#ASMF

[musicollage]

Vivaldi, Pergolesi + Willcocks, Ledger — Gloria, Magnificat. 1977 : Decca.

! listen @ Discogs ★ buy me a coffee !

[timetestedtimeapproved]

Academy of St. Martin In the Fields with Joshua Bell, Musical Director and Violinist

If you have never seen someone simultaneously conduct and solo, it is crazy. I was so desperately trying to capture his arm as he conducted but he left before I could finish. Imagine my joy when he returned to the stage. He certainly didn't. I'm sorry, Joshua Bell, for being way too enthusiastic about you coming back to the stage and scaring you with my face.

Pictured is Joshua Bell, Louise Goodwin (timpani), and Lynda Houghton (double bass).

[demujeresblog]

Disfruta de doce días de conciertos imperdibles en el XVII Festival Internacional de Música Académica Alfredo De Saint Malo

La decimoséptima edición del Festival Internacional de Música Académica Alfredo De Saint Malo (ASMF), organizado por la Fundación Sinfonía Concertante de Panamá (FUNSINCOPA), inicia hoy 21 de junio al 2 de julio de 2023, en distintos escenarios de la ciudad. Este año se hará homenaje a los maestros Eduardo Charpentier de Castro y Eduardo Charpentier Herrera. En este gran intercambio cultural y…

[rowsandrows-of-roses]

Tía Pepa had invited Isabela out for a preliminary vow renewal shopping trip. They weren't planning to buy anything today. Of course, they'd come back with most of the family (sans Tío) to really make a decision, but there was no harm in shortlisting a few dresses.

That was what her tía had said and that was what Iabela kept telling herself as they strolled down the aisles of dresses. But, all she could think about was the last time they'd done something like this...Isabela was the one getting married.

And she was not married now.

Still, Isabela was very good at smiling. She smiled now as she turned at the sound of Pepa's voice, who was showing off another dress to her, pulling it from the rack.

"Oh, I like that one but I'm not sure about the hem...are you wanting to go that short?"

[outfit]

Lace, Tulle, and Ribbons, Oh My! --@ [April Showers, May Flowers]

[posttexasstressdisorder]

Sunday, 11-17-24, 7pm Pacific

'Evenin' all, Mr. Baggins here with your Sunday Serenade, music to soothe your achin' nerves and help ease us all into a good night. Let's start off with the Brahms Serenade No. 2 in A Major for Small Orchestra, Op. 16, performed here by Lenny and the New York, their classic 1968 recording on Columbia Masterworks.

Let's go back a few years to Fritz Reiner and The Chicago, this time playing Ravel's "Rapsodie espagnole", a work in four movements: Prelude a la nuit, Malaguena, Habañera and Feria.

Let's call Maestro Reiner and the band back for a Ravel encore, the haunting "Pavan for a Dead Princess".

Let's travel from Spain to Germany now, with Bach's Brandenburg Concerto No. 5. Karl Ristenpart and the Chamber Orchestra of The Saar do the honors, from their definitive set of the complete Brandenburgs, recorded in 1960:

Let's hear the legendary Fritz Kreisler, with Thomas Petre, William Primrose & Laurie Kennedy playing Kreisler's String Quartet, a historic recording from 1935.

I thought we might revisit Guiomar Novaes playing the music of Debussy, this from the sole recording on Decca records that she made in the 1960s. Here are a group of four of Debussy's Preludes, including the gorgeous "Poissons D'or" (Goldfish).

Next we have a gorgeous Serenade for 13 Wind Instruments by Mozart, K361, also known as "The Gran Partita". Sir Charles Mackerras conducts the ensemble. Fifty minutes of heaven.

Haydn wrote three Symphonies called respectively Morning, Noon, and Night. Let's hear the Symphony No. 8, "Le Soir" or "The Night", with our friends Neville Marriner and the ASMF, from a 1980 Philips recording.

And we have one more selection tonight, the single movement from Schumann's Kinderszenen, "Traumeri", or "Dreaming", used by Vladimir Horowitz as one of his life-long signature encores. Here is his iconic performance from this legendary concert in Moscow, in 1986. The emotion, and the tears, from both Horowitz and the audience make this one of the most profound peformances of this piece ever recorded.

