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sunniedesi · 3 days ago

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The Decay of Andy and Leyley: the bad, the ugly and the terrible

Now that it’s been a while since I finished the Decay route, I think I’m ready to finally analyse this chapter as a whole. I’ve collected my thoughts and read through a couple of people’s opinions here and there… just to be utterly disappointed. I knew casual fans generally didn’t understand much of the subtext for tcoaal, but damn are they completely lost with this one. Maybe it’s the fact that I only interact with a small echo chamber of the fandom that does get it, but after all the terrible takes I’ve had the displeasure of seeing, I think it’s time I leave my own. There is quite a lot to comment on, since this part of Decay builds upon several plot points of the story: the quarantine, the entity, lord unknown, and namely, the main duo’s upbringing and relationship. While I’d love to pick apart every nook and cranny of this episode, this analysis will only focus on Andrew and Ashley’s relationship, as that alone has plenty of things to dissect for one post. I will also comment on some of the changes done to the previous episodes and what that could mean for the next routes. (More below the cut, this will be a long one).

But before I begin anything I want to start with a disclaimer of the obvious; yes, this game is fucked up and the relationship is toxic, horribly so (wow, who would’ve thunk it?). If things weren’t messed up before then they certainly are now, so I understand why nobody would want to touch this game with a ten-foot pole. In fact, I’ve noticed many let’s players who’ve previously played it either not mentioning it or going as far as to delete every video they’ve made on it (not dropping names here but I had a couple of videos in my watch later taken down mere minutes after I saved them because of this). I often see people saying “it’s just fiction” as a defense for talking about this, which is totally valid, but my view of it is a bit different. It is fiction, yes, but also something that could very easily happen in real life and that a lot of people could (unfortunately) relate to. That’s what makes it uncomfortable and gross, and that is exactly the reason why we should talk about it. As per words of the author “although unpleasant, true [CHAOS AND MAYHEM!!!] can only be achieved by unearthing the root cause of one's issues and addressing the underlying decay.” Even if you think it’s icky and gross that doesn’t disqualify it from existing. Moreover, it calls for analysis as to why it makes you feel gross, which might I add is an impulse reaction to something much deeper than a simple “nooo they’re related,” as there are many layers to this from a moral, ethical and psychosexual perspective.

So… let’s talk about it.

The Bad: Andy and Leyley

The beginning of the episode tells us a lot about the upbringing of our characters, though most of it was writing on the wall if you paid attention during episode 2. We play as Andrew, examining his psyche and going through the motions of how to be a walking disappointment. As he cooks, cleans, excels at school and sets order in his family, he accomplishes a level of independence many don’t reach until adulthood, all before the age of 10. Yet every single mistake, as small or out of his control as it may be, is a cause for reprimanding. Renee doesn’t spare the emotional rod with him per se, expecting Andrew to go above and beyond for tasks that she should be responsible for. And whenever her live-in maid complains or dares to set an even playing field, such attempts are crushed by repressing him further into his shell. Berating, insulting, belittling him.

Nothing he does is ever enough, and it can’t be, lest giving him hope of ever meeting others’ expectations, of ever doing better. The more suppression, the less of his independence, say or personality, the easier to control. The less of Andrew the better. And as such, Andy was born: a sorry replacement for Andrew’s essence, easily malleable and capable of becoming everything you want him to be. Many believe Andy is a result of Leyley, but really

Andy was a nightmare of Renee’s own making. And speaking of nightmares, Leyley’s origins aren’t much different. Having a second child as a middle finger to your disapproving family is no good if you don’t intend to raise said child. But what’s the need when Andy is there to do it? Disciplining a kid aching for attention is far too taxing for Renee, especially one with as much attitude as Leyley. So, instead of inflicting more trauma as she’s done with Andy, she lets him pass his own over to her, creating a direct pipeline to the cycle of abuse. It should be noted that in one of the new visions available we see that Renee is an older sister herself, and was expected to also go above and beyond for her sister despite being completely disregarded by her family.

