#80s comics especially always do they same thing of accidentally making a good point then fucking that shit up exponentally

[dimehun]

Ahh the hallmarks of a 80s comic

[raimispiderman]

From the booklet which comes with the Spider-Man Trilogy Limited Edition Collection blu-ray!

This talks about the making of Spider-Man 3, here’s the bit about the first Spider-Man movie and here’s the bit about Spider-Man 2.

Click for a transcript:

OLD FRIENDS… AND NEW FACES

“The heart of the Spider-Man films has always been the depth of the characters and their interconnected lives. Peter’s love of Mary Jane Watson and his friendship with Harry Osborn have always been the richest parts of our stories,” said director Sam Raimi.

In Spider-Man 3, Peter Parker faces his biggest challenge to date – and the greatest battle of all is the battle within himself.

“We wanted to explore the darker side of Peter’s character,” said producer Laura Ziskin. “When his suit turns black, it enhances and emphasizes characteristics that are already in the host. In this case, it makes him stronger and quicker, but also more prideful and aggressive.”

“When I read the script I was really excited about the different direction we were going with Peter Parker and the other characters and storylines,” said Tobey Maguire, who returned to the role of Peter Parker. “We are covering a lot of new ground here, with a fresh take on the story while maintaining the continuity of the characters from the previous two films.”

In Spider-Man 3, Spider-Man takes on two classic villains: Sandman, who first made his appearance in the fourth issue of “The Amazing Spider-Man” and Venom, one of the comic book’s most memorable villains.

“Marvel comic books – and especially the Spider-Man books – have always had a great bunch of villains to choose from,” noted Raimi. “So many great Marvel artists and writers developed these characters. It was a very easy task to pick up these wonderful tales and images and develop our story from them.”

Thomas Haden Church played Flint Marko, a man haunted by the mistakes of his past, who is caught in a physics experiment gone wrong. “I consider it an honor, really,” said Church, an Academy Award nominee for his role in Sideway, on joining the franchise. “The Spider-Man films stand tall in the pantheon of superhero movies. Many are called, few are chosen, and I’m proud to be one of the few.”

“Flint Marko becomes Sandman when he stumbles into a radioactive test site where they’re performing a molecular fusion experiment and he accidentally becomes fused with sand,” Church added. “As a result, he can change his shape and adapt to his environment. He can be 10, 30, 80 feet tall. He can form giant sand fists, hammers, a mace. He can shift into a sand tornado, or sift into sand. He is as malevolent and menacing as any villain can be.”

Church spent over a year preparing for the role, with a physical training and diet regimen which led to his gaining about 20 pounds of muscle before shooting began. “In the comic book, Sandman was a bulky-muscled guy – he looked like a guy out of the WWF,” said the actor, “For the movie, we decided on a leaner look – street hardened, like Terry Malloy in On the Waterfront.”

Topher Grace joined the cast as Eddie Brock, a character in some ways similar to Peter Parker, who transforms into Venom – Spider-Man’s arch-nemesis. “When I was first talking about the movie, Sam asked me if I knew what ‘arch-nemesis’ meant. I thought it meant a huge villain, but Sam pointed out that it really means a villain who has the same powers and abilities as the hero, but uses them for evil,” said Grace. “Sam has gone to great lengths to make this character Spider-Man’s equal and opposite. You might say that Eddie is the guy that Peter would have been if he didn’t have the good fortune of having Aunt May and Uncle Ben to bring him up.”

Grace, a self-described “skinny guy,” put on about 15 to 20 pounds for the role, working out during the several months before shooting began. During pre-production, Grace was subjected to body scans and motion capture data analysis for use by the costume and visual effects departments.

“They were doing a scan of my body, and someone mentioned that the scan would be really helpful for making my action figure. My action figure!” recalled Grace. “It hadn’t even occurred to me that I would become an action figure! It was very exciting.”

“The Spider-Man books have probably the greatest rogues’ gallery of any superhero comic – there are so many memorable villains throughout the books,” said executive producer and Marvel’s president of production Kevin Feige. “With the villains in Spider-Man 3, we wanted to continue the tradition – following the Green Goblin and Doc Ock – of presenting villains that not only provide spectacle and a physical challenge to Spider-Man’s abilities, but characters that are multi-layered and conflicted.”

“At the beginning of Spider-Man 3, we find Peter Parker pretty much where we left him at the end of the second Spider-Man story,” said director Sam Raimi. “He is coming to terms with what it means to be a hero and the sacrifices he has to make to do the right thing. Peter has never had anyone look up to him as someone they admire. Certainly, he’s never had anyone cheer for him before. This has an unexpected effect on Peter: it stirs up his prideful self. This is the beginning of a movement toward his dark side in this film.”

That dark side is brought to the forefront when he comes into contact with a black substance that attaches itself to Peter’s Spider-Man suit. When the substance turns his suit black, he finds he has greater strength and agility than ever before… but also the substance brings out his pride and his vengefulness. “In the climax, Peter has to put aside his prideful self. He must put aside his desire for vengeance,” Raimi continues. “He has to learn that we are all sinners and that none of us can hold ourselves above another. In this story, he has to learn forgiveness.”

Another fan favorite, Gwen Stacy, made her film debut in Spider-Man 3. Well known to fans of the comic books, Gwen made her first appearance in December 1965 “The Amazing Spider-Man #31” and quickly became Peter Parker’s first love. Bryce Dallas Howard took on the role. Despite the differences between the comic book and screen versions of her character, Howard was able to use the comic book as inspiration in bringing Gwen Stacy to life. “There was a very deep relationship built into the comic books – that became my foundation,” said the actress. “This a person who, had things been different, could have been a good mate for him. Because her father is a police captain, she’s accustomed to someone leaving and putting his life in jeopardy every day and loving him unconditionally. I was able to build on that, to play the character that was written in the comic book.”

“It’s wonderful to bring new actors into the series because, although you have an existing set of rules and storylines you want to adhere to, at the same time you need to shake it up, bringing new voices and energies to the film that we haven’t experiences before, “noted Raimi. “It gives the audience a new experience, with the characters they love, but with a new energy dynamic, with those new faces on screen with them.”

“In terms of logistics and scope, Spider-Man 3 is by far the largest of the three films,” said Ziskin. “Sam has really upped the ante for this film, in terms of action sequences and visual effects involving Sandman and Venom, so it is a gigantic endeavor, with over 1,000 people working towards that goal.”

During production, Raimi relied on key members of his filmmaking team to bring to life before the cameras as much of Peter Parker’s story as possible. “Whenever it’s safe and practical, I like to capture the action in camera,” said Raimi. “Visual effects are an amazing tool for action that human beings can’t do – but if a human being can do it, let’s do it.”

The talented team of stuntmen was ready, but so was the cast. Bryce Dallas Howard, especially, surprised the filmmakers by being game for anything they could throw at her. At one point, the actress found herself hanging from a harness.

After performing several portions of the sequence on soundstages in Los Angeles, Howard was eager to get in the harness again to fly with Spider-Man over Sixth Avenue. “What’s so great about movies is you get to really experience these crazy, crazy stunts, things that you would never emerge from alive in real life,” says Howard. “I knew I would be 100% safe because Sam and the stunt team really protect the actors. So I tried to do as many things as possible, because it’s really fun and a great adrenaline rush!”

Thomas Haden Church was also up to the challenge – in fact, even more so. Whether it was being yanked five feet in the air so he could do a face-plant in the mud, or being chased (and caught) by dogs, or dangling off the side of a set, or falling onto train tracks, or having his face smashed into a pane of Plexiglas, the actor found himself bruised and battered repeatedly, but was ready for anything. According to producer Grant Curtis, “It wasn’t intentional, but it seemed sometimes like if any actor was required to get beat up in any way, Thomas was always drawing that short straw.”

Two members of the production team that played key roles in ensuring that these action sequences were both as safe and as spectacular as possible were special effects supervisor John R. Frazier (who previously served in the same capacity on the first two Spider-Man films) and second unit director Dan Bradley (a veteran of Spider-Man 2). “Working with Sam is like going back to school,” said Frazier. “You have that moment where you say, ‘Oh, this is going to be really, really hard, but a lot of fun.’ It’s  not unusual for me to be on a movie like Spider-Man 3 for nine months, from the beginning planning stages through production.”

One scene that highlights their work is the Subway Drain portion of an elaborate fight sequence between Spider-Man and Sandman. Raimi worked closely with Frazier, Bradley and visual effects supervisor Scott Stokdyk on the sequence, in which Sandman is blasted by the force of a burst water pipe and, quite literally, goes down the drain. Sam wanted Sandman to melt away, in essence, during this sequence.

“This is the largest water gag for one shot I’ve ever done for a film,” recalled Frazier, who had previously supervised the special effects for Poseidon. “We used 50,000 gallons of water, shooting out of a pipe which blasted the rear of the set fifty feet away. When you see this sequence, the water appears to be a six-foot-thick column of water; however, we made the center of the pipe hollow, and used a restrictor plate to control the size of the column of water. The water is recirculated using pumps, which are able to pump 3,000 gallons a minute. We can fill both tanks in about five minutes, so that we are ready for another take.”

The sequence was covered using eight cameras, according to Stokdyk. “This sequence is where Spider-Man discovers Sandman’s weakness – water. We had to put a CG Sandman in here because the velocity of the water is too great to have Thomas Haden Church or a stuntman perform portions of the sequence. Water is a huge challenge for visual effects, especially on a large scale, so our goal here was to seamlessly integrate the elements for the sequence between practical and CG.”

Bradley and Frazier’s work is also on display in an action sequence during a bank heist, in which a security guard (played by none other than producer Grant Curtis) falls victim to Sandman’s wreath. “As a producer, Grant is uniquely qualified for guarding money,” laughed Bradley, “so Sam typecast him and invited him to spend a lot of time on set being buried underneath tons of sand as one of the armored car guards.”

Apprehensive as he might have been about performing the stunt, Curtis says that it would have been pointless to argue. “I’ve worked with Sam for ten years, so I know that once a decision’s been made, he’s going to get his way,” he said.

The sequence begins spectacularly, when Sandman smashes into the top of the armored call with his fist – which, in reality, Frazier’s team made of polyurethane foam. It was eight feet tall, six feet wide, and weighed over 500 pounds. Then, debris – sand – came flying at Curtis. “On the first take, I anticipated the crash and reacted too early,” he remembered. After an adjustment, he nailed the second take.

At the end of the sequence, the guard is buried in sand. To film the scene, the armored car was lifted and tilted at a 50-degree angle so that the sand could be dumped in and fill the car but with a fraction of the pressure on Curtis. The producer soon found himself beneath 4,000 pounds of ground corncob – the filmmakers’ ingenious substitute for sand.

The idea of using ground corncob as a double for sand did not come immediately to the filmmakers. The first man charged with investigating what kind of sand would make Sandman or solving any number of other costuming challenges, Acheson’s motto was: when in doubt, go back to the original text. “We derive our inspiration, as always, from the comic,” he said. “Sandman is one of those remarkable characters who can change shape, dissolve, disappear, grow, or become mud or concrete. We designed various stages and different scales of Sandman’s evolution, working with wonderful sculptors to create maquettes, small statues of Sandman in his various appearances.”

As much as Sandman required each of the departments to step up their game, so, too, did Venom – Spider-Man’s equal and opposite. Acheson and his team created various stages of Venom’s look, working with Raimi to create a tension in the sculpting of the suit. “It was important to Sam and to James that we keep the suit really sharp and aggressive, as with the tendrils that crawl across Venom’s face at points,” said head specialty costumer Shownee Smith, whose company Frontline Design worked under Acheson’s direction to manufacture the specialty costumes for the film.

For scenes where Brock transitions into Venom, Grace spent an hour being placed into the suit, which added between 120 and 140 pounds to his weight. The actor then spent an additional four and a half hours in makeup for the addition of appliances, including special sets of teeth worn by Grace to give the character the illusion of a larger, more menacing mouth. The filmmakers also attached monofilament to the skin on Grace’s face so that they could pull and distort the character as he makes his transformation.

“At one point while shooting the transition scenes, I thought, ‘What have I signed up for?!’” Grace laughed. “I had black goo poured all over me, wires attached to my face that people with fishing poles were pulling up, and other people below me were pulling down… When you see my character in pain, well, there wasn’t a whole lot of acting required.”

Also interacting with each of the departments was production designer J. Michael Riva, the member of the team responsible for bringing Raimi’s stylish vision to life. Riva was especially proud of his work in cresting the construction site that serves as the arena for the film’s final battle. “Making a construction site doesn’t sound very difficult, but if you have only eight weeks to design and build, it’s practically impossible,” he said. “We used over 20 tons of steel, 100 welders, and 200 carpenters working around the clock, seven days a week to get it done! But we all did it.”

The set took six weeks to complete, using tons of steel from a cancelled building project. A construction elevator, complete with operator, transported cast and crew to the various levels of the elaborate set. For the extensive lighting and electrical needs required for the sequence, a labyrinth of connections was designed and installed 80 feet above the stage floor, using over four miles of electrical cable. By the time the set was ready for shooting, Stage 27 was outfitted with approximately 21,000 amps, enough power to service over 200 homes.

“The great thing about a construction site is that it’s a very dangerous place. First, besides the implied height of the set, you have a lot of steel and rebar lying around at such a site. You can always rely on Sam to see opportunities and come up with an effective way to use these set elements to enhance the danger in a scene,” said Riva. “Second, it was an open structure, pretending to be 50 stories high, open on all sides. It offered Sam a jungle gym of possibilities to web up and down, to do a chase all over the face of the steel structure. The higher they go fighting their way up the building, the more the danger and tensions increase. It’s a long way to fall if you’re not Spider-Man!”

For visual effects supervisor Scott Stokdyk – the man charged with bringing the visual effects to the screen – those words were the beginning of a two-year process to develop the technology that would make Spider-Man 3 the most visually stunning film in the series so far. “When we began the pre-production process, the computer programs had not yet been developed which could achieve the look of Sandman and his capabilities that Sam wanted to see,” recalled producer Grant Curtis. “However, Scott Stokdyk and his team created new technology to manipulate every piece of sand on our character. The existing technology allowed management of thousands of particles at once – but to animate Sandman the way Sam wanted to, we would have to be able to render billions of particles. In the end, the new software they wrote required ten man-years to code.”

Stokdyk says that he and his team prepared for the challenge by first observing how sand moves in the real world. “One of the first things we did was to organize a sand shoot with Sam and Bill Pope, the difrector ofg photographer,” Stokdyk continued. “We shot footage of sand every way we would need it – thrown up, thrown against blue screen, over black screen. John Frazier, the special effects supervisor, shot it out of an aero can at a stuntman. Anything we could imagine sand doing in the film, we shot.”

“There’s a character the, emoting, but it’s just a pile of sand,” said Stotdyk. “If we’ve pulled together enough grains of sand to make feel something, then we’ve pulled it off.”

In the end, the artists were all extremely proud of their creation. “Sony Pictures Imageworks delivered on Spider-Man and Spider-Man 2, but for Spider-Man 3 it changed the industry standard,” said Curtis.

Sandman, of course, was not the only character that posed a considerable challenge for Spencer Cook; animating the black-suited Spider-Man required subtle changed to reflect the character’s more aggressive personality, “He’ll move a little quicker here and there, hunch his shoulders a little more, put his elbows up a little higher when he’s stuck to a wall. We tried to find poses that the classic Spider-Man would not do – where the red-suited Spider-Man was graceful and elegant in his motions, black-suited Spider-Man is more blunt, rough, and reckless.”

