#AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA VERY FUCKING GOOD EPISODE

[smol-tired-binch-blog]

Hello :) Welcome back to another episode of Smol Copy-Pastes A Ramble/Rant From Discord And Calls It A Tumblr Post. This week, we’ll be looking at one of my Crying Over Nishiki sessions which ALSO became a full on rant against Kazama! Whoo! Here we go, gonna be another ‘read more’ cause a) spoilers, and b) reeeeally long unhinged ranting about fictional men :D

“LOOK I COULDVE FIXED HIM, EVEN AFTER HE SLAPPED REINA, I'D HAVE BEEN LIKE 'LISTEN BBY I LOVE U IM HERE FOR U BUT GET YOUR ASS BACK OVER THERE RIGHT NOW AND APOLOGISE TO REINA!!!!!'

BUT NOOOOOO EVERYONE JUST HAD TO DECIDE TO BE A HUGE BITCH TO HIM AND BECAUSE THE DUMBASS LASHED OUT AT ONE OF THE ONLY PEOPLE HE HAD LEFT AND PROBABLY FELT LIKE HE COULDNT GO BACK AND APOLOGISE CAUSE I THINK HIS SELF ESTEEM IS ALREADY LOW ENOUGH BY THEN TO NOT EVEN THINK HE DESERVES HER FORGIVENESS AND THEN YUKO FUCKING DIES BECAUSE KAZAMA IS A FUCKING SHIT DAD AND EVERYONE IS A DICK TO HIM UNPROMPTED AND AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA

point is i want to rip Kazama's spine out with my bare hands

hate how the game acts like he's so cool and good when he's really not he failed his kids so so badly ACTUALLY NO THEYRE NOT HIS KIDS HE'S THE ENTIRE REASON THEYRE ORPHANS”

(at this point I moved to the spoilers channel to continue my Unending Kazama Hatred)

OKAY SO TIME TO SCREAM ABOUT THAT MOTHERFUCKER KAZAMA AND HOW THE GAME SUCKS HIS DICK do you have ANY idea how much i hated when they go to Tojo HQ so Tachibana can pay em to leave his sugar baby alone and the old fucker who weve never seen before is like 'u know i'd have paid a billion yen for Kazama when he was ur age. are u worth that much? are u as good as him?' LISTEN HERE CUNT HE IS A BETTER MAN THAN KAZAMA EVER WAS AND EVER WILL BE!!!!!!!

WHICH IS SAYING SOMETHIN SEEING AS HE'S REALLY ANNOYING IN THIS GAME like okay i get it Kazama is a yakuza and ex-hitman i EXPECT him to have done bad shit and it's very nice he set up the orphanage n all but it also isnt cause like bro you murdered these kids parents!!! and idk anythin about their life in the orphanage i'll admit but as an active yakuza i cannot imagine him being the most hands-on, tender, loving parent ever, yknow? ALSO ALSO like i know he tried to stop Kiryu and Nishiki becomin yakuza im just saying YA COULDVE TRIED HARDER MATE!!!! THEY WERE SEVENTEEN YEARS OLD, THEY WERE CHILDREN FOR GOD'S SAKE. KIRYU WAS LIKE 'WHY WONT U LET US BE LIKE U YOURE A YAKUZA U GET A COOL CAR AND PEOPLE RESPECT U LET US TRY AND HAVE THAT' YOURE LETTING HIM SELL HIS SOUL TO A LIFE OF CRIME BECAUSE HE WANTS A FUCKING CAR?????? I DONT CARE HOW STRONG THEY WERE IN THAT FIGHT YA FUCKIN SIT THEM DOWN AND GET RID OF THE ILLUSION OF GLAMOUR!!!!! TELL THEM THEYRE WORTH MORE THAN JUST GRUNTS WHO ARE GOOD WITH THEIR FISTS AND NOT MUCH ELSE, ONE FIGHT IN THE RAIN AND YOURE LETTING THEM JOIN, ABSOLUTELY FUCK RIGHT OFF WITH THAT 

AND THEN HE'S SHOVING THEM OFF TO ANOTHER FAMILY BECAUSE OF SOME POLITICAL BULLSHIT IDK BUT FINE FAIR ENOUGH YA DONT WANNA PLAY FAVOURITES BUT I FUCKING HATE THIS WHOLE 'OH SEEMS DISTANT AND UNCARING BUT ACTUALLY HE THOUGHT OF EVERYTHING AND HAS THEIR WELLBEING IN MIND' I JUST- JUST FUCK OFF!!!!!! 

