#AYANO SUDO

[magicmorningmeteora]

Who is your H!P birthday oshi ~Early July 2024~

[mountainmaster489]

[idolsgeneration]

[produce101blog]

Live Audience Ranking

Note: this only includes the LIVE audience of the performances in ep3+4, plus the additional 3,000 bonus votes. Whoever won out of the two groups that performed the song got 3,000 bonus votes.

Second note: These are essentially useless rankings as they weren't actual fan votes submitted online/through mobile.

Third note: Tumblr hates ties in lists. Use the vote count to determine a tie. Most everything from rank 36 onward is a tie.

Ebihara Tsuzumi (3172)

Takami Ayane (3151)

Kitazume Sakura (3139)

Ishii Ran (3123)

Kasahara Momona (3093)

Nakano Konona (3084) - tie

Sasaki Tsukushi (3084) - tie

Takahashi Hina (3082)

Takabatake Momoka (3073)

Aoki Yuka (3071)

Nakayama Honoka (3068)

Mizukami Rimika (3064)

Tanaka Yuuki (3064)

Kato Kokoro (3064)

Murakami Rinon (3061)

Uchiyama Rin (3061)

Kamio Ayano (3056)

Yamamoto Suzu (3055)

Akiyama Ema (3054)

Hatta Mena (3050)

Kanno Miyu (3046)

Kitazato Rio (3044)

Sakaguchi Rino (3043)

Ando Yui (3041)

Tanabe Karin (3038)

Abe Nagomi (3037)

Otsubo Karen (3035)

Aramaki Joa (3031)

Tanaka Koto (3031)

Kamada Moe (3029)

Matsushita Miyu (3028)

Sakurai Miu (3028)

Kenmotsu Nano (3026)

Kawabata Ranka (3023)

Shimizu Keiko (3021)

Kino Riko (3012)

Hidaka Hazuki (3011)

Nakamori Kotone (3011)

Yoshida Ayano (3011)

Kikukawa Aki (3010)

Kobayashi Sae (3010)

Nakamori Mikoto (3010)

Sato Ameli (3010)

Nakamura Aoi (3008)

Okabe Nonoka (3007)

Sano Jueri (3006)

Shiromaru Maho (3004)

Bando Fuka (3003) - whatever the opposite of MVP is (lowest votes) of winning groups

Yoshida Hana (81) - MVP (highest votes) of non-winning groups

Moro Anon (56)

Ando Chiharu (55)

Kato Kagura (55)

Yamazuki Mitsuki (46) - potential elimination cutoff

Fujimoto Ayaka (45)

Oyanagi Emi (45)

Hosoi Ayaka (37)

Kato Airi (37)

Kawagishi Runa (35)

Oda Aruha (35)

Sakata Kotone (30)

Sudo Sakura (28)

Mogi Shion (27)

Sutani Yurara (26)

Sekiguchi Rikako (25)

Shibuya Mei (24)

Watanabe Miyu (22)

Koyama Mana (20)

Kurokawa Honoka (18)

Sakuraba Haruka (18)

Tanaka Hana (18)

Iida Shizuku (16)

Hamasaki Aiko (13)

Saito Serina (13)

Oikawa Rio (12)

Sasaki Kokona (11)

Aita Rin (8)

Wakimoto Mihaya (8)

Okamura Nana (7)

Tani Seia (7)

Furuhashi Sayaka (6)

Kato Konomi (6)

Sugai Natsuho (5)

Tabata Nana (5)

Ueki Mimi (5)

Iyota Hana (5)

Nakamura Riro (4)

Yamaguchi Misaki (4)

Shibagaki Arisa (3)

Shinzawa Mika (3)

Tabuchi Miu (3)

Kataoka Rio (2)

Suzuki Rena (2)

Kurihara Kano (1)

Motohashi Meika (1)

Ota Sara (1)

Takagi Mayu (1)

[ayanosudo]

