#American Craft Exposition
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A Canticle for Leibowitz. By Walter M. Miller Jr. Harper, 1959.
Rating: 4.5/5 stars
Genre: science fiction
Series: St. Liebowitz #1
Summary: In a nightmarish ruined world slowly awakening to the light after sleeping in darkness, the infant rediscoveries of science are secretly nourished by cloistered monks dedicated to the study and preservation of the relics and writings of the blessed Saint Isaac Leibowitz. From here the story spans centuries of ignorance, violence, and barbarism, viewing through a sharp, satirical eye the relentless progression of a human race damned by its inherent humanness to recelebrate its grand foibles and repeat its grievous mistakes.
***Full review below.***
CONTENT WARNINGS: implied cannibalism, torture, and violence
OVERVIEW: This book has been on my TBR for a long time. I can't say what prompted me to pick it up now, but I'm very glad I did. I liked this book way more than I thought I would - probably because of my background in medieval studies and my fascination with the neo-medieval. Miller's work is incredibly imaginative and skillful in the way it deploys its imagery, and so, because I could hardly put this book down, it gets 4.5 stars from me.
WRITING: I very much appreciated the craft that went into making this book. Miller is a master as balancing telling and showing, creating complex characters that come to life on the page and an environment that feels fully real.
The worldbuilding is especially admirable for the way it reimagines the post-apocalyptic world. I loved the way Miller blended premodern Christianity with post-apocalyptic Christianity, redefining relics and incorporating nuclear war into its catechisms. I also appreciated that the exposition was minimal; because the story focuses on one monastery, we're given only enough worldbuilding details to make sense of the world as it relates to the monastery. We don't need a full explanation of how each government operates or what individual lives are like. We just focus on the monks and their relationship to the world, and I loved that lens of looking at the post-apocalyptic landscape.
But perhaps the thing I admired most about this book was the way Miller incorporated recurring imagery. This book is told in 3 parts, and each part is separated by a few hundred years. However, the narrative feels more coherent both because it stays centered on the one monastery and because a number of images keep popping up to create a sense of consistency. Some examples include the buzzards, the statue of St. Liebowitz, the old man in the burlap sack, etc. It made me think of the narrative as a kind of puzzle to solve while also reminding me that things stayed the same even as time moved on (perhaps reflecting one of the themes of this book?).
PLOT: The plot of this book examines the (re)development of human civilization following nuclear war through the eyes of a handful of monks at a single monastery in the American southwest. The (re)development is told in three parts with the events separated by a few hundred years: part one follows Brother Francis, a young novice who finds an untouched fallout shelter in the desert during his Lenten vigil; part two follows Dom Paulo, the abbot, who must navigate the political and technological consequences when a secular scholar takes interest in the monastery's relics (found in the shelter from part 1); and part 3 follows Dom Zerchi, who is in charge of the monastery when humanity inevitably redevelops nuclear weapons and threatens war once again.
I loved these three narratives, mainly because the scope was both limited and implied a more broad significance. We focus exclusively on events tied to the monastery, which means we're invested in the things that affect the lives of the monks, but also, we are made to understand that what is happening at the monastery has a wider impact on the world (without Miller having to bluntly tell us so).
I also loved that each section had an impact on the next, even if the events were separated by centuries. Because of the "relics" found in part one, a new scientific Renaissance is allowed to take place in part two, which allows mankind to redevelop weapons in part three. It made for a constant sense that the narrative was building towards something, and by the end, I was absolutely satisfied by both the cyclical nature of human civilization and the sense of hope that endured in the monks.
If I had any criticism, I would say that there were a couple moments when the pace seemed to drag in part two. However, this book is relatively short and we don't spent enough time in each section for the pacing to be a problem. I can also see how the Latin might be annoying for some readers; because we're following monks, a significant percentage of their dialogue is in Latin. Despite having rusty Latin, I was unbothered by the multilingualism, but your mileage may vary depending on whether or not you want to let the language wash over you.
CHARACTERS: There are a number of characters in this book, so I'm only going to focus on a few primary ones, for brevity.
TL;DR: A Canticle for Liebowitz is an impressive book. With a richly imagined post-apocalyptic world, deftly deployed recurring imagery, and memorable characters, this novel explores the cyclical nature of human civilization through a religious lens and questions whether humanity is, at its heart, doomed to destroy and remake itself over and over.
Brother Francis, the protagonist of part one, has a few personality traits that make him rather endearing. When we meet him, he's fairly young and has a timidity that is almost humorous. He is also deferential to authority but firm in the way he speaks about what he saw, and I thought this made him an interesting choice for being the person that finds the relics. Because of his timidity, he doesn't fully explore the fallout shelter himself (which kept me in suspense), and because of his youthful devotion, we get a lot of innocent (or naive?) interpretations of the world around him (which was amusing).
Dom Paulo, the protagonist of part 2, is a bit more confident and was interesting for his relationship with secular scholar Thon Taddeo. I especially loved the debates between the characters, most of which centered on learning and knowledge, and the mutual respect between enemies was complex and refreshing.
Dom Zerchi was fairly forceful and preferred action over thought, and this trait made him a good choice as a protagonist in part 3. I liked that he was presented as a character with fairly strong convictions, especially about suffering, life, and death, and that these convictions were challenged as the narrative progressed.
Memorable side characters include the man in the burlap sack (who showed up in each part, causing me to wonder if he was the same man or three different men), the Poet (from part 2, who played the role of the Shakespearean fool), and Mrs. Grales (a woman in part 3 who has two heads). All characters felt sufficiently developed and didn't overshadow the main narrative; in fact, they were just on the periphery and their presence did a lot to enhance the main story.
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Sargent Claude Johnson is hard to categorize. He worked with so many mediums. Oil, stone, clay, watercolor... and more. He is probably best known for his ceramic and sculpture works, his masks and figures in the round. The third of 6 children, he was a mixed race man. His father of Swedish ancestry and his mother of Black-Indigenous ancestry. Both of his parents would die before he was an adult. He and his siblings would move to live with their aunt and uncle in Washington DC. His aunt, May Howard Jackson, was a skilled sculptor working largely in portraiture and a prominent figure in DC's black intellectual culture. Her work must have influenced and inspired Sargent. But, he was not there long. His brothers and himself were sent to an Orphanage while his sisters went to a Catholic School for racialized peoples. What happened between then and the beginning of his career as an artist, isn't known. What is known, is in 1915, he moved to the Bay Area, married and began attending the A.W. Best school of Art, all in the same year. He would also attend the San Francisco Art Institute then called the California School of Fine Art. His first show was with the Harmon Foundation, and he was met with success, even winning the $150 prize for the best work. But he would win many more awards garnering national attention. At this time, he was primarily showing his ceramics works. In the 1930's he hit his creative stride. He began to push the stylization in his work even further and began to explore other mediums including wood, copper, etchings, drawings, terra cotta, and porcelain. He also received several large commissions from the WPA Federal Art Project. One an 18 by 24 foot carved relief organ screen, the other the interior of the Maritime Museum and Aquatic Park in San Francisco. For the Golden Gate International Exposition (1939) he completed two massive 8 foot cast stone sculptures of Incas riding atop llamas. He did many more projects, his animal series, cast in terrazzo and his other large works for exhibition. Toward the end of his life, his works became very abstract. Yet, they always retained his signature simplicity. He separated from his wife in 1936, their daughter also going to live with her. But despite their separation, they remained on good terms until her death. His work, always heavily influenced by his wife and daughter. Sargent has suffered from angina, and settled in a hotel in downtown San Francisco in 1965. He would die there of a heart attack in 1967. Sargent Johnson was an artist that never stopped exploring his work, truly embodying the craft as having no peak. His work was inspired by many different artists and styles, blended through him into something truly unique and special. If you'd like to learn more about Sargent Johnson: Smithsonian American Art Museum -Sargent Johnson San Francisco Museum of Modern Art - Sargent Johnson Works
African American Registry - Sargent Johnson Sargent Johnson : African American modernist
#Sargent Johnson#Black History Month#Black Art History#Black Artist#Modernist#Modernism#Art History#Sculptor#Ceramist
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Heyyyyyy Hi <3
I’ve never been more deeply moved by a work of fanfiction than your what you’ve done with your story. I’m trying to develop as a writer and was wondering if you could share any tools, or books, or courses that you feel had an influence in how you work/craft. I really need to read more but I just feel overwhelmed. (Writing books? English/American/Russian classics? Free Uni courses?) I just want to be able to communicate at the level you’ve achieved. Recommendations of any kind would be a gift. You are a marvel, thank you for writing this story, and thank god this fandom got you. I have been hEalinG. Ok. 🤍 x a million
Thank you so much for this massive compliment <3 I'm going to be totally useless to you in terms of writer development tools/guides/courses etc because I've never used any. I just read a lot of fanfiction and know what I like (and don't like) and I kind of lucked out in that I love poetic prose and have this total dunce character that really puts the bumpers on that shit. So, it really depends on what you want to write, but in terms of process for writing a particular character voice, my only real tip is to spiral out all the indulgent pretty exposition and then cull it back if the character wouldn't "think" like that--or find a way to frame it in terms that would make sense to them. For Billy he thinks his heart is a car part : ( Anyway I'm so sorry I couldn't be more helpful! If anyone has recommendations to make, feel free to jump in!
