#Aleksandr Solzhenitsyn
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You will never forget the name Aleksandr Solzhenitsyn after this
Watch the full episode on Dropout
#game changer#aleksandr solzhenitsyn#sam reich#deja vu#siobhan thompson#ify nwadiwe#mike trapp#nobel prize
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Insurrection is an attack on our foundation and to future generations.
Vote accordingly. #VoteBlue
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Unlimited power in the hands of limited people always leads to cruelty.
Aleksandr Solzhenitsyn
The Gulag Archipelago
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what the fuck happened on Game Changer… truly what was that? And why can’t I get any #FixItManFanFam merch?? Or get the wenis song out of my head???
#game changer#dropout#francium#ouagadougou#aleksandr solzhenitsyn#fixitman78#everybody do the wenis#the wenis is a dance#everybody is a genius#who knows it in advance
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But a work of art bears within itself its own verification: conceptions which are devised or stretched do not stand being portrayed in images, they all come crashing down, appear sickly and pale, convince no one. But those works of art which have scooped up the truth and presented it to us as a living force – they take hold of us, compel us, and nobody ever, not even in ages to come, will appear to refute them.
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50 years ago these words.... and they feel especially powerful this morning...
“In keeping silent about evil, in burying it so deep within us that no sign of it appears on the surface, we are implanting it, and it will rise up a thousand fold in the future. When we neither punish nor reproach evildoers, we are not simply protecting their trivial old age, we are thereby ripping the foundations of justice from beneath new generations.”
- Aleksandr Solzhenitsyn in his “The Gulag Archipelago”
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You must understand, the leading Bolsheviks who took over Russia were not Russians. They hated Russians. They hated Christians. Driven by ethnic hatred they tortured and slaughtered millions of Russians without a shred of human remorse. It cannot be overstated. Bolshevism committed the greatest human slaughter of all time. The fact that most of the world is ignorant and uncaring about this enormous crime is proof that the global media is in the hands of the perpetrators. -Aleksandr Solzhenitsyn
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Photo
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The more things change, the more they stay the same.
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Books 21-30 of the year 📖
#read in 2024#aleksandr solzhenitsyn#clarice lispector#william t vollmann#rem koolhaas#william h. gass#ken sparling#borislav pekic#guido morselli#yan lianke#Stanislaw Ignacy Witkiewicz#talks
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Random soft!psycho!Rhys moments that I love
“If only there were evil people somewhere insidiously committing evil deeds, and it were necessary only to separate them from the rest of us and destroy them. But the line dividing good and evil cuts through the heart of every human being. And who is willing to destroy a piece of his own heart?” – Aleksandr Solzhenitsyn
#rhys montrose#ed speleers#you netflix#you season 4#you edit#you gifs#joe goldberg#goldrose#my gifs#how can rhys be such a smol baby and simultaneously a cynical monster#it is beyond me#i suppose it's all thanks to ed's wonderful acting#and lovely face :)#by the way this is one of my favourite quotes on good vs. evil#aleksandr solzhenitsyn#what a literary legend
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"Human beings are born with different capacities. If they are free, they are not equal. And if they are equal, they are not free." -- Aleksandr Solzhenitsyn
Equity is tyranny.
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Leo Tolstoy. Mary Elizabeth Braddon. Marcel Proust. Walt Whitman. Alan Wilson Watts. Czeslaw Milosz. Nadine Gordimer. Elias Canetti. Banana Yoshimoto. Kenzaburō Ōe. Aleksandr Solzhenitsyn. Alexandre Dumas.
#literature#quotes#poetry#writeblr#star signs#zodiac signs#writing prompt#leo tolstoy#mary elizabeth braddon#marcel proust#walt whitman#alan wilson watts#czeslaw milosz#nadine gordimer#elias canetti#banana yoshimoto#kenzaburo oe#aleksandr solzhenitsyn#alexandre dumas
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“Alyoshka was not yet a Catholic then, but he no longer wore a beard. He had just been laid off as a guard, he had surrendered his nightstick and uniform and become once more the mustachioed and dark-eyed Alyoshka Slavkov, cheerful despite a bad limp, lover of booze. Alyoshka fed me sauerkraut and sausages, his unvarying diet, and sat down to translate a document I had brought. Entitled "Memorandum," the document expressed the hopes and dreams of what we called "the creative intelligentsia"—of Alyoshka and myself and a great number of other artists, writers, filmmakers, and sculptors who had emigrated from the USSR and whom no one here needed one fucking bit.
Alyoshka translated, and I sat in an old chair, its upholstery worn shiny, and thought about our document and our intrigues. "A drowning man's effort not to drown," I thought. Two pages. To be sent to Jackson, Carey, and Beame. As if they would help us with our art. Those demagogues had needed us, however, while we were over there. Here they shoved us on welfare so we wouldn't bitch. Okay, Ivan, have a spree, enjoy your freedom.
Cold-blooded Americans, they're so fucking smart, they advise the likes of us to switch professions. Just one thing—why don't they switch professions themselves? When a businessman loses half his fortune he throws himself off the forty-fifth floor of his office building, he does not go to work as a guard. I could have conformed in the USSR, why the fuck come here to do it? That was all the Soviet regime wanted of me, to change my profession.
A fine emigration we are, I went on in my thoughts, the most frivolous one yet. Usually only the fear of starvation or death can force people to leave a place, abandon their homeland, knowing that they may not be able to return, ever. A Yugoslavian who leaves for a temporary job in America can return home to his country, we can not. Never again shall I see my father and mother; I, little Eddie, am firm and calm in this knowledge.
