#A 50mm F1.2 Special

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京都御苑はライトアップしない 2007

Pentax *istD + A 50mm F1.2 Special

下の写真の翌日、今度は F1.2 でリベンジ。

街灯の灯りのみ。

[thephoblographer]

5 Minute Review: The Nikon Z 50mm F1.2 S Is Gorgeous and Vibrant!

Does this lens from Nikon have something that makes it super special?

Reviews Editor Hillary Grigonis talks about her findings with this beautiful Nikon lens. The Nikon Z 50mm f1.2 S was reviewed recently by us. And it’s an overall very beautiful lens. Nikon has always been a solid lens maker. Not only does this lens have great image quality, but it’s weather sealed. That’s so incredibly important for many of us who actively shoot outdoors. So we took our full…

[douglasbrianmiller]

My crew and I headed out to San Diego for our second installment of the CREMO brand TV spot productions with Director Don Hannah (yes, Daryl Hannah’s brother). Don, an old friend and colleague of my First AC Paul Ray II and I -he is such a cool cat… He came to set rocking the printed individual scenes mounted on large boards for client and crew to follow and even built a mini-mood setting display that included some rich wood crates, brass trinkets and abstract photos. Happy to be on set with him as always and talk old times with a brother! We were joined by my awesome San Diego Gaffer Dave Litenberg and team who were excellent (as usual). Special thanks to my make up perfectionist Melissa Swarberg for all her support over the years as well as the laughs – and to Charles Colliday for all the BTS stills, you guys rock!

For this production we rolled with my Sony F5 (with the F55 upgrade) and my Zeiss CP2 50mm for most A-Cam shots with second camera being a Sony Fs7 running with a Canon 70-200 F4 on the Meta Bones speed booster for long sniper product shots. Per our shot list we rocked most masters on the Dana Dolly rolling in 60p/4K as much as possible. My crew even snuck in my Sony A7s MII for some ultra-bokeh running full frame with my Canon F1.2/50mm speedie. Toys, toys toys.

For lighting, we dropped some ND on the store front windows and build a constant daylight fill with two daylight balanced Arri 650 HMIs then rocked the key with another diffused Arri 650. We bounced fill up and over for a nice, crisp tinge on the shoulders of our actors using our Kino Diva Bi-color LEDs and then dropped in some Matchstick bi-color LEDs for sparks on the tables and product… And, yes, I even got to add in my home depot XMAS specials around the top of the mirrors. A fun shoot with an excited and very happy client.

On to the next!

How’s My Hair: Part 2 My crew and I headed out to San Diego for our second installment of the CREMO brand TV spot productions with Director Don Hannah (yes, Daryl Hannah's brother).

[anycontentposter]

Have your say: Best prime lens of 2019

Best prime lens of 2019

2019 was a banner year for lenses, as Canon, Nikon and Panasonic grow their respective full-frame mirrorless systems and Sony continued to add optics to its E-mount lineup. In this poll, we're giving you the change to vote for your favorite prime lenses of 2019 but as always, if you think we've missed something, let us know in the comments.

Voting runs through December 15th, and once the vote has closed we'll run a second poll to find your choice for overall product of the year.

Canon

Canon is busy building out its nascent EOS R full-frame mirrorless system, but while most of the action has been in the zoom category this year, Canon also added a stellar prime lens in the form of the RF 85mm F1.2L IS USM. Also in consideration is a lens which became available just a little too late to be included in last year's poll, the EF-M 32mm F1.4 STM - a fast, compact standard prime for the APS-C M-system.

Canon EF-M 32mm F1.4 STM Canon RF 85mm F1.2L IS USM Fujifilm

Fujifilm has been expending a lot of energy on new cameras this year, from the entry-level X-A7 to the flagship medium-format GFX100. But the company also released a handful of lenses, both primes and zooms.

