#Antone&039;s Records

[comiccrusaders]

Introducing Comic Crusaders Music Reviews: A Lifelong Love of Records

Introducing Comic Crusaders Music Reviews: A Lifelong Love of Records

Christmas 1978; a six-year-old version of myself finds a gift under a tree with my name on it. It was obvious, even to my young eyes this was an album. The 12-inch square was distinctive, as I had already spent countless hours alone in my bedroom listening to music on my small record player. Normally, it was Snoopy vs. The Red Barron, or my personal copy of The Rescuers on Disney records. I…

[suetravelblog]

Niko Leopold Quartett b-flat Jazz Club Berlin

Niko Leopold Quartett b-flat Jazz Club Berlin

Niko Leopold Quartet – Maria Frodl Photography

The Niko Leopold Quartett appeared at Berlin’s b-flat Acoustic Music + Jazz Club last night! I was totally blown away!! They were magnificent!

I booked a reservation and arrived about 20 minutes before the performance. I opted to sit one row back from the stage and didn’t focus on the crowd – mostly couples and small groups of friends and families.…

[thedeltareview]

R. L. Boyce & Lightnin Malcolm Live at Antone's

R. L. Boyce & Lightnin Malcolm Live at Antone’s

When a young Lebanese man from Port Arthur, Texas named Clifford Antone got kicked out (or perhaps dropped out, depending on who you ask) of the University of Texas after a marijuana arrest in 1970, it seemed like an end to a promising career. The Antone family were prominent businessmen in Houston, owning an import firm and a chain of sandwich shops that specialized in po-boys. Other young men…

[riffrelevant]

Article By: Pat ‘Riot’ Whitaker, Senior Writer/Journalist ‡ Edited By: Leanne Ridgeway, Owner/Chief Editor

In June of 1982, guitarist Paul “Ace” Frehley negotiated his exit from arguably one of rock and roll’s biggest acts, KISS – with the departure taking effect six months later in December.

Behind the scenes of his seemingly questionable move, Ace Frehley remained a business partner with Gene Simmons and Paul Stanley, retaining a one-quarter share in KISS. To keep that share, Frehley was under contractual obligation to not release any solo projects, at least until the year 1985, despite the fact that his 1978 solo album début (one of four individual albums issued from each member of KISS) was the most successful of the four.

Facing a handful of years where he could not put out anything as a solo artist, without severely hurting his financial income and place him in danger of legal litigation, Ace decided to use the time in assembling a band. Intended solely as a backing band for his eventual entrance into life as a solo artist, Ace soon finalized the players for it by selecting guitarist Richie Scarlet (Mountain), bassist John Regan (Peter Frampton), keyboardist Arthur Stead, and drummer Anton Fig (David Letterman’s CBS Orchestra). However, before the new band began to record their first album together, Scarlet would leave to focus on his own solo career, which in turn led to Stead being dropped when guitarist / vocalist / keyboardist Tod Howarth was brought into the band.

The planned album was to be entitled ‘Frehley’s Comet‘, but sometime before its materialization, Ace decided to also use that as the name of the band, rather than release the record as a solo artist. Several more years went by, but eventually in 1987, Ace Frehley / Frehley’s Comet released the self-titled ‘Frehley’s Comet‘ via Megaforce / Atlantic Records. The album, which was produced by the famed Eddie Kramer, was considered a success, reaching No. 43 on that year’s The Billboard 200 while yielding a minor hit single, “Into The Night“. The cover song, originally written and recorded by Russ Ballard on his 1984 self-titled release, reached No. 27 on Billboard’s Mainstream Rock Charts and spawned an official video, as did another track, “Rock Soldiers“.

    Both videos received regular rotation airplay on MTV at the time, and an interesting tidbit of trivia about them – both feature Billy Ward, not Anton Fig, behind the drum kit. He was Ace’s live touring drummer in the years that Ace was working on getting his band together, demoing music, and unable to issue recorded solo material without repercussions.

Ace Frehley / Frehley’s Comet would issue a second full-length in May of 1988, the appropriately titled ‘Second Sighting‘, recorded with a new drummer, Jamie Oldaker (Bob Seger, Eric Clapton). It would peak at No. 81 on The Billboard 200 and produce two singles with corresponding music videos, “Insane” and “It’s Over Now“. Like the preceding album, ‘Second Sighting‘ featured synthesizers, samples, and sequencing provided by Gordon “G.G.” Gebert of Angel.

Prior to this album, the band released an EP in early 1988, ‘Live +1‘, featuring four songs performed live in concert and one original studio song. It was followed with an accompanying VHS video titled ‘Live +4‘, containing live performances and the band’s official videos to that point.

    By the time of the next studio release from Ace Frehley in 1989, ‘Trouble Walkin”, he had dropped the Frehley’s Comet name and the band itself had undergone several changes. Tod Howarth was replaced by a returning Richie Scarlet, and Jamie Oldaker by ex-Riot drummer Sandy Slavin (although Anton Fig and Ex-KISS drummer Peter Criss did perform some of the percussion work on the album). The album featured many guest vocalists, including Criss and Sebastian Bach.

Frehley’s Comet, the band, continued until 1995, with Richie Scarlet remaining throughout, and John Regan departing in 1992. Ace Frehley put his solo career on hold to rejoin KISS in 1996, and has since resumed his role as a solo artist, releasing several solo albums in recent years with Richie Scarlet, bassist Chris Wyse, and drummer Scot Coogan – all of whom Ace unexpectedly let go earlier this year.

    That takes us to where we are now, with this week’s news that former Frehley’s Comet members John Regan (bass), Tod Howarth (guitar/vocals) and Richie Scarlet (guitar/lead vocals) have joined forces, with former Ace Frehley drummer Steve Werner, in RETURN OF THE COMET.

Together, they will celebrate their writing, recording, touring and co-production contributions to the band Frehley’s Comet legacy, by performing the hits and classic songs from the Frehley’s Comet catalog, and more, under the name RETURN OF THE COMET.

You can see RETURN OF THE COMET perform live at Sellersville Theater in Sellersville, PA on April 9th, 2019 [Info].

  Oldschool Sunday: FREHLEY’S COMET [Former Members Unite In RETURN OF THE COMET] Article By: Pat 'Riot' Whitaker, Senior Writer/Journalist ‡ Edited By: Leanne Ridgeway, Owner/Chief Editor In June of 1982, guitarist…

[thejoyofviolentmovement]

New Audio: Brooklyn's Weird Owl Releases Dark Foreboding and Anthemic New Single

New Audio: Brooklyn’s Weird Owl Releases Dark Foreboding and Anthemic New Single

If you had been frequenting this site earlier this year, you would have come across a post on the Brooklyn-based psych rock/stoner rock act Weird Owl.…

[atkmagazine]

Review: Crying Nut at Antone's Records

Review: Crying Nut at Antone's Records #Koreanmusic #cryingnut

Crying Nut at Antone’s Records

This was one of the coolest gigs I’ve ever seen. No joke! A fabulous, energetic punk rock band who are amazing live playing in a record store… what’s not to love?

The venue/location

The venue

The venue – or rather record store – was quite a ways from the downtown area where the majority of the South by Southwest (SXSW) shows were. So Jenna (from K-RoK Rocks!) and I…