#Arcadi Mas i Fondevila

[random-brushstrokes]

Arcadi Mas i Fondevila - Lago de Nemi (1888)

[oldsardens]

Arcadi Mas i Fondevila - Port Scene in Venice

[simena]

Arcadi Mas i Fondevila (detail)

[amdd1990]

Artist: Arcadi Mas i Fondevila.

[jepsolell]

🌤Alumbrando toda la luz posible para nuestra próxima subasta del 7 de octubre. - 📌Además de un dibujo original de Ramón Casas, la pintura catalana queda perfectamente representada por un brillante óleo de Arcadi Mas i Fondevila. Gran representante de la escuela iluministabde Sitges, este artista está presente en museos como el Mar i Cel o el Museu Nacional de Catalunya. Adquirir una obra de este artista supone trasladarse a una época, unas costumbres y un estilo pictórico que a nosotros almenos, nos enternece mucho. - Está a vuestra disposición en el link de la bio, lote numero 654 (en Subarna) https://www.instagram.com/p/CUagWCko7Gw/?utm_medium=tumblr

[xiuxiueig]

Repòs, 1891

Arcadi Mas i Fondevila (1852-1934)

[floocean]

Arcadi Mas i Fondevila // Niño Pompeyano por mí en el MNAC

[somanyhumanbeings]

Arcadi Mas i Fondevila, Peasant in Rome (1876)

[ohbabyhavelovewilltravel]

Arcadi Mas i Fondevila, Pompeian Child

[atsunnyside2]

Santiago Rusiñol i Prats: The Girl with Carnation

The girl with carnation (Teresa Mirabent Planas)

Santiago Rusiñol 1893

From the collection of

Cau Ferrat Museum

“From the beginning the light of Sitges dazzled Rusinol’s retina, just like before it blinded Arcadi Mas I Fondevila, Joan Roig I Soler and the rest of the Luminist School painters.

That’s why one of the topics that attracted more Rusiñol was precisely the blue patios. Perhaps one of the most famous samples can be found in the museum of Montserrat; however in Cau Ferrat we find three examples: “the Suburense patio” (Brollador room), “the girl in white” by Ramon Casas (in the same room) and this painting.

The figure is the essential part of the painting, whilst the patio is the background that surrounds it and helps to bring out the beauty of the girl, who does not seem to be aware of the presence of the painter. The colors are vivid and bright, and the girl smells, captivated, the fragrance of a carnation.

This is one of the most beautiful portraits that Rusiñol painted throughout his life, and even though it was exhibited three times, the author decided to keep it for his private collection.”

Quote from Google Arts and Culture

Click for enlarged image:

The girl with carnation (Teresa Mirabent Planas) Santiago Rusiñol (1893)

The girl with carnation (Teresa Mirabent Planas) Santiago Rusiñol (1893) detail

The girl with carnation (Teresa Mirabent Planas) Santiago Rusiñol (1893) detail

The girl with carnation (Teresa Mirabent Planas) Santiago Rusiñol (1893)

The girl with carnation (Teresa Mirabent Planas) Santiago Rusiñol (1893) detail

The girl with carnation (Teresa Mirabent Planas) Santiago Rusiñol (1893) detail

The girl with carnation (Teresa Mirabent Planas) Santiago Rusiñol (1893) detail

The girl with carnation (Teresa Mirabent Planas) Santiago Rusiñol (1893) detail

The girl with carnation (Teresa Mirabent Planas) Santiago Rusiñol (1893) detail

The girl with carnation (Teresa Mirabent Planas) Santiago Rusiñol (1893) detail

The girl with carnation (Teresa Mirabent Planas) Santiago Rusiñol (1893) detail

The girl with carnation (Teresa Mirabent Planas) Santiago Rusiñol (1893) detail

The girl with carnation (Teresa Mirabent Planas) Santiago Rusiñol (1893) detail

The girl with carnation (Teresa Mirabent Planas) Santiago Rusiñol (1893) detail

The girl with carnation (Teresa Mirabent Planas) Santiago Rusiñol (1893) detail

The girl with carnation (Teresa Mirabent Planas) Santiago Rusiñol (1893) detail

The girl with carnation (Teresa Mirabent Planas) Santiago Rusiñol (1893) detail

Details

Title: The girl with carnation (Teresa Mirabent Planas)