Among them were two fixed focal-length options that we've really enjoyed in 2019 - the GF 50mm F3.5 and the tiny XF 16mm F2.8 - both really nice, compact walk-around lenses on Fujifilm's medium-format and APS-C format cameras, respectively.

Fujifilm GF 50mm F3.5 R LM WR Fujifilm XF 16mm F2.8 R WR Leica

2019 saw Leica release the refreshed Q2 and mirrorless SL2, and to accompany the latter, Wetzlar unveiled two new lenses, a 35mm F2 and 50mm F2. We've never no much as even handled either, but both appear to be excellent performers, and we know that you'll have opinions.

Do either (or both?) make it on to your list of the best primes of 2019? Let us know.

Leica APO-Summicron-SL 35mm F2 ASPH Leica APO-Summicron-SL 50mm F2 ASPH Nikon

This year for Nikon has been all about consolidating its Z-series lens lineup, following the launch of the Z6 and Z7 in 2018. Nikon released three Z-series primes this year, and two of them (the 85mm and 58mm 'Noct') have impressed us in our initial shooting. We just got hold of the Z 24mm F1.8 S and it looks like another excellent performer. Let us know what you think by casting a vote.

Nikon Nikkor Z 58mm F0.95 S Noct Nikon Z 85mm F1.8 S Nikon Z 24mm F1.8 S Panasonic

Panasonic has been putting a lot of energy into its full-frame L-mount lineup this year, and the S Pro 50mm F1.4 is a fine 'reference' lens for that system. But the company also found time to update one of its most popular primes for Micro Four Thirds: The Leica DG Summilux 25mm F1.4 II ASPH. Did either of them make it into your lens collection?

Panasonic Leica DG Summilux 25mm F1.4 II ASPH Panasonic Lumix S Pro 50mm F1.4 Sigma

Sigma released plenty of lenses this year, although several were L-mount versions of existing designs. The company's two genuinely 'new' primes exist at opposite poles of the company's lineup - the small and lightweight 45mm F2.8 at one end, and the large and heavy (and pricey) 35mm F1.2 'Art' at the other.

Both are excellent in their own way - did either impress you in 2019? Cast your vote and let us know.

Sigma 35mm F1.2 DG DN Art Sigma 45mm F2.8 DG DN Contemporary Sony

Sony had a great year in terms of lenses, releasing three high-quality prime lenses for its full-frame a9 and a7-series cameras. The FE 35mm F1.8 is a perfect walk-around lens, whereas the 135mm F1.8 is aimed more specifically at portrait professionals. Meanwhile the FE 600mm F4 is a perfect tool for sports and wildlife shooters.

Have you been shooting with any of Sony's new prime lenses this year? Cast your vote and let us know.

Sony FE 135mm F1.8 GM Sony FE 35mm F1.8 Sony FE 600mm F4 GM OSS Tamron

Tamron launched three prime lenses this year, including a new reference prime in the 'SP' (Special Performance) range. The SP 35mm F1.4 is a large, heavy but very sharp medium wideangle for Canon and Nikon DSLRs, whereas the 24mm and 35mm F2.8 Di III are lightweight, everyday options for mirrorless photographers.

Do any of the three deserve a place in our final list of best primes of 2019? Cast your vote and let us know.

Tamron SP 35mm F1.4 Di USD Tamron 24mm F2.8 Di III OSD M1:2 Tamron 35mm F2.8 Di III OSD M1:2 Zeiss

We've never seen the Zeiss Otus in person, but if it's anything like Zeiss's previous Otus-series lenses, it's likely to be a seriously impressive piece of glass. But is it one of the best prime lenses of the year? Let us know.

