'zusammenhang' by alexandra bircken, 2006 in unmonumental: the object in the 21st century - phaidon (2007)
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Alexandra Bircken at Museum Abteiberg, Mönchengladbach
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Alexandra Bircken
Alexandra Bircken
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Alexandra Bircken
New Model Army 5, 2016
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Alexandra Bircken et Lutz Huelle œuvrent respectivement depuis l’art et la mode. Une exposition les réunit, ainsi qu’un troisième comparse, le photographe Wolfgang Tillmans, à partir d’une histoire d’amitié adolescente. Et une commune énergie, comme un geste d’exposition, d’en découdre avec les assignations de genre et les séparations de médiums.
Text by Ingrid Luquet-Gad on Les Inrocks
On les connaît respectivement comme plasticienne et créateur de mode. Alexandra Bircken et Lutz Huelle se sont chacun·e fait un nom, respectivement dans l’art et la mode. À la Fondation Pernod Ricard, ce qui se montre est un flux commun qui les rassemble : une Pensée corps, le titre de l’exposition confiée à la curatrice Claire Le Restif, la directrice du…
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Alexandra Bircken, Gebrochenes Pferd, 2024, turned wood, black glaze, LED-lights, 100 x 240 x 47 cm VIA
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Alexandra Bircken
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Alexandra Bircken
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ALEXANDRA BIRCKEN
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Alexandra Bircken
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"Deflated Figures" by Alexandra Bircken at the Hepworth Wakefield
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ALEXANDRA BIRCKEN
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Totems
Emmanuel Nassar
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Olga Doulkeridou - Cement
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Rob Pruitt - Huggins (marble paper bag)
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Richard Serra
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Boris Chouvellon - excavated swimming pool
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DeWain Valentine
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Marina Abramovic
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June Crespo
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Tom Sachs - Cup Noodles
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Alexandra Bircken - New Model Army 5
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Antony Gormley - Flesh
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Angela Bulloch - Always Different, Always the Same
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Alejandro Almanza Pereda - The dilapidated pillars of society
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The exhibition La pensée corps brings together the work of Alexandra Bircken and Lutz Huelle, both of whom are linked to questions of identity, intimacy, permeability and vulnerability of the human being. What links them is a style with forms that are alternately fractured and assembled, cut and sutured, and a long history of friendship.
This exhibition is not about the relationship between art and fashion, even though it is a natural one. The focus is on the mechanisms, the gestures, the thinking of the contemporary body and our experience of it as human beings. Both sectionalise and fractionalise objects and clothes as adjustable models for new ways of living, feeling and representing.
This essential relationship to the body…
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