#Archie comic book
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archiecovers · 1 year ago
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December 1980
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humanoidhistory · 1 year ago
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Jetta of the 21st Century, no. 5, Standard Comics, 1952, cover art by Dan DeCarlo.
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adaptationsdaily · 11 months ago
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RIVERDALE (2017 - 2023) Season 6, Episode 16: Blue Collar
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thebestcomicbookpanels · 19 days ago
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Betty Pin-Up from Archie Comics
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rikoandtako · 24 days ago
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Espio The Chameleon
This is the start of my new path with Sonic and pals! I want to get better at drawing everyone, not just Sonic himself aha. This is a mix of digital and traditional, can you guess what is what? :)
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gameraboy2 · 10 months ago
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"Advancing… and firing!"
Star Wars #40 (1980) Written by Archie Goodwin Art by Al Williamson and Carlos Garzon
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lospaziobianco · 8 months ago
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by Alex Ross
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i-am-trans-gwender · 1 month ago
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Thinking about how in the Archie Ninja Turtle comics Hitler's brain traveled back in time to team up his WW2 self. The Turtles go back in time to retrieve his brain but WW2 Hitler holds them at gunpoint and accuses them of being demons who've come for his soul. Leo says they only came for his brain. WW2 Hitler misinterprets this as being his brain rather than his brain in the future and kills himself to stop the turtles from getting his brain.
Tldr: The Ninja Turtles killed Hitler.
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diltonsstrangescience · 2 months ago
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My new favorite headcanon that I don’t really believe is that Jughead is the one character in the Archie comics universe who’s aware that they’ve all existed in the exact same state since (at least) the 40s while time passes around them. And he’s so chill all the time because at this point he’s basically in the second act of a time loop story—he’s stopped trying to convince people or break the loop, and he’s stopped worrying about any and all consequences.
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Jughead’s already so weird that nobody thinks twice when he tells them things about their time loop-ish situation, or acts oddly nonchalant about things that should warrant concern. They assume he’s just making dumb jokes or being lazy.
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Jug doesn’t really mind the loop. There are worse ways to spend eternity than being a cool teen doing fun stuff with your friends forever. Getting to experience every new decade and its technological advancements without the drawback of aging. It’s a pretty sweet deal. But occasionally it is a little worrying that nobody else is ever able to understand the nature of their universe.
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Overall though, Jug’s pretty fine with how things are. He doesn’t waste time worrying about the loop and it’s existential issues, he just keeps on living like always. Life is good. Why try to change it? He’s just going to do whatever makes him happy moment to moment. He’s going to hang out with his friends, and eat good food, and be as weird as he can possibly be. Forever. :)
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archiecovers · 1 year ago
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September 1987
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skidcd-megamix · 4 months ago
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Hi I can't draw right because im sick and dealing with school starting but I had a comic idea for slim and para
*Slim takes off the lock on his hair*
*Confused look on Slims face*
"What the fuck does F.S.C Mean?? Fuckin Sock Corporation??"
*Para in the background* "It means Frasco you dumbass."
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THIS TOOK A WHILE MY FAULT DAWG
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adaptationsdaily · 1 year ago
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RIVERDALE (2017 - 2023)
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bad-comic-art · 6 months ago
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Every single panel from Betty & Veronica: Senior Year deserves to be on here, but special mention goes to the one where the outline of Reggie’s legs is going through the panel border
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submitted by @colorindapencille
I'm not gonna lie I stay away from Archie comic stuff because it honestly all looks like this to me, always reminded me of law for kids lol
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thebestcomicbookpanels · 1 month ago
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Gray Morrow draws a delicious cover for Red Circle's MADHOUSE #96
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rikoandtako · 22 days ago
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Will of the Strong - Shadow Generations 🔥👿 To celebrate Sonic x Shadow Generations I made this artwork! It was real tough to color in since this is mostly traditional. What do you guys think of this as a comic cover?
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stevelieber · 7 months ago
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Comic book adaptations of movies were generally pretty dull, but as a kid I pored over the Goodwin/Simonson/Janson adaptation of Close Encounters. It had a magic of its own that sprang entirely from their use of the medium. I studied it intensely and learned a lot about how comics can work.
Below: Fig 1: Simonson in 1978. Fig 2: Me in 1998. I didn't realize I'd done this until years later!
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