#90's house

[k-i-l-l-e-r-b-e-e-6-9]

𝔖𝔠𝔞𝔯𝔶 ℭ𝔩𝔬𝔴𝔫𝔰 𝔦𝔫 ℌ𝔬𝔯𝔯𝔬𝔯 𝔪𝔬𝔳𝔦𝔢𝔰

[mark303solo]

(MarkSolo)

[rachelpedd]

That 90's American Home

A classic 90's-style suburban family home located in the beautiful world of Copperdale!

This home uses custom content.

Featuring the following amazing cc creators - @awingedllama, @myshunosun, @syboubou, and @peacemaker-ic

3 bedrooms | 2 bathrooms

§63,117

30 x 30 lot (Copperdale)

Play-tested.

“bb.moveobjects on” will need to be input before placement.

Now available on The Gallery! Origin ID: RachelPedd.

Download (Google Drive + CC included)

Happy Simming, everyone!

[arianavscouturevault]

House of Field Ready-To-Wear Spring/Summer 2002

Model: Devon Aoki

[vertigoartgore]

House-ad for Batman: Bloodstorm (1994). Art by Kelley Jones and Les Dorscheid.

[scobbe]

I was just powerfully reminded of what it was like to rent movies, like you gotta understand, the plan would be to watch a movie at home but first you had to GO OUT to Blockbuster or whatever. So even on movie night you had this little adventure with your friends, maybe got ice-cream or picked up a pizza along the way or maybe it was a last stop after shopping or something. But when I was 16 or 18 or whatever it was just such a fun time. Then go to someone’s house and watch the movie. Then argue about who would take it back the next day. Good times, good times.

[sbrown82]

Robin S. performing her iconic hit "Show Me Love” live at the Apollo further proving that Black women completely dominated the house music genre and made the entire world dance! 💁🏿‍♀️🪩

[psykopaths]

Mishima : A Life in Four Chapters (1985)

Dir : Paul Schrader

[capsyst]

And here is my second animation in Procreate Dreams! This time it’s a little Moomin scene.

This started off simply as a test to see if Dreams could do multi-plane camera effects, but it quickly got out of hand and took me WAY longer than I thought it would.

The problem was that in order to have the closeup shot look decent, i had to have an extremely large canvas and had to paint the background with much more detail than I normally would. In addition, it still needed to be able to fit the much smaller resolution insert of the window opening. I’ve never had to paint a scene in 4K resolution before and that presented a lot of challenges for my poor outdated iPad. Getting the right amount of detail and aligning the two layers was much more trouble than I anticipated and resulted in a lot of trial and error.

Getting each layer of the scene to move at the correct speed to make the parallax effect work also took a lot of work. And of course animating Moomin opening the window and Snufkin playing the harmonica added to the time needed to complete the scene. Honestly I didn’t think this simple scene would take me close to a month to complete.

For those curious, using the groups feature in Procreate Dreams was a lifesaver. Once I animated Moomin opening the window I was able to just group it together with the house layer and then scale both at the same time. The same went for Snufkin on the bridge. Being able to link those layers together into one layer made adjusting the parallax scrolling much easier to deal with. I really love how much groups help tidy up your timeline.

The song Snufkin is playing is a 90’s Moomin harmonica cover by Bat-Hen Zarfati.

[this-is-not-a-slow-burn]

in the early 90's a new AM radio station in Portland called AM 970 The Beat (or just The Beat) was going to replace the hair metal station that was previously on that channel, and in the week leading up to the changeover a clip of this song played 24/7. At the end of the loop every idk maybe 10 minutes a bump that just said "The Beat goes on, May 18th" would play over the top.

It's indelibly etched in my brain

Anyway the song was sort of about the AIDS epidemic and how abstinence only mantras were really kind of useless.

[k-i-l-l-e-r-b-e-e-6-9]

[possible-streetwear]

[oohshinystuffpdx]

These all feel like they should be part of the same house.

[andy-clutterbuck]

Men's Fitness | 2014

[grappleghosts]

AEW Feels Like a 90's Sitcom (And Why That's A Good Thing)

There's been something bugging me about "All Elite Wrestling" lately.

