#Anthony Hemingway

[idealuk]

Using his wedding anniversary to celebrate him and his hubby and to make what should be an obvious proclamation (if you know his directing-TV history):

Anthony Hemingway needs to direct the Buddie-goes-canon episode.

[blueiight]

“Unimaginable challenges may await us, but our love is built to last,” Mr. Hemingway said to Mr. Norfleet in his vows.

Anthony Hemingway and Steven Norfleet traveled in similar Hollywood circles, but didn’t meet until after a church service.

link

[jazzdailyblog]

Anthony Braxton's "Quartet (Santa Cruz) 1993:" A Farewell to Innovation and Musical Exploration

Introduction: Few bands manage to define and transform the musical landscape the way Anthony Braxton’s quartet did in the late ’80s and early ’90s. The group’s eight-year run stands as a towering achievement in the history of avant-garde jazz, a period in which Braxton—already a highly respected and influential figure—pushed his creative vision to new heights. “Quartet (Santa Cruz) 1993,”…

[sparkcrafted]

[donospl]

Co w jazzie piszczy [sezon 1 odcinek 19]

premierowa emisja 6 września 2023 – 18:00 Graliśmy: Sanem Kalfa “Quail” z albumu “REFLEX: Miraculous Layers” – Bimhuis Records Nina Simone “Mississippi Goddam” z albumu “You’ve Got To Learn” – Verve Records John Coltrane with Eric Dolphy “Impressions” z albumu “Evenings At The Village Gate” – Impulse! Records Slowly Rolling Camera “River View” z albumu “Flow” – Edition Records Aki Rissanen…

[grandhotelabyss]

Advice/hard truths for writers?

The best piece of practical advice I know is a classic from Hemingway (qtd. here):

The most important thing I’ve learned about writing is never write too much at a time… Never pump yourself dry. Leave a little for the next day. The main thing is to know when to stop. Don’t wait till you’ve written yourself out. When you’re still going good and you come to an interesting place and you know what’s going to happen next, that’s the time to stop. Then leave it alone and don’t think about it; let your subconscious mind do the work.

Also, especially if you're young, you should read more than you write. If you're serious about writing, you'll want to write more than you read when you get old; you need, then, to lay the important books as your foundation early. I like this passage from Samuel R. Delany's "Some Advice for the Intermediate and Advanced Creative Writing Student" (collected in both Shorter Views and About Writing):

You need to read Balzac, Stendhal, Flaubert, and Zola; you need to read Austen, Thackeray, the Brontes, Dickens, George Eliot, and Hardy; you need to read Hawthorne, Melville, James, Woolf, Joyce, and Faulkner; you need to read Tolstoy, Dostoyevsky, Turgenev, Goncherov, Gogol, Bely, Khlebnikov, and Flaubert; you need to read Stephen Crane, Mark Twain, Edward Dahlberg, John Steinbeck, Jean Rhys, Glenway Wescott, John O'Hara, James Gould Cozzens, Angus Wilson, Patrick White, Alexander Trocchi, Iris Murdoch, Graham Greene, Evelyn Waugh, Anthony Powell, Vladimir Nabokov; you need to read Nella Larsen, Knut Hamsun, Edwin Demby, Saul Bellow, Lawrence Durrell, John Updike, John Barth, Philip Roth, Coleman Dowell, William Gaddis, William Gass, Marguerite Young, Thomas Pynchon, Paul West, Bertha Harris, Melvin Dixon, Daryll Pinckney, Darryl Ponicsan, and John Keene, Jr.; you need to read Thomas M. Disch, Joanna Russ, Richard Powers, Carroll Maso, Edmund White, Jayne Ann Phillips, Robert Gluck, and Julian Barnes—you need to read them and a whole lot more; you need to read them not so that you will know what they have written about, but so that you can begin to absorb some of the more ambitious models for what the novel can be.

Note: I haven't read every single writer on that list; there are even three I've literally never heard of; I can think of others I'd recommend in place of some he's cited; but still, his general point—that you need to read the major and minor classics—is correct.

The best piece of general advice I know, and not only about writing, comes from Dr. Johnson, The Rambler #63:

The traveller that resolutely follows a rough and winding path, will sooner reach the end of his journey, than he that is always changing his direction, and wastes the hours of day-light in looking for smoother ground and shorter passages.

I've known too many young writers over the years who sabotaged themselves by overthinking and therefore never finishing or sharing their projects; this stems, I assume, from a lack of self-trust or, more grandly, trust in the universe (the Muses, God, etc.). But what professors always tell Ph.D. students about dissertations is also true of novels, stories, poems, plays, comic books, screenplays, etc: There are only two kinds of dissertations—finished and unfinished. Relatedly, this is the age of online—an age when 20th-century institutions are collapsing, and 21st-century ones have not yet been invented. Unless you have serious connections in New York or Iowa, publish your work yourself and don't bother with the gatekeepers.

Other than the above, I find most writing advice useless because over-generalized or else stemming from arbitrary culture-specific or field-specific biases, e.g., Orwell's extremely English and extremely journalistic strictures, not necessarily germane to the non-English or non-journalistic writer. "Don't use adverbs," they always say. Why the hell shouldn't I? It's absurd. "Show, don't tell," they insist. Fine for the aforementioned Orwell and Hemingway, but irrelevant to Edith Wharton and Thomas Mann. Freytag's Pyramid? Spare me. Every new book is a leap in the dark. Your project may be singular; you may need to make your own map as your traverse the unexplored territory.

