#2018 los 2021 would have been absolutely cursed
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kinda mindblowing that this was the orginal release schedule. like at first glance it seems like it would be so much better. I mean, the wait between qoaad & tlkof would be nothing in this situation. but the more you think about the more you realise we dodged a bullet bc could you imagine having to waiting through a release from a totally different series after lord of shadows 😭 plus the schedule probably would've ended up looking something like this -
like... qoaad promo.... during the pandemic.... 💀 also could you imagine reading about how Lucie successfully raises Jesse with basically no consequences and then immediately after that you watch Ty fail???? horrific
(also this doesn't include other releases that happened around these books - who knows if they would have even been written in this scenario)
#2018 los 2021 would have been absolutely cursed#also as someone who started tsc in may 2019 I'm so glad I didn't have to live through that wait 😭#bella talks#tsc#the shadowhunter chronicles#the last hours#the dark artifices#tlh#tda
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Eurovision 2021 final thoughts
Well.....it’s over.
It feels great, but also kinda weird to be done with it. I mean, it took an extra year to get here! But I’d say it was worth the wait....
Holy CRAP this year was good. Oh my god, this was SO much fun to watch! The presentation, voting, and especially the songs were unbelievably strong! It made me so happy that my bad luck in the semifinals didn’t even let me down all that much, so that’s a good sign. XD
I haven’t shared this before, cuz I didn’t wanna be a downer, but.....there was a part of me that was worried. Even after listening to and loving the majority of the entries, I was still worried that, when the show started, there’d be some kind of big tell that....this wasn’t a “normal” Eurovision. Something that would bring my enjoyment of the show down to a level where....I-I’d only be able to say “at least it took place, but it wasn’t as strong as usual”. That small, pessimistic part of me that was so hurt by last year that it’d become cynical, and scared of getting hopes up.....but I hid it. I love this contest so much that....bringing down the mood for my fellow fans wouldn’t be cool at all.
And thankfully.....I came out of this with a big smile on my face like normal. I enjoyed this year just as much as previous years! In terms of the songs alone, I’d seriously call this one of my favorite years, probably just behind 2016 (my favorite year). The fact that I don’t just agree with the winner, but I LOVE the winner, was definitely the icing on the cake! But the presentation was also outstanding! It really feels like everything was put into this contest to make it as enjoyable as possible with the limitations they were given. The interval acts were great, especially getting to see so many of the winners again! The rooftop concerts in the final were a lot of fun. But, as good as everything in the final was.....When the first semifinal started, and I saw that there was a crowd, coupled with the song that Duncan sang, I legit thought I was gonna cry. That’s definitely gonna stick with me in the future when I think of the most memorable moments of watching Eurovision. I could seriously go on and on about how much I enjoyed watching this....so I will!
Oh god the voting. OH GOD THE VOTING. Tense as always, and I loved it! No clear favorite, the juries making decisions the televoters didn’t agree with, a plethora of different countries getting twelves, and an ending that proved my predictions wrong in the best way possible. It was the BEST way to end the contest, and a very good example of why I’m really loving having the jury vote and televote separated....cuz you never know what’ll happen until the very! Last! Moment!
Seriously, that moment of Finland’s televoting result making them in the lead for a brief period was AWESOME. And then it was Ukraine, and then it was Italy, and I was thinking “oh god slow down, my poor heart-” And yeah, there were SO many great songs and great performances that it really did feel like a close race!
Even rewatching it was exhilarating! Rewatching it also made me appreciate things that I didn’t before (due to being, well....too caught up in the moment). Like, the wide range of music genres in the top five! I hope this inspires more diversity in future years! I mean, you got Italy bringing us rock (which, by the way, never dies), you got France bringing us a classic waltz, you got Switzerland bringing us a powerful modern ballad, you got Iceland bringing us disco, and you got Ukraine bringing us.....well, a friend of mine called it “folktronica”, and yeah, I don’t think there’s a word that describes them better. XD
Not only that, but there’s one more interesting thing about this top five! Can you guess what it is?
......