薄荷 The Peppermint Magazine Vol.6　feat.瑠璃 特集・ロリータ アーキヴィスト出版記念イベント Lolita Archivist展 2024年11月30日＆12月1日　２日間のみ 会場時間11：00〜18���00 入場料500円 （当日会場にてお支払い・現金のみ）

薄荷 The Peppermint Magazine Vol.6 未収録の写真作品展示 誌面コーディネートのお洋服の展示（一部販売あり） 本誌出演者によるイベントや関連グッズの販売

Event

11月30日18時より ルアン朗読会 座席チケット予約受付中 ￥1500（Lolita Archivist展入場料込み）　 瑠璃氏のスタイリングの ロリータファッションを身に纏ったルアン氏(電影と少年CQ)による 耽美朗読会 室生犀星『蜜のあわれ』抄 小川未明『生きた人形』全編 朗読イベント後ルアン氏チェキ会あり 朗読会チケット予約フォーム

展示作品Models 多屋来夢 ルアン Amy & Bianca

会場 なかのZERO地下二階展示ギャラリー 中野駅南口より徒歩7分 164-0001 東京都中野区中野２丁目９−７

[akikoyamane]

Ribbon Accumulation

リボン集積

for violin Duration: 4min. premiered by Tatsuki Narita in Tokyo, Nov.2.2022 [VIDEO]

photo Ayano Sudo

This music is based on the foundation of European traditional functional harmony, weaving together themes of hierarchy, order, discipline, and deviation. It takes the girlish icon of a ribbon and abstracts it into the intangible realm of sound through sensory perception, continuously painting an auditory canvas. The ribbon is layered with Western musical tradition, delving into the depths of its sublimity to reflect upon various elements such as violence, cruelty, and grotesqueness that reside within.

ヨーロッパ伝統の機能和声を下地とし、その主従と秩序、規律、逸脱を紡いだ音楽。 リボンという少女的アイコンを、音という目に見えない���のに抽象化し延々と描くことで作られている。リボンは西洋の音の伝統と重ねられ、その崇高さの奥底、内側にある暴力やグロテスクといった様々なものを反芻していく。

mumyo - アルバム「ゴシック・アンド・ロリータ」 Streaming [link] CD Album [link]

[tofuist]

須藤絢乃 @AyanoSudo

[joysstar]

Sorry to bug ya! But do happen to know where I can see the raw of the new Viewfinder chapter?

Hello! I’m sorry, but I don’t know where to find the raw chapter. But I can suggest you this website to find the latest chapters. ^^

Link

[tokyoteahouse]

zipper magazine autumn 2016

[thekimonogallery]

Ayano Sudo

[magicmorningmeteora]

Who is your birthday oshi? ~Week of July 2~

Welcome to July!

Birthdays and Anniversaries ~Week of July 2~

The following members, ex-members, and single releases have birthdays and anniversaries this week.

July 2

Kanazawa Tomoko (ex-Juice=Juice; 28)

Takahashi Ai - Yume Kara Samete (2006)

July 3

Sudo Maasa (ex-Berryz Koubou; 31)

Hashimoto Nagisa (ex-Hello Pro Kenshuusei; 26)

Happy♡7 - Shiawase Beam! Suki Suki Beam! (2002)

Sexy 8 - Shiawase Desu ka? (2002)

Odoru♡11 - Shiawase Kyouryuu Ondo (2002)

S/mileage - Atarashii Watashi ni Nare! / Yattaruchan (2013)

July 4

Yaguchi Megumi (ex-Gatas Brilhantes H.P.; 33)

3nin Matsuri - Chu! Natsu Party (2001)

7nin Matsuri - Summer Reggae! Rainbow (2001)

10nin Matsuri - Dancing! Natsu Matsuri (2001)

Morning Musume - One•Two•Three / The Matenrou Show (2012)

Kopink - Usagi tocome (feat. Goro) (2012)

July 5

Tanpopo - Otome Pasta ni Kandou (2000)

