#Angel urban music award 2017 winner
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"𝑰'𝒎, 𝒍𝒊𝒌𝒆, 𝒓𝒆𝒂𝒍𝒍𝒚 𝒄𝒖𝒕𝒆. 𝑰 𝒈𝒆𝒕 𝒕𝒐 𝒆𝒔𝒄𝒂𝒑𝒆 𝒕𝒉𝒊𝒔 𝒄𝒓𝒂𝒛𝒚 𝒘𝒐𝒓𝒍𝒅 𝒕𝒉𝒂𝒕 𝑰 𝒍𝒊𝒗𝒆 𝒊𝒏. 𝑰 𝒕𝒉𝒊𝒏𝒌 𝒕𝒉𝒂𝒕'𝒔 𝒕𝒉𝒆 𝒕𝒓𝒖𝒆 𝒃𝒆𝒂𝒖𝒕𝒚 𝒐𝒇 𝒓𝒖𝒏𝒏𝒊𝒏𝒈."
𝐁𝐫𝐞𝐭𝐦𝐚𝐧 𝐑𝐨𝐜𝐤 𝐒𝐚𝐜𝐚𝐲𝐚𝐧𝐚𝐧 𝐋𝐚𝐟𝐨𝐫𝐠𝐚 𝐀𝐊𝐀 𝐁𝐫𝐞𝐭𝐦𝐚𝐧 𝐑𝐨𝐜𝐤 𝐁𝐢𝐨𝐠𝐫𝐚𝐩𝐡𝐲
Bretman Rock was born on 31st July 1998 in the Sanchez-Mira, Cagayan, Philippines, in an Ilocano family. Rock moved to Hawaii at the age of seven and played sports while growing up including baseball, soccer, cross-country, and volleyball. At Campbell High School, Rock was on the track team.
Rock began his social media career in 2011 by joining Twitter and launching his YouTube account. However, he just began making YouTube videos in 2015. Talia Joy, a fellow YouTuber who suffered through cancer, inspired him. He decided to start making films and began applying full-face makeup. Rock was first chastised for his looks, but this just served to encourage him.
Rock's main objective is to urge his audience to accept their uniqueness. He also started sharing videos on the famous app Vine. These little, 6-second movies perfectly captured Rock's sense of humor and endearing nature. He makes make-up lesson videos on YouTube, such as "How to Do Your Eyebrows" and "How to Contour." Rock presently has over 6 million Instagram followers and over a million YouTube subscribers.
Time magazine named him one of the 30 Most Influential Teens of 2017. In 2018, he was also included to Forbes' "30 Under 30 Asia – Media, Marketing, & Advertising" list.
In June 2019, Rock graced the cover of Gay Times during Pride Month. Rock attended his first New York Fashion Week in September 2019, when he teamed with stylist Andrew Gelwicks.
Rock played the role of "The Playboy" in the ten-episode fourth season of the YouTube Premium web series Escape the Night, released in July 2019. In December 2019, MTV announced that Rock would be the star of the next season of the YouTube show, No Filter.
Rock's beauty line, created in conjunction with Wet n Wild Cosmetics, will be released in early 2020. To promote the line, he held a press tour in Los Angeles in February 2020 with businesses such as Buzzfeed, Condé Nast, Hearst, and others.
Rock featured as a guest star on the third episode of James Charles' YouTube Originals series "Instant Influencer" on May 9, 2020. Rock will unveil his eyewear collection, primarily sunglasses, in November 2020 in conjunction with Dime Optics, a Los Angeles-based firm. He released six frames, four of which were only available at Dime Optics and two of which were only available at Revolve.
On May 14, 2021, Rock appeared with other online personalities in Bella Poarch's music video for her first track, "Build a Bitch." Rock was nominated for an MTV Movie and TV Award in the Breakthrough Social Star category in June 2021. On the day of the event, he was named as the winner.
Rock makes a surprise appearance in the music video for Sub Urban and Bella Poarch's song "INFERNO" in August 2021.. He also took part in a live webcast promoting the video.
Rock became the first openly homosexual guy to appear on the cover of Playboy magazine in October 2021.
Bretman Rock really entertained me. She thought me on how to do my makeup, she always gives us the smile and entertainment with her family. Also, the MTV show also displayed her vulnerable side. She told us that being unique is what makes us human and we should always value ourselves.
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Black LGBTQ+ playwrights and musical-theater artists you need to know
These artists are producing amazing, timely work.
By Marcus Scott Posted: Friday July 24 2020, 4:56pm
Marcus Scott is a New York City–based playwright, musical writer, opera librettist and journalist. He has contributed to Elle, Essence, Out, American Theatre, Uptown, Trace, Madame Noire and Playbill, among other publications. Follow Marcus: Instagram, Twitter
We’re in the chrysalis of a new age of theatrical storytelling, and Black queer voices have been at the center of this transformation. Stepping out of the margins of society to push against the status quo, Black LGBTQ+ artists have been actively engaged in fighting anti-blackness, racial disparities, disenfranchisement, homophobia and transphobia.
The success of Jeremy O. Harris’s Slave Play, Donja R. Love’s one in two and Jordan E. Cooper’s Ain’t No Mo’—not to mention Michael R. Jackson’s tour de force, the Pulitzer Prize–winning metamusical A Strange Loop—made that phenomenon especially visible last season. But these artists are far from alone. Because the intersection of queerness and Blackness is complex—with various gender expressions, sexual identifiers and communities taking shape in different spaces—Black LGBTQ+ artists are anything but a monolith. George C. Wolfe, Tarell Alvin McCraney, Branden Jacobs-Jenkins, Robert O’Hara, Harrison David Rivers, Staceyann Chin, Colman Domingo, Tracey Scott Wilson, Tanya Barfield, Marcus Gardley and Daniel Alexander Jones are just some of the many Black queer writers who have already made marks.
With New York stages dark for the foreseeable future, we can’t know when we will be able to see live works by these artists again. It is likely, however, that they will continue to play major roles in the direction American theater will take in the post-quarantine era—along with many creators who are still flying mostly under the radar. Here are just a few of the Black queer artists you may not have encountered yet: vital new voices that are speaking to the Zeitgeist and turning up the volume.
Christina Anderson A protégé of Paula Vogel’s, Christina Anderson has presented work at the Public Theatre, Yale Repertory Theatre, Penumbra Theatre Company, Playwrights Horizons and other theaters around the U.S. and Canada. She has degrees from the Yale School of Drama and Brown University, and is a resident playwright at New Dramatists and Epic Theatre Ensemble; she has received the inaugural Harper Lee Award for Playwriting and three Susan Smith Blackburn Prize nominations, among other honors. Works include: How To Catch Creation (2019), Blacktop Sky (2013), Inked Baby (2009) Follow Christina: Website
Aziza Barnes Award-winning poet Aziza Barnes moved into playwriting with one of the great sex comedies of the 2010s: BLKS, which premiered at Chicago’s Steppenwolf Theatre Company in 2017 before it played at MCC Theatre in 2019 (where it earned a Lucille Lortel Award nomination). The NYU grad’s play about three twentysomethings probed the challenges and choices of Millennials with pathos and zest that hasn’t been seen since Kenneth Lonergan’s Gen X love/hate letter This Is Our Youth. Barnes is the author of the full-length collection of poems the blind pig and i be but i ain’t, which won a Pamet River Prize. Works include: BLKS (2017) Follow Aziza: Twitter
Troy Anthony Burton Fusing a mélange of quiet storm ‘90s-era Babyface R&B, ‘60s-style funk-soul and urban contemporary gospel, composer Troy Anthony has had a meteoric rise in musical theater in the past three years, receiving commissions and residencies from the Shed, Rattlestick Playwrights Theatre, Atlantic Theater Company and the Civilians. When Anthony is not crafting ditties of his own, he is an active performer who has participated in the Public Theater’s Public Works and Shakespeare In the Park. Works include: The River Is Me (2017), The Dark Girl Chronicles (in progress) Follow Troy: Instagram
Timothy DuWhite Addressing controversial issues such as HIV, state-sanctioned violence and structural anti-blackness, poet and performance artist Timothy DuWhite unnerves audiences with a hip-hop driven gonzo style. DuWhite’s raison d’être is to shock and enrage, and his provocative Neptune was, along with Donja R. Love’s one in two, one of the first plays by an openly black queer writer to address HIV openly and frankly. He has worked with the United Nations/UNICEF, the Apollo Theater, Dixon Place and La MaMa. Works include: Neptune (2018) Follow Timothy: Instagram
Jirèh Breon Holder Raised in Memphis and educated at Morehouse College, Jirèh Breon Holder solidified his voice at the Yale School of Drama under the direction of Sarah Ruhl. He has received the Laurents/Hatcher Foundation Award and the Edgerton Foundation New Play Award, among other honors. His play Too Heavy for Your Pocket premiered at Roundabout Underground and has since been produced in cities including Los Angeles, Chicago, Des Moines and Houston; his next play, ...What The End Will Be, is slated to debut at the Roundabout Theatre Company. Works include: Too Heavy for Your Pocket (2017), What The End Will Be (2020) Follow Jirèh: Twitter
C.A. Johnson Born in Louisiana, rising star C.A. Johnson writes with a southern hospitality and homespun charm that washes over audiences like a breath of fresh air. Making a debut at MCC Theater with her coming of age romcom All the Natalie Portmans, she drew praise for empathic take on a black queer teenage womanchild with Hollywood dreams. A core writer at the Playwrights Center, she has had fellowships with the Dramatists Guild Fellow, Page 73, the Lark and the Sundance Theatre Lab. Works include: All the Natalie Portmans (2020) Follow C.A.: Twitter
Johnny G. Lloyd A New York-based playwright and producer, Johnny G. Lloyd has seen his work produced and developed at the Tank, 59E59, the Corkscrew Festival, the Samuel French Off-Off Broadway Short Play Festival and more. A member of the 2019-2020 Liberation Theatre Company’s Writing Residency, this Columbia University graduate is also a producing director of InVersion Theatre. Works include: The Problem With Magic, Is (2020), Or, An Astronaut Play (2019), Patience (2018) Follow Johnny: Instagram
Patricia Ione Lloyd In her luminous 2018 breakthrough Eve’s Song at the Public Theater, Patricia Ione Lloyd offered a meditation on the violence against black women in America that is often overlooked onstage. With a style saturated in both humor and melancholy and a poetic lyricism that evokes Ntozake Shange’s, the former Tow Playwright in Residence has earned fellowships at New Georges, the Dramatist Guild, Playwrights Realm, New York Theater Workshop and Sundance. Works include: Eve’s Song (2018) Follow Patricia: Instagram
Maia Matsushita The half-Black, half-Japanese educator and playwright Maia Matsushita has sounded a silent alarm in downtown theater with an array of slow-burn, naturalistic coming-of-age dramas. She was a member of The Fire This Time’s 2017-18 New Works Lab and part of its inaugural Writers Group, and her work has been seen at Classical Theatre of Harlem’s Playwright Playground and the National Black Theatre’s Keeping Soul Alive Reading Series. Works include: House of Sticks (2019), White Mountains (2018) Follow Maia: Instagram
Daaimah Mubashshir When Daaimah Mubashshir’s kitchen-sink dramedy Room Enough (For Us All) debuted at the Rattlestick Playwrights Theatre in 2019, the prolific writer began a dialogue around the contemporary African-American Muslim experience and black queer expression that made her a significant storyteller to watch. She is a core writer at the Playwrights Center in Minneapolis as well as a member of Soho Rep’s Writer/Director Lab, Clubbed Thumb’s Early Career Writers Group, and a MacDowell Colony Fellow. Her short-play collection The Immeasurable Want of Light was published in 2018. Works include: Room Enough (For Us All) (2019) Follow Daaimah: Twitter
