#50 Oscar Nights: Iconic Stars & Filmmakers on Their Career-Defining Wins

[crowdvscritic]

round up // FEBRUARY 24

In some ways, February is a manifestation of Crowd vs. Critic.

Each year Vulture updates an article called "Which January at the Movies Was the Most January?" When I stumbled upon it this month, I couldn’t believe how closely it captured a phenomenon I was already thinking about: “January at the movies is a tale of two seasons. It’s the month where Oscar contenders traditionally open nationwide, allowing moviegoers across the country to experience the best that Hollywood has to offer. But for that reason, it’s also the month where the rest of the industry tries to stay out of the way, offering a mixture of counterprogramming and low-risk fare — we’re talking horror films, inexplicable sequels, and lots of movies about grim middle-aged men firing guns.”

From there, Vulture attempts to rank every January in recent memory by their bad movie slates, but my follow up question is, why stop at January? “Dumpuary” does not end January 31st—I’m not even sure it ends on February 29th. Pardon my French, but I’ve watched a lot of doggerel this month so mediocre it’s not worth recommending here. However, February is also Oscar prep season. I’ve spent the month reading more deeply about the nominated films and planning my annual Oscar watch party. And because I’m caught up on nominated films and there are so few new releases worth checking out, I’m creating a watchlist of classics I’ve missed. This year I’ve decided to dig into films recommended in TCM’s The Essential Directors by Sloan De Forest, which I recommended during Dumpuary 2022. I just finished the book’s top picks from Steven Spielberg's filmography, and before the year’s end, my goal is to complete their recommendations from Mel Brooks, Frank Capra, George Cukor, Michael Curtiz, John Ford, Howard Hawks, Alfred Hitchcock, George Lucas, Ida Lupino, Oscar Micheaux, Sidney Lumet, Joseph L. Mankiewicz, Elaine May, Leo McCarey, Vincente Minnelli, Martin Scorsese, Douglas Sirk, Preston Sturges, W.S. Van Dyke, Billy Wilder, and Robert Wise. (Full disclosure: for most of them, I only have one or two titles to go.) 

So please enjoy a Round Up of recommendations featuring several of those directors and Britney Spears, as well as a book of interviews with Oscar winners and a Bennifer marathon. Plus, a Leap Day bonus with a Finnish flair!

February Crowd-Pleasers

1. Scary Movie 3 (2003)

Because sometimes you don’t want to laugh with something sophisticated—sometimes you want to laugh at something stupid. After years of my brother recommending something I wouldn’t peg as my taste, I finally checked out this spoof of 8 Mile, American Idol, The Ring, Signs, and more things that were extremely popular in 2003. I doubt future generations will find much to appreciate here, but this Millennial got a kick from the nostalgia and the stupid humor courtesy of Anna Faris Regina Hall, Leslie Nielsen, Simon Rex, and Charlie Sheen. Crowd: 8.5/10 // Critic: 6/10

2. Catwoman (2004)

This movie is not good, but is it objectively way better and way more fun than The Flash? I’d rather have this silly, superficially-girl-power trash than that self-serious Flash trash any day. The Razzies did not deserve this movie! Crowd: 8/10 // Critic: 5.5/10

3. Bennifer Marathon!

It's a real If You Give a Mouse a Cookie situation. After you go to a screening of This Is Me…Now: A Love Story (2024), you're going to need to watch the behind-the-scenes documentary The Greatest Love Story Never Told and listen to Jennifer Lopez’s new album This Is Me…Now on repeat. You're also going to decide you need to watch Jersey Girl (2004) and Halftime (2022) because you can never have too much of Ben Affleck and Jennifer Lopez! (I also watched Gigli and What to Expect When You’re Expecting, but these Round Ups only focus on pop culture I recommend.) What can I say? I’m rooting for love!