And hoping that leaves you with a smile and a warm heart, this is Mr. Baggins signing off for tonight's Sunday Serenade. I'll be back with you at 8am Pacific for Morning Coffee Music, selections to get us in gear and in good cheer.

Until then, dream sweet dreams, babies, dream sweet dreams.

Baggins out.

[bear1997]

Watch "DIR EN GREY - OBSCURE from ALBUM "VULGAR"" on YouTube

Probably shouldn't be watching this video while being high asmf. But God damn what a great song.

[crisvesan]

Vivaldi: Concerto for Wind and Strings - Neville Marriner, ASMF, 1975 - ...

Hoy, A. Vivaldi con su Concierto para viento y cuerda...🍀🎶💕🌹🌻🍒

[karajage]

Regulatory Services

The electronic Common Technical Document (eCTD) is a standardized electronic format used for submitting applications, amendments, supplements, and reports to regulatory authorities such as the United States Food and Drug Administration (USFDA), the European Medicines Agency (EMA), and other Health Authorities (HAs) worldwide. eCTD submissions streamline the creation and review of Electronic Regulatory Publishing data, offering the flexibility to incorporate metatags, hyperlinks, and bookmarks. This format enables efficient assessment and lifecycle management of submissions, ultimately expediting market approvals/authorizations.

With extensive expertise in global eCTD publishing trends and submission formats (e.g., eCTD/Non-eCTD Electronic Regulatory submissions [NeeS]), Freyr facilitates multi-country filings, data compilation, publishing, and dossier dispatch.

We have a team of experts proficient in a wide range of technologies including:

Insight Publisher, Validator

Veeva Vault RIM Suite (Submissions, Submissions Archive, Publishing), Veeva Vault Promomats & Veeva Quality Docs

Lorenz Docubridge, eValidator

Extedo EURS Validator

eCTDXpress

ISIS Publisher/Tollbox

Our team is equipped to provide comprehensive support across these technologies to meet your needs effectively.Health Authority by CountryApplication and Submission TypeSubmission Format Food and Drug Administration (FDA) USAInvestigational New Drug (IND), New Drug Application (NDA), Abbreviated New Drug Application (ANDA), Biological License Application (BLA), Over-the-Counter (OTC), Drug Master Files (DMF Submissions), Structured Product Labeling (SPL) Submissions, and Supplemental New Drug Application (SNDA Submissions)

Originals, Amendments, Annual Report Submissions, Labeling Supplement Submissions, Periodic Adverse Drug Experience Report (PADERS), Briefing Book, eCTD Baseline Submissions, Ad Promo Submissions, and eCTD Submissions for Lifecycle Management (LCM)eCTD European Medicinal Agency (EMA)Centralized Procedure (CP), Decentralized Procedure (DCP), Mutual Recognition Procedure (MRP), and National Procedure (NP)

Clinical Trial Application (CTA), Originals, Variations, AtoQs, Renewals, ASMF eCTD Submissions, and Medical Device SubmissionseCTD Health CanadaNew Drug Submission (NDS), Supplement to a New Drug Submission (SNDS), and Supplement to a New Drug Submission – Confirmatory (SNDS-C)

Abbreviated New Drug Submission (ANDS)

Supplement to Abbreviated New Drug Submission (SANDS)eCTD

[sudheervanguri]