Jonathan Norton Hailing from Dallas, Texas, Jonathan Norton is a delightfully zany playwright who subverts notions of post-blackness by underlining America’s obscure historical atrocities with bloody red slashes. The stories he tells carry a profound horror, often viewed through the eyes of black children and young adults. Norton’s work has been produced or developed by companies including the Actors Theatre of Louisville (at the 44th Humana Festival), PlayPenn and InterAct Theatre Company. He is the Playwright in Residence at Dallas Theater Center. Works include: Mississippi Goddamn (2015), My Tidy List of Terrors (2013), penny candy (2019) Follow Jonathan: Website
AriDy Nox Cooking up piping hot gumbos of speculative fiction, transhumanism and radical womanist expression, AriDy Nox is a rising star with a larger-than-life vision. The Spelman alum earned an MFA from NYU TIsch’s Graduate Musical Theatre Writing Program and has been a staple of various theaters such as Town Stages. A member of the inaugural 2019 cohort of the Musical Theatre Factory Makers residency, they recently joined the Public Theater’s 2020-2022 Emerging Writers Group cohort. Works include: Metropolis (in progress), Project Tiresias (2018) Follow AriDy: Instagram
Akin Salawu Akin Salawu’s nonlinear, hyperkinetic work combines heart-pounding suspense chills with Tarantino-esque thrills while excavating Black trauma and Pan-African history in America. With over two decades of experience as a writer, director and editor, the prize-winning playwright is a two-time Tribeca All Access Winner and a member of both the Public Theater’s Emerging Writers Group and Ars Nova’s Uncharted Musical Theater residency. A graduate of Stanford, he is a founder of the Tank’s LIT Council, a theater development center for male-identifying persons of color. Works include: bless your filthy lil’ heart (2019), The Real Whisperer (2017), I Stand Corrected (2008) Follow Akin: Twitter
Sheldon Shaw A playwright, screenwriter and actor, Sheldon Shaw studied writing at the Labyrinth Theater Company and was part of Playwrights Intensive at the Kennedy Center. Shaw has since developed into a sort of renaissance man, operating as playwright, screenwriter and actor. His plays have been developed by Emerging Artist Theaters New Works Festival, Classical Theater of Harlem and the Rooted Theater Company. Shaw's Glen was the winner of the Black Screenplays Matter competition and a finalist in the New York Screenplay Contest. Works include: Jailbait (2018), Clair (2017), Baby Starbucks (2015) Follow Johnny: Twitter
Nia O. Witherspoon Multidisciplinary artist Nia Ostrow Witherspoon’s metaphysical explorations of black liberation and desire have made her an in-demand presence in theater circles. The recipient of multiple honors—include New York Theatre Workshop’s 2050 Fellowship, a Wurlitzer Foundation residency and the Lambda Literary’s Emerging Playwriting Fellowship—she is currently developing The Dark Girl Chronicles, a play cycle that, in her words, “explores the criminalization of black cis and trans women via African diaspora sacred stories.” Works include: The Dark Girl Chronicles (in progress) Follow Nia: Instagram
Brandon Webster A Brooklyn-based musical theatre writer and dramaturg, Brandon Webster has been a familiar figure in the NYC theater scene, both onstage and behind the scenes. With an aesthetic that fuses Afrofuturist and Afrosurrealist storytelling, with a focus on Black liberation past and present, the composer’s work fuses psychedelic soul flourishes with alt-R&B nuances to create a sonic smorgasbord of seething rage and remorse. He is an alumnus of the 2013 class of BMI Musical Theater Workshop and a 2017 MCC Theater Artistic Fellow. Works include: Metropolis (in progress), Headlines (2017), Boogie Nights (2015) Follow Brandon: Instagram
#Black#Black LGBTQ#LGBTQ#Playwrights#Musical Theatre#Musical Theater#Writers#TimeOut#timeoutnewyork#Marcus Scott#MarcusScott#Write Marcus#WriteMarcus#Theater
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The Urban Music Awards 2017 Winners
@urbanmusicaward Winners 2017 list
On Thursday 30th November, the 15th annual Urban Music Awards were held in London. Winners were as follows: Best Newcomer: Not3s Artist of the Year (France) MHD Artist of the Year (Africa) Jupitar Artist of the Year (USA) Chris Brown Artist of the Year (Asia) Mumzy Stranger Artist of the Year (South America) C-Kan Best Music Video Lady Leshurr – ‘Juice’ Artist of the Year (Caribbean) Damien…
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[Music] Superheroes - Tamela Mann & Yolanda Adams
GRAMMY Award-winning Gospel songstress Tamela Mann announced the release of a stunning new single, “Superheroes Prayer,” from the forthcoming deluxe edition of her acclaimed Tillymann Music Group album, Overcomer. The angelic ballad, gracefully performed alongside fellow vocal powerhouse Yolanda Adams, was written and produced by GRAMMY Award-winning artist Kirk Franklin and available to stream now here. “So often we search for something, someone, to help us and give us hope, not realizing what we’re searching for has always been right there,” said Tamela Mann. “God is our help and hope, and He’s always available to us. He is the ultimate Superhero.”
“Superheroes Prayer” is the latest offering from Tamela’s forthcoming album Overcomer: Deluxe Edition. Tamela recently made history as the first gospel artist to chart nine No. 1 singles on Billboard’s Gospel Airplay chart, with previous single “He Did It For Me” taking the top spot. Heralded as some of the superstar’s best work, the deluxe edition of the album builds upon the original version’s themes of resilience, strength, purpose and the beauty of faith, with an offering of both all new tracks and intimate live renditions of fan favorites from Overcomer. Overcomer: Deluxe Edition will be distributed by The Orchard, and available as a digital release across all major music streaming platforms on July 22, 2022. The album is available now for preorder here. https://youtu.be/LForEtUFKDI Overcomer: Deluxe Edition is the latest accomplishment in Tamela’s storied career. Tamela is a Grammy Award Winner, BET Award winner, Billboard Music Award Winner, NAACP Image Award Winner, Gospel Music Stellar Award Winner, actress, songwriter, producer, and businesswoman. Her Billboard No. 1 album Best Days includes the No. 1 Platinum single “Take Me to The King” and received Billboard’s “Album of the Decade” for 2010-2019, in the Gospel category. Tamela’s Billboard No. 1 album, One Way, garnered two No. 1 singles, including “Change Me” and “God Provides,” which earned the singer her first Grammy Award in 2017. In 2018, Tamela and her husband, NAACP Image Award winning actor David Mann, released their first book and joint album, Us Against the World. The book won an NAACP Image Award for Outstanding Literary Work and the album continues to garner top-charting singles including the Urban AC track, “Ups & Downs.” Tamela and David together helm Tillymann Entertainment. They starred in the NAACP Image Award-winning docu-series “The Manns,” the hit comedy “Mann & Wife,” and are currently starring in “Tyler Perry’s Assisted Living” and “Mann Family Dinner” on their MANNTV YouTube channel. Tamela’s athleisure apparel and shapewear line, the Tamela Mann Collection, is available at TamelaMann.com and in select retail stores. Read the full article
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May 1
..looks like you are drowning..
part one
looks like you are drowning & hope i am wrong. i can see the struggle the turn about in water.
i have done that too pat says that i have paid the price but i wonder
i hope you survive come clean bare your feathers.
fly high
if not i will lay a petal and think of you
as i think of the others that drowned before you that had no feathers
part two,
it looks like you are drowning again shall I jump in to save you and maybe sink myself or shall I wait to see to lay a flower at our feet
part three
maybe you are not drowning really that I made it up and you are dancing like the others
while people die and we lay flowers in memoriam corona
part four
you are floating maybe; I did that for hours went spongy, now face reality and I still think that you are drowning like the others.
-sonja benskin mesher
concrete reasoning
gray day: i am out for a walk when a sidewalk camellia begs myriad questions:
runaway bride?
garden club mishap? rejected proposal? hothouse runaway? centerpiece rebel?
confronted by the unexplained, the human drive to make order from chaos is relentless.
whatever the story, the end is the same: beauty appears and we can only wonder …
with a schedule to keep and no answers at hand i press onward, feeling the inner bloom of nascent gratitude.
-Rich Follett
MF 1
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Every time I find clay in the garden, beneath a rosebush, say, I find slate too. This is just something I have noticed over the course of a year. It is not necessary to mention these things, especially now, I suppose. I am not happy unless I’m pouring something – tomato feed. I am Philip Levine’s Burial Rights, I recall Bei Dao. These days, I feel the trick to a good carpark, to feel anything, is my proximity to this flower arrangement.
JK 1
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A story of three fish might be fish bones in a field for birds. Koi feeding, koi feed in a garden centre, at the next junction. Fish bent back over backwards, in blue paint. Scattered to the water’s edge a handful of dirt, to a handful of colour, blue scales at the centre of the field, a water mark, a stone left unturned.
-Alex Mazey
The Life of Petals
We use flowers to mark occasions– Weddings and funerals. The petals linger only briefly, But the sentiment still hangs Heavy in the air, years after Like pollen That settled over and over again On our patio table and chairs, All those long Midwestern summers When heat robbed our lungs of breath. And Wildflowers, not cut-storebought ones, marked a different time, Of an everyday type. Now, cut flowers feel gluttonous to me. And petals bless us with The gentleness of how life ought to be.
https://thewombwellrainbow.files.wordpress.com/2020/05/petals.m4a
-st
Utopia Burning
Warnings ignored from many a social self appointed warlord Echoes of dissident discord striking a high-pitched off key note As hungry flames lick and lash causing an apocalyptic molten urban and suburban foretold mess Whispered by familiar oracles their verbal miracles documenting their fiery cautionary chronicles Of systems slowly imploding temperaments exploding fake veneers and smiles exfoliating as ignorant masses squawk for a helping hand from those witnessing their demise and burning squirming shedding acid tears for Utopia burning…
https://thewombwellrainbow.files.wordpress.com/2020/04/utopia-burning-mp3.mp3
© Don Beukes
Still Silent
No sound, water jelly flat, so still it hurts my ears. Even sun slides silently into autumn’s metal light.
All jamboree, clang and din now far away in time. Even breath is offensive here, in case of ripple and slapping rocks.
I cannot read or turn a page lest a mumble or paper scrape, escape and shatter the loch. Like a breaking glass to a rousing cheer, as all that knowledge gets out.
So I stare at reflections in late day waters reliable quiet, but maybe their heat is not that hot.
https://thewombwellrainbow.files.wordpress.com/2020/04/still-silent.m4a
©️ Dai Fry 30th April 2020.