I reviewed J. Lo’s new music film for ZekeFilm, which explores her public history in a personal, musical romantic comedy. Crowd: 8/10 // Critic: 7/10

4. Crossroads (2002)

Zoe Saldana camping in curlers: To me, that is cinema! Like Catwoman, this Lifetime-movie-meets-Britney-Spears-star-vehicle is not good, but it is a perfect sleepover movie. Crowd: 8/10 // Critic: 5/10

5. The Beekeeper (2024)

I look forward to 30 years from now when I am a Turner Classic Movies host and introduce this movie 12 times in a single calendar year: 

January: Star of the Month Jason Statham

February: Star of the Month Josh Hutcherson

March: 31 Days of Oscar - Movies that would be Oscar-nominated if the Academy had a Best Stunts category

April: Special Theme - Vigilante Justice (Lee Marvin makes an appearance, too)

May: Mother's Day marathon (between The Manchurian Candidate and Psycho)

June: Birthday Tribute - Phylicia Rashad (leading into a Creed marathon)

July: Guest Programmer Pick - Bona fide action star is promoting his new artistic action blockbuster and calls Statham one of his inspirations

August: Summer Under the Stars - Day 23 devoted to Minnie Driver (airing before Good Will Hunting)

September: Birthday Tribute - Jeremy Irons (airing after The Mission)

October: Spotlight - Secret organizations (showing right before The Parallax View)

November: Diane Warren Tribute - she finally won her Oscar for her theme for The Beekeeper 2

December: Primetime Theme - Bees (in marathon with Akeelah and the Bee, The Bee Movie, The Secret Life of Bees, The Wicker Man, and for some reason Beetlejuice)

Crowd: 9/10 // Critic: 6.5/10

More February Crowd-Pleasers: Cold Pursuit (2019) is the platonic ideal of a Liam Neeson’s formulaic thrillers // I would’ve been obsessed with the martial arts mayhem of Bulletproof Monk (2003) if I had seen it when I was 12 // Not everything in the corporate satire Head Office (1985) works, but what does is savage // When Book of the Month announced The Helsinki Affair by Anna Pitoniak (2023) as a selection just a few weeks after my first trip to Finland, I immediately knew my November pick. This Jason Bourne/Jack Ryan-esque spy thriller didn’t disappoint. (More on my trip to Finland below!) // Though the politics of The Ghost and the Darkness (1996) have aged poorly, it’s the most thrilling movie about killing lions I’ve seen since The Lion King

February Critic Picks

1. The Teachers’ Lounge (2023)

If you’ve ever survived an anxiety-fueled environment driven by politics, prejudice, or, frankly, middle schoolers, Germany’s nominee for Best International Feature at the Oscars will ring true. Read my full review for ZekeFilm. Crowd: 8.5/10 // Critic: 9.5/10

2. 50 Oscar Nights: Iconic Stars & Filmmakers on Their Career-Defining Wins by Dave Karger (2024)

Let me repeat what I said last month: The Turner Classic Movies Library has yet to miss! In TCM host Dave Karger’s new book, he interviews 50 different winners from Oscar ceremonies as far back as 1962 about what the award means to them and how it has impacted their careers. This breezy read digs into the inspirations, outfits, and relationships of Nicole Kidman, John Legend, Rita Moreno, Meryl Streep, Sofia Coppola, and more, and you can find all of the films featured on my Letterboxd list. 

3. Double Feature - Legal Dramas: The Verdict (1982) + Class Action (1991)

In The Verdict (Crowd: 8.5/10 // Critic: 9.5/10), Paul Newman is a jaded ambulance chaser who happens on a medical malpractice suit that might be his best case in years. In Class Action (8.5/10 // 8/10), Gene Hackman and Mary Elizabeth Mastrantonio are a father and daughter facing off in a courtroom centered on a car manufacturer’s potential negligence. Both are excellent legal genre examples and excellent opportunities to let their actors cook.  

4. Good Reads

Lately, I’ve been reading about…

…2023 in Review: 

“Biggest Hollywood Winners and Losers 2023: From Margot Robbie to Marvel,” HollywoodReport.com (2023)

“Taylor Swift Is TIME's 2023 Person of the Year,” time.com (2023)

“Goodbye DC Extended Universe: We Hardly Knew You (Yet We Knew You Too Well),” HollywoodReporter.com (2023)

…our current Awards Season: 

“Critic’s Notebook: A Flailing, Fun-Free 2024 Golden Globes Telecast,” HollywoodReporter.com (2024)

“The Golden Globes Should Just Forget About Hosts,” VanityFair.com (2024)

“Barbie Is Adapted? Maestro Original? Let’s Fix the Screenplay Categories,” NYTimes.com (2024)

“Anatomy of a Fail: Inside France’s Dysfunctional Oscar Committee,” variety.com (2024)

…big cultural shifts: 

“A Shift in American Family Values Is Fueling Estrangement,” TheAtlantic.com (2021)

“The Great Freight-Train Heists of the 21st Century,” NYTimes.com (2024)

