#20th Century Historical Romance

[daguerreotyping]

WWI real photo postcard depicting a French and a British soldier getting very cordial indeed

[dillweed1236]

FONTAINES D.C. ROMANCE TOUR - October 10, 2024

The Salt Shed, Chicago

[galleryofart]

A Tale from the Decameron

Artist: John William Waterhouse (English, 1849–1917)

Title: The Decameron

Date: 1916

Medium: Oil on Canvas

Collection: Lady Lever Art Gallery, The National Museums, Liverpool

Description

These scenes of medieval storytelling, painted in 1916 and 1917, distil many of the qualities of Waterhouse’s work. Their fanciful subject, colour and attention to detail echo the work of the Pre-Raphaelites. Their composition, elegance and figures remind us of works by the Victorian classicists.

In The Decameron we see most of the members of the group sitting, listening intently to the latest tale. In The Enchanted Garden, Waterhouse illustrates one tale specifically. This is the fifth story from the tenth day. It concerns Dianora, wife of Gilberto, who is pursued by Ansaldo,whose fame for feats of arms and courtesy was spread far and wide. Dianora is exasperated by Ansaldo’s insistence so she devises what she believes is an impossible task in order that he will prove his love. If he does complete the task she will be his lover. Dianora asks Ansaldo to produce a May garden, full of blooms, in January. Assisted by a magician, Ansaldo achieves this seemingly impossible task leaving Dianora distraught. In an anxious state, she explains to her husband the bargain she has made and he, conscious of that Ansaldo has fulfilled his part of the bargain advises her that the agreement must be kept. On hearing of Dianora’s honesty, Ansaldo decides to release her from the obligation. Waterhouse has chosen the great moment of discovery and realisation by Dianora for this painting.

[bugsieplusone]

My new Nanowrimo project for 2023. Sequel to my debut novel! WOOOHOOO

[niixxka]

“One has to angle the image this way and that until it catches the light in a particular way and one can make out the person whose features have been absorbed into the blank surface of the plate. It is the same with our memories. But then one day light strikes from a certain angle and one recaptures a face again.”

-Embers, Sándor Márai

(image does not belong to me)

[lizard-reads-the-world]

Book Review - I Am Kavi (🇱🇰 Sri Lanka)

[image 1: book cover - a Sri Lankan young teen girl has braided pigtails, pink headphones and Walkman, and a book. It is a manga-style illustration and she stands in front of a wall of white blooms and leaves; Image 2: a map showing Sri Lanka as an island at the tip of India; Image 3: golden buddha statues at Seema Malaka temple in Columbo; source: Riveen Manathunge]

I Am Kavi

Author: Thushanthi Ponweera

Review

This beautiful middle grade novel-in-verse follows Kavi, a young girl in a small village, who gets the opportunity to go to a big school in the capital of Columbo on scholarship.

Kavi makes friends and makes mistakes, though my favorite aspect of the book is her rocky relationship with her mother.

Just like any ten-year-old, Kavi's jealousies and desires to be wanted manifest in stubborn ways, to the point that she doesn't even look back at her mother when she leaves.

It must be all those Hindi movies I watch / that's made me such a good / actress.

Another aspect of the book that I loved was the peek at Sri Lankan religious traditions, with Kavi's commentary and her occasional not-quite-devout arguments with Lord Buddha.

The book is set in 1998 against the backdrop of the decades-long Sri Lankan civil war. There is no conflict shown in the book - life goes on in Columbo - but there is an author's note with historical background at the end.

This was a lovely and poetic look at a girl's life in 1990s Sri Lanka ( also the same time that the author grew up) and it was a joy to read.

Plus this cover is stunning!