The sweet flower’s heart Wilting on the cold, hard slab My love’s final gift
-Carrie Ann Golden
Camellia
You lay beautiful and gasping alone on Tithonian stone. A sudden fall from grace, petal broken angel: forage for sweeper winds.
Transient as summer days. Temperate these forevers soon fade to winter grey. Dog-day memories cannot abide short-day cold.
What are you, I wonder? A love certified in Bacchus’s dance or a loved one certified and boxed in tears and brown ale.
https://thewombwellrainbow.files.wordpress.com/2020/04/camellia.m4a
©️ Dai Fry 30th March 2020.
The giant fish takes back the myth
The morning before she was to become a story the sea was baited quiet, the kind that silks
all desire down to swish. To decide to leap from one cool world to another just for breakfast
is to bare your colours to the scaling knife of the wind, and she did – her fireback beacon launched
for the brief protein of flying legs. How often we fail to see that dark hull waiting, we beasts so full up
with the rush of living for our risks. And the shape of the poised hero held no meaning, to a fish
but oh the shimmerhook, like all the moons her eye’s nightcoin had ever purchased
from deep beneath the water, and there is the lust, the swish- -and want. The glowworm crescent to silver her belly.
We all want to shine in fullness. Only heroes are given names in these stories.
For her need she was translated into an island, and I am running the delicate gasp of her jaws
in the shape of this coast, forever straining for the hook and still called only fish
even with all we have made of her. Every time I desire to transcend my quiet water, I forget the heroes
and leap from her skin, and hope that landing empty
but with one eye fixed on the moon every night after this will be enough.
-Ankh Spice
Beheaded Camelia’s
delicate red petals last longer on the less travelled path. Flash of disappearing red lace, paper thin survival. Unbroken in bright sunlight, bright on grey stone. Destruction stays at home to avoid destruction.
The red wing is allowed space to revolve reflect in water. “Temporary” like the word “soon”, a duration undecided.
-Paul Brookes
Bios and Links
-Alex Mazey
(b.1991) received his MA (distinction) from Keele University in 2017. He later won The Roy Fisher Prize for Poetry with his debut pamphlet, ‘Bread and Salt’ (Flarestack, TBA). He was also the recipient of a Creative Future Writers’ Award in 2019. His poetry has featured regularly in anthologies and literary press magazines, most notably in The London Magazine. His collection of essays, ‘Living in Disneyland’, will be available from Broken Sleep Books in October 2020. Alex spent 2018 as a resident of The People’s Republic of China, where he taught the English Language in a school run by the Ministry of Education. His writing has been described as ‘wry and knowing,’ with ‘an edge that tears rather than cuts or deals blows.’
Twitter: @AlexzanderMazey
Instagram: alexmazey
Here is my interview of Alex:
https://thewombwellrainbow.com/2018/12/18/wombwell-rainbow-interviews-alex-mazey/
-Rich Follett
is a High School English and Creative Writing teacher who has been writing poems and songs for more than forty years. His poems have been featured in numerous online and print journals, including BlazeVox, The Montucky Review, Paraphilia, Leaf Garden Press and the late Felino Soriano’s CounterExample Poetics, for which he was a featured artist. Three volumes of poetry, Responsorials (with Constance Stadler), Silence, Inhabited, and Human &c. are available through NeoPoiesis Press (www.neopoiesispress.com.)
As a singer-songwriter, Rich has released five albums of independent contemporary folk music. His latest. Somewhere in the Stars, is available at http://www.richfollett.com. He lives with his wife Mary Ruth Alred Follett in the Shenandoah Valley of Virginia, where he also pursues his interests as a professional actor, playwright, and director.
-Ankh Spice
is a sea-obsessed poet from Aotearoa (NZ). His poetry has appeared in a wide range of international publications and has twice been nominated for the Pushcart Prize. He truly believes that words have the power to change the place we’re in, and you’ll find him doing his best to prove it on
Twitter: @SeaGoatScreams or on Facebook: @AnkhSpiceSeaGoatScreamsPoetry
-Carrie Ann Golden
is a deafblind writer from the mystical Adirondack Mountains now living on a farmstead in northeastern North Dakota. She writes dark fiction and poetry. Her work has been published in places like Piker Press, Edify Fiction, Doll Hospital Journal, The Hungry Chimera, GFT Press, Asylum Ink, and Visual Verse.
-Anjum Wasir Dar
Born in Srinagar (Indian occupied Kashmir) in 1949. My family opted for and migrated to Pakistan after the (1947)Partition of India. Educated in St Anne’s Presentation Convent Rawalpindi.Graduated with Distinction in English Lang. & Literature in 1968 from the Punjab University. Won the All Round Best Student Cup.1968. Obtained a Masters Degree in English Literature/American Studies Punjab University P.G. Diploma in TEFL from Allama Iqbal Open University Islamabad and a CPE from Cambridge University UK (LSE British Council)1991 Developing Educators in Pakistan Training Course sponsored by IFC & Bradford University 1999.Bronze Medal Poet of Merit Award by International Society of Poets & http://Poetry.com USA 2000 7 Times Winner NANOWRIMO, (National Novel Writing Month) Adventure Novel ‘ The Adventures of the Multi Colored Lead People’ in the printing process. Educator Writer since 1990 Editor College Magazine Creative Writer English at Channel 7 Pvt Ltd Islamabad.National Education Award Winner 1998 for Research & Publications.
-sonja benskin mesher
born , Bournemouth.
now
lives and works in North Wales as an independent artist
‘i am a multidisciplinary artist, crafting paint, charcoal, words and whatever comes to hand, to explain ideas and issues
words have not come easily. I draw on experience, remember and write. speak of a small life’.
Elected as a member of the Royal Cambrian Academy and the United Artists Society The work has been in solo exhibitions through Wales and England, and in selected and solo worldwide. Much of the work is now in both private, and public collections, and has been featured in several television documentaries, radio programmes and magazines.
Here is my interview of sonja benskin mesher:
https://thewombwellrainbow.com/2018/10/16/wombwell-rainbow-interviews-sonja-benskin-mesher/
-Samantha Terrell
is an American poet whose work emphasizes emotional integrity and social justice. She is the author of several eBooks including, Learning from Pompeii, Coffee for Neanderthals, Disgracing Lady Justice and others, available on smashwords.com and its affiliates.Chapbook: Ebola (West Chester University Poetry Center, 2014)
Website: poetrybysamantha.weebly.com Twitter: @honestypoetry
Here is my 2020 interview of her:
https://thewombwellrainbow.com/2020/04/08/wombwell-rainbow-interviews-samantha-terrell/
-Don Beukes
is a South African and British writer. He is the author of ‘The Salamander Chronicles’ (CTU) and ‘Icarus Rising-Volume 1’ (ABP), an ekphrastic collection. He taught English and Geography in both South Africa and the UK. His poetry has been anthologized in numerous collections and translated into Afrikaans, Persian, French and Albanian. He was nominated by Roxana Nastase, editor of Scarlet Leaf Review for the ‘Best of the Net’ in 2017 as well as the Pushcart Poetry Prize (USA) in 2016. He was published in his first SA Anthology ‘In Pursuit of Poetic Perfection’ in 2018 (Libbo Publishers) and his second ‘Cape Sounds’ in 2019 (Gavin Joachims Publishing). He is also an amateur photographer and his debut Photographic publication appeared in Spirit Fire Review in June 2019. His new book, ‘Sic Transit Gloria Mundi’/Thus Passes the Glory of this World’ is due to be published by Concrete Mist Press.
Here is my interview of Don Beukes:
https://thewombwellrainbow.com/2019/11/02/wombwell-rainbow-interviews-don-beukes/
-Dai-Fry
is an x social worker and a present poet. Image is all but flow is good too. So many interesting things… Published in Black bough Poetry, Re-Side, The Hellebore, The Pangolin Review. He will not stop.
Twitter @thnargg
Web. seekingthedarklight.co.uk
Audio/Visual. @IntPoetryCircle #InternationalPoetryCircle Twitter #TopTweetTuesday
-Paul Brookes
is a shop asst. Lives in a cat house full of teddy bears. His chapbooks include The Fabulous Invention Of Barnsley, (Dearne Community Arts, 1993). The Headpoke and Firewedding (Alien Buddha Press, 2017), A World Where and She Needs That Edge (Nixes Mate Press, 2017, 2018) The Spermbot Blues (OpPRESS, 2017), Port Of Souls (Alien Buddha Press, 2018), Please Take Change (Cyberwit.net, 2018), Stubborn Sod, with Marcel Herms (artist) (Alien Buddha Press, 2019), As Folk Over Yonder ( Afterworld Books, 2019). Forthcoming Khoshhali with Hiva Moazed (artist), Our Ghost’s Holiday (Final book of threesome “A Pagan’s Year”) . He is a contributing writer of Literati Magazine and Editor of Wombwell Rainbow Interviews.
-Mary Frances
is an artist and writer based in the UK. She takes a few photos every day, for inspiration and to use in her work. The images for this project were all taken in the last two years on walks during in the month of May. Her words and images have been published by Penteract Press, Metambesen, Ice Floe Press, Burning House Press, Inside the Outside, Luvina Rivista Literaria, and Lone Women in Flashes of Wilderness. Twitter: @maryfrancesness
-James Knight
is an experimental poet and digital artist. His books include Void Voices (Hesterglock Press) and Self Portrait by Night (Sampson Low). His visual poems have been published in several places, including the Penteract Press anthology Reflections and Temporary Spaces (Pamenar Press). Chimera, a book of visual poems, is due from Penteract Press in July 2020.
Website: thebirdking.com.
Twitter: @badbadpoet
Here is my interview of James Knight:
https://thewombwellrainbow.com/2019/01/06/wombwell-rainbow-interviews-james-knight/
Welcome to a special ekphrastic challenge for May. Artworks from Mary Frances, James Knight and Sue Harpham will be the inspiration for writers, Alex Mazey, Ankh Spice, Anjum Wasim Dar, James Knight, Samantha Terrell, Dai Fry, Carrie Ann Golden, sonja menskin mesher, Rich Follett, Don Beukes and myself. May 1st. May 1 ..looks like you are drowning.. part one looks like you are drowning & hope i am wrong.
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Party New Year’s Eve Weekend with Marica Hase at Hustler Club in Detroit
(Hollywood, CA) Exotic, petite Japanese adult star Marica Hase is ending 2017 and starting 2018 with a feature gig at Larry Flynt’s Hustler Club in Detroit, Michigan located in Lincoln Park. And, it’s going to be an Asian Invasion, because Cindy Starfall will be joining her.
Friday, December 29th, Saturday, December 30th, and Sunday, December 31st, Marica and Cindy will be headlining with multiple nightly shows from both ladies. Fans can party all weekend long with Marica and Cindy right up through New Year’s Eve. On NYE, there will be a midnight toast and a free breakfast buffet. Three nights of an Asian Invasion is definitely something to celebrate!
In between her sets, Marica will have meet and greets. Fans can meet the Penthouse Pet, take a selfie with her, and purchase Marica’s exclusive merchandise and/or VIP lap dances.
“I love headlining with Cindy and am excited because the whole weekend will be a party,” says Marica Hase. “The club will be packed, so make sure to get their early for the best seats or RSVP for reserved seating. Spending New Year’s Eve feature dancing is going to be incredible. Make sure to come if you’re in the Detroit area!”
