#Apeiron Crew

[acesw]

an insane man's thoughts on aging in Reverse: 1999

I've been observing the character ages for a while now and I'm connecting dots.

None of the characters who were picked up in the current "Storm" era are aging. X has remained 16 for the past 3 years, Eagle is still 12 years old up until now, Avgust is still 8 years old, etc. Regulus should have been 16-17 now with how her birthday has passed not only once but likely twice.

On the other hand though, everyone from the original timeline is. The SPDM and the Apeiron crew continued to grow up after 1999, Greta was 38 at death, Tooth Fairy was 18 when she entered the Foundation and is 25 now, Lilya very clearly grew up while training in Zeno, etc.

At first I thought all of these age disputes never made sense because they still can't be that abysmally young because that would mean the writers were careless. I thought that UTTU probably just never the character ages but it never made sense either because UTTU would never have been the type to leave the character ages like that unless there's a reason.

My theory is that the bodies of all of the post-"Storm" characters (as of now, all those prior to 1990) stop aging because they were taken out of their respective era. Everyone knows that everyone exists somewhere and at some point in time in the world, right? We all have an era we belong to and a birthplace to call home. (or not) Or in other words, we have a "point of origin."

Because of the "Storm" erasing their respective era, the very origin of a character's existence, would that have led to many character's bodies being affected and essentially 'frozen' in time? They can't physically age and it's likely that they also can't mentally age because their "point of origin" had been erased or they were taken out from it, giving no space for them to actually age because they live in a time that doesn't belong to them.

However, the original timeline continues to thrive because the immunity zones in the world are the ONLY places where time isn't affected by the "Storm." The first survivors are still aging in the first place because the era of 1999 and beyond never exactly ceased to exist for them.

It explains a lot of things, and it can graphed out later when I have the time.

disclaimer: I wrote this in the middle of the night while trying to write and organize the "knowing our arcanists" entries. just because my words feel right doesnt mean i sound even remotely sane at the time of writing.

[exodusrpg]

𝐓𝐇𝐄 𝐂𝐎𝐒𝐌𝐎𝐒 𝐁𝐔𝐑𝐍𝐒 𝐀𝐍𝐃 𝐘𝐄𝐓 𝐖𝐄 𝐄𝐍𝐃𝐔𝐑𝐄

In the 25th century, Earth is a distant memory, a lost relic of the past. Humanity has mastered the art of space exploration, weaving through galaxies with the grace of seasoned travelers. Among these cosmic voyagers is the ship Apeiron, a vessel carrying the last precious plant specimens from Earth, a fragile hope for cultivating new life on untamed worlds. When an urgent distress signal echoes through the void, a special force is assembled, driven by a mission of profound importance: to retrieve Apeiron and its invaluable cargo, a beacon of life for a new homeland. Yet, beneath the surface of duty lies an amalgamation of personal stakes and hidden motives. Each member of the rescue crew is drawn by more than the promise of salvation. They seek answers, redemption, and the unraveling of mysteries shrouded in the silence of the drifting spaceship. In the vast expanse of space, where stars whisper secrets and shadows hold the past, their journey intertwines destiny with the echoes of lost worlds. EXODUS is a 21+ literate sci fi roleplay inspired by the three body problem, interstellar, 1899 and love death and robots. Join a small crew of 13 people aboard the Exodus to uncover the mysteries left behind on the Apeiron. This game will include interactive mechanics and be played on discord.

[ ∅ REBLOG FOR EARLY GAME DOC ACCESS ∅]

[isyourmechrunning]

Are there plans for other machine based condiments in your future? Or do you draw the line at Joint Grease Mustard and Slag Ranch?

>>NONE OF THESE ARE MY INVENTION!!!

>>FUN FACT!!!! Reactor core pepper and vent garlic are both things that I used to use while I was on the Apeiron and cooking for the crew because I was the ONLY bitch in this freighter who could cook. You make due when it's year 7 in deep space and you haven't come across a Voladores ship or trade post in the last 2 years.