Genres: #family #school #poetry #no romance #historical 20th century

Other reps: #buddhist

★  ★  ★  ★  ★   5 stars

[mishacrews]

Friday Freebies: "Love Letter Collection" and "Daffodils"

Hey there, book friends! In the spirit of "New Year, New You" I've decided to revive my blog and start posting regularly again. As part of this fun new exercise, I will be sharing free books that I find on Kindle. These will be either books I have read a

Hey there, book friends! In the spirit of “New Year, New You” I’ve decided to revive my blog and start posting regularly again. As part of this fun new exercise, I will be sharing free books that I find on Kindle. These will be either books I have read and enjoyed, or books that have on my Kindle. Let’s see what kind of books we can find, and what kind of imaginary trouble we can get into (in a…

[quirky-book-reads]

The Tuscan Orphan

Genre: Historical Fiction, Women’s Fiction, WW2 1944 – When an air raid strikes the hospital she’s been working in, Carrie’s life irrevocably changes. But as a nurse in the middle of wartime, she has no time to grieve, as she has too many people relying on her. For resistance fighter, Vito, nothing is more important than seeking vengeance for the atrocities his fellow comrades have suffered.…

[thepenmuse]

Release Blitz: The Rock at the Bottom

Lorna & Tristan #3   20th Century Historical Fiction / Romance Date Published: 03-21-2023     Stephen feels he is marked from day one to lose the ones he loves. His mother dies giving birth to him, and his alcoholic father makes sure Stephen never forgets it. To block out his father’s hate, fists, and belt, young Stephen loses himself in his imagination. Stories become his closest companions and…

[oidheadh-con-culainn]

i don't have the words to articulate it at this moment but there's something about the way that people have specific expectations for "authenticity" and will dismiss anything that falls outside them as a mangled, anglicised version of the thing when actually that is the older and more traditional form of something, it just doesn't match their expectations. obviously in my personal experiences i'm mostly talking about medieval literature here especially medieval irish literature

sometimes this is as simple as spelling – i've had people argue that the name "finn" is anglicised and it should always be "fionn" to be Really Irish, but "finn" is an older spelling, glide vowels are later, if you wanna go real far back it'll be "find" (nd in place of nn is an older spelling pattern). or they'll hear someone say "ogam" and assume they're mispronouncing "ogham" due to lack of knowledge of irish and not consider the fact that medievalists tend to use the older form of the word. or they'll Well Actually you about "correct" terminology which wasn't standardised (and/or invented) until the 20th century

a lot of this is defensive and the result of seeing a lot of people ACTUALLY get this stuff wrong and have no respect for the language. in that regard i understand it, although it becomes very tedious after a while, particularly when people sanctimoniously declare something "inauthentic", "fake", or "anglicised" without doing enough research to realise it's not trying to be modern irish and is in fact correct for older forms of the language

more often however this search for the projected "authenticity" is ideological and has much larger flaws and more problematic implications. "this can't be the real story because it's christian" well... that's the oldest version of the story that exists and it postdates christianity in ireland by about nine hundred years, so... maybe question why you're assuming the only "real" version of irish stories can't be a christian one? this is especially true when it comes to fíanaigecht material tbh, but in general there seems to a widespread misapprehension about ireland's historical relationship with christianity (i have seen people arguing that christianity in ireland is the result of english colonialism which took their "true" faith from them... bro. they were christian before the "english" existed. half the conversion efforts went the other way. please read some early medieval history thank you)

however i also saw someone saying this about arthurian literature lately which REALLY baffled me. "we'll never have the Real arthurian stories only the christianised versions" and it was in the context of chivalric romance. buddy you are mourning something that does not exist. this "authentic" story you're looking for isn't there. that twelfth century story you're dismissing as a christian bastardisation is as "real" a part of this tradition as you're going to get

[vkelleyart]

WHEN THE TIDES HELD THE MOON: COVER REVEAL

✨WHEN THE TIDES HELD THE MOON✨— Coming MERMay 2025 in the USA and UK!

