Virgin Mary Had A Baby Boy

The Dixie Humming Birds - The Holy Baby

The Roy Meriwether Trio - Jingle Bells (Part I)

The Flirtations - Christmas Time is Here Again

The Supremes - Twinkle Twinkle Little Me

The Staples Singers - Who Took The Merry Out Of Christmas

The Jack Brokensha Quartet - Do You Hear What I Hear?

Brook Benton - You're All I Want For Christmas

Joe Tex - I'll Make Everyday Christmas (For My Woman)

Roy Smeck and His Island Quartet - Winter Wonderland Vol. 2

Johnny Selph - All I Want For Christmas Is My Baby

Ed McCurdy And The Harvesters - (Tonight Is Christmas Eve) Get Along Home Cindy

Gene & Jerry - Hootenanny Christmas

Richard Gillis - C.B. Santa Claus

Dave Dudley - Six Tons Of Toys

The Smothers Brothers With Childrens Chorus - The Toy Song

Marc Haney - Christmas Song

Rhys O'Brien - Christmas Morning

Kenny Rogers And The First Edition - Joy (Jeso, Joy Of Man's Desiring)

Chaquito - Carol Of The Bells

Sacha Distel - Ding, Ding, Dong (Jingle Bells)

Cincinnati Symphony Members With Mac Frampton-Soloist - Jingle Bells 

Les Paul and Mary Ford - Jungle Bells (Dingo-Dongo-Day)

Edmundo Ros - My Favorite Things

Walt Harper - Silent Night

The Ramsey Lewis Trio - Mary's Boy Child

Raindolls - Disco Santa Claus

Hot Chocolate - Brand New Christmas

Moonlion - Little Drummer Boy

Geoff Bastow - God Rest Ye

Hot & Sassy - Christmas Strutt

The Next of Kin - Merry Christmas

Freddie Mitchell Orchestra Featuring Rip Harrigan - Auld Lang Syne Boogie

Washington High School Acappella Choir - We Wish You The Merriest

David Axelrod - Hallelujah

Airforce Broadcast Services - Slide Whistle And Pop

Airforce Broadcast Services - Ho, Ho

[vintagebetter]

San Antonio de Areco - Buenos Aires

[flebur]

Summertime by Matías Celis Areco

[n3hmof1sh]

wben you areco control with an alter wgo refuses to believe the system

-clarw

So, they don't believe the system exists? Also, hihi heloooo Clara!!!! ^^ nice to meet you!! :D

That sounds very frustrating. Is there any way I can help cheer you up?

[mate-y-viajecito]

Al final arranqué, después de un año de planearlo y de repensarlo cuando ganó Milei, me fui de viaje a dedo por Argentina, y si puedo por sudamérica. Seguro voy a postear fotitos y cosas de mi viaje con la etiqueta "bitácora de palan't" así que si se pudren la pueden bloquear.

Ayer salimos de buenos aires, llegamos a Carmen de Areco y como no teníamos donde parar pedimos tirar la carpa en una estación de servicio y nos dejaron sin problemas (y sin cobrarnos)

[dankusner]

Starck contrast

The year was 1984.

A rich kid from Preston Hollow created a Studio 54 for the landlocked on a dicey stretch of McKinney Avenue.

The stories were legendary: People had sex in the bathroom. They did ecstasy, which was legal, and cocaine, which was not. The place was designed by Philippe Starck, aFrench architect who’d given his name to cool chairs that were wildly uncomfortable (the place had a few).

Stevie Nicks was part owner, though people rarely saw her during the club’s five-year run.

They did see Prince, Oliver Stone and Rob Lowe.

Clubgoers lined up to get inside. They wanted the scene, but they needed the music.

Punk, post-punk and new wave, spun on vinyl by real, living humans who knew more about obscure artists and B-sides than Casey Kasem could ever hope to learn.

The live shows were epic: Australian noise band SPK, New York art monster Grace Jones, the Red Hot Chili Peppers.

Video was projected onto the walls, because avirtual dreamworld still felt like a novelty.

