#American Style Curtains In Dubai | Explore Tumblr posts and blogs

spyronj · 10 months ago

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Curtain Fabrics: Choosing the Right Material for Dubai's Climate

When it comes to selecting curtains for homes in Dubai, considering the climate is crucial. With the city experiencing hot and humid weather for a significant part of the year, choosing the right fabric can make a significant difference in maintaining comfort and energy efficiency indoors. From lightweight options to those with insulating properties, curtain fabrics play a vital role in enhancing the functionality and aesthetics of window treatments in Dubai.

Al Nibras, a renowned provider of curtains in Dubai, offers a diverse range of fabric options tailored to the city's unique climate. With a focus on quality and durability, Al Nibras ensures that homeowners can make informed choices when selecting curtains that best suit their needs and preferences.

Lightweight and Breathable Fabrics for Dubai's Climate

In a city known for its scorching summers, lightweight and breathable curtain fabrics are essential for maintaining a comfortable indoor environment. Fabrics such as cotton, linen, and sheer materials allow air circulation while providing privacy and diffusing harsh sunlight. Al Nibras offers a variety of cotton and linen curtains in Dubai, perfect for homeowners looking to create a light and airy ambiance in their living spaces.

American Curtains: Energy-Efficient Solutions for Dubai

For homeowners seeking energy-efficient solutions to combat the intense heat of Dubai's summers, American curtains are an excellent choice. These curtains feature multiple layers of fabric, including insulating materials, which help regulate indoor temperatures by blocking out heat and UV rays. Al Nibras offers a selection of American curtains in Dubai, providing homeowners with an effective way to reduce energy consumption and maintain a comfortable living environment throughout the year.

Wave Curtains: Combining Style and Functionality

Wave curtains, known for their modern aesthetics and versatility, are another popular option for homeowners in Dubai. Crafted from a variety of fabrics, including polyester blends and eco-friendly materials, wave curtains offer both style and functionality. With their unique wave-like folds, these curtains add a touch of elegance to any interior while providing privacy and light control. Al Nibras offers a range of wave curtains in Dubai, allowing homeowners to enhance their living spaces with stylish and practical window treatments.

Choosing the Right Curtain Fabric for Dubai's Climate

When selecting curtain fabrics for homes in Dubai, it's essential to consider factors such as durability, maintenance, and aesthetic appeal. Fabrics that are resistant to fading and moisture are ideal for withstanding the harsh climate conditions of the city. Additionally, opting for easy-to-clean fabrics can help ensure that curtains remain fresh and vibrant despite the dust and sand prevalent in Dubai's environment.

Al Nibras: Your Destination for Quality Curtains in Dubai

With a wide selection of curtain fabrics to choose from, Al Nibras is your go-to destination for quality curtains in Dubai. Whether you're looking for lightweight options to enhance airflow or energy-efficient solutions to combat the heat, Al Nibras offers curtains that cater to your specific needs. With their commitment to quality, durability, and customer satisfaction, Al Nibras ensures that homeowners can find the perfect curtains to complement their living spaces in Dubai.

In conclusion, selecting the right curtain fabric is essential for ensuring comfort, energy efficiency, and aesthetic appeal in homes in Dubai. With options ranging from lightweight and breathable fabrics to energy-efficient solutions like American curtains, homeowners have a variety of choices to suit their preferences and lifestyle. By choosing curtains from Al Nibras, homeowners can enjoy quality, durability, and functionality while enhancing the beauty of their living spaces in Dubai.

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jaydeemedia · 1 year ago

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[ad_1] Shoreditch has the best street art in London. Here’s a breakdown of all the best locations and artists including a self-guided walking tour and map to make sure you don’t miss anything. LAST UPDATE: 11 Dec 2023 Anywhere We Roam is reader-supported. When you buy through links on our site, we may earn a small affiliate commission at no extra cost to you. Thanks for your support - Paul & Mark. London is rich with great street art, but nowhere is more blessed than Shoreditch. Gritty walls are packed with vibrant murals, striking typography, and political statements. Artists flock from all over the world to paint in Shoreditch. But street art is, by its very nature, ephemeral. New street art pops up just as old favourites disappear. This rotating lifecycle is what makes it so appealing, and no exploration of Shoreditch is ever the same. We’ve picked all our favourite Shoreditch Street art and artists and created a self-guided walk. We do our best to keep it up to date – but things change, and you might just see a brand-new Banksy. If you’d rather join an organised tour, check out this well-rated Shoreditch Street Art tour. SHOREDITCH STREET ART MAP Here is our map of the best street art in Shoreditch as of December 2023. The street art locations are marked in red and the galleries in brown. We have created a walking route to show you the easiest way to see them. The total walk is 5 kilometres and to see all the art, we suggest allowing around 3 to 4 hours. The walk starts at Old Street Station and ends at Liverpool Street Station, but there is no reason you could not do it the other way round. Download the map onto your phone and follow along. Information about the art is below. >> How to use this map / Click on the top left of the map to display the list of locations, then click on the locations to display further information. Click on the top right corner of the map to open a larger version in a new tab or the star to save to your Google Maps. 1. COWPER STREET Just outside Old Street Station is Cowper Street. This little road has a collaboration between several exciting artists. Fusing their different styles Jim Vision painted the colourful portrait, Si Mitchell is responsible for the striking dragon and ThisOne added the black and white flowers. At the junction of Cowper and Tabernacle there is a massive wall often covered in adverts. Adidas had taken it over on our last visit. COWPER STREET, SHOREDITCH 2. BLACKALL ALLEY This narrow alleyway is a bit of a hidden gem. Too small for cars, it’s backed onto by warehouses and packed with street art and murals. There are hundreds of images to take in. Don’t miss the numerous stencils by Buenos Aires-born artist Cartoonneros including “Van Gogh” and “Surviving England on Ten Pounds.” Our favourite was the striking face by Dubai-based street artist Fink 22. SURVIVING ENGLAND ON £10 VAN GOGH FACE BY FINK22, BLACKALL ALLEY 3. AMERICAN CAR WASH This multi-story car park is covered in graffiti from top to bottom. Rather than cool street art, it’s more a blast of colour against the skyscrapers of the city. On the way to the car wash you will pass two interesting galleries. Pure Evil Gallery, run by the eponymous local artist on Leonard Street, is a mecca for independent artists who wear their politics proudly. Jealous Gallery, on Curtain Road, is a contemporary gallery often focusing on street artists. During our last visit it had an exhibition by Italian-born artist ALO (Aristide Loria). AMERICAN CAR WASH 4. RIVINGTON STREET Before heading into New Inn Yard, the walking tour detours to Rivington Street. It’s worth the effort as there’s plenty of excellent art, including two Banksy’s. In Cargo Bar’s Yard, behind an iron gate and covered in Perspex, you’ll find Banksy’s “The Guard Dog” and “His Master’s Voice.” Between them are the indelible thoughts by LA-based street artist WRDSMTH. There’s plenty more to feast your eyes on. Ben

