#23.5 x 15.2 cm

[casualist-tendency]

[anantradingpvtltd]

Price: [price_with_discount] (as of [price_update_date] - Details) [ad_1] KLASSI KICHEN brings the biggest and best combo and nominal price. The 20 Pcs Copper Base Cook & Serve Set + 5 Pcs Kitchen Tools will add grace to your dining experience. 1 x Kadhai - Diameter: 23.3 cm, Height: 7.4 cm, Capacity: 2400 ml 1 x Sauce Pan - Diameter: 15 cm, Height: 6.9 cm, Capacity: 1100 ml 1 x Small Handi - Diameter: 13 cm, Height: 5.9 cm, Capacity: 600 ml 1 x Lid for Small Handi - Diameter: 14.1 cm 1 x Medium Handi - Diameter: 15.1 cm, Height: 6.3 cm, Capacity: 1000 ml 1 x Lid for Medium Handi - Diameter: 14.1 cm 1 x Big Handi - Diameter: 17.4 cm, Height: 7.1 cm, Capacity: 1400 ml 1 x Lid for Big Handi - Diameter: 14.1 cm 1 x Patila 1 - Diameter: 13.5 cm, Height: 6.1 cm, Capacity: 600 ml 1 x Lid for Patila 1 - Diameter: 14.2 cm 1 x Patila 2 - Diameter: 15.2 cm, Height: 6.5 cm, Capacity: 800 ml 1 x Lid for Patila 2 - Diameter: 15.9 cm 1 x Patila 3 - Diameter: 17 cm, Height: 7.5 cm, Capacity: 1000 ml 1 x Lid for Patila 3 - Diameter: 18 cm 1 x Patila 4 - Diameter: 18.5 cm, Height: 8 cm, Capacity: 1400 ml 1 x Lid for Patila 4 - Diameter: 19.1 cm 1 x Patila 5 - Diameter: 20.3 cm, Height: 8.5 cm, Capacity: 1800 ml 1 x Lid for Patila 5 - Diameter: 21 cm 1 x Patila 6 - Diameter: 21 cm, Height: 10.5 cm, Capacity: 2600 ml 1 x Lid for Patila 6 - Diameter: 22 cm 2 x Serving Spoons: 25 cm long 1 x Laddle: 25.5 cm long 1 x Oval Server: 23.3 cm long 1 x Rice Server: 23.5 cm long 40% savings on gas bills Elegant and simple design No.1 Conductor of heat Unbreakable, rust-proof & scratch resistant Keeps nutrients in the food intact [ad_2]

[livesunique]

In Memory of Queen Elizabeth II: Her Majesty’s Life in Portraits

(Elizabeth Alexandra Mary; 21 April 1926 – 8 September 2022)

Queen Elizabeth II, Britain’s longest reigning monarch, passed away peacefully on Thursday at the age of 96.

The world-beloved queen was an inspiration to numerous artists and resulted in a multitude of unforgettable images in every imaginable medium during her 70-year reign. 

Together, The Queen’s official portraits, nearly 1,000 of them, present a portrait of a woman unflinching in her sense of duty. But they also reveal someone who has repeatedly embraced change, new ideas and experimentation through her sitting for such a wide range of portrait artists since she became Queen in 1952.

Arthur Machin’s portrait used on postage stamps. Photo: Jack Taylor/Getty,

If official imagery helps to mythologise a monarch, Arthur Machin did more to epitomise the idea of Queen Elizabeth than any other artist. Commissioned by the Stamp Advisory Committee, Arthur Machin developed his profile of the Queen in 1967. Known as the “definitive” in philately circles, it has since been reproduced more than 220 billion times and is still used on stamps today.

“Queen Elizabeth II” by Pietro Annigoni, 1955. Tempera, oil and ink on paper. Fishmongers' Hall, London,

“Equanimity” by Chris Levine, 2004. Gelatin silver print on matte fine art paper on aluminum mount, 22 × 17 1/2 in (55.9 × 44.5 cm),

“Her Majesty the Queen on Worcran” by Susan Crawford, 1977. Credit: Royal Collection Trust,

“Portrait of Queen Elizabeth II” by Justin Mortimer, 1998, Oil on canvas, © Royal Society for the Encouragement of Arts Manufacturers & Commerce,

“Queen Elizabeth II” (From Reigning Queens) by Andy Warhol, 1985. Complete set of colour screenprints on Lenox Museum Board, 100.0 x 80.0 cm (each, sheet),

“Portrait of the Queen” by Dorothy Wilding,1952 (Hand-coloured by Beatrice Johnson) taken shortly after she acceded to the throne at the age of 25,

“Queen Elizabeth II” by Lucian Freud, , 2001, Oil on canvas, 15.2×23.5 cm. Royal Collection (Buckingham Palace), London, UK,

“The Queen” by Oluwole Omofemi, 2022, (Special commission for the cover of Tatler’s Platinum Jubilee issue. Based on a 1950s portrait of the Queen holding a fan) Courtesy Sotheby’s

“Eight portraits of Queen Elizabeth II onto Stonehenge” in celebration of the Platinum Jubilee, 2022; Each picture is from a different decade of The Queen’s reign, illuminating the ancient monument’s iconic façade in a spectacular display. (Jim Holden/English Heritage/PA Wire)

[mia-africa-americas]