Nobody knew screens and media would rise up like atidal wave and swallow us whole. You should have been there. And for one night only, May 12, you (sort of) can be when the Starck Club returns for a 40th anniversary party, thanks to the good folks behind the Longhorn Ballroom and the Kessler Theater, which is the far more civilized setting for this bash.

Of course, the event is already sold out, giving wannabe clubgoers the familiar experience of getting shut out ofthe best party in town.

Details: 6-11 p.m. May 12 at the Kessler Theater,1230 W. Davis St., Dallas.

Stalling for time FROM THE ARCHIVES In 1985, the now-acclaimed Texas Monthly writer Skip Hollandsworth contributed astory toThe Dallas Morning News about how men's rooms in Dallas were having amoment—avery opulent moment. He noted the upholstered walls ($70 per square yard) inside the gentlemen's lounge atCafe Pacific inHighland Park Village. He praised The Mansion on Turtle Creek's "hand-cast sink fixtures and commodes with comfy seats."Buthewas most gobsmacked by the facilities at the city's hottest dance spot: "The newly opened Starck Club downtown may be the only nightclub in Western civilization that has gotten national attention for its bathrooms. The facilities look like a combination video game, church parlor, hair salon and somebody's idea of a great practical joke. "The mirror-encased lobbies of both themen's andwomen's rooms arecoed. Everybody sits around high-tech couches and talks and smokes cigarettes. Occasionally,someone may get up to actually use the facilities. "There is a television monitor abovethecathedral-likedoor thatleads to the stalls.Likearrival-departure screens at the airport, the monitor tells you which stall is occupied. Each stall is setoff in its own separateroom large enough to startan impromptu game of handball." Hollandsworth spoke with valet attendant Herman Babers, 60, who worked the men's lounge at another showy nightclub, Mistral, inside the then-Loews Anatole Hotel. "I always thought you were supposed to pop inand out of abathroom," Babers told him. "But these men today like to come in and brush their hair and think about things, I guess." Christopher Wynn"The facilities look like a combination videogame, church parlor, hair salon and somebody's idea of a great practical joke."

For One Night Only, the Kessler Theater Turns Into the Starck Club The infamous night club in the West End opened its doors 40 years ago. The Kessler Theater is bringing it back to life, briefly. The scene at the Starck Club during its peak.

New York City had Studio 54, London had the Hippodrome, and Dallas had The Starck Club. The West End venue, named for its Parisian designer Philippe Starck, defined the nightlife scene in Dallas throughout the 80s and reveled in the excesses of the decadent decade, powered by a new and curious drug called ecstasy. DJ Mark Ridlen says there’s more to The Starck Club than meets history’s narrow eye, a cultural touchstone that meant far more than the unchecked libido of the clubgoers. “All they talk about is the drug busts, ‘Who shot J.R.?,’ and the 80s but you’ve never seen a club with such an eclectic lineup over the years whether it was a band, fashion shows, plays, performance art,” Ridlen says. “You name it. They had it.” The Kessler is bringing back The Starck Club for its 40th anniversary reunion by transforming into the venue for five hours on Sunday May 12 into a new version of the influential Dallas nightclub. Kessler Artistic Director Jeff Liles said the event sold quickly: it took less than a week to sell out. It is not dissimilar to the venue’s tribute to the long-gone Video Bar, a room that was influential in the avant-garde scene of the 1980s. “We love paying homage to the venues that made Dallas culture what it was,” Liles says. “It was happening right at the same time as the emergence of the Deep Ellum scene.” Club founder Blake Woodall opened his vision of a hip, technology-filled nightlife spot in 1984 under a Woodall Rodgers overpass near the West End in a converted warehouse space. The first official show for the club’s investors brought Grace Jones and Fleetwood Mac’s Stevie Nicks to its stage. They were the first of many celebrities to walk through its doors, early adopters before Rob Lowe and Princess Stephanie of Monaco. Talking Heads’ David Byrne dropped in while in town to film his movie True Stories. Members of the famed Brat Pack who starred in movies like The Breakfast Club and Pretty in Pink spent evenings there. Prince even hosted an after party at Starck one night that went “well into the morning,” according to David Hynds, who ran the club’s video and art department with his then wife, Suzie Riddle. Word of mouth spread mostly by hairdressers to their clients helped build the club’s reputation as a fashion hot spot for the late-night partier. The Starck Club’s popularity started with some exclusivity but eventually, it wasn’t a place where you had to argue with a bouncer to convince them you were important enough to go past the velvet rope. “Initially, it seemed to have an upper-end feel to it but as time went on, we attracted a much broader range of customers,” Hynds says. “Part of the design and desire was to have a complete mix of all spectrums of people.” The space wasn’t just used for live music, dancing, and the occasional hit of what we now call Molly. The Starck Club was one giant canvas that a got a new coat of paint every evening. “We had these funky theme parties,” Ridlen says. “We would make it look like a grocery store or we would make it look like a rodeo. We’d have these fun themes with appropriate music. We’d always have video exhibits, people showing their art videos. We had events just for that.” ADVERTISEMENT

