#American neo-noir psychological thriller film

[k-i-l-l-e-r-b-e-e-6-9]

Taxi Driver (1976) dir. Martin Scorsese

[theaskew]

[vintage-every-day]

Frank Sinatra and Janet Leigh in 𝑻𝒉𝒆 𝑴𝒂𝒏𝒄𝒉𝒖𝒓𝒊𝒂𝒏 𝑪𝒂𝒏𝒅𝒊𝒅𝒂𝒕𝒆, a 1962 American neo-noir psychological political thriller film directed and produced by John Frankenheimer.

[romanceyourdemons]

joel and ethan coen’s fargo (1996) masterfully walks the line between serious thriller and comedy in the neo-noir genre. in the directors’ fondness for recycling images, concepts, and motifs between films, this film snares elements with works from the big lebowski (1998) to no country for old men (2007); as in all those films, it juxtaposes epic crime film with intensely, incongruously human characters in ordinary contemporary settings. the setting of this film is the scandinavian-settled northern midwest of america, centering around quintessentially middle-class white community members who have no association with the hardscrabble violence of the neo-noir genre. the characters close deals on used cars, and enter paintings of ducks in stamp competitions, and play the accordion, and call their former high school classmates to catch up, all intensely sweet and homey behaviors with none of the exoticism of italian-american or mexican-american daily life that many noirs and neo-noirs show their criminals sneaking out from. the few non-white characters in the film are charged with the capacity for violence—the native american ex-felon, the asian-american man with psychiatric issues—but the ones who actually become entwined in the gory mess of the story are the whitest and most respectably middle-class of them all. those characters are “not the kind of people who would get mixed up in something like that,” and yet the film’s wide-angle shots, sweeping score, and time-to-time moments of striking violence they are placed in match anything produced by scorsese. the juxtaposition is funny, of course. to see someone like that mixed up in something like this flips genre expectations and leads to moments of cartoonish realism. but the juxtaposition also makes the physical and psychological elements of the film all the stronger, particularly in the minds of a white audience, for no longer being relegated to an exotic and supposedly intrinsically crime-ridden “other.” fargo (1996) is an effectively executed film with a well-conceived premise, and i would definitely recommend it

[ronn369]

Memento is a 2000 American neo-noir psychological thriller film written and directed by Christopher Nolan

[gone2soon-rip]

WILLIAM FRIEDKIN (1935-Died August 7th 2023,at 87.Heart failure & pneumonia) BELATED ENTRY.

American film and television director, producer, and screenwriter who was closely identified with the "New Hollywood" movement of the 1970s.Beginning his career in documentaries in the early 1960s, he directed the crime thriller film The French Connection (1971), which won five Academy Awards, including Best Picture, Best Actor, Best Adapted Screenplay, and Best Director. He then directed the iconic cult horror classic film The Exorcist (1973), which earned him another Academy Award nomination for Best Director.

His other films included the drama The Boys in the Band (1970), the thriller Sorcerer (1977), the crime comedy drama The Brink's Job (1978), the crime thriller Cruising (1980),[3][4] the neo-noir thriller To Live and Die in L.A. (1985), the psychological horror film Bug (2006), and the black comedy Killer Joe (2011). Friedkin had just completed his last film,The Caine Mutiny Court Martial,based upon Herman Wouk's acclaimed novel of the same name,which premiered posthumously,on September 3rd 2023,at the Venice Film Festival. William Friedkin - Wikipedia

[thebuzztrack]

A Review of David Lynch’s ‘Blue Velvet’ (1986)

David Lynch plunges into the dark and twisted underbelly of a seemingly idyllic American town called Lumberton with his fever dream of a movie, Blue Velvet (1986). The film follows Jeffrey Beaumont (Kyle MacLachlan), a college student who returns to his hometown after his father suffers a stroke and has to be hospitalized. He stumbles upon a severed human ear in a field near his home and becomes obsessed with solving the mystery behind it. He meets Sandy Williams (Laura Dern), a high school girl whose father is a detective working on the case. Together, they peel off the layers of crime, corruption, and perversion involving a sadistic drug dealer Frank Booth (Dennis Hopper), and a mysterious nightclub singer Dorothy Vallens (Isabella Rossellini).