Eine’s “Scary” is under the railway bridge and next to it is a wonderful art adaption of Marina Lewycka’s novel “A Short History of Tractors in Ukraine.” Finally, the colourful heads of French artist Thierry Noir are under the Bash Street sign. He became a legend for painting on the Berlin Wall almost every day from 1984-1989. RIVINGTON STREET 5. BATEMANS ROW Zigzag your way back to New Inn Yard via French Place (which has an image of a White Rabbit on large black doors) and Bateman’s Row. The walls under the railway bridge are often adorned with bright and colourful street art. Pablo Allison’s vibrant spray paint mural dominates one side, while Chris Martin’s mixture of house paint and special ink lights up the other. The images on the bridge are often updated on Outside the Zone’s website. 6. NEW INN YARD & KING JOHN COURT New Inn Yard has a tiny little courtyard containing rubbish bins, metal fire escapes, and a whole host of street art. The art rotates quickly, but there are plenty of images all over the walls and an evocative Cartoonneros stencil called Putting Putin in the Bin. The brutalist building running along New Inn Yard and King John Court is covered top to bottom in one massive mural called Connectivity Matters. Numerous artists contributed to this remarkable endeavour which was completed in 2018. Autone Nest has created a crossing of lines in blazing colour topped with a Pride Matters rainbow heart. Mr Cenz and Lovepusher have combined to show a woman in deep thought holding a glowing orb seemingly connecting with the future. Nomad Clan use the fast-forward and rewind signs of old cassette decks to show connections through time and a pigeon carrying a letter for connections across space. Best Ever simply portray human connections through the shaking of hands. Oliver Switch and BUSK conveys the unbroken line of time from grand old masters to modern street art and graffiti. Ed Hick and Zadok, both formerly part of the 54 Crew, have created an eerie forest scene of connecting twisted trees and mushrooms. Tizer and Captain Kris highlight the links between nature and technology in their image of a robot dancing with a woman. Hunto & Mr Thoms have painted a series of intertwined faces in Picasso-esque cubist style. 7. WILLOW STREET & GREAT EASTERN STREET Two tube carriages coffered in graffiti by Sime and Wendy are perched on top of the building that sits on the corner of Willow Street and Great Eastern Street. The words “let’s adore and endure each other” are under the carriages on the Great Eastern Street side. Painted by Stephen Powers, it’s one of the most famous and loved street art pieces in London. Below are four advertising boardings that regularly rotate with different street art. GREAT EASTERN STREET 8. BULL IN A CHINA SHOP Otto Schade usually communicates anti-war themes with his trademark ribbon style. Painting in Shoreditch over the years he has earned the name Osch. Just under the bridge opposite Box Park Shoreditch you’ll find his “Bull in a China Shop,” which he painted on commission from a whisky bar of the same name. BULL IN A CHINA SHOP 9. BRAITHWAITE STREET It’s always worth walking up to the railway arches on Braithwaite Street and seeing what’s there. If you’re lucky David Speed’s dramatic purple neon image of a girl will still be proudly displayed through the metal fence. 10. EBOR STREET Ebor Street has some large, long walls making it perfect for big pieces of Shoreditch Street art. On our last visit there was a massive orange advert for Just Eat, and a couple of stunning portraits on the walls of the London Shuffle Club. Typography artist Ben Eine’s 45-metre-long multi-coloured mural “I DON’T WANT TO BE LIKE THIS ANYMORE” dominates the other side of the street. BEN EINE EBOR STREET 11. REDCHURCH STREET Redchurch Street has some of the best examples of street art in Shoreditch. Columbian Vane MG’s bright and neon colours come together in a striking image of girl with a red face.