In creating Venom, Stokdyk notes that the character has at least three different stages. First, of course, is the initial transformation, in which Topher Grace’s skin is pulled away from his body and tendrils of goo cross his face until they completely envelop him. “As he gets angrier, he turns into more of a monster, more of a beast,” Stokdyk noted. First, he becomes a kind of double for Spider-Man, played by Grace. By the very end of the film, he becomes an entirely CG character – the classic Venom from the comic books, with a menacing, unhinged jaw and a full mouth of very sharp teeth. “Everything is alive on ‘comic-book Venom,’” Stokdyk continued. “The challenge was to make a character that was monsterous, very detailed, very kinetic – but not delicate. Despite all the detail, he’s still menacing.

Stokdyk was also determined to break new ground in terms of live-action integration with the visual effects. The supervisor was on hand during production so that he could be ready to take the ball as soon as the scenes were filmed. “It was important to Sam and me to incorporate as much live-action into the CG as possible,” he said. “The typical reason a shot is animated is because a person can’t do all of it. We wanted to find a way to have an actor or stunt person do part of the action, and synthesize the rest. The goal was to find a balance between keeping the shot real and making it exciting and cinematic.”

One dramatic example of this idea comes early in the film, as Peter Parker finds himself ambushed by the New Goblin – his friend, Harry Osborn. “It was Sam’s idea to show Peter fighting as Peter not as Spider-Man,” said producer Avi Arad. “It’s a terrific amount, because it brings home what a personal battle this is for Peter when you can see his face.”

Tobey Maguire and James Franco completed much of the aerial stunt sequence themselves, doing wire work suspended high above the stage floor. “Tobey is really handy with stunt situations, and he picks it up really quickly,” said stunt coordinator Scott Rogers. “James is also terrific – he’s got a great attitude. Both actors are used to the type of physicality required for their roles, and they excelled.”

For Stokdyk, achieving such great heights would not have been possible without the contribution from his team at Sony Pictures Imageworks, assembling, in the end, between 200 and 250 people to complete more than 900 effects shots. “You live and die by your team,” said Stokdyk. “They were always ready to respond, always on their toes. That’s bit of the process of working with Sam, you have to be flexible and ready to deliver.”

“When developing this third installment, we asked ourselves, ‘What does this young man still have to learn?’” said director Sam Raimi. “We placed him in situations where he’d be forced to confront his absences of character – obstacles that, in previous stories, he might not have been able to surmount. In this way, he would either be defeated or grow into the heroic person who might be capable of overcoming these obstacles. As the depth of our characters grow, they become richer human beings and can achieve more than in the previous films.”

[thebeauregardbros]

“The Ultimate Character Questionnaire”: Alus Beauregard

a fuckton of random questions abt alus ramblingly answered

questions stolen from [here]. i cut out ones that ask the same questions i accidentally answered prior, or just didn’t interest me enough to answer, so if you wanna do this for your own OC I recommend copy+pasting it from the source!

Basic Character Questions

First name? Alus (pronounced ‘Ah-Loose’)

Surname? Beauregard (taken from adoptive father)

Nicknames? Alus wants to be called “Al” but it doesn’t stick because his name is already short. Lots of people unfortunately call him Alice. he does not like that

Date of birth? unknown but he celebrates his birthday on All Saint’s Wake (aka Halloween)

Age? Funfact: Alus and Arc’s age is the age between the RPers’ real-world ages (I’m 24, Arc’s player is 25, but for a brief period Arc’s player becomes 26 while I’m still 24.) So they’re going to be 25 this year (2020)... what the fuck. stop growing. dont do that.

Physical / Appearance

Height? I... he’s tall. Despite Alus being the max height for Miqo’te characters (5′8″/173cm), other male Miqo’te RPers say their characters are taller than that anyway, so I’m like.. not sure what to answer. I don’t want to break reasonable canon of what’s possible for Miqo’te but I also don’t want him to be short or average sized in comparison to other average Miqo’te. I’m just gonna say, definitively, “Alus is tall for a Miqo’te”. If you have a tall Miqo, Alus is just as tall. Or half an inch taller. Take that as whatever you want. I’m tired.

Weight? I... don’t know? This question really doesn’t clarify anything to me; people can be the same height and weight and look totally different in body type. If you absolutely had to get an answer from me, my best guess is maybe somewhere between 170lbs-180lbs? (assuming he is 5′8″)

Build? Wide shoulders, slender hips, long legs, big wide chest and a nice strong core. He is muscular; burly and brawny; his body type feels intimidating and large. He has a healthy amount of fat over his muscles, but still has much clearly visible muscle especially while flexing.

Hair colour? Golden blonde; it’s got a subtle yellow-ish tone that reminds you of sunshine.

Hair style? Alus’ hair is naturally thick and wavy. His hair is grown out long; about armpit length. His hair is choppy, even somewhat feathered. It’s a bit badly damaged from years on the road, but the split ends and fly-aways sparkle brilliantly in the sunlight like a messy halo around his head. His hair naturally very poofy, like damaged 80s hair. Long bangs that were once pushed back fall gracefully over his face like a wild child running about in spring. Whilst resting away from work, he braids it loosely.

Eye colour? Heterochromia; A raspberry red in one pupil, and a sun-shiny yellow-orange in the other.

Eye Shape? Thin and serious, and slightly down-turned. Small double-lid.

Glasses or contact lenses? His eyes are overall pretty healthy, but he’s slightly far-sighted. He uses glasses once in awhile to read, but they’re not super necessary.

Distinguishing facial features? Heterochromia and his adult male Miqo’te markings. He tends to wear purple eyeshadow around his eyes and a subtle purple lip tint.

Which facial feature is most prominent? The facial structure of Alus more resembles an Elezen than a typical Miqo’te; he has a long slender nose, a oval face shape and noticeably high cheekbones.

Which bodily feature is most prominent? Alus’ lion-like tail is somewhat unique among other typical Miqo’te.

Other distinguishing features? His style of dress tends to stand out in a crowd; he favors pure white and soft pastels over more popular color tones among adventurers like blacks and greys. Also unlike the typical adventurer, he is more want to wear fabrics of the fancy and soft nobleman, decked out in frills and lace like a prince locked far away in a chamber more than any man on a dusty and bloody battlefield.

Skin? Uh... a... “medium tan” skintone? (again I have no idea how tf I’m supposed to figure out labels for skin tones when there’s no widely used phrases for specific tones fghdjkgh) with a “warm gold undertone”. The small amount of skin that’s ever exposed upon him is surprisingly soft, as if he never did much hard work in his life. [SPOILER]Underneath his clothes, however...The countless scars upon his torso, back, legs and upper-arms are rough and hard, like treated leather.[/SPOILER]

Birthmarks? Not that he knows of. He has lots of scars from messing around in his childhood but he can’t remember the origin of them all. Any of them could be birth marks as far as he can tell.

Tattoos? None! And he never plans to get one. He has yet to see any tattoos that match his personal aesthetics of what he’d put on his body yet and even if he did, he can’t imagine liking them enough to want to get one.

Physical handicaps? [SPOILER]Numbness in various small patches of skin throughout his body.[SPOILER]

Type of clothes? I already answered this somewhat but if you’re curious about specifics, I made [this pinterest] of stuff I’d imagine he’d wear. Pretty much just take the “aristocrat” Japanese street fashion genre and turn it white, and give it a bit of a gold trim. Lots of frills and lace; heavily inspired by fantastical shoujo manga glorified depictions of what a Prince Charming looks like in medieval setting fairy tales.

How do they wear their clothes? Some (not all) of the specific guidelines I have in my head of what his wardrobe’s like; Colors are only pastels, white, or gold - once in a blue moon he might wear a rich dark raspberry red color or bright orange or yellow. He will NEVER wear grey or black. Pants have to be long enough to reach the ankles. He prefers wearing his shirts tucked-in. Clothes MUST fully cover everything on his body excluding head, neck, and hands at all times - low neckline acceptable in off-duty time. Under special occasions only (ie beachware); lower arms, top of feet or shins can be uncovered. He wears a lot of jabot ties.

What are their feet like? (type of shoes, state of shoes, socks, feet, pristine, dirty, worn, etc) Alus takes his quality of fashion seriously. He’s the type of guy who wears expensive fancy soft white socks trimmed with gold nobody will ever see with the little suspenders on his legs to keep the socks from sagging down. He adores wearing white pointed dress shoes, especially if they have a bit of a high heel. Gold jewelry or buckles are lovely, and any shoe with lace, bows, ribbons, fancy beadwork or faux flowers are supreme. (Google image search ‘Bridal Boots’ if you wanna see his shoes. He’d seriously wear any of them.)

Race / Ethnicity? hhhhhhhhh it’s 5am man I dont have the energy to google faces until i find a reasonable faceclaim and try to figure out that person’s ethnicity... they’re Fantasy Characters... alus is a miqo’te.. maybe had some elezen or hyur in his lineage? idk

Mannerisms? Alus is like a living embodiment of a cartoon Disney prince. I don’t know how to better describe it; He’s elegant and gentle for the most part but can also so comically stiff you could mistake him for an automaton or a piece of background cardboard - then when the moment hits, he can spring into an unrealistic slapstick looney toon nightmare. He always seems to be in a constant state of floating between elegance, stiffness, and slapstick. There is never a break. There is never an in-between.

Are they in good health? For their active life circumstances of constant physical hardship, they are in amazingly good health.

Do they have any disabilities? I don’t think of ADHD as a disability (and I’m saying that as someone who has autism and most likely ADD or ADHD myself) but it’s classified by a lot of people as a disability. So yeah, uh, Alus absolutely has ADHD.

Personality

Are they more optimistic or pessimistic? Definitely more optimistic, sometimes to a fault. I think there’s a degree of choice in there but he’s kinda lost the boundary between blind trust and trying to believe in people and situations because he morally wants to. He is still a worry wart, and that is what causes him to fight so hard as he does for making things around him better as well as making himself better - but I think he makes a very active effort of not letting anyone see that part of him, maybe in an effort to convince himself as well that everything is and will be okay.

Are they introverted or extroverted? Extroverted in a lot of ways and introverted in others. Alus loves and thrives around people, and I think he’s a bit more drained than the average person when he’s alone vs. being in a crowd, but he’s still living more as an introvert - one-on-one deep talks can make him extremely anxious. He’s great at the surface niceties but can often find himself too devoted to strangers, which leads him into trouble sometimes. He’s like a really great social co-worker and a extremely awkward off-duty member of society that doesn’t really know how to function or navigate normal relationships.

Do they ever put on airs? A b s o l u t e l y. Alus’ entire persona is carefully hand-crafted over a lifetime. It’s not to say “This isn’t who he really is, he’s a liar”, but moreso “He’s not quite the person he wishes he was yet.” He makes a really large effort to put on airs of this confident and beautiful Princely type of heroic figure straight out of a fairy tale where he simultaneously knows that such a goal is impossible, since this isn’t a story book - this is real life, he is flawed and complicated, and nothing is as perfect as you wish it was. But he keeps trying no matter what.

What bad habits do they have? Low-key bullying his brother, for sure. Arc is the only person Alus just can’t really put on airs with so his perfect image just breaks down around him. While Alus appears to be a very gentle and kind individual around other people, he’ll comically slap and roast his brother without mercy. (Don’t worry; it’s mutual between them.)

What makes them laugh out loud? Almost anything. Alus is definitely a big giggler, and an even bigger loud spontaneous laugher.

How do they display affection? There’s two major levels of it. First, it’s showering you with little gifts - sweets, flowers, even money if you’re in need, with nothing asked in return. If you’re very close to him, it’s skinship; he loves spontaneously hugging others and holding hands and all that kinda platonic stuff. He’ll pretty much not let go of your arm if you’re around him. He also loves dancing with people, you bet he’ll do the whole nine yards of weaving you around him, lifting you above his head and dipping you.

Mental handicaps? Hates being touched. He has some really bad memories of being manhandled and despises any type of physical restriction on himself, especially from people he doesn’t find VERY close to him. He hates even more to be seen in casual clothes, especially clothes that expose his skin. He’s really not a fan of his exposed body and it’s gonna take a lot for him to get over it. He’s slowly getting better but it’s a long journey.  

How do they want to be seen by others? Someone to look up to; someone to rely on. He wants to be the hope for humanity, essentially. He wants to inspire others to heroism and kindness just by seeing him, and he wants to make the world a better place just by existing in it.

How do they see themselves? Someone who’s just not good enough; Someone who needs to keep working to be better; someone who’s chosen destiny is to be the hero of humanity.

How are they seen by others? Probably as a weirdo. He definitely comes off as eccentric; his strange comedic ramblings and sudden dancing mid-conversation, as well as his random gifts and bag full of pranks, magic tricks and fireworks just really feel off-the-wall. His immediate devotion to others may also come off as exceedingly suspicious. I think how he dresses and his cafe also indicate he’s kind of the ‘rich unhinged guy’ stereotype. People who know him well though know that he’s an extremely good person who would give you the clothes off his back if you needed them more. He loves humanity and would do anything for it.

Strongest character trait? His stubborn devotion to his ideals, for sure. If he wants something, he’ll work his hardest to make sure it happens.

Weakest character trait? Far too trusting of strangers; he gets taken advantage of very easily, and he’s almost always happy to come back for more. He’ll even give the biggest villain a 2nd and 3rd and 4th chance. His inability to condemn anyone as truly evil may cause far more hardship for everyone in the long run than if he just chose to kill the person or lock them up indefinitely and be done with it.

How competitive are they? Alus thrives in competitive environments due to an absolute love and adoration for sportsmanship. He does a fantastic job making his competitors have fun and feels that a competition that is too one-sided doesn’t have any fun or worth. He loves difficult competition because he feels that it helps better himself and his rival.

Do they make snap judgements or take time to consider? Oh, he’s absolutely a “strike now while the iron’s hot” type of a guy. He knows that even a second of a wait can change things for the worse. He’s also definitely a philosophical type that thinks over every possible scenario in his mind in his off-time, but ultimately, he’ll always be the one running off to get things done as soon as they’re brought to his attention. He’s the opposite of his brother, who wants to slow things down before making rash decisions. Alus just knows those decisions need to be made, so it might as well be now, so he just gets it done and worries about the outcome later.

How do they react to praise? He’s actually probably never used to it. I think he has a bit of a low self-esteem problem in how he sees himself as never quite as good as he wants himself to be, so praise can catch him off-guard pretty easily. He’ll cover that up by clumsily stating something comically over-the-top like “Of course, I am incredible! I am the best! Mwahahaha!” but not before gasping for air and stuttering like a shy schoolgirl first.

How do they react to criticism? He has a great ability to deflect toxicity into positivity; he asks what people mean and tries to understand them. I think if the criticism can be taken as constructive, he’s always happy to take it. If the criticism is just plain mean, I think he’ll ask if there’s anything he can do to help the person he’s talking to - he knows nobody would say such mean things to another unless they were having a pretty bad day.

What is their greatest fear? Oh, y’know. Losing his brother. Slugs and slimy things. If you wanna get painful and philosophical about it, I think he’s terrified of the future. He tries to live in the moment and just do the best he can at all times, but when he sees that what he does doesn’t help a lot of the world to stay safe, it freaks him out. In his mind, he’s doing a lot, but in reality - it’s not much at the grand scheme of things. He tries not to think about it too much. He tries not to think much of the past either - of all the mistakes, of what he could and couldn’t have done. It frustrates him. I guess you could say his greatest fear is his own limits. It never feels like he’s doing enough, or even if he ever could do enough.