Larry Flynt’s Hustler Club is located at 980 John A. Papalas Drive in Lincoln Park. For more info about the venue visit their site at http://hustlerclubs.com/club-locations/larry-flynts-hustler-club-detroit/ or call 313.388.8400. They are open until 2am nightly and feature topless entertainment, full-service bar, happy hour, and VIP packages for patrons 21+.
Get Marica on your set by contacting Mark Spiegler at [email protected] or 818.326.5403. Book her for feature dancing through A-List http://alistfeatures.com/ and Centerfolds Strips http://www.centerfoldstrips.com.
To interview Marica Hase for your site, publication, or show, contact Erika Icon of The Rub PR at [email protected].
About MARICA HASE
Exotic, petite Tokyo-born porn star Marica Hase holds the distinction of being the only native Japanese girl in the American adult industry and the first to become a Penthouse Pet in January 2013. Her career flourished in Toyko as an erotic gravure idol, TV and radio show host and guest, J-Pop music sensation, mainstream movie actress, award winner, and published nude model, and in 2012, she left for the States to further her career.
Marica has flourished in the U.S. working for all the top-shelf studios including Digital Playground, Penthouse, Evil Angel, Brazzers, Twistys, Wicked, Adam & Eve, Naughty America, Elegant Angel, Jules Jordan Video, Reality Kings, Kink.com and Blacked. She has also garnered multiple nominations from XBIZ and AVN Awards for Best Foreign Female Performer and Performer of the Year, her scene work, as well as Best Female Performer from the Urban X Awards. Marica has won awards in Europe and Asia including nabbing DDF’s Runner Up for Best BDSM Performer. She’s graced the pages and covers of Penthouse, Hustler, Cheri, Taboo and Penthouse Letters magazines.
Keep up with everything in Marica Hase’s world by joining her PUBA website http://maricahasevip.com, becoming a member of her Only Fans https://onlyfans.com/marica_1029 and text or call her on Chatstar at http://chatstar.com/Marica_Hase. Follow her social media on Twitter at @marica_1029, Instagram @maricahase, Snapchat maricahase, and Facebook fan page https://www.facebook.com/marica.hase.
#Marica Hase#Penthouse#Penthouse Pet#NYE#feature#Lincoln Park Hustler Detroit#Cindy Starfall#Asian Invasion#Meet and Greet
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2018 NAACP IMAGE AWARD NOMINEES ANNOUNCED
LOS ANGELES, CA (November 20, 2017) – The nominees for the 49th NAACP Image Awards were announced today with Netflix and OWN leading the nominations in the television categories with 23 nominations and 17 nominations, respectively. In the recording category, RCA Records leads with 12 nominations, followed by Capitol Records with 6 nominations and Atlantic Records and Columbia Records both with 3 nominations. Universal Pictures leads with 10 nominations, followed by Annapurna and Open Road Films, both received 5 nominations in the motion picture categories. The Two-Hour LIVE TV special will air on TV One on Monday, January 15, 2018, the Dr. Martin Luther King, Jr. Holiday with a One-Hour Live Red Carpet Pre-Show.
“The NAACP is thrilled for another great collaboration with TV One to create a momentous evening of entertainment culminating a day of volunteer service, citizen action, and celebration on the national holiday honoring the birthday of Dr. Martin Luther King, Jr., as well as recognizing this year’s nominees for their hard work, perseverance and achievements in our community,” stated Leon W. Russell, Chairman of the NAACP National Board of Directors. “As the nation commemorates the 50th anniversary of Dr. King’s assassination on April 4, 1968, we are reminded of the ageless principles of non-violence, truth and justice, humility, and service that he taught all Americans.”
“The NAACP Image Awards is the ultimate platform for artists and individuals of color who advocate for social justice to share their voices with millions, and to be recognized and celebrated,” stated Derrick Johnson, President and CEO, NAACP. “At a moment where there seems to be one tragic event after another in America, the NAACP Image Awards continues to be a beacon of light to the diversity reflected in television, music, film and literature that brings everyone together.”
The 49th NAACP Image Awards production team will be returning including Executive Producers Reginald Hudlin and Phil Gurin, Tony McCuin as Director, Byron Phillips as Producer, and Robin Reinhardt as Talent Producer.
The NAACP Image Awards is the preeminent multicultural awards show celebrating the accomplishments of people of color in the fields of television, music, literature and film, and also honors individuals or groups who promote social justice through creative endeavors. Winners will be announced during the two-hour star-studded event hosted by Anthony Anderson, which will be broadcast LIVE on TV ONE on Monday, January 15, 2018 at 9pm/8c, the federal holiday honoring the birthday of Dr. Martin Luther King, Jr. A one-hour pre-show will air live from the red carpet at 8pm/7c.
NAACP members vote on the NAACP Image Awards winners from nominees in television, music, literature, and film. To become a member of the leading civil rights organization in the nation and immediately cast your vote go to www.naacp.org.
For all information and the latest news, please visit the official NAACP Image Awards website at: http://www.naacpimageawards.net.
FB: /naacpimageaward | Twitter: @naacpimageaward (#ImageAwards)
# # #
About NAACP:
Founded in 1909, the NAACP is the nation’s oldest and largest nonpartisan civil rights organization. Its members throughout the United States and the world are the premier advocates for civil rights in their communities. Read more about the NAACP’s work and our six “Game Changer” issue areas at NAACP.org.
About TV One:
Launched in January 2004, TV One serves 59 million households, offering a broad range of real-life and entertainment-focused original programming, classic series, movies and music designed to entertain and inform a diverse audience of adult black viewers. The network represents the best in black culture and entertainment with fan favorite shows Unsung, Rickey Smiley For Real, Fatal Attraction, The Manns and The NAACP Image Awards. In addition, TV One is the cable home of blockbuster drama Empire, and NewsOne Now, the only live daily news program dedicated to black viewers. In December 2008, the company launched TV One High Def, which now serves 14 million households. TV One is solely owned by Urban One, Inc., formerly known as Radio One, Inc. [NASDAQ: UONE and UONEK, www.urban1.com], the largest African-American owned multi-media company primarily targeting Black and urban audiences.
For more information about TV One, viewers can join the conversation by visiting the network’s companion website at www.tvone.tv<http://www.tvone.tv>>. TV One viewers can also join the conversation by connecting via social media on Twitter<https://twitter.com/TVONETV>, Instagram<https://www.instagram.com/tvonetv/> and Facebook<https://www.facebook.com/tvonetv>.
#TV#cbs television#TV One#NAACP Image Awards#2018 NAACP Image Awards#2018 NAACP Image Awards Date#NAACP Image Award Nominees#Naomi Richard#Naomi Jean Richard#NaomiJRichard#RCV#Red Carpet View#The Lippin Group#OWN#Oprah#Viola Davis#david oyelowo#taraji p. henson#Najee#Jay Z#Kendrick Lamar#Bruno Mars#Black-ish#nbc#Jimmy Kimmel#Dear White People#Andra Day#Marvin Sapp#bishop marvin sapp#CeCe Winans
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P&P at Busboys and Poets: the Summer Ahead
P&P is looking forward to hosting plenty of exciting (and free) author events at Busboys and Poets locations this summer! Check out what’s on the way:
Twitter and Tear Gas by Zeynep Tufecki (@zeynep) Direct Action by L.A. Kauffman (@LAKauffman) Tuesday June 6, 2017 at 6:30 p.m. Busboys and Poets 14th & V
Zeynep Tufekci, a New York Times contributor and a faculty member at Harvard’s Berkman Center and the University of North Carolina’s School of Information and Library Science, looks in detail at the role of technology in three recent uprisings: the Zapatistas in Mexico in 1994, Egypt's Tahrir Square in 2011, and the Occupy movements in the U.S.
Kauffman is a long-time organizer, strategist, and journalist. She’s been at work on this detailed and insightful history of protest for twenty-five of the thirty-plus years she’s been involved in organizing. The book starts with the myriad socio-political movements of the 1960s and traces activism through ACT UP to Occupy & Black Lives Matter. Tufecki and Kauffman will be in conversation. Tufecki’s Twitter account, linked above, is very active, and often links out to other must-read pieces. Check out this essay Kauffman wrote earlier this year as a teaser of her experience as an activist.
The Reminders by Val Emmich (@ValEmmich) Wednesday, June 7 at 6:30 p.m. Busboys and Poets 14th & V
Emmich’s bittersweet first novel focuses on Gavin Winters, who has just lost his partner. After burning all the mementos and relics of his relationship with Sydney, he tries another way to relieve his pain: he moves from Los Angeles to New Jersey and asks his friend’s daughter Joan to use her preternatural memory to help him. If she can bring back Sydney by recalling his visits over the years, Gavin will use his musical talents to help her win a songwriting contest. But he hadn’t bargained on some of the surprises lingering in her uncanny memory, and Gavin soon has different kinds of loss to grapple with.
Emmich is also a singer-songwriter and actor, and his presentation will include an acoustic performance. If you want a preview, Emmich put out a series of YouTube videos talking about his process for the book. For more info about the event, click here.
Loving by Sheryll Cashin (@SheryllCashin) Monday, June 12 at 6:30 p.m. Busboys and Poets 14th & V
Cashin’s study of racism in America uses the 1967 Loving v. Virginia decision as a fulcrum for her investigation of the history of the idea of whiteness and her vision of a future that’s not merely color blind, but truly diverse and celebrated as such. A professor of law at Georgetown, frequent media commentator on law and race relations, and author of books including Place, Not Race, Cashin observes that approval for interracial marriage was just 4% in 1967, while today some 87% approve. Combined with rising rates of cross-racial adoption and immigration, interracial romance heralds the social revolution of a new “culturally dexterous” population.
Cashin will be in conversation with WAMU Editorial Director Alicia Montgomery as part of the WAMU Books series. Earlier this year, Cashin made an appearance on C-SPAN assessing Obama’s legacy on race relations. For more information about the event, click here.
The Least Among Us by Rosa L. DeLauro (@rosadelauro) Tuesday June 13 at 6:30 p.m. Busboys and Poets 14th & V
DeLauro has represented Connecticut’s Third District in Congress since 1991, and is known for her impassioned advocacy of the social safety net. The ranking member on the Labor, Health, Human Services, and Education Appropriations Subcommittee, DeLauro grew up with the Roman Catholic values of hard work and compassion. Acting on her parents’ model, DeLauro has used her office to fight for programs including food stamps, housing assistance, worker protection, and more. Her book recounts both her legislative battles, including the challenge of coming into office in the wake of the Gingrich Revolution, as well as the stories of people whose lives have been changed by progressive social policies.
Before attending the event, discover more about the Congresswoman’s platform and the actions she takes on a day-to-day basis by perusing her official website. For more info about the event, click here.
The Ends of the World by Peter Brannen (@PeterBrannen1) Wednesday June 14 at 6:30 p.m. Busboys and Poets 14th & V
As the world enters the Anthropocene, there’s a lot of talk about the sixth extinction. But what about the previous five? Brannen, an award-winning science journalist and former journalism fellow at Woods Hole, broadens our views of both climate and climate change with this vivid tour of the pivotal events of the Cambrian, Ordovician, Silurian, and other eras. Using fossils and myriad geological records, he shows us the globe as we’ve never seen it before, tracing the scars of asteroids, glaciers, fire, and other literally Earth-shaking calamities. By piecing together what happened in deep time, Brannen shows us what to expect in the near future.