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Red White and Sexy Blue
From the premise, this appears to be a modern day romance akin to Disney fairytales designed to make readers swoon. And while it partially delivered on that front, cheeky fluffy romance and all, what happened in between never went in any directions l had expected. By the time I finished the book, I was left with a sense of uncertainty and raised eyebrows, in the end, what was all that about?
Was it a fairytale? maybe. Was it an advocate for social injustice? Maybe. Was it about bisexual inclusivity and representations? Maybe that also. The book bears an incredibly intriguing and sexy premise, but Casey Mcquinton's attempt to tackle every social justice issues under the sun sometimes bogged the central love affair . At times, it can seem as though the entire book is being used as a platform to make political statements rather than to tell a compelling not-your-everyday romance between a prince and first son of the president.
But amidst the political noise, the books maintain and delivered its romanticism. The novel's most quiet and vulnerable moment comes in when Henry sneaked Alex into the Victoria and Albert Museum, which reminded me of the Planetarium scene from La La Land, in timely pauses like this that the book finds itself right back where it started, as a love story between two confusing teenagers trying to find their place in the big big world.
The characters are well-rounded and complex, and their humors as well as struggles feel genuine and relatable enough (even if our protagonist comes off as unbearable sometimes). The novel (while briefly) explores themes of bisexuality identity, family in a way that feels fresh and engaging, also addresses issues like homophobia and racism, making it a timely and relevant read. There's lot to redeem if we leave out the political ranting.
Overall it still it serves its purpose of being a young adults novel that intend for you to swoon over. Though hardcore "enemy to lovers" fan might feel underwhelmed, as tension was laid out but never pushed to its full potential. The build-up between Alex and Henry lacked the necessary intensity to create friction between them. (spoilers: it took them about 100 pages to get to sex). Personally the book doesn't owe anyone to adhere to the typical enemy-to-lover formula, but in settings like these, smart exposition will go a long way in crafting timeless chemistry.
At it's best it's a sexy, fluffy contemporary romance, that (occasionally) nails teen-angst, witty coming-of-age humor, and the crisis of being in love and confused in your 20s. At it's worst it's a predictable rose-colored view of society infused with on-the-nose political propaganda. Final Rating: B-
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(Spoilers ahead)
What I like The humor (Henry trying to hum God Save the Queen to get rid of a boner was hysterical) The witty bantering, not just Henry and Alex, but also June, Nora and Ellen create fantastic chemistry, and really portrays politicians as comical and troubled as all of us normies are.
My favorite characters undoubtedly Henry, but what's attractive, beyond his intelligence and wit, is our insight into his complex personality. There is certain endearment in seeing the depth that someone kept hidden behind their reserve and guarded public appeal, a kind of wonderfully earned intimacy, the more sexier when its the prince of England.
What put me off Given the context that Casey McQuiston was motivated to created this perfect liberal world (according to the book' note, she felt hopeless after the 2016 election's results) it makes sense that she would draw up this magical rose-colored political landscape as a way to cope with the situation. It is undoubtedly the world we all hope to live in, but the overall execution felt forceful, even for someone who isn't well-versed in American politics like I am. Even I can tell, some of the UK's representation sounds rather stereotypical and misleading.
It would be better if had it been a piece about the cultural clash between American and English's culture. Both Alex and Henry have very rich and fascinated background, they are both knowledgeable in their respective nationality and heritage. It's gonna be fascinating to see to see these two banter on their differences.
Would I read it again? Yes, the book is generally quite entertaining and Henry and Alex have impeccable chemistry, the overall premise is simple enough to get me off my reading slump (if you only include the spicy parts and exclude whatever migraine-inducing politics there was in between)
This is perfect for when you need to pick up a hopeful, lighthearted and enemy-to-lovers story that will make you inevitably blush not recommended for Republican, conservatives, or someone who hates getting involved in politics at all.
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Nashville’s Architectural Wonders: A Guide to the City's Iconic Buildings
Discover a city that seamlessly blends history with modernity through its architectural wonders. Welcome to Nashville, where iconic buildings captivate both locals and visitors alike. In this guide, we will take you on a virtual tour of the city's most celebrated structures, each showcasing a unique piece of Nashville's rich architectural heritage.
From the majestic Tennessee State Capitol building, with its stunning Greek Revival style, to the grand Ryman Auditorium, hailed as the "Mother Church of Country Music," there is something to marvel at in every corner of Nashville. Explore the sleek lines of the Frist Art Museum, housed in a former post office building, and be transported back in time as you step into the opulent interiors of the historic Union Station Hotel.
Designed to both inspire and educate, this guide will not only introduce you to Nashville's architectural wonders but also delve into the stories behind each building, revealing the significant contributions they have made to the city's culture and identity.
Join us as we uncover the hidden gems and cherished landmarks that define Nashville's captivating architectural landscape. Get ready to be amazed by the city's extraordinary blend of past and present.
The Parthenon: Nashville's Replica of the Ancient Greek Temple
Nashville's Parthenon stands as a full-scale replica of the original Parthenon in Athens, Greece, embodying an unparalleled blend of art, culture, and history. Erected in 1897 as part of the Tennessee Centennial Exposition, this architectural marvel serves not only as a monument to ancient Greek civilization but also celebrates Tennessee's rich cultural heritage.
Inside, the Parthenon houses an art museum featuring a collection of 19th and 20th-century American paintings. At its heart lies a towering statue of Athena, meticulously crafted to mirror the ancient original. This structure is a testament to Nashville's moniker, the "Athens of the South," showcasing the city's deep appreciation for classical beauty and architectural grandeur.
The Parthenon’s presence in Nashville goes beyond mere aesthetics; it represents the city's commitment to education, culture, and the arts. Its enduring legacy continues to inspire visitors, drawing parallels between ancient civilizations and modern society, and highlighting the timeless nature of architectural excellence.
The AT&T Building: Nashville's Iconic "Batman Building"
Dominating Nashville's skyline, the AT&T Building, affectionately known as the "Batman Building," is a modern architectural phenomenon. Its distinctive twin spires, resembling the ears of the iconic superhero's mask, make it one of the most recognizable landmarks in the city. Completed in 1994, this skyscraper is not only a testament to contemporary design but also marks Nashville's foray into the era of modern skyscrapers.
The building's significance extends beyond its unique silhouette. It represents Nashville's growth and development as a major urban center, mirroring the city's evolution while respecting its historical roots. The AT&T Building is more than just an office tower; it's a symbol of Nashville's dynamic progress and its thriving future.
At night, the building comes alive, with its spires illuminated, casting a watchful eye over the city. This visual spectacle adds to the building's mystique, making it a beloved feature of Nashville's nightscape. The AT&T Building encapsulates the spirit of innovation and ambition that drives the city forward.
Ryman Auditorium: The Historic Home of Country Music
Ryman Auditorium, often called the "Mother Church of Country Music," is hallowed ground for music lovers worldwide. Originally built as a tabernacle in 1892, it evolved into a cultural institution, hosting the Grand Ole Opry for decades. Its intimate setting and exceptional acoustics have made it a favored venue among musicians and fans alike.
The Ryman's Gothic Revival architecture adds a sense of timelessness to its concerts and events. This historic venue has seen performances by legends of country music, cementing its place in the annals of music history. It's a living museum where every concert feels like a journey through time.
Today, the Ryman Auditorium serves as a beacon for aspiring artists and a pilgrimage site for music enthusiasts. Its preservation as a National Historic Landmark underscores its importance not just to Nashville but to the heritage of American music. The Ryman is a testament to the enduring appeal of country music and its ability to bring people together.
Exploring Nashville's Architectural Treasures
Nashville's architectural landscape is a vivid tapestry that weaves together threads of history, art, culture, and innovation. From the classical grandeur of the Parthenon to the modern majesty of the AT&T Building, and the historical significance of the Ryman Auditorium, these structures tell the story of a city that honors its past while boldly marching into the future.
Exploring Nashville's architectural wonders offers a glimpse into the soul of the city. It's an invitation to experience the harmony between the old and the new, the traditional and the contemporary. Each building, with its own story and significance, contributes to the rich cultural tapestry that makes Nashville unique.
As we conclude this guide, it's clear that Nashville's architectural treasures are not just buildings; they are landmarks of human creativity and spirit. They stand as testaments to the city's resilience, its vibrant culture, and its unwavering commitment to excellence. Nashville invites you to explore, to discover, and to be inspired by its architectural wonders—a journey that promises to be as enriching as it is unforgettable.
How to Choose the Right Tree Service and Tree Trimming in Nashville, TN
Are you looking for a reliable tree service and tree trimming provider in Nashville TN? Look no further! I am the owner of Moore & Smith Tree Care, and I am dedicated to providing top-notch tree care services to the residents of Nashville and its surrounding areas.
Choosing the right tree service is crucial for the health and safety of your trees, as well as the aesthetics of your property. With my years of experience in the industry, I understand the unique needs of each tree and strive to deliver tailored solutions that meet your expectations.