It’s with immense gratitude (and a racing heart) that I share the cover artwork for my debut historical romantasy, WHEN THE TIDES HELD THE MOON! Links to preorder the novel and add it on Goodreads are now live and linked below, with details about Digital and Printed ARCs coming soon. **Note: If you’re preordering — SAVE YOUR RECEIPTS for the upcoming preorder campaign!**

Add on Goodreads

I can’t overstate how grateful I am to Erewhon Books and Kensington Publishing for the joy of being able to fully illustrate a novel for adult readers! Thank you to my peerless editor Diana Pho and incomparable agent Saritza Hernández for embracing this book’s potential, as well as to the brilliant Cassandra Farin for her artistic oversight on this cover. I would also be remiss if I didn’t thank @argylefetish / @penpanoply and Alicia.MB.art on Instagram for their incredible beta help!

Finally, endless thanks to legendary authors TJ Klune and Freya Marske for their early praise of TIDES. I am undone with gratitude and just so humbled by their enthusiastic support of my work!

More details about the cover art, Benny & Río’s story, and what’s included in the hardcover edition will be coming soon. And in the meantime, I will be PINCHING MYSELF.

Preorder WTTHTM:

[literaryvein-reblogs]

Hi there, I’m planning on writing gothic/gothic romance fiction. Do you have any tips?

Do you also have any tips to not make your writing too repetitive? I have a habit of repeating words a lot.

Writing Notes: Gothic Fiction

Gothic Novel

European Romantic pseudomedieval fiction having a prevailing atmosphere of mystery and terror.

Its heyday was the 1790s, but it underwent frequent revivals in subsequent centuries.

Called Gothic because its imaginative impulse was drawn from medieval buildings and ruins, such novels commonly used settings such as castles or monasteries equipped with subterranean passages, dark battlements, hidden panels, and trapdoors.

The Gothic is characterized by its darkly picturesque scenery and its eerie stories of the macabre.

It draws its name and aesthetic inspiration from the Gothic architectural style of the Middle Ages ⁠— crumbling castles, isolated aristocratic estates, and spaces of decrepitude are familiar settings within the genre.

Gothic fiction is rooted in blending the old with the new.

As such, it often takes place during moments of historical transition, from the end of the medieval era to the beginnings of industrialization.

Contemporary technology and science are set alongside ancient backdrops, and this strange pairing helps create the pervasive sense of uncanniness and estrangement that the Gothic is known for.

Past & present fold in on each other; even as man’s technological advancements seem to make him increasingly powerful, history continues to haunt.

Elements of Gothic Literature

The Gothic is a genre of spiritual uncertainty: it creates encounters with the sublime and constantly explores events beyond explanation. Whether they feature supernatural phenomena or focus on the psychological torment of the protagonists, Gothic works terrify by showing readers the evils that inhabit our world.

CHARACTERS

Characters in Gothic fiction often find themselves in unfamiliar places, as they — and the readers — leave the safe world they knew behind.

Ghosts are right at home in the genre, where they’re used to explore themes of entrapment and isolation, while omens, curses, and superstitions add a further air of mystery.

ATMOSPHERE

Eeriness is as important as the scariness of the events themselves.

In a Gothic novel, the sky seems perpetually dark and stormy, the air filled with an unshakable chill.

THEMES

In addition to exploring spooky spaces, Gothic literature ventures into the dark recesses of the mind: the genre frequently confronts existential themes of madness, morality, and man pitted against God or nature.

Physical and mental ruin go hand in hand — as the ancient settings decay so do the characters’ grips on reality.

History of Gothic Literature

The vogue was initiated in England by Horace Walpole’s immensely successful The Castle of Otranto (1765).

His most respectable follower was Ann Radcliffe, whose The Mysteries of Udolpho (1794) and The Italian (1797) are among the best examples of the genre.

A more sensational type of Gothic romance exploiting horror and violence flourished in Germany and was introduced to England by Matthew Gregory Lewis with The Monk (1796).

The classic horror stories Frankenstein (1818), by Mary Wollstonecraft Shelley, and Dracula (1897), by Bram Stoker, are in the Gothic tradition but introduce the existential nature of humankind as its definitive mystery and terror.

Easy targets for satire, the early Gothic romances died of their own extravagances of plot.