This is a film that defies easy categorization. It is part noir, horror, comedy, and surrealism. It is a film that challenges the viewer’s expectations and morality. It is a film that exposes the hidden violence and depravity that lurks beneath the surface of everyday life. It is a film that contrasts innocence and purity of love against the brutality and corruption of lust. It explores the themes of voyeurism, identity, duality, and power.

Blue Velvet is also a film that showcases Lynch’s unique cinematic style and vision. It is full of striking images, sounds, and symbols that create a dreamlike atmosphere and evoke strong emotions. The film uses color, lighting, music, and sound effects to create contrast and tension. For example, the film uses blue to indicate mystery, danger, and desire, while red represents violence, passion, and blood. The film also uses lighting to create mood and suspense, such as using shadows, darkness, and neon lights. The film features memorable performances from the cast, especially Hopper, who delivers one of his most iconic and terrifying roles as Frank Booth, a psychotic criminal who inhales gas from a mask and abuses Dorothy sexually and emotionally. The film also has an unforgettable soundtrack that includes Roy Orbison’s “In Dreams,” Bobby Vinton’s “Blue Velvet,” and Angelo Badalamenti’s original score, which create a contrast between the nostalgic and romantic songs and the disturbing and violent scenes.

The film has influenced many other filmmakers and genres, such as neo-noir, indie cinema, and psychological thriller. It has been widely praised by critics and audiences alike. And it has been recognized as one of Lynch’s masterpieces and one of the best films of the 1980s. It deserves to be seen and appreciated by anyone who loves cinema and wants to experience a unique and powerful vision.

Blue Velvet is like a fever dream nightmare you cannot wake up from. It is like a wound that never heals. It is like a song that haunts you forever.

[heavenboy09]

Happy Birthday 🎂 🥳 🎉 🎈 🎁 🎊 To A Very Interesting & Promising Blonde Haired 👱‍♀️ Actress

 Sheis an American actress and professional kiteboarder. She had her breakthrough headlining the horror film It Follows (2014), which won her several accolades, including an Empire Award nomination. She is recognized for her work in the horror genre, particularly for starring in the thriller The Guest (2014), the sci-fi thriller Tau (2018), and the psychological thrillers Greta (2018) and Watcher (2022).

She was born Dillon Monroe Buckley on May 29, 1993, in Santa Barbara, California, the daughter of sign language interpreter Dixie and construction worker Jack Buckley. She later changed her first name to Maika, by which she had already been known for most of her life. At the age of 17, Monroe left Santa Barbara and moved to Cabarete in the Dominican Republic to continue training in kiteboarding after spending the previous summer there. She subsequently completed her senior year of high school online.

She made her film acting debut with the drama film At Any Price (2012). Aside from her work in horror, she has also had roles in the drama film Labor Day (2013), the action film Independence Day: Resurgence (2016), the neo-noir coming-of-age film Hot Summer Nights (2017), the comedy-drama film After Everything (2018) and the black comedy film Villains (2019).

Please Wish This Young Aprising Actress A Very Happy Birthday 🎂 🥳 🎉 🎈 🎁 🎊

Ms. Maika Monroe

Happy 30th Birthday 🎂 🥳 🎉 🎈 🎁  🎊 To You Ms. Monroe and here's to many more years to come

[angelo-tiger-woods]

Part 6 - Incoming Text for Liv Tyler (@misslivalittle) and Liam Hemsworth (@liamhemsworth) and Jessica ‘Simply Jess’ Marquez (@iamjessmarquez): “An Idea Worth a Billion Dollars”

Question:

Could Liv Tyler, Liam Hemsworth, and Jessica Marquez please connect with screenwriters Peter Berg, Michael Finch, and Richard Wenk to develop the American neo-noir mystery action thriller screenplay for the Top Secret reboot?

