#50mmf/1.4

[amselchen2]

mountain bike rally 2 @ walking path by Marco Murata Via Flickr: colour version

[whyblacklivesmatter]

My family arrived in the UK around 2000 when I was 8 with my mother having indefinite leave to remain. My grandfathers on my father's and mother's side fought in the Second World War giving so much to the Allied cause over that period of time, and it was in 2011 that I found myself a resident of the UK applying for a Visa to remain in a country that I now called home.

“This period of time was made extremely difficult and to make matters worse, the information wasn't made freely available, I felt that the system was stacked against me. I had significant and solid roots in the UK, going to primary and high school, getting my National Insurance card through the post when I was 16, having an established base of friends and people I had grown up with over the years – and here I was, an asylum seeker, when I identified so strongly with being British.

“I don't understand why people from countries such as the US and Australia freely move in and out of the UK, whilst if you are from an African country the hoops you have to jump through are made infinitely more difficult. I faced the real prospect of being an openly gay man being sent back to a country with a horrifying record of homophobic attacks and murders.

“My father is White and he was openly racist in the household. For the longest of times I never addressed this – in society people generally have a habit of never calling a thing a thing. I would just dress his behaviour up as him being 'crazy.' He would make comments about my mum and make me feel conscious about my appearance and African heritage. I normalised these things for the longest of times because I think we assume racism is this thing that is intentional or direct to cause harm however racism appears in so many shades and so many colours, invariably all forms are as bad as each other. This shaped my younger years in how I perceived myself and how I looked at the world.

“I think about why my father would marry a Black woman and the simple answer, for me, is that there is a certain level of racial fetishism. A White man will be attracted to a Black woman on a superficial level however there would be a significant level of cognitive dissonance on his part when saying the words he did. He was willing to have her as his wife yet unwilling to take on the responsibility and issues Black people face in their everyday lives.

“Black Lives Matter is a minimum requirement. It's about time that Black people finally took their seat at the table. It's about reaching for the sky – being Black is not just about racism and racist discourse. It's about going beyond that and being the best a Black person can be in a system that is so heavily stacked against them.”

Franklin Dawson

[al5ain]

#canon #canon5dmarkiv

[nunoxaviermoreira]

Tulipano by Gi.Sartori Tulip : Pentax-K3 + Pentax-A 50mmf/1.4 : https://flic.kr/p/2kJv8os

[daviiphoto]

$1850.0 Only! ~ Canon 5D Mark IV 30.4MP Digital SLR Camera + Pro Flash + Canon EF 50mmf/1.4 Lens CLICK HERE! #BeginnerDigitalCamera, #MirrorlessDigitalCamera, #DSLRDigitalCamera, #CheapDigitalCamera, #ProfessionalDigitalCamera

[studiovietnam]

Chụp ảnh sản phẩm nên dùng lens nào?

Mỗi ống kính với khẩu độ, cấu tạo khác nhau sẽ phù hợp chụp những loại sản phẩm khác nhau. Vậy chụp ảnh sản phẩm nên dùng lens gì? Cùng khám phá và tìm hiểu câu trả lời trong bài viết sau đây nhé. 

Chụp ảnh sản phẩm nên dùng lens nào?  (Ảnh: Sưu tầm)

Chụp ảnh sản phẩm nên dùng lens nào?

- Canon 85mm f1.8

- Canon EF 50mm f/1.4 USM

- Canon 24-70 f2.4

- Sigma 24-105 f.4 Art

- Nikon AF-S FX Nikkor 50mm f/1.8G Lens

Hướng dẫn chọn lens chụp từng loại sản phẩm

Chụp thời trang

Chụp hình thời trang, bạn có rất nhiều lựa chọn như chụp trong nhà, chụp ngoài trời,,... Với trường hợp chụp hình trong studio, bạn có thể lựa chọn lens dựa trên diện tích khu vực chụp hình. Ví dụ như studio có diện tích khiêm tốn, bạn cần chọn ống kính kính đủ rộng để tác nghiệp thoải mái, đem lại hiệu quả cao nhất. Trong đó một số ống kính được ưa chuộng sử dụng gồm có Sigma 17-50mmF 2.8, Canon 18-55IS ii, Tamron 17-50mm F2.8. Để tăng độ nét cho ảnh bạn nên sử dụng đèn flash hợp lý, khép khẩu độ lên tới 8-11.