For weeks now, there's been a certain nostalgia to the twice-a-week program that I just haven't been able to place.

It's a living, breathing anecdote to good old 90's nostalgia.

The Ensemble Cast & Formula:

Sitcoms rely on a diverse cast of characters to strike a balance and keep people coming back every week. Amidst the brand's high-octane matches and fiery promos, its structure and storytelling truly revive what I loved about 90's television.

Each member of its expansive roster have such distinct personalities that at times, I wish we'd see more of. Nonetheless, AEW captures a close - if not the exact formula of "alternative media."

A hallmark of 90’s sitcoms was their ability to tell self-contained stories while also weaving in larger arcs. The 'All Elite' employ a similar approach. They tie in broader narratives with an oddly .. complex 'comedy gold' that we look forward to every week.

The Roster & Their Sitcom Counterparts:

It's easy to see how AEW's larger than life stars are worthy of their own "90's intro parody". Think as if "Too Many Cooks" & "Full House" had their own twisted and dysfunctional reboot.

As much as I'd love to analyze the entire roster, I'm not that insane.

1.) Maxwell Jacob Friedman (MJF) & Frasier Crane.

Frasier Crane and MJF are performers who thrive on attention and validation. Undoubtedly, two sides to the exact same coin.

(Years on TV: 1993-2004)

Similar Traits:

A taste for theatrics: While Frasier Crane's life is filled with his own dramatic blunders - MJF shamelessly brings the drama with him wherever he goes.

Overconfidence: Both men radiate a bold self-assurance. They each have a knack for flaunting their intellectual prowess. Utilizing more than a touch of arrogance along the way.

Self Absorption: MJF's famous line, "I am better than you in every single way, and you know it," is self explanatory. Frasier's ego is rooted in culture, but they both take pride in setting impossible standards.

At the end of the day;

Frasier Crane and MJF are showmen who crave the spotlight. They wield their sharp humor, charm, and over-sized egos in fancy suits.

2.) Harley Cameron & Kimmy Gibbler

(Years on TV/Pre-reboot: 1987-1995)

Main. Character. Energy.

I know that they're seen as 'secondary characters', BUT they are far from it. Both of their antics are pivotal for comedic relief but beautifully displays their strengths.

Similar Traits:

Unapologetically Quirky: Whilst they may seem unconventional or out-of-place, without their humor the main plot would be much more dull.

Confident: This is the cornerstone of why I believe this comparison fits. They are unshakably self-assured. Never failing to speak their minds and express themselves in oddball ways. While unconventional, there's never a staleness and always a level of unpredictability.

Thrive Under The Spotlight: Often inserting themselves into conversations or situations, Harley and Kimmy immediately take center stage. No matter how brief it may seem.

These two gals are important to the equation.

They bring a natural enhancement- like salt to sweet, to the dynamics of those they’re on screen with.

3.) The Learning Tree (Jericho, Bill & Keith) & The Simpson's bully squad (Jimbo, Dolph & Kearney.)

Same energy:

Hierarchy, plain and simple.

Both of these trios are notorious shit starters and troublemakers.

Similar Traits:

Unconventional Leadership: Let's be honest, in their own ways both Jericho and Jimbo pull the strings in their own ways. With an aura of cartoonish coolness and love of immaturity? The shoe indeed fits. Jericho’s mentorship of Big Bill and Bryan Keith? Strangely mirrors Jimbo’s informal guidance of Dolph and Kearney. AEW is by all means their proverbial 'playground'.

The Enforcer: Big Bill and Kearney take their places on the field solely as 'the muscle' here. They both step in to reinforce the groups utter intimidation and sheer dominance. Not a thought goes on behind their eyes though, honestly.

The Rising Star: Bryan Keith and Dolph are both the mostly silent yet hungry types in their respective groups. Under their mentorships, they have the most to prove but show equal promise. These two bring a well rounded energy needed to complete their units. The groups arguably wouldn't be the same without them.

The dynamics are eerily striking once you put them under a microscope.

Well, that was a journey. Huh?

I could honestly make this idea an entire series. It was difficult enough to narrow down the list to cover.

I'd definitely want to hear YOUR thoughts on these comparisons.