Hello Pro Kenshuusei Hokkaido - Real☆Little☆Girl / Kanojo ni Naritai!!! (Hello Pro Kenshuusei Hokkaido Ver.) (2017)

July 6

Goto Maki - Suppin to Namida. (2005)

July 7

Ikuta Erina (Morning Musume '23; 26)

Kawamura Ayano (ANGERME; 24)

Matsunaga Riai (Juice=Juice; 18)

Goto Maki - Yokohama Shinkirou (2004)

July 8

Yoshida Hinoha (Hello Pro Kenshuusei Unit '23; 16)

Yumigeta Ako (Morning Musume '23; 15)

Happy birthday/anniversary week!

Subscribe to the main blog | Social Media + RSS Links | M3 Grand Prix page

[tanuki-kimono]

Heavy Jigoku shoujo vibes for this photoshoot by Ayano Sudo, staring this luscious higanbana (red spider lily) furisode by Eninaru:

[petite-cosette]

New brand from Kyoto eninaru was involved in the production of the image visuals along with the announcement of the kimono of the first collection of the “Manju Shaka”. Orders will begin online in mid-April. There are silk kimono, visiting clothes, and yukata. OP stresses that this pattern can be tailored for men or women It is a very aesthetic kimono of Manju Shaka (Hōmongi Lycoris radiata). Model: Asuka Hair & Makeup: Alice Saito Styling: Usagi Komachi Direction: Makoto Mori Photograph: Ayano Sudo

[ayanosudo]

Ayano Sudo (14th October 1986–) was a Japanese contemporary artist and photographer known for her disguised self- portraits, and photographic works of various kinds.

She graduated from Kyoto City University of Arts and Music with M.A. in 2011.

Profiles

She was born in Osaka pref., Japan in 1986, and spent her middle and high school days in Ashiya city, Hyogo pref., Osaka’s neighboring city with population of more or less 100,000.

She graduated from Akashi Prefectural High School art class in 2005.

In 2009 she went to France to study painting and conceptual art in the exchange student program at Ecole des Beaux-Arts (School of Fine Arts), Paris.

After the study in France, she came back to Japan, and finished the conceptual design course to graduate from Kyoto City University of Art and Music with M.A. in 2011.

At present she lives in Tokyo.

She captures the desire for transformation and ideal images that transcend the gender of the subject in photographs, and presents flat works that appear to be between the color manuscripts of shojo manga (少女漫画) or girls’ comics ( Japanese comics) and photographs. One of the features of the work is that the actual work is printed on photographic paper with its own texture, decorated with rhinestones and glitter, etc., thus making her finished works uniquely glitter under lights.

While in Kyoto City Art University, she was awarded Yasumasa Morimura （森村泰昌, a Japanese appropriation artist）Award in MIO Photo Encouragement Award 2010 in Osaka, Japan.

Since then, she energetically presented her works overseas and held her first solo exhibition at 1839 Modern Art Gallery (1839當代藝廊) in Taipei, Taiwan in October of the same year.

2014, she received the Grand Prize of Canon New Cosmos of Photography Contest （写真新世紀Shashin Shinseiki; a photo contest sponsored by Canon Company, one of the two big photo contests in Japan open public for young future photographers）for the series “幻想（Illusion） Gespenster” featuring herself dressed to missing girls who had really existed. A collection of works with the same title has been published by HOLOHOLO BOOKS in France.

As an artist she has energetically been working on exhibiting her works in various exhibitions and art fairs in Japan and overseas. Also, her varieties of photographic works have been appeared in books and magazines in Japanese and overseas markets as well.

Her works are stored in the George Eastman House International Museum of Photography, New York, USA and the Tokyo Photographic Art Museum (東京都写真美術館, Tokyo-to Shashin Bijutsukan ), Tokyo.

Major solo exhibitions include “Omokage (面影)-Autoscopy” (at Hillside Forum, Tokyo, 2015) and “Ayano Sudo Photo Exhibition Anima / Animus -featuring to introduce Kuniyoshi Kaneko’s Room-” (at Ginza Mitsukoshi 7th Floor Gallery, Tokyo, 2018).