Hard truths? There's one. I know it's a hard truth because I hesitate even to type it. It will insult our faith in egalitarianism and the rewards of earnest labor. And yet, I suspect the hard truth is this: ineffables like inspiration and genius count for a lot. If they didn't, if application were all it took, then everybody would write works of genius all day long. But even the greatest geniuses usually only got the gift of one or two all-time great work. This doesn't have to be a counsel of despair, though: you can always try to place yourself wherever you think lightning is likeliest to strike. That's what I do, anyway. Good luck!

[911bts]

DEADLINE: Ashoka Thomas, Oliver Stark, King Hassan, Anthony Hemingway, Sonja Sohn, Aisha Hinds and Diann Valentine of '9-1-1' outside of Disney in Burbank today

[lemonnsss]

Moral of the Story pt. 3

Warnings: not BETA'D we die like men.

MotS Masterlist

Taglist: @vicmc624, @mostlymarvelgirl, @yvonneeeee, @beetlejuicesupremacy, @moonlightreader649, @whattheduckisupkyle, @chrisevans-realwife, @nekoannie-chan, @mrsbarnes32557038, @imyourbratzdoll

Word count: 2.1k

“Oh, so soon?” he leaned in, obviously interested in my request, “And what might your boon be?”

“As you can probably guess, I need a job. I have an interview tomorrow morning for the role of your PA. If that doesn’t pan out -because of anyone's request outside of your own- I still want a good-paying job with decent benefits. Okay?”

“Okay, I’ll cut it short, you’re hired.”

“Please, I don’t need your pity.”

"Oh, don't worry, I wouldn't hire you out of pity. It's because of what you did just now. I gave you barely any details, and you came up with a sub-par solution." Satisfied with his answer, he reaches over and takes a sip of my coffee. 

"Sub-par says I go out, find your bodyguard, and drag him back here." He visibly aspirates, coughing into a napkin for a minute or so. I got up, got a straw, and returned. By the time I sat down, he had regained most of his composure.

"You had a good plan that led to a good solution," gesturing to himself, "I'm a rich asshole. Are we happy?” A slight rasp remained in his voice.

“Sufficiently. I accept the role of your PA, Mr. Stark. When should I start?"

"After your interview with Ms. Potts. You did say that if anyone aside from me was against you as my PA, you'd be fine with it."

I leaned back, covering my eyes with my hand, ”Yeah, I did."

"Don't try denying it. JARVIS has been recording- I'm sorry, what did you just say?"

"I fully acknowledge and stand by my previous statement. And, did you just admit to illegally recording our conversation?” My other hand raised pointing at him, “If so, that would be quite unfortunate for you and Stark Industries.” I separated my fingers to see his shocked yet slightly confused expression.

"Well, shit.”

I lowered my hand to the arm of the chair, tilting my head slightly, “Did you think I wouldn’t own up to my word? Please, Tony -can I call you Tony? I’m going to call you Tony- I do have morals, they’re a bitch, but they’re there. When I make promises, I follow through with them.” I look down at my lap, my hands wrapped around my stomach, “I hate people who break their promises. They are the worst kind of people. All that does is hurt those around them, but they’re too self-centered to realize that until it’s too late- sometimes even then it doesn’t click.” I glance up, he’s leaning closer to me, a worried look plastered across his face.

I straighten, collect my things, and move to get up, “I suppose I’ll see you at my interview tomorrow, Mr. Stark.” I walk away and out of the café, hearing the bell ring as I walk out.

I fell face down into my bed, arms spread out. “I just met THE Anthony Edward Stark and acted like it was no big deal. What is wrong with me?” I grabbed a pillow, held it to my chest, curled up into the fetal position, and screamed. “How could I have acted like it was nothing? He’s an A-list celebrity and I just brushed it off!” I prop up onto my elbows, my hands extending forward.

I spent the afternoon and evening just watching TV and reading. While I didn’t typically read graphic books, Hemingway and Remarque’s book had been sitting in my collection untouched for far too long, and it wasn’t necessarily a horrible way to finish the day. About halfway through “All Quiet On The Western Front” I realized just how depressing this book was and how glad I hadn't gone over it with my high school classes. The case remained much the same for “A Farewell to Arms”.

My phone alarm went off, signaling it was time to start getting ready for bed. I got up to grab it, shutting off the tone. I stood up, went to the bathroom, completed my nightly routine, and set out my clothes for my interview, although it seemed I had been hired in all but formalities.

I woke up the next day with a slight ache in my bones but, nothing like the previous day. I got ready and headed out to the Stark Industries headquarters. When I arrived I wasn’t necessarily shocked. The lobby was sleek and modern, bustling with the morning rush. I walked up to the receptionist, an older woman, and told her that I was there for the interview for the role of Mr. Stark’s assistant. I confirmed she looked me up and down before saying my name aloud. She handed me a card, stating it was a single use and would be deactivated once I left the building before pointing me to the elevator, guarded by the head of security, Mr. Stark’s bodyguard, Happy Hogan.

I walked over he looked at me slightly puzzled as I walked up to the elevator, sliding the activated card. It took a moment or two before the door opened and I could not be happier. I walked in and the doors shut. 

“Crap, I didn’t get the floor.” I placed my face in my hand, aggravated at my forgetfulness.

An electronic voice rang out, “I believe I can be of some assistance, Mx.”.

I screamed, “What the fuck?” I backed into a corner, grabbing the rails.