......Yeah, only one of them’s in English! Imagine that, entries that DON’T have to be in English to become big hits! Seriously, I’m American and even I know that having understandable lyrics is really more of a nice bonus in Eurovision. What’s most important is having a song that sounds good. And if a song sounds best in another language, you don’t have to translate it for the contest! (Especially if it results in obvious ESL that loses the song’s original meaning, but that thankfully hasn’t happened often) Don’t be afraid to send songs in your native language! I hope people learn from this...
(But then again, this has happened before.....In 2007, the winning song wasn’t in English, runner-up was in multiple languages and third place was also not in English, so....I’m probably putting too much emphasis on this, s-sorry >.<)
But enough about the top five, let’s look at the full results:
I’ll say it again.....this is my favorite winner since “Heroes”. I love the Italian entry, and I’m very happy that they proved me wrong. I didn’t think they could do it. Not only is it a rock song, which isn’t to everyone’s tastes....but it’s from Italy, who seemed to be cursed to never win even while sending fan-favorites year after year. Two second places (oneofwhichwasunserved*cough*2011*cough*butIdigress), one third place that also won the televote that year, and one very, very robbed sixth place. I thought this was gonna be another one of those cases where Italy get screwed somehow by other, more popular songs. But I still absolutely loved the song and rooted for it anyway, and......lo and behold, here we are. A rock song won Eurovision. A rock song in Italian. And it’s awesome, and I couldn’t be happier! To be specific, they were my fourth favorite in the final, but they were my favorite of the possible winners, so it still feels like the best case scenario! Woo!
Having the runner-up also from the Big Five is kinda surreal, since save for Italy they’re usually all underrated due to not having to pass through a semifinal (with exceptions like Germany 2018 and Spain 2012 and 2014). That’s a cool way of looking at this, since.....I’m sorry, but I never got the hype behind France’s song.....It was well-performed, but.....I just find it kinda boring, save for the ending. I-I feel bad that I couldn’t make myself love it, cuz I wanted to, but I just....couldn’t. I guess it’s a case of me being too stupid to get it, pffffff. But I don’t dislike it, so I’m fine with it being the runner-up.
Switzerland won the jury vote and achieved their highest placement since.....*looks it up*....1993, geez.....AKA, their highest placement since I started watching. XD This is FAR from my favorite entry of theirs, but I still like it fine and I’m happy to see Switzerland do well. It was a powerful song. And, unlike other jury-pleasers like the Austrian entry in 2018 and the Macedonian entry in 2019, they actually got a triple-digit score from the televote! They were loved all around! The same goes for France, so....that makes the most obvious “jury bait”, uh....Portugal, I guess. XD
Iceland came fourth, and.....can I just say how bad I feel for those guys? From having a potential win snatched from under them by last year’s cancellation, to one of them getting Covid the day before their semifinal, making them the only act that couldn’t perform live, it felt like Iceland couldn’t catch a break. But thankfully, due to their very strong rehearsals, they were able to rise above it and come fourth PURELY based on the strength of their song. Heck YEAH, what a beautiful ending to this story. They weren’t one of my personal favorites, but it was still a very cute song, and it DESERVES its placing just so much.
Ukraine’s song was one that only got better and better for me over time, and it was also the favorite song of a friend of mine, so seeing them in the top five makes me happy too! That’s a FUN song, and it’s near universally loved, so I wasn’t too surprised. I did guess that it had a chance at pulling off the win, but the competition was too strong. In a weaker year, they probably would’ve done it.
I’m really happy to say this next one: Finland came sixth! WOOOOOO! Their first top ten result since Lordi’s win and awwwww MAN do they deserve it. Such an awesome, intense song! It was my favorite song in the final, and I wasn’t alone! They brought the roof off the place, and for good dang reason! Seeing Finland do so well after being so underrated for so long.....it makes me very happy to see that happen. Especially with a song as amazing as “Dark Side”. It’s now a permanent part of my playlist, and I love it. <3 Empire of the freaks, all drinks on ME!
(I stand by the fact that Finland should just keep sending rock songs to Eurovision. They’re clearly very good at making those)
Now, Malta coming seventh.....hmmm....I have some problems with this? I mean, pre-contest favorites not doing as well as predicted HAS happened before (oh, hello 2017), but that doesn’t mean I’m not a little surprised? I really do think they deserved to do a bit better.....I thought that was a top five-worthy song and performance.....I’m happy with the top five we got, but I didn’t think Iceland and Ukraine would place over Malta! Destiny had one of the best voices of the show! If I had to guess, it was because they performed so early? Or maybe people just overhyped the heck out of it and it got old. I dunno. Seventh is still good for Malta. So yeah, it’s not bad, just a bit surprising.