[stari-hun]

Reverse 1999: Silly Masterlist

Headcanons, Ships, and my AU. I'm also moving my AU over here until I make enough of it to move to it's own Masterlist! 𓆙 Orange marks the best content

My other Masterlists ! General , Wilderness , Critters

Headcanons

Probable Character Interactions (We haven't SEEN them directly interact but they almost definitely have / Implied to ) - Pandora, 210, and Sweetheart , Madam Z and Hofmann ,

Arcanists and Masking

If 6 was in the Backrooms that's now his enrichment enclosure

Reverse 1999 Isekai

APPle Headcanons (+ Atlas content)

Mesmer Jr is Biromantic but she can't handle romance so she's in a QPR

Vertin if the Storm didn't happen / Silly Modern Headcanon

Medicine Pocket's Recreation Time

Arcana is a silly little shit

Character Songs - Isolde , Vila , Vila pt 2,

No Storm: Time Traveller Vertin AU

Introduction !!! What the AU is plus some world building

Mains + Book 6 - to be revamped / retconned

Diggers

Apeiron + Vila & Winsong , Vila

Isokania - Quote , Put Isolde on Twitter (she's banned by management)

Isokania's Main Story , their childhood to them in the main story to their adulthood !!!! <3 Friend group fun facts (Isode w/ Tooth, Vilasong, and Jiu: Kakania with Blonney, An An, and Horropedia)

Asks !!!

How did the main group meet?

An overview on how Isolde is in my AU !

Search the AU tag for some memes too ! <3

Ships

A list of ships I subscribe to ! - The Original List

The Vibes - Verneider/Isokania/Vilasong

Vilasong - The Vibes , Vilasong in the Suitcase ,

Isokania - Outside Perspective on Isokania , Doomed from the Start

-

PVP Polycules - Tennant / Kakania / Dikke ,

Tennant x Kakania

Platonic trio w/ Horropedia, An-An, and Isolde

Six Pockets - Basis , Chat Post

DesertFlan - Source, 1. (Art)

KaalaaSong

Crossovers

Constantine and Kyuubey

Es (Alter Ego) and Isolde - Part 1 , Part 2

Isolde and Mad Father - Aya , Maria

Adding Arcanists to WxS and MMJ

Orv x Reverse 1999 idea , Comparing Constantine and Secretive Plotter

Undertale x Reverse 1999 idea - Friendships (Vertin and Sans, Lucy/Enigma and Alphys, Spath Shamane Ulu and Grillby, 6 and Asgore, Vila and Undyne)

Reverse 1999 Art

Edit! Reverse 1999 in the Backrooms - Just 6 in the Backrooms , More edits of 6 , The main crew in the Backrooms + Vilasong and Getian

Edit! Reverse 1999 - KB Nuke, Isokania comic panels, Series of Dusks Bullet

Ships - DesertFlan

Kaalaa Baunaa AU - 1. , The vibes, 2., Kaalaa Baunaa AU Art !!! , The same KB AU art again but next to a self thingy

Post Kumar!Kaalaa Baunaa Angst

Isolde

Isokania WIP

37 as the last Unicorn

Favorite Afflatus' (1.7)

OC Content: WRAHHH MY BOOK 6 OC DESIGNNN

[bajiru-hokinsu]

∆ • The refracting light of your core should be the only path you trust. • ∆

"To Apeiron We Return..."

"Woe to she who agonises over the crystal winds lost at night, one unforgivingly course, one bleedingly thorned.

Woe to she, the king who sacrificed herself before the queen when the emperor fell on the chess board.

Woe to she, who left her crew without a captain, in vain hope that they will vie all equation and blow.

Woe to she, the pirate captain, one of the Worst of her Generation, shackled in spite of it.

Woe to she, born free and free to fail."

.

.

.

.

((Intro and rules down below))

(( Hello!!! This is a Basil Hawkins RP account and anybody from any fandom are welcome to interact! The ones listed in my bio are just a few I'm interested in at the moment.