What are their biggest secrets? [SPOILERS, OBVIOUSLY] Alus is absolutely disgusted with the military powers of the world, and the politicians. He tries to stay optimistic and bright on the outside - he stays useful and does what he can without complaint, he tries to lie to himself and say it isn’t too bad, tries to focus on the good these systems do, to be placated and trust his brother that things will work out alright in this setup - but he sincerely wishes that somehow they could be abolished entirely. He’s frustrated with the idea of any one person or power having control over the lives of others - people those single powers may never meet - will inevitably cause a lack of humanity and understanding of others. Nobody should have this power, not even him, not even the gods. As Alus’ writer, I don’t think he knows a good alternative, he just knows he’s seen enough immoral and inconsiderate shitfuckery in these systems that he can barely stand it anymore. I think many soldiers probably feel like this eventually. [/SPOILER]

What is their philosophy of life? literally just look at the [quote insp tag]

When was the last time they cried? I FEEL LIKE ALUS IS THE TYPE TO TEAR UP AT EXTREMELY COMMON SHIT TBH?? EVERYTHING IS SO BEAUTIFUL I STARTED CRYING TYPE??

What haunts them? [SPOILER]Literally just... becoming a soldier or a fighter to begin with. He wishes it never happened, he wishes the world didn’t need fighting to begin with. But he knows he can never go back now, and even if he did, he’d probably still become a soldier all over again. It’s all he can do in this violent, terrible world.[/SPOILER]

What are their political views? Notable traits would supporting equality rights for Beastmen, more funding towards helping refugees, more funding to adoption agencies and orphanages, more transparency about tax profit and spending, creating opportunities for different countries to share their culture.. etc. (Note: I like to believe that larger glaring IRL political issues like lack of LGBTQ+ rights, gender inequality, ableism, skin-color-based racism and other large current inhumane social problems aren’t problems in FFXIV’s universe. If your RP character uses bigotry in accurate line of these IRL social issues as a character trait, you are not welcome in my RP circle. Period.)

What will they stand up for? He hates violence in general, so he’ll do whatever he can to stop it. Anyone who seems to be controlling or keeping other people against their will is something he loathes. No means no!

Who do they quote? Urianger. like a lot. Probably mostly accidentally; he picks up a lot of vocal mannerisms from the guy.

Are they indoorsy or outdoorsy? Outdoorsy, for sure. He grew up under the stars and being forced indoors for a long time will probably give him feelings of anxiousness and claustrophobia, especially if the space is small. He has had some bad experiences being unable to go outside so he takes his freedom to roam outdoors very seriously.

What is their sinful little habit? He loves sweets. This guy is all about boasting a healthy diet, but his weakness shows the exact opposite. More serious answer: He tends to procrastinate bad, especially when it comes to his passive military duties.

How do they treat people better than them? If they breathe, they’re royalty. Utmost respect and courtesy. Treats them as if he’s the royal butler to their fancy ass selves, even if they’re the lowest of the low in poverty.

How do they treat people worse than them? Honestly? Pretty much the same answer as above. If he gets truly angry at someone, he’ll tell them how and why straight-up, but he’ll never stop giving them the respect and courtesy he believes every human being deserves.

What quality do they most value in a friend? Someone who is as ridiculously open-hearted and ready to confess love to the nearest person along with anything else in the world as Alus tends to do, but also someone who pays close enough attention to him that they can tell when he’s in distress. Alus has a hard time speaking up about when he feels uncomfortable, so someone who has a talent for empathy - detecting other peoples’ emotions - would be incredibly invaluable. That’s the fastest way to his heart.

What do they consider an overrated virtue? None, and all. He thinks that if anyone gets carried away with any traditional virtue to the point that they’re causing evil in the world, they’re just misguided. He understands that - or at least actively wants to understand that - so he can forgive.

If they could change one thing about themselves, what would it be? He... honestly thinks of himself as more of an Elezen than a Miqo’te. So anything that ‘gives away’ that he’s a Miqo’te, he could probably do without. He likes his ears and his tail though! But maybe if he was taller? lmao. (I don’t intend to ever Fantasia Alus FYI, MAYBE if male viera comes out and my partner agrees to it AND I have absolutely no active RP going on, but it’s very unlikely, and if it does happen it will be considered a retcon, not a character development)

What is their obsession? Definitely his aesthetics. He spends an incredibly large amount of time, effort, and money on making himself look and properly act like a “fairy tale prince charming”. It’s not only a philosophical mindset of being moral and heroic, but also being charming and supportive to everyone around himself. He honestly hopes and believes that if he succeeds in creating and upholding this image that every person who rests their eyes upon him will be filled with determination and hope that heroism and safety is real.

What are their pet peeves? He disapproves of the glorification of alcohol, smoking, or any other vices that are bad for the average person’s health. He won’t turn away the people with these vices as potential friends, but he’ll certainly be tempted to lecture them on it. He is also really not a fan of casual skinship between strangers, nor is he a fan of an aggressively pessimistic attitude, nor will he ever really be used to people who wear very little clothing (He isn’t disapproving of the sex industry or sex workers per say, he just doesn’t ‘get it’; he could never imagine himself in their shoes), nor is he a fan of other people trying to change him to be more chill about his aesthetic code (how he dresses, how he positively interacts with others, etc.) - but he tends to be more quiet about his dislike of these things. He tries to stay open minded and patient, but yeah, maybe it’ll take a bit longer to get to ‘close friend’ status with these things.

What are their idiosyncrasies? (special mannerisms?) His posture tends to be stiff as a board: too perfect, like some sort of breathing statue or mechanic humanoid, while at other times it’s as if a switch is flipped to make him become a crazy slapstick ragdoll. He tends to speak in a constant fluctuation of ‘ye olde English’ and common casual speech, and he keeps a few feet distance from people he isn’t especially close with at all times. He’s generous with money and far too trusting of strangers to the point it feels like an overblown parody of these traits. He’s painfully optimistic and takes compliments first with a moment of surprise before he adjusts his reaction with over-the-top narcissistic vigor. He’s a constantly faltering image of himself. He’s a walking symbolism of good-hearted chaos.

Friends and Family

Is their family big or small? Who does it consist of? The only people Alus regards as true family is his twin brother, Arc, and his late adoptive father, Gwenneg. There are other Beauregards in the world, and other great “found family”-esque friends yet to make, but Alus cannot imagine them ever meeting the kind of friendship and connection he has with his brother and had with his father. Perhaps he’s tried in the past, but it just never feels the same. He’s at the point he’s given up on the idea of it happening casually.

What is their perception of family? A close-knit group that is always there for eachother, practically living at eachother’s hips. The type of people you can just glance at and they can read your mind, and even if they disagree with you, they’ll go along with you and fix it later. They’re always up for improving eachother. They are essentially extensions of oneself, and like limbs, even if such is cut - it is carefully looked after and healed, the rest of the body worries and tries to better it, never blaming it’s limb for not being good enough. All part of one system.

Describe their best friend. Arc is undeniably Alus’ best friend. I feel a bit weird talking about my friend’s OC for them, but I will say this; Arc’s strengths are in his slow and strategic approach to things; his love of politics and ability to glide through them, the way he finds the best routes and setups in battle, the timing, everything down to the little tiniest details to turn a battle of either wits or blood - he thinks over all of it, something Alus lacks. And despite being much less prone to trust than the willingly naive Alus, he can find the good in just about anybody when it really comes down to it. Arc knows the dark side of this world and is constantly aware and remembering of it, but understands it’s still worth fighting for. He’s also got a pretty good fashion sense! He seems extremely shady when it comes to his bar business though... It seems to be played up as a joke, but you’re never quite sure as you’re talking to him about it.

Ideal best friend? In assumption this means ‘a best friend besides Arc’, I think Alus’ standards are low. Of course, he’d love to have someone who shares his basic interests of aesthetics and his moral philosophy that centralizes on a love for humanity, and the honor and strength of action to act on it, but he also wants to know someone who can teach him a lot. I think that type of person could be absolutely anyone, especially someone that is nothing like him. Alus doesn’t want to necessarily completely change himself through the journey of knowing anothers’ life, nor change someone else entirely either, even if it’s for the better. He just wants mutual understanding with others. He finds a joy that can be found nowhere else when he feels two people, who don’t have anything in common, can find a common ground. This kind of thing excites him. I think something in-between -- someone who is a lot like him in a lot of ways, but has a few traits he lacks completely -- is ideal for him. 

Describe their other friends / Describe their acquaintances. (combo’d) Alus doesn’t really have other people he regards true friends, I think. He kinda regards every person he meets as his friends. That’s really all there is to it for him.

Do they have any pets? No pets, just a lot of animals that follow him around for food scraps and snacks. He always has an open window for birds and butterflies, and an open door to dodos and chickens and stray cats. He enjoys the company of birds the most, though he’s a fan of the loyal doggy too. In terms of his mounts - He mainly only claims ownership over his military-issued chocobo for paperwork purposes, but regards her as a friend without a voice more than an animal under his ownership.  

Who are their natural allies? Anyone who agrees for humanitarian rights, I think. Alus just exists to be a hero, really.

Who are their surprising allies? People he once fought. He always reaches out a hand for people who’ve made mistakes and tells them that he’ll be their friend if they agree to stop their mean-spirited behavior.

Past and Future

What was your character like as a baby? As a child? Equal combination “good kid” and “absolute little shit”; On the surface, he’d always be loyal to his father and polite to strangers, but the second he and his brother got some time to themselves they’d get into all kinds of shenanigans - especially if they manage to find some way to conceal their identity. Most of those shenanigans were pranks trying to scare people with All Saint’s Wake-esque props. They were also a time they were absolutely not above purposely trying to confuse people on which brother was which whenever it was convenient or just funny.

Did they grow up rich or poor? Poor, but I think he still thought himself as lucky. He might not have had a big room to himself or a lot of possessions, but he got to travel the world and meet so many interesting people and see so many interesting things in his father’s caravan.

Did they grow up nurtured or neglected? Nurtured for sure. His family were joined at the hip.

What is the most offensive thing they ever said? I’m sure Alus used to have a potty mouth when he was a kid and young teen. He picked it up from being exposed to so many different individuals growing up. If he’s been around a lot of sailors in Lima Lominsa, I think it’s a safe bet that he probably swore like one too. After his father died that changed almost immediately though in order to honor his dad’s memory.

What is their greatest achievement? I’m sure there’s much more impressive individual achievements he has accomplished - monsters he’s fought, hostage situations he’s negotiated, villains he’s managed to persuade to become heroes, but if you asked him, he’d tell you that simply being lucky enough to be chosen to become one of the Warriors of Light or opening his cafe are the achievements he’s most proud of.

What was their first kiss like? [spoiler]Still haven’t had it![/spoiler]

What is the worst thing they did to someone they loved? I feel like even though Alus adored his father, he probably did a lot of things to make him worried or stressed out, maybe even ran away once or twice just for the fun of it. It was a lot more innocent time for Alus and I don’t think he’d do anything like that in adulthood.

What are their ambitions? Alus just wants to end all war. Full stop. It’s not that complicated. He doesn’t really know the most effective way how to, though. He just keeps doing whatever he can when people request his help - which usually ends up taking advantage of his physical combat skills.

What advice would they give their younger self? Cherish this time. Hug your father and tell him you love him more often. And maybe focus on being a medic or someone who helps the world peacefully more than someone who uses violence to solve the world’s problems. Maybe care a little more about politics.

What smells remind them of their childhood? Chamomile, road dust, seasalt,  and old fancy dusty antiques. 

What was their childhood ambition? To grow up to be a glamorous warrior that saves the world again and again and to rescue a pretty princess.

What is their best childhood memory? Dancing on the streets of Ul’dah with his brother for a little extra pocket money and becoming unexpectedly popular.

What is their worst childhood memory? Losing his father to the calamity and being passed between temporary foster homes again and again, then finally losing his brother in that mess, too.

Did they have an imaginary childhood friend? Alus left out honeyed milk for faeries all the time as a child. Post-calamity, he started to quietly make-believe that faeries and little unicorns visited him when he was particularly lonely or bored, or just wanted to escape his own mind for awhile.

When was the last time they were crushed with disappointment? [FFXIV POST-STORMBLOOD SPOILER]Hearing about Zenos’ body being revived against Zenos’ wishes for a perfect death.[/SPOILER]

What past act are they most ashamed of? Any time Alus can’t save someone from death. Sometimes, Alus must be the one to kill them himself. This is an unbearable sin to bear for him.

What past act are they most proud of? Any time he can save someone. Any time he can help the suffering of someone by giving a little coin. Every time he has made someone smile. It is all the most cherishable, wonderful memories to him. None better than the others.

Has anyone ever saved their life? His twin brother Arc probably on at least a weekly basis. I think saving eachothers’ lives is a regular thing on a battlefield, even if your ally is basically a stranger.

Strongest childhood memory? Just sitting underneath the stars, curled up under a blanket with his brother while they rest their head on their father’s lap as he reads them bedtime stories.

Love

Do they believe in love at first sight? Absolutely. Guy will trust anyone at the drop of a hat, why not fall in love, too?

Are they in a relationship? Not officially, no. I think he casually flirts a lot and has gone out on sporadic dates with many people, but he hasn’t become anyone’s “steady”.

How do they behave in a relationship? Alus is extremely inexperienced. I think he’ll end up trying so hard to show off to whoever he’s dating that he’ll become exhausted. He wants to treat his future spouse like royalty.

When did you character last have sex? [SPOILER]Never![/SPOILER]

What sort of sex do they have? Nothing kinky or out there, he’s a shy confused mess to begin with when it comes to sex - he’s probably very reserved and traditional about it. I should note that Alus is canonically asexual, even if he doesn’t fully realize it yet. He doesn’t really understand the appeal of sex but he’d want his significant other to be happy. [NSFW/18+] He’d definitely insist on being a top, though. [/SAFE!]

Has your character ever been in love? As an greyromantic writer, I have no fucking solid idea what romantic love is supposed to be defined as. If you define it as ‘fantasizing about having a certain person in mind as a future spouse’ then, yes, Alus has been in love loads of times.

Have they ever had their heart broken? Many times, but it rarely gets him down for too long - he’ll fall in love with the next person he sees, then the cycle restarts.

Conflict

How do they respond to a threat? A fake, forced smile. Explaining calmly to the enemy that what they’re doing is wrong. Explaining calmly to the enemy to drop it and go drink tea with him instead. If being calm doesn’t work, yelling at them about their hypocritical morality like some sort of shounen superhero making a speech.

Are they most likely to fight with their fists or their tongue? Tongue, for sure. Alus will be so painfully reasonable with his enemies that the only way he’s drawing his sword to fight is someone else draws first.

What is your character’s kryptonite? Like any hero, he’s a sucker for hostages. Also, math completely turns him fucking stupid. [SPOILER]Also... having his morality questioned, especially being accused of being a hypocrite.[/SPOILER]

If your character could only save one thing from their burning house, what would it be? A faerie tale storybook from his childhood his father read to him often when he was alive.

How do they perceive strangers? “A friend he doesn’t know yet.”

What do they love to hate? I don’t really imagine Alus truly ‘hates’ anything or anyone, just greatly dislikes or disapproves of them. And even then I think he doesn’t particularly enjoy disliking them. I don’t think he views negative feelings as something to be prideful over.

What are their phobias? Slugs and other slimy creatures, as well as mild situational claustrophobia.

What is their choice of weapon? His fists, for sure; there’s some sort of philosophy inside his mind that fighting with his bare hands or body without tools or weapons to aid him is the ultimate form of respect towards other human beings’ pain and livelihood - he wants them to know he shall feel pain right back if he strikes someone else, and he’s allowing himself the possibility to be hurt in return.

What living person do they most despise? I think anyone who justifies war or pain as a glorious and wonderful thing instead of a tragedy is someone he dislikes. Especially if said person has no respect for human life or the bodies of the fallen.