Lithuania in eighth, I pretty much called. I knew that was a top ten song. Still couldn’t beat LT United’s record though, pfffffff.....Guess Lithuania have to try even harder to do that. XD Russia was another one I knew would be in the top ten. Their song had a very strong message that sticks with you. Lithuania and Russia may not have been favorites of mine, but I can’t complain with their results at all.
And finally, rounding out the top ten is my second-favorite, Greece, tied with Bulgaria! I’m more than happy with this result for Greece - I would’ve liked to see them do a BIT better, but a top ten finish is a top ten finish, and the competition was really strong. Their entry was still fantastic! A powerful song I can’t get enough of AND the best staging of the year. You can’t say Greece didn’t try their hardest!
As for Bulgaria....not complaining. It was a fan-favorite for a while, but for me, it was a song that I loved the lyrics to, but not much else. I did think it’d do a bit better purely because of how relatable the lyrics were, but with this competition? This was the best they were gonna get. XD A slow song in a sea of high energy-performances. Makes it stand out, but not necessarily be what people wanna hear.
The same is true for Portugal, who had the other slower song. THIS was the “jury bait”. XD Seeing how many points the jury gave them compared to the televote....wasn’t all that surprising. It’s not a bad song at all. It’s actually pretty good. And twelfth is a good result for Portugal. I think they can be happy with that. “Jury bait” isn’t a bad thing at all, cuz I’ve liked plenty of songs that’ve had similar results (I’ve even loved a couple of them)
Moldova were a surprise for me. I honestly expected them to place toward the bottom. Their entry was fun, sure, but I didn’t think it....stood out all that much? I feel like it was missing something staging-wise. Moldova’s entries usually have really creative staging, so yeah, maybe I just felt a bit let down. But the song’s good. It just....was a party song in a sea of them. XD
Now Sweden, on the other hand.....I’m actually not surprised THAT much. Yeah, I did at first predict that it’d finish in the top ten, cuz....well, it’s Sweden, and the song was good and seemed to be popular. But after the first semifinal, reading comments and posts from fans really made me realize just how many people....don’t like “Voices”? It’s been called generic a lot, and.....well, I don’t agree. I think it’s a very good song. But I’m just one person and yeah, seeing the popular opinion of it just drop like that made me change my mind on calling it a top ten song. XD Not gonna act like seeing Sweden on the right side of the board (even at the top of it) isn’t still a bit weird, though....
Serbia, I thought would do better. I thought they’d be higher than Moldova at least. That was a big crowd-pleaser and a great hype song. I didn’t think it’d be a front-runner or anything, but I did think it’d be on the left side of the board. I can’t even say that it being in Serbian held it back, cuz this year proves that non-English songs can and will be fan-favorites. So.....I dunno what happened there.
After Serbia are two other party songs, Cyprus and Israel. I have nothing really to say about Israel. I thought they’d do about this well. And Cyprus, I’m kinda bummed didn’t do better, since it was a GREAT performance - it was enough to win me over, when it was a very hit-and-miss song for me before the contest - but going first when already there were a lot of party songs to compete with probably did them in. Oh, and the people who think parts of the song are annoying, like......I did for a while.....ahem. >__>
Then we come to Norway.....who were my third-favorite. At first, I was kinda....OK, very surprised at how they did, especially when it came to the juries. But after learning that they were only five points away from not qualifying for the final.....I’m just happy they were there. I’m happy I got to hear that song in the final. It’s obviously not to everyone’s tastes, so I shouldn’t have expected it to do well. I was just a bit hopeful. As it is, I love the song, and it’s currently one of my go-to songs to sing to myself. XD (Also, TIX is an icon)
Belgium getting only three points from the televote was painful, since I did like their entry a lot......but I can’t act like I didn’t at least kinda see it coming. Even though I liked them, I was still surprised they even made it to the final. XD With such strong competition, a band just standing there and singing a downbeat song? Yeah, this was as good as they were gonna do. Still a very cool song, but standing out was always gonna be an issue for them. They also performed really early on, so that probably didn’t help.