ALO has two pieces in his usual liminal style. The walking tour takes a detour onto Chance Street and Whitby Street, but when you return to Redchurch Street you’ll find the stunning “Ukrainian Girl” by Woskerski and a long rectangular piece reminiscent of Roy Lichtenstein. UKRANIAN GIRL, WOSKERSKI 12. CHANCE STREET & WHITBY STREET Go down Chance Street and you’ll find a massive wall packed with street art and a clothesline stretched across the street with shoes dangling from it. The highlight is the vibrant mural of colourful diagonals by German street artist MadC (Claudia Walde). Underneath is Yorgos’s large black-and-white image reflecting his focus on human gestures (rather than cognitive justifications) as signs of meanings, emotions, and relations. At the corner of Chance & Whitby Street is the bold blue and pink artwork called the Dream Factory, reminding you where dreams were made. Head down Whitby Street and you’ll find Jim Vision’s kaleidoscope of colour in a portrait of a woman, followed by “The Whitby Street Lady.” Painted in 2018 by Jimmy C, an Australian Street artist based in London, it has incredible light and depth with the out-of-focus spheres drawing us towards the lady’s face. JIM VISION WHITBY STREET LADY CHANCE STREET, SHOREDITCH 13. BRICK LANE Brick Lane is an excellent destination and not just for street art. This multi-cultured melting pot has vintage stores, bagel shops, curry houses, art galleries and record stores. There’s art on almost every spare space of wall and walking along here is an attack on the senses. The rest of the walking tour heads down Brick Lane, making detours into some of the side streets. As you progress don’t miss “Funky Monkey” by Otto Schade, the image of Dali by Benzi Brofman under the bridge, and the mural of a lady with tulips that covers the entire building above Brick Lane Brasserie. FUNKY MONKEY DALI BY ENZI BROFMAN 14. GRIMSBY STREET The first detour off Brick Lane is Grimsby Street. High up on the wall are two entwined elephants, painted by American artist Cernesto. Then there’s an entire wall of images behind which the trains rumble. The road ends at a bright orange mural called Scream. It was painted by Stik, a former homeless man who began painting to feel less invisible. GRIMSBY STREET 15. ALLEN GARDENS & PEDLEY STREET Next detour into Pedley Street. On your right is “High 5”, a collaboration between Jim Vision and Fanakapan painted in 2019. Jim contributed the explosion of colours around the woman and Fanakapan added the helium balloon, a trademark of his work. Continue into Allen Garden’s and you’ll find a mix of street art and graffiti all around the park. It can often be busy here with artists painting over old works or touching up their own. Once you’ve explored head back via Buxton Street to Brick Lane. HIGH 5 ALLEN GARDENS ALLEN GARDENS 16. HANBURY STREET Hanbury Street has some of the best street art in Shoreditch and it’s worth turning left and wandering all the way down the street. Look out for Belgian artist ROA’s black and white crane high up on a large brick wall. Next to it is an upside-down breakdancing Coldstream Guard painted by Argentinian Martin Ron. Both have been here for over 10 years. A little further up the street is another work by WRDSMTH. At the junction with Spital Street there’s a wonderful piece by Woskerski. Known for his vivid illustrations and vibrant colours, the image of a boy and girl surrounded by bright pink mushrooms lights up the entire street. ROA & RON STORIES OF POWER, CARLEEN DE SOZER 17. PRINCELET STREET At the junction of Princelet Street and Brick Lane is a simple yet striking image painted by Stik on red shutter doors. It features two stick figures holding hands, one in black wearing a burka and one in white. It celebrates London’s diversity and the bridging of cultures. Pointedly it’s only a few doors down from the Brick Lane Mosque. PRINCELET STREET 18. SEVEN STARS YARD

Seven Stars Yard was looking a bit of a mess when we last visited. The wall of the yard used to be covered in art, but a large metal shed now covers half of it. Nevertheless, there’s been some intriguing pieces here over the years. On our last visit there was a piece by British-American artist Tizer known for his blend of graffiti and character-based street art. High up on the wall was ‘FAN’ spelt out in Fanakapan’s signature helium balloons. SEVEN STARS YARD 19. HENEAGE STREET We’re big fans of Fanakapan’s hyper-realistic helium balloon 3D graffiti-inspired murals and our favourite lurks just off Heneage Street. The mural features the 3D character Carl Fredricksen, the 78-year-old balloon salesman from the Pixar movie ‘UP’ holding the strings to balloons that spell out the words ‘UP YOURS’ It’s a magnificent piece of street art in a yard adjacent to the 5th Base Gallery. A little tricky to find, we have marked its location clearly on the Shoreditch Street Art map above. 20. FASHION STREET The final stop on our Shoreditch Street art walking tour is Fashion Street. First up is a portrait of café owner Danni with her grandfather Joe when she was three years old. Painted by Jimmy C in his usual pointillist / drip style in 2016, “Joe’s Kid” recalls the work of post-impressionist painters. Further down the street is a portrait of a girl in vivid swirling colours by Mr Cenz. There’s also a mix of graffiti and street art around the door of Mission E1. SPITALFIELDS Fashion Street is the end of the street art. The nearest tube station is Aldwych East, but it’s much more interesting to head home via Liverpool Street Station, stopping off at Spitalfields Market on the way. Have a stroll through the market or grab a bite at one of the food stalls. From Spitalfields, it’s a short walk along atmospheric Artillery Passage to Liverpool Street Station and the end of our Shoreditch Street Art self-guided walking tour. If you enjoyed the tour or have any suggestions, please leave a comment in the comment section at the bottom of this post. If you’d rather join a tour than our self-guided walk check out this well-rated Shoreditch Street Art tour. MORE LONDON GUIDES ANYWHERE WE ROAM ISREADER-SUPPORTED Booking your trip via the links on this page earns us a small commission at no extra cost to you. You can also buy us a coffee. Big thanks – Paul & Mark. INSTAGRAM | FACEBOOK [ad_2] Source link

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blindtexdubai · 4 years ago

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How to Choose the Right Curtain Style For Your Home

Choosing curtains is a ton like choosing garments. The decision depends on what looks great, however what their motivation is. Loads of inside enlivening things can look astonishing all alone, yet will the curtains chip away at the particular window you're wishing to hang them one? Furthermore, will it be ideal for the exercises around there? What works in a nursery most likely will not accomplish for a conventional lounge area. We've assembled a few hints and deceives for picking the ideal Curtains dubai for your home.

Every Room Is Different

Maybe you have the same carpet running throughout the house, however having the same kind of curtains in every room can often leave a lot of creative potential unfulfilled. Some rooms need light and airy curtains, while others might need a heavier fabric. It depends on the purpose of the room and how much daily sunlight that room receives. The other big factor is what colour the walls are and what furniture you have. It’s important to make sure that all the colours in the room complement each other, to avoid an unsightly clashing.

Choosing The Right Fabric

Fabrics offer another amazing range of choices when it comes to picking curtains for your home. According to Alice Guercio, Vice-President of American curtain manufacturer Kravet, linen, faux silk and velvet are the best choices, as they hang best, falling beautifully. Faux silk is hardier than the real thing, as well as less expensive, so could be a good option if you’re taking your bidget into consideration.