Zeiss Otus 100mm F1.4 Vote now! . Have your say$(document).ready(function() Poll("pollId":"9242472685","openForVoting":true,"mainElementId":"poll1","slot":null,"isSingleChoicePoll":false,"minNumberOfChoices":1,"maxNumberOfChoices":20); )Have your say: Best prime lens of 2019Your answers1. Required2. Optional3. Optional4. Optional5. Optional6. Optional7. Optional8. Optional9. Optional10. Optional11. Optional12. Optional13. Optional14. Optional15. Optional16. Optional17. Optional18. Optional19. Optional20. OptionalYou need to login to voteCanon EF-M 32mm F1.4 STMCanon RF 85mm F1.2L USMFujifilm GF 50mm F3.5 R LM WRFujifilm XF 16mm F2.8 R WRLeica APO-Summicron-SL 35mm F2 ASPHLeica APO-Summicron-SL 50mm F2 ASPHNikon Nikkor Z 58mm F0.95 S NoctNikon Nikkor Z 24mm F1.8 SNikon Nikkor Z 85mm F1.8 SPanasonic Leica DG Summilux 25mm F1.4 II ASPHPanasonic Lumix S Pro 50mm F1.4Sigma 35mm F1.2 DG DN ArtSigma 45mm F2.8 DG DN ContemporarySony FE 135mm F1.8 GMSony FE 35mm F1.8Sony FE 600mm F4 GM OSSTamron SP 35mm F1.4 Di USDTamron 24mm F2.8 Di III OSD M1:2Tamron 35mm F2.8 Di III OSD M1:2Zeiss Otus 100mm F1.4

Voting is easy - you pick your favorite products by dragging and dropping. You can pick as many products as you like, and rank them in order of priority.

Poll Rules:

This poll is meant to be a bit of fun. It's not sponsored, promoted or paid for in any way and DPReview doesn't care how you vote. Our readers' polls are run on the basis of trust. As such, we ask that you only vote once, from a single account.

Read more about this at dpreview.com

https://bestcamaccessories.com/have-your-say-best-prime-lens-of-2019/

[katslefty]

"I am a sucker for 50mm lenses. I have seven of them: Leica SL Summilux, Leica M Summicron APO, Leica M Summicron (vintage), Leica f1 Noctilux, the Canon 0.95 lens, Konica Hexar f1.2, and Canon f/1.4 lens. Only one of them — the SL Summilux — is an auto focus lens. It is also my least favorite lens.

"I usually walk out of the house with the M Summicron APO attached to my SL. It is what I use to shoot most of my landscapes. I keep it wide open, and I use ND filters to control the light hitting the sensors. Sometimes, I will use a combination of a 10-stop ND filter from Wine Country Camera, in tandem with a 6-stop or a 3-stop filter, to create a special look that comes from shooting with aperture at f2. The M Summicron f2/50 APO lens is of exceptional quality, and even at f2, it is tack sharp. It renders the scenes beautifully and has that Leica look.

"So for me, the new SL Summicron f2/50mm APO lens had to be at least competitive with, if not better than, my current set-up. After ten days, I can say that the pre-release prototype does hold its own. Sure, it is nowhere close to beating its M counterpart, but it is a worthy progeny. I am not a pixel peeper, and I don’t know the technical jargon like most professional reviewers. But what I can see is the similarities in the DNG files coming from the two lenses."

[saggiosguardo]

Sigma presenta 3 obiettivi per E/L-Mount, 3 per EOS-M e una fotocamera full-frame

Ieri Sigma ha tenuto un evento speciale a Tokyo presentando tantissime novità, compresa una One More Thing (di cupertiniana memoria) che era sfuggita ai leak dei giorni scorsi. Procediamo con ordine e andiamo ad analizzare le cose presentate partendo da un trittico di obiettivi progettati esclusivamente per mirrorless full-frame, che saranno disponibili sia con il solito innesto Sony FE che con il nuovo L-Mount, poi altri tre (ma questa volta APS-C) con attacco Canon EF-M e infine un corpo full-frame con attacco L a marchio Sigma.