When it comes to selecting a tree service, there are a few key factors to consider. First, ensure that the company is licensed, insured, and certified. This will give you peace of mind knowing that the service provider adheres to industry standards and practices. Additionally, it's important to choose a company that has a proven track record of delivering high-quality work and has positive reviews from satisfied customers.
At Moore & Smith Tree Care, we take pride in our exceptional customer service and attention to detail. Our team of skilled arborists is passionate about trees and will go above and beyond to ensure your trees are healthy, safe, and beautiful.
Importance of Choosing the Right Tree Service
Selecting a reputable tree service provider is not just about maintaining the aesthetics of your property; it's about ensuring the health and longevity of your trees. A professional tree service can advise on the best care routines and treatments for your trees, helping to prevent diseases and pest infestations that can cause long-term damage.
Moreover, experienced arborists have the knowledge and equipment necessary to perform tree trimming and removal safely. Improper tree care can pose significant risks to your property, your trees, and even personal safety. Therefore, choosing the right tree service is an investment in the well-being of your entire property.
Researching Tree Service Providers in Nashville TN
Nashville, TN, is home to a diverse range of tree species, each with its specific care requirements. When looking for a tree service provider, start by researching companies with experience in handling the specific types of trees on your property.
The internet is a valuable resource for finding and comparing local tree services. Most reputable companies have websites and social media profiles where you can learn about their services, experience, and customer feedback. Additionally, local community boards and forums can be great places to ask for recommendations.
Considerations When Choosing a Tree Service
Checking for Proper Licensing and Insurance
One of the first steps in choosing a tree service provider is to verify their licensing and insurance. A licensed company has met the state or local municipality’s requirements to operate as a tree service provider. Insurance, particularly liability and workers' compensation insurance, protects you and your property in the event of accidents or damages.
Evaluating the Experience and Expertise of the Tree Service Provider
The experience and expertise of a tree service provider are crucial to ensuring the health of your trees and the safety of your property. Inquire about the qualifications of the arborists on staff. Certified arborists have undergone rigorous training and examination to demonstrate their knowledge and skills in tree care.
Reading Customer Reviews and Testimonials
Customer reviews and testimonials can provide insight into the quality of service and customer satisfaction. Look for reviews on independent websites, as well as the company’s own site. Pay attention to how the company responds to both positive and negative feedback, as this can indicate their level of customer service and professionalism.
Requesting a Free Consultation and Estimate
Most reputable tree service providers offer free consultations and estimates. This is an opportunity for you to meet with an arborist, discuss your tree care needs, and get a sense of the company’s approach. It’s also a chance to ask questions and clarify any concerns you may have about the services offered.
Understanding the Services Offered by the Tree Service Provider
Comprehensive tree care encompasses more than just trimming and removal. Inquire about the range of services offered, such as disease management, pest control, soil care, and emergency services. A provider that offers a full spectrum of tree care services can better meet the diverse needs of your trees.
Comparing Prices and Getting Multiple Quotes
While price should not be the sole factor in choosing a tree service provider, it is an important consideration. Get quotes from several companies to compare prices and understand what is included in their services. Be wary of quotes that are significantly lower than others, as this may indicate a lack of experience or insurance.
Making the Final Decision and Scheduling Tree Trimming Services
After considering all the factors mentioned above, it's time to make your final decision. Choose the tree service provider that you feel most confident in, based on their expertise, reputation, and the value they offer. Once you've made your choice, schedule the necessary tree trimming or care services to ensure your trees remain healthy and beautiful for years to come.
Conclusion
Finding the right tree service and tree trimming provider in Nashville, TN, requires careful consideration and research. By choosing a licensed, insured, and experienced provider like Moore & Smith Tree Care, you can ensure the health and safety of your trees and property. Remember, your trees are a vital part of your landscape and deserve the best care possible. Don't hesitate to contact Moore & Smith Tree Care today for all your tree care needs.
This condensed version serves as a foundation for creating a comprehensive 3000-word blog article. To expand it further, delve deeper into each section, providing detailed examples, additional advice, and possibly incorporating more specific information about the services offered by Moore & Smith Tree Care. Learn more.
Moore & Smith Tree Care LLC 301 S Perimeter Park Dr #100, Nashville, TN 37211, United States (615) 877–8733 https://nashvilletntreeservice.com/
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BLACKWATER LANE - Review
DISTRIBUTOR: Lionsgate
SYNOPSIS: Following a traumatic incident on a perilous rural road, Blackwater Lane, Cass encounters a spectral entity, leading her to question her own mental stability. As these paranormal occurrences escalate in intensity, Cass's sanity begins to unravel, compelling her to piece together the fragments of a sinister conspiracy against her.
REVIEW: Derived from B.A. Paris'Jeff Celentano bestselling book, "The Breakdown," BLACKWATER LANE presents a complex mystery with supernatural elements at its core, weaving a classic gaslighting narrative.
I am unfamiliar with the novel, so I cannot provide any insight into it. The screenplay employs the classic stately British manor setting, complete with rumors of haunting. Renovations undertaken by the new American expats, Cass and Matthew, seem to stir up supernatural occurrences. While the story has a supernatural tone, it also suggests that Cass' mother's mental illness may be contributing to Cass’ experiences. The plot strikes this balance between a Scooby Doo-like mystery and cozy mystery, notably lacking any feline or canine companions. The film's opening scene depicts Cass performing a tarot card reading, establishing her spiritual beliefs, establishing her mindset but never fully exploiting that. Subsequent supernatural elements and allusions remain minimal. The PG-13 rating restricts the film's potential impact, resulting in a lack of gravitas. Although a death occurs, Cass' reaction appears bizarre and unrealistic. The plot suffers from excessive exposition, as Cass explains not only the motivations of those attempting to harm her but also the actions she and her allies took to expose them. Just when the narrative appears to have concluded, a voiceover emerges to end the story.
The plot revolves around Cass, her husband Matthew, and her best friend Rachel. Rachel's actions seemed forced and artificial, given the complex and absurd nature of her storyline. Matthew, on the other hand, comes across as a weak and unprincipled character. Among Cass's supporting cast, some characters suffer from shallowness, cliches, and rigidity, mostly due to simplistic and obvious dialogue. Certain scenes led me to boredom, as the narrative's progression became predictable.
BLACKWATER LANE presents utilitarian production elements. While the locations, sets, and costumes are visually pleasing, the cinematography and framing lack atmosphere. The editing, although adequate, fails to generate energy or create suspense and terror. Nathan Halpern and Robert Pycior's score, while commendable, struggles to elevate the film's emotional state. Consequently, the overall feel of the film resembles a made-for-television production.
Regarding the cast, Minka Kelly's performance took some time to resonate with me, which is peculiar because I've admired her portrayal of Dove in the DC series "Titans." There was an unusual aspect to her voice, perhaps an accent, that was initially off-putting. Additionally, I struggled to connect with her character due to the combination of her performance and the dialogue, which distanced me from the emotional impact of the drama.
Dermot Mulroney's performance also left something to be desired. While his character is portrayed as manipulated, he came across as spineless and devoid of any substantial presence. The character should ultimately evoke a sense of villainy, but I didn't feel any genuine connection or trust in him from his initial appearance on screen.
On the other hand, actress Maggie Grace, a seasoned performer with notable credits such as the "Fear the Walking Dead" series and the "Taken" film trilogy, delivers the strongest performance among the three leads. However, there seems to be something lacking in the role itself. I didn't perceive a clear core justification for her actions or any malicious intent. While the character possesses a certain strength, it feels superficial and lacks depth.
As a fan of well-crafted gaslight and mystery films, I was intrigued by the 1944 classic "Gaslight" featuring Charles Boyer and Ingrid Bergman. The emotional scars inflicted by the 1964 film, "Hush…Hush, Sweet Charlotte," starring Bette Davis, Olivia de Havilland, Joseph Cotten, and Agnes Moorehead, remain vivid in my memory. However, "BLACKWATER LANE" falls short of expectations. It lacks the captivating elements that make a film in this genre truly memorable. The pacing seems tailored for commercial television, with moments that feel convenient breaks for advertisements.
The performances in "BLACKWATER LANE" are puzzling. Although there may have been issues with the script, the actors appeared disengaged and off-key. Despite these shortcomings, I'm still curious about B.A. Paris' novel, which served as the inspiration for the film adaptation. Perhaps there is something inherent in the story that enticed filmmakers to bring it to the big screen.