“Apologies, I seem to have startled you. I’m JARVIS, Mr. Stark’s AI.”

“O-okay? Can you send me up to Mrs. Potts’ floor?”

“Of course.”

The elevator ride passes quickly thanks to Stark’s AI. As the doors open JARVIS informs me that the door on the right leads to Ms. Potts’ office. I walk up to the door and knock, ”Come in!” A voice calls out. I open the door and introduce myself.

Ms. Potts was a taller woman with blonde hair. She ran around frantically, “I’m so sorry, an urgent business meeting just came up. Would it be okay to reschedule your interview?”

“Yes, yes, of course. These things happen, I understand. Is there anything I can do to help?” I move close to her desk.

The look on her face shows she didn't expect my reaction. "Um, yes. In one of the piles over there. There should be twelve documents with the keywords Stark v. Hammer." She points over the corner where there are three medium-sized piles of papers

"Oh, is that all?"

"Yes, thank you. My assistant has been on sick leave for two weeks and my office has become an absolute mess." I hear the clink of metal on the ground. She squats down, looking for whatever it was that had fallen.

"Really, it's no problem. I've worked in worse offices, this is nothing."

"What do you mean?"

"The lawyer I worked for in college. He was a mess. He wouldn't let anyone move his things, so it just stayed that way until he needed a specific paper or file, and then he would send me looking. Apparently, he did that to all of his assistants after one of them, about five years before me, lost one of the major papers in a big case for the firm. He fired her immediately." I rifled through the paperwork, quickly finding a handful of the documents.

"That sounds horrible, although, from a business person's perspective I can somewhat understand." 

"Yeah, it was crazy. I worked for him for four years and almost feel bad for leaving. He finally adjusted and was comfortable with me going through the records." I had found all but one of the papers at this point and had looked through all three piles with no luck.

"Ms. Potts?"

She stands up, bumping her head on the edge of her desk, "Yes?"

"Sorry, um, are you okay?"

"Yes. I'm fine." She grasps the back of her head, wincing. She's clearly not.

"Are you sure? You hit your head pretty hard."

"Yes, really. What were you asking about?"

"Okay, are you sure all of the papers are over here? There's one missing. I've gone over the stacks at least three times." 

"Yes, of course. They're all there, I could've sworn." She walks over, or at least attempts to as about halfway she grasps her head, a small groan accompanying the action. I run over, offering my arm. She takes my arm, and I lower her to the ground, a quiet 'thank you' thrown in the midst.

There was a small cut on the back of her head, a small amount of blood flowing out. I place my fingers on the cut, using my powers to heal it. A sharp pain found its way to the back of my head for a moment before it fades.

"Thank you. I think I just needed to sit down for a moment. But, yes, all of the papers should be over here. It's odd that there's one missing."

"Could it be in a different stack?"

"It shouldn't be, then again, I haven't exactly been keeping this place clean enough to say. Crap! The meeting's supposed to start in a few minutes."

"How far into the meeting do you need the papers, and how long do you expect this meeting will be?"

"Maybe two-thirds of the way through and half an hour at the shortest. Why?"

"I'm gonna buy you some time, obviously. I'll look through the rest of the papers to find the missing page. Once I find it I'll head over to your meeting room and deliver the papers as if you'd asked for them just before the meeting began. How does that sound?"

She walks up to me and hugs me. As she pulls away she says, "You are a lifesaver! Thank you." She grabs her papers and walks out of her office, presumably to the meeting room as I stand there stunned, unmoving as a stone.

When her trance breaks, I start moving around the room, quickly checking each pile for the missing paper. I tried to stay in the general area she originally pointed me to with no luck. I slowly moved towards the desk, it was the only place I hadn't checked yet.

I went through the different stacks before finding the paper in the third, guess it really was the charm. I collected all of the papers in a manilla folder, finishing it off with a paperclip -just as a precaution. As I went to grab the door handle JARVIS told me which meeting room they were on.

I walked out to the small foyer between the two offices and entered the elevator. JARVIS took me to the correct floor.

I walked up to the door of the meeting room Ms. Potts was in and knocked on the door before entering. I looked inside to see a variety of old, white businessmen and Ms. Potts in front of a projector explaining something I wasn't about to pretend I understood. She looked relieved. 

I walked in just enough to where I could close the door, "Apologies, Ms. Potts, is this a bad time? I have the paperwork you requested."

"Oh no, not at all." She walked over to me, taking the folder from my hands. "Thank you." She whispered.

"It was no problem at all, Ma'am. Would you like me to continue working in your office, or go home for the day?"

"Please, wait in my office." She tipped her head slightly, a gesture that didn't go unnoticed.

I excused myself and headed back to Ms. Potts office. I waited for her in one of the armchairs at her desk. I checked my phone and realized I hadn't read the e-mail from Scott yet. I opened his message, the contents shocking me.

'Hi, I know it's been a while since we've talked, I mean really talked. I'm sorry, I chose a girl who saw me as the second choice over the person who's been my best friend practically since we met. I'm leaving the mansion too. Things have been crazy here. The professor is making Jean and Logan sub for all the classes you used to teach, and he'll be doing so for every teacher who leaves because of what happened. I'm planning on moving back to Anchorage. My parents left the house to Alex, but he gave everything to me in his will, making it mine. That house has to be 80 or so years old now, it's going to need a lot of repairs. I'll send you the address once it's all fixed up, maybe have some tea and catch up. 

See you someday,

Scott.'