((Hawkins goes be she/him

((Ask me about ships if you want to RP them, I personally love Drakins (Drake x Hawkins)

(( I'd love to do some free tarot readings to get in the role but unfortunately I don't have them in the moment, I will edit this updating when I do 🤞🏼

((I'm caught up to One Piece, feel free to talk about the latest chapters!

((NO APOOKINS. Apoo rp is still welcome but please.

((Slightly Suggestive and sensual is fine but EXPLICIT NSFW IS NOT ALLOWED !!!!!

((I go by he/it

((no proship, endo, terfs

((feel free to drop asks or whatever as you like!!!

[exoduspromos]

𝐓𝐇𝐄 𝐂𝐎𝐒𝐌𝐎𝐒 𝐁𝐔𝐑𝐍𝐒 𝐀𝐍𝐃 𝐘𝐄𝐓 𝐖𝐄 𝐄𝐍𝐃𝐔𝐑𝐄

In the 25th century, Earth is a distant memory, a lost relic of the past. Humanity has mastered the art of space exploration, weaving through galaxies with the grace of seasoned travelers. Among these cosmic voyagers is the ship Apeiron, a vessel carrying the last precious plant specimens from Earth, a fragile hope for cultivating new life on untamed worlds. When an urgent distress signal echoes through the void, a special force is assembled, driven by a mission of profound importance: to retrieve Apeiron and its invaluable cargo, a beacon of life for a new homeland. Yet, beneath the surface of duty lies an amalgamation of personal stakes and hidden motives. Each member of the rescue crew is drawn by more than the promise of salvation. They seek answers, redemption, and the unraveling of mysteries shrouded in the silence of the drifting spaceship. In the vast expanse of space, where stars whisper secrets and shadows hold the past, their journey intertwines destiny with the echoes of lost worlds. EXODUS is a 21+ literate sci fi roleplay inspired by the three body problem, interstellar, 1899 and love death and robots. Join a small crew of 13 people aboard the Exodus to uncover the mysteries left behind on the Apeiron. This game will include interactive mechanics and be played on discord.

[ CLICK HERE & REBLOG FOR MORE INFO. ]

[dreamers-48]

Good idea☺

I can imagine the shenanigans of suitcase crew in Rhodes😏

-Jiu Niangzi talk with one of Sui siblings (thinking they're Xiangrui)

-Zima meet Zima

-Pavia and Chiave eat pineaple pizza almost getting killed by Lappland

-Lucy best buddy with robots of R.I (Eunectes screaming happy when she meet her)

-the interaction between apeiron people vs aegir people.

i hope arknights collabs with reverse 1999 one day. i cant exactly see vertin as a playable operator but i think i can see her as a prominent npc. playables might be sonetto, regulus? imagine the re99 characters drawn by ak artists. the operator interactions with the arcanists. wondering what story itd be about

[swedeandsour]

Soho Rezanejad - The Idealist / Reptile

“The Idealist” is the latest video stimulation from Soho Rezanejad’s “Six Archetypes”, another exploration into the various archetype from our protagonist’s work. Though captured in anthropomorphic form, Soho’s feminine is masked by an otherworldly androgyny, as the Danish singer gravitates towards a state of flux. Albeit soft and delicate in its ambient delivery,  the wavering angelics of Soho’s beaming falsettos hide a dark, growling undertones. 

Soho’s flux of “The Idealist” is captured by the multiple interpretations on her compilation through “The Idealist Compilation” featuring contributions by First Hate’s Anton Falck, Lust for Youth’s Loke Rahbek, Mama Snake of Apeiron Crew among multiple others. You can find the compilation below:

The Idealist Compilation by Soho Rezanejad and Various Artists

The subversive tones of Soho’s “The Idealist” is preceded by the genre-fluid snarl behind track “Reptile” detailed by its astringent, progressive metal tones.