MAYBE YA SHOULD PLAY FAVOURITES WHEN ONE OF YOUR CHARGES IS DYING VERY QUICKLY AND HER BROTHER HAS NO ONE FOR SUPPORT. INSTEAD OF FUCKIN LETTING THE GUY THEY APPARENTLY SEE AS BIG BROTHER FUCKING REPRIMANDING THE GUY CAUSE HE CANT GET CONTROL OF OR RESPECT FROM THE PEOPLE YOU ASSIGNED HIM AND SEEMINGLY KNEW THEYD BE DIFFICULT!!!!! HOW IS MY BOY MEANT TO ""PROVE HIMSELF"" WHEN HES DEALING WITH THE TRAUMA OF TAKING A LIFE (EVEN IF THE FUCKER HAD IT COMING), THE GUILT OF LETTING HIS BEST FRIEND TAKE THE FALL, AN ACT OF PURE KINDNEES IN CONTRAST TO HIS OWN BRUTAL IRREVERSIBLE ONE, THE STRESS OF TRYING TO SAVE HIS SISTER WHO IS DYING (MAYBE CONTRIBUTE SOME EXTRA CASH KAZAMA??? MAYBE???) AND DEALING THE AFOREMENTIONED DISRESPECTFUL FUCKERS AND LASHING OUT AND HURTING THE ONE PERSON HE HAS LEFT AND BURNING THAT BRIDGE, AND THE GIRL HE KILLED A MAN FOR HAS LOST HER MEMORY AND VANISHED (WHICH YOU HELPED WITH KAZAMA!!! YOU KNEW SHE WAS SAFE!!!!), 

AND THEN THE GRIEF OF LOSING HIS SISTER FOR NO. FUCKING. PURPOSE. HE SOLD OUT HIS REMANING MORALS, HIS PRIDE, ANY RESPECT OTHERS MAY HAVE HAD FOR HIM ALL TO SAVE HER AND IT FAILED. HE WENT THROUGH ALL OF THAT ALONE. YEAH I'D HAVE FUCKIN TURNED EVIL AS WELL!!!!!!!

im not sayin Nishiki is fully free of blame, obviously, he made his choices, and murdering Reina after using her love for him to further his own ends AND killing Shinji and ALL of the shit he pulls in Kiwami, yeah, completely fucked up, horrible, his choices, he did that shit. im just saying that i dont know, maybe if ya wanted to step in at any point in the last ten fucking years Kazama (preferably before that too), ya couldve and fuckin SHOULDVE”

I’ll be honest with ya lads, I stand by every word of this cfvgbhnjkgvbhnj

[raspberryhell]

[ID: A digital drawing of a scene based off of RQG episode 216 including Azu, Kiko, and Hamid. Azu is currently over 12 feet tall, standing and holding her axe. She looks down at Kiko, who is standing to the side excitedly waving her arm up at Azu. Kiko is wearing armor and is holding a pirate's cutlass. She is blushing, smiling wide and yelling “Hey! That’s my girlfriend! Woo!". Azu is blushing too and with a fond smile says back "Kiko! Good to see you, babe!". Several cartoon hearts are popping around Azu and Kiko's heads. Hamid is flying and holding onto Azu's shoulder, looking down at Kiko with shock. The image is drawn in monochrome shades of purple. End ID]

THATS MY WIFE!!!!!! <3<3<3

[artsybanchou]

I’m a big fan of 80s/90s anime and Ranma 1/2 played a big role in my childhood. The premise has sooooo much food for thought when it comes to looking at gender and specifically the performance of gender. I’m about to get INTO it, so, here’s your warning-- read more is a ramble. (LONG ramble)

Oh ho ho ho! WELCOME TO MY HELL!

Aight, so let me set the stage for you-->

Two people, who should not be parents, have a kid. The father, Genma, a fairly successful martial artist, takes their just-born son on a training journey without consulting the mother. By training journey, I mean that they travel all over the world with little to no money, either stealing from or scamming people in order to make sure they can eat, under the guise of training the son, Ranma, to become the greatest martial artist of the “Anything Goes” school of martial arts. One of the most frequent scams the father pulls is promising his son’s hand in marriage to various families in exchange for a dowry before running off with both his son and the dowry, never to be seen again. This-- inevitably-- comes back to bite them in the ass. But more on that later.

We don’t get to see a lot of Ranma’s childhood on the training journey, just the occasional incredibly horrific flashback to something that would become a national incident were it to happen in the real world. For example, at one point in time, his father finds a Chinese pamphlet of an ~ancient lost Chinese art~ that is INCREDIBLY POWERFUL!!!!! wow! It’s called Neko-ken. So he decides to teach his six-year-old this technique, although he can’t actually read Chinese so he does it based off the diagrams-- which detail a process of collecting a good number of cats, starving them for a few days straight, and then tossing his son, covered in fish sausages (possibly tied up, can’t remember), into the pit to fend for himself (and not be eaten alive) for hours on end. Surprise, surprise, Ranma comes out incredibly traumatized and with an intense fear of cats (something his father would’ve seen coming if he was able to read Chinese as the pamphlet says that someone would have to be crazy to try to teach someone this technique and that it causes severe psychological damage-- also could’ve been avoided if his father had any common sense or fatherly instincts, but hey that’s just asking too much of Genma). This is not the result his father wanted, so he tries to “fix” it by doing the exact same thing multiple times, just with different cat foods wrapped around his son because... I genuinely don’t know what his thought process was but yeah. So that’s just a tiny snapshot of what his childhood was like as well as how much of a massive idiot his father was. And since Ranma never interacted with his mother, guess who had the greatest influence in his development (yay........). (save him) (also this is based off my memory from watching the anime YEARS ago, so some small details might be wrong but the big, overarching “his dad is a terrible person” thing is still very much true even if some of these smaller details aren’t)

