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My Husband Has a Symbiote! Pt.5
Pt.1 ~ Pt.2 ~ Pt.3 ~ Pt.4 ~ Pt.5
Relationship: Miguel O'Hara x AFAB! Reader
Word Count: 3.2k
Content: Lactation kink, pregnancy sex, childbirth, MINORS DNI!!!
Summary: In the final stage of your pregnancy, you find out a new thing your husband likes.
A/N: This will be the "last" part of this mini-series. I'm leaving it open-ended just in case I have another one in me. But count this as complete! I appreciate anyone who's been reading! (And I totally forgot to make a tag list. I will do that next time I do a series.)
“Aww, you shouldn’t have!” You hold up the hundredth spider suit onesie designed for an infant.
Miles' small smile was something you couldn’t be upset at, “It's no problem. But there's more.” He points to the tissue paper, causing you to look deeper inside. You gasp at the hand-drawn baby book. It's colorful and bright with a story about how a young spider made her way to find her family.
“Miles! This is adorable.” You squeal with excitement, holding it up for Miguel who was watching from afar with a smile. You motion Miles over to proceed to kiss his face with gratitude. Miles accepts your appreciation before politely pulling away.
“You're welcome.”
“My turn!” Another spider jumped in with another present.
For some reason, you've never pictured yourself having a baby shower. At HQ, out of all places. Plenty at Spider Society wanted to give you gifts to celebrate the baby. Which mainly consisted of their spider merch for babies.
Others were thoughtful. Hobie gave you a few CDs of punk music for the baby. He said it was supposed to help with developmental growth. Pavitr and Gwen collaborated on buying some baby toys. It was mainly stuffed animals. Somehow you also noticed the stuffed version of their spider personas in there. And Margo gave a few video games that also helped the development of the baby. Although these weren't going to be used until your child was big enough to hold a controller.
You were ecstatic to have a large circle who loved and cared for you genuinely.
“Oh, you're…leaking.” A spider pointed out. You looked down and your blouse was getting stained by milk droplets from your breasts.
Miguel was immediately by your side with a few wipes, “We can stop if you want-”
“I'm ok.” You said, “It's just a little milk.” In fact, it's been happening occasionally throughout your third trimester. Milk staining your shirts, preparing for your baby. Your husband lingered by your side for a moment and you caught him glancing at your breasts. Probably out of concern.
After getting home from the baby shower, Miguel insisted you relax on the couch. Making you watch him carry endless boxes from the party through the portal, setting them inside the house.
“I guess we don't have to worry about getting baby clothes for a while, huh?” You joked, losing count on how many baby spider onesies you all received.
“I'm not having our daughter just wear clothes that look like spider suits.” Miguel sighed, looking amongst all the boxes. Trying to figure out where to put them. You stood, ready to come to his aid. “I got this, baby. Go sit and relax.”
“I've been sitting all day.” You reminded him. “I need something to do.” You picked up a marker and started to go through what was in each box and label it. The two of you agreed to keep a few boxes in the house and put the rest in the garage. ‘It's what they're for’ as your husband would say.
It was a comfortable silence while you two dove in the boxes. After spending all day surrounded by people who constantly congratulated you, giving you stuff you needed, it was nice to enjoy the quiet. You two were pretty much ready for the due date in a couple of weeks. Miguel was not going to stand being underprepared if he couldn’t help it.
The boxes were almost done, your husband paused and honed on your breasts. “It's happening again.”
“God.” You huffed, going to the nearest bathroom. Quickly grabbing some paper towels. You understood that you had to produce milk for your baby, but it was getting a little annoying.
“Shut up.” You heard your husband say. It caused you to peek out from the doorframe in question.
“What was that?”
“Nothing!” Miguel quickly said, “It's just Ravage.”
You blinked, decided to not indulge and went back to cleaning yourself up. You were actually surprised by Ravage's willing cooperation throughout your pregnancy. The alien was still insatiable though and you were hesitant at first. Once the doctor reported that you should expect to have a healthy pregnancy, the symbiote was on to have sex a lot. Not letting a baby bump stop them from getting what they want..
It was actually nice though since your hormones have been off the charts. If you even looked at Miguel, you'd get horny. Not caring where you were at all. As long as he fucked you.
“Need some help?”
Miguel asked, standing by the door with a washcloth in his hand. He closes the door to the bathroom to create some more privacy like you two didn’t have.
“It's ok.” You try to decline but he takes away the paper towels, tossing them in the trash.
“It's not. Let me.” He dabs the warm, damp cloth on your breast. A much better feeling than the coarse texture the paper towel gave. You didn’t protest, knowing he was going to care for you in any way he can. But you watched his eyes.
They were honed in on your breasts. As if he was under a spell. Enraptured by the rag soaking up the milk droplets from your nipples. You held your breath, worried that if a small gust escaped you, it would break him from his trance.
“I think you're good.” Miguel snaps himself out of it, shooting you a small smile.
“Are you okay?”
“I'm ok. Why?”
You weren't sure whether to bring up what you just saw. Maybe it was your hormones acting up again. “Nothing. Nevermind.” You reassure him with a kiss.
While getting ready for your due date, you wanted to get ahead on things. You spoke to Jess on some breastfeeding tips. You figured it would be a good idea to ask since you've been leaking every five minutes.
The spider woman helps you on how to hold the baby, demonstrating by holding the air. You were listening to what she was saying, but you wondered if it would be better to have a visual aid.
“I would show you with Gerry, but he's a bit old to be breastfeeding now.” Jess laughs, “But I think there's something that could help.”
She shows you the breastfeeding dolls. Designed to do exactly what the name says. A baby with its mouth partially opened, giving you ample amount of practice to hold your baby correctly while they're feeding. And you could customize the baby too.
You quickly bought one, excited when it arrived a few days later. You undressed your fake baby from the plastic, eager to try it out.
With the help of Jess’ advice and a few diagrams from the pamphlet that was with your baby, you practiced. Holding the child close to your chest, making sure the mouth was positioned correctly so your not real kid was fed. How convenient that while you were practicing, milk started to leak from your nipple again. Into your fake baby's mouth.
“What are you doing?”
You turn from your position on the couch to see your husband, back from work. His face twisted in question. “Practicing. Wanna see?”
“Practicing what?” Miguel hesitantly walks over, answering his question as he sees you and the fake baby. “You need to practice breastfeeding?”
You nod, still cradling the child in your arms. “I want to make sure I get it right. I don't want to mess it up.”
“You won't mess it up.” He sits beside you, “I know you won’t.”
“Thanks. But I just wanna make sure.” You go back to pretend feeding your baby. Miguel is still next to you, watching you practice. It wasn't weird, you figured he wants to see how it works.
“And you need a fake baby to practice?”
“Yes, Miguel.” You give him a quick kiss to make him hush and you think that works but…
“This baby doesn't have fangs. Our baby might.”
You purse your lips, “I know. We already talked about the genetic make-up of our kid.” It was concluded that there was a strong chance your daughter would have fangs and red eyes. Since the percentage of spider genes in your spouse was 50/50. But you didn’t care. You'd love your daughter if she had eight eyes.
“Then maybe you should practice with something that has fangs.”
Your brows furrowed in confusion, “The baby design options were not that detailed. And we don't know any babies with fangs. Not that I'm saying to steal a baby, I'm just-”
Miguel takes the fake baby from you, placing it behind himself. Your eyes follow his movements when he turns you to face him.
“I have fangs.”
You blink, “They retract.”
“So?”
“So, I'm not going to breastfeed you.”
“Why not?” He looks at your chest again, still exposed from your practice. Milk leaking out once more.
You force out a chuckle, “Mig, you don't want to drink from my boob.”
“I didn't say that. Why are you implying that I don't want to taste?” His thumb presses against your nipple, drops of milk pouring down his digit. “It's food that helps feed our baby. It's not dangerous or anything.
You bite your lip as he flicks your nipple to watch the milk pour out. You didn’t want to admit out loud that seeing him like this was sexy.
“Is this you or Ravage being like this?”
Miguel leans forward, his body right above yours, “This is me and Ravage.”
“Oh.” Your face starts to get hot, “How long have you two been like this?”
“Since you started leaking. I'm not proud of the unnecessary thoughts I've had.” He ducks his head in embarrassment. But you couldn’t stop thinking about the fact that your husband wants to suck on your tiddy.
“I don't mind.”
Miguel groaned, his hands gripping the couch. “Sure you don't. I feel like a…pervert.”
“You're not a pervert.” You reassure him by resting a hand on his cheek. “You're just…discovering something new.”
“That's putting it lightly.” Miguel starts to push away, shutting himself down from what he craved deep down. But you didn’t want him to make him feel ashamed. You wanted him to do it.
By taking his arm, you make him stay. Removing your shirt, ignoring the milk dripping down to the underside of your breast. You keep calm as Miguel’s eyes darken at the sight of you. Licking his lips at the sight of the liquid. “Do it. It's ok.”
He bends down after your permission, capturing a breast between his lips. Miguel sucks, his body rumbling at the taste of your milk. Because of your hormones, everything was dialed up to 11. The sensation of his lips on you was enough for your wetness to stir down below. An embarrassing whimper escapes you, while you clutch at him in need.
Miguel makes sure both of your breasts are tended to by licking a strip of excess milk up from your other breast. His groans fill the open space and your ears.
“You taste delicious.” He compliments after getting the remaining droplets from your skin. “Our baby will love it.”
You notice his bulge amongst his pants, “You're loving it too.”
Miguel’s hand dips inside past your sweatpants and underwear. The lightest touch amongst your folds makes you croon as he feels your wetness. “So are you.”
Miguel became relentless once he started tasting your breast milk. The two of you played it under the guise that you were practicing when this was nowhere near that. Whenever you two were alone and you started leaking, instead of using a tissue, he used his mouth. Collecting every ounce of milk that came from your nipple.