[aliciavance4228]

One Hundred Books

Decided to make this list in order to include in one post all the books that I found to be worth reading and would recommend to others. They're not in a specific order:

The Book Thief by Markus Zusak

Mrs. Dalloway by Virginia Woolf

Murder on the Orient Express by Agatha Christie

Dubliners by James Joyce

A Jounal of the Plague Year by Daniel Defoe

One Hundred Years of Solitude by Gabriel Garcia Marquez

Girl with a Pearl Earring by Tracy Chevalier

Art of War by Sun Tzu

The Trial by Kafka

Metamorphosis by Kafka

The Diary of a Young Girl by Anne Frank

Little Women by Louisa May Alcott

Jane Eyre by Charlotte Brontë

Frankenstein by Mary Shelley

The Picture of Dorian Gray by Oscar Wilde

Dracula by Bram Stocker

The Phantom of the Opera by Gaston Leroux

1984 by George Orwell

Animal Farm by George Orwell

And Then There Were None by Agatha Christie

To Kill a Mockingbird by Harper Lee

Lord of the Flies by William Golding

Madame Bovary by Gustave Flaubert

Dune by Frank Herbert

Kafka on the Shore by Haruki Murakami

Crime and Punishment by Dostoievski

Notes from the Underground by Dostoievski

Lolita by Vladimir Nabokov

The Count of Monte Cristo by Alexandre Dumas

The Pianist by Władisław Szpilman

Don Quixote by Miquel de Cervantes

East of Eden by John Steinbeck

The Divine Comedy by Dante Alighieri

Doctor Faustus by Thomas Mann

The Idiot by Dostoievski

Of Mice and Men by John Steinbeck

The Insulted and Humiliated by Dostoievski

Foundation by Isaac Asimov

I, Robot by Isaac Asimov

A Gentleman in Moscow by Amor Towles

Faust by Johann Wolfgang von Goethe

The Master and Margarita by Mikhail Bulgakov

Moby-Dick by Herman Meville

The Brothers Karamazov by Dostoievski

The Call of Cthulhu by Lovecraft

Dagon and other Macabre Tells by Lovecraft

The Prince by Niccolo Machiavelli

Memoirs of Hadrian by Marguerite Yourcenar

The Shining by Stephen King

The Decameron by Giovanni Boccaccio

The Name of the Rose by Umberto Eco

The Enlightened Cave by Max Blecher

Dr. Jekyll and Mr. Hyde by Robert Louis Stevenson

The God Factory by Karel Čapek

The Tongue Set Free by Elias Canetti

Brave New World by Aldous Huxley

I Have No Mouth And I Must Scream by Harlan Ellison

No Longer Human by Osamu Dazai

A Clockwork Orange by Anthony Burgess

Selected Poems by Jorge Louis Borges

The Prague Cemetery by Umberto Eco

Drive Your Plow Over the Bones of the Dead by Olga Tokarczuk

The Setting Sun by Osamu Dazai

The Stranger by Albert Camus

The Plague by Albert Camus

Carrie by Stephen King

Fight Club by Chuck Palahniuk

The Alchemist by Paulo Coelho

Notre Dame of Paris by Victor Hugo

Catch 22 by Joseph Heller

American Psycho by Bret Easton Ellis

Gone Girl by Gillian Flynn

The Iliad by Homer

The Odyssey by Homer

Wuthering Heights by Emily Brontë

The Bell Jar by Sylvia Plath

The Tell-Tale Heart and other Writings by Edgar Allan Poe

Fahrenheit 451 by Ray Bradbury

Oliver Twist by Charles Dickens

Hercule Poirot's Christmas by Agatha Christie

The Sound and the Fury by William Faulkner

V for Vendetta by Alan Moore

The Red and the Black by Stendhal

The Queen's Gambit by Walter Tevis

It by Stephen King

Pet Sematary by Stephen King

Anna Karenina by Leo Tolstoy

The Death of Ivan Ilych by Leo Tolstoy

La Dame aux Camélias by Alexandre Dumas fils

Pride and Predjudice by Jane Austen

Northanger Abbey by Jane Austen

Persuasion by Jane Austen

Sense and Sensibility by Jane Austen

The Old Man and the Sea by Ernest Hemingway

The Age of Innocence by Edith Wharton

North and South by Elizabeth Gaskell

A Game of Thrones by George R.R. Martin

The Fellowship of the Ring by J.R.R. Tolkien

The Return of Sherlock Holmes by Sir Arthur Conan Doyle

1Q84 by Haruki Murakami

[13eyond13]

How many of these "Top 100 Books to Read" have you read?