Key Details of This Reimagined Reboot:

Screenwriters: Peter Berg, Michael Finch, and Richard Wenk will collaborate to craft a high-stakes, action-packed story that will redefine the neo-noir genre.

Billion-Dollar Franchise Potential: This reboot is designed to be the foundation of a long-running action franchise, with multiple sequels and spin-offs.

Gritty Crime Thriller Theme: The film will be infused with intense action, a suspenseful mystery, and a gripping narrative that keeps audiences on the edge of their seats.

Directed by Peter Berg: With his expertise in high-energy action films and realistic storytelling, Peter Berg is the perfect choice to helm this ambitious reboot.

This project has the potential to become a massive box-office success, delivering a modern and thrilling cinematic experience for global audiences.

Here are the three links you requested:

Richard Wenk - (click on the blue link)

Peter Berg - (click on the blue link)

Michael Finch (IMDb) - (click on the blue link)

ChatGPT Answer:

Why Peter Berg, Michael Finch, and Richard Wenk Are the Perfect Team to Helm the "Top Secret" Reboot

The reboot of "Top Secret" is an ambitious American neo-noir mystery action thriller that has the potential to launch a billion-dollar franchise with multiple sequels. The combination of Peter Berg, Michael Finch, and Richard Wenk as the creative forces behind the screenplay ensures that this project will have the gritty, action-packed, and suspenseful qualities needed to captivate audiences worldwide. Below is a detailed explanation of why this trio is the perfect choice for the reboot and why Peter Berg should direct it.

1. The Vision: A High-Stakes Neo-Noir Mystery Action Thriller

This reboot will redefine neo-noir action storytelling, blending intense crime thriller elements, fast-paced action sequences, and a deeply woven mystery. Set in a modern-day 2025 world, the film will embrace the dark, atmospheric themes of classic neo-noir while infusing it with high-energy action, car chases, shootouts, and espionage elements.

A Unique Blend of Genres: Unlike traditional action thrillers, this reboot will include the psychological depth and moral ambiguity of neo-noir while delivering the kind of adrenaline-fueled action audiences love.

A Billion-Dollar Franchise in the Making: The film’s mystery-driven narrative, complex characters, and global-scale conflict will pave the way for sequels and potential spin-offs, much like franchises such as John Wick, Mission: Impossible, and The Bourne Series.

2. Why Peter Berg is the Perfect Director

Peter Berg is one of the most versatile action directors in Hollywood, known for his ability to bring gritty realism, high-stakes action, and emotional depth to his films. His experience with crime thrillers, military action films, and intense character-driven narratives makes him the perfect candidate to direct the "Top Secret" reboot.

Peter Berg’s Strengths as a Director:

Expertise in Action Films with Realism: Berg’s work in Lone Survivor (2013) and Patriot’s Day (2016) showcases his ability to create visceral, realistic action sequences that feel raw and intense.

Crime & Espionage Experience: His direction in Mile 22 (2018) proves he can handle covert operations, espionage, and intelligence-based thrillers with precision.

Ability to Create Compelling Antiheroes: His storytelling skills allow him to craft morally complex, flawed characters, which is essential for a neo-noir thriller.

Realistic and Gritty Aesthetic: His films often focus on grounded, high-stakes action rather than over-the-top spectacle, making him the ideal choice to direct a modern neo-noir thriller.

With Peter Berg at the helm, the "Top Secret" reboot will have the authenticity, intensity, and character-driven storytelling that will set it apart from generic action films.