It was addicting.
Your husband taking turns with the symbiote, tongues lapping at your nipples, tasting every single drop. Satisfied for the day. Especially when it came during sex.
You wondered if your belly would be in the way but Miguel took care of that. Using his strength to make sure he did all of the work, not you.
He would secure you by gripping your thighs. Spreading your legs just right before lifting you up and sinking you down on his gigantic cock. You refrain him from taking his symbiote form while having sex during the last trimester, unsure if his larger length would affect the baby. But his normal body was more than enough.
You'd whine while taking him as he lazy thrusts up into you. His face buried in your chest as he did so. Sucking on any drop of milk, groaning with his movements. Your arousal coated his cock, easy for him to slip and slide right in. And then a sense of satisfaction waved over your body once you were finished.
You had to enjoy these moments while you still can.
Your due date was coming in a few days. In a perfect world, Miguel would stay by your side. Watching over you and ready to go once the big day arrived. Instead, there was an influx of anomalies popping up in different dimensions. Leaving your husband to take care of it.
Plans had to change. He connected his watch to yours so he'd be informed when you call him for the big moment. He promised to pick up right away. You noticed his annoyance of the change of plans, knowing he didn't like not being nearby while you were like this. But you took it in stride. Soon, your baby girl will be here in your world.
Miguel had to go once more, kissing you goodbye along with the usual spiel of what to do when your water breaks. You decided to do a once over the baby’s room for the fifth time this week. A wide range of emotions consumed you, from excitement to fear. You want to be a good caretaker for your daughter. But you didn’t want to mess it up. All the self-help parenting books in the world wouldn't help you with the real thing.
A strange rush of fluids went through your lower body, staining your pants and the floor in the baby's room. Did your water just break?
Sharp pains riddle your stomach as you lean on the crib for support. The baby was coming. You tried to call Miguel through your watch, taking slow, deep breaths. You weren't going to panic. You two had planned for this.
He wasn’t picking up.
You could hardly move. Any attempt committed shockwaves across your entire body. You can't have the baby here, by yourself in the baby room. So you called Lyla.
“Heyo! What can I do for ya-oh that's not good.” Lyla says while watching your hunched state.
“Where's my husband?”
The AI shows you a bunch of screens you couldn't understand at the moment. “Tech issue while on a mission. Margo and I are working on it but communication is currently difficult.”
“H-How long will it take?” You were hoping for a good answer, anything to soothe your worries.
“ETA is ten minutes for all communications to be back online.”
That was definitely something you were not looking for. “In ten minutes, I'll be having this baby-” You groan, a contraction hitting you. “I-Is it possible…to tell Miguel that our baby is coming?”
“I can but it'll be delayed. He won't get the message right away due to his location.”
“Would anyone get it at HQ?”
“Oh yeah, there’s no issues there.”
“Who's at Spider Society?”
Lyla did a scan. It was quick but in your current state, she took forever. “Ben is.”
“Will the message be delayed if you reach out to him?”
“No, he should get it instantly.”
You told Lyla to send messages to Miguel and his left-hand man. You knew your spouse was going to be upset that he missed the start of what would change both of your lives. But you don’t think you could wait for him any longer. With all the strength you could muster, you grab the baby bag and place it on your shoulder. It takes everything you can to maneuver to the living room so Ben could pick you up quickly.
To your relief he was there in a flash, blue eyes darting around to get a clear look at the situation.
“Hi, Benny.” You gave him a weary smile, “Can you get me to the hospital?”
He quickly nodded, putting the baby bag across his shoulders. “I can't wait to tell Miguel I came to the rescue. You think he'd give me a metal?”
“Maybe.” You pat his shoulder as he gently picks you up, positioning you tight as he goes through the portal.
Your husband made sure there was a maternity ward and a birthing center in the building. Making sure you get top-notch level care throughout your pregnancy. Right when Ben takes you in, Miguel picks right up.
“Are you okay? Lyla told me the baby's on the way.” Before you could answer, you whined, a contraction stopping your words completely. That was enough to answer his question. “I'm coming. Just breathe like in those exercises we saw, okay? Like this.”
He starts breathing through the watch in a certain rhythm and you follow it as your doctors put you in a room. You lean against the hospital bed, the nurses helping change you into a gown.
“I really need you here, Miggy.”
You didn’t want to admit that you were scared. You had nine months to overcome your fear but now that you’re facing it, you wanted him there.
“I'm coming. Don't worry.”
True to his word, Miguel is in the delivery room not long after. Still in his suit but instantly by your side. You felt much better by his presence, gripping his hand as the birth of your baby began.
The entire labor was eight hours. You were doped up with medication so you couldn’t tell. The trials and tribulations of pushing, Miguel holding your hand to help you through it all. Thank goodness for his spider strength. It was hell, you weren’t sure if you wanted to get pregnant again after this. But it was all worth it for your baby girl.
Gabriella was beautiful with her brown skin, gentle red eyes and curly brown hair. Almost a spitting image of her father. A person you two made together after going through constant efforts of conception.
Miguel wipes his eyes, unsuccessful at holding back tears of joy. “She's beautiful.” He kisses your daughter's head and then yours.
Ravage comes out, the symbiote getting a good look at the sleeping baby in awe. “She smells. Like baby powder.”
“She does.” You press your nose to your daughter’s head, taking in that new baby smell. “Thanks, Rav. For helping us have this baby.”
The alien gets taken back. You wanted to express your gratitude, knowing your baby wouldn’t be here without them. “You are welcome.”
“We’re not letting you babysit though.” Miguel says, making it clear.
“At least until Gabi's older.” You clarified.
Ravage hums, “Fine. As long as we can have intercourse again.”
Miguel fights the urge to pinch his nose while you giggle. “Of course. Don't worry about that.”
#miguel o'hara x reader#miguel o’hara x reader#miguel o hara x reader#miguel o'hara x you#miguel x reader#spiderman 2099 x reader#miguel o'hara smut#miguel fanfic#slushycoookie writes
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. the Aestra Art House Gallery Exhibition 𓊆ྀི❤︎𓊇ྀི
— Nestled in the heart of a bustling city, a new art gallery has opened its doors, inviting art enthusiasts to experience a unique and inspiring event. Fully glamed, you decided to attend this event as it seemed very important after you received the invitation.
As you approach the gallery, you’re welcomed by an elegant facade, its modern architecture blending seamlessly with the urban surroundings. The large windows offer glimpses of the art inside, drawing you in with their promise of discovery. Stepping through the grand entrance, you find yourself in a serene and minimalist lobby. The atmosphere is calm and inviting, with light colors and tasteful decor creating a sense of tranquility.
Standing near the entrance is an elegant lady, dressed in a chic, tailored outfit that exudes both sophistication and warmth. Her attire is a perfect blend of classic and modern, with a flowing silk blouse paired with a sleek pencil skirt, complemented by tasteful jewelry that adds a touch of sparkle without being overpowering. Her posture is poised, and she carries herself with a grace that is both welcoming and refined.
With a genuine smile, she steps forward to greet you. Her voice is warm and melodic, instantly putting you at ease.
"Welcome to our humble Gallery." she says, her eyes twinkling with enthusiasm. "We're delighted to have you here. My name is Aestra , and I'll be your guide today."
She extends her hand for a light, friendly handshake, her grip firm yet gentle. As she leads you into the main gallery, she gestures gracefully to the various sections.
"We have a wonderful collection of art from talented artists around the world. Each room has a unique theme designed to inspire your creativity and imagination. If you have any questions or need any assistance, please don't hesitate to ask me."
Her demeanor is both professional and approachable, making you feel not just a visitor but a valued guest. Throughout your tour, she provides insightful commentary on the artworks, her passion for art evident in every word. Her knowledge is extensive, yet she shares it in a way that is engaging and accessible, ensuring you feel connected to the art and the stories behind each piece.
As you move through the gallery, Aestra checks in with you periodically, offering additional information and answering any questions you might have. Her presence is a perfect balance of attentive and unobtrusive, allowing you to enjoy the exhibition at your own pace.
— Welcome to the Aestra Art Exhibition. This exhibition features a curated collection of artworks, each showcased in thoughtfully designed rooms that offer a different theme, perfect for sparking creativity and helping you build your own artwork.
The exhibition is divided into six distinct rooms, each with a unique theme designed to inspire your creativity and help you craft beautiful artwork. Each room in the gallery is a portal to a different world, that transports you between dimensions and allows you to see the beauty of other worlds realms.
1.Dreamy Pastels Room 2.Cozy Cottage Room
3.Cosmic Wonders Room 4.Nostalgia Nook Room
5.Shades of Simplicity Room 6.Noble Narratives Room
୭ ˚. You are required to do your own artwork inspired by a well chosen room that the host of the exhibition will give you @aestraevents . all you have to do is send them a letter and ask them to give you a distinct room.
୭ ˚. Show your support by liking and reblogging this event post. Let your friends know about this magical experience! Spread the word by mentioning three of your closest friends in your reblog. Share the creativity and inspiration with those who matter most and secure your place in this artistic adventure by commenting 'joining' in the comments section below.
୭ ˚. Immerse yourself in the themes of our exhibition and craft your unique artwork. Be sure to tag us and use the hashtag #. ✿ ae–art house event⠀ ⠀❀𓊇⠀ .⠀ , so we can admire your creation.
Originality is Key: Please ensure your artwork is a reflection of your own creativity. Any copied artworks will lead to disqualification.
We can't wait to see your beautiful artworks and share in this artistic celebration with you!