In other words, her treatment of Andy and complete neglect of Leyley are anything but surprising. It’s all she’s ever known. (Not excusing Renee, I hate her with a passion, but it’s important to know where everything is coming from).

Funnily enough, Leyley’s personality isn’t as innate as many believe. It’s easy to see her as the “difficult child,” but in reality, everything she does is a cry for help. We’re dealing with a lonely, undisciplined girl, disregarded by the world as a crybaby and a freak, left to be raised by trash TV and her clueless older brother. The result of this terrible concoction is a self-loathing, marshmallow spine of a boy and a lost, shrieky viper of a girl. Neither can like each other, because they don’t like themselves. And neither can help the other, because they refuse to see themselves for what they are. These are Andy and Leyley, the antagonists of the story.

As much as people have difficulty separating Andy and Leyley from Andrew and Ashley it must be noted that, from a narrative perspective, these are entirely different characters. Andy and Leyley are the immature, worst traits of our main duo personified: Andy is a paranoid pushover garnering resentment every time his buttons are pushed, while Leyley is nothing more than a scared little girl, terrified of abandonment and terrified of change. The more they push and pull, the more they test and bring out the worst in each other, the more they decay. But if these are Andy and Leyley, then who are Andrew and Ashley?

The Ugly: Andrew and Ashley

I believe the cliffhanger route is where we get to see the most of these two, though glimpses of them can be seen in the Shots and Such route. Andrew we know (thanks to his lengthy pov) is a crude and relentless antisocial who can’t stand anyone. He only does so out of keeping appearances, instilled by his mom, but just like her, is incapable of caring for anything. Something Ashley is very quick to point out when they were children.

We also see he’s very manipulative, sly and finds fun in (mentally) messing with people and romanticising the shit of his life, perhaps as a way to feel something other than the misery it bestows upon him. However, not playing nice can only bring trouble, so he hides behind the mask of the innocent pushover (Andy). Needless to say, this is a life full of lies and deception, utterly unsatisfactory. It will never fulfill his true desires and can only push him further into nihilism. But what are his true desires?

Well, to be seen and understood, the one thing no one’s ever bothered to do. No one except the mess of his own making. Ashley, the girl Andrew raised, is full of wit and charm. As seen in the flashbacks, she’s perceptive and quickly calls bullshit whenever she sees it. She doesn’t play nice, she doesn’t put up a front, she’s everything Andrew could be if he wasn’t afraid to show his true colors. This last bit is why I would argue Andrew is so drawn to her, that and of course all of the trauma bonding. As Andrew says himself, his attraction is pathological, i.e. unreasonable and irrational, a result of his loneliness and conditioning from childhood. And as much as I agree that it is paraphilic in nature, I do believe there is a logical side to his attraction; Ashley is loud, obnoxious and annoying. Carefree and unbothered, the flip-side to his Andy facade. In fact, she hates having to keep up appearances and how everyone around her is a phony. For Andrew, the man that has endured years of suppression and self-loathing, it is a relief, it is liberating to have someone just as bad as him. Someone who wouldn’t be afraid of him. Someone who could meet him at the same level; an equal.

Continuing with Ashley, one of her most emblematic traits is that she’s self-assured and doesn’t care about anything or anyone except for Andrew. This is quite the contrast to Leyley, who is incredibly insecure, selfish and does not care for Andy, only the reassurance he brings. And how do we know Ashley cares about Andrew if Leyley does not? Well…

This flashback is the single most important piece of information we get from the whole chapter. So let’s analyze it from the start. Julia takes Andrew to visit Nina’s grave, bringing back a slew of emotional turmoil he’s still haunted by. He immediately goes home to unpack it with Ashley.

(because god knows he was thinking about her the whole time he was talking to Julia). Ashley shows her first signs of maturity in the conversation that ensues, accurately pointing out the impending doom of Andrew and Julia’s relationship, and being a little more… introspective.