Nếu chụp hình ngoài trời bạn có thể sử dụng ống kính tele có tiêu cự khoảng 85-135 điển hình như Canon 85mm F1.8 hoặc Nikon 85mm F1.8G. Để hình ảnh trông chuyên nghiệp, đẹp mắt nhất, bạn nên setup background hợp với màu sản phẩm, đồ người mẫu mặc,.... 

Chụp món ăn

Ống kính macro với khả năng chụp ảnh siêu nét là lựa chọn hàng đầu cho việc chụp hình món ăn. Ống kính macro cho phép bạn chụp hình ở khoảng cách gần, giúp bạn dễ dàng kiểm soát khung hình. Bạn có thể tham khảo một số mẫu ống kính macro như Nikon AF-S DX micro Nikkor 40mm F2.8G hoặc Canon EF 100mm F/2.8 macro USM. 

Ống kính macro với khả năng chụp ảnh siêu nét là lựa chọn hàng đầu cho việc chụp hình món ăn  (Ảnh: Sưu tầm)

Chụp trang sức

Chụp hình tiêu cự rộng với những sản phẩm kích thước nhỏ như đồ trang sức khiến hình ảnh trông méo mó, không đẹp mắt. Do đó với các sản phẩm trang sức bạn nên sử dụng ống kính có tiêu cự lớn ví dụ như macro 100mm, 135mmF2. 

Không phải bất cứ ống kính cao cấp, đắt tiền nào cũng phù hợp chụp với sản phẩm của tất cả các ngành hàng. Mỗi ống kính khác nhau sẽ thích hợp chụp những sản phẩm khác nhau. Do đó, để tăng chất lượng hình chụp, chọn ống kính phù hợp là điều bạn cần lưu ý hàng đầu. 

[amselchen2]

Summicron-R 50 @ a7RII by Marco Murata

[whyblacklivesmatter]

“I was brought up in a predominantly White village near Southport, by a White family that had adopted me. They're still my mum and dad today, and I love them, but they never taught me anything about my background or what it was to be a Black person living in the UK. It wasn't out of malice or anything of the kind, they just weren't aware that it was an issue of importance at the time.

“When I was 14, I remember having an argument with one of the hard-knocks in the area, who was 19 – it turned physical and I ended up kicking his arse. Later that day I was at home with a couple of friends, my parents were out at the time, and the lad I'd beaten turned up at my home with about 10 of his mates, broke in and beat me and my friends so severely I was hospitalised for a week. The police took a statement but nothing else was ever pursued. I was a minor and adults had assaulted a child. I was let down by the institutions that were supposed to protect me.

“There were also times in later life where I've had people say things to me or in my presence. I was having a conversation with a former girlfriend about racism. It was a beautiful end to the day; the sun was setting as we looked out into the picturesque mountainous valleys of North Wales from the beer garden at a local pub. I was explaining that times hadn't changed that much, whereas she said things had gotten much better. It was as if it had been scripted for that moment, when one of the regulars wandered over to where we were seated, whilst looking out to the sunset and says "f*cking hell, you haven't half caught the sun."

“Whenever I get asked about racism, or an example of when I've been at the brunt of racist behaviour, I find it very difficult to think of a specific incident as it's been a continuum of racism from a young age with far too many stories to tell – for me, Why Black Lives Matter shouldn't even be a subject. Why Black Lives Matter states the obvious in itself and it's like asking why does humanity matter? It matters because every philosophy we live by, all the love and compassion we give, should be divided into equal measures to all people, regardless of who they are and what their background is.”

Billy Vitch

[nunoxaviermoreira]

Schistocerca by Gi.Sartori Pentax-K1 + Pentax-A 50mmf/1.4 https://flic.kr/p/2jrKcb9

[ileftmyheartintokyo]

20160305-DSC_1647.jpg by Daishi Naruse Via Flickr: , 曽我別所梅林, SOGA BAIRIN BESSHO UME Blossom Forest Garden, , 梅まつり, UME Blossom Festival, . #ODAWARA #UME . NIKON D700 with Ai AF Nikkor 50mm f/1.4S

[thewickedfaerie]

helin by Arda Demirel

[nunoxaviermoreira]

In Pieno Sole by Gi.Sartori EscolziaCalifornica In Full Sun : Pentax-K1 + Pentax-A 50mmf/1.4 : Handheld https://flic.kr/p/2jqwp6y