Warm regards,
—The Lady Aestra.
my honored list⁚ @p-oisn @n-americano @neapolitism @gumishio @hcvenue @muruffin @sugarish @sukisng @obrigados @orientarla @iyuliae @iyunjin @c-heriis @i6gyu @ieailu @ritualdenoche @voladitos @vapeofdolls @versocanibal @nulliaely @winterfea @fre-sitas @flordoipe @eternacrueldad @snowithv @chaer-yeons @coralfragil @chaetopia @chaewebs @lacediore @graveroom @xooee @pommecita @zahraism @taroism @awwriri @rkkuri .
my note⁚ thanks guys for 100+ followers finally I m hosting my first event I worked hard on this for the last two weeks to host it on my first month anniversary I wish you all appreciate it🫶🏻❕
#. ✿ ae–art house event⠀ ⠀❀𓊇⠀ .⠀#aesthetic#digital art#divider and gifs by me#alternative#IF YOU ARE LOOKING FOR FUN HERE IS IT MATE#messy aesthetic#aestethic#pretty things#colours#messy icons
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2023 sewing projects - part 1 details at the end of the post (click here for part 2)
Note: I work for a fabric shop so I get most of my fabrics for free as well as some patterns as I have to be wearing our products at work (I definitely consider it a perk). Without this job I would not be sewing as much and I'd probably be buying most of my fabric second hand or on sale as I used to do before. I also sometimes sew during work hours so keep that in mind if you're also a sewist, go at your own rythm 💜 Although I have basic training in pattern drafting I prefer to sew from pre-existing patterns to save on time (as i have to regularly make myself some new clothes for work) and discover new techniques and styles - but I often change stuffs to adapt the designs to my style.
1 - first outfit for my friend's wedding (this one was for the henna night), it's made in a linen-viscose blend and it's very easy and quick to make + i can easily wear each piece separately!
2 - second outfit for my friend's wedding made out of 100% silk muslin (it was a big remnant i found on sale) - i ended up making made a lot of changes from the base pattern: i lenghtened the sleeves a lot, i changed the skirt piece as the og one was too short for me and also too wide for my narrow fabric so i just cut rectangles in the desired length and gathered everything at the waist - the skirt is fully lined both in silk and in lining fabric - I also took a lot in at the middle back and some on the sides (i would've have loved to make a toile but sadly a nasty tendinitis kept me away from sewing for a few months so i had to speed things up before the wedding)
3 - i made this bodysuit last week - it was my first time working on a knit fabric in a while and i should have lenghtened it a bit more than i already did as the shoulder seams are being slightly pulled back - in a viscose/polyester milano knit + modified pants from a magazine in a viscose , large pants in fluid fabrics like that are great for all seasons as i can easily put some tights on underneath when it's too cold. I'm so glad i found a knitted fabric to match the print on the pants!
4/5 - this dress and blouse have the same base pattern from the same book but i modified the end of the sleeves on both (they were supposed to be gathered on a wrist band and closed with buttons) to create a ruffle effect with an elastic - on the dress i took out the collar piece and slightly adjusted the side seams to make them more fitting + i traced another skirt piece based on the back of the skirt in pic1 and added a ruffle at the bottom - the dress is made in a viscose twill and the top in a coton double gauze
6/7 - both of these tops are made from the same pattern, i simply lenghtened the sleeves for the checkered version and on both i tightened the sleeve band - it's a very quick pattern to make. The dotted one is made from a very fine coton corduroy and the checkered one is in a coton double gauze. The pants are made in a thicker corduroy, I'm very much in between sizes when it comes to pants (depending on the brands I cover around 4 sizes between my waist and my thighs at their thickest) I ended up cutting the size for my thighs and simply deepening the folds and the darts to make it fit at the waist + I wanted a loser fit on the legs so i added 1cm on each side
8 - this shirt is made in a linen and viscose blend (same fabric as the pink matching set) except for the contrasting blue elements which are in linen-coton - i had fun playing with the classic shirt finishing and deciding what to do in blue (the buttonholes are threaded in blue!)
9/10 - this top is made from a simple coton gauze, the bodice is lined with the same fabric (super quick to make although the fact that the right and wrong side are the same means i've put in on wrong at least twice lmao) - the pants are made in coton gabardine (i've also had to trace between sizes here - this is a us sizes pattern and for this i'm in between 6 and 10 with a slight redrawing of the crotch and the side seams under the pockets) I love this pattern because it comes in a slim legs version, a straight one, a wide version (this one) and a short version. I've made another large version in orange and a slim version in white.
11 - these pants are made in a coton-linen twill - pretty straightforward in their making, as always I am in between sizes for pants so I cut a size 10 (can't remember if this was in us or uk sizes)and ended up having to do my usual changes for pants by deepening the front folds and the back darts (which I also had to make longer to accomodate not just for my waist circumference which is 2 sizes smaller than my thighs but also the arch of my back). Really like how large the belt is and how the fold is pressed all the way down the leg. I wore it with the green top, a red jacket and gold shoes for christmas eve!
#aleks if you're seeing this you're kind of an inspo for the last look it's just that I don't wear black#also if anyone wants more details on which patterns i used let me know!#vinformation#my sewing#i should start tagging that#i'll make another sewing post with the outfit i didn't take pics of yesterday#i either forgot about them or already liked the pics i had of them#sewing#crafts
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here's that other AU I've put way more into - the "Uncle Cally AU", where Cal was instead taken in by one Aquato Family Circus! This one is admittedly the brainchild of @friendlyfrankenstein, I just happened to take the ball and run... and run... and run.......
don't think this doodle dump is the start and end, though! There's a lot more coming up in the queue soon...
(alt text/image IDs under the cut!)
[Image 1 ID: A character design sheet for "Caligosto Aquato", an alternate version of Loboto who joined the Loboto Family Circus. He is wearing goggles similar to Raz's and has a full head of hair, with shaggy bangs and a light green kerchief patterned with yellow flowers. He has on a high-collared shawl cape with several safety pins and patches, over a navy-blue and white-striped Aquato family unitard and brown, puffy short-shorts with a deep red cummerbund. There are two patches on the torso of his unitard. His right arm has an elbow-length brown sleeve on his forearm with several patches and safety pins, while the left hand just has a red band around his wrist. He is wearing navy blue fingerless gloves on both hands, as well as knee-high, laced navy blue boots. There is a small knee guard on his left knee, while his left thing has a scrap of fabric tied around it, the same color and pattern as his kerchief. A detail shot shows him pushing up his goggles, revealing his green-and-red heterochromia and dark circles around his eyes. Off to the side is a design for his "Doctor Loboto" guise, wearing a simple surgical mask that covers his face, his canon-compliant shower cap, an oversized powder-blue button up, a apron over that with complex buckles in the back similar to canon, greenish surgical gloves, and the same blue boots as his "circus" design.]
[Image 2 ID: A rough sketch design for Cally's caravan. It is shaped like a carriage, with a swooped roof with a decorated lantern hanging off of it. There is a big window in the back, posters taped to the sides, and a hatch on the roof on the other side through which Cally is peeking out. There is an accordion-shaped, slightly curving tower emerging from the curved part of the roof, with a pipe weaving through and emitting a small cloud of smoke where it ends. The top of the "tower" has another, smaller window, in which Raz can be seen reading a comic and peeking outside. There is another, smaller lantern dangling from the tower, as well as what looks like a radio antennae at the very top.]
[Image 3 ID: A traditional ink doodle-page with various sketches of Loboto and other Psychonauts characters. At the center is a drawing of Uncle Cally and Augustus standing side by side. Cally is wearing large earrings and a shawl with a hood, a puffy-sleeved blouse, fabric tied around his waist like a skirt, and his usual striped tights and heeled boots. Augustus has a shawl wrapped around his neck and shoulders like a scarf, is wearing a baggy shirt with large, dangling sleeves, has a sash tied around his waist like a belt, and has his usual shorts, striped tights and boots.]
[Image 4-5 IDs: Various rough gestural sketches of Cally doing stretches, contortions and circus tricks. The first image is done digitally, while the second is traditional pen on a lavender post-it note. In one of the digital poses, a sketchy Raz can be seen balancing on top of one of Cally's feet.]
[Image 6 ID: A single-panel comic of a younger Cally and Augustus stretching. Cally is leaning against a wall with one hand, grabbing the ankle of his bent leg with the other, grinning and saying, "So is 'mooning over letters from Donatella' going in the act or something". Augustus, next to him in a deep lunge, holding a paper in one hand, blushing and glaring, retorts "Don't get on my case just because *you* don't like girls." Cally replies in turn, "You're just jealous the new strongman asked me out first".]
[Image 7 ID: A sketchy five-panel comic of Cally and the Aquato kids. In the first panel, Cally is squatting to secure a pulley on the ground, looking over at a young Raz in his circus outfit, who is staring at him. In the second, Mirtala runs by as he picks up his tools, tripping on a rock, causing a frantic Cally to catch her with a telekinetic hand; while he does, Raz is tugging on his arm, trying to get his attention. In the next panel he is bent over to pick up Mirtala, providing an opening for Frazie to spring up onto his shoulders, while Raz hangs around his legs yelling. In the next panel, Frazie is hanging off his back, sticking her tongue out at Raz, who climbs up Cally's leg pointing and shouting at Frazie, all while Mirtala fidgets in Cally's hold and Dion, shouting and holding a crying baby Queepie at arm's length, appears to the side. Cally, looking overwhelmed, screams "AUGUSTUS". The final panel shows Cally handing Mirtala over to an exhausted-looking Donatella, shouting "STOP HAVING KIDS". Augustus, standing next to Donna holding a sleeping Queepie in his arms, grins cheekily and retorts "But they're just so much fun to make".]
[Image 8 ID: A single-panel comic of Donatella and Cally. Cally is grinning, holding a terrified child upside-down by the ankles, using telekinesis to hold his arms and head in place, money falling to the ground out of his pockets. Donatella is in front of the kid, pointing and shouting, "YOU TRY TO SNEAK IN FREE, LITTLE PUNK?? THINK IT'S FUNNY DESTROYING SMALL FAMILY CIRCUS?! THAT YOU WILL ESCAPE CONSEQUENCES??" Augustus, in the background, looks on in horror.]