The club’s first theme party took on the psychedelic. Hynds asked Ridlen if he would create a band that fit its far-out theme. Ridlen’s band was named Lithium X-Mas and the group stayed together long after the club’s closing. “It was only meant to be a one-time deal but a few months down the road, they decided they would carry it forward under that name,” Hynds says. The Starck Club served as a kind of zeitgeist thermometer for its time that reflected changing trends and new sounds. “It was the beginning of the DJ culture in Dallas,” Liles says. The events on the club’s calendar weren’t just concerts. The Starck Club would host fashion shows, plays, and all kinds of performance art. “It was a hotbed of all kinds of just really cool activities under one roof,” Ridlen says. “You would come and see that and then, of course, stick around the music.” No ideas was too off the wall for the Starck Club. Hynds had everyone on the staff pitch ideas for shows, theme nights, and artistic expressions. “One of the things we did was a furniture fashion show,” Hynds says. “It had the basic design of a fashion show instead of clothing, we had people dressed as furniture movers bringing up furniture. Me and Suzie and [Greg Snyodis] from Lithium X-Mas had the idea of doing a band but instead of audio or music, it was visual. Instead of musical instruments, we used visual instruments.” So no recreation of the Starck Club would be complete without a reconstruction of its eclectic style. Camron Ware, the owner and founder of Lightware Labs who provided the visual tech for The Kessler’s recreation of the Video Bar, will work with Hines to turn the Kessler into a visual recreation of the Starck Club. “It’s going to feel like it’s all really immersive when you come in,” Liles says. “There’s going to be a red carpet and everything. We’re really gonna trick out The Kessler that night.” The Kessler turns into the Starck Club for one night only, from 6 p.m. to 11 p.m. on May 12. Tickets are sold out, but keep your eye on this page. 1230 W. Davis St.

[onomastic-dustbin]

Names created by removing up to two consonants (or digraphs/consonant sounds) from the names of some architectural styles (ex. Adirondack = Aironda):

Aevin

Aironda

Altox

Anch 

Areco

Auhau

Baoque

Biedemeie 

Caeco 

Easake 

Edera 

Egeny 

Farouse 

Iloan 

Jaobea 

Mephi 

Neolassial

Omanesue

Oogie

Oran

Othic 

Puelo

Raestil 

Rairie 

Rooco

Rownstoe 

Shile 

Udo

Vicoian 

[fatbirdpics]

Although it’s rather buff, I’m guessing this is a chalk-browed mockingbird covered in dust (which the estancia had plenty of, for the horses).

[immemorymag]

Luisa Magdalena was born in San Antonio de Areco, Buenos Aires, Argentina in 1990. She is a photographer and art director. She began her photographic studies in 2010 at Taller Escuela La Imagen and later trained with renowned photographer Carlos Bosch from 2012 to 2017. In 2022, Luisa was a finalist in the prestigious Global Peace Photo Award competition and one of the winners of the call “Latinas” by Fotógrafas Latam with a group exhibition in Paris. Additionally, in 2021, her work was selected as the main image of the international photography festival Format Festival "Format 21" and was exhibited in an installation at the Quad Gallery in Derby, England. Luisa specializes in documentary photography. Her series "Carbón" has been exhibited in San Antonio de Areco, Mercedes and Buenos Aires city. It has also been published in La Tundra, a magazine based in London, England. In 2019, her work on the struggle for the legalization of abortion in Argentina was published in the feminist journal MAI Feminism of the University of Gothenburg, Sweden. Luisa has participated in group exhibitions in Argentina and Berlin, and is part of the book ‘Marea Verde’ from the 8th Biennial of Photography in Tucumán. She has twice received the 2nd prize in the Annual Photography Salon of Mercedes in 2016 and 2019, and the 3rd prize in 2018. In 2019, Luisa completed the Diploma in Documentary Photographic Research at the University of Buenos Aires. In 2022 and 2023, she participated in workshops with photographers Valeria Bellusci and Gisela Volá.