Deciding On The Function Of The Curtain

What do you want the curtain to do? Is its purpose to block light, or do you need it to be translucent so it can let through as much light as possible? Do you want it to create privacy by shielding the room from the street or the neighbours? For example, if you’re putting drapes on a picture window, you want them to be light and easy to open, so that you can sit back and enjoy the beautiful outside view.

Of course, in some situations you will want both light and shade, privacy and a view. In that case, you probably need to use a heavier drape that can be left open, with a sheer, lighter shade of fabric behind it, so that some light can still be let in during the day.

Using Curtains As Statement Decorative Pieces

Obviously, curtains can likewise enrich a room, with strong square tones and straightforward examples being incredible decisions. Diversion rooms and youngsters' rooms are the best spaces for curtains that try different things with insane examples, brilliant shadings and highlights like decorations. Mermaids, spacemen and such frequently fit well with the toys and banners that brighten tween rooms. Ponies and ranchers, wild animals and pixie gardens are other potential topics for youngsters' rooms.

In case you're utilizing period plan with solid backdrop designs like a rule stripe, at that point a strong shading will be generally fitting. In a light, nonpartisan room with practically no tones, easier examples, like nautical stripes, will function admirably, to add a tad of energy, anyway keep the softness and brilliance of the room unblemished.

Hanging Up Your Curtain

The curtain will also need rods and other hardware that is appropriate for its purpose. If it’s a light fabric and doesn’t need to be opened and closed regularly, a rod with decorator rings will probably be sufficient. On the other hand, it you have to open and close heavy drapery once or twice a day, for example in a bedroom that has a view by day but needs to shut out the noise and the light at night, then you’ll definitely want to think about a rod with a cord mechanism that allows you to open and close the drapes easily. You might even want to go remote, with a mechanized system that operates from a remote control.

Curtains To Brighten Up Any Room

There are a number of factors to take into account when choosing curtains for your home. Making sure that their fabric, cut, colour and railing matches accordingly with the current interior of the room is especially important for creating a nice, bright and airy place to live. You can directly connect with the blindtex team, they offer all kinds of curtains solutions.

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sofamasterstuff · 4 years ago

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katerinadj · 5 years ago

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Masculinities: Liberation through Photography @ The Barbican

After my plans for going to this exhibition were lead elsewhere due to the pandemic, I did the next best thing by going through the exhibition guide on the Barbican website. A few of the artists in it stood out to me; the first one being self-portrait photographer Samuel Fosso. I adore the first image, the background, the layout, the shoes, the accessories, the styling, it’s so gorgeous. The second self-portrait definitely reminds me of Prince.

The exhibition guide included female photographers as well which I loved, such as Deana Lawson. In the exhibition, her work entitled Sons of Cush (2016) ‘highlights how the black male figure is often ‘idealised (in their physical beauty) and pathologized by the culture (as symbols of violence or fear)’ (Barbican, 2020). Lawson learned lots about rituals and spirituality after visits to Jamaica, Haiti and West Africa. ‘In many of these rituals the body is celebrated through decoration, and Lawson has applied this approach to the use of clothing, jewellery and accessories in her portraits. The details in her work have a function: they place the model on a pedestal, and they evoke a sense of recognition and connection in the viewer.’

‘Deana Lawson’s people seem to occupy a higher plane, a kingdom of restored glory, in which diaspora gods can be found wherever you look: Brownsville, Kingston, Port-au-Prince, Addis Ababa,’ writes Zadie Smith.’ ‘

‘Lawson’s photography has often been described as ‘highly staged’, outfits, objects, accessories and interiors are deliberately combined’ e.g. ‘Plastic sofa sheets, net curtains, and models wearing brightly-coloured acrylic nails, braided hair and gold jewellery recur as stylistic motifs throughout her work, and for Lawson these symbols help to convey the meaning of the cultural identity she studies. ‘Typically, she photographs her subjects in cramped domestic spaces, yet they rarely look either vulnerable or confined. Outside a Lawson portrait you might be working three jobs, just keeping your head above water, struggling. But inside her frame you are beautiful, imperious, unbroken, unfallen,’ writes Zadie Smith in her essay in the monograph published in 2018 by Aperture.

‘Deana Lawson’s work also makes frequent allusion, consciously or unconsciously, to painterly principles. Her close attention to composition, colour and iconography gives her work a claim to a place in art history. Lawson uses formal elements such as lighting and positioning, which suggest intimacy and/or provocation, to strengthen her depiction of personal power and freedom of her models through their personal spaces.’

Lawson has also created glorious photographs of Rihanna.

Images:

1. La femme libérée américaine dans les années 70 (The liberated American woman of the 1970s), 1997, from the series Tati © the artist and courtesy JM Patras/Paris

2. Self-portrait, 1976 © Samuel Fosso. Courtesy The Walther Collection and Jean Marc Patras / Galerie

3. Sons of Cush, 2016, Deana Lawson

4. Deana Lawson, Ring Bearer, 2016, Inkjet print, mounted on Sintra, 43 x 54 inches

https://sites.barbican.org.uk/masculinitiesguide/?_ga=2.18670073.1966546743.1586384355-1236476929.1586384355#group-Glossary-UqrdTICJQq

https://aperture.org/blog/lives-samuel-fosso/

https://www.guernicamag.com/the-self-portraits-of-samuel-fosso/

https://www.guggenheim.org/artwork/36097

https://huismarseille.nl/en/exhibitions/deana-lawson/

https://garage.vice.com/en_us/article/wjkykm/10-things-deana-lawson

https://www.sunilgupta.net/the-new-pre-raphaelites.html

https://www.netherlandsworldwide.nl/latest/news/2020/03/05/heaps-of-dutch-culture-in-the-uk

https://www.saatchigallery.com/artists/richard_billingham.htm

https://www.netherlandsworldwide.nl/latest/news/2020/03/05/heaps-of-dutch-culture-in-the-uk

http://www.sothebys.com/en/auctions/ecatalogue/2017/boundless-dubai-db1701/lot.10.html

http://www.lamondamagazine.com/en/dbgsg/

https://www.tate.org.uk/art/artworks/zaatari-anonymous-studio-shehrazade-saida-lebanon-early-1960s-hashem-el-madani-p79495