[Image 9 ID: Cally in the far foreground, motion-blurred and looking utterly terrified, running from Donatella in the background, who has skidded into frame in a wide stance, eyes glowing red.]
[Image 10-12 IDs: A three-panel comic of Cally, Oleander, and the Aquatos. Cally and Oleander are sitting side-by-side on a log, working on a rope-and-pulley system. Mirtala and Frazie walk in from the right side of the screen, Mirtala looking delighted and shouting, "It's Uncle Oly!! Uncle Oly's visiting!!" Oleander looks mildly surprised, while Cally looks extremely flustered. In the next panel, he catches Mirtala by the head with one hand, saying, "Woah woah *woah*-- Tala. Who told you to call him that??" Frazie, walking past behind him with a smug grin, responds, "Mom said we might as well get used to saying it sooner rather than later." In the last panel, a blushing and furious Cally says "Did she now," as he whirls around to look at Donatella, who looks incredibly smug as she stands with Queepie dangling from her hands by his arms. Off to the side, Oleander looks down in flustered confusion as Mirtala holds her arms up and shouts "UNCLE OLY UNCLE OLY WATCH MY NEW TRICK".]
[Image 13 ID: A drawing of Raz, Augustus, and Cally in the postgame of Psychonauts 2, at the cliff by the falls. Augustus is standing, staring out at the falls, with a hand on the back of Raz at his left, staring slightly up at him, and Cally to his right, sitting with his legs crossed, one arm propping him up, and the other up around his brother's back.]
#Anonymous Puzzler art#psychonauts#psychonauts 2#caligosto loboto#augustus aquato#donatella aquato#all the aquatos really but they're the most prominent#psychonauts 2 spoilers#friendlyfrankenstein#tw for some lightly suggestive humor
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Update 1!!
I forgot to take pictures... only took a couple of the skirt placket and pleats. Theeres about 6in of pleats, 3 on either side of the split. Theyre so tiny and i didnt bother doing the math, just eyeballed them and they look pretty okay, if not a bit uneven
I pretty much finished the skirt, i just need to press the hem. I used a couple large snaps and a hook/bar for the closure. I also got about halfway done sewing in the blouse placket, which will be closed with a bunch of snaps as well. This is going much more quickly than expected!! I had to stop often and adjust the video camera to get different shots so I couldnt just power through all the sewing :-(
I still need to do a couple more things to the blouse and finish the sash/belt thing. I need some synthetic whalebone for that, and I'm not thrilled to be buying more things tbh (mostly bitter about the shipping costs which i know will be more than the bones 😭😭😭) I placed a preorder for the American Duchess tango shoes so I'm a bit low on funds but im really excited about this whole thing.
Once I finish the whole outfit I think ill do a shoot at a cemetery or maybe a garden for the reveal. Anyone know any historical cemeteries in SoCal?
Date: 4/21/24
Edit:
Wait i took some pics on my instagram story!!!
I did a final design illustration with watercolor and got some aesthetic shots of both my treadle machine and hand turned machine :) Learning how to use my dads video camera has been... challenging.
#fashion history#historical costuming#mourning dress#sewing#edwardian era#victorian mourning#victorian dress#1900s#early 1900s#historical dress#mourning
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Phryne fashion tournament: looks one to eight
All credit for research on these wonderful costumes goes to @phrynefishersfrocks.
All caps from here.
Looks nine to sixteen available here.
1. Gold sequin gown (Framed for Murder)
[Image ID 1: Screencap from Miss Fisher's Murder Mysteries. Phryne is shown from the waist up wearing a gold sequined dress in her home. The dress has a wide neck with diamond ornementation. She has accessorised with a gold headpiece in a leaf design and dangly gold earrings. She holds a drink with an orange slice in her left hand. /End ID]
[Image ID 2: Screencap from Miss Fisher's Murder Mysteries. Phryne is shown from behind talking to some smartly dressed men in her parlour. Her gold sequin dress has a low, scooped back and her upper back is highlighted by three delicate gold chains strung across it. /End ID]
Our first look of the tournament is Phryne's gold sequin dress from Framed For Murder's dinner party scenes. It has a wide neckline, the low back scoop accented by three gold across her bare upper back.
2. Duster with hat and red patterned scarf (Death on the Vine)
[Image ID 3: Screencap from Miss Fisher's Murder Mysteries. Phrne is shown from the knees up standing in front of a horse and cart. She wears a cream duster, matching white hat, red blouse, brown skirt and a red scarf with an autumnal floral pattern. /End ID]
[Image ID 4: Screencap from Miss Fisher's Murder Mysteries. Wider shot from the same scene as the previous image. Phryne's brown aviator boots are now also visible. /End ID]
Phryne's classic duster car coat and matching hat make an appearance in look number two. From Death on the Vine, they're matched with a red, autumnal patterned scarf and her aviator boots.
3. B&E beret and grey tweed coat (Dead Air)
[Image ID 5: Screencap from Miss Fisher's Murder Mysteries. Phryne is in an old-fashioned radio studio, wearing a grey tweed coat with white panels, a black blouse, black gloves and a black beret. She has a black and white brooch on the coat lapel. /End ID]
[Image ID 6: Screencap from Miss Fisher's Murder Mysteries. A close up of Phryne wearing the same grey tweed coat and black beret from the previous image. /End ID]
Our third look is from the climax of Dead Air - Phryne's grey tweed coat with white panels worn over an all-black look and paired with her break and enter beret. It's a classic look, the beret and the coat appearing together previously in Raisins and Almonds. This time she's accessorised with a black and white brooch.
4. Green waltz dress (Death at the Grand)
[Image ID 7: Screencap from Miss Fisher's Murder Mysteries. Phryne stands inside an open doorway, buildings across the street out of focus through the doorway behind her. She wears a green dress and matching shawl. /End ID]
[Image ID 8: Screencap from Miss Fisher's Murder Mysteries. Phryne and Jack waltz in an empty ballroom. He wears a blue suit and brown shoes. She wears a the same green dress as in the previous image. Also clear from this angle are her gold shoes and headpiece. /End ID]
Look number four is Phryne's beautifully cut dress from the waltz scene in season three's Death at the Grand. The sutble pattern on the fabric is offset by simple details like the cord at the neckline and the clasp at the hip. She has a matching shawl but discards this to get down to risky business.
5. Sequin swing coat with black fur trim and B&E beret (Murder a la Mode)
[Image ID 9: Screencap from Miss Fisher's Murder Mysteries. Phryne stands examining an old fashioned camera. She wears a black beret, a black coat with a green and pink sequin pattern and black fur trim and black gloves. /End ID]
[Image ID 10: Screencap from Miss Fisher's Murder Mysteries. Phryne is shown from the waist up in front of a beige wall, wearing the same coat and beret as in the previous image. /End ID]
For look five, Phryne wears this wonderful sequined coat with a flower pattern and black fur trim. Seen when investigating at the House of Fleuri, she's paired it a black camisole and the ever reliable break & enter beret.
6. Silver patterned dressing gown (various episodes)
[Image ID 11: Screencap from Miss Fisher's Murder Mysteries. Phryne sits on bed beside Dot looking at a photograph held up in her hand. She wears a silver kimono with black pattern. /End ID]
[Image ID 12: Screencap from Miss Fisher's Murder Mysteries. Phryne is shown from behind sat on her bed wearing her silver and black kimono while kissing Lin Chung. /End ID]
Look number six is Phryne's silver kimono, the first but not last of her lovely robes to feature in our tournament. This one appears in several episodes, starting with season one's The Green Mill Murder. The silvery white fabric has a black floral pattern. The deep v neck at the back is accented by amber crystals.
7. Lilac damask dress and gold shawl (Queen of the Flowers)
[Image ID 13: Screencap from Miss Fisher's Murder Mysteries. Phryne is shown from the waist up standing outside. Tree leaves and a window are out of focus in the background. Phryne wears a lilac dress with a low neck and metallic pattern, accessorised with a gold shawl, gold bracelet and gold leaf design headpiece. /End ID]
[Image ID 14: Screencap from Miss Fisher's Murder Mysteries. Phryne is shown full length from behind in an open doorway. She wears an ankle lenght lilac dress with a flared hem, a gold shawl, gold heels, and carries a gold handbag. /End ID]
Phryne's lovely gold and lilac look from the end of Queen of the Flowers is look number seven. Her long shawl is complemented by gold accessories.
8. Santa ski look (Murder Under the Mistletoe)
[Image ID 15: Screencap from Miss Fisher's Murder Mysteries. Phryne is outside in a snowy landscape with a house and trees in the background. She wears a red coat with fluffy white trim at the collar, base and cuffs; a white scarf; a fluffy white hat; and red gloves. She is pointing at something offscreen. /End ID]
[Image ID 16: Screencap from Miss Fisher's Murder Mysteries. A closer angle shot showing Phryne outside in a snowy landscape with trees in the background. She wears the same outfit as in the previous picture, less the scarf. /End ID]
Look eight is Phryne's santa-esque outdoor wear from Murder Under the Mistletoe. An abundance of white fur, even with a matching hipflask bag. What's not to love?
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DCA Info Part 60: Behind the Scenes
🐱 Revisited Duchess
Duchess seems to have gotten a makeover! Duchess was revamped because according to Phoenix, her initial clothing wasn't fitting for the time period of The Aristocats, which takes place in Paris, France during 1910. Duchess now wears a lavender dress worn over what appears to be a white blouse alongside a pair of lavender shoes with bows on them. Duchess accessories with a lavender bonnet with various white ribbons and ruffles alongside dark magenta roses along with a jeweled collar. Another accessory included is a pink fluffy hand fan with a dark magenta gem brooch.