But Gothic atmospheric machinery continued to haunt the fiction of such major writers as:

Charlotte, Anne, and Emily Brontë, Edgar Allan Poe, Nathaniel Hawthorne, and even Charles Dickens in Bleak House and Great Expectations.

In the second half of the 20th century, the term was applied to paperback romances having the same kind of themes and trappings similar to the originals.

Tips on Writing Gothic Fiction

SETTING

Gothic fiction can, of course, be set anywhere – but 2 key components of Gothic settings are as follows:

Gothic settings are isolated – a small community, a rural town, a single-family home on the open moors… wherever your Gothic story takes place, make sure that the setting is in isolation from the rest of the world. Places that are difficult to get to, with small populations, or are only home to one family or small group of people are ideal for weaving a Gothic tale. Even if your characters are not physically isolated – maybe they live in a city, for example – their isolation should be present in some way; maybe emotionally, maybe socially. There are plenty of options therein.

Gothic settings revolve around a home base – not necessarily a home or house, though that is quite common; but, with almost every Gothic tale, a central setting is introduced very quickly and almost all the action takes place inside or around it. This furthers that feeling of isolation, and also helps the house or laboratory or island or whatever else feel alive, as if it is a character itself.

These settings are often fun to develop and aid the story so, so much by being atmospheric and anthropomorphic.

By creating a strong setting and central location, you are setting up your Gothic fiction for success.

VOICE & CHARACTER

A strong voice, usually in first person, is a staple of Gothic fiction.

Gothic main characters are usually curious, determined, and unable to rest until whatever is going on around them is uncovered.

They are not faint of heart and often have experience dealing with hardship in the past; they are uniquely qualified for whatever disturbing events are going on.

Your character’s voice should be curious, but not paranoid; apprehensive, but not frightened or cowardly; and, above all, interesting.

As many Gothic are written in first person, you want your main character to take action and investigating the goings-on.

ATMOSPHERE

Similar to setting, it’s important to focus on atmosphere. Make sure you appeal to the five senses – let your reader know how it sounds, smells, feels!

The more details, the better; immerse your reader by making them feel as if they are actually in the space.

Often, as mentioned, Gothic novels take place in areas that are remote, experience frequent storms or bad weather, or otherwise have a very ominous environment.

Of course, Gothic novels can take place anywhere, but the takeaway here is to remember to highlight aspects that go beyond the visual.

SUBGENRE

Know what the genre within your Gothic work is or is going to be.

Are you writing a Gothic romance? A Gothic thriller? A Gothic horror? There are even types of books one might categorize as a “cozy Gothic” – taking the elements of a cozy mystery, but with a Gothic setting and characters.

There are some very specific geographical locations and time periods for Gothics, Victorian or Regency-era Northern England being a couple of them; but they are not all set in Europe in the 19th century, nor should they be.

Consider such settings as seen in Southern Gothic in the 2020s, for example, or Canadian Gothic (set anywhere in Canada, but usually southern and rural Ontario) in the late 90s, among many others. These are only a few examples of hundreds!

Dark academia titles can often fall into the Gothic genre as well, and, of course there are Gothic fantasy and sci-fi titles as well.

Carefully consider what sub-genre your Gothic fiction falls under before writing it, or during the early stages of writing as your work gets fleshed out. It may fall under just one category, or multiple! Either way, knowing this will help you write and later market your title.

MARKETING

Think about marketing at an early stage. Make it clear that it is a Gothic novel!

And consider publishing your title at a time when the Gothic genre might be in higher demand, such as during the month of October or the winter in general.

Appeal to fans of grim stories, horror romance, and what have you by theming your marketing.

If writing a Gothic novel is new for you, be sure to highlight that!

It can be exciting when an author tries out a new genre and moves into a new literary space. Be sure to let your readers know of this new venture.

Gothic Romance

As a genre, gothic fiction was first established with the publication of Horace Walpole’s The Castle of Otranto in 1764. Characterized by a dark, foreboding atmosphere and outlandish, sometimes grotesque, characters and events, gothic fiction has flourished and branched off into many different subgenres in the centuries since its creation.