Brannen will be in conversation with Ed Yong, author of I Contain Multitudes. Late last year, Brannen wrote a great essay about whales’ strange evolutionary journey. For more info on the event, click here.
In Search of the Lost Chord by Danny Goldberg Monday, June 19, 2017 at 6:30 p.m. Busboys and Poets 14th & V
In his magical mystery tour of a book, Goldberg, president of Gold Village Entertainment, and former head of Atlantic Records, looks back over 1967, a year that included the release of the Beatles’ Sgt. Pepper’s Lonely Hearts Club Band, and debut albums from the Doors, the Grateful Dead, Jimi Hendrix, and Janis Joplin. Then there was the Summer of Love, LSD, Muhammad Ali’s draft-dodging conviction, Stokely Carmichael and Black Power, the murder of Che Guevara, and much more. Goldberg gives us 1967 as he experienced it and draws on interviews with some of its stars, including Allen Ginsberg, Timothy Leary, Ram Dass, Tom Hayden, and Gil Scott-Heron, showing the year’s lasting cultural and political significance.
Goldberg will be in conversation with Sidney Blumenthal, author of A Self-Made Man and Wrestling with His Angel. At his personal website, Goldberg has a personal blog for those curious to know more about him. For more info about the event, click here.
Radicals Chasing Utopia by Jamie Bartlett (@JamieJBartlett) Tuesday, June 20 at 6:30 p.m. Busboys and Poets 14th & V
The number of radical groups worldwide has surged in recent years, and ranges from ISIS to followers of Bernie Sanders to the citizens of Liberland, the world's first libertarian nation. However extreme some of these subcultures are, Bartlett, author of The Dark Net and one of today’s leading thinkers on radical politics, argues that all must be taken seriously. Each makes an important contribution to social change, whether by being symptomatic of society’s deeper malaise or by offering a viable vision for the future. Bartlett, Director of the Centre for the Analysis of Social Media at Demos and a technology columnist for the Telegraph, reports in detail on a variety of underground and radical sub-cultures, exploring their members’ motivations, goals, and overall critique of the status quo.
Bartlett's talks page on his personal website has links to many of his appearances in the last several years. For more info about the event, click here.
Life’s Work by Dr. Willie Parker (@DrWillieParker) Wednesday, June 21 at 6:30 p.m. Busboys and Poets 5th & K
As access to legal abortion becomes more restricted and organizations providing the service face cuts in federal funding, the fate of Roe v. Wade is in peril. To understand what the Trump era means for reproductive rights, join us for a discussion of the issues with a panel of distinguished writers and public figures headed by Dr. Willie Parker, winner of the 2015 Planned Parenthood Margaret Sanger Award, and whose Pink House is the last remaining abortion clinic in Mississippi. Parker will be in conversation with Ilyse Hogue, President of NARAL Pro-Choice America and Reverend Dr. Christine Wiley and Reverend Dr. Dennis Wiley, co-pastors of the Covenant Baptist United Church of Christ.
The discussion will be moderated by Jamila Taylor, a senior fellow at American Progress who specializes in domestic and international women’s health, reproductive rights, and reproductive justice. Dr. Parker was also at Politics and Prose’s Connecticut Ave. store in April. Here’s video of that event, in conversation with Katha Pollitt. For more information about the event, click here.
A Surprised Queenhood in the New Black Sun by Angela Jackson Sunday, June 25 at 6:30 p.m. Busboys and Poets 14th & V
Gwendolyn Brooks (1917-2000) was the first African American to be awarded the Pulitzer Prize, winning it in 1950 for her collection, Annie Allen. Mentored by writers including Langston Hughes and Richard Wright, Brooks chronicled the realities of urban black life in works of both lyrical power and narrative urgency. She became a leader of the Black Arts Movement in the 1960s and ‘70s, was appointed the Illinois Poet Laureate in 1968, and served as the Consultant in Poetry to the Library of congress—forerunner of today’s U.S. Poet Laureate—in 1985-‘86. In her warm and deeply researched biography, Jackson, an award-winning novelist, poet, and playwright, celebrates a poet whose work is as fresh and inspiring today as when it was first published.
Here’s a video of Jackson reading her poetry aloud in a collaboration with the Museum of Contemporary Art in San Diego.
Beyond June, P&P is hosting three further author events at Busboys and Poets through July and August. Basic details are below, check back on this post soon or visit our online events calendar for more information!
Chester B. Himes: A Biography by Lawrence P. Jackson Tuesday, July 11, 2017 at 6:30 p.m. Busboys and Poets 14th & V
Chokehold: Policing Black Men by Paul Butler, in conversation with Kojo Nnamdi as a WAMU Books event Wednesday, July 12, 2017 at 6:30 p.m. Busboys and Poets 14th & V
Hurston Wright Foundation Summer Workshop Reading featuring Kyle Dargan, Tiphanie Yanique, and Sheri Booker Tuesday, August 8, 2017 at 6:30 p.m. Busboys and Poets Takoma
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The 15 Craziest Cars and Futuristic Vehicles of CES 2019
There were a ton of sleek next-gen cars at CES, from snazzy luxury vehicles to eye-popping concept cars.
January 10, 2019 8 min read
This story originally appeared on PCMag
CES is a dizzying experience that takes over the entire Las Vegas Strip, but within the bedlam is a mind-bending glimpse into the future of transportation. This year we saw a slew of ;self-driving cars, new in-car ;mixed reality experiences, and even a new concept car with modular robotic legs that’s as close as we’ve seen to a real-life Transformer.
There’s a flashy tech product at CES for every kind of transportation scenario, from the most futuristic science-fiction concept cars to next-gen electric vehicles and even motorcycles, not to mention last-mile solutions like ;electric skateboards ;and ;scooters. Many of the snazziest concept cars were focused on high-tech amenities and interiors designed to keep humans comfortable and relaxed as their autonomous car cruises.
We also came across some other eye-popping smart vehicles, like a flying drone helicopter taxi and a smart yacht. We threw those in just for fun.
Nissan IMx Kuro
Image credit:
PC Mag
Nissan’s IMx Kuro concept vehicle is a fully autonomous electric crossover with zero emissions. We likely won’t see it in production until at least 2020, but the Kuro’s simplified exterior and spacious interior wowed on the CES show floor; not to mention the car’s panoramic OLED display on its dashboard. A separate, wood grain-patterned display wrapping around the interior door trims bring an extra sense of zen to the in-car experience.
Mitsubishi Emirai 4
Image credit:
PC Mag
Mitsubishi showed off the latest version of its Emirai 4 smart mobility concept car, which it has brought to CES with flashy new upgrades for each of the past few years. It’s got a heads-up augmented reality display with 3D mapping, as well as a half mirror with a diagonal LCD panel to give the driver 3D images of the environment. There’s an autonomous mode too, and plenty of other interior bells and whistles, like haptic feedback control, smart home and mobile payment integration, and biometric authentication.
Mercedes-Benz CLA
Image credit:
PC Mag
The highest profile vehicle reveal for a car you can actually buy was the debut of the 2020 Mercedes-Benz CLA. The second-gen coupe comes with a bevy of digital features and in-car improvements, as well as Mercedes’ first semi-autonomous driving system with a hands-free mode, and the auto maker’s new MBUX voice control system. It also syncs with the newly announced Mercedes-branded ;Garmin Vívoactive 3 ;smartwatch. The 2020 CLA will go on sale later this year; official pricing has not yet been announced.
Mercedes-Benz Vision Urbanetic
Image credit:
PC Mag
Mercedes also had a futuristic concept vehicle of its own, the Vision Urbanetic autonomous driving platform with switchable bodies. The vehicle’s Tron-like exterior houses a fairly simple urban transportation concept: it can be fitted with a passenger module with room for 20 people (8 sitting, 4 standing) as a sort of ride-sharing taxi, or a cargo module for transporting freight goods or package delivery. The base of the vehicle is the part that’s doing the autonomous driving; it also houses the electric batteries, motors, and the Urbanetic’s propulsion system. It’s an adjustable minibus (for either people or cargo) in a trippy body on a self-driving base.
Harley-Davidson LiveWire
Image credit:
PC Mag
The maker of American muscle hogs has released its first-ever electric motorcycle. The ;Harley-Davidson LiveWire, built in partnership with Panasonic Automotive, has built-in GPS and LTE connectivity with up to 4G LTE speeds, as well as a 4.3-inch liquid crystal touch-screen display built into the dashboard with integrated navigation and music. The LiveWire bike itself has a muscular build and a lightweight body, and goes from zero to 60mph in under 3.5 seconds. It has a high-voltage battery with an estimated range of 110 miles per charge.
BMW Vision iNext
Image credit:
PC Mag
One of our favorite concept cars of CES, the BMW Vision iNext is a ;sci-fi living room on wheels. The autonomous, electric luxury vehicle has hidden touch interfaces in wooden and cloth surfaces, an intelligent voice assistant, and screen projection anywhere in the chic interior. With an intelligent voice assistant built in, a roomy, carpeted back seat, and a smart wood coffee table that responds to touch gestures, it’s a palatial ;Jetsons-like experience for a future when humans are lounging in their cars instead of driving.
Waymo One
Image credit:
PC Mag
Alphabet’s Waymo self-driving car service was showing off an autonomous minivan on the show floor, outfitted with Lidar arrays and a camera installation on the roof. The offshoot’s new ;Waymo One ;is the autonomous division’s first commercial self-driving service offered to hundreds of early riders who have been helping to test the technology.
Audi Aicon
Image credit:
PC Mag
First unveiled in 2017, this electric autonomous vehicle was one of the sleekest we saw on the show floor. The concept car, which Audi hopes to turn into a production vehicle by 2021, has four motors and a range of 435 to 497 miles per charge. Audi said it can charge up to 80 percent in less than 30 minutes wirelessly. The interior showcases a fully self-driving future — there are no pedals or steering wheel visible, just luxurious indoor seating and a transparent roof.
2020 Lincoln Aviator
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PC Mag
Lincoln was at CES with the 2020 Lincoln Aviator, a 450-horsepower plug-in hybrid crossover. There’s a 3.0-liter twin-turbocharged V6 engine, and a host of tech improvements and smart user interface upgrades. Drivers can unlock the vehicle with their smartphones rather than a key fob, and the owners can tap into features like traffic jam assist, park assist, adaptive suspension, and drive modes like Conserve and Excite to add some automatic controls to the manual experience. It’s also got a 28-speaker Revel Ultima 3D audio system.
Nvidia Drive Autopilot
Image credit:
PC Mag
Nvidia showed off a souped-up autonomous vehicle with its new Drive Autopilot system at CES. The graphic card manufacturer’s Xavier automotive-grade hardware can be integrated throughout the vehicle — including a heavy duty computer in the trunk — to enable Level 2 autonomy, meaning it has driver-assistance systems to control acceleration, braking, and steering to help out human drivers.