It’s clear that Leyley’s view of relationships is skewed, to say the least. She barely distinguishes romance from platonic love and has a very childish take of sex being "gross and all men want.” I’ve seen many people, before and after this chapter release, theorize that Ashley is asexual, something that’s always bothered me to no end. It’s one thing to just headcanon a character having “x” sexuality for the sake of it, but here people were using a headcanon to explain a critical part of her characterization, one of her Leyley traits. It is reductive and misguided, not to mention a terrible example of what asexuality would actually look like. Because this isn’t an innate characteristic from Ashley, it is a sign of immaturity, and to a certain degree, also insecurity.

Leyley has been conditioned her entire existence to believe she’s loathsome and undesirable, so anyone sticking around would never be out of their own volition. It would have to be a transaction, give and take. If Andy and Leyley marry it would have to be this way, a selfish exchange on both ends. But as she says: “different is fine, sometimes.” This is Ashley talking, taking into consideration Andrew’s needs for once and for all, which is the reason she made a move after he woke up. She understands his needs and is willing to put out for him, thinking maybe it could be good for her too.

But boy does he fumble hard. Which I don’t blame him for, dude wasn’t in the right headspace at the time. Though this is the moment that set Ashley’s development far, far behind square one. She didn’t take the rejection well. For once she was doing what he wanted, and he pushed her away (mixed signals much). He began being very cold to her afterwards (albeit in a fruitless attempt to repress his feelings, which as we see through the puzzle sequences, the more he crushed his feelings on the outside, the further they spread on the inside). The moment Andrew reached out for her again, a year later might I add, he did it because of Ashley, or rather Leyley, needing to be reprimanded and set on the right track (with the massage parlor job).

This sealed the deal for Ashley that the only way to secure Andrew’s attention was the way that Leyley used to do with Andy: bitch and moan until he pays attention. In other words, it’s Andrew’s fault that Ashley is the way she is… though he’s not entirely aware of it, as seen in parts of his pov. And to a certain extent, Ashley also plays a part into why he’s so apprehensive to the idea of liking her. Her childish nature and refusal to grow up is proof to Andrew that if she were to indulge his desires, it would be to keep him around, but it wouldn’t be reciprocal (which is ultimately what he desires the most).

This is my main takeaway from the cliffhanger route. I won’t be theorising much on what the outcomes for this route could be (more on why later), though I will be referencing this heavily for the analysis of Shots and Such.

Also the symbolism in this scene is quite strong (couldn’t fit it into the previous paragraphs but wanted to bring it up anyway).

Her painted nails are trashy, and Julia's nails are painted. Andrew stares in silence as Julia rings away...

Also:

This is after you destroy the Leyley plushie on the wedding cake scene, to retrieve Ashley's choker (which can later be used to create Andrew's partner... which also grants you a star). Originally, the plushies were watching cartoons, but now that Leyley is gone... something else surfaces. Interestingly enough, if you refuse to destroy it when prompted, the narrator will say "what are you, some Andy?" And if you try again after that, it won't allow to you to tear it apart, saying "you've made your choice." Very strong symbolism there. Let's move onto Shots and Such now.

The Absolutely Terrible: the Decay of Andy and Leyley

A terrible, disgusting, horrifying and necessary ending. Necessary to really discern the differences between Andy/Leyley and Andrew/Ashley, plus why the former will ALWAYS be a pointless, troublesome pairing. They hurt, abuse and tear each other down in the most sadistic and depressive ways possible. Long gone are the days of their playful banter, they are now replaced with just plain ol’ spousal abuse. Even when they try reviving their spark with their quick banter about the vacuums, it is soulless and dry, the damage done to their dynamic far too damming to ignore.