When Ranma is a teenager, his father brings him to a Chinese training ground full of cursed springs. The tour guide repeatedly tries to explain what exactly this place they’re visiting is, but the father and son pair are two hard-headed idiots and get right to sparring. Ranma knocks his father into a spring pretty quick only to be caught off guard when his father reemerges from said spring as a panda and grand slams our protagonist into another one of the cursed springs. Our manly man martial artist protagonist emerges from this spring as a dainty, busty teenage girl. /The horror./ The panic from both Ranma and his father’s deeply shaken fragile masculinities gives the tour guide enough time to reveal that they had fallen into the cursed springs of the drowned panda and the drowned girl (one guess who fell into which one) and that anyone who falls into a cursed spring will take on the form of the life form that drowned in it. They can return to their original bodies by being splashed with hot water but, from now on, every time they’re hit with cold (or even apparently lukewarm) water, they’ll change into these new cursed forms.

Now, I’m sure you all saw this coming from the type of man that Ranma’s father is based on everything I’ve said so far, but Genma is the worst(TM). So Genma is all, “no SON of MINE can be a GIRL! >:((((((” and Ranma, who has been raised for his entire conscious life by this man, and only this man, is also very much not Okay(TM) with this because he’s a man, a manly fighting man who was raised to be the manliest of fighting men who fight. He can’t be a GIRL. 

Except he totally can. Because these two start taking advantage of Ranma’s feminine body pretty much immediately in order to continue running scams so that they can eat and whatnot while traveling. Of course, Genma constantly shames Ranma by saying things like, “I can’t believe my son is such a failure of a martial artist, being a girl! I’m so ashamed!” and whatnot at every opportunity but especially when they are in an argument and Ranma is winning or if he needs Ranma to do something for him. He frequently manipulates his son by using this kind of guilt-tripping language as though it’s Ranma’s fault that his body is like this. Nevermind that they both frequently profit off of Ranma’s female body for scams, Genma still puts Ranma down for having it and Ranma internalizes that because he’s 15 and his father is the only person he’s ever known.

And I’m sure we all hate Genma now, as we should, because fuck Genma. What kind of woman would ever marry Genma? (And we assume a woman is married to Genma because how could a man this bigoted do anything other than marry a woman all traditional and whatnot). If only Ranma wasn’t taken from his mother so young. Maybe he would’ve turned out a better person~ Well, uh, bad news, lads :/  So, by the time we meet Ranma’s mom in the series, we’ve known most of these characters for a chunk of time. It’s already quite well established how terrible of a human being Genma is. Ranma may or may not have started the episode out admitting he doesn’t know much about his mom after being asked about her. A standard set-up. I don’t quite remember all the details of the episode, only the important things-- here’s the important thing: Genma’s wife, Nodoka, made Genma swear something to her before he took their toddler on a training journey all around the world. He had to raise Ranma to become “a Man among Men” (and we’ll talk about how she defines manliness) and, if he failed, then both he and Ranma must commit seppuku. 

Yeah, that's right. 

If her son isn’t enough of a man by her standards then he has to commit ritual suicide.

Her son who now transforms into a girl every time he is touched with at least a ladle’s worth water that isn’t steaming.

(hey have i mentioned save Ranma yet? save him seriously)

Her definition of manliness? All the shit the misandrists of tumblr swear is the inherent evils to all men. She thinks her son needs to be unapologetically forceful in /all/ he does. Especially in his romantic forays :///// (yeah this is going where you think it is)

When she does decide he isn’t manly enough (because Ranma was being sexually harassed by an old man who forcibly put him in a sailor outfit, no im not kidding, happosai, said old man, is a whole other element of the show that like holy shit) and tries to get him to commit seppuku, the solution the cast comes up with is to have Ranma “peek” at (his friend? girlfriend? fiance? frenemy? roommate? it’s weird-- technically they’re the two romantic leads but their chemistry is like -5 because she constantly physically hits him for things that really aren’t his fault and just ://) Akane while she is bathing and that will prove his manliness to his mother so that he doesn’t have to literally die. Will having Ranma be a fucking voyeur prove his manliness to his mother, you ask? Yep. This is Manly(TM) and so Ranma gets to live another day. Yay. Once again, molestation saves the day. (aaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaa) All of this is played off as a joke, for the record. No character is really acknowledged as being “a bad person” for any of this behavior-- not molester Happosai, not trying-to-kill-her-own-child Nodoka, etc. 

So these are the people who made Ranma. Who shaped this kid with the ability to spontaneously switch between male and female bodies (presuming he has water on hand). Also, obviously, Genma had more influence seeing as Ranma never saw his mother between the ages of two and (I think) 16(?), but. regardless, these are the people who shaped his understanding of gender. For all intents and purposes, our lad should be such a pressure cooker of toxic and fragile masculinity that he just about commits seppuku himself every time he ends up in his female body. 