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dubaiinteriors123-blog · 5 years ago

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Curtain Dubai Supply and Installation in Dubai and Abu Dhabi and Comes and Choosing The Best

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shanky316-blog · 5 years ago

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Our Location Map link on Google Maps is https://www.google.com/maps/place/25%C2%B008'50.7%22N+55%C2%B014'39.0%22E/@25.1474204,55.2419879,17z/data=!3m1!4b1!4m5!3m4!1s0x0:0x0!8m2!3d25.1474204!4d55.2441766?q=25.1474204,55.2441766&z=17&hl=en&shorturl=1

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We serve our Clients across Dubai, Abu Dhabi, Sharjah, Ajman, Al Ain, Fujairah, Ras al-Khaimah and Umm al Quwain

For more information about Curtain Dubai and its products Curtains and Blinds visit the website today.

Read more: https://dubaicarpet.wordpress.com/2019/10/05/where-to-buy-most-demanding-customised-made-to-measure-blackout-curtains-supply-and-installation-in-dubai-abu-dhabi-and-al-ain/

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btreebrands · 6 months ago

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#American Style Curtains In Dubai #Buy Wavy Curtains In Dubai #Premium Sheer Curtains Dubai #Buy Luxury Sheer Curtains In Dubai #Curtain Installation Services In Dubai #Best Curtains And Blinds Dubai

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mickeymicheal · 5 years ago

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Curtains In Dubai

They come in various types like American style Curtains Dubai,and Cinema style Curtains. We provide all kinds of Home Curtains Dubai, Office and Hotel Curtains. We have all innovative designs for curtains with quality of fabrics, also the components used for curtains are safe and stylish that gives suave look to any window. https://dubaifurniture.co/curtains/ E-mail us at: [email protected] Phone: 56-600-9626

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sofakingblog-blog · 6 years ago

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Curtains by SofaKing in Dubai

Curtains are a mandatory accessory in our homes and offices. Curtains in Dubai have become a style statement and an essential part of home decoration. Interior designers take lot of time to go through color schemes and designs before making the final choice. Best Curtains in Dubai is a reflection of our tastes and adds meaning to the room.

Types of curtains given by sofaking in Dubai

Design curtains

Hospital curtains

Arabic design curtains

American style curtains

Panel curtains

Importance of curtains

Curtains are window coverings that keep away direct sunlight from entering the rooms. It is an energy saver as curtains provide cooling for the room. Curtains provide an ambience in the room. After a long tiring day out and you walk in home, you need to feel the warmth and comfort. You room color scheme aligned with curtains play a major role to provide a soothing effect. The other advantages of curtains in Dubai are:

Privacy: Privacy is a major reason for people to fix curtains. What with complexes and apartments being constructed with minimum foot area and corridors, it has become essential to safeguard our security and privacy. Curtains prevent invaders to peep in and also provides comfort and a feeling of not being disturbed with the extra glare of lightings and vehicle movement.

Prevents direct sunlight and keeping home cool: Direct sunlight causes discomfort due to heat in the room and at times damages wood furniture and accessories inside the room.

Dual benefits : You can opt for two layered curtains. One is thick and opaque and the other one is semi-transparent, sheer material. In the day time you can keep the sheer curtain open and draw the thick curtain together on both sides. You can enjoy sunlight and enjoy nature thru’ the filmy curtain. In the night to avoid glare and lights you can spread the thick curtain and enjoy quietness and privacy too.

Security: Curtains prevent people to peep into personal lives for information to their advantage. Professional Curtain companies now do provide electric curtains and these have become very popular it comes to security as it gives an illusion someone’s inside when no one actually is.

Tips for using curtains

Curtains in Dubai can make a room look lively and provides soothing effect based on the color, prints and material chosen .

§ You can hang curtains on rods or fit them into rods. These days there is a variety of curtain rods, color and designs to choose from.

§ Be careful while selecting the rod as it needs to hold the weight round the clock and it should gel with the wall colors.

§ You can opt for full length curtains for half height windows. This will provide uniformity and looks appealing. Provide 6 inches clearance from the bottom to avoid floor contact and the bottom of curtain becoming dirty due to movement with air .

§ If the room is small then use window size curtains. Do not use multi-colored curtains in the same room. It makes room look crowded and small. At a minimum use 2 colors only in the same room.

§ Fabric colors must go along with the upholstery or be in contrast with it.

§ Selection of dark colors like red , maroon and deep brown for curtains make the room look smaller as light will not penetrate.

§ Make sure your wall, flooring and furniture are in perfect co-ordination with your curtains to simplify this you can use neutral colors to make it easy to match if you already have fanciful colors in the room.

§ Use dual benefit curtain – opaque and semi-transparent curtains to provide sufficient lighting during the day and privacy at night.

§ Use dark colors for draperies in the bedroom as it gives better sleep.

§ If the windows attract a lot of sunlight select neutral colors as they will fade less.

§ Cotton fabric is ideal for curtains. You can give a royal look to the room by selecting velvet or silk.

§ Select suitable accessories to keep curtain tied and in place. Use lining for curtains if you feel the thickness is not adequate.