Have they ever been bullied or teased? Plenty. Unfortunately mostly his given name is particularly targetted. He’s also been called too soft plenty of times.

Where do they go when they’re angry? Home - his house is well soundproofed and cozy. He may go on an off-trail walk alone in the middle of Thanalan or the like.

Who are their enemies and why? The Garlean army, the Ascians.. do you really need to ask why? They wish to create death and chaos, that’s plenty of a reason enough.

Work, Education and Hobbies

What is their current job? Maelstrom military field medic, café proprietor, free paladin

What do they think about their current job? The café is seemingly always empty, but he doesn’t mind continuing to pour money into it. It’s a safe haven to him and a symbol of his independence from the violent life of military duty. Being a field medic is endlessly horrifying, but he’s glad he can help people. His status of Free Paladin makes him obligated to carry out duties to help Eorzea, which is something he’s proud of - but he is always not all that great at drawing his sword at the sign of trouble.

What are some of their past jobs? The only other “jobs” Alus has had in the past were mostly just side jobs for a little extra pocket money, mostly dancing on the street.

What are their hobbies? Dancing, capoeira martial arts, piano, tea brewing, baking, reading, writing, sketching, watercolor art, goldsmithing, fashion, bird keeping.

Educational background? Went to a school for accounting for a few years. He retained absolutely no information about accounting.

Intelligence level? Literate; can read older more complex texts easily. Good with maps. More of a “physical education” kinda guy.

Do they have any specialist training? Paladin training. Nothing else formal.

Do they have a natural talent for something? Weirdly incredibly good at parkour - stuff like navigating tightropes and climbing up buildings without any hesitation or struggle.

What is their socioeconomic status? At the moment, Alus is pretty well-off. He and his brother own their own business in the Lavender Beds, and Alus can afford high class clothes, hobbies, furniture and the like. He’s also prone to donate to charity near constantly.

Favourites

What is their favourite animal? whatever birds are ROUND

Which animal to they dislike the most? S L U G S

What place would they most like to visit? His cafe, honestly. It’s a safe haven.

What is the most beautiful thing they’ve ever seen? People.

What is their favourite song? Simply Satie

Music, art, reading preferred? Alus loves playing piano, drawing sketches and reading storybooks. I don’t think he could trade one for the other! (He’s awful at singing though.)

What is their favourite colour? Pale blue, white, yellow-gold, and pastel pink.

What is their password? “Password”. Nobody will ever get it!

Favourite food: La Noscean toast! (AKA French toast!) with lots of berries and whipped cream!

Who is their favourite artist? ??? ((OOC: if Alphonse Mucha was in FFXIV it’d be him idk))

What is their favourite day of the week? E V E R Y D A Y (but probably mostly Sunday)

Possessions

What is in their fridge: Fresh salad, fruits, fresh berries, vegetables, tofu, jackfruit, orange juice, leftover strawberry shortcake, protein shakes, leftover rice, eggs, butter, yogurt, frozen berries... and even fresh flowers?

What is on their bedside table? A dozen lighthearted fairytale and academic books on aether he recycles through reading every night as he goes to bed, a pitcher & glass of water, a vase with a flower in it, reading glasses, 3 inch tall lil stuffed dodo.

What is in their bin? Compost bin for old fruits/vegetables/egg shells/bread and a recycling bin full of paper and packaging garbage.

What is in their bag? A lot of coin, a hairbrush, a box of ice chilled flowers, travel-size beauty products, lots of fireworks and other fun little spectacle toys, a pocket-sized book of poetry, a basic armor polishing set, a miniature sewing kit, bandages, healing potions.

What is their most treasured possession? A very old and damaged book of fairy tales from his childhood.

Spirituality

Who or what is your character’s guardian angel? His adoptive father - at least, that’s what he wants to believe.

Do they believe in the afterlife? Yes! Very much so.

What are their religious views? [SPOILER]Alus has a complicated relationship with religion. For the most part of his life, he’s believed in The Twelve like every other Eorzean, but as he’s grown older he’s found himself more and more impatient and even disgusted of the cruelties that the gods allow to happen, and the ways followers of Nald’thal and Halone use their religion as a means to prey on the weak for the sake of money, classism, and racial disparity. Hearing the words of Garlean soldiers point out that proof that The Twelve exist is seemingly nonexistent has further disrupted Alus’ belief in them. Alus does, however, firmly believe in Hydaelyn.[/SPOILER]

What do they think heaven is? Alus has no true confident belief in what exactly the seven heavens are, but he likes to think heaven is a place where flowers bloom all the time, the weather is always warm and sunny, bugs don’t bother you and war and violence never happen, and relaxing tea parties are hosted all day long, clothes are comfortable and pretty and never soiled by dirt and mud no matter how much you play in the grass.

What do they think hell is? Like many Eorzeans, Alus believes in the seven hells. The seven hells are a place that one must climb out of to eventually make it to heaven, and depending on how bad of a person you were in life, the deeper in hell you start out in after you die, and the more you have to climb before you get upward into heaven. Alus finds great comfort in this ideology because it means that no matter how bad a person was in life, they may still find forgiveness and redemption in death.

Are they superstitious? I think he’s open-minded. He seems to discover so many legends of being real every day that it’s difficult for him not to believe in anything and everything he hears. He tries to be respectful of the unknown and follow their rules, but when push comes to shove it’s all about the grandest happiness for everyone - he will challenge whatever fae or ghostly apparition that wants to mess with him if he thinks what they’re doing is immoral or unfair. 

What would they like to be reincarnated as? A stream. A rosebush. A rainbow. Something that others can look at and feel at peace, something for others to enjoy. A way to give love without living a life that inevitably creates suffering through heroism. To just exist as part of the beauty in the world.

How would they like to die? He doesn’t know. Death scares him. He does not want to die in battle. He does not want to die sleeping in a bed. But he wishes he’ll be old. He wishes he’ll have lots of friends. And he wishes he did everything he could while he was alive to make the world a better place as much as he possibly could.

What animal is most like your character, spiritually speaking? .... A golden retriever. Eager to please, extremely loving and loyal, a strong body, picky about weird things, and incredibly goofy.

Values

What do they think is the worst thing that can be done to a person? Betrayal?? torture?? bullying?? rape?? what do you want from me. He hates all forms of toxic and violent behavior!!

What is their view of ‘freedom’? The ability to form your own path; the ability to be whatever you want, even if the dream seems impossible to everyone else. The ability to go anywhere you want, walk and run anywhere you want, travel anywhere you want. The ability to say no when you want. The ability to be respected as independent.

How often do they lie? NEVER!!!!!!! He might bend the truth a little bit or side-step an answer but even white lies he’s not into. He rarely needs to white lie about anything anyway; he tends to see the best in everything.

What’s their view of lying? BAD AND UNNESSESARY

How often do they make promises? Constantly.

How often do they keep or break their promises? He 100% keeps his promises unless he’s literally physically incapacitated and in which case he will apologize and try to make it up to you so much

Daily life

What are their eating habits? Vegetarian. He eats really healthy and he eats a lot. Big fan of asian food I think. Has no problems eating stuff that’s bland as hell; I feel like it’s part of his determination to better himself. Has a terrible weakness for sweets, though. Secretly hates stuff that’s slimy, like mushrooms, but he will never complain if it’s given to him.

Do they have any allergies? Nope, he’s lucky. If he does, he hasn’t discovered it yet.

Describe their home. Very white, tons of gold nouveau trim on everything, and tons of flowers everywhere. Looks like the home of royalty. [Here’s his housing aesthetic.]

Are they minimalist or a clutter hoarder? Neither, I think. Maybe leaning closer to minimalist over clutter-lover; he likes everything being clean and easy to access in his house. His design aesthetic of nouveau isn’t necessarily minimalist in inherent style though imo.

What do they do first thing on a weekday morning? Wakes up extra early, takes a quick cool shower to wake himself up, eats a quick and simple breakfast full of protein; most likely something with a lot of nuts and eggs as it’s ingredients + big salad. packs a simple lunchbox and starts his day: Every morning, he walks to the statues of Nald and Thal, viewing the warm pink sunrise in the process. he pays his respects to each; cleans and dusts with a simple cleaning kit he’s left there prior. Leaves some simple offerings. Finds somewhere nice and empty in Thanalan to do some excercises and martial arts training for the day. sits down and eats lunch afterwards. lazily walks home, takes another quick shower to get the sweat and dust off. while his hair is drying, he puts on makeup and decides a proper outfit to wear for the day. meets up with arc, goes on their obliged military-issued mission for the day.

What do they do on a Sunday afternoon? Makes an effort to drag Arc over to his place for a big fancy dinner. Tea and crumpets as an early evening appetizer. Alus cooks everything while Arc hangs out and talks, lending a bit of help when Alus demands asks for him. Arc sneaks in alcohol. Alus yells at him. repeat next week.

What do they do on a Friday night? this but like, outside, alone, in the middle of thanalan somewhere

What is the soft drink of choice? If soft drinks existed in Eorzea I can’t help but feel like Alus is one of those freaks who don’t like any of them.

What is their alcoholic drink of choice? NO

Miscellaneous

What is their character archetype? This question originally linked to some basic archetypes, but I already have TVtropes collected and they’re far more interesting as an answer imo SO: [All-Loving Hero], [Reluctant Warrior], [Cloudcuckoolander], [Warrior Poet], [Stepford Smiler], [Motor Mouth], [Large Ham], [Stupid Good], [In Touch With His Feminine Side], [The Fashionista], [Light Is Good], [Flower Motifs], [Declaration of Protection].

Who is their hero? I don’t think Alus has a specific person in mind that isn’t fictional - fact is, nobody is as perfect as the type of person he strives to be. I think he finds traits of admirable heroism everywhere in people, though. Everything from his friends who fight for the good of the world no matter what, from the villain who unexpectedly saves someone while nobody else is watching, to the single mother who works hard to raise her children, to the homeless people who just continue to fight on to live even when everything feels so hopeless around them. I think he sees traits in others he wishes he had all the time. He wants to embody all the good traits of everyone. And I should mention, if one is to have a ‘hero’, it is expected that person to be better than one, yes? I don’t think Alus believes he’s particularly better than anyone else, especially in their positive traits.

What or who would your character dress up as for Halloween? Alus goes HARD on All Saint’s Wake. He and Arc’s signature best costume always ends up being these hyper-realistic ghost costumes that they trick out with special glamours, magic, and tech to surprise the passerby. If it doesn’t genuinely scare someone, it isn’t enough!

Are they comfortable with technology? I think he’s absolutely got the boomer brain when it comes to allagan technology. He can get by fixing old mechanical clocks and the like but when it comes to allagan stuff, he’s just absolutely out of his element. He’ll certainly listen if someone wants to try explaining it to him, but it’ll take considerable time before he fully “gets it” and usually when he does, it’s more on blind faith and an ability to follow basic directions more than true understanding. I think in general it just doesn’t really interest him and if he’s going to spend the time and energy to learn about it, he’d rather use that energy on his other interests - books, physical training, baking and the like. (Modern AU: He’s absolutely the guy still using an ancient flip phone because “It still works!” Also, he capitalizes and uses perfect grammar in all his extremely-hard-to-type number code texts.)

If they could save one person, who would it be? It’s a difficult question, because of course - the first person to come to mind is Arc. But the thing is, Arc can take care of himself. And Alus knows this. Alus trusts this. So when it comes down to choosing between Arc and someone less capable.. Alus will most likely help the less capable person. If Arc is hurt, Alus knows he’ll forgive him. But if Arc were to die? And it be Alus’ fault? It would utterly crush him.

If they could call one person for help, who would it be? Arc, of course. There’s nobody Alus would rather have by his side while dealing with problems.

What is their favourite proverb? “Since it is likely that children will meet cruel enemies, let them at least have heard of brave knights and courage.” – C.S. Lewis (Personally my fav proverb in thinkin about Alus is “Because the world is so full of death and horror, I try again and again to console my heart and pick the flowers that grow in the midst of hell.” – Hermann Hesse)

What is their greatest extravagance? This is kind of a depressing and even controversial answer, but it’s honestly any time he has ducked out from military duty with or without permission when all of it has just gotten to him too much. He knows that him not being there will be more of a problem than a solution - he knows that - but any moment he can just pretend, for a moment, that he’s just a normal man running a normal little girlish cafe during a time without war.. That’s his greatest extravagance.  

What is their greatest regret? The amount of enemies he has been forced to down when talk wasn’t enough is piling higher and higher every moon cycle. It’s an absolute horror. He tries so hard to be nonlethal as possible. He’s studied so much how to avoid vital organs, how to down someone without hurting them badly, but no matter what there is always the chance of there being a prior injury he didn’t know about, or a undiagnosed medical problem that was just activated by the smallest knock.. That isn’t even to mention the people who have been hurt because the people he talked down didn’t keep their word or stood back up when he thought they’d stay asleep. No matter what, he just isn’t enough to save everyone. Why is it that no matter how hard he works to have this ideal of pacifism, it never works completely? Why is it never enough?

What is their perception of redemption? That the unwavering truth of this world is that people are fundamentally capable of change. He refuses to believe otherwise, no matter what. Perhaps it is an active choice instead of an instinctual one, nobody is certain for Alus’ mindful case. He believes the expectation for lifelong punishment for a past crime is petty and cruel, and in itself deters people from switching sides for the better. He believes anyone and everyone deserves the right to have the choice to right their wrongs at any time. Don’t misunderstand though - He understands sometimes people are far too gone for simply dropping everything they’ve done and that’s enough to erase their mistakes - he knows that some people can only find rightful redemption in the afterlife after execution, even if execution is not an ideal solution to stopping them in his eyes. But he prays for them. He’ll never give up on anyone.

What would they do if they won the lottery? Back into investments or savings to get an even bigger profit later. Alus knows how to play the smart long game. But uh... If the fates play a trick and he sees a beautiful fashion piece in a shop window, maybe that won’t last too long. He’s also notoriously overly generous with money to the needy, he spends money on service tips like pouring water out of a glass. Money is always moving, and if he starts to run low, he just works a little harder to get back to the comfort zone. He’s in a pretty good place in his life monetarily wise atm already.

What is their favourite fairytale? It’s difficult to answer this because I don’t know what sorts of stories exist in Eorzean canon! But I can say that the real-world 1986 manga “The Sword of Paros” is a huge inspiration to Alus’ character. It’s about a person born with the title of ‘Princess’ who believes to have been born the wrong gender, and does everything in their power to prove themselves worthy of the title of ‘Prince’ despite immeasurable odds against them from their family and their country. The hero also falls in love with a commoner woman who wishes nothing more to be loved by the idyllic image of a charming knight in shining armor that comes and rescues her, and their love is ultimately tragic as it’s also not recognized as valid.. but the prince never stops fighting for his title and the right of his love, and the ability for them both to be happy. Though the story ends without the ideal conclusion, the very concept of these characters fighting against all odds for something genuinely better for the whole world is something Alus is really all about. (Also, seriously, read this manga. It’s groundbreaking. It’s Utena done right.)

What fairytale do they hate? Any faerietales that have unhappy endings, or seem to focus strongly on tragedy or pessimistic ideas of realism in the world. That tends to fall into the category of ‘cautionary tales’ most the time. He’s also really not a fan of stories with body horror or gore.

Do they believe in happy endings? I think he believes that happy endings should always be the goal, but I don’t think he truly accepts that they actually exist. He understands that happiness and safety is always temporary, and this is why he should always strive to make the world a better place. If he helps someone get to a point that they’re happy, healthy, and safe - he’ll just move on to the next person who needs his help. A happy ending for himself though? I think he’s not confident in it, but he wants to live every day to the fullest as he can before he dies. He accepts this as part of his duty - he knows he’s living on ultimately borrowed time.