But he doesn’t. In fact, Ranma is largely comfortable in his female body as long as his father isn’t trying to hold said body against him (wait did that come out wrong?). Ranma has no hesitations taking on his female form for something as little as a discount on ice cream. He makes the statement, “when it comes to eating out, being a girl is the only way to go”-- because he’s able to get an extra scoop for being “cute”

There’s a scene very early on in the series about exactly that which has always stuck with me. It opens with Ranma in his female body at a cafe with Akane and they both order fancy ice cream parfaits. Ranma is extremely excited and exclaims, “I’ve always wanted to try one of these!” 

Akane replies with, “don’t tell me you’ve never had ice cream before.”

And Ranma proceeds to explain that he’s never had ice cream like /this/ because it would be too embarrassing for a guy. When Akane asks if he isn’t embarrassed now, happily shoving huge spoonfuls of ice cream into his mouth, he responds with, “hey, I’m a girl now. It don’t count.” Akanes shoots back with a “REAL girls don’t eat like that” (because our lad is eating with such gusto-- he’s living, he’s thriving, he is demolishing that parfait and there is ice cream all over his face) 

He goes, “I’ll eat it however I want.” And then finishes the whole thing off and proclaims that he wants to order the chocolate one next.

Moments like that were the ones where I loved the show the most. We can see Ranma’s insecurities about his masculinity (thank you /soo/ much for that genma) in that he isn’t willing to perform an ‘unmanly’ action in public in his male body. He can’t be *seen* eating girly ice cream. But when he is admonished for not living up to feminine standards in his female body (eat more daintily), he just goes, ‘i’ll do what i want’. Young me really resonated with that, being born with a female assigned at birth body and growing up in Texas. 

It feels like there’s a trans narrative buried in the steaming hot mess that is this work by Takahashi Rumiko-- and it is abundantly clear that was never her intention so I wouldn’t exactly recommend trying to give her an award or anything. She said that she wanted to write a work with a male main character but was so worried about how many male readers she had, she made the decision to make (as she described) a half-male half-female main character (essentially so she could have her cake and eat it too if you will-- all the self aggrandizing fantasies of a male protagonist her male readers could imagine themselves as along with a copious amount of fan service-- the great majority of which was at Ranma’s unwilling expense in his female body which like ://////// (remember that old man I mentioned before??)--  with the female protagonist body). And, like, I’m not saying Takahashi Rumiko is a terrible person or anything-- I don’t know what her beliefs are, I only know her works which are quite old at this point. Takahashi Rumiko is a big deal in the mangaka world because she was one of the first big shonen mangakas who was openly a woman. Normally, men wrote shounen (which literally translates to boys) manga and women wrote shoujo (which literally translates to girls) manga-- the genres were literally divided along gender lines in terms of their intended audiences but also, to a certain extent, their creators. If a woman wanted to write/draw shounen, usually she had to use a pen name that sounded fairly masculine in order to not impact the perception of her work. Takahashi Rumiko was working in that environment so I would understand why she’d want to be careful but, at the same time, I still kind of hate a lot of the things that she normalizes in her works. Especially assault. Both physical and sexual assault she constantly used as a punchline. Not as much anymore. Her most recent work I’ve read was Rinne and the punchline with that one was that the male lead is super poor, literally penniless, and is constantly starving so hahahahha humor amirite? Pain being funny seems to be her through line now that assault is off the table. At least he isn’t constantly getting whole ass tables thrown at him by his love interest as though that’s supposed to be a cute relationship dynamic (Akaneeeeeeeee). I digress. Takahashi Rumiko’s works played a big fucking role in my childhood from Ranma to Inuyasha to Lum (which I encountered well into my teens and therefore didn’t jive with at all because I’d finally learned sexual assault =/= funny and this was one of her more dated works) and so on and just--  I don’t know if I can watch her older stuff the same way I used to. I’m scared to try, honestly. Because some of the ideas behind her works are so interesting-- like Ranma 1/2-- but then you have to sit through episode after episode of a teenage boy in a girl’s body being sexually assaulted by a remorseless old man only to try to fight back at which point he is physically assaulted but also he still has to grovel to and respect said old man because he’s his father’s master and therefore he has to learn martial arts from him but the old man is constantly wagering Ranma having to pose for him in incredibly skimpy outfits if Ranma wants to learn literally anything and alsso RANMA IS FUCKING FIFTEEN/SIXTEEN JESUS CHRIST IS THERE NO FUNCTIONING ADULT ANYWHERE IN THE VVICINITY SAVE HIM!

I NEED TO DIGRESS

It feels like there’s an unintentional trans narrative buried in this anime. It’s not a fun one (but most trans narratives aren’t either so). This is a boy who knows he’s a boy-- even when his body disagrees. He frequently asserts that “he’s a boy” even when in his female body because he is. He’s a boy. He’ll reference being a girl “in appearance” like with the ice cream parfait scene earlier, but when it comes to identity statements, he’s always a boy. This narrative is about him navigating gender presentation and societal assumptions in order to live however he wants. He’s constantly contending with his own forms of gender dysphoria, whether that be his own gripes about doing anything unmanly (eating ice cream) or the very real threat of his mother fucking killing him if he does anything unmanly (aaaaaaaaaaaa), and he navigates tons of threats by choosing how he presents himself.