Byton M-Byte
Image credit:
PC Mag
Tesla competitor Byton showcased two different autonomous, electric models this year. The M-Byte prototype, which debuted at CES ;last year, is the less expensive of the two, a $45,000 electric crossover that goes into production this year. It has a 48-inch touch screen stretching across the entire dashboard, a small touch display in the wheel, and an array of cameras all housed in a luxury SUV body.
Byton K-Byte
Image credit:
PC Mag
The Byton K-Byte premium sedan is coming in 2021 with Level 4 autonomous driving, meaning it can drive without human oversight. The K-Byte features similar interior touch screens plus a digital grille on the exterior. Unlike other self-driving cars, the Byton’s side “LiGuard” sensors are retractable when it’s not in autonomous mode. Both cars will have Amazon Alexa integrated into the Byton OS.
Hyundai Elevate
Image credit:
PC Mag
The ;Hyundai Elevate ;is the closest we’ve gotten to a real-life Transformer. The concept car can walk or climb over obstacles with extendable robotic legs on a modular, multi-use chassis that shrinks down into driving mode. The car can swap out different attachments, and is capable of climbing a 5-foot vertical wall or over a 5-foot gap while keeping its passengers level. By blending electric car and robotics technology, the Hyundai Elevate feels like a step toward sci-fi.
Bell Nexus Air Taxi
Image credit:
PC Mag
One of the most unconventional, eye-catching concept vehicles at CES this year was the ;Bell Nexus Air Taxi, a massive flying hybrid of a drone crossed with a helicopter. Bell describes this behemoth as a rideshare in the air, and is testing it in Dallas, Dubai, and Los Angeles. The electric hybrid has a range of 150 miles, but don’t expect to see it flying around anytime soon. Bell hopes to release it in 2025. Sitting in the high-tech cockpit flanked by high-res touch screens and control sticks, the Bell Nexus feels like it’s dropped straight out of a futuristic fleet on its way to drop off a squadron of Darkseid soldiers.
Furrion Adonis Yacht
Image credit:
PC Mag
We had to include the yacht. The 78-foot Furrion Adonis towered over the CES show floor, showing off a high-tech luxury cruiser that Furrion calls a “smart yacht.” The Adonis has an onboard, voice-activated AI called Angel, who can control electronics, entertainment, kitchen appliances, the yacht’s facial-recognition camera system, and more. The virtual concierge can be summoned by saying “Hi, Angel” to order food from the kitchen, control music, get news and weather updates, or shop. The Adonis is also packed with smart interactive mirror displays throughout the yacht and cabins and Furrion Sense TVs with built-in soundbars. It’s even got a drone and drone port on the top deck. If PCMag gave out a Bougiest Tech at CES Award, the Furrion Adonis would be the runaway winner.
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from Garko Media https://garkomedia1.wordpress.com/2019/01/10/the-15-craziest-cars-and-futuristic-vehicles-of-ces-2019/
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The 15 Craziest Cars and Futuristic Vehicles of CES 2019
There were a ton of sleek next-gen cars at CES, from snazzy luxury vehicles to eye-popping concept cars.
January 10, 2019 8 min read
This story originally appeared on PCMag
CES is a dizzying experience that takes over the entire Las Vegas Strip, but within the bedlam is a mind-bending glimpse into the future of transportation. This year we saw a slew of ;self-driving cars, new in-car ;mixed reality experiences, and even a new concept car with modular robotic legs that’s as close as we’ve seen to a real-life Transformer.
There’s a flashy tech product at CES for every kind of transportation scenario, from the most futuristic science-fiction concept cars to next-gen electric vehicles and even motorcycles, not to mention last-mile solutions like ;electric skateboards ;and ;scooters. Many of the snazziest concept cars were focused on high-tech amenities and interiors designed to keep humans comfortable and relaxed as their autonomous car cruises.
We also came across some other eye-popping smart vehicles, like a flying drone helicopter taxi and a smart yacht. We threw those in just for fun.
Nissan IMx Kuro
Image credit:
PC Mag
Nissan’s IMx Kuro concept vehicle is a fully autonomous electric crossover with zero emissions. We likely won’t see it in production until at least 2020, but the Kuro’s simplified exterior and spacious interior wowed on the CES show floor; not to mention the car’s panoramic OLED display on its dashboard. A separate, wood grain-patterned display wrapping around the interior door trims bring an extra sense of zen to the in-car experience.
Mitsubishi Emirai 4
Image credit:
PC Mag
Mitsubishi showed off the latest version of its Emirai 4 smart mobility concept car, which it has brought to CES with flashy new upgrades for each of the past few years. It’s got a heads-up augmented reality display with 3D mapping, as well as a half mirror with a diagonal LCD panel to give the driver 3D images of the environment. There’s an autonomous mode too, and plenty of other interior bells and whistles, like haptic feedback control, smart home and mobile payment integration, and biometric authentication.
Mercedes-Benz CLA
Image credit:
PC Mag
The highest profile vehicle reveal for a car you can actually buy was the debut of the 2020 Mercedes-Benz CLA. The second-gen coupe comes with a bevy of digital features and in-car improvements, as well as Mercedes’ first semi-autonomous driving system with a hands-free mode, and the auto maker’s new MBUX voice control system. It also syncs with the newly announced Mercedes-branded ;Garmin Vívoactive 3 ;smartwatch. The 2020 CLA will go on sale later this year; official pricing has not yet been announced.
Mercedes-Benz Vision Urbanetic
Image credit:
PC Mag
Mercedes also had a futuristic concept vehicle of its own, the Vision Urbanetic autonomous driving platform with switchable bodies. The vehicle’s Tron-like exterior houses a fairly simple urban transportation concept: it can be fitted with a passenger module with room for 20 people (8 sitting, 4 standing) as a sort of ride-sharing taxi, or a cargo module for transporting freight goods or package delivery. The base of the vehicle is the part that’s doing the autonomous driving; it also houses the electric batteries, motors, and the Urbanetic’s propulsion system. It’s an adjustable minibus (for either people or cargo) in a trippy body on a self-driving base.
Harley-Davidson LiveWire
Image credit:
PC Mag
The maker of American muscle hogs has released its first-ever electric motorcycle. The ;Harley-Davidson LiveWire, built in partnership with Panasonic Automotive, has built-in GPS and LTE connectivity with up to 4G LTE speeds, as well as a 4.3-inch liquid crystal touch-screen display built into the dashboard with integrated navigation and music. The LiveWire bike itself has a muscular build and a lightweight body, and goes from zero to 60mph in under 3.5 seconds. It has a high-voltage battery with an estimated range of 110 miles per charge.
BMW Vision iNext
Image credit:
PC Mag
One of our favorite concept cars of CES, the BMW Vision iNext is a ;sci-fi living room on wheels. The autonomous, electric luxury vehicle has hidden touch interfaces in wooden and cloth surfaces, an intelligent voice assistant, and screen projection anywhere in the chic interior. With an intelligent voice assistant built in, a roomy, carpeted back seat, and a smart wood coffee table that responds to touch gestures, it’s a palatial ;Jetsons-like experience for a future when humans are lounging in their cars instead of driving.
Waymo One
Image credit:
PC Mag
Alphabet’s Waymo self-driving car service was showing off an autonomous minivan on the show floor, outfitted with Lidar arrays and a camera installation on the roof. The offshoot’s new ;Waymo One ;is the autonomous division’s first commercial self-driving service offered to hundreds of early riders who have been helping to test the technology.
Audi Aicon
Image credit:
PC Mag
First unveiled in 2017, this electric autonomous vehicle was one of the sleekest we saw on the show floor. The concept car, which Audi hopes to turn into a production vehicle by 2021, has four motors and a range of 435 to 497 miles per charge. Audi said it can charge up to 80 percent in less than 30 minutes wirelessly. The interior showcases a fully self-driving future — there are no pedals or steering wheel visible, just luxurious indoor seating and a transparent roof.
2020 Lincoln Aviator
Image credit:
PC Mag
Lincoln was at CES with the 2020 Lincoln Aviator, a 450-horsepower plug-in hybrid crossover. There’s a 3.0-liter twin-turbocharged V6 engine, and a host of tech improvements and smart user interface upgrades. Drivers can unlock the vehicle with their smartphones rather than a key fob, and the owners can tap into features like traffic jam assist, park assist, adaptive suspension, and drive modes like Conserve and Excite to add some automatic controls to the manual experience. It’s also got a 28-speaker Revel Ultima 3D audio system.
Nvidia Drive Autopilot
Image credit:
PC Mag
Nvidia showed off a souped-up autonomous vehicle with its new Drive Autopilot system at CES. The graphic card manufacturer’s Xavier automotive-grade hardware can be integrated throughout the vehicle — including a heavy duty computer in the trunk — to enable Level 2 autonomy, meaning it has driver-assistance systems to control acceleration, braking, and steering to help out human drivers.
Byton M-Byte
Image credit:
PC Mag
Tesla competitor Byton showcased two different autonomous, electric models this year. The M-Byte prototype, which debuted at CES ;last year, is the less expensive of the two, a $45,000 electric crossover that goes into production this year. It has a 48-inch touch screen stretching across the entire dashboard, a small touch display in the wheel, and an array of cameras all housed in a luxury SUV body.
Byton K-Byte
Image credit:
PC Mag
The Byton K-Byte premium sedan is coming in 2021 with Level 4 autonomous driving, meaning it can drive without human oversight. The K-Byte features similar interior touch screens plus a digital grille on the exterior. Unlike other self-driving cars, the Byton’s side “LiGuard” sensors are retractable when it’s not in autonomous mode. Both cars will have Amazon Alexa integrated into the Byton OS.
Hyundai Elevate
Image credit:
PC Mag
The ;Hyundai Elevate ;is the closest we’ve gotten to a real-life Transformer. The concept car can walk or climb over obstacles with extendable robotic legs on a modular, multi-use chassis that shrinks down into driving mode. The car can swap out different attachments, and is capable of climbing a 5-foot vertical wall or over a 5-foot gap while keeping its passengers level. By blending electric car and robotics technology, the Hyundai Elevate feels like a step toward sci-fi.
Bell Nexus Air Taxi
Image credit:
PC Mag
One of the most unconventional, eye-catching concept vehicles at CES this year was the ;Bell Nexus Air Taxi, a massive flying hybrid of a drone crossed with a helicopter. Bell describes this behemoth as a rideshare in the air, and is testing it in Dallas, Dubai, and Los Angeles. The electric hybrid has a range of 150 miles, but don’t expect to see it flying around anytime soon. Bell hopes to release it in 2025. Sitting in the high-tech cockpit flanked by high-res touch screens and control sticks, the Bell Nexus feels like it’s dropped straight out of a futuristic fleet on its way to drop off a squadron of Darkseid soldiers.
Furrion Adonis Yacht
Image credit:
PC Mag
We had to include the yacht. The 78-foot Furrion Adonis towered over the CES show floor, showing off a high-tech luxury cruiser that Furrion calls a “smart yacht.” The Adonis has an onboard, voice-activated AI called Angel, who can control electronics, entertainment, kitchen appliances, the yacht’s facial-recognition camera system, and more. The virtual concierge can be summoned by saying “Hi, Angel” to order food from the kitchen, control music, get news and weather updates, or shop. The Adonis is also packed with smart interactive mirror displays throughout the yacht and cabins and Furrion Sense TVs with built-in soundbars. It’s even got a drone and drone port on the top deck. If PCMag gave out a Bougiest Tech at CES Award, the Furrion Adonis would be the runaway winner.