[herrensauna]

Herrensauna #13 Artwork by Fritz Schiffers February 11th, 2017 at Bertrams Maybachufer 48, Berlin Germany Herrensauna X Fast Forward Productions You are leaving the heteronormative sector: Solid Blake [brokntoys | Apeiron Crew] https://soundcloud.com/solid_blake Kasper Marrot [Twin Cities | Oscillat Music] https://soundcloud.com/kaspermarott DJ Ibon [Fast Forward | BunkerBauer] https://soundcloud.com/i_b_o_n Kristian Andersen [Fast Forward | Lost2Reality] https://www.mixcloud.com/LAwoelck/fk-company-nineties-megamix/ Funeral Future LIVE [Fast Forward | Euromantic] https://soundcloud.com/count0group CEM & MCMLXXXV [Herrensauna] https://soundcloud.com/cemdukkha https://soundcloud.com/thetruemcmlxxxv Light & Visuals by Adel Alameddine http://timeandplace.net/

[universe-and-miss-crew]

We can’t get rid of our shadow

I've always wondered why I feel alive walking in a hospital. I never wanted to admit it completely, not even to myself: "It is not possible," I said to myself, "people suffer, die, and you dare feeling alive. Don’t you feel guilty? Aren’t you ashamed?" I have to thank Rilke for making me understand why.

 Rilke writes about life and death, and the absence of meaning and he seeks solutions. He doesn’t want to be heavy, or create new conditions of mental imprisonment. He wants to write with lightness, a lightness that is not synonymous with superficiality, but it’s what Nietzsche calls "dancing near the abyss," being graceful on what oppresses us.

Life and death are in sharp contrast: death doesn’t share anything with us. It relates to us, but we have nothing in common. Death is the possibility of not existing anymore. The possibility of the impossible. It’s what prevents any choice. It’s what stops us from thinking. It prevents everything that forms our life. Death is the limit of our lives. If we weren’t mortals, we wouldn’t be limited either. 

Life and death, at the same time, are closer than we might think: death, putting the limit to life, it defines it, becomes a foundation of life itself. Life is based on death. Life acquires meaning precisely because we die.

  Rilke understands (also thanks to his study of Nietzsche) that the deep human uneasiness and the lack of meaning, which are felt especially in our time (this is very much a live issue), stem from the kind of relationship we have established with death.

 "[...] we already turn the young child round and make it look backwards at what is settled, not that openness that is so deep in the animal’s vision. [...]"

Rainer Maria Rilke, from VIII Elegy

 We looked away from death. As a result, life has lost meaning.

There was a “turn round”: since we were born, we turned towards a world that we created. A world of pure illusion, which desires nothing but control. Control over the different aspects of life, over the resources of existence. We reduced everything to reserve of energy, through the technical science. The history of mankind is the history of technical science, a rational process that only wants control. In order to get control, it is necessary to eliminate all those aspects that question human finitude, all the distressing aspects, the extreme anguish in the face of violence, death. From birth, the human being tries to distance himself from death, to dominate it. This is impossible for Rilke. Even the science-fiction possibility of immortality doesn’t dodge death, but rather it would guarantee the human death and puts a seal on it: in a condition of immortality the human being would no longer be human, and life- losing what defines it (death)- would no longer be life.

 Rilke marvels at how human wandered through his history pursued by his own shadow. His shadow precedes and follows him. He tries to get rid of it, but he’ll never be able to do it. And from here his desire of domination only increases. We are facing a world of things that can’t remove death, but they try to distance ourselves from death by all means, doing this they are making us its slave. Human is a slave of his own constraints.

 Human isn’t free, and he can only see freedom through the eyes of those who experience freedom: animals. Animals, unlike us, don’t differ their death. In the animal world human experiences something he has forgotten. He perceives the Openness. The Openness is a new meaning. It’s a dimension in which it’s possible to have a new relationship with life, that is no longer a front-facing relationship, but an intensive one. Openness comes from Apeiron, which means indefinite, unlimited and- according to Anaximander of Miletus, a Greek philosopher- it would be that something from which all things come from, the origin of all things. Within the Apeiron there is no real distinction between life and death. Ergo, life is experienced in its entirety.