Azerbaijan....oh Azerbaijan.....how did they do you like that. Seriously, down in twentieth? What are they doing in twentieth!? They were one of the best of the upbeat songs! They stood out! I’d put them above Cyprus and Israel easily! I don’t understand that.....I do understand Albania though. They were pretty much doomed. Barely qualified for the final, and then stuck in second position. Ouch. Kinda unfortunate, since I actually like Albania’s song a bit more now after hearing it live....
I really, really, REALLY wanted San Marino to do better. I was HOPING they’d do better. They were clearly trying really hard this year. The little country that could, pffff....And if you ask me, “Adrenalina” is probably the most solid song they’ve ever sent (I say this as someone who loves “Spirit Of The Night”, for the record), so I thought it deserved to give them their best result ever. But....nah. It did worse than “Say Na Na Na” because....I dunno.....Serhat funny? That’s all I got....seriously, it’s unfortunate. The dream should’ve done better than the meme. XD
And we finally come to the flops.....the four countries that got nul from the televote, all automatic qualifiers. Seriously, why did FOUR countries get nul? At least three were saved by the juries, but if you ask me, it was still unfair.....
The Netherlands are the one I easily have the hardest time understanding. Germany, while I found their song funny, I can easily see why people would find it annoying (I DID think the televote would like them MORE than the juries though?), and I was not expecting them to do well, because it didn’t seem like they were trying to do well. They were just having fun. Spain, well.....a good singer does not a good entry make. It’s the Eurovision SONG Contest, not Singer Contest. If the song fails to stand out, you’re doomed. I was impressed by their performance, but it’s still just a ballad. It’s sad when you know the story behind it, though....And with the UK, it was a party song in a sea of party songs. It had TOUGH competition.
But....the Netherlands? Why the CRAP didn’t they get points from the televote? While not one of my absolute favorites, that was a darn good song and a great live performance. What happened? I don’t understand! There was nothing else that sounded like that! It was unique and sounded great, wh- my brain hurts....
On the UK getting nul overall though, I do have some complaints. Sure, it failed to stand out, but to score nothing? A bit unfair, isn’t it? I mean, there was nothing wrong with the song or the performance at all! It was the most fun song the UK have sent in years! I liked hearing a fun song from them! And c’mon, they’ve sent a lot worse before and still got points. “Still In Love With You” got points. That was debatably a joke song. “Love Will Set You Free” got points. That was a boring ballad. Heck, even flipping “That Sounds Good To Me” - it came last, but it at least got SOME points! And that song was CRAP.
Now, thankfully, I didn’t love this song nearly as much as I loved “Bigger Than Us”, so I’m not super salty about it or anything. I’m not gonna rant about the UK coming last again. I’m just.....a bit baffled by the nul. Geez, UK, who did you piss off? Eh, it’s not the end of the world or anything.....and I’ve been through good songs getting nul before (....”Black Smoke”....forever confused TT__TT)
It does make me a bit....hesitant....to track down the BBC commentary for this show. I usually love watching it that way, and it’s my preferred way to rewatch Eurovisions. And usually, Graham is a really good sport about the UK’s poor results (even when coming in last like 2010), but....how’d he handle a nul? XD I hope he didn’t overly praise the song....
So......yeah, that’s about it! I’ve missed rambling about Eurovision, and now.....it’s over! It was a good year, and I had a great time. It truly was a ride. Here’s hoping next year in Italy will be just as fun.
Until next year!
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I watched a bunch of horror this year during October; initially I was going to aim for 1 a day but some days were double features and some were skips! Also, I tried to keep a balance between new-to-me and previously watched. Wound up with more new. Let's do a 1 sentence review on all of them!!
In particular I wound up reaching for horror comedies. Since horror comedy in particular tends to not shy away from any material, each of them has some bits that don't quite land, imo, but nothing I personally couldn't handle or would say to for sure avoid. As with any horror I'd seek out trigger or content warning info if you've got concerns.