Additionally, on the bottom left is Duchess' family tree, including her three children who are all 6 years old. The children include Marisse (Twisted from Marie), Bertold (Twisted from Berlioz) and Telfor (Twisted from Toulouse).
Some notes from Phoenix include that majority of Duchess's clothing will be based on fashion from the 1900's and that her signature colors are lavender, pink, dark magenta and dark violet.
🍎 The Pommeneige Dorm Dwarves
These little dwarves serve as the maintenance workers of the Pommeneige dorm living quarters. They will find lost objects and keep things neat and tidy for the students. Students repay them by placing sweets, bread or even small clothes for them in the charity basket in the Pommeneige dorm living quarters lobby.
All of the dwarves wear red and pointy hats, making them resemble lawn gnomes. The designs are as follows:
1. Features a large head with a round nose and small tuffs of hair coming out from beneath the hat. His tunic is a turtleneck one which obscures his mouth and he has rather small feet.
2. Features a pointy triangle hat with string and button decorations. He has the same round nose as the first dwarf but has cartoony eyes and a mustache and beard. His tunic appears to be tucked in and he wears pointy shoes.
3. Features a feather pinned to his hat with eyebrows and a rounded beard. He wears large round black boots.
4. Features eyebrows and rectangular eyes as well as a mustache. His tunic's collar covers his face and he wears a large belt and small boots.
✨ The Dorm Fairies Coronation Outfits
During Coronation Ceremonies, the dorm fairies accompany their dorm leader in a ceremonial outfit, likely based on the dorm's aesthetic. The outfits are as follows:
🍎 Applette wears a dress with puff sleeves and various ruffle and pearl details throughout. She accessorizes with an apple shaped crown with rounded arches and a lacy veil.
👠 Bumpkin wears a ruffle caplet and dress with the dress' bustle being tied by flowers. She accessorizes with a ruffle flower, ribbon and crown.
🫖 Sui's teapot appears to feature a large ribbon wrapped around it with the ends tied into the shape of a bow. Sui herself wears a ruffle bonnet with a large bow and a ruffle collar.
😴 Willow wears a dress with the top layer having pointed edges with rose decorations and the second layer being ruffle like in detail. Willow also wears a high collar and a caplet with a bow on it. Willow wears a witch like hat with roses and ribbons.
🐠 Marina wears a dress that makes her resemble a jellyfish with the bottom having pearl strands with a large collar that resembles a shell. She accessorizes with a crown made from shells and pearls and a pearl necklace.
🌹 Rosia wears a collar made of roses and ruffles that resembles the mane of a lion. Her dress features roses and the dress' bottom features ruffles.
🏝 Luna wears a long sleeve top with a sari, harem pants and curled shoes. She has pearls throughout her hair and a flower in her hair.
🐲 Cinder wears a dress with apron like details and collar made from fur. Cinder accessorizes with a fan hairpiece with flowers and various pins.
🍂 Skili wears a long sleeve dress with fringes at the sleeve tips and the dress' bottoms. She also wears a feather hairdress.
🐸 Lillie wears a dress with a flower on the right side of the waist and appears to be attached to leaves. She accessorizes with a rosette hairpiece with a lotus flower and pearl beads. She also wears a pearl necklace.
🎀 Hairstyle Experiments
Some of the hairstyles featured here would carry over to the girls revamped looks.
🌺 Vidya Story Illustrations
These were created when Phoenix wanted to develop individual stories for each character. Above is a development sketch of Vidya dancing with likely a possible suitor while the bottom picture has her tending to parrots.
🍎 Evonie's Personal Quarters Bed
Evonie’s bed in the Pommeneige Dorm.
🥀 Amare Casia, Briar's late mother
Colored by me. View the post here
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Venus | Heaven's Design Team
[ID: A gifset containing two banners and four gifs of Venus from Heaven's Design Team. Venus is a woman with light purple hair with pink highlights, her hair is done up in a bun while her bang forms a swirl to the left. She has blue eyes with long eyelashes with pink lipstick and eye shadow. Banner 1: A banner of pink feathers on a light purple background, pink lines border the banner. GIF 1: Venus is wearing a sheer light pink blouse and adorned with various golden jewelry of necklaces and gemstone rings. She cautiously holds a hummingbird in her hands as it begins to fly. Once the bird has fully begun flight she proudly looks how it flutters. GIF 2: Venus has her hair done in loose twin braids that rest on her shoulders. She is wearing a pale green blouse with slits on the arms, black triangle earrings, and green nails. She is slouched down in full focus drawing up a design. Neptune and Shimoda both slowly peak over her shoulder as she writes. She sits up triumphantly after finishing the design, looking down at it while the paper shines. GIF 3: Venus is wearing an extravagant outfit of feathers, her top is a white sleeved shirt with pink and yellow feathered cuffs with blue gradient ruffle on the chest. She has two long feathers adorning her hair and red triangle earrings. Her make up now has emerald green eye shadow and bright red lipstick. She is passionately singing into a golden mic. GIF 4: Venus is wearing a sheer light pink blouse and adorned with various jewelry: golden square earrings with a blue gem, several golden ring necklaces with a blue gemstone, one thin golden necklace, four thin golden bangles, a large ring with an opal gem, a metal ring, and her bun adorned with golden spikes. She has light pink eye shadow with a dark pink lip, she also has dark blue nails. She is looking up to the right dramatically in protest, her head leaning onto her hand. Banner 2: A banner of pink feathers on a light purple background, pink lines border the banner. end ID]
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1920 Embroidery Designs
These are all advertisements for and previews of transfer patterns, which can be enlarged and copied for normal use. Designs from after 1920 can be found on my blog.
Ashley, Marie. "Appliqué Work Appears Among the New Embroideries." The Delineator, vol. 97, no. 2 (Sept. 1920), p. 108. Ashley, Marie. "Beading with Embroidery and Various Stitches Are Combined." The Delineator, vol. 97, no. 2 (Sept. 1920), p. 109. Ashley, Marie. "Combined Stitches for Blouse and Cut-Work for Linen." The Delineator, vol. 96, no. 3 (Mar. 1920), p. 149. Ashley, Marie. "Embroideries for New Frock and Blouse." The Delineator, vol. 96, no. 1 (Jan. 1920), p. 87. Ashley, Marie. "Embroidery Captures the Costume in a Bold, Effective Manner." The Delineator, vol. 96, no. 5 (May 1920), pp. 164–165. Ashley, Marie. "Embroidery for the Bride and Her Kinswomen." The Delineator, vol. 96, no. 6 (Jun. 1920), p. 127. Ashley, Marie. "Embroidery Touches on a Variety of Subjects." The Delineator, vol. 96, no. 4 (Apr. 1920), p. 165. Ashley, Marie. "New Embroideries for the Costume, Lingerie and Household Linens." The Delineator, vol. 97, no. 1 (Jul. 1920), pp. 110–111. Ashley, Marie. "Roman and Italian Cut-Work." The Delineator, vol. 96, no. 1 (Jan. 1920), p. 86. Ashley, Marie. "Simple Embroideries Gain More Ground on the New Costume and Cover It Effectively." The Delineator, vol. 97, no. 4 (Nov. 1920), pp. 132–133. Ashley, Marie. "Stitches that Pick up One's Leisure Summer Hours." The Delineator, vol. 97, no. 1 (Jul. 1920), p. 109. Blondel, Elisabeth May. "Gay Needlework for the Bungalow." McCall's Magazine, vol. 47, no. 9 (Jun. 1920), p. 65. Blondel, Elisabeth May. "New Effects in Summer Embroideries." McCall's Magazine, vol. 47, no. 8 (May 1920), p. 71. Blondel, Elisabeth May. "New Effects with Old Stitches." McCall's Magazine, vol. 47, no. 10 (Jul. 1920), p. 52. Blondel, Elisabeth May. "New Embroideries for Fall Garments." McCall's Magazine, vol. 47, no. 12 (Sept. 1920), p. 60. Blondel, Elisabeth May. "Quaint Motifs and Correct Initials." McCall's Magazine, vol. 47, no. 11 (Aug. 1920), p. 54. Thomas, Helen. "Old Stitches Employed in New Ways." McCall's Magazine, vol. 47, no. 6 (Mar. 1920), p. 77. Wheeler, Harriet C. "Embroideries for the Little Folks." The American Woman, vol. 29, no. 8 (Jan. 1920), p. 6. —. "Embroideries That Meet the Christmas Gift Order of the Women and Children First." The Delineator, vol. 97, no. 5 (Dec. 1920), pp. 104–105. —. "Hand Trimming a Necessity for the Parisienne's New Costume." The Delineator, vol. 96, no. 3 (Mar. 1920), p. 146. —. "The Embroidery Needle Makes Short and Effective Work of Trimming the New Costume." The Delineator, vol. 97, no. 3 (Oct. 1920), p. 144. —. "The New Season's Smartest Trimmings." The Delineator, vol. 96, no. 2 (Feb. 1920), p. 134.
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Ranking Virginia Johnson's 10 best outfits from Masters of Sex
Masters of Sex was known for many things: the outstanding acting, the excellent set design, the hot ape-on-human action—but one aspect that never goes unmentioned with the show is the incredible costume design.
For those who don't know or who became Masters of Sex fans recently, the show had two main costume designers: Ane Crabtree, who did seasons one and two, when the show was in the late 50s and the early 60s; and Isis Mussenden, who did seasons three and four, the mid to late 60s.
Pictured above: Ane Crabtree (left) and Isis Mussenden (right)
Almost all of the costumes the main female characters would wear were hand-made, so if you happened to see an outfit on the show that you liked, you were pretty much out of luck. I own a couple outfits from the show (a couple of Bill's suits, one of Libby's sweaters, and one of Virginia's dresses—which I'll get to later in this post!) and not only does it feel like I own a piece of the show, but I also feel like I own a piece of fashion history in a way since this outfit does not exist anywhere else.