[virgen-del-plata]

María del Luján O' Gormann era la mayor de las 5 hermanas.

De rasgos delicados y elegantes.

Esa noche de Marzo festejaría su cumpleaños en una finca de San Antonio de Areco.

Su vestido era de color celeste y hecho de una falda de tules.

María Luján estaba feliz de reunirse con sus parientes, que eran una familia tradicional de San Isidro.

Don O'Gorman era un sastre prestigioso y su esposa, una costurera de bajos recursos que conoció a su marido en la empresa textil que lleva su apellido.

[adroitextrusion]

Exporter of Multilayer Blown Film Extrusion Machine in Argentina

Adroit Extrusion is a leading Exporter of Multilayer Blown Film Extrusion Machine in Argentina. Adroit Extrusion is a manufacturer, exporter, and supplier of monolayer blown film machines, aba and ab blown film machine and multilayer blown film machine like 7/5 layer barrier, 5-layer pod, and 3-layer blown film plant. We are Based in Ahmedabad, Gujarat, India. We offer a range of customizable configurations to suit diverse production needs, including options for different layer combinations and thicknesses. Our machines utilize cutting-edge multilayer extrusion technology, allowing for the production of films with varying barrier properties, strengths, and functionalities. Designed with energy-saving features, our machines help reduce operational costs while maintaining high performance and productivity. Why Choose Us? Expertise in the Industry: With years of experience in the field, we understand the unique requirements of the Argentine market. Comprehensive Support: We provide ongoing support, including installation, training, and maintenance services to ensure seamless operation. Commitment to Innovation: We continually invest in research and development to bring the latest advancements in blown film technology to our customers. What is a multilayer blown film extrusion machine? A multilayer blown film extrusion machine produces plastic films made of multiple layers, enhancing their properties for specific applications. How energy-efficient are your machines? We design our machines with energy-saving features that optimize power consumption without compromising performance, helping you lower operational costs. Do you provide installation and training? Yes, we offer comprehensive support that includes installation, operator training, and ongoing maintenance services to ensure optimal machine performance. What is the lead time for delivery? Lead times vary based on the specifications and order size. Please contact us for detailed information on delivery timelines. Adroit Extrusion is an Exporter of Multilayer Blown Film Extrusion Machine in Argentina including Locations like Buenos Aires, San Miguel de Tucumán, Rosario, Mendoza, La Plata, Mar del Plata, Salta, Córdoba, Neuquen, Corrientes, Santiago del Estero, San Juan, Quilmes, Santa Fe, Posadas, Azul, Resistencia, Bahía Blanca, San Salvador de Jujuy, General Lavalle, Nueve de Julio Partido, Ciudad Jardín El Libertador, La Rioja, San Luis, Benito Juárez, Arrecifes, Avellaneda, Ushuaia, Tigre, Puerto Iguazú, Merlo, Rio Grande, Rawson, Concordia, Rio Gallegos, Viedma, Oberá, Gualeguaychú, Formosa, Moreno, Florencio Varela, La Banda, Bernardo de Irigoyen, Bell Ville, Caleta Olivia, Coronel Martínez de Hoz, San Carlos de Bariloche, San Antonio de Areco, Ezeiza, Lanús, Puerto Madryn. Contact us today for more information, pricing, and availability. View Product: Click Here Read the full article

[metagoles]

⚽️ - Independiente y Olimpia/San Antonio a la Final del Clausura...

https://metagoles.net/independiente-y-olimpia-san-antonio-a-la-final-del-clausura/