(633) 1984 - George Orwell

(616) The Great Gatsby - F. Scott Fitzgerald

(613) The Catcher In The Rye - J.D. Salinger

(573) Crime And Punishment - Fyodor Dostoyevsky

(550) Catch-22 - Joseph Heller

(549) The Adventures Of Tom And Huck - Series - Mark Twain

(538) Moby-Dick - Herman Melville

(534) One Hundred Years Of Solitude - Gabriel Garcia Marquez

(527) To Kill A Mockingbird - Harper Lee

(521) The Grapes Of Wrath - John Steinbeck

(521) Lolita - Vladimir Nabokov

(492) Pride And Prejudice - Jane Austen

(489) The Lord Of The Rings - Series - J.R.R. Tolkien

(488) Brave New World - Aldous Huxley

(480) Ulysses - James Joyce

(471) Jane Eyre - Charlotte Bronte

(459) Wuthering Heights - Emily Bronte

(398) The Brothers Karamazov - Fyodor Dostoyevsky

(396) Great Expectations - Charles Dickens

(395) To The Lighthouse - Virginia Woolf

(382) War And Peace - Leo Tolstoy

(382) The Sun Also Rises - Ernest Hemingway

(380) The Sound And The Fury - William Faulkner

(378) Alice's Adventures In Wonderland - Series - Lewis Carroll

(359) Frankenstein - Mary Wollstonecraft Shelley

(353) Heart Of Darkness - Joseph Conrad

(352) Middlemarch - George Eliot

(348) Animal Farm - George Orwell

(346) Don Quixote - Miguel de Cervantes Saavedra

(334) Slaughterhouse-Five - Kurt Vonnegut

(325) Les Misérables - Victor Hugo

(320) Harry Potter - Series - J.K. Rowling

(320) The Chronicles Of Narnia - Series - C.S. Lewis

(317) Anna Karenina - Leo Tolstoy

(308) Lord Of The Flies - William Golding

(306) Invisible Man - Ralph Ellison

(289) The Golden Bowl - Henry James

(276) Pale Fire - Vladimir Nabokov

(266) Gone With The Wind - Margaret Mitchell

(260) The Count Of Monte Cristo - Alexandre Dumas

(255) The Hitchhiker's Guide To The Galaxy - Series - Douglas Adams

(252) The Life And Opinions Of Tristram Shandy, Gentleman - Laurence Sterne

(244) Madame Bovary - Gustave Flaubert

(237) Vanity Fair - William Makepeace Thackery

(235) The Trial - Franz Kafka

(233) Absalom, Absalom! - William Faulkner

(232) The Call Of The Wild - Jack London

(232) Emma - Jane Austen

(229) Beloved - Toni Morrison

(228) Little Women - Louisa May Alcott

(224) A Passage To India - E.M. Forster

(215) Dune - Frank Herbert

(215) A Portrait Of The Artist As A Young Man - James Joyce

(212) The Stranger - Albert Camus

(209) One Flew Over The Cuckoo's Nest - Ken Kesey

(209) The Idiot - Fyodor Dostoyevsky

(206) Dracula - Bram Stoker

(205) The Picture Of Dorian Gray - Oscar Wilde

(197) A Confederacy Of Dunces - John Kennedy Toole

(193) Mrs. Dalloway - Virginia Woolf

(193) The Age Of Innocence - Edith Wharton

(193) The History Of Tom Jones, A Foundling - Henry Fielding

(192) Under The Volcano - Malcolm Lowry

(190) The Odyssey - Homer

(189) Gulliver's Travels - Jonathan Swift

(188) In Search Of Lost Time - Marcel Proust

(186) Midnight's Children - Salman Rushdie

(185) An American Tragedy - Theodore Dreiser

(182) The Book Thief - Markus Zusak

(180) Siddhartha - Hermann Hesse

(179) The Magic Mountain - Thomas Mann

(178) Things Fall Apart - Chinua Achebe

(178) Tropic Of Cancer - Henry Miller

(176) The Outsiders - S.E. Hinton

(176) On The Road - Jack Kerouac

(175) The Little Prince - Antoine de Saint-Exupery

(173) The Giver - Lois Lowry

(172) Brideshead Revisited - Evelyn Waugh

(172) A Clockwork Orange - Anthony Burgess

(171) Charlotte's Web - E.B. White

(171) The Ambassadors - Henry James

(170) Infinite Jest - David Foster Wallace

(167) The Complete Stories And Poems - Edgar Allen Poe

(166) Ender's Saga - Series - Orson Scott Card

(165) In Cold Blood - Truman Capote

(164) The Wings Of The Dove - Henry James

(163) The Adventures Of Augie March - Saul Bellow

(162) As I Lay Dying - William Faulkner

(161) The Hunger Games - Series - Suzanne Collins

(158) Anne Of Greene Gables - L.M. Montgomery

(157) Atlas Shrugged - Ayn Rand

(157) Neuromancer - William Gibson

(156) The Help - Kathryn Stockett

(156) A Song Of Ice And Fire - George R.R. Martin

(155) The Good Soldier - Ford Madox Ford

(154) The Da Vinci Code - Dan Brown

(153) I, Claudius - Robert Graves

(152) Wide Sargasso Sea - Jean Rhys

(151) The Portrait Of A Lady - Henry James

(150) The Death Of The Heart - Elizabeth Bowen

[barkingbonzo]

Burt Lancaster & Ava Gardner in a portrait for "The Killers", 1946

The Killers is a 1946 American film noir starring Burt Lancaster (in his film debut), Ava Gardner, Edmond O'Brien, and Sam Levene. Based in part on the 1927 short story of the same name by Ernest Hemingway, it focuses on an insurance detective's investigation into the execution by two professional killers of a former boxer who was unresistant to his own murder. Directed by Robert Siodmak, it featured an uncredited John Huston and Richard Brooks co-writing the screenplay, which was credited to Anthony Veiller. As in many film noir, it is mostly told in flashback.

Released in August 1946, The Killers was a critical success, earning four Academy Award nominations, including for Best Director and Best Film Editing.

Hemingway, who was habitually disgusted with how Hollywood distorted his thematic intentions, was an open admirer of the film.

In 2008, The Killers was selected for preservation in the United States National Film Registry by the Library of Congress as being "culturally, historically, or aesthetically significant."

[idealuk]

Anthony Hemingway is teaming up with RM again.