They are never honest with each other, and they’re always afraid and resentful of the other. The only thing keeping them together is codependency and lame sex that sometimes distracts them from how miserable they feel. The one sex scene in this chapter reads like a dagger to the heart, because it is everything neither of them wanted to happen. Andrew yearned for something reciprocal, for him to be seen. And as much as he begs and pleads for Ashley to understand, Leyley’s fear of abandonment overtakes her, diminishing the little trust she had for him and respect she had for herself. As a result, they both hated the encounter, and the only two solutions are ending themselves or committing to a life of such misery.

In the splat ending, we indulge Andy’s desires of ending it all, and Leyley reluctantly follows, scared and unsatisfied until the bitter end, but unwilling to let go of her Andy. In the Shots and Such ending, we indulge Leyley’s fantasies of a forever union, which turn out to be anything but the ideals she had for Andy and Leyley’s marriage. It is more of the same old horrific abuse, dishonesty and bickering over nothing, with maybe one glimpse of honesty forced out by the alcohol every once in a blue moon.

No matter the end, they’re both together forever as Andy and Leyley, dragging each other down into the lowest of levels. It’s pointless and bleak, and it certainly sent the fandom into a frenzy. You think the people defending Andrew “I’m normal” Graves or the people saying Ashley “did nothing wrong” were bad? Well, just as this route brought the worst out of the Graves, it also brought out the worst of these fans.

Every time I look into the comments section of a video or discussions for this chapter, it’s a constant shit-flinging contest of who had the worst upbringing, who has the worst personality, who is the most abusive, (which most people seem to be pointing fingers at Ashley for that one). It’s all blah blah blah who’s the woest of the woe. And worst of all, plenty of men (they’re almost always men) saying “Andrew should beat Ashley up some more.” I understand that Ashley’s worst traits as Leyley were amplified in this chapter, but honestly, men who had that takeaway from this chapter disturb me more than the game itself. Heck, even mother-of-the-year Renee calls bullshit on this:

(context: this is a rhetorical question, the answer being no, obviously.)

Let’s get one thing straight: no character here is worse than the other. They’re both awful, they both beat each other, they both abuse each other and they're both victims of each others’ abuse. The tragedy here is that they are as much victims as they are perpetrators, with no end in sight, because the more one hurts the other, the more retaliation ensues. Characterizing one as the worst is, again, completely reductive and overlooking the point of the ending: nothing gets better because neither got better. We only saw Andy and Leyley in this route, with brief glimpses of Andrew and Ashley, that are quickly crushed by their inability to disengage from their toxic habits.

I think it’s clear to see how Ashley is regressing more into her fears (Leyley), given the threat of being murdered by the only person she has left forced her into that state. She doesn’t want to die, she’s terrified of death, and wants the security she believes Andy will bring her back. Except Andy is the one harboring resentment, as Andrew is the one trying to work past it. And to the people who think we’re playing as Andrew and Leyley in this route because “we chose Andrew,” no we’re not. There’s a reason the beginning of both the Andy and Andrew (shots and such) routes look the same in terms of the area we explore in the demon realm.

There’s a reason why he keeps devolving further and further into resentment for Leyley. The “Andrew” choice means nothing if Ashley refuses to stop being Leyley. And her regression is reinstated by the selfish decision to kill Andrew in the bullets ending (and yes, I’m calling it selfish, since it is once again denying Andrew of his need to be rid of the Andy and Leyley dynamic). This reinforces Andrew’s belief that Leyley doesn’t want him, that his love is one-sided, and that she doesn’t care for his needs. The moment this choice (shooting Andrew) is set in stone it’s game over for both, because one can’t heal without the other. Again, nothing gets better because neither can get better.