 To find meaning, we must find the way to a relationship with death- and therefore with life- which is intensive. A pure relationship, where purity is meant as the ability to grasp, among all things, life. Death doesn’t have to be an idea that shuts us down in an exclusive loneliness, quite the contrary, it opens up to relationship, to a pure connection, to the meaning. It opens up to life.

[foodselfiesandstuffblog]

Fader: 9 All-Female DJ Collectives You Need To Know Right Now

Meet the crews from around the globe who are empowering others by keeping the decks diverse.

In the past year, conversations regarding female representation in dance music have been more passionate than ever. It's about time. But importantly, this new wave of discourse is bringing with it a new wave of projects designed to highlight the women behind the decks. One such initiative is international collective female:pressure, who pool together statistics on female artists in electronic music, as well as photos of women in the studio, spotlighting their involvement in the technical side of music-making. Meanwhile, Twitter account Very Male Line Ups calls out all-male line-ups to “help bromoters do better,” and techno don Paula Temple’s Noise Manifesto label gives a platform to gender-balanced projects featuring 50% female and queer artists.

But positive efforts like these don’t come without their detractors. When New York-based “techno feminist” collective Discwoman were profiled in a huge NPR feature last year, the comments below displayed a notably negative reaction towards what they were doing—ranging from “And the NPR feminist rant goes on,” to “Sorry, but clubs don't have a bro problem. If you have a problem with the bros, that's your problem.” And these attitudes are still visible in the industry at large: last week, DJ Justin James went viral when he placed a Facebook ad looking for female DJs with ridiculous requirements, including specific height, weight, and being the owner of a popular Instagram account.

Though it might have been an unusually bold example of discrimination in electronic music, James’ request re-emphasized why all-female projects are so essential. While we’re living in an unequal world, it remains crucial to support voices that may not always feel comfortable with the bro culture of clubs. Speaking to The FADER over email, Paula Temple puts it this way: “Maybe when we reach the point where sidelining, gaslighting, denying, undermining, taking over, reductionism, hostile environments and sexual harassment have disappeared, there would be less of a reason to create all-female projects.” In an industry where there are people who don’t encourage—and in some cases, actively discourage—women to pursue DJing for a living, exclusively female-identifying projects carry massive significance. Below, The FADER highlights and speaks to nine such crews that are supporting and positively impacting women in scenes such as house, techno, and club music.

  Discwoman, New York

 This techno-focused New York collective has been running since 2014, founded by Frankie Hutchinson, Emma Burgess-Olson (who produces as Umfang), and Christine Tran. “I met Emma at Bossa because she played a techno track I liked and I asked her what it was. Christine I had met previously through her collective Witches,” says Frankie of how they came together. “Centering women allows us to make dope parties whilst being conscious of the reality of the fucking world.“ Following a recent night in Mexico with The Black Madonna, Discwoman has been announced as residents at Chicago’s Smart Bar for this year, as well as having potential plans to take things to the U.K., Chile, Colombia, and India.

 Sister, worldwide

 Sister is an online collective that takes its form in a series of Soundcloud mixes and also a private Facebook group made for discussing and sharing music between female and non-binary people. The platform was created with “the aim of solidifying a network of women within underground club music.” Producer and DJ Toxe, who is part of Stockholm based label Staycore, founded the group and contributed the first mix in the series. Today, producers such as UNiiQU3, DJ Haram, and KABLAM are all an active part of the community—a safe place for women in club music to hang out and voice concerns that may be met with hostility elsewhere.

 TGAF, Paris

 TGAF is a French collective comprised of five DJs, whose unusual acronym stands for These Girls Are on Fiyah. Carin Kelly, Malibu, DJ Ouai, Miley Serious, and Oklou became a team at the tail-end of last year, and have a monthly radio show on the station PIIAF where they play an eclectic mixture of house, pop, experimental, and club tracks. Each of their radio shows has a different theme, the first three being Air, Fantasy, and 3 a.m. Playing at nights both separately and together, they’re mostly at parties in Paris but have also been known to venture to Berlin.

