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eddycurrents · 5 years ago

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For the week of 28 October 2019

Quick Bits:

Afterlift #1 is a digital original from Chip Zdarsky, Jason Loo, Paris Alleyne, and Aditya Bidikar. Very interesting concept here playing with a character who drives for a Lyft analogue in Cabit, leading to becoming a rather unique courier.

| Published by Jams & Jellies

Batman Annual #4 actually gives us many adventures and stories as we go through almost two months’ of diary entries of Batman’s exploits from Alfred, as told by Tom King, Jorge Fornés, Mike Norton, Dave Stewart, and Clayton Cowles. It’s a nice way to pack a lot of story into this annual in a fairly unique way, while also showcasing just how busy Batman really is.

| Published by DC Comics

Black Panther #17 sets up for the next confrontation with N’Jadaka and his forces, also giving us a rather...awkward but interesting conversation between Storm and Nakia. Gorgeous art from Daniel Acuña.

| Published by Marvel

Bloodshot #2 continues the balls to the wall action as Bloodshot and the Black Bar conflict escalates, from Tim Seeley, Brett Booth, Adelso Corona, Andrew Dalhouse, and Dave Sharpe. It’s a bit of a throwback to a more action-oriented style, but it definitely works for Bloodshot. A nice change of pace to give a variety of storytelling.

| Published by Valiant

Conan the Barbarian #10 spins us the twins’ yarn as they plotted their revenge on Conan, from Jason Aaron, Mahmud Asrar, Matthew Wilson, and Travis Lanham. The art from Asrar and Wilson is gorgeous. The backstory building up to last parts of this story and the fate of Conan is gripping.

| Published by Marvel

Contagion #5 brings an end to this series from Ed Brisson, Adam Gorham, Veronica Gandini, and Cory Petit. Gorgeous and creepy art here from Gorham and Gandini.

| Published by Marvel

DCeased #6 is surprisingly hopefully, even as everything dies and everybody hurts. It appears to be setting up a sequel, though likely to be incredibly bleak. Tom Taylor, Trevor Hairsine, Neil Edwards, Stefano Gaudiano, Rain Beredo, and Saida Temofonte conclude this series in epic fashion as we say goodbye to Earth.

| Published by DC Comics

Death’s Head #4 is another ending to a series this week, from Tini Howard, Kei Zama, Felipe Sobreiro, and Travis Lanham. Some very nice character work here for Death’s Head and Vee.

| Published by Marvel

Doctor Strange Annual #1 gives us a pair of tales. The lead from Tini Howard, Andy MacDonald, Tríona Farrell, and Cory Petit is a fun Halloween story dealing with the spirits haunting the Sanctum Sanctorum. Any art from MacDonald is a treat. The back up is a bit more deadly serious with Pornsak Pichetshote, Lalit Kumar Sharma, Sean Parsons, José Villarrubia, and Petit revealing a failsafe should Strange go rogue.

| Published by Marvel

Ether: The Disappearance of Violet Bell #2 continues to be incredibly inventive as Boone tries to track down the assassin. David Rubín’s art is absolutely amazing. And Boone’s continued inability to really think about anyone other than himself is telling.

| Published by Dark Horse

Excalibur #1 is another tick in the win column for “Dawn of X”. The X-Men dabbling in magic isn’t common, but Tini Howard, Marcus To, Erick Arciniega, and Cory Petit do so with amazing flair, fittingly taking us in through Otherworld, Captain Britain, and Betsy Braddock. Apocalypse’s new incarnation as “ •|A| •” and his newfound interest in magic is fascinating.

| Published by Marvel

Five Years #5 spotlights Zoe’s rather elaborate imagination for coming up with ways to murder people. Granted, the Russian agent may well deserve it, but still... Terry Moore continues to deliver some unexpected twists as the end of the world inches closer.

| Published by Abstract Studio

Giant Days: As Time Goes By #1 is a one-shot finale special from John Allison, Max Sarin, Whitney Cogar, and Jim Campbell. It picks up roughly a year from the end of the series, dealing with why Esther has been missing from their reunions. It’s full of all of the humour that we’ve been used to and hammers home the power of friendship. Also, it gets very, very weird.