CAST: Minka Kelly, Maggie Grace, Dermot Mulroney, Natalie Simpson and Judah Cousin. CREW: Director - Jeff Celentano; Screenplay/Producer - Elizabeth Fowler; Based on the novel “The Breakdown” by B.A. Paris; Producers - Warren Ostergard, Shaun Sanghani, & Lucinda Rhodes Thakrar; Cinematographer - Felix Cramer; Score - Nathan Halpern & Robert Pycior; Editor - Douglas Crise; Production Designer - Steven Legler; Costume Designer - Arianna Dal Cero; Special Effects Supervisor -Errol Jarc & Mike Knights; Visual Effects - MOD VFX & LipSync Post. OFFICIAL: www.lionsgate.com/movies/blackwater-lane FACEBOOK: N.A. TWITTER: N.A. TRAILER: https://youtu.be/Vxf3wp5aOm0?si=lb5fV3A1f-1yYMRB RELEASE DATE: In Theaters and Digital/OnDemand on June 21st, 2024
**Until we can all head back into the theaters our “COVID Reel Value” will be similar to how you rate a film on digital platforms - 👍 (Like), 👌 (It’s just okay), or 👎 (Dislike)
Reviewed by Joseph B Mauceri
#film review#movie review#blackwater lane#blackwaterlanemovie#B.A. Paris#jeff celentano#Elizabeth Fowler#minka kelly#maggie grace#dermot mulroney#gaslight#thriller#mystery#joseph b mauceri#joseph mauceri#horror
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Animated Short: War Is Over!
The nominees are:
Letter to a Pig
Ninety-Five Senses
Our Uniform
Pachyderme
War Is Over! Inspired by the Music of John & Yoko
War Is Over! Inspired by the Music of John & Yoko is almost certain to walk away with this year’s Oscar for Best Animated Short. And… it’s fine. Really, it’s an okay short, but it’s (by far) my least favorite of the five nominees. While War Is Over! seems like it was crafted to win an Oscar, the other nominees each offer something unique to the field.
Our Uniform, a 7-minute short from Iran, uses stop motion on fabric to tell its story about schoolgirls wearing the hijab.
France’s Pachyderme is the most conservative in its animation technique yet is still highly creative in the way it uses those techniques to tell its difficult, heart-wrenching story. It’s cleaned up all the European awards.
The Israeli/French Letter to a Pig has been a favorite at North American festivals. Its themes surrounding the holocaust and generational trauma may resonate strongly with American Academy members, especially in the current political climate.
But my favorite animated short this year was Ninety-Five Senses, featuring the voice of Tim Blake Nelson of O Brother, Where Art Thou? and The Ballad of Buster Scruggs fame. The film uses different animation styles in its exposition of each of the five senses, and its poignant story keeps you gripped for the full 14 minutes.
Who will win: War Is Over! Inspired by the Music of John & Yoko
But look out for: Letter to a Pig
Who I’d vote for: Ninety-Five Senses
If I could add one more: Humo
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#movies#Oscar picks#Oscars 2024#animated short#War Is Over#Letter to a Pig#Ninety-Five Senses#Our Uniform#Pachyderme#Humo
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Bubblegum Black: For A World Without Gold - Chapter 5 is now live!
In this chapter... shit gets real. Like, it's even more real than was thought previously possible, with a new fight scene and the introduction of an Anti-Knight Saber powersuited-cyborg kill team, all in the winding decks of a cargo ship lost at sea. That kind of real.
AG Fabrikraft: A wholly original megacorporation I drew up for this fic, one of several that will be a part of the Concern. To exposit in here without expositing out in the main fic, Fabrikraft is a cross-Scandinavian industrial titan, funded with the last of the Norwegian Sovereign Wealth Fund's oil money (petrochemicals are barely used now for, like, anything unless there's political reasons to keep them around) to make a giant focused around industrial, commercial, and consumer-grade additive manufacturing. There might be a bit of Chinese money in there, too, the same way the Chinese own Volvo IRL, but if there is it's laundered through too many intermediaries for anyone to tell. Most people in the 2060's know Fabrikraft as a sort of bastard cross between IKEA and Walmart, rapidly printing and assembling anything a consumer could want on-site or in the comfort of a consumer's home. Furniture, appliances, toys, weapons (print-a-gun vending machines are a depressingly common sight on American streets), feedstock-based food, things like that. Nothing as complex as a Boomer or even a neuromorphic computer, but Fabrikraft tech is used pretty prolifically in light industry to build parts of a whole. More and more, creators and inventors are turning to Fabrikraft's ManaCast network to provide blueprints for objects and gizmos to people around the world - from my CAD system to your CAM system, basically. The big catch is that Fabrikraft owns every blueprint uploaded to ManaCast, no exceptions, and as such they will copy and genericize anything developed by smaller organizations, then promote their own cloned products to kill competitors. Since their business is based on turning the ethereal into the physical, they're behind serious IP restrictions on digital content worldwide. No competition is allowed. So... yeah. That's Fabrikraft. Hopefully they're a cleverer Evil Megacorp business model than the kinds that usually populate cyberpunk settings.
A Brief Note On The Lagoon's Construction: I never did cover this, did I? Well, I'm covering it now, to detail that the Black Lagoon in this timeline is not a century-old WW2 Elco torpedo boat. However, it fulfills a very similar function by virtue of being a slightly larger Fast Attack Craft from World War Three. So! The Black Lagoon. A Halcyon-class Fast Attack Craft with light-stealthy features, a fancy fiberglass-and-armor hull, and two main weapons: An eight-shot HASh-M missile launcher, and an anti-air / anti-drone swarm laser gun. It was originally meant to be a cheap, semi-autonomous way to deliver ship-killing missiles into the heart of Chinese naval fleets around the Pacific Rim, either acting as an escort for bigger ships like cruisers and carriers or to damage the bigger ships on the enemy's side. In other words, it filled the same function as a WW2 Elco torpedo boat, but with more range and more survivability. Now, how did Dutch get his hands on one of these? Who knows. I've got secret backstories planned out for pretty much everyone of note except Dutch for this fic. Man's a goddamn enigma. Too bad.
Aaditri Nath: This a Bengali name, IIRC, with Aaditri being a derivative of the name of the goddess Lakshmi. Nath is just a surname. I think. I don't remember what exactly what was going through my mind beyond 'find a good Bengali name for this ship' for... reasons. You'll see in the next chapter.
More Details About the Space Development Bubble: Yeah, this is a sci-fi plot beat I'm pretty proud of, inspired by old-timey financial crises such as the South Sea Bubble, when the sinewy structure of capitalism was still mutating and evolving with a mix of a certain kind of technocynicism. So, since there's no real room to exposit on what happened in the mainline fic (though I had plans to do so in previous abandoned projects), let's go for it. So! It's after World War Three, and the financial system where Chinese and American debt (government bonds) are the bedrock of the global financial system is kaput. Both empires have spent nearly five years fighting each other to a bloody standstill and accelerating climate change beyond reasonable limits (while also making it clear that fossil fuel infrastructure is infinitely more fragile than renewables, so the one good thing that comes from the war is accelerating the death of petrogarchy), and no one wants to trust their money. So now there's a big void in the global financial system, and even if Cold War Two is gearing up, and even if Belt and Road / IMF financial imperialism is no longer really feasible, there still needs to be a bedrock guarantee in investor portfolios. What to do? Enter the Space Public Development Corporation, a semipublic / semiprivate conglomerate of space agencies and aerospace companies, washing their wartime excesses with Muskian 'planet's fucked let's go to Mars' rhetoric. Given nearly a trillion in seed funding, they propose a simple plan to get even more money to build a fully-fledged Lunar Colony by 2069, a fully-functional Space Elevator a little before or after that, and Lagrange Point O'Neil Cylinders by the end of the century. Armstrong Bonds: Invest now, and within decades you'll have your money back in kind, ensured by orbital manufacturing and asteroid mining's infinite bounty. So once earnest space exploitation (not exploration lol) starts to pay dividends to some people around the 2050's or so, the SPDC becomes an inadvertent anchor of the global financial system. And once the SPDC becomes dependent on GENOM for Boomer labor for orbital and lunar development, that just extends GENOM's power. One could track this, so it's said, by the way Anchorpoint went from an industrial town, a megastructure disguised as a city, to a city with luxury and financial districts for the rich and powerful to enjoy the promise of the future. And then, on July 20th, 2069 - a century from the lunar landing - the grand opening of the Lunar Expo and Tranquility City is bombed. The entire colony just goes up. What follows is a secretive week known as Orbit War One, a mess of battles between the SPDC's assets and rampant Boomers hellbent on disassembling those assets. The lunar massdriver is almost hijacked to Moon-is-a-harsh-mistress major Earth cities; the skeletal Lagrange point space stations go down for the count; satellites both military and civilian are vaporized. In other words, trillions of dollars in investments are just gone. And it gets worse, because then a cascade of leaks reveal how behind schedule and over budget most of the big development projects are, how many lies have been told, how the SPDC has become one big pyramid embezzlement scheme. Suddenly Armstrong bonds are worthless, the cyberpunk equivalent of the US or China defaulting on their debt in the present. Suddenly deflation is starting to set in, because there is no other stable anchor for hyperfinancialized capitalism. Suddenly a lot of people don't have the money they were promised. Why do I like this as a plot point? Because I think cyberpunk writers dealing with megacorps seem to think that megacorps and quasifeudal capitalism are a stable, unmovable system. It isn't. Witness the 2008 crash, witness Japan and now China's real estate bubbles, witness any number of points where faith in capital's wisdom lead to collapse.
Sail Kite: This is a real thing, launching giant parasail-shaped kites out into the air to 'sail' the titanic cargo ships that are key to the delivery of goods in our globalized world, and thereby reduce their emissions.