Therefore, it's time, once again, for me to beg that Tim be allowed to borrow him for heavy Buddie episodes, because there is no director I want directing that stuff more than him.

[wimblr-rok]

Let's go for Political Awareness in 2025

Listen, I've never considered myself interested in Politics but this year, and for my future, I'm making it a goal to be more involved. Nothing gets better if we don't do anything about it. The recent election and inauguration has a lot of people (myself included) feeling rather nauseous and generally full of dread.

So, I've compiled lists of Celebrities, Companies, Music Artists to Block on your socials and music streaming services. And a list of Banned/Challenged books to read or try to gain copies of (if you're in a place where you're able to.) I'll also be including a link to a google doc at the end of this that's open access. Feel Free to Add to the list, but here's what I've found.

Celebrities/Public Figures:

Mark Zuckerberg

Elon Musk

Shou

Megyn Kelly

Joe Rogan

Caitlyn Jenner

Jake/Logan Paul

Buzz Aldrin

Hulk Hogan

James Woods

Kevin Sorbo

Roseanne Barr

Russell Brand

Dana White

Rob Schneider 

Amber Rose

Savannah Chrisley

Randy Quaid

Dennis Quaid

Danica Patrick

Robert F. Kennedy Jr.

Zachary Levi

Jim Caviezel

John Daly

Tucker Carlson

Harrison Butker

Brittany Mahomes

Joe Exotic

Victoria Jackson

Brett Favre

Paula Deen

Mel Gibson

John Schneider

Richelle Ryan

Dr. Phil

Tony Hinchcliffe

Bryce Hall

Sylvester Stallone

Jeff Bezos

Music Artists (Socials + Spotify!!)

Carrie Underwood

Snoop Dogg

Lee Greenwood

Christopher Macchio

Kid Rock

The Village People

Billy Ray Cyrus

Nelly

Jason Aldean

Rascal Flatts

Parker McCollum

Gavin DeGraw

Mormon Tabernacle Choir

Jackie Evancho

Sexyy Red

Lil Wayne

Lil Pump

50 Cent

Chris Janson

Kodak Black

Kanye West

Taryn Manning

Kelsey Grammer

Companies: 

Top Contributors, federal election data for Donald Trump, 2024 cycle - OpenSecrets 

Meta

Facebook

Instagram

SpaceX

Amazon

Coca Cola

OpenAI

Banned/Challenged Books:

Office for Intellectual Freedom | ALA 

Why Are Books Banned? - EveryLibrary Action 

Top 100 Most Frequently Challenged Books: 2010-2019 

https://www.aseatatthetablebooks.org/lists/LSqDQChLIR3g/4

Book banning is a form of censorship. Reading and access to all library resources is your First Amendment right.

Handmaid’s Tale - Margaret Atwood

1984 - George Orwell

Animal Farm - George Orwell

Brave New World - Aldous Huxley

Fahrenheit 451 - Ray Bradbury

The Curious Incident of the Dog in the Night-Time - Mark Haddon

The Giver - Lois Lowry

I Know Why the Caged Bird Sings - Maya Angelou

Slaughterhouse-Five - Kurt Vonnegut

A Clockwork Orange - Anthony Burgess  

The Color Purple - Alice Walker  

Hunger Games - Suzanne Collins

To Kill a Mockingbird - Harper Lee

Of Mice and Men - John Steinbeck

The Adventures of Huckleberry Finn - Mark Twain

The Catcher in the Rye - J. D. Salinger

Anne Frank: Diary of a Young Girl - Anne Frank

Lolita - Vladimir Nabokov

Lord of the Flies - William Golding

The Grapes of Wrath - John Steinbeck

A Farewell to Arms - Ernest Hemingway

A Lesson Before Dying - Ernest J Gaines

For Whom the Bell Tolls - Ernest Hemingway

The Great Gatsby - F. Scott Fitzgerald

One Flew Over the Cuckoo's Nest - Ken Kesey

Critical Race Theory: The Key Writings That Formed the Movement - Kimberle Crenshaw, Neil Gotanda, Garry Peller, Kendall Thomas

Fight Club - Chuck Palahniuk

Catch-22 - Joseph Heller

Call of the Wild - Jack London

The Red Badge of Courage - Stephen Crane

The Perks of Being a Wallflower - Stephen Chbosky

And Tango Makes Three - Justin Richardson,  Peter Parnell,  Henry Cole  

The Children and the Wolves - Adam Rapp  

Sold - Patricia McCormick

Google Doc Link:

[bookquest2024]