| Published by Boom Entertainment / BOOM! Box

Harleen #2 works hard to portray Harley’s seduction by the Joker. Stjepan Šejić and Gabriela Downie portray it as an insidious, manipulative thing. It might appear romantic on the surface, but there’s definitely a darkness there. There are ideas of bringing back a monster from the edge of insanity, but the story makes you realize that some may well be beyond hope.

| Published by DC Comics - Black Label

Hellboy and the BPRD: Long Night at Goloski Station might well be the best of these new format tales yet, and both of the previous ones were incredibly strong. Here Mike Mignola, Matt Smith, Dave Stewart, and Clem Robins deliver a single issue story building on Hellboy’s confrontation with Baba Yaga, Sir Edward Grey, and demons.

| Published by Dark Horse

Invisible Kingdom #6 begins the second arc, “Edge of Everything”, as the crew first try to find food and fuel and then run afoul of a salvage ship. G. Willow Wilson, Christian Ward, and Sal Cipriano keep things interesting as we start to see the crew’s life after Lux.

| Published by Dark Horse / Berger Books

Invisible Woman #4 is disturbing, basically everything goes to hell and everyone that Sue was trusting to see this operation through has let her down. Or worse. Mark Waid, Mattia De Iulis, and Joe Caramagna set up a rather horrifying situation in this penultimate chapter. Again, De Iulis’ artwork is stunning.

| Published by Marvel

Joker: Killer Smile #1 is essentially a psychological horror from Jeff Lemire, Andrea Sorrentino, Jordie Bellaire, and Steve Wands. It comes from the point of view of a psychiatrist, Dr. Ben Arnell, who is trying to get to the heart of Joker’s mental state. It’s not going so well and it appears like the good doctor is losing time, doing strange things, and possibly worse. Very intriguing beginning to this story.

| Published by DC Comics - Black Label

Knights Temporal #4 has some stunning artwork from Fran Galán, particularly during the gangster sequences where colour comes into play as another important storytelling element. There are some very nice twists this issue, making you wonder about a lot of what we thought we knew.

| Published by AfterShock

The Last God #1 is dark fantasy done right by Phillip Kennedy Johnson, Riccardo Federici, Sunny Gho, Dean White, Tom Napolitano, Steve Wands, and Jared Blando. It gives us lying kings, heroes who weren’t rightly heroes, and a Lovecraftian terror returned to show the truth. It plays deep on resentment and distrust, and of a complete failure of institutions to uphold a decent society. All with absolutely stunning artwork from Federici, Gho, and White. This is a beautiful, haunting work.

| Published by DC Comics - Black Label

Last Stop on the Red Line #4 is very, very weird. We get a peek behind the masks of the monsters and it’s even stranger. There’s a very interesting mix of symbolism and the supernatural where we’re really not sure where one begins and the other ends. This was a very unique series from Paul Maybury, Sam Lotfi, and Adam Pruett.

| Published by Dark Horse

Mall #3 goes even harder into inter-faction warfare as it seems like all of the groups are at one another’s throats. Great world-building here from Michael Moreci, Gary Dauberman, Zak Hartong, Addison Duke, and Jim Campbell, with some interesting plot developments.

| Published by Vault

Manor Black #4 concludes the series as we see what essentially amounts to order vs. chaos as the old blood takes on wild magic. This doesn’t feel so much as a conclusion as an end to a chapter of a wider arc, leaving much unresolved. Hopefully we see more. The artwork from Tyler Crook is phenomenal.

| Published by Dark Horse

Marvel Zombies: Resurrection #1 is really damn good. Phillip Kennedy Johnson, Leonard Kirk, Guru-eFX, and Travis Lanham kick off this series with a new angle on the Marvel Zombies, playing up more on the horror angle, with a truly terrifying spread of the disease through a new vector. Gorgeous artwork from Kirk and Guru-eFX.

| Published by Marvel

Monster Planet #1 is the kind of thing that you used to see regularly published by Image and Top Cow, the military action comic that throws in horror elements, from Joe Brusha, Marcelo Mueller, Maxflan Araujo, and Taylor Esposito. It’s not bad, setting up a world where humanity has been turned into dinosaur-like beasts and the remnants of society need to turn to classical monsters for help.

