#Ahmed Al-Salahi

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Carta abierta: Escritores africanos en solidaridad con los Afroamericanos

Un centenar de escritores africanos, entre los que se encuentran reconocidos nombres, ha firmado esta carta abierta en solidaridad con la población afroamericana en todo el continente. Apoyando el movimiento Black Lives Matter, exhortan a los gobiernos de EEUU a acabar con la violencia institucional y a los africanos a garantizar que las poblaciones de la diáspora puedan ser acogidas en sus territorios en un gesto panafricanista.

Como escritores africanos sin fronteras, que estamos conectados más allá de la geografía con los que viven en los Estados Unidos de América y otras partes de la diáspora africana, declaramos nuestra condena de los actos de violencia contra las personas negras en los Estados Unidos de América.

Observamos con consternación que aquello que Malcolm X dijo en Ghana en 1964, que «para los veinte millones de los nuestros en América que somos de ascendencia africana, no se trata de un sueño americano: es una pesadilla americana» sigue siendo cierto para 37 millones en 2020.

Condenamos los asesinatos de:

George Floyd, Breonna Taylor, Sandra Bland, Amadou Diallo, Ahmaud Arbery, Aiyana Mo’Nay Stanly-Jones, Tony McDade, Pamela Turner, Matthew Ajibade, Rekia Boyd, Eric Garner, John Crawford III, Michael Brown, Shelly Frey, Ezelll Ford, Dante Parker, Michelle Casseaux, Yvette Smith, Darnesha Harris, Laquan Mcdonald, Atatiana Jefferson, George Mann, Tanisha Anderson, Akai Gurley, Tamir Rice, Rumain Brisbon, Jerame Reid, Frank Smart, Natasha Mckenna, Tony Robinson, Anthony Hill, William Chapman II, Alberta Spruill, Walter Scott, Shantell Davis, Eric Harris, Philip White, Mya Hall, Alexia Christian, Brendon Glenn, Victor Manuel Larosa, Jonathan Sanders, Salvado Ellswood, Joseph Mann, Freddie Blue, Albert Joseph Davis, Darrius Stewart, Billy Ray Davis, Samuel Dubose, Troy Robinson, Christian Taylor, Sean Bell, Brian Keith Day, Michael Sabbie, Asshams Pharoah Manley, Felix Kumi, Keith Harrison McLeod, Junior Prosper, Anthony Ashford, Dominic Hutchinson, Paterson Brown, Lamontez Jones, Bettie Jones, Alonzo Smith, Tyree Crawford India Kager, Janet Wilson, Sylville Smith, Benni Lee Tignor, Yvonne Smallwood, Kayla Moore y todos los demás nombres, conocidos y desconocidos, que representan a seres humanos que son nuestros parientes.

Nuestra sangre.

Apoyamos las protestas en los Estados Unidos y en todo el mundo, mientras nuestra gente exige justicia por todos y cada uno de los asesinatos raciales, ya sean cometidos por la policía o por civiles. Somos conscientes de que no son protestas apacibles. No lo esperamos y tampoco deberían hacerlo los Estados Unidos de América. Los asesinatos no se efectuaron de forma apacible. La brutalidad policial y los asesinatos sancionados por el Estado se hicieron en voz alta, sin temor a las consecuencias por parte de quienes los perpetraron.

Reconocemos la condena de la Unión Africana al constante terrorismo del gobierno de los Estados Unidos hacia los afroamericanos. Creemos que la Unión Africana puede y debe hacerlo mejor.

Pedimos a los gobiernos africanos que reconozcan nuestra alianza y conexiones con nuestros hermanos y hermanas a través de las fronteras, desde América hasta Brasil y a través del resto de la diáspora. Que ofrezcan a quienes lo elijan: refugio, hogares y ciudadanía en nombre del panafricanismo.

Exhortamos a las instituciones legales americanas a que investiguen de forma independiente cada asesinato policial, así como a que investiguen cualquier denuncia contra la violencia policial.

Exigimos que los acusados sean suspendidos de sus puestos sin sueldo hasta que un juicio justo los libere de los cargos. En esencia, pedimos a los Estados Unidos de América que sean lo suficientemente valientes para adherirse a su propia carta de derechos, para poder ser la tierra de la libertad para TODOS los americanos sin importar su color, credo u orientación sexual.

Reivindicamos que las Vidas Negras importan. Como escritores, levantamos nuestros puños en solidaridad con aquellos que se niegan a ser silenciados. A nuestros hermanos y hermanas de los Estados Unidos, estamos con ustedes.

Pedimos a todos los seres humanos honrados que se unan a nosotros para ser los guardianes de nuestros hermanos y hermanas. Mientras protestan en los Estados Unidos, por favor den cualquier donación que puedan a #BlackLivesMatter.