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The 15 Craziest Cars and Futuristic Vehicles of CES 2019
There were a ton of sleek next-gen cars at CES, from snazzy luxury vehicles to eye-popping concept cars.
January 10, 2019 8 min read
This story originally appeared on PCMag
CES is a dizzying experience that takes over the entire Las Vegas Strip, but within the bedlam is a mind-bending glimpse into the future of transportation. This year we saw a slew of ;self-driving cars, new in-car ;mixed reality experiences, and even a new concept car with modular robotic legs that’s as close as we’ve seen to a real-life Transformer.
There’s a flashy tech product at CES for every kind of transportation scenario, from the most futuristic science-fiction concept cars to next-gen electric vehicles and even motorcycles, not to mention last-mile solutions like ;electric skateboards ;and ;scooters. Many of the snazziest concept cars were focused on high-tech amenities and interiors designed to keep humans comfortable and relaxed as their autonomous car cruises.
We also came across some other eye-popping smart vehicles, like a flying drone helicopter taxi and a smart yacht. We threw those in just for fun.
Nissan IMx Kuro
Image credit:
PC Mag
Nissan’s IMx Kuro concept vehicle is a fully autonomous electric crossover with zero emissions. We likely won’t see it in production until at least 2020, but the Kuro’s simplified exterior and spacious interior wowed on the CES show floor; not to mention the car’s panoramic OLED display on its dashboard. A separate, wood grain-patterned display wrapping around the interior door trims bring an extra sense of zen to the in-car experience.
Mitsubishi Emirai 4
Image credit:
PC Mag
Mitsubishi showed off the latest version of its Emirai 4 smart mobility concept car, which it has brought to CES with flashy new upgrades for each of the past few years. It’s got a heads-up augmented reality display with 3D mapping, as well as a half mirror with a diagonal LCD panel to give the driver 3D images of the environment. There’s an autonomous mode too, and plenty of other interior bells and whistles, like haptic feedback control, smart home and mobile payment integration, and biometric authentication.
Mercedes-Benz CLA
Image credit:
PC Mag
The highest profile vehicle reveal for a car you can actually buy was the debut of the 2020 Mercedes-Benz CLA. The second-gen coupe comes with a bevy of digital features and in-car improvements, as well as Mercedes’ first semi-autonomous driving system with a hands-free mode, and the auto maker’s new MBUX voice control system. It also syncs with the newly announced Mercedes-branded ;Garmin Vívoactive 3 ;smartwatch. The 2020 CLA will go on sale later this year; official pricing has not yet been announced.
Mercedes-Benz Vision Urbanetic
Image credit:
PC Mag
Mercedes also had a futuristic concept vehicle of its own, the Vision Urbanetic autonomous driving platform with switchable bodies. The vehicle’s Tron-like exterior houses a fairly simple urban transportation concept: it can be fitted with a passenger module with room for 20 people (8 sitting, 4 standing) as a sort of ride-sharing taxi, or a cargo module for transporting freight goods or package delivery. The base of the vehicle is the part that’s doing the autonomous driving; it also houses the electric batteries, motors, and the Urbanetic’s propulsion system. It’s an adjustable minibus (for either people or cargo) in a trippy body on a self-driving base.
Harley-Davidson LiveWire
Image credit:
PC Mag
The maker of American muscle hogs has released its first-ever electric motorcycle. The ;Harley-Davidson LiveWire, built in partnership with Panasonic Automotive, has built-in GPS and LTE connectivity with up to 4G LTE speeds, as well as a 4.3-inch liquid crystal touch-screen display built into the dashboard with integrated navigation and music. The LiveWire bike itself has a muscular build and a lightweight body, and goes from zero to 60mph in under 3.5 seconds. It has a high-voltage battery with an estimated range of 110 miles per charge.
BMW Vision iNext
Image credit:
PC Mag
One of our favorite concept cars of CES, the BMW Vision iNext is a ;sci-fi living room on wheels. The autonomous, electric luxury vehicle has hidden touch interfaces in wooden and cloth surfaces, an intelligent voice assistant, and screen projection anywhere in the chic interior. With an intelligent voice assistant built in, a roomy, carpeted back seat, and a smart wood coffee table that responds to touch gestures, it’s a palatial ;Jetsons-like experience for a future when humans are lounging in their cars instead of driving.
Waymo One
Image credit:
PC Mag
Alphabet’s Waymo self-driving car service was showing off an autonomous minivan on the show floor, outfitted with Lidar arrays and a camera installation on the roof. The offshoot’s new ;Waymo One ;is the autonomous division’s first commercial self-driving service offered to hundreds of early riders who have been helping to test the technology.
Audi Aicon
Image credit:
PC Mag
First unveiled in 2017, this electric autonomous vehicle was one of the sleekest we saw on the show floor. The concept car, which Audi hopes to turn into a production vehicle by 2021, has four motors and a range of 435 to 497 miles per charge. Audi said it can charge up to 80 percent in less than 30 minutes wirelessly. The interior showcases a fully self-driving future — there are no pedals or steering wheel visible, just luxurious indoor seating and a transparent roof.
2020 Lincoln Aviator
Image credit:
PC Mag
Lincoln was at CES with the 2020 Lincoln Aviator, a 450-horsepower plug-in hybrid crossover. There’s a 3.0-liter twin-turbocharged V6 engine, and a host of tech improvements and smart user interface upgrades. Drivers can unlock the vehicle with their smartphones rather than a key fob, and the owners can tap into features like traffic jam assist, park assist, adaptive suspension, and drive modes like Conserve and Excite to add some automatic controls to the manual experience. It’s also got a 28-speaker Revel Ultima 3D audio system.
Nvidia Drive Autopilot
Image credit:
PC Mag
Nvidia showed off a souped-up autonomous vehicle with its new Drive Autopilot system at CES. The graphic card manufacturer’s Xavier automotive-grade hardware can be integrated throughout the vehicle — including a heavy duty computer in the trunk — to enable Level 2 autonomy, meaning it has driver-assistance systems to control acceleration, braking, and steering to help out human drivers.
Byton M-Byte
Image credit:
PC Mag
Tesla competitor Byton showcased two different autonomous, electric models this year. The M-Byte prototype, which debuted at CES ;last year, is the less expensive of the two, a $45,000 electric crossover that goes into production this year. It has a 48-inch touch screen stretching across the entire dashboard, a small touch display in the wheel, and an array of cameras all housed in a luxury SUV body.
Byton K-Byte
Image credit:
PC Mag
The Byton K-Byte premium sedan is coming in 2021 with Level 4 autonomous driving, meaning it can drive without human oversight. The K-Byte features similar interior touch screens plus a digital grille on the exterior. Unlike other self-driving cars, the Byton’s side “LiGuard” sensors are retractable when it’s not in autonomous mode. Both cars will have Amazon Alexa integrated into the Byton OS.
Hyundai Elevate
Image credit:
PC Mag
The ;Hyundai Elevate ;is the closest we’ve gotten to a real-life Transformer. The concept car can walk or climb over obstacles with extendable robotic legs on a modular, multi-use chassis that shrinks down into driving mode. The car can swap out different attachments, and is capable of climbing a 5-foot vertical wall or over a 5-foot gap while keeping its passengers level. By blending electric car and robotics technology, the Hyundai Elevate feels like a step toward sci-fi.
Bell Nexus Air Taxi
Image credit:
PC Mag
One of the most unconventional, eye-catching concept vehicles at CES this year was the ;Bell Nexus Air Taxi, a massive flying hybrid of a drone crossed with a helicopter. Bell describes this behemoth as a rideshare in the air, and is testing it in Dallas, Dubai, and Los Angeles. The electric hybrid has a range of 150 miles, but don’t expect to see it flying around anytime soon. Bell hopes to release it in 2025. Sitting in the high-tech cockpit flanked by high-res touch screens and control sticks, the Bell Nexus feels like it’s dropped straight out of a futuristic fleet on its way to drop off a squadron of Darkseid soldiers.
Furrion Adonis Yacht
Image credit:
PC Mag
We had to include the yacht. The 78-foot Furrion Adonis towered over the CES show floor, showing off a high-tech luxury cruiser that Furrion calls a “smart yacht.” The Adonis has an onboard, voice-activated AI called Angel, who can control electronics, entertainment, kitchen appliances, the yacht’s facial-recognition camera system, and more. The virtual concierge can be summoned by saying “Hi, Angel” to order food from the kitchen, control music, get news and weather updates, or shop. The Adonis is also packed with smart interactive mirror displays throughout the yacht and cabins and Furrion Sense TVs with built-in soundbars. It’s even got a drone and drone port on the top deck. If PCMag gave out a Bougiest Tech at CES Award, the Furrion Adonis would be the runaway winner.
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Singer Beyonce, winner of Best Urban Contemporary Album for 'Lemonade' and Best Music Video for 'Formation,' poses in the press room during The 59th GRAMMY Awards at STAPLES Center on February 12, 2017 in Los Angeles, California.
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Beyoncé, winner of Best Urban Contemporary Album and Best Music Video, wearing Peter Dundas at the 59th Grammy Awards in Los Angeles on February 12, 2017
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2017 Grammy Awards - Country, Folk, Bluegrass and Americana Winners
The winners of the 59th annual Grammy Awards will be revealed right here on February 12, 2017. Country music is being represented in several categories this year.
Maren Morris leads in nominations this year of any other country artist in 2017. She’s up for Best Country Album, Best Country Song and Best Country Solo Performance. In addition, she is also up for the Best New Artist award alongside Kelsea Ballerini. Sturgill Simpson is up for the all-genre Album of the Year award. Keith Urban, Carrie Underwood and Miranda Lambert are also up for several awards.