There are characters that are in love with the male “version” of Ranma and want to kill the female “version” of Ranma (who, for the record, goes by the name Ranko) and vice versa. The Kuno siblings are a great example. Kodachi is in love with Ranma (and is not above literally fucking using date rape drugs on him to get to him) and wants to fucking kill Ranko whereas Tatewaki Kuno, her brother, is in love with Ranko (the lovely pigtailed girl, he calls her) and has literally sent assassins after Ranma. Ranma essentially has to choose between being sexually assaulted or physically assaulted every time he runs into either of them in terms of what body he is presenting. 

I feel like I should let you know, ye who have actually read this far, that Ranma is able to protect himself pretty well from the assault. Like, our boy ain’t dead. Later on he literally fucking kills a god because he’s really passionate about martial arts so he puts all of himself into it and god damnit does his effort show but, honestly, his ability to protect himself shouldn’t mean that it is okay to assault him. Assault is assault. And just because he can fight back doesn’t mean he always does. Akane, his main love interest, regularly sends him through roofs and across town with the force of her Up + B (aka magically appearing hammer), usually for things that aren’t his fault in any way. Akane actually came to the conclusion that Ranma was a pervert when she (fully dressed) walked in on him (naked because he was in the bath) even though the bathroom was obviously occupied. She constantly gets mad at him for things that are beyond his control and then takes her frustrations out on him by literally beating him up and he never fights back-- which is admirable of him but also made me never want to root for their relationship because that isn’t a red flag, my dude, that’s a red planet. the whole of mars is out here trying to warn everyone that this relationship is the most toxic thing since RoundUp.) 

Usually, when watching a show, you get really invested in the character’s aspirations. You want them to ‘get the girl’, ‘get the promotion’, ‘become the pokemon master’ and whatnot. All I ever wanted for Ranma was for him to fake his own death and run far, far away from everyone who ever knew him as “Ranma”. He’d have to fake his own death, obviously, because otherwise his father and Happosai would track him down because, for his father, Ranma is a walking meal ticket and, for Happosai, Ranma is a teenage girl he can sexually assault at any time. Those two would chase Ranma to the ends of the earth if they thought he was trying to get away from them so--

Ranma. Help him.

There’s so much more to dissect with this show. It’s kind of accidentally a great way to look at gender presentation, especially all the terrible negatives that come with constrained gender roles. I use He/Him pronouns when talking about Ranma because it is abundantly clear that he sees himself as a man and I respect that. Sometimes nonbinary-me is like, but think what a gender-fluid icon our boy would be-- literally switching perceived genders via fluids-- and I think that version of Ranma would be a lot happier than the canon one but, I think the canon Ranma is an important reflection of what a lot of people go through, cisgender, transgender, and beyond, when trying to parse what it means to present a gender and the roles you’re supposed to play. 

Maybe Ranma can go on a journey of self-discovery with his own gender after faking his death and escaping Nermina. 

I was all over the place writing this but this isn’t an essay and I’m not being graded so ha fuck you (excpet no not really fuck you because you either a) read this whole thing or b)scrolled down to the bottom to see if i’d get to the fucking point already-- which for the record, I don’t really-- and either way it means you were a little curious what I had to say so thanks I guess). None of this is exceptionally well-thought-out. I wouldn’t exactly stamp this with any kind of official gender discourse seal. It’s all just food for thought. 

[toooldforfandom-liveblogs]

RWBY V07E13 - The Enemy of Trust

I can't remember the last time I've felt so reluctant to watch an episode of RWBY. There's no way they'll turn _everything_ around in 20 minutes so no happy ending this season. Who knows who's going to die this episode to satiate RT's thirst for blood and drama.

The other reason I'm not sure I want to watch this episode is that the big moment of last episode fell so flat for me that I fear it'll manage to disappoint me again and this time there'll be no next episode to give me hope for a good ending.

But, the liveblog must go on, and there's still hope in me that even if it's not a happy season ending it's going be a good one.

Last episode ended with:

Clover dead and Qrow and Robyn either about to escape or about to get arrested.

Ruby and Weiss about to go find Winter and Penny

Blake and Yang about to go find JNPR

JNPR about to fight Neo

Cinder about to fight Winter and Penny, with the Winter Maiden in a pod.

Is the Winter Maiden going to die? Who's going to get her powers? Winter? How many minutes into the episode before Pietro dies? Yang vs Neo rematch? How is Ironwood going to be stopped if he's stopped at all? Is Salem going to appear at the last possible second with her flying monkeys?

I don't know so let's do this!

Ooh, there's the aura projection he was supposed to learn this volume. Not as spectacular as I hoped but still works.

This makes me have a ton of questions about how her semblance works. How did she escape Oscar's grasp to make that illusion? Was Neo an illusion the entire time? How resilient they are in that case? She very noticeably didn't get hit at all until now.

Poor Oscar, it's been a long day for him.

I'm trying to figure out if Neo could have disguised herself as someone else in JNPR but the moments they leave the screen don't match with Neo's dissapeareance. I guess she could have been the guard but still, weird.

high poly birds, the true advantage of the new cg engine

Hints to Cinder's backstory?