Firmado por:

1. Chris Abani2. Kelvin Nonvignon Adantchede3. Ali J Ahmed4. Abdilatif Abdalla5. Yasmin Abdel-Magied6. Leila Aboulela7. Leye Adenle8. Bisi Adjapon9. Jose Eduardo Agualusa10. Ali J Ahmed11. Julio de Almeida12. Ayesha Harruna Attah13. Sefi Atta14. Meti Birabiro15. Tanella Boni16. Nana Brew-Hammond17. Noviolet Bulawayo18. Shadreck Chikoti19. Nana Awere Damoah20. Tolu Daniel21. Ibrahim El Khalil Diallo22. Boubacar Boris Diop23. Raoul Djimeli24. Edwige Dro25. Ainehi Edoro-Glines26. Chike Frankie Edozien27. Filinto Elisio28. Kalaf Epalanga29. Amir Tag Elsir30. Mona Eltahawy31. Ubah Cristina Ali Farah32. Virgilia Ferrao33. Aminatta Forna34. Chimeka Garricks35. Kadija George36. Laurence Gnaro37. Hawa Jande Golakai38. Isatou Alwar Graham39. Francisco Guita Jr40. Helon Habila41. Osman Ahmed Hassan42. Suad Sadig Hassan43. Pede Hollist44. Abdelmoumin Ibrahim45. Abubakar Adam Ibrahim46. Tsitsi Ella Jaji47. Nozizwe Cynthia Jele48. Mamle Kabu49. Mubanga Kalimamukwento50. Tamanda Kanjaye51. Precious Colette Kemigisha52. Grada Kilomba53. Moses Kilolo54. David Lukudu55. Beata Umubyeyi Mairesse56. Angela Makholwa57. Nick Makoha58. Jennifer Makumbi59. Napo Masheane60. Mohale Mashigo61. Makanaka Mavengere62. Eusebius Mckaiser63. Jose Luis Mendonca64. Maaza Mengiste65. Thando Mgqolozana66. Niq Mhlongo67. Amna Mirghani68. Nadifa Mohamed69. Natalia Molebatsi70. Yara Monteiro71. Merdi Mukore72. Marie-Louise Mumbu73. Richard Ali Mutu74. Kevin Mwachiro75. Remy Ngamije76. Siphiwe Gloria Ndlovu77. Mukoma wa Ngugi78. Nducu Wa Ngugi79. Natasha Omokhodion-Banda80. Ondjaki81. Troy Onyango82. Tochi Onyebuchi83. Chinelo Okparanta84. Gabriel Adil Osman85. Ladan Osman86. Yvonne Adhiambo Owuor87. Nii Ayikwei Parkes88. Abreu Paxe89. Mbate Pedro90. Pepetela91. Yovanka Paquete Perdigao92. Hannah Azieb Pool93. Jorge Querido94. Sanaa Abu Qussasa95. Abdelaziz Baraka Sakin96. Mohamedou Ould Salahi97. Hassan Ghedi Santur98. Malebo Sephodi99. Lemya Shammat100. Lola Shoneyin101. Lemn Sissay102. Kola Tubosun103. Chika Unigwe104. Abdourahman Waberi105. Zukiswa Wanner

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How To Get People To Like Watercolour World | Watercolour World

Meem Arcade is presenting attenuate works by some of the best affecting modernists of the Arab apple in the third copy of its ‘Modern Masters’ exhibition series.

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The appearance includes seminal works dating from the 1920s to the aboriginal 2000s by avant-garde masters from Iraq, Egypt, Syria, Lebanon, Sudan, Palestine and Morocco. Artisan works to be included are by Chafic Abboud, Etel Adnan, Dia al-Azzawi, Kamal Boullata, Huguette Caland, Ahmed Cherkaoui, Saliba Douaihy, Ismail Fattah, Kadhim Hayder, Faiq Hassan, Shakir Hassan Al Said, Louay Kayyali, Mahmoud Sabri, Mahmoud Said, Ibrahim El-Salahi, Jewad Selim, and Marwan.

In accord with the artists, artists’ estates and clandestine collections, the arcade has brought calm a accumulating of paintings, prints and sculptures that offers insights into the change of avant-garde art in the Middle East and North Africa during the twentieth century.

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These Arab artists accord to a bearing that benefited from the newly-established art institutions in the arena and had the befalling to absorption away and be apparent to Western 20th aeon avant-garde art movements.

Although they experimented with abreast Western techniques and new vocabularies of abstraction, their admiration to accurate their own arising post-colonial identities led them to booty afflatus from the cultural traditions, histories, and landscapes of their own countries and the socio-political issues of the time.

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This access resulted in an artful renaissance beyond the arena apparent by the actualization of important avant-garde movements and the development of a abnormally Arabian beheld aesthetic.

A acceptable archetype is Said’s 1930 painting El Nourag (The Plough) depicting a barbarian in acceptable apparel allegorical his oxen. It captures the simple rural activity in Egypt’s Nile basin and the accord amid man and attributes in a post-Impressionist appearance that reflects his training in Italy and Paris.

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Similarly, a 1969 account by Kayyali, who advised in Rome and accomplished at the Higher Institute of Fine Arts in Damascus, depicts a adolescent ice-cream seller. The blue yet aristocratic amount of the boy irenic staring into the ambit is an accomplished archetype of the abounding portraits he fabricated of accustomed Syrians.

Baghdad was a key centre of modernist art and architectonics in the arena and the Iraqi artists in the appearance played a analytical role in the acceleration of a post-colonial civic Iraqi identity. Hassan, who advised in Paris and accustomed the Department of Painting at the Institute of Fine Arts, Baghdad founded the Societe Primitive in the 1930s afterwards alleged the Pioneers Group, which encouraged associates to appear out of their studios and acrylic from apple activity and nature.

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His painting in the show, Fisherman from 1958 depicts a archetypal arena of fishermen casting their nets at dawn. Similarly, Moscow

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