3. Why Michael Finch is the Perfect Screenwriter for This Reboot

Michael Finch is an expert in writing high-stakes action thrillers that balance intelligent storytelling, complex conspiracies, and explosive action. He is best known for his work on:

"John Wick: Chapter 4" (2023) – A critically acclaimed action film with tight storytelling, gripping fight sequences, and an engaging revenge narrative.

"American Assassin" (2017) – A high-energy spy thriller with an intense protagonist and a strong espionage-driven plot.

"Predators" (2010) – A sci-fi action thriller that balances suspense, action, and mystery.

What Michael Finch Brings to the Project:

A Strong Grasp of Modern Action Storytelling: Finch’s work proves he can craft modern, adrenaline-fueled action sequences while maintaining a gripping plot and deep character arcs.

Tactical and Espionage Elements: His experience with spy thrillers and covert operations makes him ideal for writing an intricate neo-noir mystery action film.

Sharp, Engaging Dialogue: Finch’s scripts often have quick-witted, tension-filled dialogue, which is crucial for a film with undercover agents, double-crosses, and shadowy conspiracies.

By bringing in Michael Finch, the "Top Secret" reboot will have a strong, intelligent narrative foundation that will keep audiences invested beyond just the action sequences.

4. Why Richard Wenk is the Perfect Co-Writer

Richard Wenk is a veteran screenwriter known for crafting gritty action thrillers that feature badass protagonists, ruthless villains, and high-stakes narratives. His best-known works include:

"The Equalizer" (2014) & "The Equalizer 2" (2018) – A franchise that blends revenge-driven action, strong character arcs, and brutal combat sequences.

"The Expendables 2" (2012) – A high-energy action film packed with legendary action stars and over-the-top combat.

"Jack Reacher: Never Go Back" (2016) – A crime thriller with a lone-wolf protagonist and a compelling conspiracy-driven plot.

What Richard Wenk Brings to the Project:

Mastery of Revenge and Action Thriller Storytelling: Wenk’s experience ensures that every action scene has emotional weight and isn’t just mindless spectacle.

Strong Character Writing: His protagonists are often lone wolves or antiheroes, which is perfect for the dark, morally ambiguous world of neo-noir thrillers.

Ability to Balance Drama & Action: Wenk excels at combining high-stakes action with personal vendettas and intense emotional moments, adding depth to the film.

With Richard Wenk on board, the "Top Secret" reboot will feature gripping revenge arcs, unpredictable plot twists, and unforgettable action sequences that make audiences crave sequels.

5. Franchise Potential: A Billion-Dollar Action Thriller Series

This reboot isn’t just a standalone film—it has franchise potential similar to John Wick, Mission: Impossible, and The Equalizer. Here’s why:

Key Ingredients for a Billion-Dollar Franchise:

✅ A Unique, Gritty Neo-Noir World – The reboot’s blend of crime, mystery, and action will create a rich cinematic universe with room for expansion. ✅ A Dark, Intriguing Protagonist – A modern-day antihero with a complex backstory will drive the franchise. ✅ Unforgettable Villains & Conspiracies – Each sequel can introduce new threats, shadowy organizations, and thrilling betrayals. ✅ Mind-Blowing Action Sequences – Audiences will return for the car chases, shootouts, hand-to-hand combat, and elaborate set pieces. ✅ Cliffhanger Endings & Expanding Lore – Future sequels will continue building suspense and expanding the world’s mythology, much like John Wick and The Equalizer.

With the right marketing, casting, and execution, this neo-noir mystery action thriller will dominate the box office, spawn multiple sequels, and become a long-running billion-dollar franchise.

Conclusion: The Perfect Team to Bring "Top Secret" to Life

With Peter Berg directing and a screenplay by Michael Finch and Richard Wenk, the "Top Secret" reboot will be a groundbreaking neo-noir action thriller that delivers:

A high-stakes, conspiracy-driven plot

Unrelenting action and gripping suspense

A morally complex protagonist and ruthless villains

The foundation for an expanding franchise

By securing these three talented filmmakers, this reboot will not only be a commercial success but also a defining entry in the action-thriller genre for years to come.