#Curtains Dubai #best curtains in dubai

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davismiller676 · 6 years ago

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With Curtains you can easily decorate any window at your office or home. They come in various types like American style Curtains Dubai,and Cinema style Curtains.We provide all kinds of Home Curtains Dubai, Office and Hotel Curtains. https://dubaifurniture.co/curtains/

[email protected]

056-600-9626

#curtainsabudhbaicost

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leedsfurniture-blog · 6 years ago

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How to find best Curtain Manufacturers Services in Dubai

A curtain is a piece of cloth used to block or obscure light, or drafts, or water. Curtains come in a variety of shapes, materials, sizes, colors, and patterns. Examples of some curtains are American Rails, Window Curtain, Classical Curtains, Room Shades Panel Track Curtains, and Office Curtains. They often have their own sections within department stores, while some shops are completely dedicated to selling curtains. The Curtain Manufacturers in Dubai brought to you a stylish and quality material to decorate your room interior.

Get More About: Roman Blinds in Dubai

Leeds Furniture Trading LLC manufactures a variety of curtains with a different style and price range. You can choose from different colors, shapes, sizes, and patterns. Their curtains are a perfect example of style and comfort. The curtains will provide a stylish look to your interior. Curtains will help you in the process of clean ability, ultraviolet light deterioration, oil and dust retention, noise absorption, fire resistance, and life span. Window Curtains may be moved by hand, with cords, by press-button pads or remote-controlled machines.

You have to call and fix an appointment with the company and the expert staff of Leeds Furniture Trading LLC will visit your place and take all the measurements. If there is any specific problem regarding the size or product type, they provide an ultimate solution and perfect fixture. Their team has several years of expertise in understanding the demands and desires of customers to create a bespoke product. According to their service and product, they are called as the best Curtain Manufacturers in Dubai.

Well-installed curtains not only increase the beauty of your space but also give a relaxing feel whenever you look at that. They have a beautiful collection of designer and affordable curtains to present you as per your demand. They will take complete responsibility for curtain installation at your location.

Every customer is unique for them that is why they customize every one of their plans to fit your needs exactly. Whether it's a small strategy or a comprehensive effort, they'll sit down with you, listen to your requests, and prepare a customized plan.

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#best Curtain Manufacturers in Dubai #Leeds Furniture Trading LLC #Roman Blinds in Dubai

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ecotone99 · 6 years ago

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[SF] The Sun in your Eyes

Growing up on ground level had many perks, though sleeping wasn't one of them. Every breath of space beyond his curtains were full of loud things moving dangerously fast; and every moment outside his walls, a constant blur between night and day. He was told sunlight was bad for him, so he imagined it through a bedside device glowing ultraviolet in measured doses. Tossing and turning, the 10-year-old threw his pillow across the room and began texting.

A few thin walls away, Dr. Sharon Hearth sat at her desktop computer, reading up on the latest internet headlines. A physician with a passion for preventive medicine, she shared the common belief that the ozone layer was severely compromised despite 21st century reparations. She spent hours of her day squinting at computer monitors with eyes that appeared kind, but also very tired. Her husband was resting in bed just a few feet away.

A sudden noise prompted her to check a separate screen. It revealed a single emoji from her son, Sid. In response, she entered a series of numbers and an elaborate password.

Several rooms away, his consciousnesses came to an abrupt halt, a peaceful, paralyzing sleep.

Dr. Hearth swiped through several pages of data, relieved to see her child’s vitals were within range. She knew tomorrow was a big day for her only son, and like many physicians, she was an overprotective parent.

So she continued to adjust a network of grain-sized implants that monitored Sid’s eyes, brain, heart, and major arteries. Each biosensor soaked up a wealth of information, nestled deep in tissue layers, and intervening seldomly. Dr. Hearth fiddled with their settings tirelessly, deciding to sleep at 3 AM, and only out of necessity. She, like Sid, had them installed throughout her body, free of charge, being the lead designer of BioSand Solutions, Inc. She planted her head firmly into the pillow, stared at the ceiling for some time, selected six hours, then entered the same elaborate password into her smartphone…

Some time later, years later in fact, Sid woke up and got dressed. He slouched into the living room with a wrinkled dress shirt, black pants, and a backpack he rarely removed.

His father sat excitedly beside a vaguely familiar women. As he tried to recognize her, something within him stimulated an aversive sensation. The feeling compelled him to look away, then focus on something different. Sid suspected the cause, and though he had the option to adjust his biosensors, now, as a legal adult, it was not a top priority. Sid was still a teenager and responsibility did not appeal to him.

“Happy Birthday, young man!” his father exclaimed. “I hope you don’t mind Stella coming over. How are you feeling?”

“Not bad. I slept well, eventually,” Sid was pressing a hand against his eyes.

“Good! Speaking of which, I got ya something small,” his father said. Sid opened his hands to some sort of case, a small curved box. It was jet black and had a familiar felt texture. He suspected what they were, but decided to keep the container closed. “I want you to wear them today. It will be a popular conversation starter. A symbol of the new Sid, a symbol of your vision quest,” his father joked.

“Where did you find these?” Sid asked, rarely understanding him these days.

“Oh, I have my sources,” his father said, clearly winking. “They were Mom’s.” Sid opened his eyes halfway, hugged his father, and sleepily exited the apartment.

His mother, Dr. Sharon Hearth, had passed away just eight years ago.

Sid walked long through a mosaiced cityscape, a hot mess of eroded cement and steel.

In the middle was a tower that extended endlessly, piercing a dark, dirt-colored sky. The city resembled a coastless Dubai, though in this American version, its towering Burj displayed outworn neon lettering, glowing eerily from miles away. Valley of the Sun Hospital, the tower read hazily from top to bottom, and Sid appreciated it. For the first time in years, he walked the sidewalk since the sun was still below the mountains.

Walking inside the tower, Sid admired a lobby decorated in the strangest and most beautiful way. Each windowless wall was lined by an interconnecting aquarium, sheltering a community of rare aquatic creatures, and filling the cafeteria with a therapeutic blue light.

Sid found Celeste sitting at a high table, across from one of the swimming animals. It was covered in some type of cartilage, and had to be at least a hundred pounds.