Major group exhibitions include “ I know something about love; About Love Asian Contemporary” (at Tokyo Photographic Art Museum (TOP), 2018), “Photo City Exhibition” (21_21 DESIGN SIGHT, Tokyo City Photographic Exhibition held at TOP, Tokyo, Japan, 2018), “Internet of (No) Thing: Ubiquitous Networking and Artistic Intervention” (at Jogjakarta National Museum, 2018), “SELF / OTHERS”, a dual photo exhibition, (at Canon Gallery S, Tokyo, 2018), etc.

Her main works include “Metamorphose” (2011-), which depicts herself and her friends disguised as an ideal figure regardless of gender, and “Gespenster (幻影、illusion)”, a self-portrait taken as a real missing girl. 2013-14), “Omokage(面影), Autoscopy” (2015) with the motif of such phenomenon as oneselves looking like totally different persons (2015), and among others .

Since 2020, Ayano Sudo has released the art magazine “The peppermint magazine (薄荷) ”, which is created by collaborating with other artists in each issue.

Episodes behind the works

■　In an interview, Sudo told that she finds beauty in beings that sway in all boundaries born in society, such as gender, generation, and races, and also does she find beauty in danger that even life and death are sometimes vague, and Sudo shoots a series of works that do not exist in this world. She says that the feeling of strangeness that she feels in reality is regarded as an " uncanny valley " and she has a desire to overcome it .

■　One of Sudo’s distinctive works is a work that uses a self-portrait technique. Sudo, who strongly believed that she had been a boy since the childhood, and got dressed like a boy. However, when he became a junior high school student, he began to wear Lolita fashion, which was popular among young girls at the time. One of the reasons for this was her strong desire that she wanted to be liked by the admirable ideal senior boy student she had met in her school.

Due to this discomfort with gender from an early age, Sudo’s desire to transform has sprung up, and she has taken a self-portrait in a costume and made it into a work. Sudo says that the series of early works (2011, 2013, 2018) was an act of searching for her own sexual identity, she told in the interview.

In her subsequent productions, Illusion or Gespenster ((幻影)、2013-2014) and MY POSTMORTEM (2018), Sudo pursues the relationship between her body and her identity.

“Illusion（幻影）/Gespenster” “Illusion” (2013-2014) is a self-portrait book of photography created in her twenties from her experience to come across with a notice put on the wall of a railroad station about missing girls whose whereabout unknown for more than twenty years and that’s why and how she began to get dressed like the girls on the poster.

It consists of 21 self-portraits and a few snapshots. Sudo says that, with respect to the series of this work, she couldn’t think of anything else but a self-portrait which could be realized by superimposing the emotions of herself over the emotion of the missing girls that those girls might have at that time.

The production process begins, at first, with making a list of missing girls

and doing in-depth research of every each of the girls’ profiles. Then, she searches for second-hand apparel shops to find similar clothes the girls in the poster wore at the time of missing, and then shoots in the place nearby her house.

When the print is completed, the finished printing paper further is sprinkled

with glitter like lame, and other glittering objects.

She feels an unspeakable sense of fear toward the girls who have gone to a mysterious world, and at the same time, another thought struck her. That is, they may now live in a land they don’t know, or they may have become corpses somewhere they don’t know. However, the girls on the list will be separated from the timeline of the world when they disappeared, will not grow old, and will remain intact for ever.

Sudo has a longing and strong consciousness for “being a girl” in her body and spirit, which is moving away from the girl every moment, and feels a certain kind of “sacredness” in them, and their existence again. With the above event in mind, she began trying to confirm the missing girls’ existence once again and present it in front of people .

In an interview with the New York Times , Sudo said the title of the photobook Gespenster, meaning illusion or ghost in German, was inspired by the novel “Sasameyuki.” or “Makioka Sisters” written by Junichiro Tanizaki, a famous Japanese novelist.