What is their idea of perfect happiness? Being in love, being surrounded by people you love, having the support of others you trust and having the ability to spoil the people you care about. Having a home you’ll never be kicked out of.. And no war that you have to leave to. No people you have to harm. Just the peace to drink tea with your former enemies as you gaze out onto flowers on a warm day... That’s all he ever wants.

What would they ask a fortune teller? I think he’s concerned if he’ll ever someone to truly share his life with besides his brother. He just really wants a good friend.. Ideally, someone attractive he can hold the hand of!

If your character could travel through time, where would they go? Before the Calamity. He’d just want to listen to his father tell him a few more stories again. He misses the peacefulness of his childhood, the certainty that someone out there stronger than him loved him and wanted to keep him safe, the ability to ignore his own call to war... He wouldn’t so selfish to want to try and bend fate enough to save his father, though he would if he had the chance.. But he knows it’s impossible.

What sport do they excel at? (Modern AU) He was definitely a cheerleader in highschool and/or college, I feel like. Probably into dancing! And ofc a dedicated martial artist. I feel like he’d be pretty good at football and wrestling too - games that require a bulky build to be great at - but he just doesn’t have a particular interest in either of those.

What sport do they suck at? (Modern AU) Probably stuff like archery and tennis -  not only would he’d thrive better in big team sports, he’s just not much for long-range dexterity. He’d also be absolutely incompetent as an esports competitor lmfao.

If they could have a superpower, what would they choose? Anything that was especially effective at saving peoples’ lives. Time travel to stop mistakes before they happen or say the right thing before a war breaks out, super effective healing powers... anything. Just to stop suffering and death.

[traincat]

i don't ask this with intention of being like One is Better that the Other, but more like understanding them better; how would you say peter's relationships are different form each other, in a nutshell? (or just with gwen and mj?)

That’s a valid question because they are very different relationships and while I don’t like talking about them with the view that One Woman Is Better For The Man Than This Other Woman, Therefore Other Woman Is Terrible, I do think it’s important to acknowledge those differences and they’re interesting to talk about.

Here’s the thing: in 616, I think it’s very important that Peter and Mary Jane aren’t each other’s first relationship. We don’t know as much about her relationship history as we do about Peter’s – we know she’s seen other people, including Harry, but I think it’s important to keep in mind that for the majority of her life, since she was fourteen years old in canon, she’s known Peter was Spider-Man and for a long time kept that secret to herself. (We also know as per ASM #259 that serious relationships justifiably scare her – but I’ll get to that in a moment.) But Peter seriously dated Betty Brant when he was in high school, and, though I don’t think it gets talked up enough in discussions about Peter and Gwen, before Gwen’s death she and Peter were very much planning to get married.

(Amazing Spider-Man #103) 

Cut for length.

(Peter had also briefly thought about proposing to Betty Brant at the end of high school. He’s a marriage monster.)

If I had to use one word to sum up Peter and Gwen’s relationship it would be “passionate.” And not always in a good way. They have a very fast connection in comics, but initially, they don’t really like each other that much. 

(Amazing Spider-Man #35)

They’re on the same wavelength – that wavelength just happens to be “this hot person pisses me off so bad.” But then John Romita sweeps in and things get romantic as opposed to Ditko’s more prickly, vampier Gwen take, and Peter and Gwen start to get closer. That Mary Jane enters the picture and is seeing Peter probably doesn’t hurt Gwen making a more aggressive move on him. One thing I want to clarify that in modern day the word “dating” conjures up, first to mind, a serious image when we talk about fictional relationships, but Peter and MJ were very casually seeing each other after they first finally came face to face, something that seemed to annoy Peter actually:

(Amazing Spider-Man #44) In Webspinners #1′s backup story, The Kiss, Peter describes MJ at this point in time as mercurial and indirect, and says that’s one of the reasons he was more attracted to Gwen at the time. Gwen’s very direct, very passionate, and very open with her emotions, whereas Mary Jane and Peter both have their own secrets. It makes a certain amount of sense that Peter would be drawn to that openness. Peter and Gwen also have a keen interest in the sciences in common, which I also think is a pretty important factor in their early courtship when you consider part of the reason Peter felt isolated in high school was that his classmates didn’t share his interests:

(Amazing Spider-Man #53)

Once Peter and Gwen are together, things get pretty serious pretty quickly, with lots of sappy love declarations and both of them bringing the other around their parents. 

(Amazing Spider-Man #68) Like I said, one of the things I often see overlooked in discussions about Peter and Gwen is just how serious the relationship was at the time of Gwen’s death. They were if not officially engaged then definitely pre-engaged and making plans for marriage. Peter had even wrangled his way into a staff position at the Daily Bugle specifically with his future marriage to Gwen in mind.

(Amazing Spider-Man #99) Peter used to be super good at this whole responsibility thing, in both his costumed and uncostumed lives. 

This isn’t to say Peter and Gwen didn’t have problems – while people paint an image of the college days before Gwen’s death as being some big MJ/Peter/Gwen love triangle, that’s not really true. MJ had a tendency to flirt with Peter, especially in front of Gwen and also Harry, who MJ was seeing at the time, but it was Peter who was at times irrationally jealous of Flash’s flirting with Gwen. 

(Amazing Spider-Man #72)

(ASM #80) Poor Flash really suffered as the least dramatic member of this friend group. It’s a little ironic that Peter got so heated up about Flash of all people because, while Flash does at one point profess more than friendly feelings to Gwen, he’s exceptionally gentle about it and never actually tries to threaten her relationship with Peter.

(Amazing Spider-Man #107)

On Gwen’s side of things, Peter’s frequent disappearances troubled her, and she often begged him to stay with her in times of danger – when he was trying to slip out and discreetly change into his Spider-Man costume – so that Peter would prove to her that he wasn’t a coward. (Look, it was the 60s and 70s in superhero comics and machismo was a big deal.) She could be insecure – Peter’s disappearances sometimes made her think he didn’t love her anymore, a feeling which was compounded when she accidentally lost her temper and yelled at Aunt May about her tendency to coddle Peter, causing May to put some distance between them, and after the death of her father, for which she initially blamed Spider-Man.

(Amazing Spider-Man #91) It was that hatred of Spider-Man that made Peter hesitate proposing to her initially, and she briefly left to stay with her uncle and aunt in England thinking that he didn’t care for her as much as she did for him. All those are, when you get down to it, far more serious issues in the relationship than the notion that Mary Jane and Gwen were constantly fighting over Peter.

I said if I had to pick one word for Peter and Gwen’s relationship it would be “passionate” – but I think that’s in part because Gwen herself is a very passionate character. For all her emotional openness compared to Mary Jane’s at the time party girl facade, Gwen felt very deeply about everything, especially about her relationship with Peter. I don’t doubt that if Gwen had lived, she and Peter would have gotten married – it was the natural progression for their relationship at the time. However, I’m not sure they would have stayed married, and not for any “selling the marriage to the devil” reasons. I’m sure they would both have tried very hard to make it work, and I don’t think separating would be easy for either of them, but I’m just not sure if I see them as a successful long term relationship. (Which, for the record, doesn’t make me ship them less.)

With that in mind, I also don’t know if I think PeterMJ happens without Gwen’s death – at least, not in the specific way it does in comics. While he was definitely initially attracted to her – it’s a running joke before Mary Jane appears on panel that Peter desperately tries to avoid meeting her because he thinks that, because Aunt May approves of her and says she’s a nice girl, that she’ll be ugly, which is where Mary Jane’s famous “face it, tiger” line comes in when she reacts to his surprise at the door – the further in love Peter falls with Gwen, the less intrigue Mary Jane seems to hold for him. Before Gwen’s death, he’s even disapproving of her advances, and dislikes the fact that she hits on him in front of Harry when she and Harry are dating.

(Amazing Spider-Man #97)

(ASM #106)

At the time of Gwen’s death, Peter’s impression of Mary Jane isn’t the most favorable in the world: he thinks she’s a flighty, irresponsible party girl – which, to be fair, is the impression Mary Jane has put some serious effort into cultivating. This changes with Gwen’s death with one very important scene that signifies – not necessarily to Peter, who is lost in his grief at the moment, but to the readers – that that’s not who Mary Jane is at all, and it’s the door scene from Amazing Spider-Man #122.

I’ve noted before that Peter has a tendency to lash out verbally towards the people in his life when he’s in the depths of grief, and he can be very good at hurting people, like here when he accuses Mary Jane of not caring that Gwen’s dead and telling her to get out. 

And she doesn’t. If I had to pick a scene that I think is the most pivotal turning point in any Marvel comics relationship, it would be this one. 

Peter and Mary Jane have a more complicated build up to their romance than Peter and Gwen did. Unlike Gwen, who was very much a heart on her sleeve girl, Mary Jane has secrets of her own, something Peter doesn’t really seem to realize when they do launch into a romance of their own, and when Mr. Marriage pops the question to her the first time Mary Jane ends up turning him down.

(ASM #183) 

Mary Jane’s commitment issues are seated deep-seated. Gwen, as far as we know, had no reason not to believe in true love. Mary Jane has many.

(ASM #259)

I love Amazing Spider-Man #257-259 because they totally recontextualize everything about Mary Jane and throw all her previous actions into a sharp and different new light that just makes the most perfect sense. ASM #257-259 reveals two very important things. The first is that Mary Jane knew the whole time, since before Peter ever laid eyes on her, that he was Spider-Man, and that she’s been walking around the whole time carrying this secret.

(Spider-Man: Parallel Lives)

The second is that, with Mary Jane having told Peter she knows his biggest secret, she makes it an even trade and tells him her own, letting him know the details of her childhood that shaped her into the person she is. It’s really worth reading for yourself if you haven’t already and in my opinion it’s one of the best backstory reveals ever written. 

(ASM #259)

Peter and Mary Jane enter into a weird stage in their relationship at this point in time. Mary Jane is, essentially, the only person Peter can confide in once he learns she’s known his secret all along. Mary Jane, on the other hand, finds the nitty-gritty details of Spider-Man’s life difficult to deal with, even as she tries to be there for Peter. One thing I see a lot in Mary Jane vs Gwen discourse is that while Mary Jane loves Spider-Man, Gwen loves Peter, which is a completely movie-based fabrication – in 616, Mary Jane frequently wishes Peter wasn’t Spider-Man and worries about him risking his life. They have a very strong emotional – and physical – connection at this point, but they’re not officially romantically together, and during this point in time Peter is still involved in a tumultuous on-and-off relationship with Felicia Hardy.

(Spectacular Spider-Man #116)

“I’ve just ruined a perfectly good lie.” (Spider-Man vs Wolverine)

They don’t officially get together again until Peter proposes marriage – again. Although Mary Jane initially turns down his offer again, she later calls him from her sister’s home in Pittsburgh asking him to come down and help her.

(ASM #291)

Hearing about Mary Jane’s past is one thing, but Peter’s confronted with it when he finds himself supporting Mary Jane as she tries to figure out what to do when her father’s schemes have landed her estranged sister in jail. It’s a really great lead up to the marriage: Peter has to learn to trust Mary Jane to make decisions, and Mary Jane takes the reigns when she needs to help out in a Spider-Man fight. At the end, in the airport, she agrees to marry him.

(ASM #292)

It’s not magically perfect after that – in ASM Annual #21, the wedding issue, Peter worries about Mary Jane’s more lavish lifestyle and how she’ll handle his more staid one in addition to his fears over what his enemies could do to his new wife, Mary Jane struggles with the concept of committing after so many years of running from that, and the ghost of Gwen still hangs over them both.

They do both end up making it down the aisle, of course, though:

(ASM Annual #21)

One of the things I love about Peter and Mary Jane is that, while I truly do think the characters are soulmates, they’re not perfect – they have relationship problems as big as Mary Jane worrying Peter’s identity as Spider-Man will get him killed or about what effects his irradiated blood might have on any children she might have, to as small as Peter having a crisis over Mary Jane paying his bills for him:

(Web of Spider-Man #37)

And of course Peter and Mary Jane have a much more complicated and complex relationship than Peter and Gwen did, but that’s because Peter and Mary Jane had hundreds of issues over which it develops and deepens, even after their marriage, whereas Gwen Stacy wasn’t even in 100 issues after her first appearance before she died. So I think Peter and Gwen have much more of an instantaneous love connection, which is aided by Gwen’s own emotional openness, whereas Peter and MJ are more of a slow burn, with a lot of stops and starts along the way that end up being the foundation for a very strong love.

[movieswithkevin27]

Ready Player One

Ready Player One is an odd film. It has everything I hate about modern cinema - too many quips (here it is largely done via references), loud action instead of more restrained action so the film winds up being hunks of metal clashing against one another, and an unabashed love of pop culture to the point it distracts from whatever story the film is telling which was cliche and hokey anyways - yet it is also good. It is also a film in which an evil businessman wants to control a massive virtual reality game played by everyone on Earth in order to cover 80% of the screen with advertisements, all while the film itself is presented by blatant product placements bought by Pizza Hut, Doritos, and Twitch. In essence, a message of, “Ugh, all of these advertisements are the worst. Want to stream Twitch, order Pizza Hut, and snack on some Doritos instead?” Hell, even setting barely makes any sense. So there are “bandwidth riots” and some kind of war which have led to society living in “stacks” in 2045. That is fine, but then why do they have nostalgia for the 1980s? 1980s nostalgia films like Back to the Future and Peggy Sue Got Married worshipped at the altar of the 1950s. Even American Graffiti, from the 1970s, worshipped the same period. Modern nostalgia films like IT or the series Stranger Things worship 1980s films. Thus, would it not make sense for Ready Player One’s characters to worship 2000s/2010s movies like Avengers, Harry Potter, Lord of the Rings, or something? There is one brief shot of Avatar, which makes sense, but perhaps the oddest bit of the film is how nostalgia did not change even though so much in society did change in the 30 years between now and the film’s setting. This perplexing film only comes together for a few reasons. Its ideas are quite well done, its adventure plot is greatly realized, its special effects are great, Tye Sheridan and Olivia Cooke are great, and it is directed by Steven Spielberg who keeps the lid on author Ernest Cline’s nostalgia porn of a story.

Ready Player One is pretty much known for its references to the films and video games that Cline himself loved, so it is natural that the film itself is full of references. Whether it is Freddy Krueger, Chucky, The Iron Giant, Back to the Future, The Shining, Goldeneye, old Atari games, King Kong, Godzilla, or the films of John Hughes, Ready Player One is almost always distracting. The bits of old songs (especially in the climactic battle) are distracting due to the dialogue or attention dedicated to them, while the references to Hughes (as well as Animal House and Fast Times at Ridgemont High) hardly help as the film seems to just spend as much time possible mentioning as many facts as it can in order to pander to lovers of those films or any of the aforementioned referenced films/songs/games. However, the references are not necessarily all bad. As they are contained within the Oasis, they do make sense as people who loves these games and movies would likely reference and incorporate them into a game they created. That said, they are as distracting as one would expect, especially when they are shoehorned in as with Parzival / Wade Watts (Tye Sheridan) telling someone that they are “like Rosebud”, in an overt reference to Citizen Kane. However, when it comes to The Shining or King Kong or the old Atari game at the end, Spielberg and Ready Player One are quite smart. The inclusion of King Kong as the final boss for the first key or with The Shining as the setting for the showdown for the second key, the film can be incredibly fun and beyond the typical “yeah I get these references” way as Spielberg does not go merely for the reference or the homage. Instead, he utilizes them and plays with the characters abilities or the Overlook Hotel setting in a way that not just fits the film, but is a fun twist on them. In particular, The Shining sequence is a real standout for the film as the characters come face-to-face with threats from the film while it is blended with a reference to a game made by the creator of the Oasis James Halliday (Mark Rylance), while being thrilling and emotional in all the right ways.