Titan Laboratories Hiring for Regulatory Affairs API in Navi Mumbai Join Titan Laboratories Pvt Ltd as a Regulatory Affairs API Professional Titan Laboratories Pvt Ltd, a leader in pharmaceutical manufacturing, is seeking experienced professionals for the position of Regulatory Affairs API at their Navi Mumbai (Turbhe) Head Office. If you have 9+ years of experience in regulatory submissions and lifecycle management, this is an excellent opportunity to advance your career. Job Responsibilities As an Officer/Sr. Officer/Executive/Sr. Executive/Asst. Manager in Regulatory Affairs API, you will be responsible for: Responsible for submissions and Lifecycle Management - Europe/UK/US/Canada/WHO and ROW market. Preparing Nitrosamine Risk Assessment Report for Sartans and other drug substances. Submissions of USDMF, EU-ASMF, CEP, WHO and Health Canada query responses to the respective regulatory authorities through electronic submissions. (ESG, CESP submissions) Submission of US-Amendments/ASMF Updates/CEP Revisions adequately based on changes proposed for the drug Substances. Notifications of US-Amendment/ASMF Update/CEP Revision to relevant customers.  Preparing and compiling DMF/Technical Packages & Dossiers for submission to the Regulatory Agencies of the various countries (US, Europe, WHO, Canada & ROW). Knowledge and experience in preparation & reviewing of Module 1 to Module 3 CMC Documentation. Compiling eCTD sequences through Pharmaready. Review of Validation reports, Stability studies, Specifications/ Method of Analysis, Batch Manufacturing Records (BMR’s/MFR’s), Pharmaceutical Development Reports (PDR). Interact with various departments/teams for regulatory documents and compilation on time as per regulatory requirements. Maintenance of the complete history of each drug substance (Filing history with agencies/customers, deficiency responses, amendments, annual reports)  Issue Letter of Access and other relevant regulatory documents and their submission to regulatory authorities.  Review of all documents from QA, R&D, AR&D, Production and other department with respect to correctness and compliance for regulatory submission. Audit Faced: WHO-GENEVA, USFDA, EDQM and Customer audits. Qualifications Experience: 9+ years in Regulatory Affairs API. Educational Background: M. Pharma or B. Pharma. Location: Navi Mumbai (Turbhe) Head Office. How to Apply Interested candidates can share their resumes with Shweta M at shweta.m@titanpharma.com. [caption id="attachment_79912" align="aligncenter" width="930"] Titan Laboratories Pvt Ltd Recruitment - Job vacancies[/caption]

[leeyunceo]

Academy of St.Martin in the Fields

Seong-jin Cho : Klavier

Tomo Keller : Konzertmeister und Leitung

• Kölner Philharmonie

Mo 15.05.2023 um 20:00 Uhr

J. Haydn · Sinfonie Nr. 26 ”Lamentatione"

W.A. Mozart · Konzert für Klavier und Orchester Nr. 12

W. Lutosławski · Uwertura smyczkowa

F. Chopin · Konzert für Klavier und Orchester Nr. 1

+ encore : M. Ravel · alborada del gracioso

베를린에서의 리사이틀 이후 두번째로 찾은 조성진 연주자님의 공연. 베를린에서도 그렇고 여기서도 그렇고 조성진 공연장에는 그 관람객 구성 비율이 딱 분명하게 나뉘는 것 같다. 젊은 한국인(그 가운데에서도 여성 관객이 압도적…) + 아시아 관람객들과 대개 중장년층의 현지인들로… 아무튼 그 극명한 세대차이의 광경을 보면서 든 생각은 좋은거라면 뭐든지 하루라도 빨리 시작하는 편이 좋다는 것이었다. 시간이 ��났을 때 쌓인 경험치도 다를 것이고… 더군다나 음악의 특성상 공연들은 연주되는 그 즉시 휘발되어버리기 마련인데다, 거장이라 일컫는 연주자들 역시 하나 둘 우리 곁을 떠나간다. 분명 앞으로 더 위대한 음악가들이 더 많이 등장하겠지만, 지금이 아니고선 다시 경험할 수 없는 것들은 어찌됐건 꼭 붙잡아야 한다고 생각한다. 그런 의미에서 20대의 조성진이 연주하는 쇼팽은 반드시 직접 들어보고 싶었다. 본인 스스로도 쇼팽 스페셜리스트인 한편으로, 30대가 되면 브람스라던지 조금 더 정통 독일 클래식의 계열을 개척해보고 싶다고도 했기에, 여건상 20대의 그가 연주하는 쇼팽 피아노 콘체르토 1번은 이번이 마지막일 수도 있겠다는 생각을 했다. 