Sid sat with Celeste for about ten minutes, amused by the shelled thing behind thick glass, and exchanging glances with her healthcare aid. His uniform revealed the unusual name Lark Bohem, and since Sid’s arrival, he had been observing their every move. Lark appeared new and had an adolescent build similar to his own, but much older. Sharing a prolonged silence, Sid, Celeste, and Mr. Bohem reflected on why they were there.

Celeste had been in and out of the hospital for some time. Her story of addiction was unexpected, but not unusual. Like many, it started as a passionate curiosity, darkening over time, and causing physical changes. Her skin had a scabby, slightly charred look, and a thick bandage stretched across her face. She was recovering from her first serious intervention: a fresh, bilateral, whole-eye transplant. Sid noticed reddish stains occupying the space of her new eyes and wanted to ask her about it. However, his biosensors identified stressful cardiovascular trends, compelling him to look away, towards an even uneasier Mr. Bohem.

Unsurprisingly, it was he, the most nervous one, who broke the silence. “I’ve been told that thing over there is called a turtle. Some of them don’t age, you know. I believe it’s called negligible senescence or something. That’s actually why they’re here. For research, hope, amusement, who knows. Who really knows anything anymore?” Lark turned his back to them as he spoke, getting more uneasy until he finally stood up. His face in profile looked like a scared animal, waiting in awe for something inevitable. Like him, his voice was thin and harsh.

Celeste reached her hand towards the man’s empty chair, feeling a thin jacket draped over the seat. It looked professional and sported the hospital logo, a single flowering cactus. Celeste grabbed it and crumpled it into her lap. She too wanted to speak now that Mr. Bohem was occupied. “I agree. Life is weird,” she mumbled, throwing the coat toward Sid. He was on on the verge of saying something, but Celeste continued without a pause. “You know, the way we define it. Just think of the Sun. It gives all the light and warmth we need, the source of all life, yet somehow the it isn’t considered alive. Glowing from like millions of miles away, asking for nothing in return, it has less life than a turtle.” She whispered clearly and directly toward Sid.

“We’re going upstairs.”

Lark remained oblivious, texting on his phone and leaning against thick aquarium walls, so Sid stuffed the jacket into his bag. He then walked directly toward Lark, pretending to watch the callused “turtle” up close. For the first time, he noticed a deep, bulging scar that ran across its belly. “You notice that?” Sid asked. Through the glass reflection, he could see Lark’s expression was emotionally silent. The man was more observant than Sid expected, but he didn’t attempt to retake the jacket. Instead, he handed over a long metal key.

“You got anything to put over her eyes?” Lark asked.

“Yeah, I think I do.” Sid replied, searching for the new gift.”

“Today is not a bad day to get out of here. It’s about to get real interesting,”

Sid wanted to understand, but something forced his caution aside. He threw the jacket on and tossed the keyed lanyard around his neck. He wasn’t sure what to say to Celeste, so he just grabbed her hand and forced it on him. She recognized the jacket’s soft, synthetic material and smiled. Sid removed the felt container from his bag, carefully handling the shaded eyeglasses and dropping them on Celeste’s face.

Celeste violently shook her head. “We need to go upstairs,” she again whispered clearly and directly, but with slightly more intensity. Taking the hint, Sid took the shades back and wore them himself, adopting the disguise of a new hospital employee, one with funny 20th century delusions of style. After all, he was the son of a famous physician and didn’t want to be recognized. Celeste shifted her body onto the wheelchair and pointed to the nearest elevator. Pushing her inside the empty platform, a faint, distant commotion could be heard, but the automatic doors were already closing.

For twenty minutes, they stood and sat in silence as the elevator ascended. Sid wondered if Celeste should know about his interaction with Mr. Bohem. He thought maybe it was best not to tell Celeste. Perhaps, Sid contemplated, today was fated to follow the same course of this elevator. He daydreamed for what felt like an hour, anxiety building with each floor, until a jarring alarm returned him to reality.

Just as Sid started to panic, the elevator doors inched apart, revealing a vast geriatric floor. Windowless walls lined the perimeter, compartmentalized with clear, thick glass to form hundreds, perhaps thousands of patient rooms. At centerstage, Sid saw a single nurse sitting on a swivel chair surrounded by computer monitors. She was working quietly, alone, and hiding just within sight. Sid pushed Celeste slowly onto the floor, doubtful his disguise would help much.

“Hello there, and who are you?” The nurse asked.

“Hello there!” Sid responded. “The elevator stalled. I was transporting my patient back to her room, but now I’m stuck here. It’s been a crazy day!” Sid attempted to play his role confidently, but the nurse appeared uninterested for at least 30 seconds.

“I guess we’re having some issues with the solar generator. I’ll make a phone call as soon as I finish up. Feel free to join Miguel for now.”

She pointed to an enclosed area with several couches and a mysterious seated figure wearing a silver bodysuit. The mesh fabric followed his every move like an iron, form-fitting shield, running down his torso, arms, and legs. Adding significant bulk to his frame, it extended up his neck into a dense, round helmet. Only his placid eyes and sickly pale nose appeared unassisted. Looking up from a plate of gelatinous eggs, Miguel was the first person to question Sid’s appearance.

“Do you know why people wear sunglasses?” He asked.

Sid had never heard the word “sunglasses” before, and genuinely had no idea they had any sort of function. He assumed them to be one of those weird accessories, or in his case, a way to obscure your identity. “Because they look cool,” he said, feeling stupid.

“Exactly young man! They make you appear less vulnerable. The eyes are the window to the soul, but the soul is fragile, emotional. Some dare to say it doesn’t exist at all. So you cover them up, and in doing so, you become invulnerable.”

Sid and Celeste nodded in agreement. The older man had an animated, almost intimidating way about him. He stood up very tall and began pacing in circles. Celeste sat in her wheelchair silently, but appeared to be listening.

“Now consider this for a moment. Vulnerability binds people together, gives them meaning, a feeling of comfort and trust. So what would happen if everyone wore sunglasses? What if blue eyes, green eyes, scared eyes, and loving eyes, were no longer a thing?” After a long pause, Sid murmured unconfidently.