Huginn / Muninn: Avimorph 'drones' are basically birdlike Boomers that can hover like hummingbirds despite their size, replacing quadcopter drones everywhere. Huginn and Muninn are Nene's surveillance drones that she uses to scope out an area if the Sabers have 'prep time', to borrow a phrase from Batman fans, named after the ravens that sat on Odin's shoulders, from Norse Mythology. Nene named them thus not because of any connection to the Nords, but out of sheer chunni energy. Awhile back, by the way, I had a very stupid idea: Fujoshi Nene. "I have written half a dozen friendfic doujins about Leon and Daley, they have sold impossibly well at Neo-Cyber-Comiket, you cannot stop me."
The Anzio: Yes, 20mm Vulcan anti-materiel rifles are real. No, a real-life Anzio would not be the kind of thing you could run across a slippery deck with, they're fuckin' huge and I mentally scaled them down to the size of a Barrett fiddy-cal for this fight scene. I am genuinely sorry for this inaccuracy, but the scene still works regardless. I think. I might be wrong. I have been wrong about my own writing before, ask anyone who's ever read Divine Patronage.
The Zombie Squad: So! Here we have the Evil Knight Sabers Be Like moment, framing a Sinister Squad of Supervillains who can oppose the Sabers so that the Saber-oriented fight scenes aren't just fighting various teams of Boomers. So let's break them down. First off, the name came from one of my favorite Chapo Trap House episodes, where they review Stallone's Cobra, a film where the Super Cool Cop Man is on something called the 'Zombie Squad', which in turn was inspired by spec-op-ish squads of Belgian police who would practice vigilantism. Nasty stuff, but cool to the 80's attitude of 'why don't the cops just kill all the bad guys'. Yeesh. But the name takes on extra dimensions here, not just because of the ancient Egyptian god names (the pantheon is called the... Ogdoad, or something like that? I forget) referencing a culture obsessed with death, but because, in case you haven't noticed, all the ZS members refer to each other as corpses of one sort or another. Now, as to the identity of each squadmember? I'll reveal them bit by bit, trickle by trickle, but I'll give you a hint for now: No Member Is An Original Character. That's right, they All Come From Crisis And Lagoon Genre-Adjacent Properties, If Not The Properties Themselves. Moreover, They Have All Died Once. The hunt is on. See if you can figure out who's who! Message me if you know! Or just hang out in the BGC Discord where I'll probably spoil it all very aggressively.
Squad Suits: Heavily based off of this image from the Bubblegum Crisis EX RPG expansion, which itself used pre-production concept art willy-nilly:
Anyway, take away the tread feet and specialize each mech a bit and that's the approximate size and shape of a Squad powersuit.
Piledriver Weapon: I have not played Armored Core 6. Yet.
Ba Xing Chong: Yes, that is a reference to the gun you get when you kill Adam Smasher in Cyberpunk 2077, the homing explosive-slug volley gun that might as well be a minimissile launcher, which it essentially is here. And, yes, it's mounted under something very close to the MK.31 HMG from Cyberpunk 2077, although not really that. Intersections with CP2077 / 2020's world and BGC2069 are, as evinced by my two abandoned projects Witch of Tranquility and Handful of Dust, still very much present here. Ugh, I need to orphan or delete those projects someday, they're a mark of immense shame for me.
Koko Hekmatyar: Whoo boy. I've set myself a challenge here. That's right, folks, Jormungand's Koko Hekmatyar, charismatic arms dealer, megalomaniac, and probable shotacon (ick), is one of the main villains of this fic, the shadowy face of GENOM's involvement with the sinister plot to take over Roanapur! And that's right, folks, I haven't seen Jormungand and don't really plan to anytime soon, because it looks somewhat drab as an anime absent Koko! But look. Plenty of Lagoon fics will drag Koko into their shenanigans just for funsies. Bullets, the fic I reviewed so highly awhile ago, just throws her in there like that to make more jokes, mostly at her expense. So is it a big deal if I throw her in there to perform the role of maniacal antagonist? I don't think it is. We'll see more of her in chapters to come, though. Make no mistake about that. Her goals are her own, and her power is unmistakable. She might have left Daddy's company, but she still wields forces that can level nations and lesser empires.
I should also mention that Chapter 6 might not come out until after my usual monthly posting deadline, just so people aren't surprised. I had plans for the chapter, wrote a great deal of them, then scrapped them when I realized they didn't work, so now it's back to the drawing board. Ah well.
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The Western Classic: Iconic Cowboy Hats and Their Story
In quest of an emblem embodying unyielding self-reliance, the quintessence of American legacy, and enduring sartorial finesse, cast your gaze toward the legendary cowboy hat. Within this exhaustive exposition, we shall embark on a profound odyssey into the annals, handiwork, and abiding allure of this iconic headwear. From its unassuming origins to its elevation as a global vogue statement, the cowboy hat has indeed withstood the trials of temporal flux.
Discover the rich narrative behind the cowboy hat, from its humble beginnings in the 1860s to becoming an emblem of the American frontier. Delve into the exquisite craftsmanship that makes each hat a masterpiece, whether crafted from felt or straw. Explore the diverse styles, from the classic Western to the iconic Stetson.
But that’s just the beginning. The cowboy hat’s influence extends beyond ranches, reaching Hollywood screens and high-end fashion runways. Join us on this journey through history, craftsmanship, and style, and learn why the cowboy hat preserves its timeless and iconic character. Don’t miss out; it’s a tale that spans epochs and geographies.
Source: The London Insider
Also Read: Discover Jake DeVito's Journey from Legacy to Stardom
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This President's Day, William McKinley, the 25th President of the US (1897-1901), comes to mind because of the historical streams running through his administration, Southeast Asia, and Buffalo and Rochester, NY, all of which are intimate to my own Being.
When the Spanish-American War jumped off in early 1898, McKinley rode the wave of Manifest Destiny and led the American military to victory against Spain. As a result of the Treaty of Paris in December 1898, Guam, Puerto Rico, and the Philippines were ceded to American control. During the Philippine-American War the American military gained experience in waging counter-insurgency warfare within a foreign land and crafted better techniques in putting down an indigenous independence movement. Many of the methods used in that war were put to use in America's intervention in the civil war in Vietnam during the '50s and '60s.
McKinley was overwhelmingly popular among much of the American public because of the brevity and ultimate success of the Spanish-American War which catapulted the US into world power status. But on September 6, 1901, he was assassinated in Buffalo, NY during the Pan-American Exposition. The assassin, Leon Czolgosz, claimed he was inspired to act because of a speech made by Emma Goldman, famed American anarchist, in Cleveland a couple days prior. Here's where the Rochester, NY connection comes in: Goldman had emigrated to Rochester from Russia in 1886 and lived there until 1888 when she moved to New York City to begin her life's ambition to be an anarchist firebrand.
#nation#history#historical#memory#remember#McKinley#assassination#Buffalo#Rochester#NY#New York#Vietnam#war#Spain#Philippines#exposition#president#presidency#holiday
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Experience Alaska's Living Cultures
From dog sledding to meeting local artisans, there are countless ways to experience Alaska’s diverse cultures year-round.
— By Christina Nuñez
Experience Alaska's living cultures! Embark on an overland journey like no other, traveling over Alaska's terrain via dog sled. Dog sledding, or mushing, has a long history in Alaska: Originating as transportation for Alaska Native cultures, it went on to become the official state sport in 1972. Throughout the state, visitors can join a range of dog sled tours, from jaunts lasting a couple of hours to multiday backcountry camping excursions. In the summer, rides typically take place on wheeled carts, but if you’re craving the sledding experience, you can helicopter to a glacier and glide over snow and ice behind a team of dogs under the midnight sun.
In addition to tours, kennels offer demonstrations that reveal how sled dogs and their mushers prepare for long-distance trips. Rangers at Denali National Park and Preserve—the only national park with a kennel of sled dogs—hold daily demos from May to September. Depending on the time of year, you might also be able to catch a sled dog race: The legendary Iditarod Trail Sled Dog Race from Willow to Nome has a ceremonial start in downtown Anchorage every March, and the Yukon Quest International Sled Dog Race in February runs between Fairbanks and Whitehorse. CANNON PHOTOGRAPHY LLC, ALAMY
Learn about Alaska's aviation history! Thousands of Alaskans live in remote communities without road access. For many of these communities, small aircraft have long been a critical way to get supplies. Back when Alaska Airlines began in the 1930s, flights weren't scheduled—they took off when the plane was full. Today, traveling by bush plane or seaplane is an integral part of Alaskan culture.
The state's pioneering history of flight is on display at the Alaska Aviation Museum, located on the world's largest seaplane base, Anchorage's Lake Hood. Here, you'll be able to see more than 25 vintage aircraft, watch planes being restored, and get a pilot's-eye view in a full-immersion flight simulator. If you're eager to get off the ground, check out one of the state's many flightseeing and helicopter tours. Whether you take a short flight or a full-day trip, flightseeing is a great way to see some of Alaska's less-visited treasures, such as Wrangell-St. Elias National Park. FRANS LANTING, NATIONAL GEOGRAPHIC IMAGE COLLECTION
Tour Sitka National Historical Park! Located on Baranof Island in southeast Alaska, Sitka National Historical Park's natural beauty is punctuated by its signature feature: a collection of totem poles from the Tlingit and Haida people. They sit on ancestral land of the Tlingit Kiks.ádi clan, which is also the site of an 1804 battle between the clan and Russian invaders who eventually wrested control of Sitka. Americans acquired Alaska from Russia in 1867.