This is what ultimately saves and elevates the film as, throughout, Ready Player One is definitely quintessential Spielberg in terms of the sense of adventure and the thrills. It is almost like a futuristic Indiana Jones in which the hero must find keys/artifacts, fight against some wicked group who wants to control or destroy the world, and winds up having a young Asian sidekick. The end result is a film that, for all of its references, can often stand on its own two feet. Telling the story of a game creator named Halliday who left control of his Oasis game to whoever can find the three keys he has hidden throughout the game, the film details the efforts of multiple factions racing towards the keys. Though he starts solo, Parzival eventually brings along his friend Aech (Lena Waithe), who brings along two friends of their own Sho (Philip Zhao) and Daito (Win Moriaski). While playing and trying to find the first key, Parzival falls into movie love with gamer Art3mis (Olivia Cooke), who luckily serves far more of a role than the cliche “love interest” character though she does slip into being a damsel in distress towards the end. Meanwhile, the comically evil bad guy is Nolan Sorrento (Ben Mendelsohn), who once interned for Halliday and now leads the biggest competitor to the Oasis. Thus, he desperately wants control of the Oasis in order to increase his power and profit. This is all, obviously, quite cliche. However, in the hands of Spielberg, it does work incredibly well. There are some inconsistencies such as the need for whoever wins to have all three keys in their possession, yet Nolan and his company continue to progress through the levels without any indication as to how they were able to get either the first or second keys. One could argue they learned how to complete the level from the “High Five” clan led by Parzival, but the film is also very clear that they told nobody but those in their close circle of friends about how to complete the levels. Thus, it makes very little sense that Sorrento’s company 101 could be in position to win. However, this issue is not particularly distracting as Ready Player One accomplishes its greatest goal: it is incredibly fun. This is a film that is fast-paced, moves through its 140 minutes with relative ease, and creates endearing and charming characters along the way that are anchored by terrific performances. This is not a film that will change the landscape of cinema for the next 40 years, but it will be a film that is fondly remembered and turn into nostalgia itself for those who do watch the film.

Spielberg’s direction of action has never been in question and that is certainly present here, as in the climactic battle sequence. Grand in scope and with brimming with brilliant special effects, the inventive additions of references and of advanced technology do bolster the scene considerably, making it both thrilling and wholly enjoyable. In this line, what the film further benefits from is not quite world building, rather it is world exploration as well as character development. For the former, as everyone tries to find the clues and keys, it brings the characters to consistently engaging and brilliantly designed areas of the Oasis that make the film consistently engaging to watch unfold. This is a world with considerable depth and creativity behind it and, luckily, the film’s plot brings the characters through this colorful and often quite bombastic world. This may be a film that possesses the problems of blockbuster cinema, but it also possesses what can make blockbusters so great to watch, which is creativity and an immense scale. Ready Player One possesses this in spades, making it a world that is fun to experience and will be fun to eventually return to on future rewatches. This world being brought to life with stunning visual effects and production design only further benefits the final product, as it is a film that uses modern technology to its great benefit as it is a film that demands to be seen on the big-screen, while utilizing that modern technology to help bring to life this futuristic world of Columbus.

What does hold back Ready Player One from being better, however, are its cliches, plot devices/contrivances, and Spielberg’s sentimentality. For the plot issues, beyond the logic issue that 101 is able to continue without ever getting the keys, Ready Player One tips its hand early on when Parzival is walking through a store and is told the “Cataclysm” would destroy the game and everything, so no one should ever buy it to prevent the destruction of the Oasis. This Chekov’s gun, naturally, comes back right at the climax, only to not actually do as promised. This is explained as being due to a plot convenience in which, despite not wanting it, Parzival accidentally had an “extra life” coin given to him by the curator of Halliday’s life records. These plot conveniences also show up when Art3mis/Samantha Cook is able to escape from 101 after her capture. Using the 101 war room to play in the Oasis and help Parzival/Wade, she winds up narrowly missing Nolan Sorrento who has been going through all of his employees and ripping off their masks to find Samantha. Not only is the timing perfect, but a commander comes over and tells her to go to the “re-spawn” room after she gets kicked out of the game, though the film has shown 101 gamers being kicked out of the game throughout the film with the commander never approaching any of them. Ready Player One also heavily relies upon foreshadowing, such as the password for Nolan’s rig (which is also convenient) being captured in a close-up while it just sits on the armrest, waiting for it to be stolen. Plot devices/contrivances further show up for the final key as Parzival plays an old Atari game. A 101 gamer had tried that game, but failed the challenge as he won the game instead of looking for the noted Easter Egg in the game. A girl working at 101 had suggested the game as a likely answer to the final clue, but was cut off before being able to explain that winning the game will not help them. Finally, Spielberg’s usage of the aforementioned cliches is only outdone by his typically tacky sentimentalism at the end of the film. As Parzival urges everyone in the game to come help him fight Nolan, nobody comes at first so Nolan smugly smirks and walks off before literally everyone in the game shows up to fight Nolan in a moment intended to be emotional and show the support that Parzival has in the game. Later, as the group celebrates their victory, Nolan is conveniently arrested while Wade declares he will not miss the chance on love like Halliday did as he wraps up Samantha for a kiss the film had been building up to throughout. This sentimental finale with the already cliche bad guy getting his “just desserts” in the most cliche and hokey way possible really takes the air out of the film right as it is set to end.

Thematically, as with many modern films, Ready Player One is definitively anti-corporation. This is, as per usual, quite ironic given the film’s own celebration of consumerism, its status as the product of a corporation, and its own aforementioned product placements. Nonetheless, Ready Player One is smart in how it is not necessarily fully anti-corporation, but rather it is pro-creative. The Oasis itself is a tool to be used by people in order to showcase their creativity and to create a world they find interesting. This is exactly what Halliday did in creating the game, hence the film loves him and celebrates all those who do create things. What it decries are the corporations who see the game or product and seek only to monetize it and help their bottom line even if it means ruining what people love about the game. This is a major problem with video games now and even with film as those in control of them seek to do whatever they can to maximize their pay-off with little concern for the product itself or the work put into it by the creatives. These same corporations also ignore that the game, such as the Oasis, is popular as is while being incredibly profitable for Halliday as it stood. Thus, why would one ruin it rather than just sit back and rake in the cash? This is the type of corporate strategy that Ready Player One takes full issue with, decrying the meddling of those who do not understand the product or consumer just because they think they can squeeze out a few more cents from a consumer. In this, as expected, Spielberg hails those who stand up and defend creativity or are creative in their own right. They are the ones who bring joy to millions and, as such, should be celebrated for being a benefit to society.

However, Ready Player One also urges limits. This is an especially important message given the target audience of a film styled like a video games with nostalgic references to games and films strewn throughout. One can love entertainment, but not at the expense of life. Halliday loved his games at the expense of living his life, winding up alone and watching the woman he loved marry his business partner and die of cancer from afar. His life was in the game he created and the movies he watched. His refusal to lead an actual existence beyond media proves to be his greatest regret and it plays a major role in the search for the keys, while Parzival eventually changes the Oasis so that it turns off for two days a week so that people will actually live life. Not only had Wade/Parzival cast aside his own life in favor of the Oasis, but he saw how his Aunt’s abusive boyfriend had done the same and even bet all of his savings on the game. The people in the “stacks” all play during the day, rather than finding a way to get out of their poverty. Thus, by focusing some effort on the real world, Wade is able to find love with Samantha and hopes that those who play his game will be able to do the same with the added emphasis on a life/play balance.

A thrilling, adventure-filled, and wholly entertaining romp through the nostalgia of Ernest Cline as directed by Steven Spielberg, Ready Player One is a better film than it has right to be in large part due to Spielberg and his leads. Tye Sheridan and Olivia Cooke continue to prove that they are two of the brightest young stars in Hollywood with their turns in this film, while also being a dynamite romantic pairing with great chemistry between them. Though the film is brought down by cliches, sentimentalism, and shoehorned references, Ready Player One nonetheless manages to be one of the better blockbusters in recent memory and serves as further proof that Spielberg knows how to entertain an audience unlike any other filmmaker.

[starlight-seeker]

ALL OF THEM ~~~~~~~

1: The last person you kissed screams they love you, you say…It really depends who the person Is lol, I haven’t kissed anyone in a long time and the last person wasn’t so great so I would kindly reject them ://

2: Did you get to sleep in today?

FUCK YES I SLEPT UNTIL 1:30 PM

3: You never know what you got until you lose it?

It throws a lot into perspective. There’s a lot people take for granted and once you loose it you don’t realize until it’s gone and you can’t get it back.

4: Do you have siblings?

An older brother whose 9 years apart from me named Chris.

5: How many kids do you want?

2 probably, both more likely adopted.

6: Who was the last person you held hands with?

Collin Aka Literal-Trashlord.

7: Did you stand on your tippy-toes for your last kiss?

Nah, person was shorter than me lmao.

8: Do you think if you died, the last person you kissed would care?

Who knows. I don’t really care weirdly enough lol.

9: Last person to talk on the phone?

My mother.

10: Did anyone watch you the last time you kissed someone?

No.

11: When’s your birthday?

June 3rd.

12: Remember the first time you kissed the last person you kissed?

Not really, I kind of blocked the memory out lmao.

13: What kind of phone do you have?

Iphone S7

14: Are you wearing jeans, shorts, sweatpants, or pajama pants?

Rn I’m wearing my work pants 😩

15: Are you a different person now than you were 5 years ago?

God I hope so, I wasn’t in a great place mentally then lmao.

16: What were you doing at 4 am?

LMAO THATS LOADED. LATELY MY GAY ASS HAS BEEN FINDING MURDER MYSTERIES AND BUZZFEED VIDEOS WHILE TEXTING FRIENDS AS THEY SLEEP.

17: Would you rather write a paper or give a speech?

Paper definitely.

18: Are you lying to yourself about something?

Probably. 👀🗡

19: Last night you felt…?

Fine mostly, tired and a bit sore.

20: What’s something you cannot wait for?

To be able to go stargazing with someone close to me as well as get my life together hopefully and travel.

21: Ever told your parents you were going somewhere but when somewhere different?

I think so. I haven’t done that to my biological mom at least 😂

22: How many hours of sleep did you get last night?

Uh…7 and a half hrs?? I went to bed at 5:35 and woke up at 1:30 pm.

23: Are you a morning or night person?

Definitely a night owl. Morning person Rarely.

24: What did you get your last bruise from?

I banged into my friends counter like a dumbass. That or I was doing a price check and hit into something.

25: Do you reply to all of your texts?

Mostly though i forget to reply sometimes oof.

26: Your phone is ringing. It’s the person you fell hardest for. What do you do?

Talk to them casually, times passed and we’re still close beyond reason. ❤️

27: Did your last kiss take place in/on a bed?

No. I don’t really care about it 😤

28: Anyone you would like to get things straight with?

Yeah, a few people honestly. Some I was extremely close to.

29: How many months until your birthday?

12

30: Favorite thing to eat with peanut butter?

Celery or Apple slices.

31: Did you like this past summer?

It was good. So yeah I can’t complain.

32: What were you doing before you got on the computer?

Working and hanging out with friends.

33: Your ex is sitting next to you, with their new partner. What do you do?

Big oof. Honestly make the best of it?? Really no reason to get upset at this point.

34: What is the last thing you said out loud?

“Get fucked, Steve.” (We were playin Yahtzee with an Ai)

35: Your mood summed into one word?

O O F.

36: Are you doing anything else besides taking this survey?

playing Yahtzee with friends and an Ai Whose kicking all our asses.

37: What are your initials?

K. C. M.

38: Are you a happy person?

Generally though I do struggle with depression but no big deal.

39: Do you still talk to the person you liked 4 months ago?

Yeah, we’re still close friends.

40: Where do you want to live when your older?

I want to travel around, but I would love somewhere quiet with mountains where I can see stars almost every night.

41: Have you had your birthday this year?

Yes. We went to a trampoline park and got absolutely lit jumping around. 👀🔥

42: What did you do yesterday?

I worked 2:00 to 6:30 as a Cashier otherwise I went home and chilled out 😎

43: What will you be doing tomorrow?

Thankfully I have a day off tomorrow. So I’m probably gonna chill out and continue with ideas for a comic I might post soon.

44: How late did you stay up last night?

Until 5:35 AM.

45: Is there anyone you would do anything for?

Yeah definitely. I would drop everything for a select handful of people. Honestly I’d help anyone if I could.

46: Is it hard to make you laugh?

No omg. I laugh literally at anything unless I’m in a weird funk.

47: Do you believe ex’s can be just friends?

Yes, I’m still alright with one ex. But honestly work it out and hopefully things will be alright. Especially if its a mutual breakup things should be alright even if they’re awkward for a while.

48: Do you think any of your exes will eventually want to be with you again?

Lmao nah. I doubt it.

49: How many people have you had feelings for in the year of 2012?

BRUH YOU ACT LIKE I REMEMBER

50: Do you wish your ex was dead?

Never wish that on somebody.

51: Have you ever dyed your hair?

Yes I had it dyed Teal once.

52: Would ever take back someone that cheated?

I doubt it. I’d have issues trusting them.

53: Was New Year’s Even enjoyable?

This year shockingly was.

54: Bet you’re missing someone right now?

Yeah, I miss my family a lot. I don’t really get to see them. I got to see my mom today and I was really happy. ❤️

55: How would your parents react if you got a tattoo?

My mom probably wouldn’t like it at first but grow to like it knowing her, she wants to get a butterfly tattoo on her wrist.

56: Sleep on your back or stomach?

Stomach and side mostly. I can’t really get comfy on my back :((

57: If you could move away, no questions asked, where would it be ?

Somewhere nice and fun. Probably star lit and mountain filled but still some hustle and bussle.

58: What would you change about your life right now?

Living situation, I love living with my best friend but sometimes I miss living with my mom?? Idk.

59: Has anything upset you in the past week?

Yeah a handful of personal things. But I feel alright now.

60: Are you on the phone?

Yes

61: Today, would you rather go forward a week or back?

Probably back, I’d rather redo a few days than skip and loose out.

62: Would you take $40,000 or a brand new car?

Probably 40,000 so I can give some and help others.

63: Have you ever talked to someone when they were high?

OH YEAH THATS AN EXPERIENCE

64: Ever cried while you were on the phone with someone?

A few times, mostly when I’m stressed out or the situation is really tough.

65: Have you ever copied someone elses homework?

Yes. Especially when I forgot it and my friend came in clutch.

66: Are you the type of person who likes to be out or at home?

I’m a mix. There’s days I love to be out others inside and relaxing.

67: Do you automatically check your phone when you wake up?

It’s my alarm clock so sadly.

68: Have you ever stayed up all night on the phone?

Sadly, yes.

69: Could you use some sleep right now?

Probably like 20 + hrs. One good ass nap.

70: Are you going to have a baby by the time you’re 18?

Looks at age. Uhm 😂😂😂

71: Does it bother you when someone hides things from you?

Yeah. I’d rather the person come to me than hide it and talk shit. Even if it hurts I’d rather know and fix the situation.

72: What’s your favorite color?

I love deep reds but I also like blues and purples.

73: Have you ever slept in the same room with someone you liked?

Yes a few times

74: Have you ever been looking for something and it was already in your hand?

LMAO YES. i was looking for my wallet once and panicked but i was holding it.

75: Do you get annoyed easily?

Depending on the situation but when the questions dumb as hell or argument yes.

76: If someone liked you, would you want them to tell you?

Yeah. I’d rather know so I don’t accidentally break their heart. I’d rather know so I can confront the situation though still I’d be extremely flattered.