It's fun to see Penny finally have a match considering she's been a powerhouse the entire season. She _has_ to be disabled in some way though if Pietro's death flags are going to get triggered this season at all and I'm not looking forward to that.

I have no idea when this fight turned into Matrix Revolutions but I'm not complaining.

I'd be more worried about Winter but I'm sure she can summon _something_ to survive.

That's even cooler than whatever I had imagined.

_this_ is what I expected from V5's fight between maidens, and Winter is not even a maiden yet.

Welp, now I'm worried.

Cinder's becoming an expert in that move. Hurt someone, run while they are worried about their "friends"

"but it does to me"

That's even better. Penny has grown so much

Maybe carry the child WITH THE RELIC instead of leaving him off ready to be picked off by either Neo or the soldiers.

Yeah, that's Neo. That expression is too sassy to be Nora.

This must have been so much fun to animate.

Of _course_ she'd use her powers in this way. I hoped she'd turn into Pyrrha at some point but this works just as well.

Ren seems to have realized something. I hope it's more "I care more about Nora than I realized" and less "feelings are a weakness"

I'm loving Neo this episode, she's mute and tiny but that doesn't mean anything when she's smart enough to manipulate everyone around her.

Huh. Interesting. It still could be the "feelings are a weakness" thing and he's crying because he knows what he needs to give up but I'm still holding hope for the other choice and he just feels bad about not being able to recognize the real Nora and everything he's been doing this season.

Her movements are so delicate.

Holy shit. This is the first maiden with a lifetime of experience, Cinder has no chance unless her old age becomes an impediment.

oh no no no

LOL at Winter apparently floating, bad layering there.

Is she blaming herself for not completing the job or worried about Penny? After the whole "I don't matter" thing I'm not sure.

Sure, yell at the one person who's never going to yell back.

I feel this siege is going to be Ren's last chance to decide what he's doing with his life and his friends.

...he's going to go find Ironwood. There's no way _that_ ends well so rip.

Okay, this alleviates my "this is murder" concerns from last episode. She was fully aware of what she needed to do and the sacrifice that it entailed. This line however makes me wonder if she remembers Winter at all.

This _reaaally_ feels like she's going to give Penny her powers, but Cinder is probably just close enough to avoid that. What happens if Penny gets her powers and then someone destroys her? Would she keep her powers if Pietro revives her?

The ultimate "things I want to do vs things I need to do" question for Penny.

WHAT THE FUCK

I was joking when I said RIP a couple of screenshots ago, why would you take me seriously!

I'm just slightly disappointed by Ironwood. So far, even in the throes of his paranoia, he had mostly held back, using "legal" means to do what he needed to do. But there's no way to justify shooting Oscar, an _unarmed_ child. This moves him firmly from well-intentioned idiot to a minor evil just below Salem, just like Oscar said. In fact he's more dangerous than Salem right now because he's already there.

Who gave Cinder's VA voice acting lessons? Whoever it was, they deserve a trophy. That break while screaming, just perfect

I didn't want Penny to absorb her powers because that'd mean she's going to be irrevocably tied down, she's never going to be free. _But_, I didn't want Winter to become a maiden because Ironwood has completely lost his mind and unless she suddenly changes her mind about not following him to the ends of the earth that'd mean that Ironwood would have a relic _and_ a maiden.

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA

His semblance? Or is it _something_ powered by aura inside the cane?

And that's the end of "Ruby won't be able to use her silver eyes after what Salem said" theory.

...she looks much better with her hair down. And welp, first thing she does is think Weiss did something to deserve being on the run.

I didn't realize Cinder had hit Winter so hard she started to hallucinate. Sure, tell two healthy huntresses to surrender while being half dead.

This is going to _suck_ next season, she's probably going to fall into Ironwood's plans even more since she just lost everyone she cared about in Atlas.

My heart.

So, does Cinder think offering the relic up is going to be enough to get into Salem's good graces? How long before Neo tries to put a knife into her back?

IT'S A FLYING WHALE

IT CAN'T END LIKE THIS

---

That was a lot. First things first: I've never been so happy about being wrong, that was a _great_ finale. I'm not incredibly happy about it being such a cliffhanger but it works.

For full disclosure, I'm writing this review a couple of days after watching the episode since I was too tired to continue due to insomnia.

V7 is probably RWBY’s best executed most coherent volume so far. It’s also probably in the bottom half of the list of my “favorite” volumes.

When I say coherent I mean how every single character and action has been laser focused in justifying Ozpin’s monologue at the end. Everything important everyone did has been because of Fear. Overcoming fear, falling to it or causing it. Ren’s try at being a fash, Yang and Blake’s “betrayal,” Ironwood’s (and the council’s) whole thing, Penny’s acceptance of the Winter Maiden’s powers, Watts and Tyrian’s objective, Salem’s appearance and its effects in both Ironwood and Ruby, and a lot of other things I’m probably forgetting.

I don’t remember any other volume so focused in a single theme. Sure, they _have_ themes but V7 is relentless in making everything fit.