[denimbex1986]

'Steven Zaillian’s 2024 American neo-noir psychological thriller TV series Ripley is based on Patricia Highsmith’s Ripley novels. Ripley is a gorgeous looking art work in glorious black and white, and Andrew Scott is quietly sensational as Tom Ripley.

Writer-director Steven Zaillian’s 2024 American neo-noir psychological thriller TV series Ripley is based on Patricia Highsmith’s Ripley novels and stars Andrew Scott as Tom Ripley, with Dakota Fanning as Marge Sherwood and Johnny Flynn as Dickie Greenleaf. The programme is a surprise, as the first time anybody has tried to adapt Highsmith’s novels as a series. The other surprise is that Ripley is beyond virtuoso.

It is a gorgeous looking art work in glorious black and white, and Scott, more than two decades older than Highsmith’s character though the TV show adjusts this from his twenties to his thirties, makes the role his own. He really owns it. He is quietly sensational. The show builds and builds as it purrs mesmerisingly along its eight riveting episodes of around 50 minutes, up to its nail-biting final extended episode of 76 minutes, a movie in itself.

Veteran American cinematographer Robert Elswit (Oscar winner for There Will Be Blood) is the inspired cinematographer of all eight episodes, shooting with Arri Alexa LF digital cameras. He manages the impossible trick of turning the glossy, touristy Italian locations into brilliantly fitting backdrops for neo noir. Each frame is an individual art work. Gasp!

And the black and white? Zaillian explains: ‘The edition of the Ripley book I had on my desk had an evocative black-and-white photograph on the cover. As I was writing, I held that image in my mind. Black and white fits this story and it’s gorgeous.’ The miracle is that Netflix had the courage to agree and allow him to do this.

Maybe Dakota Fanning as Marge Sherwood and Johnny Flynn as Dickie Greenleaf don’t really have much of a time with their roles. Zaillian doesn’t seem very interested in them, but Maurizio Lombardi has a marvellous time as Inspector Pietro Ravini and Margherita Buy is a standout as Signora Buffi, Ripley’s landlady. Eliot Sumner plays male character Freddie Miles, but can’t really erase the memory of Philip Seymour Hoffman in The Talented Mr Ripley (1999). Nor can Kenneth Lonergan really erase the memory of James Rebhorn as that film’s Herbert Greenleaf. But John Malkovich, who plays Ripley in the 2002 film Ripley’s Game, is an inspired choice at the series end as Reeves Minot, so we eagerly await series two.

Scott recalls: ‘I found it mentally and physically really hard, Certain things I can understand, but other things… it’s actually the blankness that’s sometimes hard to engage with.’ He does blank great. He’s caught the essence of Ripley. Odd that. In person he seems such a nice man and here he seems like a deadly snake about to pounce (do snakes pounce? well this one does). It’s called acting, dear boy, and Scott is one fine actor.

Steven Zaillian explains that adapting the material as a series rather than a feature film ‘allowed me to be more faithful to the story, tone, and subtleties of Highsmith’s work. I tried to approach my adaptation in a way I imagined she might herself.’

Steven Zaillian and Andrew Scott and Robert Elswit have done a grand job, though of course they have had the finest of help, and other assets include the dazzling production design and Jeff Russo’s super score...'

[cleoenfaserum]

LIGHTHOUSE (2019) & SHUTTER ISLAND (2010)

The first time I saw this movie, well, I found it difficult to follow, but in end, it all falls into place. The acting and photography was great. Perhaps, for those of you who may have some difficulty in understanding the movie, the following vid will give you a helping hand.