77: Do you have a person of the opposite sex that you can tell everything to?

Yes.

78: Does anyone call you babe?

Yeah a handful of people.

79: How many people of the opposite sex do you fully trust?

A lot ????

80: What do you prefer, relationship or one night stand?

Relationship. Never had a one nighter lol.

81: What color hoodie did you wear last?

Dark purple with writing on it from my college 😂

82: Is there someone who meant alot to you at one point, and isn’t around anymore?

Yeah. Someone I really did trust and love. They did some shitty stuff and I had to break the friendship off but even now I find myself checking in on them now and again even though the answer is always the same or really cold.

[sigourneyweaverrus]

Four decades since Alien and still a queen of the silver screen, the legendary actor talks Ripley’s return, the importance of fairytales and why she won’t stop looking to the future.

You can buy a copy of our latest issue here. Taken from the winter 2016 issue of Dazed:

Speaking into the chilly Los Angeles night air, Sigourney Weaver is considering the merit of worlds built from the imagination alone. “The actual essence of CGI is extremely artistic because it’s so pure,” she muses. “It’s actually like a very early theatre rehearsal with no costumes and no sets. You’re not worried about all these other elements. You’re only going for what’s happening between the people. It’s just you and the other actors; you’re just speaking to each other and trying to find actual moments.”

Weaver has made a career out of finding moments like these and creating her own space within them. Bursting on to the public consciousness with Alien in 1979, she set a new standard for unapologetic, ass-kicking heroines in sci-fi and beyond. “I still don’t think it gets the respect it deserves,” she says of the genre that made her career, and which continues to inform her cinematic philosophy. “I mean, it’s the one space where you can actually think, and dream, and question about the future, which is very relevant.” Weaver, in a career extending over five decades, has made questioning her default mode, whether wielding a flamethrower as Ripley on board the Nostromo, becoming possessed by a demon to great comic effect inGhostbusters, showing that women can be just as cruel as men in Working Girl, or decrying the destruction of our natural world in Gorillas in the Mist and its interplanetary cousin, Avatar. “Where are we going? Who are we? What does it mean? This is the space to do it.”

At just under six feet tall, Weaver is more statuesque than most actors (both male and female), something that wasn’t lost upon her as a child. “I was this tall when I was 11. I was the shyest, most awkward creature, and I never, ever said ‘I’ll be an actor someday’ to anyone, until I was about 25.” Her father was a pioneering executive at NBC and her mother had acted, and, while she wouldn’t describe her upbringing in New York as an especially creative one, it was definitely alive to the business side of the industry. “I think my parents gave me the impression that I would be eaten alive, because I was really nice, and they knew from their various points of view that it wasn’t necessarily a nice business.”

Nice business it definitely wasn’t, or isn’t, but Weaver seems to have held on to this essential goodness. She’s quick to discuss the big issues, but just as swift to laugh at the ridiculousness of it all. And she’s more than happy to ham it up and repeat demon-possessed Dana’s infamous line from Ghostbusters, “I am ZUUL” – a moment lent extra hilarity by the fact she’s doing the breathy voice wrapped in a sensible duffle coat and sipping San Pellegrino.

Weaver’s big break came when she was 30, which perhaps explains her normalcy – she became an adult out of the public’s glare, and has managed to keep the most part of her life private ever since. After a brief appearance in Annie Hall and a lot of theatre work, Alien was her first major role, and the first in a series of films produced over a two-decade span. In Ridley Scott’s original, she plays Warrant Officer Ripley on the spaceship Nostromo, whose voyage goes horribly wrong after its crew encounters the titular alien. “When I met Ridley (and) read the script, I wasn’t crazy about it,” laughs Weaver of what was also the British director’s first big picture. But, she continues, “Ridley being Ridley, he’s a real straight shooter and he whipped out these designs of all these planets, and the eggs, and the alien itself.” It was this world that intrigued her, and the possibilities it offered her as an actor.

“Who would have thought that, however many decades later, people would still be watching (Alien) and loving it so much? I was lucky to get the part, but I was really lucky that it was Ridley” – Sigourney Weaver

The Alien world had to be created in its full 3D glory from scratch, a fact that in green- screen times seems like an impossible feat. “I thought, ‘Oh my God, can you make a film that looks like that?’” Scott brought the full force of his perfectionism to the film, the same attention to detail seen in all his works, from Blade Runner to Gladiator. “I think I learned, watching Ridley work, what a master he was, and how much he loved it,” she explains. “No one else was allowed to put KY jelly on the monsters (to give them that horrifyingly slimy effect). You see all great directors do this. The way they place the prop, the way they choose the prop; their vision is the thing that fires the whole story, and he just never stopped.”

Part of Alien’s genius is how the set warps and wields the pervasive mood of the film. The claustrophobic space station, Nostromo, exists almost like another character, just as important as Ripley and her alien nemesis. More literally, Mother, the ship’s ominously named computer, plays a central role in the plot. “(Ridley) was always in the camera coming up with new ways to actually use the film, to give you a feeling of being trapped in space with this creature. To make a film that was sort of the pinnacle – a distinctive and original film that caught everyone’s attention. Who would have thought that, however many decades later, people would still be watching it and loving it so much? I was lucky to get the part, but I was really lucky that it was Ridley.”

Much is currently being made of the on-screen portrayal of women in film but, almost 40 years later, it’s hard to think of many female characters as self-reliant and, yes, feminist as Ellen Ripley. Even at her most vulnerable in her briefs and vest, or in a loose-fitting spacesuit, Ripley isn’t to be messed with, and is adept at finishing off aliens, androids and errant crew-members. It’s notable that she also does all of this sans superpowers or ninja training, which seem to be de rigueur on current intergalactic missions. “I never really had a discussion about (feminism),” she says of her protagonist’s strength. “But clearly for him (Scott), women were extremely, supremely capable, smart and resourceful. For a woman to be able to play an ‘everyman’ character is, I realise now, really revolutionary – that she could represent everybody in this situation.”

Everywoman she may be, but it’s doubtful that many of us are smart and capable enough to outwit an alien hellbent on killing us. When I tell Weaver I once got so scared during the film (more particularly, during the scene with the cat) that I accidentally scratched my own face and started profusely bleeding, it turns out she can relate. “It’s so ironic that I played this courageous woman, because I am the most easily affected of anyone in the theatre, with anything scary,” she says, laughing. “I scream, I yelp, I hide. It’s ridiculous. My daughter says, ‘Mom, you know how all this works, you can see the latex coming off the guy’s face,’ and I’m like, ‘I can’t see it!’ I just get so caught up in the story.”

“It’s on TV where you find really intimate things (that reflect) your life, where you can troll through and it’s delicious” – Sigourney Weaver

Interestingly, Weaver is not particularly aware of the current vogue for retro-looking shows, possibly because of her unrelentingly forward-looking work. “I don’t blame (people) for wanting to escape the present,” she says. “There’s so much going on that’s disturbing, and I’m sure all of us, if you gave us the choice, would escape to the 70s until November 8 or whatever. So it doesn’t surprise me that kids are always taking refuge in the past.” Surprisingly, in her opinion the best films were made in the 60s and 70s, before she was acting. “But even in the 80s, people were talking about the 60s!” she laughs.

While nostalgic period details may not interest Weaver, she loves that TV has created new space for complex portrayals of women. “It’s on TV where you find really intimate things (that reflect) your life, where you can troll through and it’s delicious,” she says, smiling at her choice of words (Weaver evidently considers everything she says quite closely, but has a theatrical way with language when the mood takes her, and ‘delicious’ seems to be her word du jour). Perhaps with this in mind, she’s about to embark upon her first television role of note, as the villain in The Defenders, Netflix’s Marvel superhero spin-off. “This is a great role,” she says of the part, which has comic-book types frothing at the mouth in anticipation. “The writing is good. And also, talk about delicious – it’s a very delicious role. I’ve never played anything like her yet. Then again, it’s fun to scamper around before the Avatars start and do as many projects as possible.”

Weaver is about to begin work on the planned four sequels to James Cameron’s 2009 blockbuster, which are being produced simultaneously. Pandora, the planet Avatar is set on, is inhabited by tall creatures who love the environment – if it wasn’t for the fact that they’re blue, and distinctly feline, you’d have thought they were based on Weaver. And, since a good chunk of her acting work involves scampering around other planets, it’s no surprise the actress has been thinking about the one we have already a great deal. “We’re not taking care of our planet, and honestly we could go all over the universe, and there will not be any place as welcoming for us as Earth.” Weaver just got back from doing a documentary on climate policy in China, highlighting the work of the Chinese government to combat global warming. “I don’t know why people want to go to Mars and be tough there,” she exclaims. “We’re missing the point, which is to restore the balance of this planet, especially for all the other magical creatures that are on it.” As she says this, her glance is so steely you begin to wonder why she hasn’t been appointed leader of the mission to recapture Planet Earth.

Weaver’s last project before launching herself back into the aforementioned Avatar films, and something of an about-turn for the actress, is A Monster Calls, where she plays a woman struggling to come to terms with the death of her daughter (Felicity Jones), and attempting to care for a grandson she hardly knows (and who is conveniently talking to animated trees to cope with his grief ). “I thought it would be hard, and I wanted to do something hard, because every now and then you’ve got to frighten yourself.” Weaver didn’t consciously draw upon her own, English mother for the performance, but of course she came through anyway. “When I watched the film it upset me, because it looked like I was watching my mother, as I remember her. And to see her going through this was actually quite hard.”

“Marvel and all that certainly has its place, but it shouldn’t be replacing our great stories, our great fables, like the Grimms’ Fairy Tales. They’re there for a purpose, they’ve served many generations” – Sigourney Weaver

Once again, what’s interesting about the film is that it uses fantasy as a tool to explore things that are most definitely real. The boy’s imaginings are there to help him deal with the inescapable fact of death. “I think so many adults don’t realise children think about these things quite a bit,” says Weaver. “They know that death is part of life as much as any of us do.” You’d think a movie about a kid talking to a tree would be corny, but somehow it’s frighteningly honest – there’s no last-minute reprieve. “Marvel and all that certainly has its place, but it shouldn’t be replacing our great stories, our great fables, like the Grimms’ Fairy Tales. They’re there for a purpose, they’ve served many generations.” Whereas in franchises (including, admittedly, her own), “Death means nothing... It’s just a blip and then you’re back.”

While Avatar will take up a good part of the next two years and has brought Weaver to LA, her real home is still New York, where she lives with her husband, stage director Jim Simpson. Until recently he was managing The Flea, a Tribeca theatre devoted to new and experimental pieces. Simpson stepped down as artistic director in 2014, but the pair are still devoted to fundraising for the venue. “I especially love to watch (theatre) at the The Flea because it’s so intimate. You never know what’s going to happen,” says Weaver of the space. “And the audience is young because theatre tickets are so cheap. They usually get a free beer too. I just like that kind of rowdy theatre.”

This is the fire that stokes Weaver, an almost teenage enthusiasm for what she does that simmers beneath her sometimes grave exterior. You can see a glimpse of it in her pictures with the late Helmut Newton, where she stands nude and resplendent, chiffon and wild hair billowing around her. “I really miss Helmut, he was a very funny, very sweet man, and once I got used to him telling me what to do we had a lot of fun.” It was a longstanding collaboration that spanned decades, and the imagery they created together speaks of a great mutual respect. “He was the only famous photographer I ever kept working with, because it gave me something that no other job did.”

In the midst of all this new work, there is one character she would like to revisit. “I didn’t really know that a big part of me wanted to finish her story. We left her in this absurd situation,” says Weaver of Ellen Ripley, brought back as a genetically enhanced clone for the fourth movie after casting herself into the flames at the end of Alien 3. “And, as that doesn’t seem right, (we want to) somehow give her an ending.” Originally floated by South African director Neill Blomkamp when they worked together on AI thriller Chappie, the project is on ice until she’s finished with Avatar – but Blomkamp has written the script, so it’s a distinct possibility. She evidently has enormous affection for her creation, and recognises Ripley’s importance.“I think I was liberated as an actor just to play the person. I didn’t have to wear a little outfit. I wasn’t treated as a sexual creature. I was just a person trying to survive.” She says Scott didn’t think that audiences would believe “this young woman” would survive to the end. But she did. And now she might come back. Weaver smiles. “It still means something.”

A Monster Calls is out in UK cinemas from January 1, 2017

Hair Rebekah Forecast at The Wall Group using Hair Food, make-up Daniel Martin at The Wall Group using Dior Beauty, photographic assistants Jhon Catano, Adrian Doza, styling assistant Sabrina Santiago, digital operator Danny Disipio, executive talent consultant Greg Krelenstein

[recentanimenews]

Bookshelf Briefs 7/30/20

Blue Flag, Vol. 2 | By KAITO | VIZ Media – How do I already love these kids this much?! Blue Flag is the story of four friends in their third year of high school who care about each other but who are all also dealing with their own problems and trying to figure out what they want to do with their lives. I especially love Taichi and identify so much with the childhood memory he shares with Masumi—“I regretted my inaction so badly.” Taichi is always trying to become the sort of person who can act (and supports Futaba as she seeks to make the same change in herself). And thus, we are inexorably led to the cliffhanger of this volume, where Taichi gets the chance at a do-over, seizes it without a moment’s hesitation, and perhaps pays another, different price this time. I’ve never meant “I can’t wait for the next volume!” more than I have this time. – Michelle Smith

Dead Dead Demon’s Dededede Destruction, Vol. 8 | By Inio Asano | Viz Media – We finally get one of the big reveals in this volume, which involves the origin of Oran and the sort of girl she used to be. It also gives us, even if it’s not quite the real thing, an origin story of the friendship between her and Kadode, and it’s really sweet and fun. That said, their meeting with an alien goes very differently here, and the series finally begins to tie in with all of the Doraemon parodies that it’s been using at the start and end of each volume. Sadly, this is not a good thing, and the entire volume ends on a horrifically nightmarish cliffhanger that I can’t see ending any way but tragically. As always, I hate reading this series, one of the best manga I’m currently reading. If that makes sense. – Sean Gaffney

Dr. STONE, Vol. 12 | By Riichiro Inagaki and Boichi | Viz Media – We’re going on a boat journey, taking along most of the important cast members, in order to discover the island with Sena’s dad’s past and also find platinum, which can help speed up un-stoning everyone. Unfortunately, there are villains about, and they take out most of the cast, who are petrified once more. In between this, we get a lot of cool Jump adventure, some goofy gags, some fun surprises (we know that Suika would stow away somehow, the question was how) and some serious drama as, well, the cast is being re-petrified by powerful unknown villains. There’s nothing earth-shattering in this particular volume, but it still adds up to a great time. – Sean Gaffney

Haganai: I Don’t Have Many Friends, Vol. 18 | By Yomi Hirasaka and Itachi | Seven Seas – I could review this entire volume, but honestly, the last 50 or so pages sort of dwarf the rest of it. We are reminded, as is the school, that Sena is fantastic at everything and has no idea that other people can’t do what she does. This all comes to a head at the Christmas party, where she starts to be attacked for all of her bad points, and lashes out at everyone in a justified but ill-thought-out diatribe. Which is then passed to Yozora, who also defends Sena and finally, amazingly, admits that the two of them are friends. This may be more important than which girl Kodaka picks, to be honest, and is absolutely fantastic. (Speaking of Kodaka, his solution is very Hachiman, and works about as well). – Sean Gaffney

