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#Activision please make cod a musical and let ghoap fuck nasty
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Okay, cod musical thoughts (not musical au, but an actual mw2 ‘22 musical lmao)
I remember seeing/reading a quote about musical theater one time where it said something to the effect “characters on stage sing when the emotion gets too much to just speak” and just. The themes you can work with just from that alone.
The first time the audience is introduced to ghost, it’s everyone else talking/singing about him. Rumors flying, wildly exaggerated stories, the works. There’s almost this wild, frenetic energy in the characters as they stage-whisper like he’s going to appear out of nowhere.
But as soon as he does show up on stage, all music cuts. No singing. No instruments. Dead silence.
Until Soap appears. Then it’s all brash, upbeat tempo and overwhelming music. Which clearly is at odds with ghost’s whole thing.
And the no music/no singing rule extends through most of the numbers. Ghost never engages with the music, diagetically or non diagetically. He’s entirely separate from that entire world. He’s keeping himself emotionally distant from that entire world.
At least, up until the act 1 finale and the graves betrayal.
Act 2 starts with just soap, not even singing. Until ghost makes contact and they start their banter. And the audience doesnt really notice until partway through that there’s another voice. It’s quiet, and almost impossible to hear, but it’s there. Ghost is singing harmony. He’s reaching out for the very first time.
It culminates in their meeting at the church where the two of them sing a duet (and, in my head, singing each other’s leitmotifs because I’m a ghoap girlie first and a human second).
Ghost’s only solo is that moment on top of the building in Chicago. Time stops, and it’s just him and the audience. And he bares his fucking *soul* to them. The walls are gone. Emotion is overflowing.
He takes the shot and the music cuts. Silence.
“Perfect shot, lt.”
It swells back.
“You called it sergeant.”
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