 Mahoyo, Stockholm

 Childhood friends MyNa and Farah make up Swedish fashion, art, and DJ collective Mahoyo. Sharing a love for street culture and hip-hop, their creative venture combines a love of styling, photography, and filmmaking with music. When it comes to their DJing, there are no limits. “Hip-hop and R&B is [a] given, but we also love to mix our sets with dancehall, kwaito, kuduro, trap, and everything that we are inspired by at the moment,” they explain. “Through them we have found a way to express ourselves creatively and also use our creativity to empower the black and POC community.”

 Miss Modular, L.A.

 Operating from Los Angeles’ Radio Sombra, Miss Modular is a radio show run by host Sasha Ali with graphics and visual identity provided by designer Michelle Cho (who has also provided a guest mix for the series). Their other guests have recently included Nguzunguzu’s MA DJ and Lafawndah. The show is dedicated to “womxn-powered music,” and Ali elaborates on the phrasing over email to The FADER: “I say 'womxn' to be inclusive of music-makers who are femme-identified.” Miss Modular isn’t connected to any particular genre, instead showcasing the wide range of women’s musical abilities—"be it trombonist Melba Liston who arranged music for artists like Billie Holiday, Randy Weston, and Marvin Gaye, producers like Georgia Anne Muldrow or MA DJ of Nguzunguzu, as well as rappers and songwriters like Junglepussy or Selda Bagçan."

 Born N Bread, London

 With a mixture of wavy, emotional hip-hop and R&B selections and friendly chat between close friends, Born N Bread has been bringing feel-good vibes to the NTS airwaves since late 2015. The south London girls started up their collective last year, which encompasses the radio show, their fashion, art, and photography zine and other individual projects. Read The FADER's interview with the crew here.

 Work In Progress, Toronto

 Toronto-based DJ and promoter Cindy Li's radio show Work In Progress is solely dedicated to playing productions made by women. Past guests have included 1080p’s D. Tiffany, Volvox, and DJBOYZCLUB. As well as that, Li has started putting on events with her friend Nancy Chen—first bringing Discwoman to Toronto, with plans to do more in the future. Talking of the importance of creative spaces filled with exclusively female talent, Li says: “Who you book is reflected in who comes to your show, so I’m hoping by doing my radio show and throwing parties that fall in line with the ethos of my radio show, it will encourage more female participation in my local music community.”

 Apeiron Crew, Copenhan

 “Loads of women have the talent and dedication to work to make it, they just need a little push, a team or a role model, and that is something I realized the past two years being a part of Apeiron Crew,“ explains Red Bull Music Academy alumni Courtesy. Two years ago, four best friends from Copenhagen, Najaaraq Vestbirk (Courtesy), Emma Blake, Simone Øster, and Sara Svanholm (Mama Snake) came together to form Apeiron Crew. DJing in Denmark with heady techno selections in tow, the crew also fly in other female DJs to play with them. As well as being residents at the capital’s biggest techno venue Culture Box, members Emma Blake and Courtesy are also producing acidic techno together.

 SIREN, London

 After being exasperated by yet another male-dominated list of top DJs, nine London-based techno lovers formed SIREN through a Facebook group in October 2015. “SIREN comprises DJs, producers, promoters, music journalists, A&R scouts, radio show producers, and live performers. As we began to address in our first zine, we want to change things across the board,” they tell The FADER. Working incredibly quickly, they’ve put on their first party already, with sets from rising DJs Resom, Lenny Jams, and the collective’s residents playing a lot of fun, energetic techno. With plans to run the night every few months, SIREN have some clear objectives: “At our nights, we ask people to adhere to our slogan: 'no bullshit, just dancing.' We have a zero-tolerance policy on harassment, whether targeted at gender, race, sexual orientation, or ability.”

This article was written by Aurora Mitchell and published on Fader.com

[exodusrpg]

if other life-supporting planets exist, why do the explorers need to save the earth?