While Walpole introduced what would later become the definitive tropes of the genre (creepy castles, cursed families, gloomy atmosphere), it was not until Ann Radcliffe’s A Sicilian Romance in 1790 that gothic romance began to develop as its own legitimate subgenre.

Radcliffe kept many of the same tropes established by Walpole’s work, such as isolated settings with semi-supernatural phenomena; however, her novels featured female protagonists battling through terrifying ordeals while struggling to be with their true loves.

This concept is what separates gothic romance from its cousin, gothic horror.

Female leads would come to dominate gothic romance, especially after the publication of Charlotte Brontë’s Jane Eyre in 1847.

A young woman struggling to maintain her independence as she falls for a dark, brooding, handsome man became a genre-defining plot of gothic romances published in the decades that followed.

A renewed public interest in gothic romance came on the heels of Daphne Du Maurier’s Rebecca upon its publication in 1938.

Authors such as Victoria Holt, Mary Stewart, and Phyllis A. Whitney dominated the gothic romance trade paperback market from the 1960s to the 1990s.

The image of a young woman running away from a darkened castle became a staple of gothic romance novel covers.

In 1983, Gaywyck, by Vincent Virga, became the first published gay gothic romance.

Modern additions to the genre continue to reflect its interest in both terror and romance, while also delivering updated or reimagined versions of familiar tropes.

Tips for Avoiding Word Repetition

While repeating a word or phrase can add emphasis and rhythm to your writing, it can also make your writing awkward and difficult to read. When you’re not using repetition as a rhetorical device, repeating words can get in the way of good writing. Here are some tricks for avoiding unnecessary repetition of words:

Read your work aloud. Reading aloud will help you avoid unintentional word repetition. Reading your work aloud is an excellent way to both hear the sonic effects of your prose and catch awkward repeated sounds or other unintended effects.

Read your work backward. Reading your work backward is an editing trick that forces your brain to slow down and pay close attention to the individual sentences. Start at the end of a chapter, paragraph, or page and read the last sentence of that section. (Don’t read the sentence itself backward—it won’t make any sense.) Next, read the second-to-last sentence, and so on. This will allow you to work at the sentence level, catching any unintended repetition or other small mistakes that your brain naturally skims over.

Consult a thesaurus. So you’ve found a repeated word. Now what? You can try rearranging your sentence to get rid of the repeated word, or you can keep the sentence the same and plug in a different word in its place. If you’re at a loss, consult a thesaurus for a list of synonyms. You want your writing to sound like you, and to be accessible to your audience, so it’s best to avoid using words you aren’t familiar with. But if you find yourself unintentionally repeating the same word over and over, a thesaurus can help you identify another word that more precisely captures your meaning.

Some Writing Strategies to Avoid Repetition

Excerpts from writing tips on repetition by Dr. Ryan Shirey:

While repetition is not an inherently bad thing (and can quite often be used to great effect as in the classical rhetorical technique of anaphora), most of us want to make sure that we’re not boring our readers by saying the same things over and over again without any variation or development.

If you’re worried about repeating ideas, then one of the easiest and most illuminating things that you can do is to reverse outline your draft. When you reverse outline, you take your draft and distill each idea and piece of evidence back into an outline. Some writers like to do this in the margins and others prefer a separate sheet of paper. Whatever your preference, a reverse outline will let you see rather clearly whether or not you’ve returned to the same idea or piece of evidence multiple times in the same essay. If you find that you have, you can think about rearranging or cutting paragraphs as necessary.

Another strategy if you’re worried about repeating ideas is to use different colored highlighters, colored pencils, or coloring tools in a word processing program to mark areas of your text where you’re working on specific ideas. If I’m writing a paper on the history of the run up to World War I, for example, I might decide to mark all the areas where I discuss treaty arrangements in green, all the areas where I discuss colonial expansion in blue, the parts that discuss arms manufacturing and trade in red, and so on. Once I’ve visualized these ideas with color, I can see more easily whether or not I keep returning to the same topics or whether I need to restructure any portions of my essay. Be careful, though–you don’t want to create artificial distinctions that might negatively impact your overall point. For instance, if a conflict over colonial expansion leads to a treaty arrangement, I would need to be very careful about using the context in which I’m discussing that treaty dictate how I code that sentence or paragraph.