So in my opinion, no other character on Masters of Sex looked better in what they wore than Virginia Johnson (although Betty would be close behind), and I figured I would rank my ten favorite of Virginia's outfits/looks from throughout the show. So let's start!!
#10. Virginia's navy jumpsuit with patterned belt/scarf (season 4, episode 1—circa 1968)
This is one of the first outfits we see Virginia wear in season four, which begins in 1968. It's definitely a unique look, I honestly can't remember seeing Virginia wearing anything other than a skirt or dress.
#9. Virginia's blue polo dress with multi-color scarf (season 3, episode 4—circa 1966)
Right away I should apologize because I do not know fashion terminology, like at all, so I'll probably be using pretty generic terms for a lot of these outfits. But this was one of my favorite outfits of Virginia's from season three. It's very colorful and vibrant and I love the use of buttons.
#8. Virginia's orange/brown blouse and brown skirt (season 2, episode 8—circa 1960)
Although this post is dedicated for the clothes, I will take a moment to say that my favorite hairstyle of Virginia's is hers in the second half of season two, which she sports in this outfit. This is a great outfit, it feels reminiscent of the first season but slightly more modern, as this was the first episode of the show to take place entirely in the 1960s.
#7. Virginia's yachtcore red/white/blue outfit (season 3, episode 10—circa 1968)
Virginia wears this after going sight-seeing with Dan Logan in season three. This is definitely one of the more extravagant of her outfits this season. I like it, I think it really works, even if it does look like she just went boating.
#6. Virginia's abstract blue patterned dress (season 4, episode 9—circa 1969)
This is the outfit I mentioned earlier that is the only outfit of Virginia's that I actually own! I got it on eBay earlier this year. I'm obsessed with that black/blue abstract pattern, I've tried reverse-image searching but I couldn't find anything. This dress only appears in one scene but it still left an impression on me.
#5. Virginia's navy jacket and red/orange turtleneck outfit (season 4, episode 6—circa 1969)
It's interesting to compare Virginia's wardrobe from seasons three and four. It feels like she dressed more conservatively in season three and then went all-out 60s in season four. This is an incredible look, I love it.
#4. Virginia's blue/black dress (season 2, episode 5—circa 1958)
I honestly don't really have much to say about this one, it's just really beautiful. It looks somewhat imperial with the way the buttons are placed.
#3. Virginia's black dress with grey scarf (season 2, episode 10—circa 1960)
Very simple but at the same time it just works so well. It's honestly a look I've tried to recreate myself—and it's pretty easy to do! All you need is a black t shirt and a small strip of black fabric, sew it on, and you've got a little pocket thing for a scarf.
#2. Virginia's navy/orange button-up dress (season 4, episode 3—circa 1969)
Usually with this show, I'll fall in love with the costumes after rewatching the episodes several times. This particular outfit jumped out when I first watched the episode, I love it. It's a shame that it was only used in one scene. As far as I know, it was not for sale during the prop auction. I think only about half of Virginia's seasons 3/4 wardrobe was auctioned off, I'm very curious as to where the other half is, if Isis Mussenden or Lizzy Caplan got to keep them.
Of the two costume designers, I think I prefer Isis Mussenden's work on the show over Ane Crabtree's, but that's more so because I just prefer the style of the late 60s as opposed to the late 50s. However, it is one of Ane Crabtree's costumes that takes the top prize!
#1. Virginia's brown CBS interview dress (season 2, episode 11—circa 1960)
This really is the most elegant outfit from the entire show. It's a beautiful color, I love the unusual neckline, and the brooch is like the perfect cherry on top.
So what are your favorite outfits of Virginia's from Masters of Sex? Really, if you have any thoughts, please share them!! I love the fashion on this show, I love hearing people's thoughts on it and I could talk about it endlessly.
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5 tips on how to keep garments looking good Garment Care Hacks: Surprising Tricks for Long-Lasting Clothes
As fashion enthusiasts, we all understand the joy of owning beautiful garments that make us look and feel great. However, taking care of our clothes is just as important as choosing the right pieces. With the right care and maintenance, we can ensure that our beloved garments stay in top condition for years to come.
Here are 5 essential tips to help you keep your clothes looking fresh and fabulous:
1. Follow Care Instructions: Always adhere to the care labels on your garments. Different fabrics and garments require specific care methods, such as washing temperature, drying instructions, and ironing recommendations. Following these instructions can prevent damage and maintain the quality of your clothes.
2. Proper Storage: Store your garments properly to prevent wrinkles, stretching, and damage. Hang delicate items such as dresses and blouses on padded hangers to maintain their shape. Fold knitwear and sweaters to prevent stretching. Use garment bags for special or delicate pieces to protect them from dust and moths.
3. Regular Maintenance: Attend to stains promptly to prevent them from setting in. Use appropriate stain removal techniques for different types of stains and fabrics. Additionally, regularly lint-roll your garments to keep them looking fresh and free from lint and pet hair.
4. Rotate Clothing: Avoid excessive wear and tear by rotating your clothing regularly. This allows garments to rest and recover their shape between wears, extending their lifespan. Try not to wear the same items consecutively and give them time to air out before wearing them again.
5. Quality Washing Practices: Use gentle detergents and avoid overloading the washing machine to prevent damage to fabrics. Wash similar colors together to prevent color bleeding. When possible, opt for hand-washing or gentle cycles for delicate items. Additionally, consider air-drying clothes instead of using a dryer to prevent shrinkage and fabric damage.
By following these tips, you can help prolong the life of your garments and keep them looking good for longer. Taking a little extra care with your clothes can go a long way in maintaining their quality and ensuring that you get the most out of your wardrobe.
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Ro's Bi-Weekly Edit
May 21st - June 3rd, 2023
In case you missed it, here's a roundup of the fics and ficlets posted this past two weeks!
Below the cut are links and snippets from 4 works from 3 series.
Plans, part one of Time & Tines Steve Rogers x villain!Reader
Steve tilts the tea in your direction. “Here’s hoping you didn’t waste truth serum on me,” he cheers. “Might be the only drug completely useless both after and before Erskine’s formula.” You’re amused, a smirk lifting fading, dark lips. “Ah yes. Good, honest Captain America.” “To a fault.” “No.” Your seriousness stops him cold, and Steve’s smile fades. “It’s not a fault. You’re just rare.” You value honesty. He can work with that.
Too Eager, a Bedrock and Blueprints tale, Rated Mature Ari Levinson x best friend!Reader
“Let’s get you comfy, okay?” He rolls the zipper of your skirt down at your side and yanks it free slowly. He runs his hands up your body and back, under your blouse, to unhook your bra, ghosting a kiss to your clothed chest before sitting back up to tug at your tights. He didn’t say anything about you only taking your shoes off at the edge of the couch, which means Ari is being remarkably controlled for how much he hates shoes in the house. As he playfully shimmies the long and frustrating tubes of nylon over your feet, you sit up to pull off everything up top, letting the blouse and bra drop to the floor and crossing your arms over your bare chest. “Cold?” You nod, and Ari takes off his own t-shirt right there to help you into. It’s warm from his body and each fiber smells deeply of a decade of comfort. His hands return to holding your thighs. “Better?” Yes, but you don’t want to talk about it.
Sad Sack, a Common Education drabble Jimmy Dobyne x professor!Reader
"Is this because of one paper? Did something happen in another class?" You stop yourself from ripping the smoke right out of his mouth so he'll look you in the eye. Jimmy shakes his head and does it for you, rolling his tongue over chapped lips and then holding them in. "No, ma'am." You relax a little, waiting for him to elaborate. You're waiting the whole time Jimmy mulls over his cigarette. He takes out a lighter and then thinks better of it and shoves it back in his pants, leaving the hand buried in his pocket. "Can't have you thinking of me like that," he mumbles. "Like what if I just get worse? What if I'm stupid and...I don't want you to see me that way."
Reversal Point, part five of Threadbare Steve Rogers x fashion designer!Reader
It’s Hellfire Night. There’s a crackle of road gravel as the limousine pulls right up to your curb, but you don’t see Steve first. Sam Wilson pops his head and torso out of the sunroof with a beaming white smile. “Ah yes, the woman of the hour,” he coos before glancing back down into the backseat. “Close your mouth, buddy. You’re gonna swallow a bug.” You giggle and approach the shiny black car. The door latch opens from the inside. “You look ama—“ Thud. Steve whacks his head on the door rim trying to step out. “Oh gosh, are you okay?” You make it to him just as Steve stands up straight on the sidewalk. It’s easy and instinctive, meant to be, the way his hands settle against your arms and sweep down to hold your delicately gloved hands. “You’re stunning,” Steve whispers. “That’s not a concussion talking?” “He’ll survive,” Sam yells from inside the car. “Pretty sure he ran through several solid walls just to get to the showers after our run.” “It was one glass door and I didn’t see it close after Davis,” Steve barks over his shoulder. You tick your head up toward your apartment. “You and the windows, handsome. Not friends, huh?” He rolls his glittering blue eyes playfully, huffing, “Don’t you start.”
[Main Masterlist; Light Masterlist; Ko-Fi]
#ro's bi-weekly edit#in case you missed it#steve rogers fanfiction#steve rogers x reader#time and tines#threadbare#ari levinson fanfiction#ari levinson x reader#ari levinson smut#bedrock and blueprints#villain!reader#best friends to lovers#fashion designer!reader
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𝙵𝙰𝚂𝙷𝙸𝙾𝙽 / 𝙰𝙿𝙿𝙴𝙰𝚁𝙰𝙽𝙲𝙴 𝚂𝚃𝙰𝚃𝚂 .
TAGGED BY: no one, i stole it 🤭 TAGGING: whoever else would like to do it <3 italic - means sometimes / sort of / kinda depending on the context!
