#2018work

[coobcakes]

count down 3, 2 ,1 breakin out!

[mayte-i-martinez-blog]

I hope we are going to die! . . . #mayteimartinez #mayte.i.martinez #mayte-i-martinez #usscallister #fanart #blackmirror #2018work #january4th2018 #2018 #digitalwork #photoshopillustration #c: #digitalillustration

[humongouswerewolfpirate]

#throwbackthursday to the time I used my wife as a reference. She just is, like, so beautiful inside and out. 🥰 #watercolorpaint #watercolorist #2018work #illustration #artistsoninstagram #illustragram https://www.instagram.com/p/CC-zCZOH2Sw/?igshid=td0dnw00w7qz

[lim-jing]

Under Control. 2018. PVC fabric & sheet, & marbles, viewer. 10ft x 10ft.

This is an interactive installation. As viewers are interacting with the work, the relationship of controlling and being controlled is created between the viewer and the artwork. It seem like the viewers are taking control of the marbles’ movement, in fact the marbles will only move in a designated path. In the meantime, the work is said ‘completed’ only while being played by viewer. 

In this work, I explore about power that exists within spaces. Every space have its own system, and power is the subject to make the system works. For my concept, I used high transparency materials so that the final outcome could be less visible and bend into surrounding space. Also, I demand certain extent of softness in this work to have some ideas of plasticity and fluidity. The pattern on the installation are actually an unicursal path labyrinth that has only a single, non-branching path, which leads to the center then back out the same way, with only one entry or exit point.

[michikookubo]

「環境」

　"Environment”

2018年、F4(243×334)、キャンバスに油彩

　2018, 243×334mm, Oil on canvas

Exhibited at

2018.6.14-27 大久保迪子展『静物画』ナカジマアート（東京都、銀座）

2018.6.14-27 Michiko OKUBO “Sei-bu-tsu-ga*” Nakajima Art, Ginza, TOKYO

　　　            *“Sei-bu-tsu-ga” means “Still life”

[10yamatome]

2018/09

タイの商店のお菓子(豚皮チップス)のパッケージシール用イラストでした

[anm85-blog1]

1st working day of 2018 in white. Color of peace and purity. #workingday1 #2018work #newyear #whiteoutfit #formalwear #instawork #instadaily #instagram

[cyclingevans-blog]

It’s #ownyourpain on the #trainer weather in #pennsylvania right now ..... #2018work #2018goals #weareclimbers #grimpeur @grade.cycling @thebikeshak @xoskinusa (at Casa De Rohrbaugh)

[livinedart]

This is the 2nd original art & doodle i made when starting the career . . #doodlesketch #doodle #doodleartist #doodledrawing #doodleartists #doodletales #supportarts #doodlesofinstagram #suppprters #supportsmallbusiness #artsuppporters #printavailable #merchavailable #printforsales #printforsale #hardtounderstand #findoutme #weiredshape #shapes #oldart #oldworkrepost #2018work #2018doodle #2ndartwork #2nddoodle (at Kerala_artists_) https://www.instagram.com/p/CSzI4XlhM3V/?utm_medium=tumblr

[otakeiko]

Flyer / Kyoto University of Art and Design Correspondence Education

[yourhauntedladybouquetme-blog]

Mercedes F1 Merchandise 2018Work Suits

[mayte-i-martinez-blog]

So I drew these for last Christmas 2017 I didn’t get around to posting them but here are a few of them. But a happy belated Christmas to some folks c: thanks for the Christmas cards or nice memories (btways please don’t think I don’t love you if you didn’t get a drawing :B ) (p.s. you can obvs tell where I was trying different approaches but they’re all done with love!) anyways love yours truly Mayte c: . . . #mayteimartinez #mayte.i.martinez #2017-2018work #christmas2017 #happyholidays2017 #digitalillustration #photoshopillustration #digitalart #originalwork #c:

[lim-jing]

Gaze. 2018. Live video. 01:00:00.

This performance is a dialogue between virtual identity and reality. In this 1-hour-long performance, I sit on the stool and look at a pre-recorded video of the same setting but without me sitting on the stool. While the pre-recorded video is playing, a live camera is set towards me. I am looking at the empty stool while audience is looking at me through online; I would not know who is watching the live video and the audience would not know what am I staring at.

In this series of work, I explore about how cyberspace acts as a ‘Heterotopia’ site that allowed users to gain different identities just by signing up online IDs. By contextualising figures into Chuuni-poses which is derived from in ACG pop culture, I am trying to indicate that identity is a role-playing game. While people being online, it is possible to manipulate and control own’s identity by the data shared to others user and the activity pattern showed. These criteria suggested plasticity and fluidity of identities which influenced and inspired me greatly in my later works.

Shifting Identit(ies). 2018. Charcoal on canvas. 2.4ft x 4ft.

Being Online. 2018. Acrylic on canvas, UV Light. 2.4ft x 8ft.

Gaze. 2018. Live video. 01:00:00.

[michikookubo]

「時間：流れる」

　"TIME : flow”

2018年、F4(243×334)、キャンバスに油彩

　2018, 243×334mm, Oil on canvas

Exhibited at

2018.6.14-27 大久保迪子展『静物画』ナカジマアート（東京都、銀座）

2018.6.14-27 Michiko OKUBO “Sei-bu-tsu-ga*” Nakajima Art, Ginza, TOKYO

　　　            *“Sei-bu-tsu-ga” means “Still life”

[10yamatome]

2018/08

白球うさぎ先生主催 2019年カレンダー企画用イラスト

2月担当でした

[cyclingevans-blog]

Good #running weather !! #crosstraining #cyclist #running @grade.cycling @thebikeshak @xoskinusa #2018work #lighterfasterstronger