| Published by Zenescope

The Necromancer’s Map #3 takes a bit of a different approach, giving us a fair amount of action as Tristan’s Will catch up with Bethany and co. as well as some great character building in between the action. Great stuff from Andrea Fort, Michael Christopher Horn, Sam Beck, Ellie Wright, and AndWorld Design.

| Published by Vault

The Plot #2 is wonderful horror storytelling from Tim Daniel, Michael Moreci, Joshua Hixson, Jordan Boyd, and Jim Campbell. Very creepy build of supernatural events once Chase Blaine and his family arrive back at his ancestral home. Hixson and Boyd’s presentation of the black, gooey masses are also disturbing.

| Published by Vault

Queen of Bad Dreams #5 concludes this excellent series from Danny Lore, Jordi Pérez, Dearbhla Kelly, and AndWorld Design. Rather interesting confrontation with and revelations about Eleanor Chase here.

| Published by Vault

Red Goblin: Red Death #1 is a one-shot featuring three stories set during Norman Osborn’s tenure as the Red Goblin at the end of Dan Slott’s run on Amazing Spider-Man. It’s kind of weird that it doesn’t instead tie-in with current events in Absolute Carnage, but it’s not bad for what it is. The art of the first two stories from Pete Woods is great.

| Published by Marvel

Relics of Youth #2 is even better than the first issue, delving deeper into the mysterious tattoos that the kids have been branded with and their connection to the island that they’ve landed on within the Bermuda Triangle. Matt Nicholas, Chad Rebmann, Skylar Partridge, Vladimir Popov, and AndWorld Design are telling a very compelling adventure here.

| Published by Vault

Roku #1 begins another mini-series focusing on one of the luminary villains in the Valiant Universe, this one from Cullen Bunn, Ramón F. Bachs, Stéphane Paitreau, and Dave Sharpe. It’s full of action and intrigue as Roku is hired by an unknown client to retrieve...someone. Things get more interesting as a new face stands in her way and we find out the unusual nature of the target.

| Published by Valiant

The Sandman Universe Presents: Hellblazer #1 is a homecoming of sorts for John Constantine, back to his old haunts alongside some of the other Vertigo corner of the DC Universe. Si Spurrier, Marcio Takara, Cris Peter, and Aditya Bidikar spin a yarn that reconstitutes John after a massive magic war led by an evil Tim Hunter. How exactly the pieces fit are anyone’s guess, but it’s a brilliant darker take resetting him here.

| Published by DC Comics - Black Label / The Sandman Universe

Savage Avengers Annual #1, though largely a self-contained story, is still integral to Conan’s adventure through the Marvel universe and the overall narrative as he, Hellstorm, and Black Widow stumble across a human trafficking ring that bears the marks of Kulan Gath. Gerry Duggan, Ron Garney, Matt Milla, and Travis Lanham deliver a compelling story.

| Published by Marvel

SFSX #2 does further world and character building, showing us just how much has changed since the Party took over, and how utterly betrayed many of the people from the Dirty Mind felt of Avory abandoning them. Very interesting stuff from Tina Horn, Michael Dowling, Chris O’Halloran, and Steve Wands.

| Published by Image

Silver Surfer: Black #5 concludes what has been a very trippy series from Donny Cates, Tradd Moore, Dave Stewart, and Clayton Cowles. There are some very interesting revelations of the past here, and it really makes you wonder about the Surfer’s new incarnation.

| Published by Marvel

Star Pig #4 concludes the series, kind of, from Delilah S. Dawson, Francesco Gaston, Sebastian Cheng, and Shawn Lee. There’s some rather disturbing tentacles in this one.

| Published by IDW

Star Wars Adventures: Return to Vader’s Castle #5 brings an end to this round of the series. I think it’s a perfect approach for some all ages “ghost stories” within the Star Wars universe. Wonderful resolution for the framing story from Cavan Scott, Francesco Francavilla, and AndWorld Design.

| Published by IDW

Tales from the Dark Multiverse: The Death of Superman #1 is the second of these one-shots spotlighting DC events gone horribly wrong, this time giving us a much angrier Lois Lane’s grief at the loss of Superman to Doomsday. Jeff Loveness, Brad Walker, Drew Hennessy, Norm Rapmund, John Kalisz, and Clayton Cowles present her as vengeance against a world that didn’t deserve Superman’s grace, raising some of the questions that you’d often see in The Authority. Only, you know, kind of evil. It’s not bad, but definitely dark.