The only difference between both routes is that when we pick Andy, Andrew surrenders. He’s hurt, battered and confused, but Andy’s instinctual need to please Leyley reigns above all. He knows it won’t get better, he doesn’t know how to make it better, so to hell with it. If we choose to be Andrew, Andrew never surrenders, insisting there must be a way to fix this, but can’t due to Leyley’s insistence. This leads to Andrew's decay, as he devolves into a mixture of Andy’s resentment boiling over and Andrew’s sadism. The logical part of him (which is Andrew’s lingering care for Ashley) tells him to disengage from the fighting. But his resentment (Andy’s decay) is overpowering his love for her. It gets to the point where both Andy and Andrew become undistinguishable, as they have melded to become his most deranged self. Surprisingly, something similar happens with Ashley, who also struggles to surrender in this route. There are two moments of honesty in the Shots and Such route, the only moments we get to see Andrew and Ashley completely. First is Andrew comforting Ashley’s sobs:

Here, Ashley was actually honest with him for once, which allows both of them to open up. This exchange is much more lighthearted compared to the rest of the route because both are meeting each other at the same level, talking through things together, addressing their happiness and where they want to go. Ashley shines through, taking genuine interest in Andrew’s happiness, but before things can settle…

Ashley must face her fears of freeing Andrew, trusting him. And she doesn’t, because let’s remember, we chose Leyley in this route and let Ashley decay. So once again, things go back to how they were, pointless resentment. There was also a time where Andrew opened up, and that’s when he was drunk out of his mind.

He put his front down, enough to indulge in his paraphilia but not enough to fully express his love. The mixed signals are strong with this one, which further confuses Leyley. However, when they go to sleep that night, Andrew opens up about his needs, about needing Ashley to see him for the mess of a man that he is and still accept him. Ashley takes the stage, reassuring him that she knows all his secrets and loves him regardless. Andrew is honest about why he pushes her away, because it’s the last thread of normalcy he has left. However, things quickly go back to normal, when Leyley refuses to give him a kiss due to all the times he pushed her away. At the end of both of these scenes, we hear a sad music box tune, a sad reminder of how crucial these scenes are. How easily things could be fixed with the care and honesty they warrant, and how easily they fall apart out of simple reluctance and conformity.

This is a constant thread we see in their relationship, throughout flashbacks and present time, as well as symbolisms throughout Burial and Decay. The choice to not only trust, but to be honest with one another despite their fears could’ve been the fix they needed all along, the one thing they needed to mature. Their bond is so fragile, so easily twisted, that the only way to salvage any semblance of tenderness is to address their underlying decay. I find it funny how there are still people (few but still some) who were disappointed to see that Decay wouldn’t be the "normal" route. I read a few comments of people wanting their relationship to be fixed and be a normal sibling dynamic. To which I just have to say, that is way more delusional than the people who expected any routes of this game to be all fluff and rainbows.

The relationship was already screwed from the get-go, but here’s the hard pill to swallow: having a normal relationship is not the fix they need nor want. The paraphilia has consumed Andrew so thoroughly that his only solution is to completely wipe his brain or fully indulge in it (possibly the two routes of episode 4), while Ashley has to let go of her selfish, childish desires to recognize the Andrew she wanted has been there all along if she cares to meet him there. Is it an unsavory solution? Yeah. It’s gross, morally and ethically reprehensible. But that’s just who they are as people. And accepting themselves for who they are is ultimately the last ditch effort they could ever take to salvage this volatile, fragile relationship. I mean, this optional dialogue really puts it best:

(This is the single line of dialogue that actually made me tear up btw, not even the splat/shots and such ending tore into me so much as this line).

The Coffin of Andy and Leyley is, at its core, a cautionary tale of generational trauma and the cycle of abuse. How far will people go if pushed to their limits? Is it ever possible to remedy yourself once you’re at the point of no return? And is that remedy worse than the sickness itself? Can the doomed ever be redeemed? And if so, what are the necessary steps to take in order to redeem yourself, before it all goes dark? Andrew and Ashley can keep longing for one another all they want, but until Andy and Leyley are ripped and torn to shreds, neither will improve, and are fated to decay in the coffin of a different apartment, one built out of their own hangups and fears. We’ll see what episode 4 has in store, I trust the author will give us a satisfying conclusion. And speaking of the author…

The Meh: Changes to Episode 2

This new update brought about a couple of changes to the previous episodes as well. Namely, the wording for the decisions that split the story into Burial and Decay, as well as revamping the Burial route. I’ll be honest… I’m not a big fan of some of these.