100 Books to Read Before I Die: Quest Order

The Lord Of The Rings by J. R. R. Tolkien

In Search of Lost Time by Marcel Proust

The Great Gatsby by F. Scott Fitzgerald

A Wrinkle in Time by Madeleine L’Engle

Jane Eyre by Charlotte Brontë

Pride and Prejudice by Jane Austen

Frankenstein by Mary Shelley

The Good Soldier by Ford Madox Ford

Under The Net by Iris Murdoch

American Pastoral by Philip Roth

The Unbearable Lightness of Being by Milan Kundera

Animal Farm by George Orwell

Housekeeping by Marilynne Robinson

Anna Karenina by Leo Tolstoy

Atonement by Ian McEwan

Crime And Punishment by Fyodor Dostoyevsky

The Grapes Of Wrath by John Steinbeck

Midnight’s Children by Salman Rushdie

Lucky Jim by Kingsley Amis

Slaughterhouse-Five by Kurt Vonnegut

The Sun Also Rises by Ernest Hemingway

Invisible Man by Ralph Ellison

A Passage to India by EM Forster

Of Human Bondage by W. Somerset Maugham

The Prime of Miss Jean Brodie by Muriel Spark

The Amazing Adventures of Kavalier and Clay by Michael Chabon

If on a Winter’s Night a Traveller by Italo Calvino

The Hitchhiker’s Guide to the Galaxy by Douglas Adams

1984 by George Orwell

White Noise by Don DeLillo

The Count of Monte Cristo by Alexandre Dumas

The Sound and the Fury by William Faulkner

The Stranger by Albert Camus

Lolita by Vladimir Nabokov

Oscar And Lucinda by Peter Carey

The Wind-Up Bird Chronicle by Haruki Murakami

Gulliver’s Travels by Jonathan Swift

Brave New World by Aldous Huxley

As I Lay Dying by William Faulkner

To Kill A Mockingbird by Harper Lee

Lord of the Flies by William Golding

The Portrait of a Lady by Henry James

The Call of the Wild by Jack London

Pale Fire by Vladimir Nabokov

Beloved by Toni Morrison

Tinker Tailor Soldier Spy by John Le Carré

Austerlitz by W. G. Sebald

The Scarlet Letter by Nathaniel Hawthorne

Brideshead Revisited by Evelyn Waugh

Tropic of Cancer by Henry Miller

The Age of Innocence by Edith Wharton

Mrs. Dalloway by Virginia Woolf

The Heart Is a Lonely Hunter by Carson McCullers

The Phantom Tollbooth by Norton Juster

Ulysses by James Joyce

Scoop by Evelyn Waugh

Haroun and the Sea of Stories by Salman Rushdie

Things Fall Apart by Chinua Achebe

Middlemarch by George Eliot

Are You There, God? It’s me, Margaret by Judy Blume

Clarissa by Samuel Richardson

Moby-Dick by Herman Melville

The Handmaid’s Tale by Margaret Atwood

Herzog by Saul Bellow

The Brief Wondrous Life of Oscar Wao by Junot Diaz

Wuthering Heights by Emily Brontë

Don Quixote by Miguel De Cervantes

A Bend in the River by V. S. Naipaul

A Dance to The Music of Time by Anthony Powell

The Strange Case of Dr Jekyll and Mr Hyde by Robert Louis Stevenson

Go Tell It On The Mountain by James Baldwin

Wide Sargasso Sea by Jean Rhys

Catch-22 by Joseph Heller

The Rainbow by D. H. Lawrence

Song of Solomon by Toni Morrison

I, Claudius by Robert Graves

Nostromo by Joseph Conrad

The Tin Drum by Gunter Grass

Madame Bovary by Gustave Flaubert

The Catcher in the Rye by JD Salinger

Charlotte’s Web by E. B. White

Tom Jones by Henry Fielding

His Dark Materials by Philip Pullman

Alice’s Adventures In Wonderland by Lewis Carroll

Little Women by Louisa M Alcott

Great Expectations by Charles Dickens

Portnoy’s Complaint by Philip Roth

Watchmen by Alan Moore

One Hundred Years of Solitude by Gabriel García Márquez

Robinson Crusoe by Daniel Defoe

Tristram Shandy by Laurence Sterne

On the Road by Jack Kerouac

The Big Sleep by Raymond Chandler

The Wind in the Willows by Kenneth Grahame

To the Lighthouse by Virginia Woolf

The Corrections by Jonathan Franzen

The Trial by Franz Kafka

Their Eyes Were Watching God by Zora Neale Hurston

Money by Martin Amis

David Copperfield by Charles Dickens

[watchingcbeams]

Compiled a bunch of reading lists/recommendations in my notes

Zen in the Art of Archery by Eugen Herrigel

A Doll’s House by Henrik Ibsen

The Garden Party by Katherine Mansfield

Rosencrantz and Guildenstern Are Dead by Tom Stoppard

And Strange at Ecbatan the Trees by Michael Bishop

In Between the Sheets by Ian McEwan

Invisible Cities by Italo Calvino

Amusing Ourselves to Death: Public Discourse in the Age of Show Business by Neil Postman

Camp Concentration by Thomas Disch

Tropic of Cancer by Henry Miller

The Drowned World by J.G. Ballard

Winesburg, Ohio by Sherwood Anderson

Engines of Logic: Mathematicians and the Origin of the Computer by Martin Davis

Go Tell It on the Mountain by James Baldwin

Notes of a Native Son by James Baldwin

Polemics by Alain Badiou

Smalltalk Best Practice Patterns by Kent Beck

Speedboat by Renata Adler

The Dynamics of Creation by Gregory Bateson

The Theoretical Minimum: What You Need to Know to Start Doing Physics by Leonard Susskind