★ ⸻ 𝐁𝐎𝐃𝐘
Long legs. Short legs. Average legs. Slender thighs. Thick thighs. Muscular thighs. Skinny arms. Soft arms. Muscular arms. Toned stomach. Flat stomach. Flabby Stomach. Soft stomach. Six Eight pack. Beer belly. Lean frame. Slender frame. Muscular frame. Voluptuous frame. Petite frame (5 ft 4 or shorter). Lanky frame. Short nails. Long nails. Manicured nails. Dirty nails. Flat ass. Toned ass. Bubble butt. Thick ass. Small waist. Thick waist. Narrow hips. Average hips. Wide hips. Big feet. Average feet. Small feet. Soft feet. Slender feet. Calloused feet. Calloused hands. Soft hands. Big hands. Average hands. Small hands. Long fingers. Short fingers. Average fingers. Broad shoulders. Underweight. Average Weight. Overweight.
★ ⸻ 𝐇𝐄𝐈𝐆𝐇𝐓
Shorter than 140 cm. 141 cm-150 cm. 151 cm to 160 cm. 161 cm to 170 cm. 171 cm to 180cm. 181 cm to 190 cm. 191 cm to 2m. Taller than 2 m.
★ ⸻ 𝐒𝐊𝐈𝐍 | italic: kind of
Pale. Fair. Rosy. Peachy. Gold. Olive. Dark. Tanned. Blotchy. Smooth (facial area). Acne. Dry. Greasy. Freckled. Scarred. Warm tone. Neutral tone. Cool tone. Tans easily. Prone to sunburn.
★ ⸻ 𝐄𝐘𝐄𝐒 | italic: sometimes
Small. Large. Average. Grey. Brown. Black. Blue. Red. Green. Gold. Hazel. Doe-eyed. Almond. Close-set. Wide-set. Squinty. Monolid. Heavy eyelids. Upturned. Downturned. Deep set.
★ ⸻ 𝐇𝐀𝐈𝐑 | italic: has had
Thin. Thick. Fine. Normal. Greasy. Dry. Soft. Shiny. Curly. Frizzy. Wild. Unruly. Straight. Smooth. Wavy. Floppy. Cropped. Pixie-cut. Short. Shoulder length. Back length. Waist length. Floor length. Buzz cut. Bald. Jaw length. Mohawk. White. Platinum blonde. Golden blonde. Dirty blonde. Ombre. Light brown. Mouse brown. Chestnut brown. Golden brown. Chocolate brown. Dark brown. Jet black. Ginger. Auburn. Dyed red. Dyed any “unnatural color”. Streaked. Thin eyebrows. Average eyebrows. Thick eyebrows.
★ ⸻ 𝐓𝐀𝐓𝐓𝐎𝐎𝐒 / 𝐏𝐈𝐄𝐑𝐂𝐈𝐍𝐆𝐒 | italic: has had
Full sleeve. Thigh tattoo. Shin tattoo. Wrist tattoo. Lower back tattoo. Hand/finger tattoo. Foot tattoo. Neck tattoo. Face tattoo. Back tattoo. Chest tattoo. One tattoo. A few here and there. Multiple. No tattoo. Monroe piercing. Nose piercing. Septum. Nipple piercing(s). Genital piercing(s). Industrial piercings. Earlobe piercing. Prince Albert piercing. Eyebrow piercing(s). Tongue piercing(s). Lip piercing(s). Tragus piercing. Angel bites. Labret. Stretched out ears. Navel piercing. Inverse navel piercing. Cheek piercing(s). Smiley. Nape piercing(s). No piercings.
★ ⸻ 𝐂𝐎𝐒𝐌𝐄𝐓𝐈𝐂𝐒 | italic: sometimes
Light eyeliner. Heavy eyeliner. Cat eyes. Mascara. Fake eyelashes. Matte lipstick. Regular lipstick. Lipgloss. Lip balm. Lip tint. Red lips. Pink lips. Dark lips. Bronzer. Highlighter. Eyeshadow. Neutral eyeshadow. Smoky eyes. Colorful eyeshadow. Blush. Lipliner. Light contouring. Heavy contouring. Powder. Matte foundation. Dewy foundation. Concealer. Wears make up regularly. Wears it from time to time. Never wears make-up.
★ ⸻ 𝐒𝐂𝐄𝐍𝐓 | italic: sometimes
Floral. Fruity. Perfumes. Aftershave. Cocoa. Moisturizer. Natural soap. Shampoo. Cigarettes. Leather. Sweat. Food. Incense. Marijuana. Cologne. Whiskey. Wine. Fried food. Blood. Fire. Metal. Rain. Grass. Ocean. Autumn leaves. Baked bread. Freshly baked cookies. Smoke. Campfire. Lavender. Trees. Pumpkin Pie. Musk. Rose. Gingerbread. Peppermint. Oak. Honey. Lemon. Vanilla. Coffee Cake. Mint. Raw hyde.
★ ⸻ 𝐂𝐋𝐎𝐓𝐇𝐄𝐒 | italic: has worn
Jeans. Tight pants. Over-knee socks. Tights. Fishnets. Leggings. Yoga pants. Pencil skirt. Tight skirt. Loose skirt. Tight/formfitting dress. Cardigans. Blouse. Button up shirt. Band-T-shirt. Sports-T-shirt. Sweatpants. Tank-top. Cut off t-shirt. Designer. High street. Online stores. Thrift. Lingerie. Long skirt. Miniskirt. Maxidress. Sun dress. Tie. Tuxedo. Cocktail dress. Highslit dress/skirt. T-shirt. Loose clothing. Tight clothing. Jean shorts. Sweater. Sweater vest. Khaki pants. Suit. Hoodie. Harem pants. Basketball shorts. Boxers. Briefs. Thong. Hotpants. Hipster panties. Bra. Sports bra. Crop top. Corset. Ballerina skirt. Leotard. Polka dot. Stripes. Glitter. Silk. Lace. Leather. Velvet. Chemise. Patterns. Florals. Neon colors. Pastels. Plaid. Black. Dark colors. Neutral colors. Fur. Faux fur.
★ ⸻ 𝐒𝐇𝐎𝐄𝐒
Sneakers. Slip-ons. Flats. Slippers. Sandals. High heels. Kitten heels. Ankle boots. Combat boots. Boots. Cowboy boots. Knee-high. Platforms. Stilettos. Bare feet. Loafers.
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while i've been recovering from my semester i treated myself to making some Updated Ref Sheets for my Special Little Trio! and here they are!! new and improved buck, davey and minnie for your viewing pleasure. there's been a lot of little tweaks and changes to their designs since I first concepted them a year ago...!!
[Full image IDs/descriptions under the cut!]
[Image 1 ID: A digitally drawn reference sheet of Puzz's OC, Buck. He is a middle-aged white man with a barrel-chested, slightly pudgy build, big nose, thick mustache, and mostly-balding hairstyle with a single tuft of hair on the top of his head. The sheet shows Buck standing with one hand held out in a neutral pose and expression. There are three versions drawn: one with him wearing dark green boxer-briefs; one with him wearing a dark green turtleneck, khaki pants, ashy brown boots, and a pair of goggles on top of his head; and one with the same outfit, plus brown gloves and a tan jacket with many pockets and the collar popped, and the goggles now down over his eyes to reveal orange lenses. To the right are detail shots of his head in profile, with his mouth open, and without a mustache. A color guide runs along the top of the page. Written in the bottom right is "BUCK AKA THE INVINCIBLE BULKHEAD. He/Him, Gay, White American (Greek & Scottish Descent), Late 40's." End ID.]
[Image 2 ID: A digitally drawn reference sheet of Puzz's OC, Davey. He is a middle-aged Black man with a lanky build, amputated right arm, diagonal scar across his face, long eyelashes, large ears, thin mustache, thick eyebrows and curly hair in a ponytail. The sheet shows Davey standing with one hand held out in a neutral pose and expression. There are three versions drawn: one with him in just boxers; one with him wearing denim overalls, a tool belt, brown boots, and a pilot-esque helmet with goggles on top; and one with the same outfit, plus a brown glove, goggles down on his eyes to reveal yellow-orange lenses, and a massive prosthetic arm made out of cobbled-together junk, such as a blender, car muffler and toaster. To the right are detail shots of his hair down, face in profile, and the prosthetic from another angle. A color guide runs along the top of the page. Written in the top right is "DAVEY AKA DYNAMO. He/Him, bisexual, Afro-Puerto Rican, mid-late 40's." End ID.]
[Image 3 ID: A digitally drawn reference sheet of Puzz's OC, Minnie. She is a young white girl with a stocky build, freckles, buck teeth, and long red hair in braided pigtails. The sheet shows Minnie standing with one hand held out in a neutral pose and expression. There are three versions drawn: one with her in a pale yellow tank top and purple shorts; one with her wearing a school uniform-style white blouse, pleated gold-yellow skirt, high socks and tan mary jane shoes, with a pale yellow sweater tied around her shoulders and tan fingerless gloves; and one with the same outfit plus a brown shoulder bag, goggles with yellow-orange lenses, and big brown boots with contraptions, including bear trap soles and bottle rockets strapped to the sides. Above are detail shots of her hair down, from the back, her face in profile, plus a color guide. Written in the middle-right is "MINERVA (MINNIE) AKA LAST NERVE. She/her, Lesbian (yet to realize), White American (Greek, Scottish & French descent), Newly 13". End ID.]
