#And expand on his relationship with Anakin? 2-3 flashbacks set after TPM or during TCW?

[david-talks-sw]

I will say that I'm starting to notice a pattern around the approach taken with some live-action Star Wars content.

To give you an idea...

Let's say they announce something called "Dooku - A Star Wars Story".

It wouldn't be too far-fetched to assume it'll be about Count Dooku, maybe about his rise and fall. Former Jedi, evil Sith Lord, you'd expect lightsaber fights galore, him leaving the Jedi, or training under Yoda, training Qui-Gon, studying the Dark Side, stuff like that, y'know?

And instead... instead it would be a story set in the 2-3 years between him leaving the Jedi Order and becoming a Sith Acolyte, and focuses majorly around him getting used to be the Count of Serenno, trying to fight off corrupt bureaucrats and/or pirates/bandits from getting their hands on Serenno and finally, at the end, joining Sidious.

Yoda might make a cameo, Sidious would for sure, but the story's main cast would be a young fish-out-of-water POV character for the audience, the butler of Chateau Serenno, Dooku's sister, a disposable baddie and maybe his political rivals in the House of Lords or something. No one of consequence.

See what I mean?

And I'm specifying "live-action" because I think there's a different approach taken with these stories when they're in live action. Example:

Boba Fett is a bounty hunter. You'd expect a series about him to be centered on that. But nope... let's NOT be predictable, let's make him, I dunno, a crime boss... but not a Peaky Blinders type of crime boss, that'd be too obvious, no let's make him Don Corleone but like 10x softer. See? Now, we're shaking the system! Nobody could've predicted we'd focus on this specific aspect! Fresh, original! AKA quality stuff!

And I know they were going for a decent story, I've already broken it down here. But sometimes, some of this stuff is just straight-forward and seeing them NOT tick those boxes is baffling.

And it's not just an approach Lucasfilm takes, it's all studios.

For instance, the "this superhero needs to spend the whole film in civilian clothing until they earn their costume/powers/name" trope is also a result of this approach.