■　“Teriha no Ibara/照葉野茨 ( a memorial rose)”

“Teriha no ibara” is a new series of her self-portrait photographic work, the motif of which came from “Makioka sisters” appearing in the novel “Sasame Yuki/細雪 (Light snow falls)”, one of Junichiro Tanizaki’s masterpieces.

In the series of the work, photos of the house of Ashiya (an old house resided by Saika Tomita, a well-known Japanese poet) and Tanizaki’s beloved furniture also are included. Also, she appears wearing her grand-mother’s Kimono and various accessories.

Sudo’s grand-mother was a traditional Japanese teahouse owner succeeding the business in 1945 from her father, a founder of the teahouse under the name of Ogawaya founded in 1910.

She reopened the teahouse together with her mother which was destroyed by an air bombing in the last war to become officially the owner of the teahouse in 1945, and opened a geisha house of Ogawaya at Shinmachi, Osaka.

Since 1950’s, the geisha house had been made use of by many Kansai celebrities for entertaining their guests, such as well-known Rakugo tellers like Beicho Ktasura and Kobeicho Katsura, famous comedians Kon Omura and Itoshi &Koishi Yumeji, and Kabuki players, such as Ganjiro Nakamura, Tojuro Sakata, etc.

This Geisha house now is deemed the last and only traditional house available in Semba and Shinmachi districts, Osaka.

Ayano Sudo has made her own experiences vitalized in creating her original artistic and photographic works, learning from the Tanaizaki’s novel “Makioka Sisters”, and getting motif from the women of modern time, i.e. the women of the time when Hanshin Modernism was born and grown in Osaka and Kobe areas in Taisho and early Showa Eras.

She has always been making which ever happens to her be the subjects for her own photography.

[myrkalfar]

So it's true that dark defines light

If it's not for Sudou, they couldn't see that Fei has been very thoughtful and forgiving all the time.

Sudou is not that bad. He's just ordinary. He angry, he mad. He hates, he kills.

Fei Long keeps his mind clear and his heart warm, try to understand and help their supposed-to-be rivals. But he was never appreciated by axa fans.

Then they might appreciate a man like Sudou 😁

Thanks to Sudou, we realize...

Thanks to Sudou, we realize how nice Feilong has always been all the time.

Thanks to Sudou, we realize Feilong has more than enough power to kill both Asami and Akihito anytime, but he just never does that. 

Asami isn’t as strong as he’s thought to be by his fans. Unlike Mi/Fei, he had preparation before reaching the warehouse but it still turned out to be an unequal fight. He doesn’t seem to be very strong or powerful in fact, does he?

Talking about men and weapons, I think the rank could be:

The Chernobog -> Mikhail -> Feilong -> Asami (…and akihito, of course, is somewhere in the garbage)

If it’s not for Sudou, we’d never know how bad a member in underworld could be, and how good Feilong has always been, facing all the pain and he still keeps his mind in line, still tries to help others.

I’ve heard many opinions saying Feilong’s annoying, get in the way of the main pair. “We don’t need his help” “Just leave AxA alone and disappear” blahblah. 

Well, I also think Feilong shouldn’t help either, they don’t deserve the help anyway. 

They deserve Sudou. Let’s disappear, Feilong. Have fun with a Sudou instead!

Akihito fans are wishing for aki or asa to have brain damage or something about amnesia, as if they aren’t stupid enough yet. 

Anyway, have a nice brain damage, Aki! As you wish!

[petit-cottage]

New brand from Kyoto eninaru I was involved in the production of the image visuals along with the announcement of the kimono of the first collection of the "Mantha Shaka". Orders will begin online in mid-April. There are silk kimono, visiting clothes, and yukata (men's!). It is a very aesthetic kimono of Manju Shaka. Model: Asuka Hair & Makeup: Alice Saito Styling: Usagi Komachi Direction: Makoto Mori Photograph: Ayano Sudo Hōmongi Lycoris radiata.