그럼에도 불구하고 이번 공연에서 가장 먼저 강렬하게 받은 인상은 음악 그 자체를 듣기에는 콘서트 홀이 가장 이상적인 선택지가 아닐 수도 있겠다는 점이었다. 이번 쾰너 필하모닉에서는 특히 더… 공연장들을 물론 아직 많이 다녀보진 못했지만 그간의 경험 상 산토리 홀, 베를린 필하모닉(+캄머무직살)과 비교했을 때 소리가 어딘가 밍밍하게 고여있다는 느낌을 받았다. 하이든의 26번 교향곡을 연주하는데 특히 그런 느낌을 받았다. ASMF 자체가 비교적 아담한 규모의 챔버 오케스트라여서라고 생각했는데, 조성진과 협연한 모짜르트 협주곡에서도 똑같은 밍밍함이 느껴졌다. 지하에 계단식으로 가로지르는 공연장 구조탓이었을까, 바닷가 모래사장에서 땅을 파고 파다보면 그 끝엔 약간 물에 젖은 흙뭉텅이가 나타나는 것처럼, 그런 이미지가 연상되는 눅눅함이 소리에서 느껴졌다. 그나마 1부 자체가 웅장함을 필요로 하지 않는 다소 실내악 같은 프로그램들인지라 그런 아담한 소리들까지는 괜찮았다. 그런데 이제 거기에 옆자리에서 프로그램북 만지작거리는 소리, 물병 떨어뜨리는 소리, 기침 소리… 심지어 디지털 시계 삑삑거리는 소리까지 아무튼 안 그래도 잘 안 들리는데 여기저기서 소음까지 겹치는 바람에 음악 자체가 굉장히 요원하게만 느껴졌다. 그런 아쉬운 1부를 뒤로하고 2부를 시작하는데 2부는 다행히도 그런 아쉬움이 전혀 없었다. 1부에서는 그나마 두세명 남짓 있었던 금관악기 세션이 아예 빠져버리���, 현악세션으로만 구성된 asmf가 5분 남짓 루토슬라프스키의 서곡을 연주했다. 현악기만의 매력이 두드러지는 근사한 곡이었는데, 금관세션이 빠진 쇼팽 피아노 콘체르토 1번을 맞이할 관객들을 약간 안심시키는듯한(…?) 근사한 에피타이저 같았다. 이윽고 이어진 쇼팽 콘체르토는 정말 기대이상이었다. 1악장 시작에서 피아노 솔로가 처음 나타나기까지의 웅장한 오케스트라 사운드에서도 모자랄 것이 없었고, 연주자님도 타건에 있어서 악센트를 줘야하는 부분(돌입부)에는 평소보다 더 임팩트를 강렬하게 주거나, 루바토도 더 극적으로 길게 가져가서 전혀 루즈함 없이 들었던 것 같다. 그리고 이어진 2악장... 본래 금관,목관악기와 피아노가 함께 주고받는 듀엣에서 첼로와 비올라가 이를 대체하니 정말 그 서정성이 이루말할 수가 없었다. 본래의 목관악기와 함께하는 소리가 천상에서 내려오는 아름다운 소리 같다면 첼로와 연주하는 그 듀엣은 마치 두 연인이 함께 흐느끼는 소리 같았다. 너무나 슬프고, 아름답고, 마음에 저며드는 하모니였다. 나뿐만 아니라 주위에 모든 사람들이 눈물을 훔쳤다. 코를 훌쩍이는 소리부터 울먹이는 사람들에게서나 나오는 깊은 날숨소리가 여기저기서 들렸다. 그곳에 함께있던 우리 모두 너무나 아름다운 장면을 목도했고, 또 그 감정을 함께 느끼고 있었던 것 같다. 1부에서 들었던 나의 다소 이기적인 생각이 부끄럽게 느껴지기도 했다. 서정성의 에센스만 뽑아낸 2악장, 그리고 관람객들의 그런 반응들까지 전부 콘서트 홀에서라야 경험할 수 있는 값진 순간이었다... 3악장도 좋았지만 아무래도 다시 웅장하게 치고 나가는 파트다보니 힘에 부치는 느낌이 있었지만 나름 괜찮았다.