I tre obiettivi qui sopra, già intravisti negli scorsi giorni grazie ai leak di nikoshita, arriveranno per la fine dell'estate. Nel dettaglio (partendo da sinistra) sono:

lo zoom Sigma 14-24mm F2.8 DG DN Art è già molto conosciuto in ambito reflex ed ora è stato ripensato da zero per sfruttare i vantaggi del sistema mirrorless. In più ha la particolarità di ospitare sul retro (la parte che va a collegarsi alla fotocamera) un portafiltri. Prezzo US: $1499

il Sigma 35mm F1.2 DG DN Art è la prima lente AF di questa apertura ad essere presentata sia per l'innesto E-Mount che per quello L-Mount full-frame. La ghiera che regola l'apertura può procedere a scatti o in modo fluido a scelta dell'utente, semplicemente spostando un selettore Prezzo US: $1499

il Sigma 45mm F2.8 DG DN è un obiettivo compatto e leggero – ma costruito comunque in metallo – appartenente alla serie Contemporary. Sarà probabilmente il primo fisso economico per L-Mount.

image courtesy of DPReview

Il secondo annuncio è stata del tutto imprevisto, ovvero un tris di lenti f/1.4 per il sistema EOS M: 16mm, 30mm e 56mm. Di questi non sono ancora state svelate le caratteristiche, i prezzi e la disponibilità, c'è solo l'immagine che vedete qui sopra e che farà certamente gioire i possessori di fotocamere Canon mirrorless APS-C. Ne sapremo di più nei prossimi mesi ma ho come l'impressione che questi obiettivi siano stati realizzati per "entrare nelle grazie" di Canon e poter progettare anche quelli RF per le sue full-frame. Comunque va detto che le EOS-M vendono molto bene in oriente, quindi un parco di potenziali acquirenti c'è ed è anche piuttosto affamato di ottiche fisse luminose vista la carenza di quelle native.

Una grossa novità è però arrivata alla fine e si tratta della Sigma fp (sigla che è acronimo di fortissimo pianissimo). La fotocamera adotta l'attacco L derivato dalla partnership tecnica con Leica e Panasonic, ha un sensore da 24,6MP retroilluminato ma con il classico schema Bayer (una fotocamera con sensore Foveon arriverà prossimamente). Il corpo è piccolissimo e pesa solo 370g ma è modulare e possiamo aggiungere vari "pezzi" per espandere le funzionalità e l'ergonomia. Il range ISO standard è 100-25600 ma si può scendere fino a ISO 6 (sì, Sei, non è un errore di battitura) o salire a 102400. Sono state diramate altre caratteristiche ma non tutte le specifiche, ad esempio per quanto riguarda i video si sa che la macchina è in grado di registrare in CinemaDNG 12 bit 4K@24p (tramite registratore esterno). Considerando le dimensioni, la forma del corpo e quest'ultima caratteristica, sembra quasi più il corpo nudo di una cinepresa da mettere in un cage, su un rig o farla volare su un drone.

Image Courtesy of DPReview

Ultima cosa, ma non per importanza, è la Roadmap rilasciata da Sigma che ci mostra i prossimi obiettivi in arrivo per il sistema L (che attualmente ha quasi più fotocamere che obiettivi). Entro la fine dell'anno saranno disponibili:

35mm F1.2 Art

14-24mm F2.8 Art

45mm F2.8 Contemporary

20mm F1.4 Art

24mm F1.4 Art

35mm F1.4 Art

50mm F1.4 Art

85mm F1.4 Art

135mm F1.8 Art

Mentre gli obiettivi che saranno rilasciati nel corso del 2020 saranno:

14mm F1.8 Art

16mm F1.4 DC

30mm F1.4 DC

56mm F1.4 DC

70mm Macro

Con tutte queste uscite entro il 2020 il sistema L-Mount avrà ben 14 obiettivi. di cui la maggior parte saranno fissi luminosi.

L'articolo Sigma presenta 3 obiettivi per E/L-Mount, 3 per EOS-M e una fotocamera full-frame proviene da SaggiaMente.