The explorer's aren't saving Earth. They're searching for the ship Apeiron that has signaled a distress call. That ship is essential as it has plant life that allows for existing planets to be habitable. Without these plants, it can jeopardize all of the new planetary biomes where human dwell which could be catastrophic for humanity (no biodiversity + sustenance = starvation and death). For political reasons, this dilemma has not been broadcasted to the public with the hopes that this crew will be successful on the mission. But that has yet to be determined ... 👀

[isyourmechrunning]

//[FORMATTING ERROR: SENDER_ID]> :INVALID_FORMAT: MESSAGE

Do you have any interesting stories from your previous employment?

//[FORMATTING ERROR: SENDER_ID]> :INVALID_FORMAT: SIGNOFF

>>Oh!! Oh, yeah, of course! I was on that freighter for, what, twelve years? Of course I have stories!

>>So, SO I was deployed on a long haul, deep space freighter called the Apeiron, and we mostly operated around diasporan space (which is how I signed on!!! I'm from a diasporan planet, after all). My first crew, Captain Lana, she one day found a manifest of all the stuff stashed in our hold, and apparently she found, like old world cannons and mummified animals and stuff!!! It was so cool, I was working on the oxygen lines in the ceiling over the rec room so I wasn't there but apparently one of the cannons fired accidentally, somehow, I don't know how. All I know is that I was stuck repairing the damage, and Bazzi was the one who got all the blame for venting the whole cargo hold through a one foot hole.

>>I liked Captain Lana, she was fun!! She let me get away with coloring inside the vents and she didn't mind us getting up to some shenanigans in our free time as long as it didn't fuck with anything too severely. I remember, where was she from, I... we... we went back there, right? She--

>>She was fun!! I hope to be deployed with her again one day :3

[xxy-dd]

Interview + Mix

[thatscalmdotcom]

Interview + Download: http://truantsblog.com/2017/truancy-volume-169-apeiron-crew/ Soundcloud: @apeiron-crew Born out of the closure of Copenhagen based nightclub Dunkel, Apeiron started as a means of throwing parties to help enrich the community of promoters that had started to shape the city and their local scene. Throwing parties quickly evolved into being booked to play them, with their eclectic back-to-back sets taking them outside of Copenhagen on an international scale. With a member short and three years having gone by since Apeiron was founded, we caught up with Sara, Emma and Simone to chat about changes in direction, goals, the constraints of more exposure as a crew and their early rave beginnings. Recorded in mix tradition at a friend's bunker in Copenhagen, this hour and a half Truancy Volume has plenty to commit to, with music from Jensen Interceptor, Aphex Twin, Pearson Sound, Sunday Brunch and some Solid Blake material all dotted throughout. The last song also, without wanting to give anything away, is one of the best outro tracks we've had in a while.

[exoduspromos]

𝐓𝐇𝐄 𝐂𝐎𝐒𝐌𝐎𝐒 𝐁𝐔𝐑𝐍𝐒 𝐀𝐍𝐃 𝐘𝐄𝐓 𝐖𝐄 𝐄𝐍𝐃𝐔𝐑𝐄

In the 25th century, Earth is a distant memory, a lost relic of the past. Humanity has mastered the art of space exploration, weaving through galaxies with the grace of seasoned travelers. Among these cosmic voyagers is the ship Apeiron, a vessel carrying the last precious plant specimens from Earth, a fragile hope for cultivating new life on untamed worlds. When an urgent distress signal echoes through the void, a special force is assembled, driven by a mission of profound importance: to retrieve Apeiron and its invaluable cargo, a beacon of life for a new homeland. Yet, beneath the surface of duty lies an amalgamation of personal stakes and hidden motives. Each member of the rescue crew is drawn by more than the promise of salvation. They seek answers, redemption, and the unraveling of mysteries shrouded in the silence of the drifting spaceship. In the vast expanse of space, where stars whisper secrets and shadows hold the past, their journey intertwines destiny with the echoes of lost worlds. EXODUS is a 21+ literate sci fi roleplay inspired by the three body problem, interstellar, 1899 and love death and robots. Join a small crew of 13 people aboard the Exodus to uncover the mysteries left behind on the Apeiron. This game will include interactive mechanics and be played on discord.

[ CLICK HERE & REBLOG FOR MORE INFO. ]