If you’re worried about repeating words or phrases, you can use the “find” feature in your word processing program to highlight all of the instances where you’ve used it. Once you’ve identified the problem areas, you can look for ways to combine sentences using coordination or subordination, replace nouns with pronouns, or (very carefully) use a thesaurus to diversify your vocabulary.

Sources: 1 2 3 4 5 6 ⚜ More: Writing Notes & References

Hope this helps with your writing!

[fahye]

book recs: feb 2024

(disclaimer: I have spent nearly three months languishing and sullen with post-COVID symptoms and have read, over dec-feb, eighty-one books. this is a ruthlessly streamlined list of recs that does not include, uh, all the rereading of sarah maclean and charlie adhara and georgette heyer books.)

AT FIRST SPITE by olivia dade - what if I moved in next to the man who ruined my engagement to his younger brother, and tried to ruin his life by playing monsterfucking audiobooks really loudly?? a heartfelt and lovely romance that also expertly sets up a great small-town setting for an ongoing series.

THE REFORMATORY by tananarive due - historical horror based on the existence of a real school for boys, clear-eyed and brutal in showing the the effect of racist systems in the 1950s american south. compelling as hell. even if you're not usually into horror, I'd recommend this: the ghost aspect is light-handed and really not as important as the horror of what humans do to other humans.

SOMETHING WILD & WONDERFUL by anita kelly - this is a m/m romance about walking the pacific crest trail which made me see the appeal of very long walks. a miracle! it's gentle and emotional and well put together; the characters really grabbed me.

THE BELL IN THE FOG by lev a.c. rosen - the followup to 'lavender house', and somehow even better?? a historical mystery series featuring a queer private eye in 1950s san francisco who looks into crimes against other queer people. amazing queer history! ACAB! I hope there are fifty more books in this series.

FEAST WHILE YOU CAN* by mikaella clements & onjuli datta - beautiful, greedy, terrifying small-town horror that is also a fucking fantastic, gorgeously written sapphic love story. this one IS for the horror fans. it gave me the absolute creeps but I couldn't put it down.

LADY EVE'S LAST CON* by rebecca fraimow - I described this on bsky as 'if you like Leverage, space opera, old screwball comedies, and dashing sapphics who are at all times spiritually wearing a leather jacket: this one is for you' and I stand by that. huge amounts of fun.

LONG LIVE EVIL* by sarah rees brennan - I will be screaming from here until forever about SRB's first adult fantasy book. if you like the isekai'd-into-a-villain-character setup and want it to be hilarious, genre-savvy and wildly angry and clever, you will roll around in this like a blood-stained mud puddle and then beg for more.

THE LAST HOUR BETWEEN WORLDS* by melissa caruso - really clever and original fantasy about a woman on maternity leave who gets dragged into saving a cocktail party which is falling through increasingly murderous and bizarre dimensions. LISTEN, JUST GO WITH IT. it's a seriously cool adventure.

YOU SHOULD BE SO LUCKY* by cat sebastian - yes, it's another m/m romance about queer history in the mid 20th century, this one between a baseball player and the journalist assigned to write a story about his slump. made me care about baseball. cat is a genius.

*I read these as ARCs, they're not available yet but consider preordering or keep your eye out for them!

[cheriecoke]

❝𝐖𝐄 𝐀𝐑𝐄 𝐀𝐋𝐋 𝐅𝐎𝐎𝐋𝐒 𝐈𝐍 𝐋𝐎𝐕𝐄❞ welcome to kentopedia's love through the ages collab. in honor of another lonely valentine’s day, i wanted to combine my two greatest loves: history and literature! so this is for anyone who wants a passionate romance and loves the aesthetics of the past. because i know that no matter when you live and die, your favs will always choose you ♡

STATUS: CLOSED

♛ — TO JOIN

submit a piece based off a time in history you find interesting. it can be an au of your favorite classic novel, a song you enjoy from a period before your own, a piece of art you enjoy, or something entirely your own. be creative!!

please reblog this post & send me an ask with the character you'd like to write about and the inspiration. for example: "nanami + renaissance" (which is what i’ll be writing teehee).