Articoli correlati:

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Panasonic annuncia le full frame Lumix S1 ed S1R, inaugurando la nuova alleanza con Leica e Sigma Di recente abbiamo parlato dell'ingresso nel mondo delle mirrorless professionali...

Recensione Canon EOS RP: la mirrorless full-frame per tutti Stiamo vivendo un periodo particolarmente frizzante per quel che riguarda...

from Sigma presenta 3 obiettivi per E/L-Mount, 3 per EOS-M e una fotocamera full-frame

[fujishopid-blog]

#Repost @ym99031 ・・・ Ready Stock • Fujinon XF 35mm f1.4 Special Price Rp 6.499k • Fujinon XF 23mm f1.4 Special Price 9.099k • Fujinon XF 56mm f1.2 APD Special Price Rp 16.499k • Fujinon XF 18mm f2 Special Price Rp 5.020k • Fujinon XF 50mm f2 WR Special Price Rp 5.999k • Fujinon XF 35mm f2 WR Special Price Rp 4.999k • Fujinon XF 90mm F2 WR Special Price Rp 12.699k • Fujinon XF 18-135mm WR Special Price Rp 9.999k • Fujinon XF 27mm f2.8 Special Price Rp 3.660k . All Ready Stock & Limited Stock . Cicilan 0% Credit Card up to 24month Tokopedia.Com/fujishopid https://www.blibli.com/merchant/fuji-shop-id/FUS-46750 Https://shopee.co.id/fujishopid Bukalapak.Com/fujishopid . Https://www.pasarwarga.com/mobile/shop-section/fujishopid . FUJISHOPid STC Senayan Lantai LG No 107 Jakarta Whatsapp / Call 08113993101 Line @fujishopid www.fujishop.id #fujifilm #fujijilm_xseries #life_with_xseries #今日もx日和 #xt2 #xf35mmf14 #classicchrome #photo #fujinon #tokokamera #tokokamerafujifilm #tokokamerafuji #tokokamerasenayan #tokokamerajakarta #tokokameraonline #fujishopid

[joannemaly]

Samyang unveils 'premium' XP 50mm F1.2 lens for 50MP sensors and 8K capture

It's official! 24 hours after product photos leaked online, the rumored Samyang/Rokinon XP 50mm F1.2 lens for Canon EF Mount has officially arrived. This is the third so-called "XP" lens—the first two, which were announced in 2016, were the XP 85mm F1.2 and XP 14mm F2.4—which are named for their 'Excellence in Performance.' That is: they're designed to resolve over 50 megapixels for photography purposes, and easily capture crisp 8K video.

Like those lenses, the XP 50mm F1.2 is manual focus and currently only made for the Canon EF mount. It boasts a 9-blade aperture, and is made from 8 groups of 11 lens elements, including one aspherical and one high-refractive lens element that promise to "deliver sharp and vivid images to camera sensors by effectively tuning the light path."

Finally, Samyang has also included its "ultra multi coating" to help ameliorate flare and ghosting. Here's a closer look at this lens:

And here are some sample photos, posted by Samyang on the new XP 50mm F1.2 product page alongside an MTF chart and detailed specs:

Samyang/Rokinon XP 50mm F1.2 spec sheet

The Samyang XP 50mm F1.2 will be available for purchase in March, at an expected retail price of 950 Euro (and very likely the same price in USD). To learn more, head over to the Samyang Global website.

Press Release

Samyang Optics Launches the Premium Photo Lens- XP 50mm F1.2

February 20th, 2018, Seoul, South Korea - Global optics brand, Samyang Optics (http://www.samyanglensglobal.com) is pleased to unveil the Premium Photo Lens - XP 50mm F1.2 for Canon full frame DSLR cameras. The XP 50mm F1.2 is the third lens of the premium line up, XP series, created under the motto of ‘Excellence in Performance’. The XP 50mm F1.2 lens is expected to expand the brand power of Samyang in the premium lens market thanks to its great image quality, following in the footsteps of the XP 14mm F2.4, XP 85mm F1.2.