“We wouldn’t trust each other?”

“Yes, perhaps, young man. For a time, it would be strange. Then, after the initial shock, we would focus on some other vulnerability, some other window to the soul, like their lips, their breathing, the way they stand, the way they move their arms, the way they choose their words, or the way they don’t. One might say there is only one way to eliminate vulnerability.”

“To not perceive at all,” Celeste said, coming alive for the first time in a while.

“That is exactly right young lady, and wouldn't that leave us quite vulnerable?” Celeste nodded. “As long as we observe, we will always perceive vulnerability, and as long as we perceive vulnerability, we will always try to fix it, and as long as we succeed, we will always find more.”

There was a long moment of silence as Sid, Celeste, and Miguel waited for the next person to talk. Somewhere, waiting in that moment, Sid realized who Miguel was. He was the one and only, Miguel Díaz de Vivar. He was among the first million people that agreed to biomonitoring. After countless decades of impeccable, ascetic discipline, a team of physicians declared him the healthiest centenarian on the planet. As a reward, he was gifted the most sophisticated medical device of the 21st century. Sid felt star-struck and confused, chiming in desperately and messily.

“True! It’s like that expression, umm you know. If you tell someone to not think of some animal, then you will only think of that animal. You know? Like, if you try not to think of something, it never works. Shoot, which animal is it?” Sid instantly regretted attempting to talk, but Miguel did not seem to care.

“Hmmm, interesting comparison. I think I got you young man.”

Miguel raised both eyebrows, then squeezed them tightly, trying to remember. His eyelids closed, and the helmet attached to his skull started to make a dull humming noise. It was scanning his brain for for a recognizable pattern of brain activity. After ten seconds, a match was located from a database of previously stored word-search attempts, and the world “elephant” was produced in a dull synthetic voice emanating from Miguel’s forehead. It wasn’t the answer Sid expected, nor did he have any clue what an elephant was, so he quickly changed the subject.

“Sir, if you don’t mind me asking, why are you here?”

“Wise question, young man. I guess you could say I’ve spent my whole life preserving life to the fullest, yet in old age I have never felt more vulnerable, and it is this paradoxical vulnerability that protects me, and gives me more strength than I’ve ever known. You see?” Miguel flexed his exoskeletal biceps. He then pulled a chair next to Celeste, looking at her with blue eyes, now more earnest than ever. “Why are you here, young lady?” he asked. It was a fairly obvious diagnosis, but she answered just as sincerely.

“I went outside the city, during the day,” she said. “I always wanted to see the desert, the mountains, the canyons, even the sand was beautiful. When it was noon, I finally looked up, and there it was, so warm, primal, enlightening.” Sid rolled his eyes slightly. She was starting to sound like his mom, hiding behind poetic wordplay and puns. “I knew it was dangerous, but I made the choice deliberately. Since the day I was born, I always wanted feel the Sun.” Celeste smiled and whispered into Miguel’s auditory transducer. The nurse was nowhere to be seen, and Miguel whispered back into her ear. Sid wondered what they could possibly be talking about.

Miguel stood up again, lifting Celeste’s wheelchair well above his shoulders. “May I... borrow your sunglasses?” Miguel asked. Sid handed them to him with some hesitation. “Follow me, young man.” The old man sprinted into a dark stairwell, leaping up a hundred stories without effort, carrying the wheelchair like a rickshaw.

By the time Sid crawled to the top floor, Celeste was resting contently, illuminated by a single beam of light. It originated from a man-sized hole in the ceiling. On the other side, tunneling straight through the roof, Sid could see the source of the blinding light. He looked at it curiously until his biosensors compelled him to look away. Miguel was nowhere to be seen, so Sid swiped his key and pushed Celeste out of the stairwell.

There was a sense of chaos as nurses ran laps back and forth, rushing to the beat of a flashing alarm. Some were driving hospital beds carrying unresponsive patients, while others were holding what appeared to be moist, pink blobs wrapped in hospital sheets. A few steps away there was a single frightened turtle stuck on its back, legs flailing limply. Just as he slid the animal to a safer position, turning it upright, a nurse noticed them and yelled.

“Do you see what’s going on here? We can’t accept admissions!”

Sid “What happened?”

Another random staff member spoke up. “The backup generators have diverted power away from the NPVs. Some of them have been salvaged, but the rest are running on low battery.” The nurse practitioner pointed to a heavy door that read Neuro Preservation Vats.

Celeste jumped out of her wheelchair, looking back to Sid for a moment, and swiftly proceeding to the door. In one graceful motion of her body, she ripped the bandage off her face and peered inside, tiptoeing within just as gracefully. Sid hesitated for a moment then followed, shutting the door behind.

Inside, Celeste was standing in front of a transparent, fish-tank-sized container. Within it was a truly surreal sight, sinking in slowly, inching toward Sid's perception over several seconds. It was unmistakably a human brain floating peacefully, tethered by a tangled mess of catheters. The vat displayed three numbers: oxygen saturation, perfusion rate, and internal pressure. It beeped at a constant, regular rate. A series of labels were attached with nearly illegible text.

Hearth, Sharon. V.I.P.

PATIENT ID: 2342398732434353453887

Zoological implantation declined.

Cryogenic preservation declined.

Viable organs donated. Eyes donated.

Wireless biosensors in situ.

Sid walked past his mother, beyond many rows of empty vats. He leaned against the far wall, sliding his back down against it, squatting on the floor with his elbows to his knees, hands pressed against his eyes. Celeste followed him to the corner and sat beside him, her hand touching his lightly. Her new eyes were adjusting to the light well. They looked very different, but also very familiar, very kind, but also very tired. As their tearful eyes met, he could hear the vat beeping at a much faster rate, numbers spiking upwards. Dr. Sharon Hearth knew today was an important day for her only son, and she, like many physicians, was a loving parent. Sid kissed Celeste on the forehead and walked out of the room.

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