It has a great plot throughout that explores themes that have been teased but not fully explored in the past, with some interesting less than black and white issues and a ton of threads that converge mostly gracefully by the end. It’s not RWBY’s most ambitious season, I think V4 still has that distinction, but it’s probably second place _and_ it accomplishes what it wants and almost everything it does better than any other season before.

And for as much as I don’t find the fights interesting, they are _really good_, I think there’s not a single one this volume where I’d be able to complain about the issues that bothered me in past seasons. They are interesting to watch, with creative uses of everyone’s abilities and great choreography and cinematography.

So, on paper I should love it. It’s a _great_ season. But I don’t.

I think that my main issue with V7 is that it’s too real. I distinctly remember feeling weird watching it after everything that happened in my country, the social unrest due to the inequality that reigns supreme.

It was weird living through that, with the military on the streets trying to repress and contain what had been festering for years, _and_ watching a show where something similar was going on but with what felt like sympathetic authority figures. It probably did a good job at that but by the end I wasn’t interested in giving them sympathy, killing most of the emotional weight of the climax.

It doesn’t help that there are very few moments where Mantle’s problems are shown directly on screen. They talk, rant and cry about it but it’s always people unaffected by what’s going on discussing what to do. Even Robyn, who’s supposed to be the voice of the people, feels detached from the people she’s supposed to represent since she has no personal motivations. And when the people of Mantle are shown, it’s mostly after Tyrian’s attacks so it feels like the early episodes are trying to make us feel bad about Mantle but not _too_ bad because it’d cast Ironwood into too much of a bad light.

Brooklyn 99’s quote of “cool motive, still murder” describes Ironwood’s (and Atlas’s) entire plot line for me, and since _everything_ is tied to that it leaves me without much to like.

That’s not to say I hated it, I enjoyed it moment to moment as my liveblogs can attest but the end result is not something I’d like to rewatch unlike other volumes.

The cliffhanger worries me. Or more specifically, _when_ they decided to finish the season worries me. If the cliffhanger had been after Ironwood had raised Atlas his fall would have been definite but since he hasn’t done that yet there’s still a chance he won’t do it. It feels like the writers weren’t sure how far they wanted to take him and decided to postpone making that decision as long as possible (even if him getting redeemed would be incredibly weird after trying to kill Oscar, Ozpin’s speech aside).

Worries aside, I have high hopes for V8 if only because this season was so good besides its particular topic that if they keep that level of quality I'm bound to like it, especially if it doesn't try to redeem the Atlesian military.

I think that's all for now, until next time!

[radiantmists]

rhythm of war part two thoughts

aaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaa  (spoilers through the second interludes under the cut, and at the very bottom some comments based on what i have to assume is a major spoiler for the entire book, or close to it, though i'm warning again beforehand.)

well, last things first: taravangian's working against odium! i'm super excited about this, and very happy about the support for the concept that Taravangian's compassion isn't his curse, it's just the division of his intelligence and compassion that's sthe problem.

so we've been able to talk to the sibling, who is mostly trying to help despite genuinely feeling that what navani is doing is wrong. except now they're locked away, and navani is under the direct scrutiny of rabaniel and messing around with her is going to be risky. that being said, we're on our way to some very interesting revelations about how investiture works on roshar:

the stormfather is purely of honor. the sibling is a mix of honor and cultivation. the nightwatcher is purely cultivation

the sibling should not be able to function on pure stormlight, because it's purely of honor.

lift may not run on stormlight at all-- we already knew she can't pull it from spheres.

adhesion, which is somehow a fake surge and purely of honor, is not totally cancelled by whatever rabaniel did to the sibling. from lift's interlude, neither is regrowth when she uses it, which if i had to pick is the surge i would choose to be purely of cultivation.

as far as we can tell, people can still draw in stormlight with no issue, they just cant use it to power surges.

windrunners, who bond honorspren, are less affected by the fabrial: this applies especially to kaladin and syl, and we know syl is different from other honorspren, older. my money is that she's in some way more fully of honor than the others. lift, who's been hugely modified by cultivation directly, is also immune. the edgedancers as a whole are not immune and apparently are reacting as badly as anyone else.

...syl notes in the last set of interludes that she's different from other honorspren, mentally. is this a byproduct of whatever she did to sneak out of shadesmar, or of her being older? interesting.

To me, this all implies that whatever rabaniel did interferes with how cultivation and honor interact. lift, who seemingly only uses cultivation's investiture, can power the surge that seems most directly associated with cultivation; kaladin, probably closest to honor, can do the surge that seems to be entirely honor. the regular edgedancers aren't immune at all because they run on stormlight; the windrunners are somewhat but not fully immune because they're almost fully of honor, but cultivation likely had some hand in the way honorspren were made after the shattering.