For starters, this new update made me realize the author, as offline as she appears to be, is keenly aware of people’s opinions of the game and takes quite the contrarian attitude to people who miss the point of the story (something I can’t blame her for entirely, and seems to be the reason why things escalated so much in this chapter). Take for example the Grave Mistakes vision, Andrew explaining why they’re not addressing the Toxisoda thing anymore, and going as far as to add a bloody sprite for Ashley in the Burial route (something a few people were complaining about back in the day). Also, there is an optional dialogue in the highschool flashback that feels like a clapback to the Renee mod:

I’m glad the author is aware of people’s criticisms and takes the time to sort through them, but part of me wishes she didn’t try to over-explain some plot points. The thing that I originally loved about the game was the subtle storytelling, how it takes you a couple of playthroughs to fully understand everything lying beneath the surface. It plays tricks with you and makes you think about the characters’ true intentions, goals and desires, all the way until they spiral out of control and pretenses can’t be kept anymore. I liked that Ashley has a little back and forth between wanting to trust Andrew, being unable to because of her insecurities, and falling back on the trinket. But now…

The choice kinda spells it out for you already. For one, the choice of dialogue feels a bit clunky and also redundant given the next couple of lines confirm this already. The change in the olive branch choice, with it now being reflect/decline, doesn’t bother me as much, but this feels a little too in your face. Same thing with the changes to the Burial vision. I like that you have to put the green plushie back in the cage at the end, as it’s something you also did earlier in the puzzle, so it feels less contradictory. But the change to this line…

It’s honestly giving too much away. People go through the Burial route because they want the siblings to trust each other, and they select the left door for the questionable outcome because they want to make the questionable choice. However that route turns out, whether good or bad, is for us to find out as we play. And mind you, I already know it’s not ending so well given the hex Andrew gets in Burial is the same as in the Decay Andy route. That just cannot be any good. Plus, the fact that Burial is all about burying things under the rug. I suspect that while Decay is more about Andrew due to its reflective nature, Burial will be all about Ashley due to her nature of compartmentalizing. I imagine both Burial and Decay will have their own good and bad routes, but I’d rather not jump the gun into assuming what each will pan out to look like, as chances are I’ll be completely mistaken.

And I say this as a good portion of the fanbase was proven wrong with this new update, in terms of what Decay and Burial are about. The general consensus used to be Burial = romance, Decay = hate. Some fans even came up with the bizarre defense that the game is not so bad because the incest is totally optional! It's on the player to pick it. All the while you have Andrew grabbing Ashley's belt loops and cuddling her on the couch in both routes...

I can appreciate asking people to look at what's beneath the surface and analyze things a little more critically, but that was just plain wrong lol. In the back of my mind, I always hoped that Decay would address some of Andrew's feelings to completely shut down all the "optional" nonsense. Welp, that it did... way more than I anticipated.

Anyway, my point with this last bit of the rant was that I hope these changes don’t become a trend of the author trying to make things clearer for normies or paying any mind to them, as that would only cheapen the storytelling. Those who get the story get it, and if not, they can read people’s shizo analyses online. But I don’t need my hand held throughout the game; I like figuring things out on my own. To wrap things up, I’ll just say I’m very happy with the outcomes we got. They were terrible, but necessary for the reasons explained above. I was originally very scared of the Decay route, as I didn’t know exactly what to expect and angry Andrew scares me. But this has quickly become my favorite episode of all and I can only hope the next ones do it justice. Keep cooking Nemlei, you’re doing good.

#tcoaal #the coffin of andy and leyley #visual novel #andrew graves #ashley graves #hyperanalyzing the shit out of pixels

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