"A ‘Failure to Launch’: Why Young People are Having Less Sex,” LATimes.com (2023)

“From Swiping to Sexting: The Enduring Gender Divide in American Dating and Relationships,” AmericanSurveyCenter.org (2023)

…and a hodge podge of other things: 

“An Oral History of ‘Washington’s Dream,’ the Best SNL Sketch in Years,” IndieWire.com (2023)

“Panera’s 'Lemonade That Kills You' Is Really a Story About Our Broken Country," slate.com (2023)

“Annie Meyers-Shyer’s Holiday-Decorating Handbook,” NYMag.com (2023)

“Madeleine Albright Has Sent Some Very Spicy Messages Through Her Accessories,” InStyle.com (2021)

“The Crown and What the U.K. Royal Family Would Like Us to Forget,” NYTimes.com (2023)

“What Did Dakota Johnson Actually Say?” HollywoodReporter.com (2024)

“Why Deleting and Destroying Finished Movies Like Coyote vs Acme Should Be a Crime,” RogerEbert.com (2024)

More February Critic Picks: Even if Love Affair (1939) hadn’t inspired An Affair to Remember and Sleepless in Seattle, it would still be an all-time romance // In Lured (1947), Lucille Ball gets dramatic as she looks for love and her best friend’s killer // No Way Out (1950) is a stellar character drama and thriller thanks to Sidney Poitier and Richard Widmark // You can’t be sore at the heightened emotion in Manhattan Melodrama (1934)—it’s right in the name! // The Trouble With Angels (1966) is The Holdovers but for the girlies // Gosford Park (2001) isn’t an Agatha Christie adaptation but it’s a worthy imitator // The Bigamist (1953) proves thrillers can be short and sweet // I love a juicy behind-the-scenes melodrama like The Bad and the Beautiful (1952) // Are you surprised that The Color Purple (1985) moved me to tears? // Though it took me a few scenes to acclimate to the rhythms of the Company National Tour, are you surprised the music of Stephen Sondheim won me over?

Leap Day Bonus

In 2020, my Leap Day Bonus was a Jonas Brothers music video I’d forgotten to mention in my January Round Up. This year, I’m using it make up for forgetting to mention…my entire trip to Finland? (I'm blaming it on the fog of the holidays and Awards Season kicking into high gear when I was writing my October Round Up.) These are the top cultural spots my sister and I found in Helsinki and Rovaniemi…

Temppeliaukion Kirkko - In their Ultimate Travel book, Lonely Planet calls this one of the top 500 places to see in the world. I’m not sure I’d rank it that high (even if I’ve yet to see a lot of the world), but it was worth a stop. Built in 1969 into a rock that split during the Ice Age, it is an architectural feat with amazing acoustics.

Anteneum Art Museum - This national gallery houses Finnish art classics

Finnkino Movie Theater - The real highlight of checking out Finland’s cinema was not watching Indiana Jones and the Dial of Destiny with Finnish and Swedish subtitles but it’s insane candy bar!

Santa Claus Village - If you can embrace a tourist trap, this one is worth the trip to the Arctic Circle. Meet Santa, feed his reindeer, and get lost in the kitschy gift shops in this acres-wide complex

Dog sledding - We hopped on a buggy pulled by eight of the goodest dogs courtesy of Bearhill Husky—a dream come true!

Arktikum - This science museum in Rovaniemi dives into the history and culture of Lapland (northern Finland)

Marimekko - This Finnish designer is chock full of mod florals, and we budget travelers found great deals at the outlet in Helsinki

Porvoo - This little town just a bus ride from Helsinki is filled with picturesque wooden houses, cutesy shops, and historical home museums

We visited Finland in the autumn, which is tourist off-season, but we’re not sure why—it’s beautiful! Whenever you choose to go, be sure to indulge in a korvapuusti ja kahvi (cinnamon roll and coffee) in one of their many kahvilat (coffee shops)!

Also in February…

On KMOV, I did my best to sum up why Casablanca is a perfect Valentine’s movie, and then I squeezed in a short review of Argylle, which is not so much a perfect Valentine’s movie. 

I also reviewed Argylle in more depth for ZekeFilm, and the piece turned into a lament for for its failure to follow through on a great premise.

I added two more entries to my Best Picture Project this month! I continued on with 1944's Going My Way, which is a feel-good story about the power of music starring Bing Crosby, and last year’s winner Everything Everywhere All at Once, which is a weird story about the power of googly eyes. 