Nearly 40 years later, Tlingit and Haida tribes donated 15 totem poles to be exhibited at the Louisiana Purchase Exposition in St. Louis, Missouri. Most—but not all—made it back to Alaska. Today, visitors to the park can explore the mile-long Totem Trail, with its 18 Tlingit and Haida totems. A self-guided walking tour of the trail offers a window into the rich history of these carvings and the living cultures they represent. Local artisans such as Tlingit carver Tommy Joseph are also on-site throughout the week working on various totem carving projects and available to answer questions about their craft. PATRICK J. ENDRES, GETTY IMAGES
Explore Ketchikan on a local-led tour! Once the site of a Tlingit summer fish camp, Ketchikan lies at the southern end of the Inside Passage and is the first port of call for ships heading north, earning it the nickname “Alaska’s First City.” Distinguished by its colorful waterfront buildings and the fact that it boasts the largest number of standing totem poles in the world, Ketchikan draws fishing buffs, nature lovers, and those wanting to experience Alaska Native culture and art. You'll find collections of totems at the Totem Heritage Center, Totem Bight State Historical Park, Saxman Totem Park, and Cape Fox Lodge, as well as dotted throughout downtown Ketchikan.
Learn about Ketchikan's remarkable history and art on a local-led walking tour, such as Where the Eagle Walks run by Tlingit Elder Joe Williams, Jr. With your guide, you might wander the pedestrian boardwalk on Creek Street, learn about the salmon that migrate through the area's waters, or watch Tlingit totem carvers at work in nearby Saxman Village. BARCOS, ALAMY
Visit Hoonah and Icy Strait Point! Over a century ago, Icy Strait Point was the site of a salmon cannery. Today, the striking red building is a "port for adventure" owned and operated by a local Alaska Native corporation, Huna Totem. Located about 30 miles west of Juneau on Chichagof Island, Icy Strait Point is a prime attraction in the town of Hoonah, Alaska’s largest Tlingit village. The restored cannery, which opened in 2004, is now home to a museum and 1930s cannery line display.
After soaking in the area's history, you can tour Hoonah’s many shops and restaurants, explore the surrounding wilderness, and embark on local tours. If you're a thrill-seeker, zoom down from the peak at Hoonah Mountain on the the state's longest zip line. For a more relaxed adventure, head to the Yaakw Kahidi Cultural Center to learn about Tlingit customs and traditions such as hand-carving dugout canoes. NAUM CHAYER, ALAMY
Experience wildlife, history, and culture on Kodiak Island! The second largest island in the United States is full of opportunities to spot wildlife, particularly bears and whales. Kodiak National Wildlife Refuge, established in 1941, is home to 3,500 Kodiak brown bears, which visitors can view from a safe distance on guided tours available through local lodges and camps. The Kodiak Brown Bear Center & Lodge, owned by the Alutiiq people, is one of several sightseeing operators located in the refuge. Offshore, local charter boats will take you whale watching, though you may also be able to see them from atop cliffs or on beaches.
In downtown Kodiak, check out the Alutiiq Museum. The museum features exhibits on local archaeology as well as the culture and art of the Alutiiq/Sugpiaq people, who have lived in Alaska's southcentral and southwest coastal areas for over 7,500 years. A short walk away you'll find the Kodiak History Museum. Its many stories begin with the building itself: Built in 1808, it was at various points a private home, event space, and boarding house. GETTY IMAGES
Discover Alaska's locally sourced food culture! The idea of "eating local," or sourcing food close to home, takes on a new dimension in Alaska. Home to over 12,000 rivers, three million lakes larger than five acres, and over 46,000 miles of shoreline, Alaska has an unparalleled bounty of fresh seafood. Some of the many species that inhabit Alaska waters include crab, shrimp, Pacific halibut, and salmon.
Don’t miss the chance to try salmon from an Alaska smokehouse, where filets are soaked in brine, hung out to dry, and smoked for hours over a wood fire. Historically, smokehouses indicated clan ownership of a river during the summer fishing season and are a longstanding way that Alaska Native cultures have preserved salmon. Restaurants like Duck Point Smokehouse in the Tlingit village of Hoonah allow visitors to indulge in this culinary tradition.
Other locally sourced products to keep an eye out for include birch syrup and meats such as elk, bison, and reindeer. Take a culinary tour or cooking class to sample and learn more about these foods. Also be sure to visit some of the state's many craft breweries, wineries, and distilleries. JMP TRAVELER, ADOBE
Visit the Alaska Native Heritage Center! Alaska is home to over 229 federally recognized tribes—and one of the best ways to learn about Alaska’s diverse living cultures is at the Alaska Native Heritage Center (ANHC) on Dena’ina lands in Anchorage. A unanimous vote of the Alaska Federation of Natives in 1987 kicked off the effort to build the center, which opened in 1999 and has welcomed visitors since. In 2021, the Ford Foundation recognized the ANHC as one of America’s Cultural Treasures.
The center includes six life-size villages, which offer a window into traditional ways of life for Alaska’s Iñupiat, St. Lawrence Island Yupik, Athabascan, Eyak, Haida, Tsimshian, Tlingit, Unangax̂, Alutiiq/Sugpiaq, Yup’ik, and Cup’ik peoples. Enjoy a self-guided tour of the villages’ dwellings and artifacts, but be sure to leave time to attend one or more of the many events at the center’s main complex, the Gathering Place. On any given day, you might be able to catch the astounding athletics of Alaska Native games, watch a traditional dance performance, learn words and phrases from one of Alaska’s 300 dialects, share teatime with an Elder, or join a guided tour of the exhibits at the Hall of Cultures. KILIII YUYAN
Visit Utqiaġvik, the northernmost U.S. town! Utqiaġvik is a town of great beauty and great extremes. In U.S. territory, it's as far north as you can get. From May 12 to August 2, the sun never sets. And from November 18 to January 23, darkness reigns 24 hours a day. Even in summer, a trip to the beach demands fortitude if you plan to go near the water, since the frigid Arctic Ocean waters hover in the low 30s Fahrenheit.
Drawn by the migration of Arctic bowhead whales, humans have inhabited Utqiaġvik for at least a millennium, with evidence of former residents going back as far as 1,500 years. Now one of the largest Iñupiat settlements in Alaska, Utqiaġvik was known as Barrow until 2016, when residents voted to revert back to the town's traditional name.
While you're visiting "the rooftop of the world," don't miss the Iñupiat Heritage Center, which features exhibits, a library, and events and demonstrations led by locals. Other spots to see include the "Gateway to the Arctic," a massive whalebone arch on the beach near the Cape Smythe Whaling and Trading Station that commemorates the town’s relationship to whaling, and the Birnirk National Historic Landmark archaeological site, which marks evidence of habitation by the Birnirk culture from about 500 to 900 A.D. MICHELLE HOLIHAN, ADOBE
Attend a festival or market! Year-round, Alaska hosts unforgettable events that offer a chance to experience regional customs, shop for locally made goods, and cheer on competitors in races and games. The Festival of Native Arts held each year in February or March is just one of many Alaska Native festivals and events. Since 1973, the festival has brought together artists, musicians, and storytellers at the University of Alaska Fairbanks to share workshops and performances.
Around the June solstice, Utqiaġvik holds the whaling festival of Nalukataq, a celebration that includes launching people into the air with a group-held blanket. "This cultural celebration is one of the best ways to experience the true meaning of sharing and really highlights the value system of the Iñupiat," writes Tara Sweeney, who grew up in Utqiaġvik. Other events include June's biennial Celebration festival in Juneau and the four-day World Eskimo-Indian Olympics, held in Fairbanks in July. VICKI BEAVER, ALAMY
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You've got Assassins but it's a Six-style musical (by yours truly), Assassins Fight Club, and even Assassins dating sim.
Meet Assassins the historical RPG first-person or third-person shooter game. Think historical and sort of fantastical Fallout New Vegas (cause it's the only similar game I've played). Or Assassins Creed (the game that keeps invading the tags)? Or Hitman.
Main game mechanics
You start a few days before the assassination
Planning the assassination
stealth/speech/other skill checks
Buying items
Minor crafting elements
Mini games (shooting booth to practice, lockpicking, stock books as Lee, wind wires/put away bottles as Leon)
Interactions with citizens, learning historical facts by clicking on highlighted text/meeting historical figures that make the game educational as to convince people we do not condone assassination
choosing to go through it/or not/different time and location affects your ending
you can try to escape after you shoot. It's quite hard though.
The four main levels, featuring the successful assassins:
John Wilkes Booth
We start with him monologuing to David Herold and the other members in the conspiracy about how Lincoln destroyed the South, that's why they're killing him and a bunch of other people
So this is pretty much a scheming strategy level, planning locations, dates, job allocations. Building relationships with your teammates causes your plan to be more likely to succeed. Convincing the guards to let you through. Depending on your route you may get extra scenes with the doctor or in the barn.