[Image 4 ID: A digitally drawn reference sheet of Puzz's OC, Buck. He is a middle-aged white man with a barrel-chested, slightly pudgy build, big nose, thick mustache, and mostly-balding hairstyle with a single tuft of hair on the top of his head. The sheet shows four alternate outfits for Buck: first, pajamas consisting of a white t-shirt that reaches to his navel, dark green lounge pants, and red pull-on slippers. Second, an unzipped leather jacket over a grey hoodie, with jeans, black converse-style sneakers, and a black beanie hat. Third, a lime green tank top with an auto shop logo, jorts, sandals, a red-orange bandanna, and red-orange sweatbands on both wrists. Finally, a "formal" look with a forest green, plaid button-up t-shirt, khaki pants, red socks, and black heeled dress shoes, plus a watch on his left wrist. End ID.]
[Image 5 ID: A digitally drawn reference sheet of Puzz's OC, Davey. He is a middle-aged Black man with a lanky build, amputated right arm, diagonal scar across his face, long eyelashes, large ears, thin mustache, thick eyebrows and curly hair in a ponytail. The sheet shows five alternate outfits for Davey: first, pajamas/loungewear consisting of baggy grey sweatpants and blue slippers, with no shirt. Second, a baggy blue tank top, black shorts with white stripes down the sides, and sandals. Third, a "formal" look with a light blue button-up t-shirt, a red-orange bolo tie, pale yellow dress pants with a belt, dark blue socks, and dark brown dress shoes. Fourth, a pale yellow blouse with a flower pattern and wide, ruffled collar, skinny jeans, and brown boots. Finally, a baggy forest-green turtleneck (which appears to be one of Buck's) with the right arm tied off, skinny jeans, and blue slippers. End ID.]
[Image 6 ID: A digitally drawn reference sheet of Puzz's OC, Minnie. She is a young white girl with a stocky build, freckles, buck teeth, and long red hair in braided pigtails. The sheet shows five alternate outfits for Minnie: first, pajamas consisting of an oversized purple "VILLAIN CON '97" t-shirt with a skull logo, and dark green plaid shorts. Second, a version of her usual "school uniform" outfit, but with her pale yellow sweater being worn instead of tied around her shoulders. Third, a "punk" look with a grey t-shirt featuring "THE SKULL!" in flames, over a long sleeved black-and-white striped shirt, black pleated skirt with chains hanging off each side and safety pins on the hem, black tights, red socks, and black boots. Fourth, denim overalls over a short-sleeved pale yellow sweater and brown boots. Finally, a "formal" look consisting of a sleeveless pale yellow dress with a tan, semi-translucent section between neck and upper chest, and black dress shoes. End ID.]
[Image 7 ID: Two drawings of Davey, Buck, and Minnie lined up together, to showcase their size/height relation to each other. Davey is the tallest, with the top of Buck's head reaching about to his chin, and Minnie in turn reaching to just below Buck's shoulders. The first drawing shows them in their "usual" outfits - Davey in overalls with no prosthetic, Buck in his turtleneck with no jacket, and Minnie in her school uniform. The second shows them in their "villain" getups - all three with their goggles on, Davey with his prosthetic, Buck with his gloves and jacket, and Minnie with her bag and boots. End ID.]
#anonymous puzzler art#anonymous puzzler originals#tw bare chest#long post /#(mostly with the readmore but tumblr is silly sometimes so i figure better to tag!)#these three bust into your workplace to rob you wyd#i really wanna try and finally do artfight this year...! so i'm gonna put these on that account and try to finish other oc refs too!!#Villain Coded comic
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𝙵𝙰𝚂𝙷𝙸𝙾𝙽 / 𝙰𝙿𝙿𝙴𝙰𝚁𝙰𝙽𝙲𝙴 𝚂𝚃𝙰𝚃𝚂 .
TAGGED BY: @gccdwitch & @serxndipities (ty!!!)
TAGGING: @temptedfates, @julybloom, @mccntower, @scftdevil (feel free to ignore <3)
★ ⸻ 𝐁𝐎𝐃𝐘
Long legs. Short legs. Average legs. Slender thighs. Thick thighs. Muscular thighs. Skinny arms. Soft arms. Muscular arms. Toned stomach. Flat stomach. Flabby Stomach. Soft stomach. Sixpack. Beer belly. Lean frame. Slender frame. Muscular frame. Voluptuous frame. Petite frame (5 ft 4 or shorter). Lanky frame. Short nails. Long nails. Manicured nails. Dirty nails. Flat ass. Toned ass. Bubble butt. Thick ass. Small waist. Thick waist. Narrow hips. Average hips. Wide hips. Big feet. Average feet. Small feet. Soft feet. Slender feet. Calloused feet. Calloused hands. Soft hands. Big hands. Average hands. Small hands. Long fingers. Short fingers. Average fingers. Broad shoulders. Underweight. Average Weight. Overweight.
★ ⸻ 𝐇𝐄𝐈𝐆𝐇𝐓
Shorter than 140 cm. 141 cm-150 cm. 151 cm to 160 cm. 161 cm to 170 cm. 171 cm to 180cm. 181 cm to 190 cm. 191 cm to 2m. Taller than 2 m.
★ ⸻ 𝐒𝐊𝐈𝐍
Pale. Fair. Rosy. Peachy. Gold. Olive. Dark. Tanned. Blotchy. Smooth (facial area). Acne. Dry. Greasy. Freckled. Scarred. Warm tone. Neutral tone. Cool tone. Tans easily. Prone to sunburn.
★ ⸻ 𝐄𝐘𝐄𝐒
Small. Large. Average. Grey. Brown. Black. Blue. Red. Green. Gold. Hazel. Doe-eyed. Almond. Close-set. Wide-set. Monolid. Heavy eyelids. Upturned. Downturned. Deep set.
★ ⸻ 𝐇𝐀𝐈𝐑
Thin. Thick. Fine. Normal. Greasy. Dry. Soft. Shiny. Curly. Frizzy. Wild. Unruly. Straight. Smooth. Wavy. Floppy. Cropped. Pixie-cut. Short. Shoulder length. Back length. Waist length. Floor length. Buzz cut. Bald. Jaw length. Mohawk. White. Platinum blonde. Golden blonde. Dirty blonde. Ombre. Light brown. Mouse brown. Chestnut brown. Golden brown. Chocolate brown. Dark brown. Jet black. Ginger. Auburn. Dyed red. Dyed any “unnatural color”. Streaked. Thin eyebrows. Average eyebrows. Thick eyebrows.
★ ⸻ 𝐓𝐀𝐓𝐓𝐎𝐎𝐒 / 𝐏𝐈𝐄𝐑𝐂𝐈𝐍𝐆𝐒 .
Full sleeve. Thigh tattoo. Shin tattoo. Wrist tattoo. Lower back tattoo. Hand/finger tattoo. Foot tattoo. Neck tattoo. Face tattoo. Back tattoo. Chest tattoo. One tattoo. A few here and there. Multiple. No tattoo. Monroe piercing. Nose piercing. Septum. Nipple piercing(s). Genital piercing(s). Industrial piercings. Earlobe piercing. Prince Albert piercing. Eyebrow piercing(s). Tongue piercing(s). Lip piercing(s). Tragus piercing. Angel bites. Labret. Stretched out ears. Navel piercing. Inverse navel piercing. Cheek piercing(s). Smiley. Nape piercing(s). No piercings.
★ ⸻ 𝐂𝐎𝐒𝐌𝐄𝐓𝐈𝐂𝐒
Light eyeliner. Heavy eyeliner. Cat eyes. Mascara. Fake eyelashes. Matte lipstick. Regular lipstick. Lipgloss. Lip balm. Lip tint. Red lips. Pink lips. Dark lips. Bronzer. Highlighter. Eyeshadow. Neutral eyeshadow. Smoky eyes. Colorful eyeshadow. Blush. Lipliner. Light contouring. Heavy contouring. Powder. Matte foundation. Dewy foundation. Concealer. Wears make up regularly. Wears it from time to time. Never wears make-up.
★ ⸻ 𝐒𝐂𝐄𝐍𝐓
Floral. Fruity. Perfumes. Aftershave. Cocoa. Moisturizer. Natural soap. Shampoo. Cigarettes. Leather. Sweat. Food. Incense. Marijuana. Cologne. Whiskey. Wine. Fried food. Blood. Fire. Metal. Rain. Grass. Ocean. Autumn leaves. Baked bread. Freshly baked cookies. Smoke. Campfire. Lavender. Trees. Pumpkin Pie. Musk. Rose. Gingerbread. Peppermint. Oak. Honey. Lemon. Vanilla. Coffee Cake. Mint. Raw hyde.
★ ⸻ 𝐂𝐋𝐎𝐓𝐇𝐄𝐒
Jeans. Tight pants. Over-knee socks. Tights. Fishnets. Leggings. Yoga pants. Pencil skirt. Tight skirt. Loose skirt. Tight/formfitting dress. Cardigans. Blouse. Button up shirt. Band-T-shirt. Sports-T-shirt. Sweatpants. Tank-top. Cut off t-shirt. Designer. High street. Online stores. Thrift. Lingerie. Long skirt. Miniskirt. Maxidress. Sun dress. Tie. Tuxedo. Cocktail dress. Highslit dress/skirt. T-shirt. Loose clothing. Tight clothing. Jean shorts. Sweater. Sweater vest. Khaki pants. Suit. Hoodie. Harem pants. Basketball shorts. Boxers. Briefs. Thong. Hotpants. Hipster panties. Bra. Sports bra. Crop top. Corset. Ballerina skirt. Leotard. Polka dot. Stripes. Glitter. Silk. Lace. Leather. Velvet. Chemise. Patterns. Florals. Neon colors. Pastels. Plaid. Black. Dark colors. Neutral colors. Fur. Faux fur.
★ ⸻ 𝐒𝐇𝐎𝐄𝐒
Sneakers. Slip-ons. Flats. Slippers. Sandals. High heels. Kitten heels. Ankle boots. Combat boots. Boots. Cowboy boots. Knee-high. Platforms. Stilettos. Bare feet. Loafers.
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