A Clockwork Orange by Anthony Burgess

Hard to Be a God by the Strugatsky Brothers

The Invincible by Stanisław Lem

At Swim-Two-Birds by Flann O’brien

Appointment in Samarra by John O’Hara

Nickel and Dimed: On (Not) Getting By in America by Barbara Ehrenreich

Piranesi by Susanna Clarke

Down and Out in Paris and London by George Orwell

Far Away and Long Ago by W.H. Hudson

The Life of Jesus by Ernest Renan

The Maltese Falcon by Dashiell Hammett

The Stone Leopard by Colin Forbes

The Dream Master by Roger Zelazny

The Exile Waiting by Vonda McIntyre

Valis by Philip K. Dick

Nova by Samuel Delany

The Day of the Triffids by John Wyndham

The Fifth Head of Cerberus by Gene Wolfe

Martian Time Slip by Philip K. Dick

Ubik by Philip K. Dick

Lancelot by Walker Percy

Rabbit, Run by John Updike

Pulphead: Essays by John Jeremiah Sullivan

Laughter in the Dark by Vladimir Nabokov

A Beautiful Question: Finding Nature's Deep Design by Frank Wilczek

A Farewell to Arms by Ernest Hemingway

Bicycling Science (MIT Press) by David Gordon Wilson

Codex Seraphinianus by Luigi Serafini

Epic Measures: One Doctor. Seven Billion Patients by Jeremy R. Smith

How to Be Alone: Essays by Jonathan Frazen 

On Beauty by Umberto Eco

On Ugliness by Umberto Eco

Snow Falling on Cedars by David Guterson

South Wind by Norman Douglas

The Dispossessed by Ursula K. Le Guin

The Drunkard's Walk: How Randomness Rules Our Lives by Leonard Mlodinow

The Infinite Resource: The Power of Ideas on a Finite Planet by Rainer Zitelmann

The Knowledge: How to Rebuild Civilization in the Aftermath of a Cataclysm by Lewis Dartnell

The Soul of A New Machine by Tracy Kidder

The Upside of Stress: Why Stress Is Good for You, and How to Get Good at It by Kelly McGonigal

The World Without Us by Alan Weisman

This Will Make You Smarter by John Brockman (Editor)

Uncontrolled: The Surprising Payoff of Trial-and-Error for Business, Politics, and Society by Jim Manzi

Visual Explanations: Images and Quantities, Evidence and Narrative by Edward Tufte

Wonderland by Joyce Carol Oates

Wuthering Heights by Emily Brontë

Lady Chatterley's Lover by D.H. Lawrence

On the Road by Jack Kerouac

Handmaid’s Tale by Margaret Atwood

Childhood; Boyhood; Youth by Leo Tolstoy

Underground Railroad by Colson Whitehead

The World Without Us by Alan Weisman

Life of Pi by Yann Martel

The Sound and the Fury by William Faulkner

Run Rabbit by John Updike

House of Seven Gables by Nathaniel Hawthorne

Blood Meridian by Cormac McCarthy

The Jungle by Upton Sinclair

Life of Pi by Yann Martel

Tinker, Tailor, Soldier, Spy by John Le Carré

Master and Commander by Patrick O’Brien

The Master and Margarita by Mikhail Bulgakov

Midnight in the Garden of Good and Evil by John Berendt

A Confederacy of Dunces by John Kennedy Toole

The Coalwood Way by Homer Hickam

Hail and Farewell by George Moore

The American by Henry James

Victory by Joseph Conrad

Collected Poems by Robert Lowell

Collected Poems by W.H. Auden

Guerrillas by V.S. Naipaul

Madame Bovary by Gustave Flaubert

Sanctuary by William Faulkner

The Berlin Stories by Christopher Isherwood

The Collected Poems by Wallace Stevens

The Executioner's Song by Norman Mailer

The Good Soldier by Ford Madox Ford

The Short Stories of Guy de Maupassant by Guy de Maupassant

Watership Down by Richard Adams

The Ideological Origins of the American Revolution by Bernard Bailyn

Victory by Joseph Conrad

Grapes of Wrath by John Steinbeck

Life of Pi by Yann Martel

Cat's Eye by Margaret Atwood

The Enormous Room by E.E. Cummings

The Open Boat by Stephen Crane

The Best American Humorous Short Stories by Alexander Jessup

The Old Wives’ Tale by Arnold Bennett

The Red and the Black by Stendhal

The Revolt of the Angels by Anatole France

The Overstory by Richard Powers

Her Smoke Rose Up Forever by James Tiptree Jr.

Hyperion by Dan Simmons

Brothers Karamazov by Fyodor Dostoyevsky

Demon Copperhead by Barbara Kingsolver

Possession by A.S. Byatt

The Glass Bead Game by Hermann Hesse

De Facto Inclusions of Italo Calvino: The Baron in the Trees; The Nonexistent Knight; The Cloven Viscount by Italo Calvino

The Blue Hotel by Stephen Crane

Sister Carrie by Theodore Dreiser

Buddenbrooks by Thomas Mann

Of Human Bondage by Somerset Maugham

The Oxford Book of English Verse

Foucault's Pendulum by Umberto Eco

Battle Royale by Koushun Takami

The Oath by John Lescroart

Blind Assassin by Margaret Atwood

Midnight’s Children by Salman Rushdie

The Corrections by Jonathan Franzen

A Little Life by Hanya Yanagihara

The Brothers Karamazov by Fyodor Dostoyevsky

Swann’s Way by Marcel Proust

The Brothers Karamazov by Fyodor Dostoyevsky

Anna Karenina by Leo Tolstoy

John Keats and Percy Bysshe Shelley: Complete Poetical Works

Within a Budding Grove by Marcel Proust

Rainbow Six by Tom Clancy

The Power Broker: Robert Moses and the Fall of New York by Robert Caro

Jonathan Strange & Mr Norrell by Susanna Clarke

Way of Kings by Brandon Sanderson

War and Peace by Leo Tolstoy

[thekristinhersharchives]

Kristin Hersh. Rare article from Discorder magazine (November 1999 issue), written by Anthony Monday with a picture by Patrick Hemingway.

via @rsfpt on Twitter