| Published by DC Comics

Teenage Mutant Ninja Turtles #99 is the extra-sized penultimate chapter of “City at War” as all of the pieces begin falling into place for the grand finale. The story here from Kevin Eastman, Bobby Curnow, Tom Waltz, Dave Wachter, Ronda Pattison, and Shawn Lee feels truly epic and that something huge may just happen next issue. As it is, there’s still a ton of action here, some interesting developments with the Rat King, more disappointment when it comes to Raph, and something new with the mutagenic bomb.

| Published by IDW

Test #5 is very strange. Christopher Sebela, Jen Hickman, Harry Saxon, and Hassan Otsmane-Elhaou end this story as Aleph and Laurel find one another and a new way is planted, but there’s still seeds of something going awry.

| Published by Vault

Venom #19 largely plays out the end bits for the Maker and Dylan’s portions of Absolute Carnage, with some very interesting revelations. It seems like even bigger seeds are being lain for future stories here. Great art from Iban Coello and Rain Beredo.

| Published by Marvel

Witchblade #16 gives us the fight between Alex and Haley, after a few distractions and discursions. The stakes are pretty high here and there are a few rather tense moments as it plays out. Beautiful art from Roberta Ingranata and Bryan Valenza.

| Published by Image / Top Cow

Wonder Woman Annual #3 is largely a flashback tale, set five years ago as Wonder Woman and ARGUS attempt to extract an agent sent to infiltrate Gorilla City to see the legitimacy of Grodd’s rule. What Steve Orlando, V. Ken Marion, Sandu Florea, Hi-Fi, and Pat Brosseau do with is establish a new backstory and interpretation for a very old Wonder Woman foe in a fairly interesting way that even ties in to Event Leviathan. It may strain a bit of credibility for the villainous turn, but that will largely depend on the follow-up.

| Published by DC Comics

Other Highlights: Archie 1955 #2, A Basketful of Heads #1, Batman and the Outsiders Annual #1, Chrononauts: Futureshock #1-4, Dead Man Logan #12, Fantastic Four: Grand Design #1, Fight Club 3 #10, Friendly Neighborhood Spider-Man #13, Ironheart #11, James Bond 007 #12, Jim Henson’s The Dark Crystal: Age of Resistance #2, Journey to Star Wars: The Rise of Skywalker - Alliance #4, Jughead’s Time Police #5, Kick-Ass #18, Mighty Morphin Power Rangers #44, Rick & Morty #55, The Ride: Burning Desire #5, Runaways #26, Star Trek: Year Five #7, Star Wars: Doctor Aphra Annual #3, Star Wars Adventures #27, Superior Spider-Man #2, Tremor Dose, Warlord of Mars Attacks #5

Recommended Collections: Amazing Spider-Man: Red Goblin, Amber Blake - Volume 1, Black Science - Volume 9: No Authority But Yourself, Deadpool - Volume 3: Weasel Goes to Hell, Dept H. Omnibus - Volume 3: Decompressed & Lifeboat, Dick Tracy Forever, Hit-Girl - Volume 5, Jimmy’s Bastards - Volume 1: Year One, Lucifer Omnibus - Volume 1, Marvel Action: Spider-Man - Book 2: Spider-Chase, Punk Mambo, Spider-Gwen: Gwen Stacy, Star Trek: The Q Conflict, Symbiote Spider-Man, Thor - Volume 3: Wars End, Tony Stark: Iron Man - Volume 3: War of the Realms, Vamps: The Complete Collection, War of the Realms: Uncanny X-Men, The Wild Storm - Volume 4

d. emerson eddy feels like stale, day old pepperoni pizza.

#This Week in Comics

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thejustinmarshall · 7 years ago

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Spin Doctors Chris Barron Releases, “Angels and One Armed Jugglers” and Goes on Tour

Interview by Danny Coleman

“Funny, there’s a part of me that’s never really quite comfortable unless I have a guitar in my hands. The trick is A. Don’t make any mistakes B. If you make a mistake, cover it or C. Just don’t give a shit if you make a mistake (Laughs). The three are not mutually exclusive and at any given moment you can be operating on all three of those principals,” says The Spin Doctors Chris Barron as he discussed his new release, “Angels and One Armed Jugglers,” his past and his upcoming gigs at, “Randy Now’s Man Cave” in Bordentown, NJ on May 11 and “JCC of Central Jersey” in Scotch Plains on May 12.