♛ — REQUIREMENTS

no fandom limitation, but i will cap it off at 2 entries per character (i won’t count mine in that limit!). and you can join as many times as you want.

this is a historical au collab, so i will not accept any submissions based in the 21st century :) but it can go back as far as you want!

there is no deadline. minimum of 500 words, but no maximum. i love long fics! please use the read more feature on your posts.

♛ — OTHER

anyone can join, this is not limited to followers. no age requirement, but you must be 18+ to submit nsfw pieces, with an age indicator. make sure to follow the rules of all creators involved (including me!).

submissions can be as historically accurate or inaccurate as you want them to be, and could include fantasy elements too! this is all about capturing the aesthetics of a time period, but i will never limit anyone’s creativity. it can be extremely niche too!

all forms of art are welcome, not just writing, as long as they are of your own creation.

nsfw, sfw, dark content, etc. is all acceptable. be sure to tag accordingly!

♛ — TO SUBMIT

tag me in your submission so i can also add you to the masterlist. also, link this post on your submission to spread the love to other readers! i will be reading all the submissions and reblogging with feedback as well. let me know if you have any questions!

bungo stray dogs . . .

nakahara chuuya and post wwii yakuza by @cheriiyaya

nakahara chuuya and the 1800s italian mafia by @osaemu

dazai osamu & fyodor dostoevsky as rival painters in the renaissance by @aureatchi

dazai osamu & fyodor dostoevsky in the trojan war by @fyorina

fyodor dostoevsky and victorian era royalty by @verlainepaul

dazai osamu as a fallen angel by @chuuyrr

jujutsu kaisen . . .

nanami kento and the renaissance by @kentopedia

okkotsu yuta as an edo period samurai by @anqelically

gojo satoru & geto suguru and the medieval period by @flowerpersephone

geto suguru as a nineteenth century vampire by @todorokies

nanami kento and the victorian era by @starsinmylatte

gojo satoru and orpheus and eurydice by @forest-hashira

geto suguru and the american old west by @forest-hashira

geto suguru and phantom of the opera by @mynahx3

geto suguru and ancient greece by @mochimooon

nanami kento and the heian period by @purpleqilinwrites

fushiguro toji as a medieval bandit by @honeybleed

true form sukuna ryomen and ancient greece by @girlwithsharpt33th

okkotsu yuuta and post apocalyptic 1600s by @atsquie

nanami kento as a medieval knight by @mynahx3

nanami kento and the regency period by @kentopedia

nanami kento and ancient japan by @mynahx3

attack on titan . . .

reiner braun as a wwii soldier by @thel0v3hashira143

levi ackerman and the impressionist era by @be-co-me

armin arlert and the early 20th century by @crazychaoticizzy

eren jaeger and the age of piracy by @bloompompom

demon slayer . . .

shinazugawa sanemi and antony & cleopatra by @mitsuristoleme

tengen uzui and the roaring 20s by @forest-hashira

haikyuu . . .

kuroo tetsurō and the space race by @ktsumu

kuroo tetsurō & iwaizumi hajime in regency era inspired japan by @jarjarwinx

persona 5 . . .

akira kurusu and the prohibition era by @clubkira

genshin impact . . .

albedo as a renaissance artist by @clubkira

dainsleif in the greatest showman by @rubysm

blue lock . . .

noel noa and indonesian colonization by

[lexreadsdiversely]

Second year of my adult reading adventure (context: read a lot when I was younger, only read one book over the course of 8 years, started again January of 2024), and I'm doing the 2025 bingo created by @batmanisagatewaydrug ! I'm super excited and want to share my (tentative) picks for the board.