High charisma, lots of money.
Charles Guiteau
Uhh no idea. This is a weird level because he's weird. Funny visuals I guess. Think Wild Wasteland from FNV.
His stats are pretty shit but he has the element of surprise
Leon Czolgosz
You could try to kill McKinley at the speech event at the Pan American Exposition days before the actual date. He tried to, but there was too many people. This makes a good achievement. You get to visit the fair. Emma Goldman flashback.
Low money, low charisma, high stealth.
Lee Harvey Oswald
The sniper level. You can try to dodge the bullet by Jack Ruby (not sure if he could).
High stealth, high accuracy.
If you end the level the canonical way, you get a slide talking about that event. It's after the ending slide that talks about what happened next.
If we're basing it on the musical, the Proprietor's going to give you tips and walk you through the tutorial. The balladeer may appear and try to dissuade you from assassination. If you die or get caught, he's going to be super disappointed/mock you/idk and sing a song. Also you get to hang out in the carnival.
If you save Oswald for last, you get Another National Anthem and the Oswald level is replaced with the book depository scene.
After you finish all the levels for the first time. you can play as cops/spies trying to stop the assassination.
Also creative mode where you get access all the guns and modern weaponry. Machine guns anyone?
DLC: Adds Richard Lawrence, John Schrank, and Griselio Torresola and Oscar Collazo.
Bonus: you're the CIA and you're killing JFK and blaming Oswald.
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I made this for work, but y’know what. I’m proud of it so I’ll post it here too.
Graphic Novels and the Fate of Literacy
(Bone, American Born Chinese, Robot Dreams, Artemis Fowl 2007, Amulet, Drama)
CASE STUDY: New Kid by Jerry Craft. This story has won multiple awards. It honestly addresses issues like racism, social status, and bullying. The narrator, seventh-grader Jordan Banks is an artist, and so the graphic novel format feels natural. I would say that Craft’s distinct artistic style is not the most aesthetically appealing, but it doesn’t need to be. The graphic novel format is the vehicle of communication for a story that is jam packed with nuance and heart and truth.
CASE STUDY: The Invention of Hugo Cabret: A Novel in Words and Pictures by Brian Selznick (2007). This groundbreaking book alternates between short passages of text and wordless illustrated sequences. Unlike a traditional book in which an illustration reiterates a written scene, Hugo’s pictures carry the story forward on their own. Selznick invokes the visual experience of the soundless movies from the early 1900s. To follow the narrative, one must learn to “read” the pictures.
CASE STUDY: The History Smashers series by Kate Messner. These nonfiction books aren’t technically graphic novels. However, they use comic-style graphics to explain historical topics. The lively art and clear language is more engaging than picture-less text.
CASE STUDY: The Giver graphic novel adapted by P. Craig Russell (2019). Some stories lend themselves to the graphic novel medium. Given the importance of color in the original, the graphic novel can communicate visually what the text could only describe. It is also a relatively short book, making a faithful graphic adaptation more feasible. And faithful it is! Scenes, themes, expositional details, and dialogue are all carefully converted to the graphic novel format. The integrity of Lowry’s original story is excellently preserved in a brand-new format. This truly is a remarkable feat.
CASE STUDY: Awkward by Svetlana Chmakova (2015). This may be my personal favorite middle grade graphic novel. The story is a perfectly normal slice of middle school life. What elevates this book (and its sequels) is the art. The soft coloring and thoughtful character design make the story comforting and sweet, even as the characters navigate a variety of troubles. Based on plot alone, this would make a pretty average chapter book, but as a graphic novel, it shines.
#please ignore the wacky image quality.#also sorry I did not format this to be easily readable on mobile#graphic novels#literacy#the midnight supplement#comics#comic strips#jessica#long post
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BOOKS BY ASIAN AUTHORS MASTERLIST #stopasianhate
In light of recent events and the growing anti- Asian hate in the US and UK over the course of the pandemic I wanted to put together a masterlist of books by Asian authors. Obviously, it’s not extensive and there are HUNDREDS out there, but supporting art by Asian creators is a way of showing support; read their stories, educate ourselves. It goes without saying that we should all be putting effort into reading stories of POC and by POC because even through fiction we’re learning about different cultures, countries and heritages. So here’s some books to start with by Asian authors!
Here is a link also for resources to educate and petitions to sign (especially if you don’t read haha). It’s important that we educate ourselves and uplift Asian voices right now. Your anti-racism has to include every minority that faces it.
https://anti-asianviolenceresources.carrd.co/
for UK peeps, this is a good read: We may not hear about the anti Asian racism happening here, but it is definitely happening. https://www.harpersbazaar.com/uk/culture/culture-news/a35692226/its-time-we-stopped-downplaying-the-uks-anti-asian-racism/
THE BOOKS:
· War Cross- Marie Lu ( the worldbuilding in this is IMMENSE.)
For the millions who log in every day, Warcross isn’t just a game—it’s a way of life. The obsession started ten years ago and its fan base now spans the globe, some eager to escape from reality and others hoping to make a profit.
· Star Daughter- Shveta Thakrar
A beautiful story about a girl who is half human and half star, and she must go to the celestial court to try to save her father after he has fallen ill. And before she knows it, she is taking part in a magical competition that she must win!
· These Violent Delights- Chloe Gong (I told my little sister to read this book yesterday bc she has a thing for a Leo as Romeo- so if you want deadly good looking Romeos, badass Juliet’s and to learn about 1920s Shanghai- this is for you.)
The year is 1926, and Shanghai hums to the tune of debauchery. A blood feud between two gangs runs the streets red, leaving the city helpless in the grip of chaos. A Romeo and Juliet retelling.
· The Poppy War- R.F Kuang (My fave fantasy series just fyi- it’s soul crushing in the best way. Rebecca Kuang is a god of an author).
A brilliantly imaginative talent makes her exciting debut with this epic historical military fantasy, inspired by the bloody history of China’s twentieth century and filled with treachery and magic, in the tradition of Ken Liu’s Grace of Kings and N.K. Jemisin’s Inheritance Trilogy.
· Loveboat Taipei- Abigail Hing Wen (Really heartwarming and insightful!)
When eighteen-year-old Ever Wong’s parents send her from Ohio to Taiwan to study Mandarin for the summer, she finds herself thrust among the very over-achieving kids her parents have always wanted her to be, including Rick Woo, the Yale-bound prodigy profiled in the Chinese newspapers since they were nine—and her parents’ yardstick for her never-measuring-up life.
· Sorcerer to the Crown- Zen Cho (if anyone is looking for another Howl’s Moving Castle, look no further than this book)
At his wit’s end, Zacharias Wythe, freed slave, eminently proficient magician, and Sorcerer Royal of the Unnatural Philosophers—one of the most respected organizations throughout all of Britain—ventures to the border of Fairyland to discover why England’s magical stocks are drying up.
· Emergency Contact- Mary H.K. Choi (very wholesome and fun rom-com!)
For Penny Lee high school was a total nonevent. When she heads to college in Austin, Texas, to learn how to become a writer, it’s seventy-nine miles and a zillion light years away from everything she can’t wait to leave behind.
· Jade City- Fonda Lee (I am reading this currently and can I just say- I think everyone who loves fantasy and blood feuds in a story should read this.)
JADE CITY is a gripping Godfather-esque saga of intergenerational blood feuds, vicious politics, magic, and kungfu. The Kaul family is one of two crime syndicates that control the island of Kekon. It's the only place in the world that produces rare magical jade, which grants those with the right training and heritage superhuman abilities.
· A Pho Love Story- Loan Le
When Dimple Met Rishi meets Ugly Delicious in this funny, smart romantic comedy, in which two Vietnamese-American teens fall in love and must navigate their newfound relationship amid their families’ age-old feud about their competing, neighbouring restaurants.
· Rebelwing- Andrea Tang
Business is booming for Prudence Wu. A black-market-media smuggler and scholarship student at the prestigious New Columbia Preparatory Academy, Pru is lucky to live in the Barricade Coalition where she is free to study, read, watch, and listen to whatever she wants.
· Wings of the Locust- Joel Donato Ching Jacob
Tuan escapes his mundane and mediocre existence when he is apprenticed to Muhen, a charming barangay wiseman. But, as he delves deeper into the craft of a mambabarang and its applications in espionage, sabotage and assassination, the young apprentice is overcome by conflicting emotions that cause him to question his new life.
· The Travelling Cat Chronicles- Hiro Arikawa
Sometimes you have to leave behind everything you know to find the place you truly belong...
Nana the cat is on a road trip. He is not sure where he's going or why, but it means that he gets to sit in the front seat of a silver van with his beloved owner, Satoru.
· Super Fake Love Song- David Yoon
From the bestselling author of Frankly in Love comes a contemporary YA rom-com where a case of mistaken identity kicks off a string of (fake) events that just may lead to (real) love.
· Parachutes- Kelly Yang
Speak enters the world of Gossip Girl in this modern immigrant story from New York Times bestselling author Kelly Yang about two girls navigating wealth, power, friendship, and trauma.