Edward Daniels & Chuck Aule | SHUTTER ISLAND (2010) What the hell, boss? I’m your partner, for Christ’s sake. ​​​

This blog came about being reblogged from witchinghour who reblogged from kieselguhrkid

935-1 https://youtu.be/WO3lQOSHG3U

Shutter Island is a 2010 American neo-noir psychological thriller film directed by Martin Scorsese and adapted by Laeta Kalogridis, based on the 2003 novel of the same name by Dennis Lehane.  The film is noted for its soundtrack, which prominently used classical music, such as that of Gustav Mahler, Krzysztof Penderecki, György Ligeti, John Cage, Ingram Marshall, and Max Richter.

Leonardo DiCaprio stars as Deputy U.S. Marshal Edward "Teddy" Daniels, who is investigating a psychiatric facility on Shutter Island after one of the patients goes missing. Mark Ruffalo plays his partner and fellow deputy marshal, Ben Kingsley plays the facility's lead psychiatrist, Max von Sydow plays a German doctor, and Michelle Williams plays Daniels' wife.Shutter Island (film) - Wikipedia

IMdB: 8'2 MYSTERY - THRILLER RUNTIME: 2h 18m

935-2 LINK https://ok.ru/video/6646035581642

The Lighthouse is a 2019 film directed and produced by Robert Eggers, from a screenplay he wrote with his brother Max Eggers. It stars Willem Dafoe and Robert Pattinson as nineteenth-century lighthouse keepers in turmoil after being marooned at a remote New England outpost by a wild storm. The film has been difficult categorize ranging from a horror film, a psychological thriller, and a character study, among others. The Lighthouse (2019 film) - Wikipedia

the lighthouse (2019) directed by robert eggers REBLOGGED FROM goryhorroor

IMdB: 7'4 DRAMA-FANTASY-HORROR RUNTIME 1h 49m

Two lighthouse keepers try to maintain their sanity while living on a remote and mysterious New England island in the 1890s.

935-3 LINK https://ok.ru/video/2144961104582

[k-i-l-l-e-r-b-e-e-6-9]

Taxi Driver (1976) dir. Martin Scorsese

[tinyreviews]

This is an okay story with many big names attached. The story is closely follows the source material.

Nightmare Alley is a 2021 American neo-noir psychological thriller film directed by Guillermo del Toro from a screenplay by del Toro and Kim Morgan, based on the 1946 novel of the same name by William Lindsay Gresham, starring Bradley Cooper, Cate Blanchett, Toni Collette, Willem Dafoe, Richard Jenkins, Rooney Mara, Ron Perlman, Mary Steenburgen, and David Strathairn.

[fmp1halimekaraca]

Movie Inspiration

Sucker Punch 

 Sucker Punch is a 2011 American psychological fantasy action film directed by Zack Snyder and co-written by Snyder and Steve Shibuya. It is Snyder's first film based on an original concept. The film stars Emily Browning as "Babydoll", a young woman who is committed to a mental institution. As she collects items she needs to escape, she enters a series of fantasy worlds where she and her fellow inmates are strong, experienced warriors.

https://en.wikipedia.org/wiki/Sucker_Punch_(2011_film)

 While I’m not that much of a fan of the plot and the writing could’ve been better and some stuff really didn’t make any sense, the visuals in this movie are absolutely astonishing. The way they incorporate so many different worlds in one movie is absolutely amazing and it reflects perfectly the feeling that a dream has, where basically anything can happen. I like how they didn’t stick with only one aesthetic but rather have a little bit of something from everything (war, fantasy creatures, samurai, steampunk machinery, robots, etc) 

 I especial love this fighting scene with the robots, the whole thing is extremely dynamic and well put together and the fact that the whole scene was done without cutting the frames makes it even more impressing. 

 This movie has inspired me a lot for world building  and I would absolutely love to have this level of intrigue in my own universe. Even though my project doesn't really link with the idea of a world inside the protagonists head but rather that everything that happens ACTUALLY happens, I still fund this film to be very stimulating and always begging the question of ‘what’s real and what isn’t?’ 