Photo credits: 50 Oscar Nights, Good Reads. Finland my own. All others IMDb.com.

[aarontalksmusic-blog]

A Top 30 Horror Movies

This is Halloween! This is Halloween! There are a lot of awesome horror movies, but I picked just 30 that qualify as my favorites. 

#30 - The Conjuring

So this movie isn’t perfect. The last 20-30 minutes kinda turn into a mess as the demon gets more confrontational. But, the first 90 minutes are a near perfect slow build of tension and smart visual storytelling. All the actors do a good job, even the kids. This movie has insured I never play Hide and Clap.

#29 - Paranormal Activity 2

In my opinion superior to the (still pretty good) original, PA2 moves faster than its predecessor and uses the audience’s curiosity against them in interesting ways. You’re always looking to the edges of the screen for something or someone out of place, and as the movie progresses, that curiosity rattles the nerves more and more.

#28 - The Hills Have Eyes (2006)

One of the only modern horror remakes that improves and expands on the original. The Hills Have Eyes hit when I was a junior in high school. It is gleefully gorey and deranged. People die in awful ways, and the protagonist (seen above) spends most of the last half hour drenched in blood. It’s a lot of fun if you’re into that sort of thing.

#27 - Event Horizon

Space Horror is a hard genre to get right. Event Horizon knocks it out of the park by getting the slow build right. There are gruesome and bloody images from time to time, but the majority of the movie is built on tension and dread. Having Sam Neill and Laurence Fishburne leading the cast adds some dramatic weight to the proceedings.

#26 - The VVitch

The GOAT 17th Century rural horror movie. This movie gets real weird and leaves a lot up to the audience’s imagination. The less said about it the better if you haven’t seen it. But, even for the 2010s renaissance of horror, this one stands out.

#25 - Hereditary

This is a list of my favorite horror movies, not the scariest. If it were “scariest” this would be top 10, maybe top 5. The second half of this movie is some of the most uncomfortable and relentlessly horrifying storytelling I’ve ever seen. Across just two feature films, Director Ari Aster has proved himself a master of the horror genre. We’re all worse off for it.

#24 - Return of the Living Dead

The first movie on this list that is more funny than scary, Return of the Living Dead is laugh out loud hilarious at times. Somehow, it still manages to be a more effective zombie movie than most serious ones. Great punk rock soundtrack and highly quotable, this is great for people who scare a little too easily.

#23 - Friday the 13th Part 2

Basically improving on the original in every way, Friday the 13th Part 2 is iconic even without Jason’s hockey mask making an appearance. The killer instead keeps a lumpy bag over his head the whole time. The movie lets you know early on that its going to be ridiculous, when the Part 2 logo literally smashes through the Friday the 13th title card. Great representation of the slasher genre.

#22 - Suspiria (2018)

I’m a sucker for lore in movies, and Suspiria is full to the brim with details that expand on the world. Led by great performances from Tilda Swinton and Dakota Johnson, the movie is highly intelligent and occasionally brutally violent. The fact that the director’s prior movie was “Call Me By Your Name” shows that he’s a talented filmmaker no matter the genre.

#21 - Halloween (1978)

Michael Myers is iconic. The music is iconic. Jamie Lee Curtis is an all-time great horror leading lady. Halloween is a must watch for horror genre fans. 

#20 - Get Out

This movie is so well written it won an Oscar. Get Out is both hilarious and brutally tense. The acting is awesome across the board. Who knew Jordan Peele would use his comedy talent to make a career in scary movies? 

#19 - Shaun of the Dead

A classic comedy filled with so many jokes that it takes about 3 watches to catch them all. Not scary in the least, but uniquely playful in the genre. Also made Simon Pegg a star. Nothing but greatness here.

#18 - The Descent

I’ll always remember my first watch of this movie. It slaps you in the face with trauma in the first 5 minutes. Then spends three quarters of an hour building tension and claustrophobia before suddenly becoming a solid monster feature. Though it fizzles a little at the end with some wtf moments, the first 3/4ths are very effecting.

#17 - Nightmare on Elm Street

Nightmare on Elm Street is just a cool as hell idea for a horror movie. It takes the occasional predictability of Halloween or Friday the 13th and flips it. The kills are inventive and visually interesting, the effects are very cool, and you get to see Johnny Depp get brutally murdered. win-win-win.