Creator:Santiago Rusiñol i Prats

Date Created: 1893

Location Created: Sitges

Physical Dimensions: 153 x 71 cm

Type: Painting

External Link: Museus de Sitges

Medium:Oil on canvas

Image credit: Google Arts and Culture

Santiago Rusiñol i Prats: The Girl with Carnation The girl with carnation (Teresa Mirabent Planas) Santiago Rusiñol 1893 From the collection of Cau Ferrat Museum…

[arthisour-blog]

The Maricel Museum is a museum located in the centre of Sitges; reopened after a major refurbishment in 2015. The Maricel Museum is part of the Barcelona Provincial Council Local Museum Network.

The Maricel Museum exhibits a complete artistic route from the tenth century to realism and figuration during the first half of the twentieth century, passing through the art collections of Dr. Jesús Pérez Rosales and the Collection of Sitges, with works of great quality. The museum exhibition integrates multiple languages, techniques and artistic media in order to achieve a maximum consistency in the chronological sequence of the development of the arts.

The museum included works from the collection of Dr. Jesús Pérez-Rosales that never had been exhibited in public, acquisitions by the Sitges Heritage Association since 2012 (Ramon Casas, Miquel Utrillo, Arcadi Mas i Fondevila, Artur Carbonell i Augustí Ferrer Pino) ​​and donations from artist’s relatives (Pere Jou and Alfred Sisquella).The museum’s own collection was complemented with several works from loans and deposits from art collections of the Government of Catalonia, the Museum of the Provincial Government of Barcelona and the Montserrat Museum, primarily with artists from “Modernisme” and “Noucentisme” linked to Sitges as Ramon Casas, Joaquim Sunyer, Lola Anglada, Pere Jou and Alfred Sisquella, among others. It also emphasizes the incorporation of valuable pieces of furniture from the ancestral home of Can Falç, currently under restoration.

The visit to the Maricel Museum begins on the second floor of the building with sculptures and altarpieces belonging to the Romanesque and Gothic periods (works by Pere Serra, Master of All, Master of Maluenda, Master of Armisen, Master of Belmonte, Master of Son, Joan d’Angers, Master of Viella, the Virgin of Sant Miquel del Fai, Master of Los Balbases, Tomàs Giner and Pedro Berruguete, among others), supplemented with furniture. The Renaissance and Baroque are represented by collections of ceramics and furniture, as well as still lifes. On the first floor, in the former room of Deering, there’s an exquisite selection of paintings (Arellano) and furniture dating from the eighteenth and nineteenth centuries.

var quads_screen_width = document.body.clientWidth; if ( quads_screen_width >= 1140 ) { /* desktop monitors */ document.write('<ins class="adsbygoogle" style="display:inline-block;width:468px;height:60px;" data-ad-client="pub-9117077712236756" data-ad-slot="9839843423" >'); (adsbygoogle = window.adsbygoogle || []).push({}); }if ( quads_screen_width >= 1024 && quads_screen_width < 1140 ) { /* tablet landscape */ document.write('<ins class="adsbygoogle" style="display:inline-block;width:468px;height:60px;" data-ad-client="pub-9117077712236756" data-ad-slot="9839843423" >'); (adsbygoogle = window.adsbygoogle || []).push({}); }if ( quads_screen_width >= 768 && quads_screen_width < 1024 ) { /* tablet portrait */ document.write('<ins class="adsbygoogle" style="display:inline-block;width:468px;height:60px;" data-ad-client="pub-9117077712236756" data-ad-slot="9839843423" >'); (adsbygoogle = window.adsbygoogle || []).push({}); }if ( quads_screen_width < 768 ) { /* phone */ document.write('<ins class="adsbygoogle" style="display:inline-block;width:468px;height:60px;" data-ad-client="pub-9117077712236756" data-ad-slot="9839843423" >'); (adsbygoogle = window.adsbygoogle || []).push({}); }