Barron’s been writing songs ever since he was a teen aged youth in Princeton, NJ but his story and that of The Spin Doctors, leading up to his additional solo career began in high school; thanks to another very talented classmate.

“I went to high school with John Popper and the guys from Blues Traveler. We were into Cab Calloway and Ella Fitzgerald, we were all musicians but I didn’t play a lot of guitar back then so when we’d jam, I’d do a lot of scatting. Sometimes we’d be playing tunes we knew but most times it was tunes we wrote and that became part of my musicality. Growing up with John, he turned me onto the blues and a lot of this stuff like Billie Holiday and Charlie Parker and The Blues Brothers. We hadn’t known each other very long, I was like 14 or 15 years old and I asked him about the blues harmonica and he just kind of turned me onto the blues. Then I did what I did with various genres of music; I went to the Princeton Record Exchange with my allowance and I had like $4.85 and I’d buy these one dollar blues records. John turned me onto the slick established stuff and then I’d buy these one dollar records of obscure artists that I really never heard.There was one that really blew my mind, “Memphis Blues Again Volume II,” no relation to Bob Dylan at all but it had these really crusty gut bucket blues artists that I never heard of but it was so visceral. I took it to John and he said it was too raw for him and I was like; really? In my mind I thought that this was the shit and at the time I was writing tunes but was a very rudimentary guitarist. I could figure out those rudimentary parts that were played with absolute conviction and emotionality on the line with topics of songs that were so personal. It was at that point that I realized not every song has to be an emotional epiphany; you can write a song about anything you want.”

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However, it didn’t stop there. Using their powers of persuasion and a little peer pressure, the Blues Traveler would convince Barron to make a move that would unknowingly begin his journey into rock ‘n’ roll stardom. “Those guys came to my apartment in Princeton, where I had already written, “Two Princes” and “Jimmy Olsen’s Blues” and they were like, “Dude, you’re just wasting away here. We have to get a new apartment and you have to move to the city because it’ll be cheaper if we have an apartment for five guys instead of four guys.” “The late great Bobby Sheehan dared me to move to New York so I did and then I spent the summer with those guys and then in the fall they were going to a new music school. I told my dad I wanted to go to the new school if he’d help me out with the money but I didn’t want a music degree. I just wanted to go until I meet some guys and put a band together; I’ll work my guts out until then but once I put a band together I’m out of there. I want to be in a rock band. He was really cool and backed me and I did one semester and by the end of that semester The Spin Doctors were together. I met Eric and Aaron and we were playing out for money so we all quit school and concentrated on the band full time and in my case it’s all because of the Blues Traveler. I can’t overstate how much I owe those guys. John and I don’t get to see each other as much as we’d like but in my reckoning he’s one of my very dearest friends and in any arena of my life, one of the most important figures.”

At the height of their popularity, The Spin Doctors were a top drawing act and still continue to tour today; albeit with a scaled back schedule. Barron doesn’t seem to mind as it allows time for his solo career and for a welcome change of pace.

“I’m basically doing a lot of stuff on the weekends in my career right now. I haven’t been on an extended tour in quite a long time. Mostly The Spin Doctors go out, you know The Spin Doctors are together; the original band and in the summer we go out most weekends and then the rest of the year I’m doing solo stuff. Yeah, it’s a fun period in my career. I’ve got The Spin Doctors shows, my killer loud rock band with my buddies that I’ve been playing with forever and then I have this solo acoustic thing that I’ve been doing since I was a kid. I started out as a teenager as just a kid with a guitar, writing tunes and playing them just solo acoustic. That’s like a whole kind of art form all to itself, a venerable kind of art form that goes back to the Mississippi Delta with guys like Robert Johnson and Reverend Gary Davis, these great guitar players and songwriters that I’ve always really admired. So it’s fun, I kind of have two worlds and it makes my career very diverting and interesting. One night I’m up there with a loud rock band with nothing in my hands and I’m just the front man just running around Mick Jagger or Jim Morrison style and another night I’m the singer/songwriter with a guitar in my hands picking tunes.”