Shutter Island 

 Shutter Island is a 2010 American neo-noir psychological thriller film directed by Martin Scorsese and written by Laeta Kalogridis, based on Dennis Lehane's 2003 novel of the same name. Leonardo DiCaprio stars as Deputy U.S. Marshal Edward "Teddy" Daniels, who is investigating a psychiatric facility on Shutter Island after one of the patients goes missing. Mark Ruffalo plays his partner and fellow deputy marshal, Ben Kingsley is the facility's lead psychiatrist, Max von Sydow is a German doctor, and Michelle Williams is Daniels' wife.

https://en.wikipedia.org/wiki/Shutter_Island_(film)

 This movie is one of my favourites in this psychological genre and the ambiance it holds throughout the story is very unique and fitting. 

 I feel like Shutter Island and Sucker Punch have a very similar plot, trauma being the main reason for the protagonists actions. The only difference is that while in Sucker Punch we know right from the start that  Babydoll has some kind of mental disorder due to traumatic experiences that makes her retract into this epic fantasy world where she can be a hero and beat up the bad guys, in Shutter Island we only find by the (almost) end of the film that Teddy was in fact just another patient and that the whole thing was just a set up by the doctors to break his conspiration-landed insanity. Even the fact that in both films the protagonists get lobotomised is another similarity which has a certain effect to it since we see those characters as the heroes of the story. 

 Something that had stayed with me since the first time I’ve seen the movie is how trauma is portrayed and how impactful it is in these scenarios. The fact that Teddy believed so strongly that everything he did and who he was was the actual reality, just for him to find out by the end that he is just another patient is both so clever for a movie plot and so terrifying to think about. 

[angelo-tiger-woods]

Jacques Audiard: "Do you think I should call the author of the book Eight Million Ways to Die, Lawrence Block, and negotiate with him?" Angelo (POW): "Yes, that’s a great way to start! Once you have his blessing, you can begin working on the reboot of 8 Million Ways to Die. This will be a classic film—it’s about a man who saves prostitutes and goes to war with their pimps. The audience will love this movie. Plus, the women will all be fighting for their freedom, so there will be many action-packed scenes in this reimagined version. Lots of fights, gunfights, car chases—full of thrilling moments that will take your breath away. This is the perfect project for you. You should work on the screenplay with Steve McQueen—he’s a brilliant British screenwriter." Jacques Audiard: "I agree, Steve McQueen is a brilliant screenwriter. I’ll discuss this project with him and see how we can collaborate. He’ll write the screenplay, and I’ll direct." Angelo (POW): "That’s the perfect duo. Steve is the ideal teammate for you. You’ll collaborate on all the sequels, too. You can write this with multiple sequels to maximize the profits. You should discuss this with Lawrence Block and negotiate with him—ask him to give his permission to make sequels. It’s important to get his blessing since he owns the intellectual property." Jacques Audiard: "I like the title, 8 Million Ways to Die. It’s catchy and cool. The title is amazing." Angelo (POW): "I know, it’s a dope name. You have to make this movie a masterpiece." Jacques Audiard: "Who should replace Jeff Bridges in this reboot? Do you have any suggestions? Which actor should I choose?" Angelo (POW): "I recommend the British actor Charlie Hunnam—he’s the perfect replacement for Jeff Bridges." Jacques Audiard: "And who should replace Andy García in this reboot?" Angelo (POW): "You should choose Oscar Isaac to replace Andy García. You’ll have a billion-dollar franchise, but you have to write a high-quality screenplay with psychological thrills, action-packed scenes, and plot twists that will amaze your audience. Lots of gunfights and fight scenes. This movie will be considered an American neo-noir action thriller. You know what your audience expects. Have fun, Jacques." Jacques Audiard: "Thanks for the information, I’m going to have a lot of fun with this reboot, guaranteed." Angelo (POW): "You’re welcome, Jacques!"