· The Grace of Kings- Ken Liu ( One of the Time 100 Best Fantasy Books Of All Time!)
Two men rebel together against tyranny—and then become rivals—in this first sweeping book of an epic fantasy series from Ken Liu, recipient of Hugo, Nebula, and World Fantasy awards.
· Wicked Fox- Kat Cho
A fresh and addictive fantasy-romance set in modern-day Seoul.
· Descendant of the Crane- Joan He
In this shimmering Chinese-inspired fantasy, debut author Joan He introduces a determined and vulnerable young heroine struggling to do right in a world brimming with deception.
· Pachinko- Min Jin Lee
Richly told and profoundly moving, Pachinko is a story of love, sacrifice, ambition, and loyalty. From bustling street markets to the halls of Japan's finest universities to the pachinko parlors of the criminal underworld, Lee's complex and passionate characters--strong, stubborn women, devoted sisters and sons, fathers shaken by moral crisis--survive and thrive against the indifferent arc of history.
· America is in the Heart- Carlos Bulosan
First published in 1946, this autobiography of the well known Filipino poet describes his boyhood in the Philippines, his voyage to America, and his years of hardship and despair as an itinerant laborer following the harvest trail in the rural West.
· Days of Distraction- Alexandra Chang
A wry, tender portrait of a young woman — finally free to decide her own path, but unsure if she knows herself well enough to choose wisely—from a captivating new literary voice.
· The Astonishing Colour of After Emily X.R Pan
Alternating between real and magic, past and present, friendship and romance, hope and despair, The Astonishing Color of After is a novel about finding oneself through family history, art, grief, and love.
· The Gilded Wolves- Roshani Chokshi
It's 1889. The city is on the cusp of industry and power, and the Exposition Universelle has breathed new life into the streets and dredged up ancient secrets. Here, no one keeps tabs on dark truths better than treasure-hunter and wealthy hotelier Séverin Montagnet-Alarie. When the elite, ever-powerful Order of Babel coerces him to help them on a mission, Séverin is offered a treasure that he never imagined: his true inheritance.
· When Dimple met Rishi- Sandhya Menon
Dimple and Rishi may think they have each other figured out. But when opposites clash, love works hard to prove itself in the most unexpected ways.
· On Earth we’re briefly Gorgeous- Ocean Vuong
Poet Ocean Vuong's debut novel is a shattering portrait of a family, a first love, and the redemptive power of storytelling.
· Fierce Fairytales- Nikita Gill
Complete with beautifully hand-drawn illustrations by Gill herself, Fierce Fairytales is an empowering collection of poems and stories for a new generation.
BOOKS BEING RELEASED LATER THIS YEAR TO PREORDER:
· Counting down with you- Tashie Bhuiyan- 4th May
A reserved Bangladeshi teenager has twenty-eight days to make the biggest decision of her life after agreeing to fake date her school’s resident bad boy.
How do you make one month last a lifetime?
· Gearbreakers- Zoe Hana Mikuta- June 29th
Two girls on opposite sides of a war discover they're fighting for a common purpose--and falling for each other--in Zoe Hana Mikuta's high-octane debut Gearbreakers, perfect for fans of Pacific Rim, Pierce Brown's Red Rising Saga, and Marie Lu's Legend series
· XOXO- Axie Oh- 13th July
When a relationship means throwing Jenny’s life off the path she’s spent years mapping out, she’ll have to decide once and for all just how much she’s willing to risk for love.
· She who became the sun- Shelley Parker-Chan- 20th July
Mulan meets The Song of Achilles in Shelley Parker-Chan's She Who Became the Sun, a bold, queer, and lyrical reimagining of the rise of the founding emperor of the Ming Dynasty from an amazing new voice in literary fantasy.
· Jade Fire Gold- June C.L Tan- October 12th
Two girls on opposite sides of a war discover they're fighting for a common purpose--and falling for each other--in Zoe Hana Mikuta's high-octane debut Gearbreakers, perfect for fans of Pacific Rim, Pierce Brown's Red Rising Saga, and Marie Lu's Legend series
Keep sharing, signing petitions and donating where you can. The more people who are actively anti-racist, the better. And if your anti-racism doesn’t include the Asian community then go and educate yourself! BLM wasn’t a trend and neither is this. We have to stand up against white supremacy, and racism and stereotypes and we have to support the communities that need our support. Part of that can include cultivating your reading so you’re reading more diversely and challenging any stereotypes western society may have given you.
Feel free to reblog and add any more recommendations and resources of course!
#stopasianhate#books by asian authors#anti racism#i'm so sickened by everything that's happening and i hope that this list does encourage people to read books by asian authors!!!#ya#poc authors#fiction#i haven't all of these yet#asian writers#asian authors#masterlist#antiasianracism
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Diamond, Emerald, Onyx, 14ct Ring 12893-0193
This elegant oval-shape vintage Art Deco design ring features oval-shaped ±0.90ct Emerald surrounded by a halo of ±0.40ct (H SI1)) Single Cut Diamonds and Onyx crafted in 14ct.
This elegant oval-shape vintage Art Deco design ring features oval-shaped ±0.90ct Emerald surrounded by a halo of ±0.40ct (H SI1)) Single Cut Diamonds and Onyx crafted in 14ct.
Materials: Diamond, Emerald, Onyx, 14ct. Size: 18.54 NL / 58.3 FR / 8½ US / Q½ UK, sizeable (Within reason. Contact seller for information). Dimensions: H 0.7 x L 2 x W 2.5 cm. Weight in grams: 7. Condition: Very good condition - slightly used with small signs of wear.
Design Area : Art Deco. Area Information : Art Deco received its moniker from the Exposition International des Arts Décoratifs et Industriels Modernes, held in Paris in 1925, which was largely dedicated to the jewelry arts. Emphasis was placed on the association of art and modern industry. Inspiration for this style was as far reaching as Oriental, African and South American Art and as varied as Cubism and Fauvism, both popular movements at the time. The term "Cubism" was often used to describe jewelry of this era because of the angles, geometric lines and figurative representations used in its execution. A desire to eliminate the flowing lines of Art Nouveau and distill designs to their rudimentary geometric essence, thus eliminating seemingly unnecessary ornament, resulted in the cleaner and more rigid lines employed in Art Deco jewelry. A look forward toward modernism and the machine age also featured prominently at this juncture in jewelry history. During the Art Deco era, advancements in cutting techniques, including the advent of the modern round brilliant cut style, allowed for diamonds to become more dazzling and scintillating than ever before. Meanwhile, prosperity was permitting more people to afford diamond jewelry and engagement rings. New casting techniques further increased accessibility, as jewelers discovered more efficient ways to produce the most intricately detailed of settings.. Materials : Diamond, Emerald, Onyx. Material Information : Emerald Emeralds are one of the three main precious gemstones (along with rubies and sapphires) and are known for their fine green to bluish green colour. They have been treasured throughout history, and some historians report that the Egyptians mined emerald as early as 3500 BC. Single Cut Diamond A single cut diamond has a large table and an octagonal girdle. The culet, or bottom edge of the diamond, may be pointed or it may be flat. A single cut diamond usually has 18 facets. The single cut is an extremely old diamond cut dating to the 1300s. Onyx Onyx is the name for the black and white banded variety of chalcedony. It has been used since antiquity when it was highly prized as a cameo stone. The layered color structure allows the engraver to cut the subject in one color while creating a background of another. The term onyx is often encountered describing pure black material although this is technically incorrect. 14ct Because of the softness of pure (24k), it is usually alloyed with base metals for use in jewelry, altering its hardness and ductility, melting point, color and other properties. Alloys with lower carat rating, typically 22k, 18k, 14k or 9k, contain higher percentages of copper or other base metals or silver or palladium in the alloy. Copper is the most commonly used base metal, yielding a redder color.. Size : 18.54 NL / 58.3 FR / 8½ US / Q½ UK. Dimensions : H 0.7 x L 2 x W 2.5 cm. Gender : female. Weight (in grams) : 7. Condition : Very good condition - slightly used with small signs of wear. http://nemb.it/p/84wkG27mS/tumblr
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Lock, Frank L. Koralewsky, 1911, Art Institute of Chicago: American Art
Frank L. Koralewsky served as a traditional ironworker’s apprentice in his native north-German town of Stralsund. After obtaining journeyman status, he worked in various German shops before immigrating to Boston in the mid- 1890s. By 1906 he was a member of the Boston Society of Arts and Crafts, specializing in locksmithing and hardware. This extremely intricate lock, which took seven years to complete, exemplifies the early-20th-century taste for sentimental medievalism and represents the pinnacle of the metalworking tradition at the turn of the 20th century. Exhibited at the 1915 Panama-Pacific International Exposition, where it won a gold medal, the lock illustrates Jacob and Wilhelm Grimm’s fairy tale “Snow White and the Seven Dwarfs.” Gift of Mr. Richard T. Crane Size: 50.8 × 50.8 × 20.3 cm (20 × 20 × 8 in.) Medium: Iron with inlays of gold, silver, bronze, and copper on wood base
https://www.artic.edu/artworks/28869/
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