The moment of the drama with absolute resolution

This lens, built for DSLR cameras, has a resolution of more than 50 megapixels for photography and 8K for video. The XP 50mm F1.2 manual focus lens enables you to capture those dramatic moments in perfect image quality with a bright F1.2 aperture. In particular, it optimizes for portraits, capturing the delicate change of the eye at the time of a portrait, right down to a strand of hair, and bright and beautiful skin colour. You can express unconstrained depth with the bright aperture, while the 9 blades also deliver beautiful bokeh, starburst, and out-focusing effects. Also, you can even achieve high image quality in low light conditions and indoors thanks to the fast shutter speed

Excellence in Performance

Produced from a total of 11 lenses in 8 groups, you can minimize distortion and various aberrations while producing crystal clear resolution. The special optic lenses, aspherical lens, and high-refractive lens deliver sharp and vivid images to camera sensors by effectively tuning the light path. Also, flare and ghost effects can be well controlled thanks to the ultra multi coating.

Available from March 2018

The absolute resolution XP 50mm F1.2 lens will be available in March at a suggested retail price of EUR 949. To celebrate the launch, Samyang Optics will hold various consumer events on Facebook and Instagram. For more information on the product, visit Samyang Optics' official website.

[Read More ...]

The following blog post was originally published on available on : https://www.proton-pack.com/ 

Samyang unveils 'premium' XP 50mm F1.2 lens for 50MP sensors and 8K capture was originally posted by https://www.proton-pack.com

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あじき路地から花見小路、八坂神社、東大路通り

[thephoblographer]

Guess How Much A Brand New Nikon F3/T and 50mm F1.2 AI-S Costs

Only 100 units of this rare Nikon F3/T edition were made!

If super rare vintage cameras are your thing, you might want to ready your wallet for this beautiful Nikon F3/T Classic!

On its own, the Nikon F3 remains a popular model of the iconic Nikon Fline of cameras, with vintage camera collectors and Nikon fans seeking to make it a core member of their collection. Make it a rare, special edition and you have an even more lusted after camera that you’d…

[elitemediaconcepts]

Peggy + Clyde (DJ Chuckie) // Wedding in Hulstkamp, Rotterdam from maru films on Vimeo.

Peggy and Clyde (aka DJ Chuckie) got married in the Hulstkamp in Rotterdam. Their wedding had a great gatsby theme and was amazingly styled. They have been together for many years already and have 3 amazing kids. But they thought it was time to tie the knot and have a great party. Such wonderful people and such an honor to have been part of their special day.

Photography: monetmine.nl/ Wedding planner: hetbruidsmeisje.nl/ Muha: nikivos.com/

Sony a7s Canon 24-105 f4 IS Sigma 35mm f1.4 Art Canon 50mm f1.2 Canon 100mm f2.8 Canon 70-200 f2.8 IS Røde smartLav+ Zoom h4n DJI Ronin M

[afonsecafilm]

Emily + Ofer // Iceland destination wedding film from maru films on Vimeo.

It's not very often you get the opportunity to witness something so special in such an intimate setting. But on this specific occasion all stars aligned. This multi day wedding in Iceland from Emily and Ofer still feels so unreal. The love between these two are from stellar proportion and the location blows our mind.

More info on: marufilms.com

Or facebook: facebook.com/marufilms/

Photographer: happyconfettiphotography.com/

(Amazing!) Wedding couple and their Icelandic wedding photography website: emilyandofer.com/

Music: Still Parade - Actors

Gear: Sony A7s Sigma 35mm f1.4 ART Canon 50mm f1.2 Canon 24-105mm f4 Canon 70-200mm f2.8

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木屋町を二条まで（曇り空の夕刻スナップ）

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四条界隈宵闇スナップ散歩

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寺町通り Teramachi street night snap 

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