It all started with Messrs. Sakharov, Solzhenitsyn, and company, who turned us against the Soviet world without ever having laid eyes on the Western world. They were prompted not only by specific purposes—the intelligentsia were demanding a part in governing the country, demanding their share—but also by pride, the desire to advertise themselves. As always in Russia, moderation was not observed. They may have been honestly deceived, Sakharov and Solzhenitsyn, but they deceived us too. Whatever the case, they were "dominant influences." So powerful was the intelligentsia's movement against their country and its system that even the strong could not resist and were swept along. So we all shag-assed over to the Western world as soon as the opportunity presented itself. We shag-assed over here, and having seen what the life is like, many if not all would shag-ass right back, but it's impossible. The Soviet government is not nice.
Fucking smart Americans, they advise men like Alyoshka and me to change professions. Where am I to hide all my thoughts, feelings, ten years of living, books of poetry? And me myself, where am I to hide refined little Eddie? Lock him up in the shell of a busboy. Bullshit. I tried it. I can no longer be an ordinary man. I am spoiled forever. Only the grave will reform me.
Eventually American security forces are going to have trouble with us. After all, not everyone conforms. In a couple of years look for Russians among the terrorists in liberation fronts of every description. That is my forecast.
Change our professions! Can the soul be changed? Knowing definitely what he is capable of, is it everyone who can suppress himself here and live the life of an ordinary man, laying no claim to anything, when he sees around him money, success, and fame, all of it largely undeserved, when he knows from experience both here and in the Soviet Union—and in this case the experience is identical—that he who is obedient and patient receives all from society, that he who sits on his butt all day and curries favor gets it all.
The brilliant inventors of vegetarian sandwiches for Wall Street secretaries can be counted on the fingers of one hand. For the most part, people arrive at success here just as they do in the USSR, by obedience, by wearing out the seat of their pants in their own or a government office, in boring daily labor. That is to say, civilization is constructed in such a way that the most restless, passionate, impatient—as a rule the most talented, who seek new paths—break their necks. This civilization is paradise for the mediocre. We thought the USSR was a paradise for the mediocre, we thought it would be different here if you were talented. Fuck no!
Ideology there, business reasons here. That is roughly true. But what difference does it make to me exactly why the world doesn't want to give me what is mine by right of my birth and talent? The world calmly gives it—a place, I mean, a place in life, recognition—to the businessman here, to the party worker over there. But it has no place for me.
Fucking shit! I'm being patient, world, very patient, but some day I'll get fed up. If there's no place for me, and for many others, then who the fuck needs a civilization like this?
That last thought I expressed aloud to Alyoshka Slavkov, who is far from agreeing with me in everything. He is drawn to religion, inclined to seek salvation in religious tradition; on the whole he is calmer than Eddie, although he too has storms raging within him, I think. He dreams of becoming a Jesuit, and I mock his Jesuitism and predict that he will participate in the world revolution along with me, a revolution whose goal will be to destroy civilization.
"And what would you build in its place, you and your friends in the Workers Party?" Alyoshka said. For some reason he lumps me in with the Workers Party, to which I have never belonged. I have merely been interested in it, as in any other leftist movement. I did become more intimate with Carol and her friends than with members of the other parties, but that was pure chance.
"The hardest thing of all," I told Alyoshka, "is to overthrow this civilization, tear it out by the root so that it cannot revive as it did in the USSR. To overthrow it once and for all is to build something new."
"And what will you do about culture?" Alyoshka asked
"This feudal culture," I said, "which inculcates wrong interpersonal relationships that originated in the distant past under a different social order-what will we do about it? We'll fucking annihilate it. It's unhealthy, it's dangerous with all its little tales of good millionaires, wonderful police who defend citizens from bestial criminals, magnanimous politicians who love flowers and children. Why is it that not one of these stinking authors—notice, Alyoshka, not one—will write that crimes, the majority of them, are generated by civilization itself? If a man kills another and takes his money, it's certainly not because he likes the color and crunch of those scraps of paper enough to murder another. He knows from his society that among his fellow countrymen those scraps of paper are God, they'll bring him any woman he wants, and bring him his grub, and deliver him from exhausting physical labor. Or a man kills his wife for betraying him. But if there were other customs, a different ethic, and interpersonal relationships were measured only by love, then why would he kill for unlove? Unlove is a misfortune, it's to be regretted. Television always shows families, and gentlemen in suits. But that's already on the way out. The gentlemen in suits are on the way out, and the wild wind of new relationships, ignoring all police measures, all religious barriers, howls over America and the whole world. The gentleman in a suit, the gray-haired head of the family, is suffering defeat after defeat, and soon, very soon, he will no longer be able to govern the world. The husband and wife who joined together in order to have a more peaceful, economically more advantageous life—not for love, but at the decree of custom—theirs was always an artificial arrangement and engendered a host of tragedies. Why the fuck preserve an obsolete custom?"“ - Eduard Limonov, ‘It's Me, Eddie’ (1979) [p. 148 - 151]
#limonov#eduard#eddie baby#eddie#russia#russian literature#russian punk#new york#soviet art#post soviet#soviet#ussr#national bolshevism#civilization#civilisation#culture#aleksandr solzhenitsyn#art#artist#freedom
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The next war... may well bury Western civilization forever.
—Aleksandr Solzhenitsyn
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