Regrowth really is a very odd surge, compared to the others, which seem to deal with much more fundamental physical forces.

the fused do have access to regrowth while powered by voidlight, though. interesting.

speaking of: did navani's weird sphere contain some kind of... cultivationlight? or maybe it's some kind of combination, and that's why the sphere exploded right around the time of rabiniel's experiments (or the sibling was drawing on it somehow?)

on a more immediate level, the current tower resistance is as follows: navani, under constant monitoring but she has the best chance to figure out how to fix this shit. kaladin, who's a mess, being hunted by the pursuer, and who's about to start getting suicide-baiting nightmares from odium, but he does know how to fight! lift, who's amazing and knows how to sneak around the tower but is being hunted by someone who i assume has to be mraize. and rlain, masquerading as a singer (im so worried about him i hope he's okay).

if this somehow ends with kaladin killing mraize to protect lift before he can give shallan answers, i'm going to fucking SCREAM.

speaking of frustrating things: lirin turn on ur location i just wanna talk. Kaladin was actually rebuilding himself until this whole invasion thing, and i don't understand how lirin can look at a man who's that committed to doing good, sees exactly what it is that drives him to kill, and then calls him a monster.

I loved Kaladin's efforts to deal with mental health care! He's in the unique position ofhaving way more political power than any medical professional, darkeyes, or mentally ill person could ever have hoped to have, and I really want to see him come back to this once the world is burning down a bit less again, especially because it genuinely seemed to be helping him.

navani's plots have sorta been subsumed into this whole plotline, but i enjoyed what we got-- the little episode with the other scholars taking bets on whether she'd use tomor's fabrial was adorable, and i also liked how clear it is that they look to her to make things work.

moving on, uh... shadesmar stuff.

adolin's making some progress at waking maya! she doesn't talk but she shows a clearly unusual ability to learn and make independent decisions. i love it.

...also the thing with notum's horse implies that ryshadium are sentient enough to imagine spren. that's fun, and also terrifying.

adolin offering to stand trial for the crimes of humanity is fascinating, but all i'm thinking about is the episode of avatar where he agrees to stand trial for kyoshi, except in this case we already know that humanity did actually do the thing he's in trouble for. it would be unjust to punish adolin for it, but... i worry.

especially because there are, apparently, new deadeyes. this isn't extraordinarily surprising as syl was two skips away from death (though, im curious, does it work differently if the spren's never been a blade prior to dying? or are there just deadeyes wandering around who aren't tied to blades?) but it is very alarming.

and then there's the other thing: pattern is lying to shallan. i frankly don't think it's as simple as him being a spy for the ghostbloods; we saw even here that he's a terrible liar, and to have concealed this he'd have to have been pretty impressive.

on the other hand there was clearly some shit going on between shallan, her family, and the ghostbloods when she first got pattern. he's admitted that he has more exposure to humans than most spren. it doesn't look great, honestly.

i also appreciate that brandon is acknowledging how fucking weird shallan's timeline is. hopefully we get some answers about this.

adolin and shallan's relationship continues to be adorable; the sequence with the starspren is lovely and i totally get why it's brandon's favorite chapter in this part. between this and part one, he clearly enjoyed how the shadolin came out in this book and i agree. the fact that his romances continue after the marriage, with issues beyond just jealousy, is one of my favorite things about sanderson books.

venli's whole set of pov's this part was about walking up to urithiru. i really do want to like her, but she spends a ton of time just following more dynamic characters around and observing in these first two parts, and if not for the juicy secrets rabaniel's been dropping, it would make me just want to get back to other characters. hopefully that'll change in the next few parts.

i was going to make a comment about how we havent even had flashbacks yet, but i just glanced at the POVs for the next part, so I guess those are coming. I do wonder if these eshonai flashbacks will be info venli knows, or what.

she did kill someone for the first time, and attuned the rhythm of the lost for the dead man. the whole incident disturbs her, and i appreciated that as the rest of our viewpoint characters are extremely accustomed to death. i'm interested in seeing how this affects her going forward.

the epigraphs are so exciting! sazed is writing to hoid again, but this time he's gotten his bearings and spoken to some new shards... ones we haven't heard from before! also he asks hoid to say hi when he's on scadrial, which, fair enough tbh. i dont remember whether hoid shows up much in mistborn era 2 but for some reason i have the feeling he is not going to oblige this request.

the epigraph where sazed mentions he wants someone who can both preserve and kill immediately made me think of kaladin. (i think this is what he ends up trying to do with wax, but shhhh) he and sazed would agree on a lot of things philosophically, i think. (omg au where kaladin ends up working for sazed?? i have no idea how this would work the idea just fascinates me.

...where are the heralds? did dalinar take them with him, or are they in the tower? if the latter, are they also passed out? probably not, since they're not radiants, right? although whatever they are is very investiture-dependent so who knows. vasher's probably alright.

why is odium afraid of nightblood? is he worried it could eat him?

lots of POVs for the next part, but no shadesmar crew, so i guess we'll find out whether adolin gets executed by honorspren later. i do wonder why so many pov's from the battlefront; i guess something more is going to happen along those lines than i'd really expected. crossed fingers for some actual insight into renarin, finally.

in light of said spoiler: holy god i hope that division (between taravangian's intelligence and compassion) doesn't continue, though I have the horrible feeling that it will. This puts sazed's discussion of the intent of a shard combined with the cleverness of its vessel into a terrifying light: a godlike being who is at his smartest when he's a complete sociopath is like, the worst case scenario,  not even taking into account that the odium shard is uniquely suited to make people act on impulses. this is so bad.

but i can't know the full extent of that until i read the context, so let's move on!