You can view an updated list of winners and nominees below. We will keep you updated as the night goes on:
2017 Grammy Awards Country, Americana, Bluegrass and Folk Winners Country-, Americana-, Bluegrass- and Folk-Specific Categories
Best Country Album
Big Day in a Small Town, Brandy Clark Full Circle, Loretta Lynn Hero, Maren Morris A Sailor’s Guide to Earth, Sturgill Simpson — WINNER Ripcord, Keith Urban
Best Country Song (Awarded to Songwriters)
“Blue Ain’t Your Color,” Keith Urban (Clint Lagerberg, Hillary Lindsey & Steven Lee Olsen) “Die a Happy Man,” Thomas Rhett (Sean Douglas, Thomas Rhett & Joe Spargur) “Humble and Kind,” Tim McGraw (Lori McKenna) — WINNER “My Church,” Maren Morris (busbee, Maren Morris) “Vice,” Miranda Lambert (Miranda Lambert, Shane McAnally & Josh Osborne)
Best Country Solo Performance
“Love Can Go to Hell,” Brandy Clark “Vice,” Miranda Lambert “My Church,” Maren Morris - WINNER “Church Bells,” Carrie Underwood “Blue Ain’t Your Color,” Keith Urban
Best Country Duo / Group Performance
“Different for Girls,” Dierks Bentley With Elle King “21 Summer,” Brothers Osborne “Setting the World on Fire,” Kenny Chesney With Pink “Jolene,” Pentatonix With Dolly Parton — WINNER “Think of You,” Chris Young With Cassadee Pope
Best Americana Album
True Sadness, the Avett Brothers This Is Where I Live, William Bell — WINNER The Cedar Creek Sessions, Kris Kristofferson The Bird & the Rifle, Lori McKenna Kid Sister, the Time Jumpers
Best American Roots Song (Awarded to Songwriters)
“Alabama at Night,” Robbie Fulks (Robbie Fulks) “City Lights,” Jack White (Jack White) “Gulfstream,” Roddie Romero and the Hub City All-Stars (Eric Adcock and Roddie Romero) “Kid Sister,” the Time Jumpers (Vince Gill) — WINNER “Wreck You,” Lori McKenna (Lori McKenna and Felix McTeigue)
Best American Roots Performance
“Ain’t No Man,” the Avett Brothers “Mother’s Children Have a Hard Time,” Blind Boys of Alabama “Factory Girl,” Rhiannon Giddens “House of Mercy,” Sarah Jarosz — WINNER “Wreck You,” Lori McKenna
Best Bluegrass Album
Original Traditional, Blue Highway Burden Bearer, Doyle Lawson & Quicksilver The Hazel and Alice Sessions, Laurie Lewis & the Right Hands North By South, Claire Lynch Coming Home, O’Connor Band With Mark O’Connor — WINNER
Best Folk Album
Silver Skies Blue, Judy Collins & Ari Hest Upland Stories, Robbie Fulks Factory Girl, Rhiannon Giddens Weighted Mind, Sierra Hull Undercurrent, Sarah Jarosz — WINNER
Other Categories Featuring Country, Americana, Bluegrass and Folk Artists
Album of the Year
25, Adele - WINNER Lemonade, Beyonce Purpose, Justin Bieber Views, Drake A Sailor’s Guide to Earth, Sturgill Simpson
Best New Artist
Kelsea Ballerini
The Chainsmokers Chance the Rapper - WINNER Maren Morris Anderson .Paak
Best Pop Solo Performance
“Hello,” Adele - WINNER “Hold Up,” Beyonce “Love Yourself,” Justin Bieber “Piece By Piece (Idol Version),” Kelly Clarkson “Dangerous Woman,” Ariana Grande
Best Traditional Pop Vocal Album
Cinema, Andrea Bocelli Fallen Angels, Bob Dylan Stages Live, Josh Groban Summertime: Willie Nelson Sings Gershwin, Willie Nelson - WINNER Encore: Movie Partners Sing Broadway, Barbra Streisand
Best Contemporary Christian Music Performance / Song
“Trust in You,” Lauren Daigle “Priceless,” For King & Country “King of the World,” Natalie Grant “Thy Will,” Hillary Scott & the Scott Family — WINNER “Chain Breaker,” Zach Williams
Best Contemporary Christian Music Album
Poets & Saints, All Songs & Daughters American Prodigal, Crowder Be One, Natalie Grant Youth Revival [Live], Hillsong Young & Free Love Remains, Hillary Scott & the Scott Family — WINNER
Best Roots Gospel Album
Better Together, Gaither Vocal Band Nature’s Symphony in 432, The Isaacs Hymns That Are Important to Us, Joey + Rory — WINNER Hymns and Songs of Inspiration, Gordon Mote God Don’t Never Change: The Songs of Blind Willie Johnson, Various Artists
Best Traditional Blues Album
Can’t Shake This Feeling, Lurrie Bell Live at the Greek Theatre, Joe Bonamassa Blues & Ballads (A Folksinger’s Songbook: Volumes I & II), Luther Dickinson The Soul of Jimmie Rodgers, Vasti Jackson
Porcupine Meat, Bobby Rush — WINNER
Best Musical Theater Album
Bright Star The Color Purple — WINNER Fiddler on the Roof Kinky Boots Waitress
Best Recording Package
Anti (Deluxe Edition), Rihanna Blackstar, David Bowie — WINNER Human Performance, Parquet Courts Sunset Motel, Reckless Kelly 22, A Million, Bon Iver
Best Album Notes
The Complete Monument & Columbia Albums Collection, Kris Kristofferson The Knoxville Sessions, 1929-1930: Knox County Stomp, Various Artists Ork Records: New York, New York, Various Artists Sissle and Blake Sing Shuffle Along, Eubie Blake & Noble Sissle — WINNER Waxing the Gospel: Mass Evangelism & the Phonograph, 1890-1900, Various Artists
Best Engineered Album, Non-Classical
Are You Serious, Andrew Bird Blackstar, David Bowie — WINNER Dig in Deep, Bonnie Raitt Hit N Run Phase Two, Prince Undercurrent, Sarah Jarosz
Best Music Film
I’ll Sleep When I’m Dead, Steve Aoki The Beatles: Eight Days a Week the Touring Years, the Beatles — WINNER Lemonade, Beyonce The Music of Strangers, Yo-Yo Ma & the Silk Road Ensemble American Saturday Night: Live From the Grand Ole Opry, Various Artists
Porcupine Meat, Bobby Rush — WINNER
Best Musical Theater Album
Bright Star The Color Purple — WINNER Fiddler on the Roof Kinky Boots Waitress
Best Recording Package
Anti (Deluxe Edition), Rihanna Blackstar, David Bowie — WINNER Human Performance, Parquet Courts Sunset Motel, Reckless Kelly 22, A Million, Bon Iver
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2019 ASCAP Rhythm & Soul Music Awards - Cardi B Named ASCAP Songwriter of the Year
Cardi B Named ASCAP Songwriter of the Year; Motown Records Honored With ASCAP Rhythm & Soul Heritage Award; Tip "T.I." Harris Receives Inaugural ASCAP Voice of the Culture Award at 2019 ASCAP Rhythm & Soul Music Awards
LOS ANGELES, June 21, 2019 -- The American Society of Composers, Authors and Publishers (ASCAP) celebrated its unparalleled roster of music legends, past and present, at the 34th annual ASCAP Rhythm & Soul Music Awards. Tonight's event recognized special honorees and the songwriters and publishers of the most-performed ASCAP songs of the past year on the R&B/hip-hop, rap and gospel charts.
Chart-topping rapper Cardi B took home the ASCAP Songwriter of the Year Award for the first time. The honor recognizes the songwriter who has written or co-written the greatest number of most-performed songs of the year. Cardi B took the music world by storm with her 2017 breakthrough "Bodak Yellow" and continued to dominate the charts with hits such as "Bartier Cardi" (ft. 21 Savage), "Ring (ft. Kehlani)," ''I Like It" and more.
ASCAP Songwriter of the Year 2019 - Cardi B. Photos courtesy of ASCAP.
In one of the evening's most dramatic moments, legendary ASCAP member and founder of Motown Records, Berry Gordy Jr., and current Motown President Ethiopia Habtemariam each took the stage to accept the ASCAP Rhythm & Soul Heritage Award on behalf of the storied record label. ASCAP Chairman of the Board and President Paul Williams and renowned songwriter Valerie Simpson presented the award to Gordy. Williams and Quality Control CEOs Coach K and Pee co-presented to Habtemariam. The award honors ASCAP members who have had a major impact on the legacy of rhythm and soul music. Currently home to urban hitmakers including Migos, City Girls and Lil Yachty, and the foundation for musical icons like Diana Ross & The Supremes, Lionel Richie, Smokey Robinson, Stevie Wonder and Marvin Gaye, Motown is currently celebrating its 60th anniversary.
Trap music pioneer, actor and label head Tip “T.I.” Harris honored with the inaugural ASCAP Voice of the Culture Award at the 32nd Annual ASCAP Rhythm and Soul Music Awards. Photo courtesy of ASCAP.
Trap music pioneer, actor and activist Tip "T.I." Harris took the stage as the first-ever recipient of the ASCAP Voice of the Culture Award, presented by noted political commentator, analyst and advocate Angela Rye. The new honor celebrates an ASCAP member who has had a major influence on music and culture. In addition to his musical accomplishments, T.I. has taken an active role in philanthropic and community transformation efforts through his non-profit, Harris Community Works (HCW).
Universal Music Publishing Group (UMPG) and Warner Chappell Music each received ASCAP Publisher of the Year Awards. Warner Chappell's top songs included "Apeshit" (The Carters), "Finesse (Remix)" (Bruno Mars & Cardi B), "Motorsport" (Migos, Nicki Minaj & Cardi B) and "Nice for What" (Drake). UMPG took home the award for hits such as "Ring" (Cardi B ft. Kehlani), "I Get the Bag" (Gucci Mane ft. Migos), "Best Part" (Daniel Caesar ft. H.E.R.) and "God's Plan" (Drake).
The Top R&B Song was "Boo'd Up" written by Joelle James; Top Rap Song went to "Nice for What," written by Alan and Marilyn Bergman, Gary Grice, Orville "Buggs Can Can" Hall, Marvin Hamlisch, Ms. Lauryn Hill, Shane "Murda Beatz" Lindstrom, Phillip Triggerman Price and Noah "40" Shebib; and the Top Gospel Song was "Won't He Do It," written by Loren Hill.
Gospel artist Jekalyn Carr ministers on ASCAP’s stage with her 6-week #1 song You Will Win. Photo courtesy of ASCAP.
Ne-Yo performs a tribute to Motown along with BJ the Chicago Kid and Valerie Simpson. Photo courtesy of ASCAP.
ASCAP writers delivered spirited performances of their hits backed by the 1500 or Nothin' band, including "Boo'd Up" from writer/winner Joelle James, "You Will Win" from Jekalyn Carr, "Look Back At It" from A Boogie Wit Da Hoodie; and newcomer Nicole Bus opened the show with "You." The evening wrapped up with a rousing tribute to Motown with Ne-Yo, BJ the Chicago Kid and Valerie Simpson performing a few of the label's greatest hits, including "You're All I Need to Get By," "What's Goin' On" and "My Girl."
Motown was the presenting sponsor of the 2019 ASCAP Rhythm & Soul Awards. Other sponsors included CÎROC, Fender and M.A.C. makeup.
The complete list of 2019 ASCAP R&S Awards winners is available at http://www.ascap.com/rsawards19.
About ASCAP
The American Society of Composers, Authors and Publishers (ASCAP) is a professional membership organization of songwriters, composers and music publishers of every kind of music. ASCAP's mission is to license and promote the music of its members and foreign affiliates, obtain fair compensation for the public performance of their works and to distribute the royalties that it collects based upon those performances. ASCAP members write the world's best-loved music and ASCAP has pioneered the efficient licensing of that music to hundreds of thousands of enterprises who use it to add value to their business - from bars, restaurants and retail, to radio, TV and cable, to Internet, mobile services and more. The ASCAP license offers an efficient solution for businesses to legally perform ASCAP music while respecting the right of songwriters and composers to be paid fairly. With more than 700,000 members representing more than 11.5 million copyrighted works, ASCAP is the worldwide leader in performance royalties, service and advocacy for songwriters and composers, and the only American performing rights organization (PRO) owned and governed by its writer and publisher members. Learn more and stay in touch at www.ascap.com, on Twitter @ASCAP and on Facebook.
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