“One of the things that is really nice about The Spin Doctors and I get this again and again and I don’t know what we did and it wasn’t necessarily intentional but we somehow struck this universal appeal and over and over again, people refer to being in the car with their entire family and playing our CD in the car; it was like the CD that everyone could agree on. The kids liked it and the grown ups liked it. I get people saying they wanted to listen to Soundgarden while their parents wanted to listen to Pat Boone or whatever but we all liked The Spin Doctors. That’s very gratifying; it’s nice that so many different kinds of people have enjoyed our record.”

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So having the best of both worlds is always a beautiful thing but what happens when your main instrument, goes down? In Barron’s case, losing his voice was just the kick in the pants he needed. “I lost my voice last year and I was planning on making a record. I had this huge backlog of songs and it was time to get these songs out there. You know, songs get mad at you if you let them sit around for too long. I hadn’t made a solo record in a long time, my songs were mad at me, it was time for me to record but I lost my voice. Then when my voice came back, it was really clear that life is short, you never know what’s going to happen, so I thought get in there and get this record done. So I kind of came at the project with a new lease on life and kind of came at it with a will but I had a lot of the tunes around. It wasn’t one of those records where it was like, OK it’s time to make a record, better write something. I had a lot of the material, some of it I wrote a number of years ago, some I wrote within the last year or two but the songs were pretty ready to go; so it was the songs, the songs asked me to make the record.”

The result was, “Angels and One Armed Jugglers,” something even Barron himself chuckles about. “How’s that for a mouthful? It’s kind of a funny story; I wrote that song while driving on the Queensboro Bridge. That line, “Angels and one armed jugglers,” just kind of came to me and I was driving my Crown Vic Police Interceptor across the bridge and pulled out a pen and started writing it down on my steering wheel. I was thinking about this neighbor of mine back in the day, Adelaide, who is a character in the song. She was just this cool old lady that lived next door to me who had been a Broadway chorus girl. What’s funny is, the whole idea of calling the record that, everybody, my friends, my wife, all were like, you can’t call your record, “Angels and One Armed Jugglers” and I was like, yeah but I can’t come up with anything else and I think it’s kind of a cool title. My wife, after three months was like, “It is kind of a cool title” and I was like; right? Now that the record is out everybody loves the title and now that it’s gotten great reviews, their like, yeah of course he’s going to call it, “Angels and One Armed Jugglers.”

The record is full of twists and turns and has multiple mood changes; just how Barron likes it. So what can those attending a show expect from this man as he goes solo on stage? “I’m going to perform my record in order, which has been really fun and it has been going over really great. I’m going to perform the record solo acoustic, it’s a full production record there’s a lot of different productions on the record. Some of it’s like a rock band set up, some is stripped down and I have one tune called, “The World According to Garp,” which is just me on guitar and just a tuba and an accordion. There’s a lot of different things, some of the songs have strings, some have horns on them and the songs are quite varied in nature. I’ve got some love songs, some wistful stuff and some bombastic rock ‘n’ roll, it’s a pretty well balanced record from that viewpoint. So I’m going to come out and do my record and then I’m going to do some Spin Doctors stuff. I’ll do, “Little Miss Can’t Be Wrong and “Two Princes” and the songs that are people’s favorites but one of the fun things about coming out to see me if you’re a Spin Doctors fan is that I do some of the deep cuts that The Spin Doctors never ended up playing live. So you can come out and hear the hits interpreted solo acoustic, which I think that the people seem to enjoy. The audience seems to get a kick out of hearing me interpret these songs differently and they still rock with just me and a guitar but it’s really stripped down to the original elements of the song. So you can kind of get an insight into the writing and if you are a Spin Doctors fan you’ll gain some insight into the band. I think the cool thing about seeing one of the guys from a band is that you get to see their contribution to the band on display. You get to see the part of the band that “he” did; OK cool and it gives you a bit of perspective. So I’ll be doing some Spin Doctors hits, deep cuts, my new record and some Chris Baron tunes.”

To purchase tickets or discover more about Chris Barron, please visit www.thechrisbarron.com.

Danny Coleman (Danny Coleman is a veteran musician and writer from central New Jersey. He hosts a weekly radio program entitled “Rock On Radio” airing Sunday evenings at 10 p.m. EST on multiple internet radio outlets where he features indie/original bands and solo artists.)

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