1. Literary Fiction: Little Fires Everywhere by Celeste Ng

2. Short story collection: Unaccustomed Earth by Jhumpa Lahiri

3. Sequel: The World We Make by N.K. Jemisin

4. Reread a childhood favorite: The Baby-Sitters Club: The Ghost at Dawn's House by Ann. M. Martin

5. 20th century speculative fiction: Kindred by Octavia E. Butler

6. Fantasy: The Book Eaters by Sunyi Dean

7. Published before 1950: The Picture of Dorian Gray - Oscar Wilde

8. Indie publisher: Her Body and Other Parties: Stories by Carmen Maria Machado, published by Graywolf Press

9. Graphic novel, comic book, or manga: Tomie by Junji Ito

10. Animal on the cover: Never Whistle at Night, edited by Shane Hawk and Theodore C. Van Alst Jr.

11. Set in a country you have never visited: Little Rot by Akwaeke Emezi

12. Science fiction: Catnip by Vyria Durav

13. 2025 debut author: Make Sure You Die Screaming by Zee Carlstrom

14. Memoir: The Night Parade: A Speculative Memoir by Jami Nakamura-Lin

15. Read a zine and make a zine: DROPS "Secrets We Long For" by Gio (very excited for this one - I love making zines!)

16. Essay collection: Your Silence Will Not Protect You: Essays and Poems by Audre Lorde

17. 2024 award winner: Ink Blood Sister Scribe by Emma Törzs

18. Nonfiction, learn something new: One of my wife's wild birds of eastern north america books

19. Social justice & activism: Care Work: Dreaming Disability Justice by Leah Lakshmi Piepzna-Samarasinha

20. Romance novel: A Wolf Steps in Blood by Tamara Jerée

21. Read & make a recipe: Apple crumble roses

22. Horror: We Don't Swim Here by Vincent Tirado

23. Published in the aughts (2000-2009): Leslie by Omar Tyree

24. Historical fiction: Last Night at the Telegraph Club by Malinda Lo

25. Bookseller/Librarian Rec: Pedro and Me by Judd Winick

[lizard-reads-the-world]

Book Review: The Orphan Sky by Ella Leya (🇦🇿  Azerbaijan)

[image 1: book cover: red text on black, in the bottom corner a figure with her knees pulled to her chest, white paper birds obscure her face and scatter across the cover; image 2: map showing Azerbaijan on the Caspian Sea between Russia and Iran; image 3: the Maiden Tower in Baku, Azerbaijan - in a town square, an ancient round tower stands against a dark clouded sky source: Bahram Jamalov]

The Orphan Sky

Author: Ella Leya

YA World Challenge book for 🇦🇿 Azerbaijan

Review

This was a beautiful and poetic book I read through in a week and couldn't put down. I've seen it compared to The Kite Runner, which I haven't yet read, and I think this book deserves more attention than it gets.

Azerbaijan is, as the blurb says, "at the crossroads of Russia, Turkey, and Persia." In 1979, Azerbaijan is Sovietized, half looking to please father Moscow, and half clinging to it's Islamic, Eastern past.

Leila is a prodigy pianist, privileged to be among the elite, and naïve in her admiration for the state. On a mission from a Communist youth mentor to spy on a music store owner, she instead finds herself thrown into a world of American records and the young free spirit Tahir, forcing her to question all that she has ever taken for granted.

The novel sweeps us through Leila's tumultuous journey through young adulthood, from the cutthroat world of Soviet arts performance, to war-torn Afghanistan, to devastating family secrets. Always leading back to Tahir, but how can people whose eyes have been opened to freedom and injustice survive communism unscathed?

Set against the Azer legend of the Maiden Tower, with a classical score and musically poetic prose, this book takes your breath away with highs and lows as stunning as the legendary firebird in flight.

Other reps: #m/f #muslim #zoroastrianism

Genre: #historical, 20th century #literary #coming of age #romance #communism

 ★  ★  ★  ★  ★ 5 stars

CW: There are some difficult issues dealt with, such as SA, abortion, suicide, so be sure to check the content warnings.