거기에 더해 앙코르로는 라벨의 mirrors, <어릿 광대의 아침노래>. 참 그의 연주는 들으면 들을수록 피아노로 어떻게 저런 소리를 구현해낼 수 있나하는 경이로움을 느낀다. 옥구슬 굴러가는 소리같다는 수식어는 나 역시도 많이 들었고, 유튜브나 음원으로 들었을 때에도 물같은 유려함은 느낄 수 있었지만, 이 라벨 앙코르에서는 그런 액체성을 넘어서서 어떤 특유의 공기까지 그려내는 섬세함에 놀랐다. la mer도 아니었고, une barque sur l’océan도 아니었는데 듣자마자 왜인지 모르게 머리 속에 해무, 안개 같은 정경이 그려졌다. 1부 하이든, 모차르트에서 느꼈던 ‘막’ 비슷한 느낌이었는데, 이 라벨에서는 그 어떤 불분명한 막이라는게 공연장이라던지 그런 외부적 요소 때문이 아니라 순수하게 그의 피아니즘에서 비롯된 어떤 파스텔톤의 연출된 뿌연 느낌이었다. 최근의 헨델, 바로크를 기점으로 점차 레퍼토리를 넓혀가는 시도들 너무나도 응원하지만, 성진초는 확실히 쇼팽, 드뷔시, 라벨로 이어지는 유려한 레퍼토리들에 특질적으로 타고난 것 같다. 

 연주자님 오늘 연주에 만족하셨는지 굉장히 밝게 시종일관 미소를 띄고 계셨고, 공연 후에 사인과 더불어 사진도 흔쾌히 응해주셨다... 앞으로의 또 다른 레퍼토리를 어떻게 연주하실지 또 너무 기대가 크다. 저번 베를린에서도 그렇고, 이번 쾰른에서도 그렇고 독일이기에 가능한 호사를 누렸다. 특히 반값으로 할인되는 ermäßigung덕에 한국에서는 상상할 수도 없는 가격대에 제일 좋은 자리에서 그의 소리를 들을 수 있었다. 정말 이런 순간들로부터 앞으로 더 열심히 살 원동력을 얻는 것 같다. 먼 훗날 조금은 원숙해진 그의 브람스를 들을때까지 나 역시도 조금 더 성숙해질 수 있도록 부지런히 살아야지...

[demujeresblog]

Fundación Sinfonía Concertante de Panamá, 16 años promoviendo excelencia en la educación y la cultura de la música académica

Con pocos recursos, pero con mucho entusiasmo de crear una cultura de la música concertante en Panamá, el violonchelista panameño, Isaac Casal, junto a otros músicos de renombre nacional e internacional crearon la Fundación Sinfonía Concertante de Panamá (FUNSINCOPA), en el 2008. Desde entonces, FUNSINCOPA que es ejecutora del Festival Internacional de Música Alfredo De Saint-Malo (ASMF) y las…

[sondakikahaberleri101]

#TİTCKHaberleri

[posttexasstressdisorder]

Thursday, 11-14-24, 7pm Pacific

'Evenin' all, Mr. Baggins back with a set of music to soothe your achin' nerves and help ease us all into a good night. Let's start out with a little Mozart, here is the incomparable soprano Elisabeth Schwarzkopf, singing Susanna's aria from The Marriage of Figaro, "Dove sono", from a live 1959 recording.

For the next 50 minutes or so, let's hear from harpsichordist Sylvia Marlowe, with her reading of Bach's "Goldberg Variations", written to help put Mr. Goldberg to sleep at night! From her classic 1963 recording.

Next we'll revisit the legendary clarinetist Benny Goodman, this time joined by The Budapest Quartet, for their reading of Mozart's divine Clarinet Quintet in A, K581.