#16 - Saw

Saw came out at a perfect age for me. Seeing this movie at 16 was a great experience. Even as the sequels got worse and worse, the whodunnit nature of the original held up. People were literally drowning in gore by Saw 3, but this is a solid movie that knows when to tone things down. Great watch.

#15 - Evil Dead 2

By turns hilarious and unsettling, watching Evil Dead 2 allows the viewer to marvel at the special effects done on a shoestring budget. Bruce Campbell is an absurd and talented physical actor, and singlehandedly carries this movie into the hall of fame.

#14 - IT Chapter 1

Chopping the 1,000 page Stephen King book in half allowed the first half of the IT saga to thrive. Bill Skarsgard is a fantastic Pennywise, and the child actors all do well. A slightly repetitive series of scares keeps this one from perfection (and would be the downfall of Part 2), but its still an amazing peak of the genre.

#13 - Dawn of the Dead (2004)

Fast zombies. Zack Snyder directing before his head got too big. Hilarious musical cues. Apocalyptic imagery. This movie is one of the best of the zombie genre.

#12 - Fright Night (1985)

One of the most simply fun movies on this list, Fright Night is straight out of the mid 80s. It never takes itself too seriously, but it still has some good scares sprinkled in. An essential vampire movie, and the remake with Colin Farrell wasn’t half bad either.

#11 - The Omen (1976)

One of my early favorites, The Omen is another lore filled film that gradually ramps up the twists until the dramatic finale. Probably one of the least scary films on my list, its built on Gregory Peck being a great actor and a few pretty messed up deaths.

#10 - An American Werewolf in London

Another favorite from childhood, this is the best the werewolf genre has to offer. Made by John Landis who also did Animal House and Blues Brothers, American Werewolf balances 80s level of gore with award winning special effects and clever music (every song featured has moon in the title).

#9 - It Follows

One of the newest (and most original) movies on the list, It Follows is one of a kind. It’s terrifying, has great cinematography and halfway through the movie you have absolutely no clue how it will end. Must see.

#8 - Midsommar

This is absolute newest film on the list, and one I’m anxious to rewatch. Midsommar sets itself apart by being 95% in broad daylight and providing a wealth of backstory to the “bad guys”. Also Florence Pugh shows that she is an amazingly skilled actress, particularly in the final 10 minutes.

#7 - The Exorcist

^That guy is scary. He’s also only in the movie for like 3 seconds. Obviously this is a classic. If you haven’t seen it and like horror at all, it will still amaze you, almost 50 years later. I would’ve loved to be a fly on the wall when it was in theaters watching people lose their minds. Still a masterpiece of the genre.

#6 - The Blair Witch Project

I watched The Blair Witch Project for the first time alone in my room at age...I believe 14. That was a mistake. While the mistakes of the hikers become a bit hilarious on multiple rewatches, the night scenes are still tense af. The last 15 minutes are uniquely terror-inducing. Everybody’s seen this one, but if you haven’t, maybe watch it with the lights on?

#5 - The Evil Dead (2013)

This movie is one of the most intense and relentless horror movies ever. Nail guns, rusty knives, a turkey carver, a chainsaw, a machete: people get literally ripped apart in this movie. But, here’s the thing, its really really fun to watch. You’ll be out of breath when its over, but still.

#4 - Cabin in the Woods

Cabin in the Woods isn’t THAT scary. It flirts with scary. It has some shocking and frightening moments But mostly its a shitload of fun that plays on every trope of the horror genre. It also has one of my favorite final moments of any film on this list.

#3 - The Thing

Underappreciated upon its release, The Thing has become the standard by which body horror is measured. Its delightfully paranoid and lets the audience sit and think as gruesome deaths pile up. 

#2 - Alien

One of the first movies to terrify me, Alien is one of the greatest horror movies ever made. The monster design is iconic. The kills and set pieces are one of a kind. It has a kick ass female heroine played by Sigourney Weaver. What more do you want?

and finally

#1 - The Shining

YEAHHHHHHH Here’s a brief list of iconic Shining scenes: - An elevator full of blood - The old woman in room 237 - All work and no play make Jack a dull boy - The snowy hedge maze - Here’s Johnny - Danny’s vision of the twins - The house of horrors finale featuring the man in bear costume featured above and of course - REDRUM This movie is a masterpiece, made by one of the greatest directors of all time, starring one of the greatest actors of all time and based on one of the scariest books by the defining horror author of our time. Its damn near perfect.