Moms | By Yeong-shin Ma | Drawn & Quarterly – One thing in particular that makes Moms stand out from other manhwa in translation (and honestly many other comics in general) is the focus of its narrative—the lives and loves of mothers in their fifties. The volume takes direct inspiration from the creator’s own mother after she shared some of her personal experiences and stories about her friends. While there is some humor and absurdity, the resulting work’s realism is gutting as the characters navigate divorces, affairs, workplace harassment, and constantly shifting allegiances. A central thread is an on-again, off-again relationship between Soyeon and her boyfriend Jongseok. Without him she’s lonely, with him she’s miserable, a common theme in Moms. Most of the men in the work are frankly disappointing human beings. The women aren’t always entirely blameless, but they’ve put up with a lot, so it’s exhilarating to witness when they can live their lives with uninhibited gusto. – Ash Brown

Secret XXX | By Meguru Hinohara | SuBLime – Secret XXX is pretty explicit and features a seme who says things like “Too late. I’m not stopping now” and “I love your feeble protests,” but also includes a lot of cute bunnies. Shohei Ikushima is a college student who believes he is allergic to rabbits but still volunteers at Itsuki Mito’s bunny-exclusive pet shop because he’s fallen in love with the gentle-seeming proprietor. I can’t tell if what I found frustrating is intentional characterization, or simply that the narrative had to make Shohei look vapid in order to work. Like, he never actually considered “Do I even swing this way?” until he was literally in bed with Mito. And no one (including his parents, evidentally) ever suggested antihistamine until he finally sees a doctor. I did like the emphasis on appreciating family, though, and plan to read the spinoff starring Mito’s meddling little brother. – Michelle Smith

A Sign of Affection, Vol. 2 | By suu Morishita | Kodansha Comics (digital only) – A lot of shoujo titles are content to move along at a glacial pace, and the good ones do that by keeping the character solid. Yuki and Itsuomi are still feeling each other out. She’s fallen in love for the first time, but has communication issues that go beyond her deafness, and also a childhood friend who (I suspect) likes her more than she is aware. Asd for Itsuomi, he has some past baggage that really isn’t going away, and has goals for the future that do not involve being in Japan—goals which are likely more important to him than romance. Despite that, these two are very cute together, and you’re rooting for them to find a way to make things work. One of the better recent digital-pnly titles. – Sean Gaffney

Spy x Family, Vol. 1 | By Tatsuya Endo | VIZ Media – It only took a few pages for me to completely fall in love with Spy x Family. Debonair “Twilight” is an experienced spy for Westalia, but when his next mission requires him to quickly acquire both wife and child, he ends up choosing an assasassin (Yor) for a bride and a telepath (Anya) for a daughter. Neither Twilight nor Yor is aware of the other’s real line of work, but Anya knows all. Only, she loves her new life and family so much that she isn’t going to say anything to jeopardize it. In fact, she’s doing her best to get accepted into a prestigious school so that Twilight can get closer to his target and they can all continue to stay together. I really like all the characters, the “found family” trope always works for me, the tone is fun, and the art is stylish. More, please, and soon! – Michelle Smith

Takane & Hana, Vol. 15 | By Yuki Shiwasu | Viz Media – The bulk of this volume introduces us to Takane’s mother, who is a lot like he is in both looks and eccentricity, and turns out to have a checkered past with her son that, to no one’s surprise, involves bad communication. Hana tries to get the two of them to make up while also showing off how she’s a great match for Takane, and her cheer is infectious. That said, the background does remind readers just how high a bar Hana has to clear if she’s going to end up happily ever after with the guy she loves. The series is gearing up for its finale, and I suspect that class conflict is really going to come to the fore here. But at least she’s won over Mom, which is a big start. – Sean Gaffney

A Witch’s Printing Office, Vol. 3 | By Mochinchi | Yen Press – Following up on the last cliffhanger, there is another Japanese person here, and he’s actually gone about things the proper isekai way, as opposed to our heroine, Yomiko… um, I mean Mika. Yeah, about that, I get the feeling that 80% of the people reading this series are reading it because they want to see Yomiko from Read or Die in an isekai setting. It even feels like the super-ditzy side of her, as opposed to, well, the other, less popular aspects of Yomiko. As for the manga itself, there’s more Comiket gags, Mika managing to accidentally get a town popular, an ancient spellcaster possessing exactly the wrong person, and a rival publishing company. This is big goofy fun, sort of slice-of-isekai life-ish, but lacks any substance at all. – Sean Gaffney

By: Ash Brown

[patheticphallacy]

This is a tag I always see making its rounds on YouTube and in the blogsphere, and while I don’t do many tags anymore (that aren’t related to music, you can pry the Playlist Book Tag from my cold, dead hands) I saw a few really great takes on the tag and looked at the questions and figured this is one for me!

A little about my reading history:

Since April of 2018, I’ve found myself enjoying reading more than I have since around 2013 when I first joined the book community. It’s become a lot more personal and just reading on a whim, not hesitating to DNF and leave things half-read until I’m interested in the book again. My memories of what I read is a lot stronger, even though I’m reading more.

At this point in the year I’ve read 170 things, mostly manga and comics, which I’m honestly really happy about as they make me happiest as I read them. That also means I have a lot to choose from in my answers.

Without further ado: the questions!

1) BEST BOOK YOU’VE READ SO FAR IN 2019?

Okay, so a lot of my top books happen to be horror, and I promise you that’s purely accidental.

The Elementals by Michael McDowell: 80’s horror where two families journey to their Summer houses after the death of one of the matriarchs and find themselves at the hands of not just the elements, but forces that reside in the land.

The Silent Companions by Laura Purcell: A gothic told across three different points of view centred around a widow who travels to her late husbands estate and is tormented by strange wood carvings who seemingly move by themselves.

Neverworld Wake by Marisha Pessl: A year after the death of her boyfriend, a teenager journeys out to visit her estranged friends, only for them to end up stuck in a time loop repeating the same day until they can come to a unanimous decision on which one of them deserves to live.

The Haunting of Hill House by Shirley Jackson: Horror classic where four people travel to Hill House and experience strange hauntings that begin to send them mad. Also highly recommend the Netflix show!

Teen Dog by Jake Lawrence: The coming-of-age graphic novel with anthropomorphic animals you never knew you needed. Full of innocent existentialism and themes of growing up!

2) BEST SEQUEL YOU’VE READ SO FAR IN 2019?

They aren’t sequels, but these are my favourite volumes in longer series! It counts! They are all follow ups to previous volumes!

Fullmetal Alchemist Volume 9 by Hiromu Arakawa: If there was a Connie has to go more than 5 posts without mentioning FMA challenge, I would lose. Literally the best possible conclusion to this series, it broke my heart.

Haikyuu!! Volume 2 by Haruichi Furudate: My review for this on Goodreads was literally just ‘Oikawa AND Nishinoya?! In one volume?! I’m having a crisis!’ which sums up me reading this whole series.

My Hero Academia: Vigilantes Volume 3 by Hideyuku Furuhashi: Volume 2 of this series was an absolute goddamn mess but this volume? Wow. My review if you want to read me lose my mind. Some spoilers for extra content and some characters, but it’s not really overly spoiling plot points.

No.6 Volume 5 by Atsuko Asano: I have gone on so many spiels to my best friend about how amazing this series is. It honestly deserves recognition for being a very thought provoking and character driven dystopian, the character development is truly a work of art and I wish I could write a world and dynamics as well as Atsuko Asano does.

3) NEW RELEASE YOU HAVEN’T READ YET, BUT WANT TO?

I can’t really give much information on these seeing as I haven’t read them, so sorry everyone!

Teen Titans: Raven by Kami Garcia: I confess, I am getting this because of Gabriel’s artwork. I’ve been a huge fan for a while now, so it just felt right to have this in my collection, especially considering I want to learn more about the Titans.

Rayne & Delilah’s Midnite Matinee by Jeff Zentner: Very mixed reviews on this one, but oh well!

The Devouring Gray by Christine Lynn Herman: Everyone and their mother is talking about this book, honestly.

The Luminous Dead by Caitlin Starling: It’s like a space survival story but with these weird zombie creatures? I’ll be going for the audiobook with this one.

4) MOST ANTICIPATED RELEASE FOR THE SECOND HALF OF THE YEAR?

I made a whole post about this that I worked very hard on so please check it out, but I guess I’ll include the only three I’ve been able to pre-order.

Tunnel of Bones by Victoria Schwab: This is the sequel to City of Ghosts, a middle-grade horror story I really love, and I’m looking forward to this one even more as it’s set in the catacombs of Paris!

Who Put This Song On? by Morgan Parker: Several people have described this as having some of the best mental health rep in young adult fiction, so I’ll be reading this for my dissertation that I’m starting in January.

The Infinite Noise by Lauren Shippen: I reallllly love the podcast this is based on (The Bright Sessions, also created by Lauren) and Adam and Caleb are my absolute favourites, so this book is my JAM.

5) BIGGEST DISAPPOINTMENT?

BOY DO I HAVE A LOT OF THESE. one of the cons of reading so much is that I end up being disappointed by significantly more books than others do, which sucks, but I honestly don’t find myself hating the reading experience. Even if i hate the book, for me, tearing it apart can become fun!

Slam Volume 1 by Pamela Ribon: I love roller derby, but the characters and the lack of narrative in this volume really didn’t do it for me. Maybe if more time was spent making sense of plot at the start I’d have enjoyed it, but there were so many time jumps I stopped caring.

It Only Happens in the Movies by Holly Bourne: One day UKYA readers are gonna have to sit down and properly talk about how the first maybe 5 years of the decade were spent crowning titles and writers as the leads of UKYA despite the fact that their books aren’t really good. They contain thinly-veiled misogyny, really bad writing that uses chat speak in-text as if it’s normal, stereotyping of characters (they really love the bitchy mean girl trope) and what the kids would call racism that doesn’t explicitly state it’s racism, like, say, dropping slurs or having outwardly racist beliefs, but when a character says someone ‘might be Asian or Jewish’ and then laughs about it and never addresses it again, you kind of guess it’s some kind of internalised racism nobody feels comfortable addressing.

Trouble by Non Pratt: SEE ABOVE, only this one has the most terribly written step-incest subplot that never properly gets resolved or treated with the disgust it deserves!

The Hating Game by Sally Thorne: Weird possessive vibes, references to stalking, and shitty love triangles. This received the best rating of the bunch (3), but the general disappointment I feel is at the continued inclusion of uncomfortably possessive male love interests dehumanizing and treating women like they are better seen not heard in romance fiction. Tessa Dare doesn’t treat me like this!

The Day of the Triffids by John Wyndham: This one is less hate, more just disappointment. I was so bored reading this, honestly, it feels unbearably long, and the romance is so unneeded and dull.

  6) BIGGEST SURPRISE?

The Unsound by Cullen Bunn: I’ve learnt that my opinion on generally negatively rated comics and graphic novels is going to completely differ. This is very surreal, with a lot of graphic self harm and violence, and will definitely not be for everyone, but I very much enjoy it!

Sweet Blue Flowers Volume 1 by Takako Shimura: I literally heard about this, ordered the first volume day-of, and then read it as soon as it arrived and loved it. It’s predominantly a slice-of-life/romance following sapphic teenage girls!

In Other Lands by Sarah Rees Brennan: Everytime I think of this I feel soft. For a fantasy this is very easy to read, with snappy dialogue and a lot of wit from our main character. What surprised me most, however, was how deep and introspective it got exposing the fears of our main character, something not enough portal fantasies spend time doing, and I’m really grateful to have read this book!

A Head Full of Ghosts by Paul Tremblay: Can you really be surprised if you go into a book with no expectations? I knew vague details about plot, and a brief allusion to a dollhouse in a review I happened to scroll past, and I ended up loving this.

Lazaretto by Clay McLeod Chapman: This is an absolutely horrifying comic about a flesh eating virus that breaks out during the first few weeks of college and sends the campus into complete lockdown. It’s honestly tragic, and does not have a happy ending, but I love it? I usually hate endings that are bad for our main characters, but everything about this just really wrapped me in a blanket- horrified me, sure, yet it was weirdly comforting.

The Past and Other Things that Should Stay Buried by Shaun David Hutchinson: Again, I saw one person praise this book and listened to the audiobook immediately after and really enjoyed it. It’s very moving with some main characters that will test your patience but you’ll end up loving.

7) FAVOURITE NEW AUTHOR?

Paul Tremblay and Michael McDowell!

8) NEWEST FICTIONAL CRUSH?

Kirie in Uzumaki by Junji Ito! Makoto in My Hero Academia: Vigilantes! Charlotte Holmes in A Study in Charlotte! I’m noticing these are all women, which is kind of on brand for me.

9) NEWEST FAVOURITE CHARACTER?

Seeing as all my crushes are on women, I’ll try and pick some other favourites here! I’ve really fallen in love with Tensei Iida in My Hero Academia and eternally love Thirteen, Teen Dog in Teen Dog, Shion in No.6 (the character development!!!!), and basically the whole cast of The Avant-Guards by Carly Usdin! Tom in the Memoirs of Lady Trent series has really grown on me after book one, too.

10) BOOK THAT MADE YOU CRY?

BOY. I cry a lot. I cried reading Winnie the Pooh, which I finally picked up all the stories of earlier this year; Neverworld Wake; the Save Me Webtoon, a great webcomic based off of the BTS music video continuity; I Want To Eat Your Pancreas by Yoru Sumino, which beat me over the head with a frying pan while I was distracted. Sheets by Brenna Thummler didn’t make me cry but it did make me incredibly sad.

11) BOOK THAT MADE YOU HAPPY?

A lot of what I read makes me happy! There’s Super Fun Sexy Times by Meredith McClaren, a small collection of 5 stories based on the sex lives of different superheroes/villains/etc.; My Love Story by Kazune Kawahara which makes me eternally happy and soft every time I pick up a volume; In Other Lands, which, while sad at times, is also very funny and has my exact brand of humour; and there’s the Haikyuu!! manga series, which I love and adore and all the characters are hilarious, even while being serious.

12) FAVOURITE BOOK TO MOVIE ADAPTATION?

I haven’t really seen any? Does Boys Over Flowers count if I haven’t read the manga OR finished the show yet? Either way, Boys Over Flowers is great and so melodramatic. If you push through the drama and very strange and problematic behaviour, it’s honestly got a cute romance between two tsundere people and enough stupid hair to giggle at.

13) FAVOURITE REVIEW YOU’VE WRITTEN?

LOOOADS! I’m very proud of my reviews this year, and it seems like a lot of them are horror!

my review of haunting of hill house by shirley jackson

my review of a head full of ghosts by paul tremblay

my review of the elementals by michael mcdowell

my review of meddling kids, where i discussed harmful stereotypes and tropes within horror fiction

three horror reviews: this is not a test, the silent companions, uzumaki

my review of poetry book shame is an ocean i swim across, where i discuss body image issues

14) MOST BEAUTIFUL BOOK YOU BOUGHT THIS YEAR?

  Other Words For Smoke by Sarah Maria Griffin! It’s really pretty and has beautiful pink sprayed edges, and I absolutely love the owl in the background. I think the mix of pink and gold on the cover is so striking, too, it really is a book that stands out.

      15) WHAT BOOKS DO YOU NEED TO READ BY 2020?

I actually have a Summer 2019 TBR if you want loads of information on everything I plan on reading.

However, other than all the books I kind of have to read for my first semester back at University, I really want to read Teeth by Hannah Moskowitz and When the Truth Unravels by RuthAnne Snow.

What would you pick for these questions? Please let me know in the comments if you made a post of this tag, I’d love to read them!

Thank you for reading!

If you liked this post, consider buying me a coffee? Ko-Fi. 

I also currently have a GoFundMe set up to help fund my third year of University, so any stray pound helps ❤

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Mid-Year Book Freak Out Tag! This is a tag I always see making its rounds on YouTube and in the blogsphere, and while I don't do many tags anymore (