House (aka Hausu - 1977) - rewatch - Essentially written by children and produced with all the loving care it deserves. [on IA]
Fright Night (2011) - New - Fun and everyone understood the assignment. As an aside, RIP Anton Yelchin.
28 Days Later (2002) - rewatch - As a revisit it didn't hit as hard but the rich emotional portrait of what to do with catastrophic loss still holds.
Mindhunters (2004) - rewatch - An entertaining whodunnit where everyone is sus as hell, especially LL Cool J because I think they let him write his own one liners.
Ouija (2014) - new - Bog standard teens picked off by curse, and not lousy with ZoZo as I'd hoped.
It Follows (2014) - new - I'd heard hype & the basic plot, was not prepared for the absolutely tremendous dream energy this brought to the table.
Season of the Witch (2011) - rewatch - Nic Cage & Ron Perlman in a fairy tale with about taking an "evil witch" to trial, which was not especially horror-y but entertaining of course.
Prey (2022) - new - It was excellent but it should have been shot in Comanche and not just dubbed.
Hellraiser (2022) - new - I actually have a lot of opinions about this one but I think [norm macdonald voice] Not Gay Enough will have to suffice.
Stay Tuned (1972) - rewatch - Goofy, reference-heavy without being "hey look at this cool right", fun for the whole family.
The Selling (2011) - new - Folks, we love a small cast horror comedy about a nice guy and his dumb dog of a best bud getting into a real pickle.
Prisoners of the Ghostland (2021) - new - I paused the trailer and jumped in after a snippet of Bill Moseley's simple country lawyer type speech and I'm glad I did.
Child's Play (1988) - new - Extremely adorable child & his mom are set upon by some of the best puppetry I've seen in a little while.
Silent Hill (2006) - rewatch - Alice Krige is so hot, what were we talking about again?
Beetlejuice (1988) - rewatch - Nearly every person in this film is a national treasure. (Nearly)
1408 (2007) - rewatch - This was a treat to revisit because Cusack nails the emotional range and they did so much more than you'd expect from a "haunted hotel room" story.
Resident Evil (2002) - rewatch - You're all going to die down here.
Velvet Buzzsaw (2019) - new - A great little Lovecraft style story where you're THRILLED when people start dying.
A Comedy of Horrors Volume 1 (2021) - new - Hilarious small production affair that belongs in the canon of comedy horror anthologies. (Also they at'd me on twitter to say thanks for watching!)
Burnt Offerings (1976) - rewatch - Seeing a genuinely kind and loving family come apart makes for a really affecting tale.
Bad Milo! (2013) - new - It had a couple really solid bits but in all honesty I will watch anything with Peter Stormare in it.
Children of the Corn (1984) - new - Man, fuck Burt actually.
When a Stranger Calls (1979) - new - I signed on because I really love Carol Kane so I wasn't expecting the twists, turns, and beautiful shots of Los Angeles at night.
Bloodsucking Bastards (2015) - new - BUCKETS of blood and nearly as many laughs.
Death Becomes Her (1992) - rewatch - The effects whip so much ass, the jokes hold up, and I'm reasonably certain this movie made a bunch of people gay.
The Cloverfield Paradox (2018) - new - I love space disasters but I wish this had trusted the audience just a smidge more.
Event Horizon (1997) - rewatch - That's how it's done and if you didn't know better you'd not realize this guy also did Resident Evil.
Scream (1996) - rewatch - Still holds up beautifully and I'm really giving past me congrats for being extremely gay for our villains.
The Running Man (1987) - rewatch - If you squint it's survival horror, listen it's based off Stephen King so it's obligated to count.
Scream (2022) - new - So glad I watched the OG one before, makes it easier to see that this is honestly a very transparent love letter to the original and to other horror creators currently working.
The Stuff (1985) - new - This was fucking GREAT and I can't wait to watch it with more people.
Ghoulies (1985) - new - Shit dude they sure are.
Wendell & Wild (2022) - new - Nightmare Before Christmas writer director Henry Selick knocks it out of the park yet again, claymation is such a beautiful gift to animation and film.
That's it! That's all the ones I squeezed into October!
I also blitzed through The Midnight Club and the currently released episodes of Evil (s3) and Interview with the Vampire. Enjoyable all around.
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