Mask, 1950s, Minneapolis Institute of Art: Art of Africa and the Americas

Helmet Mask, wood and hair, full head tilted slightly upwards, fully scarified face and geometrically shaven head. Before Mozambique won its independence from Portuguese colonialism in 1975, Makonde men and women significantly modified their bodies in the name of beauty, as shown on this mask. The modification began at puberty as an important step toward maturity and cultural belonging, enlivening the face and framing the features with tattoos, chipped teeth, and a shaved hairline. Men wore wooden masks like this one at public dance performances, accompanied by drummers and a chorus. The carved hair comb and barrette on the mask show that not all the facial decoration was permanent. Size: 8 5/8 x 6 x 9 1/4 in. (21.9 x 15.2 x 23.5 cm) Medium: Wood, hair

https://collections.artsmia.org/art/2137/

[moma-prints]

Shepherd, Stag and Fox (Hirt, Hirsch und Fuchs). Illustration for the shadow play The Speckled Egg (Das getupfte Ei) (plate 1) from the First Theater Program of Kabarett Fledermaus (Cabaret Fledermaus), Oskar Kokoschka, 1907, MoMA: Drawings and Prints

Purchased with funds given by Mrs. Henry I. Cobb and Mrs. Melville Wakeman Hall Size: composition: 6 x 5 13/16" (15.2 x 14.8 cm); page: 9 5/8 x 9 1/4" (24.4 x 23.5 cm) Medium: Line block reproduction from a theater program with six line block reproductions (including front and back cover)

http://www.moma.org/collection/works/114913

[cma-prints]

Fontainebleau Forest: Morning, Crossroads of the Route of the Forts de Marlotte (La Forêt de Fontainebleau: Le Matin, Carrefour des Fort de Marlotte), Auguste Louis Lepère, 1890, Cleveland Museum of Art: Prints

Size: Image: 23.5 x 15.2 cm (9 1/4 x 6 in.) Medium: wood engraving from bound volume of 34

https://clevelandart.org/art/2014.708.hh

[oncanvas]

Bouquet de fleurs (Bouquet of Flowers), Jean Dufy, circa 1951-52

Oil on canvas 9 ¼ x 6 in. (23.5 x 15.2 cm)

[bm-asian-art]

Sutra Case, late 19th-early 20th century, Brooklyn Museum: Asian Art

Size: 6 x 17 3/4 x 9 1/4 in. (15.2 x 45.1 x 23.5 cm) Medium: Wood covered with black leather bound with engraved brass

https://www.brooklynmuseum.org/opencollection/objects/110543

[artist-picasso]

Kinesias and Myrrhina (Cinésias et Myrrhine) from Lysistrata, Pablo Picasso, 1934, MoMA: Drawings and Prints

The Louis E. Stern Collection Size: plate: 8 11/16 x 6" (22 x 15.2 cm); page: 11 7/16 x 9 1/4" (29 x 23.5 cm) Medium: Etching

http://www.moma.org/collection/works/29352

[artist-kokoschka]

Shepherd, Stag and Fox (Hirt, Hirsch und Fuchs). Illustration for the shadow play The Speckled Egg (Das getupfte Ei) (plate 1) from the First Theater Program of Kabarett Fledermaus (Cabaret Fledermaus), Oskar Kokoschka, 1907, MoMA: Drawings and Prints

Purchased with funds given by Mrs. Henry I. Cobb and Mrs. Melville Wakeman Hall Size: composition: 6 x 5 13/16" (15.2 x 14.8 cm); page: 9 5/8 x 9 1/4" (24.4 x 23.5 cm) Medium: Line block reproduction from a theater program with six line block reproductions (including front and back cover)

http://www.moma.org/collection/works/114913

[bm-european-art]

Saint John the Baptist Sees Jesus from Afar (Saint Jean-Baptiste voit Jésus de loin), James Tissot, 1886-1894, Brooklyn Museum: European Art

Size: Image: 6 x 9 1/4 in. (15.2 x 23.5 cm) Sheet: 6 x 9 1/4 in. (15.2 x 23.5 cm) Medium: Opaque watercolor over graphite on gray wove paper

https://www.brooklynmuseum.org/opencollection/objects/4450

[bm-americas]

Male Figure, Brooklyn Museum: Arts of the Americas

Size: 9 1/4 x 6 x 6 in. (23.5 x 15.2 x 15.2 cm) Medium: Ceramic

https://www.brooklynmuseum.org/opencollection/objects/41493

[bm-american-art]

Genesee Falls, John Henry Hill, October 1862 or 1864, Brooklyn Museum: American Art

Size: Sheet: 8 7/16 x 11 3/4 in. (21.4 x 29.8 cm) Image: 6 x 9 1/4 in. (15.2 x 23.5 cm) Medium: Pen and ink on paper

https://www.brooklynmuseum.org/opencollection/objects/124148

[bm-decorative-arts]

Wood-Plane, ca. 1890, Brooklyn Museum: Decorative Arts

Size: 6 x 9 1/4 x 3/4 in. (15.2 x 23.5 x 1.9 cm) Medium: Wood and steel

https://www.brooklynmuseum.org/opencollection/objects/111622

[mia-africa-americas]

Mask, 1950s, Minneapolis Institute of Art: Art of Africa and the Americas

Helmet Mask, wood and hair, full head tilted slightly upwards, fully scarified face and geometrically shaven head. Before Mozambique won its independence from Portuguese colonialism in 1975, Makonde men and women significantly modified their bodies in the name of beauty, as shown on this mask. The modification began at puberty as an important step toward maturity and cultural belonging, enlivening the face and framing the features with tattoos, chipped teeth, and a shaved hairline. Men wore wooden masks like this one at public dance performances, accompanied by drummers and a chorus. The carved hair comb and barrette on the mask show that not all the facial decoration was permanent. Size: 8 5/8 x 6 x 9 1/4 in. (21.9 x 15.2 x 23.5 cm) Medium: Wood, hair

https://collections.artsmia.org/art/2137/