The engineers at RCA were the true geniuses of mid 1950s High Fidelity recording. The recordings made on RCA during the mid-late '50s are counted among the most sonically correct, even to this day. One of their superstar ensembles was Condutor Fritz Reiner and The Chicago Symphony. Reiner whipped the CSO into a WORLD-CLASS orchestra that was easily able to hold their own on the world stage. Here is Maestro Reiner and the band, playing some of the waltzes by the Strausses, senior and junior.

Here is one of the later Symphonies by Franz Joseph Haydn, this is Symphony No. 96, nicknamed "The Miracle" because of an incident that occured at its premier. The audience was so enthusiastic after the piece ended that they all rushed to the front of the stage. At that precise moment, a huge chandelier that was hanging over the center of the audience crashed to the ground. Had anyone still been in their seats, they would have been killed. The "Miracle" Symphony is played here for us by Neville Marriner and the ASMF.

I generally subscribe to the idea that a lot of 20th Century classical music is simply unlistenable...I'm not a big fan of "12 tone" or any of the other experimental "modern" strains of music. The main reason being there is no lyricism...no real poetry, no heart. Here is what is essentially the only listenable (to me) piece by Arnold Schoenberg, his "Transfigured Night". I find this as haunting as its disc-mate, the Strauss Metamorphosen. Performed by Neville Marriner and the ASMF.

Next we have Eugene Ormandy conducting The Philadelphia Orchestra, in the lush orchestration of a piano piece by Debussy, his "Reverie", a truly iconic interpretation.

Now let's hear the incredible Theremin virtuoso, Clara Rockmore, with her sister Nadia Reisenberg on the piano, in Rachmaninoff's "Vocalise", absolutely mind boggling performance, especially if you understand what is involved in playing the Theremin!

I will leave you tonight with a special treat: Clara in an actual video performance, one more gem left to us by this amazing woman. In 1976, synthesizer genius Bob Moog filmed this at Clara's apartment in New York City. The clip was digitally restored in 1998. Here is Clara Rockmore with her sister Nadia, to bring us their other-worldly reading of Saint-Saens "The Swan" from Carnival of the Animals.

This is Mr. Baggins, signing off for the night. I'll be with you again at 8am Pacific for Morning Coffee Music.

Until then, dream sweet dreams, babies, dream sweet dreams.

Baggins out.

[guncelhaber1]

#TİTCKHaberleri

[eczahaber]

#TİTCKHaberleri

[hartshorn-and-isinglass]

Vampire Chronicles AU where Lestat wakes up from his dirt nap to the 20th century's HIP movement and goes, "what the fuck NO you're all doing it wrong" and becomes the enfant terrible of the classical world for his interpretations of 18th century French repertoire that are nothing like what anyone else is doing at the time. He doesn't really have much scholarship to back his shit up and yet in classic asshole-Lestat manner insists in interviews (which he gives in slightly archaic-sounding French) that this is just the way French people would have understood music needed to be played. Simon Standage is not a fan. Gustav Leonhardt absolutely hates his guts. Sir Neville Marriner, of all people, ends up being a huge proponent and invites him to guest solo with ASMF. Lestat's recordings influence a generation of violin students, for what their teachers frequently consider the worse. But he quickly grows bored with the whole scene and expands out to other genres in the 90s, prompting a fresh wave of ire from classical music nerds. You can't talk about him on rec.music.classical.recordings without starting a three-day flame war.

On a lark, Nigel Kennedy invites him onstage to jam at his late-night jazz club gig in Cologne and briefly sees the blaze of hellfire in Lestat's eyes as his brain churns out an impossibly complex improvisation for Coltrane's "Giant Steps". Nige will gladly recount this story to the media whenever the question of "is this a bit or are vampires real" surfaces. No one's sure if he's in on the bit or not.

One thing that always bugged me about the character of Lestat (in the books at least... I don't have streaming services right now, haven't watched the TV series) is that he was clearly good enough at violin to not get his head slapped clean off by Akasha when he played for her... two hundred years elapse until he forms a rock band, and he also has insane preternatural strength and reflexes... this dude would be a fuckin' Ling Ling by that point. How are you a violinist for two hundred years and not itching to flex on other violinists every chance you get? It's not like he doesn't have the ego for it.