Next are works from the Neoclassic period (Vicente Lopez) and Romanticism (Esquivel, Joaquim Espalter, Marià Fortuny, Federico de Madrazo); Realism (Felip Masó, Rafael Monleón Arcadi Mas i Fondevila and young Rusiñol), the hall dedicated to the Luminist School (Joan Roig Soler, Arcadi Mas i Fondevila, Antoni Almirall, Joaquim Miro i Argenter, Joan Batlle i Amell, Joan Soler i Casanovas and Càndid Duran); “Modernisme” (Santiago Rusiñol, Ramon Casas, Josep Llimona, Miquel Utrillo), with a hall dedicated to “Modernisme” in Sitges with the paintings that decorated “Cerveseria del Cau Ferrat” (Santiago Rusiñol, Arcadi Mas i Fondevila, Joaquim de Miro, Antoni Almirall, Càndid Duran) and “Noucentisme” (Joaquim Sunyer, Pere Jou, Lola Anglada, Enric Casanovas, Ismael Smith, Xavier Nogués, Josep M. Gol, Josep Clarà, Pau Gargallo, Jaume Otero, Josep Granyer and Apel·les Fenosa, among others).

The ground floor of the Maricel Museum covers four clearly differentiated areas. At the ancient Gothic chapel of the Hospital of Sant Joan and the contiguous room there’s a sample that foreshadows the museum’s collection, as one pair of capitals dating from the tenth century, the Maiestas Domini dating from the thirteen century and altarpieces of Sant Salvador d’Alzina de Ribelles (Jaume Cabrera, c. 1400) and the Virgin, dating from the fourteen century and works of Pedro Orrente, Antonio Almirall, Santiago Rusiñol, Ramon Casas and Pere Jou. Along with the chapel hall, the viewpoint is the most spectacular hall with views over the sea and three large “noucentista” sculptures (Joan Rebull). The Romanesque chapel hall dedicated to St. Bartholomew, .foueteen century, evokes Dr. Jesús Pérez-Rosales.

The long space that goes from the viewpoint to the Sert Hall is dedicated to realism and figuration in the interwar and postwar years with sculptures of Jou, Rebull, Casanovas and paintings of the Villà brothers, Mercader, Ferré Pino, Artur Carbonell, Sisquella and Pere Pruna. There’s also a large sculpture of El Greco, the original work of Josep Reynés (1898) that was replaced by a copy in 1970 due to its derelict condition, the original is now in a museum.

The Sert Hall concludes the visit to the Maricel Museum, with large murals that are an allegory of the Great War painted between 1915 and 1916 in the hope of Allied victory.

Maricel Museum Sitges, Spain was originally published on HiSoUR Art Collection

[oldsardens]

Arcadi Mas i Fondevila - Ibiza

[simena]

Arcadi Mas i Fondevila

[amdd1990]

Artist: Arcadi Mas i Fondevila.

[jepsolell]

🤍La escuela iluminista de Sitges en nuestra Subasta - ¿Ya habéis adivinado quién es el pintor de este óleo? ¡Efectivamente! Arcadi Mas i Fondevila. Este pintor se especializó distintos géneros típicos de finales del siglo XIX, pero si podemos encontrar un letimotiv en su carrera es sin duda sus cualidades lumínicas: aprendiendo en Venecia, Roma, Nápoles y Capri, la luz de estas zonas italianas marcarían para siempre su obra. Tanto en obras de género alégorico, como paisajisticas como las urbanas, este artista consiguió hacer respirar y sensibilizar al espectador ante su obra. La obra que os mostramos hoy, a subasta el próximo 17 de diciembre, es un claro ejemplo de ello: representa el lago Nemi, y fue pintada en 1888. El reflejo en el agua, una escena tierna entre un pescador y (posiblemente) su hijo, y una bruma que parece estar a punto de esparcir ante los primeros rayos de sol...¿somos los únicos que hemos conseguido entrar en la obra? A día de hoy podéis encontrar una obra casi identica en el @museunacional de Catalunya, con igual localización. - 📌Podéis encontrar su ficha completa en el link de la bio (Subasta de Diciembre) y pujar por este óleo. Lote num. 885 (en Subarna) https://www.instagram.com/p/CIV_mIRHpto/?igshid=1em9nx64mxcrj

[random-brushstrokes]

Arcadi Mas i Fondevila - Caught! (n.d.)